tmlcanon

THESAURUS MUSICARUM LATINARUM: Canon of Data FilesNovember 15, 1911

Libri tres de institutione harmonica, liber primus

Source of data:

Incipit: Magnum est Flamini quod heri sum pollicitus nec me quidem poenitet aut sententiam

Thomas J. MathiesenElisabeth Honn & Andreas GigerJessica Burr

Libri tres de institutione harmonica(Bononiae, In aedibus Benedicti HectorisBibliopolae Bononiensis, 1516; reprinted., New York: Broude Bros., 1978), ff.Air-Cviv.

AARIH1TEXT

16th71K

File name: X

Annotations:The incipit is preceded by dedicatory epistles, beginning: "Scio, te non ignorare Clarissime Eques HieronymeSancte Petre ... " and "Fuit mihi tecum Petre Aaron vetus, et constans benivolentia ...." An additional fascicle ofcorrigenda was published later, perhaps in response to criticisms from Gaffurio; it is included in the BroudeBros. reprint but not in the 1970 reprint published in Bologna by Forni. The corrigenda are not simplecorrections of typographical errors but rather clarifications, elaborations, and retractions. The text of thecorrigenda is accordingly included in the TML as a separate file: AARIHCOR TEXT. See also AARIH2 TEXTand AARIH3 TEXT.

Aaron, PetrusAuthor:Treatise:

Data approved by:Data checked by:

Data input by:File type:Filelist:

File size:MS: Print:

Libri tres de institutione harmonica, liber secundus

Source of data:

Incipit: Copiose ac luculenter mi Aaron quae ad cantum planum pertinere uidebantur


Libri tres de institutione harmonica(Bononiae, In aedibus Benedicti HectorisBibliopolae Bononiensis, 1516; reprinted., New York: Broude Bros., 1978), ff.Cviv-Eviiir.

AARIH2TEXT

16th79K

File name: X

Annotations:An additional fascicle of corrigenda was published later, perhaps in response to criticisms from Gaffurio; it isincluded in the Broude Bros. reprint but not in the 1970 reprint published in Bologna by Forni. The corrigendaare not simple corrections of typographical errors but rather clarifications, elaborations, and retractions. The textof the corrigenda is accordingly included in the TML as a separate file: AARIHCOR TEXT. See also AARIH1TEXT and AARIH3 TEXT.





Libri tres de institutione harmonica, liber tertius

Source of data:

Incipit: Flaminius. Non possem mi Aaron verbis assequi, quanta te de hisce rebus


Libri tres de institutione harmonica(Bononiae, In aedibus Benedicti HectorisBibliopolae Bononiensis, 1516; reprinted., New York: Broude Bros., 1978), ff.Eviiiv-Hxr.

AARIH3TEXT

16th111K

File name: X

Annotations:An additional fascicle of corrigenda was published later, perhaps in response to criticisms from Gaffurio; it isincluded in the Broude Bros. reprint but not in the 1970 reprint published in Bologna by Forni. The corrigendaare not simple corrections of typographical errors but rather clarifications, elaborations, and retractions. The textof the corrigenda is accordingly included in the TML as a separate file: AARIHCOR TEXT. See also AARIH1TEXT and AARIH2 TEXT.





Libri tres de institutione harmonica; Petrus Aaron Florentinus ad Lectorem

Source of data:

Incipit: Quaedam lector humanissime in nostris institutionibus obscuriora quibusdam

Thomas J. MathiesenMichael W. LundellAndreas Giger

Libri tres de institutione harmonica(Bononiae, In aedibus Benedicti HectorisBibliopolae Bononiensis, [1516?]; reprinted., New York: Broude Bros., 1978), ff.Iir-Iiiv.

AARIHCORTEXT

16th8K

File name: X

Annotations:This fascicle of corrigenda was published separately, perhaps in response to criticisms from Gaffurio; it isincluded in the Broude Bros. reprint but not in the 1970 reprint published in Bologna by Forni. The corrigendaare not simple corrections of typographical errors but rather clarifications, elaborations, and retractions. Cf.AARIH1 TEXT, AARIH2 TEXT, and AARIH3 TEXT.





Regulae de arte musica

Source of data:

Incipit: Cantum, a beato papa Gregorio editum, quelibet se habere fatentur ecclesie.

Thomas J. MathiesenPeter Lefferts & Angela MarianiStephen E. Hayes

Scriptorum de musica medii aevi novaseries a Gerbertina altera, 4 vols., ed.Edmond de Coussemaker (Paris: Durand,1864-76; reprint ed., Hildesheim: Olms,1963), 2:150-92.

ABGURAMTEXT

12th123K

File name: X

Annotations:The graphics files for this treatise are ABGURAM 01GF-ABGURAM 12GF. The final part of this text includesthe treatise otherwise ascribed to Gui de Chalis (see GUICHA TEXT).

Abbot GuidoAuthor:Treatise:




1


Regulae organi

Source of data:

Incipit: Si cantus ascendit duas voces, et organum incipit in dupplici voce

Thomas J. MathiesenPeter Lefferts & Elisabeth HonnStephen E. Hayes

Cecily Sweeney, "The Regulae organiGuidonis Abbatis and 12th CenturyOrganum/Discant Treatises," Musicadisciplina 43 (1989): 27-30. Used bypermission of the American Institute ofMusicology (Tempo Music Publications,3773 West 95th Street, Leawood, KS66206).

ABGUREGTEXT

12th6K

File name: X

Annotations:The incipit is preceded by a four-line verse, beginning: "Ars probat artificem, quae scribitur arte Guidonis ...."Cf. GUICHA TEXT.

Abbot GuidoAuthor:Treatise:




Musica, pars prima

Source of data:

Incipit: Partem primam agressurus cogitavi mecum, perficiendum fore, nisi divini auxilii

Thomas J. MathiesenAngela MarianiSergei Lebedev

Scriptores ecclesiastici de musica sacrapotissimum, 3 vols., ed. Martin Gerbert(St. Blaise: Typis San-Blasianis, 1784;reprint ed., Hildesheim: Olms, 1963),3:329-41.

FULMUS1TEXT

15th33K

File name: X

Annotations:A long dedicatory preface precedes the treatise, beginning: "Clarissimo iurisconsulto Ioachim Luntaler advocatoconsistoriali, amico, fautorique singularissimo Adam de Fulda ...."

Adamus de FuldaAuthor:Treatise:




Musica, pars secunda

Source of data:

Incipit: Sunt autem imprimis septem consideranda, per quae tamquam per magis principalia



FULMUS2TEXT

15th45K

File name: X

Annotations:A long prologue precedes the treatise, beginning: "Credimus diversa fore hominum studia, quibus aliis suascripta insinuant,..." The graphics files for this treatise are FULMUS2 01GF-FULMUS2 06GF.





Musica, pars tertia

Source of data:

Incipit: Mensuralis musicae haec est descriptio, cuius figurae in signis positivis possunt

Thomas J. MathiesenAngela Mariani & Bradley TuckerSergei Lebedev


FULMUS3TEXT

15th22K

File name: X

Annotations:A long prologue precedes the treatise, beginning: "Amphionem Dircaeum, Antiopae Lyci coniugis NictaeiThebani regis filiae ...." The graphics file for this treatise is FULMUS3 01GF.





Musica, pars quarta

Source of data:

Incipit: Proportio est duorum numerorum inaequalitas, Boetio teste. Ex hac definitione

Thomas J. MathiesenAngela Mariani & Bradley TuckerSergei Lebedev


FULMUS4TEXT

15th30K

File name: X

Annotations:A long prologue precedes the treatise, beginning: "Iubal filium Lamech sonorum proportiones prioreminvenisse,..." The graphics files for this treatise are FULMUS4 01GF-FULMUS4 07GF.





2


Epistola cum tractatu de musica instrumentali humanaque ac mundana

Source of data:

Incipit: Desiderio tuo, fili carissime, gratuito condescenderem, si rationi praeviae preces

Thomas J. MathiesenOliver B. Ellsworth & Andreas GigerJohn Gray

Adalboldi episcopi Ultraiectensis Epistolacum tractatu de musica instrumentalihumanaque ac mundana, ed. Joseph Smitsvan Waesberghe, Divitiae musicae artis,A/II (Buren: Knuf, 1981), 12-29. Used bykind permission of the Laaber-Verlag.

ADETRATEXT

9th-11th25K

File name: X

Annotations:The treatise itself opens with an Introductio (beginning "Creatrix omnium sapientia creaturas omnes ..."). Theedition is based on Rome, Biblioteca Apostolica Vaticana, Barberini lat. 283, ff. 37-44 (=RISM BIII/2:102).

AdelboldusAuthor:Treatise:




Musica

Source of data:

Incipit: Ut vero indubitanter consonantiarum ratio colligatur, tali brevissimo ac simplici effici

Thomas J. MathiesenBenito V. RiveraBradley Jon Tucker


ADEMUSTEXT

9th-11th30K

File name: X

Annotations:The graphics files for this treatise are ADEMUS 01GF-ADEMUS 04GF. Cf. ADEMUSI TEXT.





Musica

Source of data:

Incipit: Ut vero indubitanter consonantiarum ratio colligatur, tali brevissimo ac simplici effici

Thomas J. MathiesenAndreas GigerJingfa Sun

Patrologia cursus completus, series latina,ed. J. P. Migne, 221 vols. (Paris: Garnier,1844-1904), 140:1109-20.

ADEMUSITEXT

9th-11th27K

File name: X

Annotations:The graphics file for this treatise is ADEMUSI 01GF. The figures for Schema 2-4 were not included in thisedition, but cross-references have been provided in this file to the respective figures in the Gerbert edition (i.e.,ADEMUS 02GF-ADEMUS 04GF). Cf. ADEMUS TEXT.





Tractatus cantus mensurabilis

Source of data:

Incipit: Primo accipe tenorem alicujus antiphone vel responsorii

Thomas J. MathiesenOliver B. EllsworthC. Matthew Balensuela


AEGTRATEXT

14th14K

File name: X

Annotations:

Aegidius de MurinoAuthor:Treatise:




Ars musica

Source of data:

Incipit: Musicae artis plures fuisse legimus inventores, secundum varias opiniones

Thomas J. MathiesenCharles M. AtkinsonPatricia Starr


ZAMLAMTEXT

14th63K

File name: X

Annotations:The treatise is preceded by a prologue, beginning: "Reverendo et in bono Iesu patri sibi karissimo domino etamico, domino fratri Iohanni, ordinis fratrum Minorum generali ministro: ..."

Aegidius Zamorensis, IohannesAuthor:Treatise:




3


Liber artis musicae

Source of data:

Incipit: Musicae artis plures fuisse legimus inuentores, secundum uarias opiniones

Thomas J. MathiesenPeter M. Lefferts & A. MarianiStephen E. Hayes

Johannes Aegidius de Zamora, Arsmusica, ed. Michel Robert-Tissot, Corpusscriptorum de musica, vol. 20 ([Rome]:American Institute of Musicology, 1974),30-122 (even). Used by permission.

ZAMLIBTEXT

14th64K

File name: X

Annotations:The treatise is preceded by a prologue, beginning: "Reuerendo et in bono Iesu patri sibi carissimo domino etamico, domino fratri Iohanni Ordinis Fratrum Minorum generali ministro, ..."

Aegidius Zamorensis, IohannesAuthor:Treatise:




Rudimenta musices

Source of data:

Incipit: Musica, secundum Augustinum, est bene modulandi scientia.

Thomas J. MathiesenAndreas GigerPeter Slemon

Rvdimenta mvsices, qvibvs canendiartificivm compendiosissime complexum,pueris vna cum monochordi dimensionetraditur (Vitebergae apud Geor. Rhaw,1539; reprint ed., New York: BroudeBros., 1966).

AGRRUDTEXT

16th37K

File name: X

Annotations:The graphics files for this treatise are AGRRUD 01GF-AGRRUD 18GF.

Agricola, MartinusAuthor:Treatise:




De ortu scientiarum, Dictio de cognoscenda causa unde orta est ars musice

Source of data:

Incipit: Dico quod postquam substancia mota fuit, accidit ei sonus, qui divisus fuit in tres species


Henry George Farmer, ed. and trans.,Al-Farabi's Arabic-Latin Writings onMusic, Collection of Oriental Writers onMusic, vol. 2 (Glasgow: The Civic Press,1934; reprint ed., London: HinrichsenEdition Ltd., 1965), 44-48.

FARORTTEXT

12th6K

File name: X

Annotations:De ortu scientiarum as preserved in Oxford, Bodleian Library, e. Museo 125, ff. 186v-187v (De assignandacausa ex qua scite sunt sciencie philosophie et ordo earum, Text B); Paris, Bibliothèque nationale, lat. 6298, ff.160-61 (Liber Alfarabii de ortu scientiarum, Text P3); and London, British Library, Sloane 2461, ff. 26r-27v(Gundissalinus, Compendium scientiarum [De divisione philosophiae], Text F).

Al-FarabiAuthor:Treatise:




De scientiis

Source of data:

Incipit: Scientia vero musice comprehendit in summa cognitionem specierum armoniarum

Thomas J. MathiesenElisabeth HonnAndreas Giger

Max Haas, "Studien zur mittelalterlichenMusiklehre I: Eine Übersicht über dieMusiklehre im Kontext der Philosophiedes 13. und frühen 14. Jahrhunderts," inAktuelle Fragen der musikbezogenenMittelalterforschung: Texte zu einemBasler Kolloquium des Jahres 1975,Forum Musicologicum: Basler Beiträgezur Musikgeschichte, vol. 3, ed. HansOesch and Wulf Arlt (Winterthur:Amadeus Verlag, 1982), 420-21.

FARSCITEXT

12th4K

File name: X

Annotations:Based on Paris, Bibliothèque nationale, lat. 9335, f. 148r-v, Gerard of Cremona's Latin translation of Al-Farabi'sdefinition of musical science from his De scientiis. Cf. FARSCIE TEXT.





4


De scientiis

Source of data:

Incipit: Scientia uero musice, comprehendit in summa, cognitionem specierum armoniarum


Henry George Farmer, ed. and trans.,Al-Farabi's Arabic-Latin Writings onMusic, Collection of Oriental Writers onMusic, vol. 2 (Glasgow: The Civic Press,1934; reprint ed., London: HinrichsenEdition Ltd., 1965), 21-31.

FARSCIETEXT

12th12K

File name: X

Annotations:De scientiis as preserved in Paris, Bibliothèque nationale, lat. 9335, f. 148r-v (Gerard of Cremona's Latintranslation of De scientiis, Text A); London, British LIbrary, Cotton Vesp.B.X (John of Seville, De divisioneomnium scientiarum, Text B); Vincent of Beauvais, Speculum doctrinale (Venice, 1494), lib. 17, cap. 15sq.(Text D); and London, British Library, Sloane 2461, ff. 26r-27v (Gundissalinus, Compendium scientiarum, TextF). Cf. FARSCI TEXT.





Musica

Source of data:

Incipit: Octo tonos in Musica consistere musicus scire debet, per quos omnis modulatio

Thomas J. MathiesenPeter M. LeffertsStephen E. Hayes


ALCMUSTEXT

6th-8th3K

File name: X

Annotations:Also ascribed to Albinus.

Alcuinus, FlaccusAuthor:Treatise:




Practica artis musice

Source of data:

Incipit: Licet michi ipsi in omni sciencia nimis sim insufficiens de ipsius auxilio qui dat

Thomas J. MathiesenPeter M. Lefferts & Kirk DitzlerStephen E. Hayes

Ameri Practica artis musice (1271), ed.Cesarino Ruini, Corpus scriptorum demusica, vol. 25 (n.p.: American Instituteof Musicology, 1977), 19-112. Used bypermission.

AMEPRATEXT

13th84K

File name: X

Annotations:The graphics files for this treatise are AMEPRA 01GF-AMEPRA 57GF.

AmerusAuthor:Treatise:




De musica

Source of data:

Incipit: Etsi Musica humanum inventum est, cantus tamen nonnullos usque adeo suaves

Thomas J. MathiesenBradley Jon TuckerJohn Csonka

Adrien de la Fage, Essais dedipthérographie musicale (Paris: Legouix,1864), 344-45.

ANCMUSTEXT

16th2K

File name: X

Annotations:Based on Rome, Biblioteca Vallicelliana, O.26. This text includes only five short propositions on music drawnfrom a larger set of propositions on philosophy and medicine, written in 1565.

Ancina Fossaniensis, JuvenalAuthor:Treatise:




[Ad organum faciendum]

Source of data:

Incipit: Cum multi ueterum ac modernorum de diaphonia satis indiscrete tractassent ego

Thomas J. MathiesenPeter SlemonAngela Mariani

Hans Heinrich Eggebrecht and FriederZaminer, eds., Ad organum faciendum.Lehrschriften der Mehrstimmigkeit innachguidonischer Zeit, Neue Studien zurMusikwissenschaft, vol. 3 (Mainz: B.Schotts Söhne, 1970), 159-60.

ADORFBBTEXT

9th-11th5K

File name: X

Annotations:Based on Berlin, Staatsbibliothek der Stiftung Preussischer Kulturbesitz, theol. lat. quart. 261, ff. 50v-51v. Thisrepresents a fragment of the treatise commonly known as Ad organum faciendum, sometimes also called theMilan organum treatise. Cf. ADORF TEXT.

AnonymousAuthor:Treatise:




5



Source of data:

Incipit: Significatum organi aliud naturale aliud remotum a natura. Naturale est illud


Hans Heinrich Eggebrecht and FriederZaminer, eds., Ad organum faciendum.Lehrschriften der Mehrstimmigkeit innachguidonischer Zeit, Neue Studien zurMusikwissenschaft, vol. 3 (Mainz: B.Schotts Söhne, 1970), 175.

ADORFBRTEXT

9th-11th3K

File name: X

Annotations:Based on Bruges, Stadsbibliotheek, 528, ff. 54vb-55ra. This represents a fragment of the treatise commonlyknown as Ad organum faciendum, sometimes also called the Milan organum treatise. Cf. ADORF TEXT.






Source of data:

Incipit: Vocum copulationes dicuntur. omni symphonia et de omni cantu dicatur.



ADORFBATEXT

9th-11th4K

File name: X

Annotations:Based on Berlin, Staatsbibliothek der Stiftung Preussischer Kulturbesitz, theol. lat. quart. 261, f. 48r-v. Thisrepresents a fragment of the treatise commonly known as Ad organum faciendum, sometimes also called theMilan organum treatise. Cf. ADORF TEXT.





[Ars musica]

Source of data:

Incipit: Huius artis experientiam quaerere cupientibus, a figura manus inchoandum est

Thomas J. MathiesenPeter M. Lefferts & Andreas GigerStephen E. Hayes

Marie Louise Göllner, ed., TheManuscript Cod. lat. 5539 of the BavarianState Library, Musicological Studies andDocuments, vol. 43 (Neuhausen-Stuttgart:Hänssler-Verlag, American Institute ofMusicology, 1993), 69-94. Used bypermission of the American Institute ofMusicology (Tempo Music Publications,3773 West 95th Street, Leawood, KS66206).

ANOARSMUTEXT

13th31K

File name: X

Annotations:Document IIIa. The treatise is preceded by a dedicatory prologue, beginning: "Reverentissimo domino ac patriH[einrico] ratysponensi episcopo subditorum humillimus ...." The graphics files for this treatise areANOARSMU 01GF-ANOARSMU 18GF. Cf. METANO3 TEXT.





[Cantor vero vocatur]

Source of data:

Incipit: Cantor vero vocatur qui vocem modulatur in cantu. Huius sunt duo genera

Thomas J. MathiesenPeter SlemonOliver B. Ellsworth

Salzburg, St. Peter's Abbey, a.VI.44, f.22v.

ANOCNTRMSAVI44

15th16K

File name: X

Annotations:=RISM BIII/1:27-31. The text of this individual folio continues on f. 1r. See ANOTOT MSAVI44.





[Capitulum de vocibus applicatis verbis]

Source of data:

Incipit: Postquam in precedenti capitulo dictum est de partibus et consideracione


Santorre Debenedetti, "Un trattatello delsecolo XIV sopra la poesia musicale,"Studi medievali 2 (1906-7): 79-80.

ANOCAPTEXT

14th8K

File name: X

Annotations:Based on Venice, Biblioteca Nazionale Marciana, lat. XII/97 (coll. 4125), ff. 19-20. The capitulum is appendedto Antonio da Tempo's Summa artis rithmici vulgaris Dictaminis.





6


[Collectio tractatuum diversae originis]

Source of data:

Incipit: Ratio sequitus est ista. Si aliquis vult scire sequitum oportet se scire sex rationes

Thomas J. MathiesenTravis Yeager and Randy GoldbergOliver B. Ellsworth

Milan, Biblioteca Ambrosiana, I.20.inf.,ff. 25r-30v.

ANOCOLMMBAI20I

15th33K

File name: X

Annotations:=RISM BIII/2:57-58 and BIII/6:517. Space has been provided for various figures and musical examples, all ofwhich have been omitted. Cf. Jacques Handschin's edition of the Milan organum treatise (ANOORME TEXT)and the "Gaudent brevitate moderni" tradition (ANO2TRA TEXT, ANO3DEC TEXT, ANOCMM TEXT,ANOCOM TEXT, ANOCOMM TEXT, ANOPRA TEXT, ANOTDD TEXT, ARTDIS TEXT, BALABMTEXT, BALABR TEXT, HANREG TEXT, and HANREGU TEXT). The text shifts to Italian beginning on f.29r.





[Compendiolum artis veteris ac novae]

Source of data:

Incipit: Quoniam per ignoranciam artis musice multi. et maxime temporibus modernis cantando

Thomas J. MathiesenTravis YeagerJohn Gray

Paris, Bibliothèque nationale, lat. 15128,ff. 127r-129r.

ANO3COMPMPBN1512

14th65K

File name: X

Annotations:=RISM BIII/1:120-21 and BIII/6:223. Cf. ANOCOM TEXT and ANOART TEXT.





[Compendium breve artis musicae]

Source of data:

Incipit: Cum animadverterem iuxta hoc dictum: "longa solent sperni, gaudent brevitate moderni"

Thomas J. MathiesenMark ButlerPeter Slemon

Bernhold Schmid, "EinMensuralkompendium aus derHandschrift Clm 24809," in Quellen undStudien zur Musiktheorie des Mittelalters,ed. Michael Bernhard, BayerischeAkademie der Wissenschaften,Veröffentlichungen derMusikhistorischen Kommission, Band 8(München: Bayerische Akademie derWissenschaften; C. H. Beck, 1990),71-75. Used by permission.

ANOCBAMTEXT

15th8K

File name: X

Annotations:Based on Munich, Bayerische Staatsbibliothek, Clm 24809, ff. 144r-145r (=RISM BIII/3:154-56).





[Compendium musicae]

Source of data:

Incipit: Incipit musica <super> modos et prolationes cuiuscumque temporis continens

Thomas J. MathiesenAndreas GigerJohn Gray & Oliver B. Ellsworth

Paris, Bibliothèque nationale, lat. 14741,ff. 2r-6v.

ANOQUAEMPBN1474

14th33K

File name: X

Annotations:=RISM BIII/6:220-22. The text of this manuscript is comprised of several sections, following one after the otherwith little or no differentiation: (1) ff. 2r-4r, based on Johannes de Muris's Quaestiones super partes musicae (cf.MURQUAE TEXT) and Ars discantus (cf. MURARSD TEXT) but with much additional text; (2) ff. 4r-5r(beginning without any break), an excerpt from Philippe de Vitry's Ars nova (cf. VITARNO TEXT); (3) ff.5r-6r, an excerpt from the Tractatus de musica of the Anonymous OP (cf. ANOPTRA TEXT); and (4) f. 6r-v, afragment from de Muris's Musica practica (cf. MURPRA TEXT). The graphics file for this set of treatises isANOQUAE 01GF. The text of the manuscript continues in ANOMENS MPBN1474.





[Compendium secundum famosiores musicos]

Source of data:

Incipit: PResens compendium secundum famosiores musicos in quindecim capitula diuiditur


Salzburg, St. Peter's Abbey, a.VI.44, ff.68v-75r.

ANOFMUSMSAVI44

15th28K

File name: X

Annotations:=RISM BIII/1:27-31. The text of this treatise accords to some extent with Anonymous XII (cf. ANOXIITCFTEXT and ANO12TRA TEXT). The graphics files for this treatise are ANOFMUS 01GF-ANOFMUS 03GF.





7


[Compilatio Caroloruhensis]

Source of data:

Incipit: <...> ad VIIII. Dyapason et diapente triplo constant, ut II IIII VI.

Thomas J. MathiesenDavid SchneiderPeter Slemon

Christian Meyer, "Aus der Werkstatt desKompilators," in Quellen und Studien zurMusiktheorie des Mittelalters, vol. 2, ed.Michael Bernhard, Bayerische Akademieder Wissenschaften, Veröffentlichungender Musikhistorischen Kommission, Band13 (München: Bayerische Akademie derWissenschaften; C. H. Beck, 1997), 7-9.Used by permission.

ANOCCTEXT

9th-11th33K

File name: X

Annotations:Based on Karlsruhe, Badische Landesbibliothek, K.504, f. 32r-v (=RISM BIII/3:63-65 and BIII/6:304-5).





[De cognicione notulorum]

Source of data:

Incipit: QUilibet igitur in arte practica mensurabilis cantus mediocriter erudiri affectans

Peter M. LeffertsTravis YeagerPeter M. Lefferts

London, British Library, Additional23220, ff. 11v-14r.

BERMAN3MLBL2322

14th33K

File name: X

Annotations:=RISM BIII/4:48-50 and BIII/6:389. An anonymous compilation, Book III of three books in this manuscript andclosely related to BERMAN TEXT, Tractatus tertius, which is itself a version of the Libellus cantusmensurabilis secundum Johannem de Muris (cf. MURLIB TEXT and related files). See also BERMAN1MLBL2322 and BERMAN2 MLBL2322.





[De discantu]

Source of data:

Incipit: MOderni cantores ab antiquorum vsu philosophorum discrepare nolentes


London, British Library, Additional23220, ff. 7r-11v.

BERMAN2MLBL2322

14th33K

File name: X

Annotations:=RISM BIII/4:48-50 and BIII/6:389. An anonymous compilation, Book II of three books in this manuscript andclosely related to BERMAN TEXT, Tractatus secundus. See also BERMAN1 MLBL2322 and BERMAN3MLBL2322. The graphics files for this treatise are BERMAN2 01GF-BERMAN2 06GF.





[De discantu, proportionibus et tonis]

Source of data:

Incipit: <M>oderni cantores antiquorum ab vsu discrepare volentes


Rome, Biblioteca Apostolica Vaticana,Reginensis lat. 1146, ff. 46r-55r.

BERMAN4MBAVR114

14th33K

File name: X

Annotations:=RISM BIII/3:112-16; BIII/6:582-83. An anonymous compilation, closely related to BERMAN2 MLBL2322.The graphics file for this treatise is BERMAN4 01GF.





[De discantu et contranota]

Source of data:

Incipit: Circa modum discantandi primo attendendum est.

Thomas J. MathiesenMichael W. LundellPeter M. Lefferts

London, British Library, Additional21455, ff. 9v-11r.

ANODDCMLBL2145

14th9K

File name: X

Annotations:=RISM BIII/4:46-47. The graphics file for this treatise is ANODDC 01GF. Cf. ANOCMD TEXT andANOCMDG TEXT.





8


[De discantu et contranota]

Source of data:

Incipit: Septem sunt concordancie in discantu, videlicet unisonus. tercia, quinta, sexta

Thomas J. MathiesenElisabeth HonnPeter M. Lefferts

Manfred Bukofzer, Geschichte desenglischen Diskants und desFauxbourdons nach den theoretischenQuellen, Sammlungmusikwissenschaftlicher Abhandlungen,Band 21 (Strassbourg: Heitz, 1936), 141.

ANODDCSTEXT

14th2K

File name: X

Annotations:Edited from London, British Library, Additional 21455, f. 11r. Cf. ANODDC MLBL2145, ANOCMD TEXT,and ANOCMDG TEXT.





[De discantu]

Source of data:

Incipit: ... quinta et descendat per unam vocem erit in octaua vel incipiat in tercia


Oxford, Bodleian Library, Bodley 842(S.C. 2575), f. 76r.

ANODISMOBB842

14th1K

File name: X

Annotations:=RISM BIII/4:110-15. This fragment of text has been published in Klaus-Jürgen Sachs, "Zur Tradition derKlangschritt-Lehre: Die Texte mit der Formel 'Si cantus ascendit ...' und ihre Verwandten," Archiv fürMusikwissenschaft 28 (1971): 264.





[De harmonia planetarum]

Source of data:

Incipit: Da per armoniam distanciam planetarum


Oxford, Bodleian Library, Bodley 842(S.C. 2575), f. 46v.

ANOHARPMOBB842

14th2K

File name: X

Annotations:=RISM BIII/4:110-15.





[De intervallis]

Source of data:

Incipit: Tonus dicitur a tonando quia prima uox est qui naturaliter tonat.


London, British Library, Harley 978, ff.14r-15r.

ANOINTMLBLH978

13th3K

File name: X

Annotations:=RISM BIII/4:80-81. The incipit, which appears on f. 15r, is preceded on f. 14r by a diagram of interlockingnatural, hard, and soft hexachords, and an untexted melody demonstrating these mutations. This is followed onff. 14v-15r by a musical mnemonic on the text "Est tonus sic ut.re.ut aut re.mi.re. uel fa.sol.fa. sol.la.sol. solethic sonare ...." The graphics files for this treatise are ANOINT 01GF-ANOINT 03GF. Cf. ANOESTMLBLL763.





[De intervallis]

Source of data:

Incipit: Tonus est regula quo de omni cantu in fine diiudicat


Oxford, Bodleian Library, Bodley 842(S.C. 2575), ff. 44v-45r.

ANOINMOBB842

14th1K

File name: X

Annotations:=RISM BIII/4:110-15. The graphics file for this treatise is ANOIN 01GF.





9


[De litteris, de deduccionibus, de modis, de speciebus]

Source of data:

Incipit: Quoniam quidem In antelapsis temporibus quamplures de cantibus


London, British Library, Additional23220, ff. 1r-7r.

BERMAN1MLBL2322

14th33K

File name: X

Annotations:=RISM BIII/4:48-50 and BIII/6:389. An anonymous compilation, Book I of three books in this manuscript andclosely related to BERMAN TEXT, Introductio and Tractatus primus. See also BERMAN2 MLBL2322 andBERMAN3 MLBL2322. The graphics files for this treatise are BERMAN1 01GF-BERMAN1 08GF.





[De mensurabili musica]

Source of data:

Incipit: Cum de mensurabili musica sit nostra presens intencio



ANOMMMLBL2145

14th15K

File name: X

Annotations:=RISM BIII/4:46-47. The graphics files for this treatise are ANOMM 01GF-ANOMM 02GF. Cf. REGDEMTEXT.





[De mensuratione]

Source of data:

Incipit: Cum sine cognicione figurarum non possit haberi mensurabilis musice perfecta cognicio

Thomas J. MathiesenAndreas GigerJohn Gray & Oliver B. Ellsworth


ANOMENSMPBN1474

14th12K

File name: X

Annotations:This treatise, which has no title and begins simply with a small capital letter, follows the treatises of ANOQUAEMPBN1474 with only a few lines of intervening space at the bottom of f. 6v. The graphics file for this treatise isANOMENS 01GF.





[De modis cantandi]

Source of data:

Incipit: <S>Equitur nunc de modis cantandi Tam vsitatis quam invsitatis


Salzburg, St. Peter's Abbey, a.VI.44, ff.44v-59v.

ANOMCANTMSAVI44

15th44K

File name: X

Annotations:=RISM BIII/1:27-31. Cf. Wolfenbüttel Helmst. 696, ff. 144vff. The graphics files for this treatise areANOMCANT 01GF-ANOMCANT 29GF.





[De modo cantandi cantum planum]

Source of data:

Incipit: De modo cantandi cantum planum sex ponenda sunt capitula


Salzburg, St. Peter's Abbey, a.VI.44, ff.20r-22r.

ANOMCCPMSAVI44

15th16K

File name: X

Annotations:=RISM BIII/1:27-31. The graphics files for this treatise are ANOMCCP 01GF-ANOMCCP 02GF.





[De musica]

Source of data:

Incipit: Omnis ars siue doctrina honorabiliorem habet rationem quam artificium

Thomas J. MathiesenAndreas GigerOliver B. Ellsworth

Rome, Biblioteca Apostolica Vaticana,Barberini lat. 307, ff. 21r-27r.

ANOMUSIMBAVB307

14th51K

File name: X

Annotations:=RISM BIII/2:102-4. The graphics file for this treatise is ANOMUSI 01GF. The treatise was formerly falselyattributed to Theodoricus de Campo. Cf. ANODEM TEXT and CAMDEM TEXT.





10


[De musica mensurata]

Source of data:

Incipit: Pro facili informatione eorum, qui ad culmen artis musicae scientiae pervenire


P. Altman Kellner, "Ein Mensuraltraktataus der Zeit um 1400," Anzeiger derOesterreichischen Akademie derWissenschaften,philosophisch-historische Klasse 94(1957): 73-85. Used by permission.

ANOBRITEXT

15th30K

File name: X

Annotations:Based on Kremsmünster, Benediktinerstiftsbibliothek 312, ff. 210v-212v (=RISM BIII/6:24-26). The treatise iscommonly known as the "Brieger Anonymous." The graphics file for this treatise is ANOBRI 01GF. Cf.ANOBRIG TEXT and ANOTDMM TEXT.





[De musica mensurata]

Source of data:

Incipit: Pro facili informacione eorum, qui ad culmen artis musice scientie pervenire

Thomas J. MathiesenPhil KuraszPeter Slemon

Alexander Rausch, "Mensuraltraktate desSpätmittelalters in ÖsterreichischenBibliotheken," in Quellen und Studien zurMusiktheorie des Mittelalters, vol. 3, ed.Michael Bernhard, Bayerische Akademieder Wissenschaften, Veröffentlichungender Musikhistorischen Kommission, Band15 (München: Bayerische Akademie derWissenschaften; C. H. Beck, 2001),293-303. Used by permission.

ANOBRIGTEXT

15th28K

File name: X

Annotations:Based on Kremsmünster, Benediktinerstiftsbibliothek 312, ff. 210v-212v (=RISM BIII/6:24-26). The treatise iscommonly known as the "Brieger Anonymous." The graphics file for this treatise is ANOBRIG 01GF. Cf.ANOBRI TEXT and ANOTDMM TEXT.





[De origine musice artis]

Source of data:

Incipit: De origine Musice Artis quia rudem lectorem vidimus in primis tacuimus.


London, British Library, Lansdowne 763,ff. 69r-87v.

ANODEOMLBLL763

14th38K

File name: X

Annotations:=RISM BIII/4:87-91. The graphics files for this treatise are ANODEO 01GF-33GF (ANODEO 33GF is an"arbor diagram" of the sort that appears in treatises dealing with mensural hierarchies [e.g., Quatuor principaliaand the treatise of Johannes Vetulus de Anagnia], but it does not seem to pertain specifically to this treatise). Thetreatise begins (ff. 69r-71r) with a Guidonian miscellany drawn from the Micrologus (chapters 20, 13, etc.); thisis followed by an elaborate tonary (ff. 71r-85r) and then the summary of a tonary (ff. 85r-87r). The principaltonary reflects the Sarum rite (see Michel Huglo, Les tonaires: Inventaire, analyse, comparaison [Paris: Sociétéfrançaise de musicologie, 1971], 345).





[De prolatione]

Source of data:

Incipit: Quatuor sunt signa per que facile cognosci potest omnis cantus



ANOPROLMOBB842

14th1K

File name: X






[De proportione]

Source of data:

Incipit: Primus habet m .ne. sic sextus tercius atque septimus octauus fieri dicit



ANOPROPMOBB842

14th1K

File name: X






11


[De proportionibus]

Source of data:

Incipit: <Q>uid est proporcio. proporcio est duorum numerorum adinuicem habitudo


Rome, Biblioteca Apostolica Vaticana,Reginensis lat. 1146, ff. 5v-9r.

ANOPROP1MBAVR114

14th33K

File name: X

Annotations:=RISM BIII/3:112-16; BIII/6:582-83. The middle portion of this text (f. 7r-8r) is the fourth treatise of Marchetusde Padua's Lucidarium (cf. MARLUC4 TEXT). The graphics file for this treatise is ANOPROP1 01GF.





[De proportionibus et de intervallis]

Source of data:

Incipit: ... decem et octo. Inter sedecim et octodecim unus numerus intercidit


Oxford, Bodleian Library, Bodley 842(S.C. 2575), ff. 74r-75v.

ANOPIMOBB842

14th7K

File name: X

Annotations:=RISM BIII/4:110-15. On the first section of this text, cf. Boethius, De institutione musica 1.16.





[De valore notularum tam veteris quam novae artis]

Source of data:

Incipit: Ad euidentiam valoris notularum sciendum quod quocienscumque nota

Andreas GigerKatherine Clark & Andreas GigerOliver B. Ellsworth


ANO2VALMPBN1512

14th21K

File name: X

Annotations:=RISM BIII/1:120-21 and BIII/6:223. The graphics file for this treatise is ANO2VAL 01GF. Cf. ANO2DEMTEXT and ANO2DEV TEXT.





[Dialogus de organo et tractatulus de cantu]

Source of data:

Incipit: Discipulus: Quare non in diatessaron symphonia sicut in diapason et diapente

Andreas GigerDawn ReindlAndreas Giger

Hans Schmid, ed., Musica et scolicaenchiriadis una cum aliquibus tractatulisadiunctis, Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 3(München: Bayerische Akademie derWissenschaften; C. H. Beck, 1981),214-21. Used by permission.

ANODIATEXT

9th-11th15K

File name: X

Annotations:Based on Bamberg, Staatsbibliothek, HJ.IV.20, ff. 61r, 63r-66r. The graphics files for this treatise are ANODIA01GF-ANODIA 04GF.





[Excerpta de consonantiis et de contrapuncto]

Source of data:

Incipit: Consonantiarum simplicium alia est vel dicitur

Andreas GigerKatherine ClarkThomas J. Mathiesen

Anonymi Tractatus de cantu figurativo etde contrapuncto (c. 1430-1520), ed.Christian Meyer, Corpus scriptorum demusica, vol. 41 (n.p.: American Instituteof Musicology; Hänssler-Verlag, 1997),86-87. Used by permission.

ANOEXCTEXT

15th9K

File name: X

Annotations:Based on Vienna, Österreichische Nationalbibliothek, Cpv 3550, ff. 230v-231r, 302r, and 314v.





12


[Fragmenta]

Source of data:

Incipit: Isidora. Musica est ars modulandi sono cantuque consistens



ANOFRAGMOBB842

14th2K

File name: X

Annotations:=RISM BIII/4:110-15. The graphics file for this treatise is ANOFRAG 01GF.





[Fragmentum]

Source of data:

Incipit: Vt superius dictum est per multos nouem sunt muse.


Rome, Biblioteca Apostolica Vaticana,Barberini lat. 307, f. 29r-v.

ANOFRAGMMBAVB307

6th-8th3K

File name: X






[Fragmentum de proportionibus]

Source of data:

Incipit: Quaternarium vocatur proportio dupla minor

Thomas J. MathiesenPeter SlemonDavid Schneider

F. Alberto Gallo, Mensurabilis musicaetractatuli, Antiquae musicae italicaescriptores, vol. 1 (Bologna: Universitàdegli Studi di Bologna, Istituto di StudiMusicali e Teatrali - Sez. Musicologia,1966), 55. Used by permission.

ANOFRAPTEXT

14th4K

File name: X

Annotations:Edited from Pavia, Biblioteca universitaria, Aldino 450 (olim Venice, San Salvatore), f. 7v (=RISMBIII/2:77-78).





[Glossae in Micrologum]

Source of data:

Incipit: Musica dicitur a potu myson id est a querendo.


Wolfgang Hirschmann, "Accessus undGlosse: Die Micrologus-Version derHandschrift Oxford, St John's College188," in Quellen und Studien zurMusiktheorie des Mittelalters, vol. 3, ed.Michael Bernhard, Bayerische Akademieder Wissenschaften, Veröffentlichungender Musikhistorischen Kommission, Band15 (München: Bayerische Akademie derWissenschaften; C. H. Beck, 2001),170-71. Used by permission.

ANOOXPTEXT

13th4K

File name: X

Annotations:=RISM BIII/4: 128-32 and BIII/6:415. The incipit is preceded by the heading "Ratio musice uel prologus." Cf.ANOOXA TEXT.





13


[Glossae in Micrologum]

Source of data:

Incipit: Intentio huius auctoris est tractare de septem discriminibus uocum.


Wolfgang Hirschmann, "Accessus undGlosse: Die Micrologus-Version derHandschrift Oxford, St John's College188," in Quellen und Studien zurMusiktheorie des Mittelalters, vol. 3, ed.Michael Bernhard, Bayerische Akademieder Wissenschaften, Veröffentlichungender Musikhistorischen Kommission, Band15 (München: Bayerische Akademie derWissenschaften; C. H. Beck, 2001),165-69. Used by permission.

ANOOXATEXT

13th4K

File name: X

Annotations:=RISM BIII/4: 128-32 and BIII/6:415. Cf. GUICOM TEXT, GUICOMS TEXT, and ANOOXP TEXT.





[Guidonis musica]

Source of data:

Incipit: <A>rs est iam vtillima. a philosophis composita. ars est vocata musica.


Rome, Biblioteca Apostolica Vaticana,Reginensis lat. 1146, ff. 9v-34v.

ANOGUIMBAVR114

12th98K

File name: X

Annotations:=RISM BIII/3:112-16; BIII/6:582-83. The treatise is a composite of material from Osbernus Cantuarensis(OSBMUS TEXT), the Prologus in Tonarium of Berno Augiensis (BERNPRO TEXT), and the Dialogusascribed to Odo (ODODIA TEXT). The graphics files for this treatise are ANOGUI 01GF-ANOGUI 02GF.





[Lectio Guidonis]

Source of data:

Incipit: Cum sint quattuor disciplinae mathematicae, tres laborant in investigatione veritatis

Thomas J. MathiesenAnastasia ArapovaPeter Slemon

Joseph Smits van Waesberghe,"Relazione inedita di una lezione diGuido d'Arezzo sulla teoria della musica,"Note d'Archivio per la storia musicale 13(1936): 42-45.

GUILECTEXT

9th-11th33K

File name: X

Annotations:Based on Darmstadt, Hessische Landes- und Hochschulbibliothek, 1988, ff. 169v-170r (RISM BIII/3:39-41).





[Marginalia]

Source of data:

Incipit: Denique si a acuta habet XII et A gravis habet VI, tenet se a acuta cum A graui proportione


Heinrich Sowa, "Zur Handschrift Clm9921," Acta musicologica 5 (1933):61-63, 65, 107-8, 110-11, 113-19.

ANOMARGTEXT

12th16K

File name: X

Annotations:Twelve separate texts preserved in the margins of Munich, Bayerische Staatsbibliothek, Clm 9921, ff. 18-22, 25,39-40 (=RISM BIII/3:103-7). The incipit of the the second text is: "Hac ex lege protus autentus sit tibi notus";the third: "Modi uocum sunt proprietates quedam"; the fourth: "Dietker. Duo sinemena"; the fifth: "Sunt in uoceorationis indice"; the sixth: "Protus finit in lichanos ypaton"; the seventh: "Cumque tam paucis clausulis totaarmonia formetur"; the eighth: "Cantor cantores excitet ad cantandum sollicitet"; the ninth: "Incipit noua etremissa fistularum mensura domini Willehelmi Abbatis Hirsaugensium"; the tenth: "Mensura et pondusnolarum"; the eleventh: "Tonus intensus, tonus remissus"; and the twelfth: "Primus igitur tonus uel tropus siuemodus." The graphics files for these treatises are ANOMARG 01GF-ANOMARG 06GF.





14


[Mensura cymbalorum]

Source of data:

Incipit: [Varia]


J. Smits van Waesberghe, ed., Cymbala(Bells in the Middle Ages), MusicologicalStudies and Documents, vol. 1 (Rome:American Institute of Musicology, 1951),37-61. Used by permission of theAmerican Institute of Musicology(Tempo Music Publications, 3773 West95th Street, Leawood, KS 66206).

ANOCYMTEXT

14th51K

File name: X

Annotations:This file contains twenty-two different texts drawn from manuscripts of various dates (primarily elevenththrough thirteenth century).





[Mensura fistularum]

Source of data:

Incipit: Quemadmodum vocis articulatae elementariae atque individuae partes sunt litterae



ANOPRGTEXT

9th-11th21K

File name: X

Annotations:Based on Prague, Národní Knihovna Ceské Republiky, XIX.C.26, ff. 28v-34r (=RISM BIII/5:16-19). Thegraphics file for this treatise is ANOPRG 01GF.





[Mensura fistularum]

Source of data:

Incipit: Prima fistula in VIII (!) divisa octava (!) pars auferatur et erit B secunda


"Anonyme Mensur der Orgelpfeifen.(Cod. Paull. 1493. Fol. 61a.)," in HugoRiemann, Studien zur Geschichte derNotenschrift (Leipzig: Breitkopf undHärtel, 1878), 301.

ANOPRIRTEXT

9th-11th33K

File name: X

Annotations:





[Mensura instrumenti organici]

Source of data:

Incipit: Mensuram et ordinem instrumenti organici qui scire voluerit, necesse est


"Anonyme Mensur der Orgelpfeifen. (Excodice Bernensi Martiani Capellae 56b.Mitgetheilt von Schubiger Spicilegien S.82. X. Jahrhundert.)," in Hugo Riemann,Studien zur Geschichte der Notenschrift(Leipzig: Breitkopf und Härtel, 1878),300.

ANOMENRTEXT

9th-11th33K

File name: X

Annotations:Based on Bern, Stadtbibliothek, B56, ff. 2v-3r (RISM BIII/1:72-73).





15


[Mensura monochordi]

Source of data:

Incipit: Monacordum tuum sic dividas. Primo totum spatium interceptum inter primum C

Thomas J. MathiesenJessica SiskPeter Slemon

Prosdocimo de' Beldomandi, Brevissummula proportionum quantum admusicam pertinet and Parvus tractatulusde modo monacordum dividendi, ed. andtrans. by Jan Herlinger, Greek and LatinMusic Theory, vol. 4 (Lincoln: Universityof Nebraska Press, 1987), 150-52. Usedby permission.

ANOEINTEXT

15th33K

File name: X

Annotations:Based on Einsiedeln, Benediktinerkloster, 689 (=RISM BIII/1:75).





[Mensura monocordi VI]

Source of data:

Incipit: Si vis mensurare monocordum, quod dicitur Enchiriadis


Hans Schmid, ed., Musica et scolicaenchiriadis una cum aliquibus tractatulisadiunctis, Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 3(München: Bayerische Akademie derWissenschaften; C. H. Beck, 1981), 241.Used by permission.

ANOME6TEXT

9th-11th3K

File name: X

Annotations:Based on Brussels, Bibliothèque Royale Albert Ier, 10078, f. 38r.





[Miscellanea]

Source of data:

Incipit: Diapente et diatesseron Simphonie et intense et remisse pariter consonantia<m>

Thomas J. MathiesenAndreas GigerElisabeth Honn

Karl-Werner Gümpel, "SpicilegiumRivipullense," Archiv fürMusikwissenschaft 35 (1978): 57-61.Used by permission.

ANOSPITEXT

9th-11th10K

File name: X

Annotations:A collection of short texts from Ripoll 42. The incipit given above is the text for the music (ANOSPI 01GF)included at the beginning of the article. The incipit for the first text is: "De Guidonis musica. Omnes autentiquinto loco a se principia ..."; for the second text: "Incipit interrogatio. Discipulus. Diapason quid est? ..."; forthe third text: "Qualiter metiatur monocordus. Si uis metiri monocordum, ..."; and for the fourth text: "DeEnquiriadis monocordi diuisione. Enquiridiadis (sic!) namque monocordi ...."





[Musica disciplina]

Source of data:

Incipit: Musica disciplina est, quae de numeris loquitur, qui ad aliquid sunt his, qui inveniuntur

Thomas J. MathiesenAndreas GigerMichael W. Lundell

Renate Federhofer-Königs, "Einunvollständiger Musiktraktat des 14.Jahrhunderts in Ms. 1201 derUniversitätsbibliothek Graz,"Kirchenmusikalisches Jahrbuch 44(1960): 14-19. Used by permission.

ANOMUSDTEXT

14th12K

File name: X

Annotations:This text is commonly known as the Graz Anonymous.





16


[Octo principalia de arte organisandi]

Source of data:

Incipit: Pro utilitate artem organisandi scire cupientium necnon extirpandi


Elzbieta Witkowska-Zaremba, "Arsorganisandi around 1430 and ItsTerminology," in Quellen und Studien zurMusiktheorie des Mittelalters, vol. 3, ed.Michael Bernhard, Bayerische Akademieder Wissenschaften, Veröffentlichungender Musikhistorischen Kommission, Band15 (München: Bayerische Akademie derWissenschaften; C. H. Beck, 2001),387-98. Used by permission.

ANOOPAOTEXT

15th12K

File name: X

Annotations:Based on Praha, Archiv Prazskeho Hradu, Knihovna Metropolitní Kapituly, M.CIII (1463), ff. 93r-96r (=RISMBIII/5:4-5 and BIII/6:140-42). The graphics files for this treatise are ANOOPAO 01GF-ANOOPAO 02GF.





[Opusculum de arte organica]

Source of data:

Incipit: Opusculi presentis intencio versatur circa tria


Elzbieta Witkowska-Zaremba, "Arsorganisandi around 1430 and ItsTerminology," in Quellen und Studien zurMusiktheorie des Mittelalters, vol. 3, ed.Michael Bernhard, Bayerische Akademieder Wissenschaften, Veröffentlichungender Musikhistorischen Kommission, Band15 (München: Bayerische Akademie derWissenschaften; C. H. Beck, 2001),402-18. Used by permission.

ANOODAOTEXT

15th12K

File name: X

Annotations:Based on Praha, Archiv Prazskeho Hradu, Knihovna Metropolitní Kapituly, M.CIII (1463), ff. 96r-100v (=RISMBIII/5:4-5 and BIII/6:140-42). The graphics files for this treatise are ANOODAO 01GF-ANOODAO 05GF.





[Opusculum de musica ex traditione Iohannis Hollandrini]

Source of data:

Incipit: <I>n principio nostri opusculi primo et principaliter seruamus ab illo principium


Vienna, Nationalbibliothek, cod. pal.vind. 4774, ff. 12r-23v and 30v-33v.

ANOHOL6AMVNB4774

15th98K

File name: X

Annotations:=RISM BIII/1:45-47 and BIII/6:86-87. The graphics files for this treatise are ANOHOL6A 01GF-ANOHOL6A02GF. Cf. ANOTRHO TEXT.





[Opusculum de musica ex traditione Iohannis Hollandrini]

Source of data:

Incipit: <I>n principio nostri opusculi primo et principaliter seruamus ab illo principium


Vienna, Nationalbibliothek, cod. pal.vind. 4774, ff. 24r-30r.

ANOHOL6BMVNB4774

15th33K

File name: X

Annotations:=RISM BIII/1:45-47 and BIII/6:86-87. The graphics files for this treatise are ANOHOL6B 01GF-ANOHOL6B50GF. Cf. ANOTRHO TEXT.





17


[Opusculum musicum]

Source of data:

Incipit: Ut pateat euidenter monochordi. quot et quibus pleri licet nescienter diuersis



MUSICAOMOBB842

14th2K

File name: X

Annotations:=RISM BIII/4:110-15. This file contains the text for a didactic musical example, given in MUSICAO 01GF. Thesame text appears in St. Paul, Archiv des Benediktinerstiftes, 135/1, ff. 18v-19r. See Lawrence Gushee, "TheTabula Monochordi of Magister Nicolaus de Luduno," in Essays on Medieval Music in Honor of David G.Hughes, ed. Graeme M. Boone, Isham Library Papers, no. 4 (Cambridge: Harvard University Department ofMusic; Harvard University Press, 1995), 140-41.





[Practica notarum]

Source of data:

Incipit: Sequitur nunc practica notarum In quibus nulla fit mutacio


Salzburg, St. Peter's Abbey, a.VI.44, ff.41v-44v.

ANOPRNOMSAVI44

15th8K

File name: X

Annotations:=RISM BIII/1:27-31. The graphics files for this text are ANOPRNO 01GF-ANOPRNO 06GF.





[Regulae cantandi contrapunctum]

Source of data:

Incipit: [Q]uid est contrapunctus? Contrapuntus nil aliud est nisi notam contra aliam notam



ANORCCTEXT

15th6K

File name: X

Annotations:Based on Venice, Biblioteca Nazionale Marciana, lat. app. cl. VIII/82 (coll. 3047), ff. 63r-65r (=RISMBIII/2:128 and BIII/6:621-22); and Munich, Bayerische Staatsbibliothek, Clm 15632, ff. 103v-104v (=RISMBIII/3:129-30).





[Regulae contrapuncti]

Source of data:

Incipit: Item organisandi breviori conquirere cupiens modo, consideret primum quod sex sunt



ANORCPTTEXT

15th12K

File name: X

Annotations:Based on Salzburg, Erzabtei St. Peter, Bibliothek, Ms. b II 42, ff. 334r-338v. The graphics file for this treatise isANORCPT 01GF.





[Regulae de contrapuncto]

Source of data:

Incipit: Contrapunctus est ars flectendi cantabiles sonos proportionabili dimensione



ANORDCTEXT

15th9K

File name: X

Annotations:Based on Vienna, Österreichische Nationalbibliothek, Cpv 3646, f. 305r-v.





18


[Regulae de musica]

Source of data:

Incipit: Omnium humanarum actionum seu studiorum que moderantur ... sicut dicit Hugo

Thomas J. MathiesenBradley Jon TuckerAngela Mariani

Dominicus Mettenleiter, Musikgeschichteder Stadt Regensburg (Regensburg: J. G.Bössenecker, 1866), 61-70 partim.

METANO2TEXT

13th28K

File name: X

Annotations:The treatise is preceded by a dedicatory prologue, beginning: "Venerantissimis et in Christo plurimum diligendisdominis suis...." Based on Erlangen, Universitätsbibliothek, 193.





[Rhythmica]

Source of data:

Incipit: Pes est syllabarum et temporum certa dinumeratio ... pedes disyallabi sunt quattuor


Max Haas, "Studien zur mittelalterlichenMusiklehre I: Eine Übersicht über dieMusiklehre im Kontext der Philosophiedes 13. und frühen 14. Jahrhunderts," inAktuelle Fragen der musikbezogenenMittelalterforschung: Texte zu einemBasler Kolloquium des Jahres 1975,Forum Musicologicum: Basler Beiträgezur Musikgeschichte, vol. 3, ed. HansOesch and Wulf Arlt (Winterthur:Amadeus Verlag, 1982), 425.

ANOPESTEXT

13th4K

File name: X

Annotations:Based on a list appearing in Oxford, Bodleian Library, Bodley 77, f. 139. The graphics file for this treatise isANOPES 01GF.





[Tabula neumarum]

Source of data:

Incipit: Punctum, Bipunctum, Tripunctum, Tripunctum praepuncte, Tripunctum praebipuncte

Thomas J. MathiesenPeter SlemonPeter Slemon

Hugo Riemann, Studien zur Geschichteder Notenschrift (Leipzig: Breitkopf undHärtel, 1878), taf. XXI.

ANONEUMTEXT

12th33K

File name: X

Annotations:The graphics file for this treatise is ANONEUM 01GF.





[Tractatulus de musica]

Source of data:

Incipit: Cantus dicitur autenticus melodia cuius diapente recipit inferius et dyatesseron



ANOCADITEXT

13th4K

File name: X

Annotations:Document IIIc. The graphics files for this treatise are ANOCADI 01GF-ANOCADI 04GF. Cf. METANO3TEXT.





19



Source of data:

Incipit: Est musica mundana, humana et instrumentalis. De instrumentali agit Boethius

Thomas J. MathiesenMichael W. LundellUlrike Hascher-Burger

Unpublished critical text by UlrikeHascher-Burger (Sonderholm 67,NL-2133 Hoofdorp, The Netherlands),used with the kind permission of theowner.

ANOTRDMTEXT

13th18K

File name: X

Annotations:Based on Munich, Bayerische Staatsbibliothek, Clm 28186, ff. 258r-259v; Florence, BibliotecaMedicea-Laurenziana, 29.9, ff. 143v-145r; and Kraków, Biblioteka Jagiellonska, 754, ff. 43v, 42r-42v, and 44r.Cf. ANOTRDMF MFBL279, ANOTRDMK MKBJ754, and ANTRDMM MMBS2818.






Source of data:

Incipit: Est musica mundana. humana et instrumentalis. De instrumentali agit Boecius


Florence, BibliotecaMedicea-Laurenziana, XXVII.d.9, ff.143v-145r.

ANOTRDMFMFBL279

13th17K

File name: X

Annotations:Cf. ANOTRDM TEXT, ANOTRDMK MKBJ754, and ANTRDMM MMBS2818.






Source of data:

Incipit: Est musica mundana. humana et instrumentalis. De instrumentali agit Boecius


Krakow, Biblioteka Jagiellonska, 754, ff.43v, 42r-v, and 44r.

ANOTRDMKMKBJ754

13th18K

File name: X

Annotations:Cf. ANOTRDM TEXT, ANOTRDMF MFBL279, and ANTRDMM MMBS2818.






Source of data:

Incipit: Est musica humana mundana et instrumentalis De instrumentali agit Boecius


Munich, Bayerische Staatsbibliothek,Clm 28186, ff. 258r-259v.

ANOTRDMMMBS2818

13th18K

File name: X

Annotations:Cf. ANOTRDM TEXT, ANOTRDMF MFBL279, and ANTRDMK MKBJ754.






Source of data:

Incipit: Viginti et una littera sunt in monocordo. Quarum VIII priores dicuntur graves


Peter Wagner, "Aus dem St.Thomas-Archiv zu Leipzig," Zeitschriftfür Musikwissenschaft 12 (1929): 129-37.

ANOTRDMTEXT

14th15K

File name: X

Annotations:Based on Leipzig, Karl-Marx-Universität, Universitätsbibliothek, St. Thomas Archiv 371. The graphics files forthis treatise are ANOTRDMW 01GF-ANOTRDMW 04GF.





20


[Tractatulus de notis]

Source of data:

Incipit: Omnis nota in cantu mensurato vel est longa vel est brevis vel semibrevis.


F. Alberto Gallo, "Due trattatelli sullanotazione del primo trecento,"Quadrivium 12 (1971), 124-26. Used bypermission.

ANO1OMNTEXT

14th33K

File name: X

Annotations:The graphics file for this treatise is ANO1OMN 01GF. See also ANO2OMN TEXT.





[Tractatulus de notis]

Source of data:

Incipit: Omnis nota in cantu mensurato vel est longa vel est brevis vel semibrevis.


F. Alberto Gallo, "Due trattatelli sullanotazione del primo trecento,"Quadrivium 12 (1971), 127-30. Used bypermission.

ANO2OMNTEXT

14th33K

File name: X

Annotations:The graphics file for this treatise is ANO2OMN 01GF. See also ANO1OMN TEXT.





[Tractatus brevis de musica mensurata]

Source of data:

Incipit: Notularum alia longa, alia breuis, alia semibreuis, et sunt duplices uel simplices

Thomas J. MathiesenAnastasia Arapova and Mark ButlerPeter Slemon

Carl Allan Moberg, "Om flerstämmigmusik i Sverige under medeltiden,"Svensk Tidskrift för Musikforskning 10(1928): 82-86.

ANOUPS3TEXT

13th65K

File name: X

Annotations:Based on Uppsala, Universiteitsbibl., C 55, ff. 26r-27r. The graphics files for this treatise is ANOUPS3 01GF.





[Tractatus compilatus de musica plana et mensurabili e traditione franconiana]

Source of data:

Incipit: <Q>voniam circa musicam quedam necessaria ad utilitatem cantantium


Bergamo, Biblioteca civica, 2/67 ([Delta]IV 30), ff. 252r-258r.

ANOMPMMBER267

15th65K

File name: X

Annotations:=RISM BIII/2:21. The graphics files for this treatise are ANOMPM 01GF-ANOMPM 02GF. On the first part ofthe text, cf. ARITRA TEXT, BEDMUS TEXT, and LAMTRAC MSBCLV30; on the second part, cf. ANOCBAMPBN1512, ANOCOM TEXT, ANOCOMM TEXT, ANOCMM TEXT, ANOTDD TEXT, ANO2TRA TEXT,ANO3DEC TEXT, BALABREV MPBN1512, BALABM TEXT, and BALABR TEXT.





[Tractatus de cantu mensurabili]

Source of data:

Incipit: (De notulis) Sciendum est quod in notulis pro exigentia motellorum, conductorum

Thomas J. MathiesenPeter Lefferts & Bradley TuckerStephen E. Hayes

Michel Huglo, "Le traité de cantusmensurabilis du manuscrit de Bamberg,"in Pax et Sapientia: Studies in Text andMusic of Liturgical Tropes andSequences in Memory of GordonAnderson, ed. Ritva Jacobsson, Actauniversitatis stockholmiensis, Studialatina stockholmiensia, vol. 29(Stockholm: Almqvist & Wiksell, 1986),94-95. Used by permission.

ANOCANTTEXT

13th4K

File name: X

Annotations:The graphics file for this treatise is ANOCANT 01GF.





21


[Tractatus de contrapuncto et de musica mensurabili]

Source of data:

Incipit: Ad sciendum artem cantus, videlicet simplicis contrapuncti, sive ad sciendum fracturas

Andreas GigerAnna GercasThomas J. Mathiesen

Anonymus, Tractatus de contrapuncto etde musica mensurabili (Mss. Munich,Staatsbibliothek, Clm. 16208 et 24809),ed. Christian Meyer, Corpus scriptorumde musica, vol. 40 (n.p.: AmericanInstitute of Musicology;Haenssler-Verlag, 1995), 47-71. Used bypermission.

ANOTDCDMTEXT

15th36K

File name: X

Annotations:Based on Munich, Bayerische Staatsbibliothek, Clm 16208 and 24809 (=RISM BIII/3:130-32 and 154-56). Thegraphics files for this treatise are ANOTDCDM 01GF-ANOTDCDM 08GF.





[Tractatus de musica]

Source of data:

Incipit: Differentia est inter motetos, ballados, vireletos et rondellos et fugas.


Martin Staehelin, "Beschreibungen undBeispiele musikalischer Formen in einemunbeachteten Traktat des frühen 15.Jahrhunderts" Archiv fürMusikwissenschaft 31 (1974): 239. Usedby permission.

ANOTDMTEXT

15th3K

File name: X

Annotations:Based on Philadelphia, University of Pennsylvania, Charles Patterson Van Pelt Library, lat. 36; and SchlossHarburg, Fürstlich Oettingen- Wallerstein'sche Bibliothek und Kunstsammlung, cod. II, 1, 2º, 38.






Source of data:

Incipit: Musica est motus vocum rationabilium in arsim et a thesim, id est in elevatione


Renate Federhofer-Königs, "Einanonymer Musiktraktat aus der 2. Hälftedes 14. Jahrhunderts in derStiftsbibliothek Michaelbeuern/Salzburg,"Kirchenmusikalisches Jahrbuch 46(1962): 44-54. Used by permission.

ANOMICTEXT

14th21K

File name: X

Annotations:Based on Michaelbeuern (Salzburg), Bibliothek des Benediktinerstiftes, cod. man. cart. 95, ff. 148r-153r. Thetreatise is dated 1369. The graphics file for this treatise is ANOMIC 01GF. Cf. ANOVERP TEXT.






Source of data:

Incipit: Musica est motus vocum rationabilium in arsim item thesim, idest inclinationem


Andres Briner, "Ein anonymerunvollständiger Musiktraktat des 15.Jahrhunderts in Philadelphia, USA,"Kirchenmusikalisches Jahrbuch 50(1966): 27-38. Used by permission.

ANOPHILTEXT

15th19K

File name: X

Annotations:Based on Philadelphia, University of Pennsylvania, latin 36, ff. 207v-216v. The manuscript as a whole carriesthe date 1437 (on f. 58r). The graphics files for this treatise are ANOPHIL 01GF-ANOPHIL 05GF.






Source of data:

Incipit: Pro themate presentis operis assummo Cassiodorum in quadam epistola

Thomas J. MathiesenKirk DitzlerPeter Slemon

Dénes von Bartha, "Studien zummusikalischen Schrifttum des 15.Jahrhunderts," Archiv fürMusikforschung 1 (1936): 180-99.

ANOPROTEXT

15th18K

File name: X

Annotations:Based on Munich, Bayerische Staatsbibliothek, Clm 1573 (in the hand of U. Fugger).





22



Source of data:

Incipit: Quoniam circa artem musicam necessaria quedam ad utilitatem cantantium tractare

Thomas J. MathiesenMichael W. LundellSandra Pinegar

Siena, Biblioteca comunale, L.V.30, ff.14r-32r.

LAMTRACMSBCLV30

13th79K

File name: X

Annotations:=RISM BIII/2:120-23. The incipit is preceded by the heading "SANCTI. SPIRITVS. ADSIT. NOBIS.GRATIA." This treatise is now commonly ascribed to Magister Lambert. The graphics files for this treatise areLAMTRAC 01GF-LAMTRAC 12GF. Cf. ANOMPM MBER267, ARITRA TEXT, and BEDMUS TEXT.






Source of data:

Incipit: Quoniam de canendi scientia doctrinam sumus facturi, omnes ad quorum manus


Albert Seay, "An Anonymous Treatisefrom St. Martial," Annalesmusicologiques 5 (1957): 13-42.

ANOLAFTEXT

12th65K

File name: X

Annotations:Based on Florence, Biblioteca nazionale centrale, Magliabechiana XIX.D.19, ff. 1-5; Pisa, Bibliotecauniversitaria, 606 (IV,9) II (=RISM BIII/2:81-84), pp. 52-57; and Venice, Biblioteca Nazionale Marciana, lat.app. cl. VIII/85 (coll. 3579) (RISM BIII/2:128-29), ff. 24-27. The treatise is sometimes known as La FageAnonymous I (=St. Martial Anonymous). The graphics files for this treatise are ANOLAF 01GF-ANOLOF04GF. Cf. ANOFRA5 TEXT.





[Tractatus de musica cum glossis]

Source of data:

Incipit: Nota Subiectum huius tractatuli artis musice Est proporcio vocum


Vienna, Nationalbibliothek, cod. pal.vind. 4774, ff. 35v-91r.

ANOHOL3MVNB4774

15th163K

File name: X

Annotations:=RISM BIII/1:45-47 and BIII/6:86-87. The incipit is preceded by a five-line verse beginning: "Sequitur musicaet eius vtilitas ...." The graphics files for this treatise are ANOHOL3 01GF-ANOHOL3 50GF.






Source of data:

Incipit: Quoniam inter septem artes liberales primatum optinet musica. testante Boetio.

Thomas J. MathiesenMichael Lundell & Charles BurnettCharles Burnett & Michael Lundell

Cashel (Tipperary), G. P. A. BoltonLibrary (formerly Cathedral Library), no.1, 59-70.

ANOTRACMCBOLT1

13th33K

File name: X

Annotations:Major sections of the text parallel ANOMUPO TEXT (the "Louvain Treatise"), ARSORG TEXT (the "VaticanOrganum Treatise"), the second part of AQUARS TEXT, and ANOARSMA MBUFIX54. There are additionalshorter parallels here and there throughout.





[Tractatus de musica mensurabili]

Source of data:

Incipit: Quoniam circa artem musice figurative seu mensuralis multi hodiernis temporibus

Thomas J. MathiesenPeter SlemonMark Butler

Bernhold Schmid, "Der Musiktraktat ausClm 26812," in Quellen und Studien zurMusiktheorie des Mittelalters, ed.Michael Bernhard, Bayerische Akademieder Wissenschaften, Veröffentlichungender Musikhistorischen Kommission, Band8 (München: Bayerische Akademie derWissenschaften; C. H. Beck, 1990),82-98. Used by permission.

ANOTDMMTEXT

15th45K

File name: X

Annotations:Based on Munich, Bayerische Staatsbibliothek, Clm 26812, ff. 344r-355v (=RISM BIII/3:160-61). The treatiseexhibits parallels with the Melk anonymous (ANOTRA TEXT); Breslau anonymous (WFANON4 TEXT), alsoknown as Wolf's anonymous; and the Kremsmünster anonymous (ANOBRI TEXT), also known as the Briegeranonymous. The graphics file for this treatise is ANOTDMM 01GF.





23


[Tractatus de musica mensurata et musica falsa]

Source of data:

Incipit: Mensurabilis musica est cantus longis breuibusque temporibus mensuratus



ANOUPS2TEXT

13th33K

File name: X

Annotations:Based on Uppsala, Universiteitsbibl., C 55, ff. 22r-25v. Cf. ANOARSM TEXT, ANOFIG TEXT, and ANOREGTEXT. The graphics files for this treatise are ANOUPS2 01GF-ANOUPS2 05GF.





[Tractatus de musica plana]

Source of data:

Incipit: Qvoniam circa artem musicalis sciencie multi hodiernis temporibus delirant

Thomas J. MathiesenTravis YeagerMichael W. Lundell and Katharine Clark

Eichstätt, Universitätsbibliothek, cod. st685 (olim O 26, quarto 27), ff. 362r-377v

EICANONMEUB685

15th130K

File name: X

Annotations:Not in RISM; description in Maarten J. F. M. Hoenen, Speculum philosophiae medii aevi: DieHandschriftensammlung des Dominikaners Georg Schwartz († nach 1484), Bochumer Studien zur Philosophie,vol. 22 (Amsterdam: Grüner, 1994), 62-72. Cf. WFANON4 TEXT (beginning only). The graphics files for thistreatise are EICANON 01GF-EICANON 18GF.





[Tractatus de octo tonis]

Source of data:

Incipit: potest ascendere ad .f. acutum et descendere in .c. grave


Salzburg, St. Peter's Abbey, a.VI.44, ff.1r-19v.

ANOTOTMSAVI44

15th28K

File name: X

Annotations:=RISM BIII/1:27-31. The first part of this text appears on f. 22v. See ANOCNTR MSAVI44. The graphics filesfor this treatise are ANOTOT 01GF-ANOTOT 32GF.





[Tractatus de organo]

Source of data:

Incipit: Diaphonia duplex cantus est; cuius talis est diffinitio. Organum est vox sequens

Thomas J. MathiesenPeter SlemonBradley Jon Tucker

Jacques Handschin, "DerOrganum-Traktat von Montpellier," inStudien zur Musikgeschichte. Festschriftfür Guido Adler zum 75. Geburtstag(Wien: Universal, 1930), 50-51.

ANOMONTEXT

12th4K

File name: X

Annotations:Based on Montpellier, Bibliothèque de l'Université, Section de Médecine, H 384, ff. 122-123. The treatise issometimes known as the Handschin Anonymous. Cf. ANOMONT TEXT and ANOORG TEXT.






Source of data:

Incipit: Diaphonia duplex cantus est. cuius talis est diffinitio. Organum est uox sequens



ANOMONTTEXT

12th4K

File name: X

Annotations:Based on Montpellier, Bibliothèque de l'Université, Section de Médecine, H 384, ff. 122-123. The treatise issometimes known as the Handschin Anonymous. Cf. ANOMON TEXT and ANOORG TEXT.





24



Source of data:

Incipit: Diaphonia duplex cantus est; cuius talis est diffinitio. Organum est vox sequens


Fred Blum, "Another Look at theMontpellier Organum Treatise," Musicadisciplina 13 (1959): 21-24. Used bypermission of the American Institute ofMusicology (Tempo Music Publications,3773 West 95th Street, Leawood, KS66206).

ANOORGTEXT

12th4K

File name: X

Annotations:Based on Montpellier, Bibliothèque de l'Université, Section de Médecine, H 384, ff. 122-123. The treatise issometimes known as the Handschin Anonymous. The graphics file for this treatise is ANOORG 01GF. Cf.ANOMON TEXT and ANOMONT TEXT.





[Tractatus de solmisatione]

Source of data:

Incipit: Gamaut [[Gamma] supra lin.] are bmi. cfaut. dsolre Elami. ffaut. gsolreut Alamire.

Thomas J. MathiesenKatherine Clark & Andreas GigerJohn Gray

Vienna, ÖsterreichischeNationalbibliothek, cod. pal. vind. 4702,ff. 86r-90v.

ANOTDSMVNB4702

14th21K

File name: X

Annotations:=RISM BIII/1:45. the graphics files for this treatise are ANOTDS 01GF-ANOTDS 07GF.





[Tractatus versificatus de modis]

Source of data:

Incipit: Dicitur esse modus in cantu regula quedam

Peter M. LeffertsPeter Slemon and Travis YeagerPeter M. Lefferts

Venice, Biblioteca Nazionale Marciana,lat. app. cl. VIII/24 (coll. 3434), ff.8v-10r.

ANOTRAC3MVBM8-24

13th33K

File name: X

Annotations:=RISM BIII/2:127 and BIII/6:615-16.





[Versus de musica]

Source of data:

Incipit: Dum Domino psalles. psallendo tu tria serves.

Thomas J. MathiesenAndreas GigerAndreas Giger

S. A. van Dijk, "Saint Bernard and theInstituta Patrum of Saint Gall," Musicadisciplina 4 (1950): 109. Used bypermission of the American Institute ofMusicology (Tempo Music Publications,3773 West 95th Street, Leawood, KS66206).

ANOVERTEXT

12th2K

File name: X

Annotations:Based on Oxford, Corpus Christi College, D 44, f. 194r: "Rubrica de modo cantandi et psallendi divinumofficium."





[Versus de musica]

Source of data:

Incipit: His poteris sollers ignotum discere cantum

Thomas J. MathiesenMark ButlerAnastasia Arapova

Hans Müller, "Bruchstücke aus dermittelalterlichen Musiktheorie,"Vierteljahresschrift fürMusikwissenschaft 1 (1885): 173-74.

ANOVDMTEXT

12th2K

File name: X

Annotations:Based on Brussels, Bibliothèque Royale Albert Ier, 10078/95, f. 92v. The graphics file for this treatise isANOVDM 01GF. For the first set of verses, cf. ANOFRA3 TEXT and see RISM BIII/1:57.





25


[Versus de musica]

Source of data:

Incipit: Iam post has normas mensurati volo cantus


Alexander Rausch, "Mensuraltraktate desSpätmittelalters in ÖsterreichischenBibliotheken," in Quellen und Studien zurMusiktheorie des Mittelalters, vol. 3, ed.Michael Bernhard, Bayerische Akademieder Wissenschaften, Veröffentlichungender Musikhistorischen Kommission, Band15 (München: Bayerische Akademie derWissenschaften; C. H. Beck, 2001),284-91. Used by permission.

ANOVERPTEXT

15th12K

File name: X

Annotations:Cf. ANOMIC TEXT. The graphics file for this treatise is ANOVERP 01GF.





[Versus de tonis]

Source of data:

Incipit: Indicis a summo capiens exordia primus


Hans Müller, "Bruchstücke aus dermittelalterlichen Musiktheorie,"Vierteljahresschrift fürMusikwissenschaft 1 (1885): 172-73.

ANOVDTTEXT

12th3K

File name: X

Annotations:Based on Brussels, Bibliothèque Royale Albert Ier, 10078/95, f. 45v. Cf. ANO2TDM TEXT, ANO2TRDMTEXT, and JOAMUS TEXT; and see RISM BIII/1:56.





Ad organum faciendum

Source of data:

Incipit: Cum obscuritas diaphonia multis et perplurimum tardis in ingenio difficultatem praestet

Thomas J. MathiesenBenito V. RiveraAngela Mariani

Jay A. Huff, ed. and trans., Ad organumfaciendum et Item de organo, MusicalTheorists in Translation, vol. 8(Brooklyn, NY: Institute of MediaevalMusic, Ltd., [1963]), 41-67 (odd). Usedby permission.

ADORFTEXT

9th-11th19K

File name: X

Annotations:Commonly known as the Milan organum treatise, which is based on Milan, Biblioteca Ambrosiana, M.17.sup.(=RISM BIII/2:59-63). Cf. ADORFA TEXT, ADORFAC TEXT, ADORFBA TEXT, ADORFBB TEXT, andADORFBR TEXT.






Source of data:

Incipit: Cum obscuritas diaphoniae multis et perplurimum tardis ingenio difficultatem praestet

Thomas J. MathiesenPeter Lefferts & Luminita AluasStephen E. Hayes

Edmond de Coussemaker, Histoire del'harmonie au moyen-age (Paris: V.Didron, 1852), 226-43.

ADORFATEXT

9th-11th12K

File name: X

Annotations:Commonly known as the Milan organum treatise (Document I in the Coussemaker Histoire), which is based onMilan, Biblioteca Ambrosiana, M.17.sup. (=RISM BIII/2:59-63). The treatise proper is preceded by musicalexamples on the texts "Cunctipotens genitor," "Benedicamus domino," and "Hoc sit vobis iter." The graphicsfiles for this treatise are ADORFA 01GF-ADORFA 05GF. Cf. ADORF TEXT, ADORFAC TEXT, ADORFBATEXT, ADORFBB TEXT, and ADORFBR TEXT.





26



Source of data:

Incipit: Cum obscuritas diaphonie multis et perplurimum tardis in ingenio difficultatem prestet


Hans Heinrich Eggebrecht and FriederZaminer, eds., Ad organum faciendum.Lehrschriften der Mehrstimmigkeit innachguidonischer Zeit, Neue Studien zurMusikwissenschaft, vol. 3 (Mainz: B.Schotts Söhne, 1970), 45-49 and 111-15.

ADORFACTEXT

9th-11th13K

File name: X

Annotations:Commonly known as the Milan organum treatise, which is based on Milan, Biblioteca Ambrosiana, M.17.sup.(=RISM BIII/2:59-63). The treatise proper is preceded by musical examples on the texts "Cunctipotens genitor,""Benedicamus domino," and "Hoc sit vobis iter." The graphics files for this treatise are ADORFAC01GF-ADORFAC 03GF. Cf. ADORF TEXT, ADORFA TEXT, ADORFBA TEXT, ADORFBB TEXT, andADORFBR TEXT.





Alia musica

Source of data:

Incipit: De harmonica consideratione Boetius ita disseruit: quia neque solum in terminis



ALIMUSTEXT

9th-11th73K

File name: X

Annotations:In this version, the treatise concludes with three additional sections: "De mensuris organicarum fistularum," "Decymbalorum ponderibus," "De modis," and "De quinque symphoniis." These probably do not form a part of theAlia musica, which is devoted to modal theory. Gerbert included all these texts as part of Hucbald's Musica (seeHUCHAR TEXT), but they are now commonly considered anonymous. The graphics files for this treatise areALIMUS 01GF-ALIMUS 03GF. Cf. ALIMU TEXT, ALIMUSI TEXT, and ALIAMU TEXT.





Alia musica

Source of data:

Incipit: De harmonica consideratione Boetius ita disseruit quia neque solum in terminis



ALIMUTEXT

9th-11th72K

File name: X

Annotations:In this version, the treatise concludes with three additional sections: "De mensuris organicarum fistularum," "Decymbalorum ponderibus," and "De quinque symphoniis." These probably do not form a part of the Alia musica,which is devoted to modal theory. Gerbert (followed in this edition) included all these texts as part of Hucbald'sMusica (see HUCHAR TEXT), but they are now commonly considered anonymous. The graphics files for thistreatise are ALIMU 01GF-ALIMU 02GF. Cf. ALIMUS TEXT and ALIMUSI TEXT.





Alia musica

Source of data:

Incipit: De harmonica consideratione Boetius ita disseruit: quia neque solum in terminis

Thomas J. MathiesenKirk DitzlerNigel Gwee

Edmund Brooks Heard, "Alia musica: AChapter in the History of Music Theory"(Ph.D. dissertation, University ofWisconsin, 1966), 119-229 (odd only).

ALIMUSITEXT

9th-11th64K

File name: X

Annotations:Cf. ALIMU TEXT, ALIMUS TEXT, and ALIAMU TEXT.





27


Alia musica

Source of data:

Incipit: Tonus primus NONANOEANE, qui graece dicitur autentos protos

Thomas J. MathiesenPeter Lefferts & Andreas GigerSteven E. Hayes

Jacques Chailley, ed., Alia musica (Traitéde musique du IXe siècle): Editioncritique commentée avec une introductionsur l'origine de la nomenclature modalepseudo-grecque au Moyen-Age (Paris:Centre de documentation universitaire etSociété d'édition d'enseignementsupérieur réunis, 1965), 85-88, 90-97,99-111, 113-18, 120-30, 133-45, 147-74,176-81, and 183-212. Used bypermission.

ALIAMUTEXT

9th-11th69K

File name: X

Annotations:This edition presents the treatise in three sections: a "First Quidam," beginning on p. 85 with the incipit shownabove; a "Principal Treatise," beginning on p. 95 "De harmonica consideratione Boetius ita disseruit"; and a"Second Quidam (Nova expositio)," beginning on p. 183 "A prima quoque specie diapason quae est mese." Thegraphics file for this treatise is ALIAMU 01GF. Cf. ALIMU TEXT, ALIMUS TEXT, and ALIMUSI TEXT.





Ars cantus mensurabilis mensurata per modos iuris

Source of data:

Incipit: "Cantabo Domino in vita mea." Pro huius, opusculi mei humilis, intentione tria oportet

Thomas J. MathiesenAndreas GigerC. Matthew Balensuela

Ars cantus mensurabilis mensurata permodos iuris, ed. and trans. C. MatthewBalensuela, Greek and Latin MusicTheory, vol. 10 (Lincoln: University ofNebraska Press, 1994), 124-258(even-numbered pages only). Used bypermission.

ANO5ACMTEXT

14th57K

File name: X

Annotations:The graphics files for this treatise are ANO5ACM 01GF-ANO5ACM 08GF. Cf. ANO5ARS TEXT.





Ars et modus pulsandi organa secundum modum nouissimum inuentum per magistros musicos modernos

Source of data:

Incipit: Nota quod omnes uoces totius organi tam toni quam semitoni possunt esse


Rome, Biblioteca Apostolica Vaticana,Barberini lat. 307, ff. 29v-30r.

ANOAMPOMBAVB307

14th6K

File name: X

Annotations:=RISM BIII/2:102-4. The incipit is preceded by a line of notation given as the following series of letters:C.D.E.F.G.A.b[sqb].C.+D. +E.F.+G+.A.b[sqb].C+.D+.E.F.+G+.A. b[sqb].C+.D. Cf. ANOAMP TEXT.





Ars et modus pulsandi organa secundum modum novissimum inventum per magistros musicos modernos

Source of data:

Incipit: Nota quod omnes uoces totius organi tam toni quam semitoni possunt esse


R. Casimiri, "Un trattatello per organistidi anonimo del sec. XIV," Note d'archivioper la storia musicale 19 (1942): 100-101.

ANOAMPTEXT

14th4K

File name: X

Annotations:The incipit is preceded by a line of notation given as the following series of letters: C.D.E.F.G.Abh.C.+D.+E.F.+G.+A.bh.C.+D.+E.F.+G.+A.bh.C.+D. Cf. ANOAMPO MBAVB307.





28


Ars et practica cantus figurativi

Source of data:

Incipit: Discantus est diversorum cantuum secundum modum, tempus ac prolationem per figuras



ANOAPCTEXT

15th21K

File name: X

Annotations:Based on Munich, Bayerische Staatsbibliothek, Clm 19851, ff. 110r-113v (=RISM BIII/3:150-51).





Ars mensurandi motetos

Source of data:

Incipit: Sex sunt species principales sive concordantie discantus: unisonus, semiditonus


Philippi de Vitriaco Ars nova, ed. GilbertReaney, André Gilles, and Jean Maillard,Corpus scriptorum de musica, vol. 8([Rome]: American Institute ofMusicology, 1964), 55-69. Used bypermission.

ANOARSTEXT

14th14K

File name: X

Annotations:The text was first published in Musica disciplina 10 (1956): 38-52 (even only).





Ars musica

Source of data:

Incipit: Huius artis (musicae) experienciam querere cupientibus a figuram manus inchoandum


Dominicus Mettenleiter, Musikgeschichteder Stadt Regensburg (Regensburg: J. G.Bössenecker, 1866), 70-78 partim.

METANO3TEXT

13th25K

File name: X

Annotations:The treatise is preceded by a dedicatory prologue, beginning: "Reverentissimo domino patri.... ratysponensiepiscopo subditorum humillimus ...." Based on Munich, Bayerische Staatsbibliothek, Clm 5539 (=RISMBIII/3:91-94). Cf. ANOARSMU TEXT.





Ars musica

Source of data:

Incipit: Quatuor ut reges infra sua regna sedentes;

Thomas J. MathiesenJan Herlinger & Angela MarianiJohn Csonka


ANOFRA6TEXT

13th2K

File name: X

Annotations:Based on Rome, Biblioteca Apostolica Vaticana, lat. 4357 (=RISM BIII/2:95).





29


Ars musicae mensurabilis secundum Franconem

Source of data:

Incipit: Figura est repraesentatio vocis in aliquo modorum ordinatae.


Petrus Picardus, Ars motettorumcompilata breviter, ed. F. Alberto Gallo;Anonymus, Ars musicae mensurabilissecundum Franconem (Mss. Paris, Bibl.Nat., lat. 15129; Uppsala,Universiteitsbibl., C 55), ed. GilbertReaney and André Gilles; Anonymus,Compendium musicae mensurabilis artisantiquae (Ms. Faenza, BibliotecaComunale 117), ed. F. Alberto Gallo,Corpus scriptorum de musica, vol. 15([Rome]: American Institute ofMusicology, 1971), 38-54 (even). Usedby permission.

ANOFIGTEXT

13th8K

File name: X

Annotations:The graphics files for this treatise are ANOFIG 01GF-ANOFIG 04GF. See also ANOQUA (including, however,only pp. 274-83). ANOARSM TEXT and ANOUPS2 TEXT.





Ars musicae mensurabilis secundum Franconem

Source of data:

Incipit: Mensurabilis musica est cantus longis brevibusque temporibus mensuratus.


Petrus Picardus, Ars motettorumcompilata breviter, ed. F. Alberto Gallo;Anonymus, Ars musicae mensurabilissecundum Franconem (Mss. Paris, Bibl.Nat., lat. 15129; Uppsala,Universiteitsbibl., C 55), ed. GilbertReaney and André Gilles; Anonymus,Compendium musicae mensurabilis artisantiquae (Ms. Faenza, BibliotecaComunale 117), ed. F. Alberto Gallo,Corpus scriptorum de musica, vol. 15([Rome]: American Institute ofMusicology, 1971), 39-53 (odd). Used bypermission.

ANOARSMTEXT

13th8K

File name: X

Annotations:Based on Uppsala, Universiteitsbibl., C 55. The graphics file for this treatise is ANOARSM 01GF. Cf. ANOFIGTEXT and ANOUPS2 TEXT.





Ars musice

Source of data:

Incipit: Musica est vna de septem artibus, quas liberales appelamus

Thomas J. MathiesenAndreas GigerMchael W. Lundell

Karl-Werner Gümpel, "ZurFrühgeschichte der vulgärsprachlichenspanischen und katalanischenMusiktheorie," in Gesammelte Aufsätzezur Kulturgeschichte Spaniens, ed.Johannes Vincke, Spanische Forschungender Görresgesellschaft, I/24 (Münster:Aschendorff, 1968), 326-29.

ANOAMTEXT

15th5K

File name: X

Annotations:Based on Barcelona, Biblioteca Central de la Disputación Provincial, M. 1327, ff. lxxi-lxxii.





Ars musice armonie

Source of data:

Incipit: Quoniam inter vii liberales artes musica primatum optinet testante Boecio


Basel, Universitätsbibliothek, F.IX.54, ff.5r-8v.

ANOARSMAMBUFIX54

12th65K

File name: X

Annotations:=RISM BIII/1:69-71 and BIII/6:703. The entire text also appears in Rome, Biblioteca Apostolica Vaticana, lat.4357, ff. 60v-64r. CF. AQUARS TEXT and ANOTRAC MCBOLT1.





30


Ars musyce

Source of data:

Incipit: Quatuor ecce tropy natura iure creati


Basel, Universitätsbibliothek, F.IX.54, ff.1r-4v.

WFANON2BMBUFIX54

12th33K

File name: X

Annotations:=RISM BIII/1:69-71 and BIII/6:703. The entire text also appears in Rome, Biblioteca Apostolica Vaticana, lat.4357, ff. 57r-60v. The text is preceded by a circular diagram (see WFANON2B 01GF) illustrating the ethicalcharacter of the church modes. The graphics files for this treatise are WFANON2B 01GF-WFANON2B 02GF.Cf. AQUARS TEXT, WFANON2 TEXT, and ANOARSMA MBUFIX54.





Ars musice

Source of data:

Incipit: Quatuor ecce tropi natura matre creati

Thomas J. MathiesenAngela MarianiBradley Jon Tucker

Johannes Wolf, "Anonymi cujusdamCodex Basiliensis," Vierteljahresschriftfür Musikwissenschaft 9 (1893): 410-12.

WFANON2TEXT

12th4K

File name: X

Annotations:The text is preceded by a circular diagram (see WFANON2 01GF) illustrating the ethical character of the churchmodes. Cf. AQUARS TEXT and WFANON2B MBUFIX54.





Ars organi

Source of data:

Incipit: Organum est cantus subsequens precedentem, quia cantor debet precedere

Thomas J. MathiesenBenito V. RiveraAngela Mariani

Irving Godt and Benito V. Rivera, "TheVatican Organum Treatise: A ColorReproduction, Transcription, andTranslation," in Gordon Athol Anderson(1929-1981) in memoriam von seinenStudenten, Freunden und Kollegen, 2vols. (Henryville, PA: Institute ofMediaeval Music, Ltd., 1984),2:293-345/11. Used by permission.

ARSORGTEXT

12th12K

File name: X

Annotations:The graphics files for this treatise are ARSORG 01GF-ARSORG 50GF.





Ars plane musice

Source of data:

Incipit: Hic incipit ars plane musice que immensurabilis dicitur que theorice est nobis tradita



ANOAPMMBAVR114

14th33K

File name: X

Annotations:=RISM BIII/3:112-16; BIII/6:582-83. The treatise is a composite of various materials drawn from the Ars novaof Philippe de Vitry (VITARSN TEXT), the Tractatus attributed to Ps.-Aristotle (ARITRA TEXT), and the thirdtreatise of the Quatuor principalia (QUAPRIB3 TEXT). The graphics files for this treatise are ANOAPM01GF-ANOAPM 06GF.





Berkeley Manuscript

Source of data:

Incipit: Quoniam in antelapsis temporibus quamplures de cantibus

Margaret BentMatthew Balensuela & Alice ClarkOliver B. Ellsworth

The Berkeley Manuscript, ed. and trans.by Oliver B. Ellsworth, Greek and LatinMusic Theory, vol. 2 (Lincoln: Universityof Nebraska Press, 1984), 30-246. Usedby permission.

BERMANTEXT

14th92K

File name: X

Annotations:The graphics files for this treatise are BERMAN 01GF-BERMAN 24GF. Cf. BERMAN1 MLBL2322,BERMAN2 MLBL2322, and BERMAN3 MLBL2322.





31


Capitulum de modo accipiendo

Source of data:

Incipit: Nota quod modus accipitur a longa, tempus a brevi et prolacio a semibrevi


F. Alberto Gallo, Mensurabilis musicaetractatuli, Antiquae musicae italicaescriptores, vol. 1 (Bologna: Universitàdegli Studi di Bologna, Istituto di StudiMusicali e Teatrali - Sez. Musicologia,1966), 59. Used by permission.

ANOCAPMTEXT

14th4K

File name: X

Annotations:Edited from Catania, Biblioteche Riunite Civica e Antonio Ursino Recupero, D 39, ff. 121v-122r.





Capitulum de quattuor mensuris

Source of data:

Incipit: Item nota tria consistunt in cantu, scilicet modus [Lv on staff2], tempus [Bv on staff2]


Antonius de Luca, Ars cantus figurati;Anonymus, Capitulum de quattuormensuris; Anonymus, Tractatulusmensurationum; Anonymus,Compendium breve de proportionibus;Anonymus, Tractatulus prolationum cumtabulis, ed. Heinz Ristory, Corpusscriptorum de musica, vol. 38 (n.p.:American Institute of Musicology;Hänssler-Verlag, 1997), 62-63. Used bypermission.

ANOCQMTEXT

15th3K

File name: X

Annotations:Cf. LUCARS TEXT.





Capitulum de semibrevibus

Source of data:

Incipit: Quandocunque due semibreves ponuntur pro tempore

Thomas J. MathiesenDavid SchneiderMark Butler

F. Alberto Gallo, Mensurabilis musicaetractatuli, Antiquae musicae italicaescriptores, vol. 1 (Bologna: Universitàdegli Studi di Bologna, Istituto di StudiMusicali e Teatrali - Sez. Musicologia,1966), 13-15. Used by permission.

ANOSEMITEXT

14th4K

File name: X

Annotations:Edited from Pavia, Biblioteca universitaria, Aldino 361, f. 70r-v (=RISM BIII/2:74-76). See also THEPARTEXT and MARCOM TEXT.





Cartula de cantu plano

Source of data:

Incipit: Et dixit <Guido>: Qui nescit palmam, in uanum tendit ad musicam.


Karl-Werner Gümpel, "GregorianischerGesang und Musica ficta: Bemerkungenzur spanischen Musiklehre des 15.Jahrhunderts," Archiv fürMusikwissenschaft 47 (1990): 144-47.Used by permission.

ANOCARTEXT

14th5K

File name: X

Annotations:Based on Barcelona, Biblioteca de Catalunya, M. 883, ff. 70v-71v. The graphics file for this treatise isANOCAR 01GF.





32


Circa modum discantandi

Source of data:

Incipit: Circa modum discantandi primo attendendum est.


Manfred Bukofzer, Geschichte desenglischen Diskants und desFauxbourdons nach den theoretischenQuellen, Sammlungmusikwissenschaftlicher Abhandlungen,Band 21 (Strassbourg: Heitz, 1936),138-40.

ANOCMDTEXT

14th6K

File name: X

Annotations:Edited from London, British Library, Additional 21455, f. 9v. The graphics file for this treatise is ANOCMD01GF. Cf. ANOCMDG TEXT and ANODDC MLBL2145.





Circa modum discantandi

Source of data:

Incipit: Circa modum discantandi. Primo attendendum est quot sunt concordancie et que

Thomas J. MathiesenPeter SlemonPeter M. Lefferts

Thrasybulos Georgiades, EnglischeDiskanttraktate aus der ersten Hälfte des15. Jahrhunderts: Untersuchungen zurEntwicklung der Mehrstimmigkeit imMittelalter, Schriftenreihe desMusikwissenschaftlichen Seminars derUniversität München, Band 3.(Selbstverlag und Auslieferung:Musikwissenschaftliches Seminar derUniversität München, 1937), 28-30.

ANOCMDGTEXT

14th9K

File name: X

Annotations:Based on London, British Library, Additional 21455, ff. 9v-10r. The graphics file for this treatise is ANOCMDG01GF. Cf. ANOCMD TEXT and ANODDC MLBL2145.





Cologne Organum Treatise

Source of data:

Incipit: Diaphoniam seu organum constat ex diatessaron symphonia naturaliter dirivari.


Hans Müller, ed., Hucbalds echte undunechte Schriften über Musik (Leipzig:B. G. Teubner, 1884), 79-80.

COLORGTEXT

9th-11th2K

File name: X

Annotations:This treatise is sometimes cited as Müller's Anonymous I. Cf. COLORGR TEXT and COLORGS TEXT.






Source of data:

Incipit: Diaphoniam seu organum constat ex diatessaron symphonia naturaliter derivari.



COLORGSTEXT

9th-11th3K

File name: X

Annotations:This treatise is sometimes cited as Müller's Anonymous I. Cf. COLORG TEXT and COLORGR TEXT.





33



Source of data:

Incipit: Diaphoniam seu organum constat (!) ex diatessaron symphonia naturaliter derivari.


Hugo Riemann, Geschichte derMusiktheorie im IX.-XIX. Jahrhundert(Berlin: Hesse, 1898), 20.

COLORGRTEXT

9th-11th2K

File name: X

Annotations:This treatise is sometimes cited as Müller's Anonymous I. The Latin text is also reproduced in Hugo Riemann,History of Music Theory, Books I and II: Polyphonic Theory to the Sixteenth Century, trans., with preface,commentary, and notes by Raymond H. Haggh (Lincoln: University of Nebraska Press, 1966; reprint ed., NewYork: Da Capo, 1974), 13. Cf. COLORG TEXT and COLORGS TEXT.





Comendacio artis musicae secundum quendam Gregorium

Source of data:

Incipit: Ars musica omnes artes excedit, quia non solum bestias ferocissimas


Matthias Hochadel, ed., CommentumOxoniense in musicam Boethii: EineQuelle zur Musiktheorie an derspätmittelalterlichen Universität,Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 16(München: Bayerische Akademie derWissenschaften; C. H. Beck, 2002),414-32 (even pages only). Used bypersmission.

ANOOXOCTEXT

14th33K

File name: X

Annotations:Based on Oxford, Bodleian Library, Bodl. 240 (=RISM BIII/4:105 and BIII/6:404).





Commemoratio brevis de tonis et psalmis modulandis

Source of data:

Incipit: Debitum servitutis nostrae, qui ad ministerium laudationis deputamur, non solum



ANOCOMBTEXT

9th-11th22K

File name: X

Annotations:Gerbert ascribed the treatise to Hucbald, but the attribution is no longer generally accepted. The graphics filesfor this treatise are ANOCOMB 01GF-ANOCOMB 14GF. Cf. ANOCOBR TEXT, ANOCMB TEXT, andANOCBT TEXT.






Source of data:


Thomas J. MathiesenPeter Slemon & Angela MarianiStephen E. Hayes


ANOCOBRTEXT

9th-11th23K

File name: X

Annotations:The graphics files for this treatise are ANOCOBR 01GF-ANOCOBR 08GF. Cf. ANOCOMB TEXT, ANOCMBTEXT, and ANOCBT TEXT.





34



Source of data:




ANOCMBTEXT

9th-11th24K

File name: X

Annotations:The graphics files for this treatise are ANOCMB 01GF-ANOCMB 17GF. Cf. ANOCOMB TEXT, ANOCOBRTEXT, and ANOCBT TEXT.






Source of data:

Incipit: Debitvm servitvtis nostrae qui ad ministerivm laudationis Domini deputamur, non solum


Terence Bailey, ed., Commemoratiobrevis de tonis et psalmis modulandis:Introduction, Critical Edition,Translation, Ottawa Mediaeval Texts andStudies, vol. 4 (Ottawa: University ofOttawa Press, 1979), 26-106 (even only).Used by permission.

ANOCBTTEXT

9th-11th30K

File name: X

Annotations:The graphics files for this treatise are ANOCBT 01GF-ANOCBT 17GF. Cf. ANOCOMB TEXT, ANOCOBRTEXT, and ANOCMB TEXT.





Commentarius in Micrologum Guidonis Aretini

Source of data:

Incipit: Micros graece, brevis latine; logos sermo, inde micrologus Guidonis

Oliver B. EllsworthThomas J. MathiesenLaurel Carter & Luminita Aluas

Commentarius anonymus in MicrologumGuidonis Aretini, ed. P. Cölestin Vivell,O.S.B., Kais. Akademie derWissenschaften in Wien,philosophisch-historische Klasse,Sitzungsberichte, 185/5 (Wien: Hölder,1917).

GUICOMTEXT

12th136K

File name: X

Annotations:Based on Vienna, Österreichische Nationalbibliothek, 2502 (=RISM BIII/1:42-43). See also ANOOXA TEXTand GUICOMS TEXT.





Commentarius in Micrologum Guidonis Aretini

Source of data:

Incipit: Micros graece, brevis latine, logos sermo; inde Micrologus Guidonis


Expositiones in Micrologum GuidonisAretini, ed. Joseph Smits vanWaesberghe, Musicologica medii aevi,vol. 1 (Amsterdam: North-HollandPublishing Company, 1957), 99-172.

GUICOMSTEXT

12th195

File name: X

Annotations:Based on Vienna, Österreichische Nationalbibliothek, 2502 (=RISM BIII/1:42-43); Florence, BibliotecaMedicea-Laurenziana, Acquisti e Doni 33 (=RISM BIII/2:49-50); and Munich, Bayerische Staatsbibliothek, Clm14663 (=RISM BIII/3:118-19). See also ANOOXA TEXT and GUICOM TEXT.





35


Commentum in musicam Boethii

Source of data:

Incipit: Quamquam ad aliquam disciplinam sit sine prefacione accedere, hoc est sine prelocucione

Thomas J. MathiesenRandy GoldbergPeter Slemon

Matthias Hochadel, ed., CommentumOxoniense in musicam Boethii: EineQuelle zur Musiktheorie an derspätmittelalterlichen Universität,Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 16(München: Bayerische Akademie derWissenschaften; C. H. Beck, 2002),2-304, 308-20, 330-410 (even pagesonly). Used by persmission.

ANOOXOTEXT

14th488K

File name: X

Annotations:Based on Oxford, All Souls College, 90, ff. 1r-102v (=RISM BIII/4:99 and BIII/6:401); and Oxford, BodleianLibrary, Bodley 77, ff. 1r-93r (=RISM BIII/4:102-5 and BIII/6:404). The incipit is preceded by "In nominesancte et individue trinitatis patris et filii et spiritus sancti. Amen." The graphics file for this treatise isANOOXO 01GF.





Commentum super tonos

Source of data:

Incipit: Dilectissimo coepiscopo e., a. divina gratia dispensante episcopus.


De numero tonorum litterae episcopi A.ad coepiscopum E. missae acCommentum super tonos episcopi E. (ad1000), ed. Joseph Smits van Waesberghe,Divitiae musicae artis, A/I (Buren: Knuf,1975), 24-93 (even pages only). Used bykind permission of the Laaber-Verlag.

ANOCSTTEXT

9th-11th24K

File name: X

Annotations:Based on Naples, Biblioteca nazionale, VIII D 14, ff. 19r-40v. The graphics files for this treatise are ANOCST01GF-ANOCST 19GF. See also ANOCSTO.





Commentum super tonos

Source of data:

Incipit: Dilectissimo coepiscopo e., a. dispensante divina gratia episcopus.


De numero tonorum litterae episcopi A.ad coepiscopum E. missae acCommentum super tonos episcopi E. (ad1000), ed. Joseph Smits van Waesberghe,Divitiae musicae artis, A/I (Buren: Knuf,1975), 24-93 (odd pages only). Used bykind permission of the Laaber-Verlag.

ANOCSTOTEXT

9th-11th15K

File name: X

Annotations:Based on Berlin, Staatsbibliothek Preussischer Kulturbesitz, lat. 8vo 265, ff. 1v-8r. See also ANOCST.





Compendium breve artis musicae

Source of data:

Incipit: Gaudent breuitate moderni. Quandoque punctus quadratus, aut nota quadrata


Rome, Biblioteca Apostolica Vaticana,lat. 5320, ff. 80r-83v.

ANOCBAMBAV5320

13th8K

File name: X

Annotations:=RISM BIII/2:98. The date 1476 appears at the end of the treatise in this manuscript. Cf. ANOCMM TEXT,ANOCOL MMBAI20I, ANOCOM TEXT, ANOCOMM TEXT, ANOMPM MBER267, ANOTDD TEXT,ANO2TRA TEXT, ANO3DEC TEXT, BALABREV MPBN1512, BALABM TEXT, and BALABR TEXT.





36


Compendium breve de proportionibus

Source of data:

Incipit: De proportionibus aliquid clarius tractare intendimus pro rudium acceleratione



ANOCBPTEXT

15th6K

File name: X

Annotations:The graphics files for this treatise are ANOCBP 01GF-ANOCBP 03GF. Cf. LUCARS TEXT.





Compendium musicae mensurabilis artis antiquae

Source of data:

Incipit: Gaudent brevitate moderni. Quandocumque punctus quadratus vel nota quadrata


Petrus Picardus, Ars motettorumcompilata breviter, ed. F. Alberto Gallo;Anonymus, Ars musicae mensurabilissecundum Franconem (Mss. Paris, Bibl.Nat., lat. 15129; Uppsala,Universiteitsbibl., C 55), ed. GilbertReaney and André Gilles; Anonymus,Compendium musicae mensurabilis artisantiquae (Ms. Faenza, BibliotecaComunale 117), ed. F. Alberto Gallo,Corpus scriptorum de musica, vol. 15([Rome]: American Institute ofMusicology, 1971), 66-72. Used bypermission.

ANOCOMTEXT

13th12K

File name: X

Annotations:Also known as the Faenza Anonymous. The graphics file for this treatise is ANOCOM 01GF. Cf. ANOCBAMPBN1512, ANOCOL MMBAI20I, ANOCOMM TEXT, ANOCMM TEXT, ANOMPM MBER267,ANOTDD TEXT, ANO2TRA TEXT, ANO3DEC TEXT, BALABREV MPBN1512, BALABM TEXT, andBALABR TEXT.






Source of data:

Incipit: Gaudent brevitate moderni. Quandocumque nota quadrata vel punctus quadratus


Johannes dictus Balloce, Abreviatiomagistri Franconis; Anonymus,Compendium musicae mensurabilis artisantiquae (Ms. Saint-Dié, Bibl.Municipale, 42), ed. Gilbert Reaney;Anonymus, Compendium musicaemensurabilis artis antiquae (Ms. Wien,Nationalbibl., 5003); Anonymus,Tractatus artis antiquae cum explicationemensurae binariae (Ms. Wien,Nationalbibl., 5003), ed. Heinz Ristory,Corpus scriptorum de musica, vol. 34(n.p.: American Institute of Musicology,1987), 49-58. Used by permission.

ANOCOMMTEXT

13th11K

File name: X

Annotations:Based on Vienna, Österreichische Nationalbibliothek, 5003. The graphics files for this treatise are ANOCOMM01GF-ANOCOMM 02GF. Cf. ANOCBA MBAV5320, ANOCOL MMBAI20I, ANOCOM TEXT, ANOCMMTEXT, ANOMPM MBER267, ANOTDD TEXT, ANO2TRA TEXT, ANO3DEC TEXT, BALABREVMPBN1512, BALABM TEXT, and BALABR TEXT.





37



Source of data:

Incipit: Gaudent brevitate moderni. Quandocumque nota quadrata vel punctus quadratus

Thomas J. MathiesenBradley Jon TuckerPeter Slemon


ANOCMMTEXT

13th11K

File name: X

Annotations:Based on Saint-Dié, Bibliothèque Municipale, 42 (=RISM BIII/1:131-33). The graphics file for this treatise isANOCMM 01GF. Cf. ANOCBA MBAV5320, ANOCOL MMBAI20I, ANOCOM TEXT, ANOCOMM TEXT,ANOMPM MBER267, ANOTDD TEXT, ANO2TRA TEXT, ANO3DEC TEXT, BALABREV MPBN1512,BALABM TEXT, and BALABR TEXT.





Compendium musicae mensurabilis tam veteris quam novae artis

Source of data:

Incipit: Si quis artem musicae mensurabilis tam veterem quam novam


Anonymus de valore notvlarum tamveteris qvam novae artis (Ms. Paris, Bibl.Nat., lat. 15128); Anonymus compendiummvsicae mensvrabilis tam veteris qvamnovae artis (Ms. Paris, Bibl. Nat., lat.15128); Anonymus de diversismaneriebvs in mvsica mensvrabili (Ms.Saint-Dié, Bibl. Municipale 42), ed.Gilbert Reaney, Corpus scriptorum demusica, vol. 30 (n.p.: American Instituteof Musicology, 1982), 33-41. Used bypermission.

ANO4CMMTEXT

15th11K

File name: X

Annotations:Based on Paris, Bibliothèque Nationale, lat. 15128 (=RISM BIII/1:120-21). The graphics file for this treatise isANO4CMM 01GF. Cf. ANO4SQA MPBN1512 and ANO4COM TEXT.





Compendium musices

Source of data:

Incipit: Proprietas in musica est derivatio plurium vocum, ab uno eodemque principio.

Thomas J. MathiesenAngela MarianiPeter Slemon

Anonymus, Compendium musices,Venetiis, 1499-1597, ed. David Crawford,Corpus scriptorum de musica, vol. 33(n.p.: American Institute of Musicology,1985), 36-57. Used by permission.

ANOCMUTEXT

16th31K

File name: X

Annotations:Based on the 1513 edition published in Venice by Lucantonio Giunta. The graphics files for this treatise areANOCMU 01GF-ANOCMU 12GF.





Compendium totius artis motetorum

Source of data:

Incipit: Primo punctus quadratus vel nota quadrata est duplex, vel est caudatus vel non.


Johannes Wolf, "Ein anonymerMusiktraktat aus der ersten Zeit der 'ArsNova,'" Kirchenmusikalisches Jahrbuch21 (1908): 34-38.

WFANON3TEXT

14th12K

File name: X

Annotations:Commonly known as Wolf's Anonymous 3; based on Erfurt, Wissenschaftliche Allgemeinbibliothek octavo 94.The graphics file for this treatise is WFANON3 01GF.





38


Compositio monocordi secundum Enchiriadem

Source of data:

Incipit: Prima corda notabitur per A. Divide totum A per medium et hebebis octavam

Thomas J. MathiesenAnna ShparbergAndreas Giger

Hans Schmid, ed., Musica et scolicaenchiriadis una cum aliquibus tractatulisadiunctis, Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 3(München: Bayerische Akademie derWissenschaften; C. H. Beck, 1981),233-35 (left column only). Used bypermission.

ANOME1ATEXT

9th-11th6K

File name: X

Annotations:Cf. ANOME1B TEXT.





Compositio monocordi secundum Enchiriadem

Source of data:

Incipit: Partire totum A per medium et habebis H. Partire per medium A usque ad H


Hans Schmid, ed., Musica et scolicaenchiriadis una cum aliquibus tractatulisadiunctis, Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 3(München: Bayerische Akademie derWissenschaften; C. H. Beck, 1981),233-35 (right column only). Used bypermission.

ANOME1BTEXT

9th-11th6K

File name: X

Annotations:Cf. ANOME1A TEXT.





Constitutiones capellae pontificiae

Source of data:

Incipit: Pauli III. Pontificis maximi anno undecimo 1545. Cantorum pontificii systematis



ANOCONTEXT

16th43K

File name: X

Annotations:"Communicavit mecum qui hodie Capellae pontificiae praeest Iosephus Santarelli."





Contrapunctus

Source of data:

Incipit: Quoniam homine senescente senescunt et ea, que hominis sunt, et deteriorantur


Karl-Werner Gümpel and Klaus-JürgenSachs, "Der anonymeContrapunctus-Traktat aus Ms. Vich208," Archiv für Musikwissenschaft 31(1974): 93-97. Used by permission.

ANOVICTEXT

15th9K

File name: X

Annotations:Based on Vich (Catalonia), Museo Episcopal, 208 (Inv. Nr. 7977), ff. 3r-8r.





39


De arte discantandi

Source of data:

Incipit: Quando duae notae sunt in unisono et tertia ascendit, prima debet esse in quinto



ARTDISTEXT

13th11K

File name: X

Annotations:Document V in the Coussemaker Histoire; based on Paris, Bibliothèque Nationale, lat. 15139. The graphics filefor this treatise is ARTDIS 01GF. Cf. ANOCOL MMBAI20I.





De arte musicae

Source of data:

Incipit: Quoniam per ignorantiam artis musicae multi, et maxime temporibus modernis



ANOARTTEXT

14th14K

File name: X

Annotations:The graphics file for this treatise is ANOART 01GF. The text was first published in Musica disciplina 15(1961): 29-38. Cf. ANO3COM TEXT.





De cantibus quae supra modum intenduntur vel remittuntur

Source of data:

Incipit: In defectionibus hujusmodi solet necessario synemenon in superibus aliquando



ANOCANTEXT

9th-11th4K

File name: X

Annotations:Based on Rome, Biblioteca Vallicelliana, B.81. The anonymous fragment is followed by a brief excerptbeginning: "Primus tonus; primus hemitonius; ultimus."





De cantu organico

Source of data:

Incipit: Ad evidentiam cantus organici est sciendum, quod cantus organicus dividitur


H. Angles, "De cantu organico: tratado deun autor catalán del siglo XIV," Anuariomusical 13 (1958): 18-24.

AGANOCOTEXT

14th14K

File name: X

Annotations:Sometimes known as Angles Anonymous 1958; based on Barcelona, Catedral, cuaderno de papel in octavo. Thegraphics files for this treatise are AGANOCO 01GF-AGANOCO 02GF.





De consonantia et dissonantia

Source of data:

Incipit: Consonantia est duorum sonorum sibimet permixtorum ad aurem veniens hilaris



ANODCDTEXT

15th6K

File name: X

Annotations:Based on Vienna, Österreichische Nationalbibliothek, Cpv 3646, ff. 306r-307r.





40


De contrapuncto

Source of data:

Incipit: Nota quinque sunt species eius, scilicet unisonus, tertia, quinta, sexta et octaua



ANODCONTEXT

15th3K

File name: X

Annotations:Based on Tübingen, Universitätsbibliothek, Mc 48, ff. 62v-63r. The graphics file for this treatise is ANODCON01GF.





De contrapuncto plano

Source of data:

Incipit: Tractatus compendiosus et brevis de contrapuncto plano, id est de nota ad notam



ANODCPTEXT

15th12K

File name: X

Annotations:Based on Tübingen, Universitätsbibliothek, Mc 48, ff. 79r-80v. The graphics file for this treatise is ANODCP01GF.





De dimensione monocordi

Source of data:

Incipit: Super unum concavum lignum in una linea sub una corda fit tribus poene diversis



ANODDMTEXT

9th-11th6K

File name: X

Annotations:





De diversis manieribus in musica mensurabili

Source of data:

Incipit: ... ascendo vel descendo, ut hic supra. Sic formantur breves plicatae



ANO7DDMTEXT

14th11K

File name: X

Annotations:Based on Saint-Dié, Bibliothèque Municipale, 42 (=RISM BIII/1:131-33). The graphics file for this treatise isANO7DDM 01GF. Cf. ANO7DED TEXT.





41


De divisione monacordi

Source of data:

Incipit: Dicendum est de prolacione proporcionis per divisionem monacordi


Oxford, Bodleian Library, Bodley 842(S.C. 2575), f. 47r-v.

ANODIVMOBB842

14th3K

File name: X

Annotations:=RISM BIII/4:110-15. The graphics file for this treatise is ANODIV 01GF.





De enquiriadis monocordi divisione

Source of data:

Incipit: Enquiriadis namque monocordi dimensionem si velis nosse, primum necesse est



ANOEMDTEXT

9th-11th3K

File name: X

Annotations:





De expositione musice

Source of data:

Incipit: Quoniam prosam artis musice mensurabilis ab excellentibus in arte musicis

Thomas J. MathiesenAngela MarianiJingfa Sun

Heinrich Sowa, ed., Ein anonymerglossierter Mensuraltraktat 1279,Königsberger Studien zurMusikwissenschaft, vol. 9 (Kassel:Bärenreiter, 1930), 1-132.

ANO1279TEXT

13th265K

File name: X

Annotations:Based on Munich, Bayerische Staatsbibliothek, Clm 14523 (=RISM BIII/3:113-16). The graphics files for thistreatise are ANO1279 01GF-ANO1279 07GF. Cf. ANODMM TEXT.





De figuris

Source of data:

Incipit: Duplex est notula, ligata scilicet et non ligata. Notularum non ligatarum


Johannis de Muris Notitia artis musicae etCompendium musicae practicae; Petrusde Sancto Dionysio Tractatus de musica,ed. Ulrich Michels, Corpus scriptorum demusica, vol. 17 ([Rome]: AmericanInstitute of Musicology, 1972), 160-66.Used by permission.

ANODEFTEXT

14th9K

File name: X

Annotations:The graphics file for this treatise is ANODEF 01GF. This text replaces part of the treatise by Petrus de SanctoDionysio in several manuscripts (see p. 160).





De formatione contrapuncti tales dantur regulae

Source of data:

Incipit: Prima regula. Si discantus ordinatur in unisono cum tenore, contratenor potest ordinari



ANODFCTEXT

15th6K

File name: X

Annotations:Based on Vienna, Österreichische Nationalbibliothek, Cpv 3646, f. 312r-v.





42


De mensura fistularum in organis

Source of data:

Incipit: Fac tibi fistulam secundum aestimationem, utpote unius ulnae et dimidiae langam



ANOFISTEXT

12th12K

File name: X

Annotations:





De modis musicis

Source of data:

Incipit: Autenticus autoralis et auctoritate plenus: unde et libros antiquissimos siue firmitate


Terence Bailey, "De modis musicis: ANew Edition and Explanation,"Kirchenmusikalisches Jahrbuch 61-62(1977-78): 50-54. Used by permission.

ANODMTEXT

9th-11th3K

File name: X

Annotations:Cf. p. 149 in Gerbert's edition of the Alia musica (ALIMUS TEXT).





De modorum formulis et tonarius

Source of data:

Incipit: Vocum modus, veterum editus voto disgregatus a vero et recto cantionis genere


Anonymi de modorum formulis ettonarius, ed. Clyde W. Brockett, Corpusscriptorum de musica, vol. 37 (n.p.:American Institute of Musicology;Hänssler-Verlag, 1997), 46-128. Used bypermission.

ANODMFTEXT

9th-11th54K

File name: X

Annotations:The graphics files for this treatise are ANODMF 01GF-ANODMF 22GF.





De musica

Source of data:

Incipit: De quantitate discreta mobili est musica: est enim de sono vel est contractus


Max Haas, "Studien zur mittelalterlichenMusiklehre I: Eine Übersicht über dieMusiklehre im Kontext der Philosophiedes 13. und frühen 14. Jahrhunderts," inAktuelle Fragen der musikbezogenenMittelalterforschung: Texte zu einemBasler Kolloquium des Jahres 1975,Forum Musicologicum: Basler Beiträgezur Musikgeschichte, vol. 3, ed. HansOesch and Wulf Arlt (Winterthur:Amadeus Verlag, 1982), 354-55 and358-59.

ANOQMTEXT

13th8K

File name: X

Annotations:Based on Barcelona, Archivo de la Corona de Arágon, Ripoll 109, f. 139r-v.





43


De musica

Source of data:

Incipit: Notandum est quod regula subscripta debet doceri per magistros omnibus illis qui



ANOMUS2TEXT

15th10K

File name: X

Annotations:Based on Rome, Biblioteca Vallicelliana, C.105. Known as La Fage Anonymous II.





De musica

Source of data:

Incipit: Semidictonus est inaequalium notarum consonantia, tonum perfectum cum semitonio



ANOFRA4TEXT

15th10K

File name: X

Annotations:Based on Florence, Biblioteca Medicea-Laurenziana, 29.16 (=RISM BIII/2:35-36). The treatise is fragmentary,beginning with chapter 73.





De musica et de transformatione specialiter

Source of data:

Incipit: Grecam litteram ideo moderni maluerunt ponere quam latinam, ut Greci per hoc

Thomas J. MathiesenAndreas GigerMichael W. Lundell & Elisabeth Honn

Heinrich Sowa, Quellen zurTransformation der Antiphonen: Tonar-und Rhythmusstudien (Kassel:Bärenreiter, 1935), 154-60.

ANODMTTEXT

9th-11th18K

File name: X

Annotations:Based on Leipzig, Universitätsbibliothek, 1492.





De musica et tonis tractatus

Source of data:

Incipit: Ex omni innumera varietate numerorum pauci et numerabiles inventi sunt


Dominicus Mettenleiter, Musikgeschichteder Stadt Regensburg (Regensburg:Bössenecker, 1866), 13-21.

METANO1TEXT

12th14K

File name: X

Annotations:Also known as the Murrscher Anonymous. Based on Munich, Bayerische Staatsbibliothek, Clm 14965b (=RISMBIII/3:127-28).





De musica libellus

Source of data:

Incipit: Modus in musica est debita mensuratio temporis, scilicet per longas et breves

Andreas GigerAnna ShparbergThomas J. Mathiesen

Anonymus, De musica libellus (Ms.Paris, Bibl. Nat., lat. 6286); Anonymus,Tractatus de discantu (Ms. Saint-Dié,Bibl. Municipale, 42); Pseudo-Franco deColonia, Compendium discantus (Ms.Oxford, Bodl. Libr., Bodley 842);Anonymus, Traitié de deschant (Ms.Paris, Bibl. Nat., lat. 15139); Anonymus,Traitié de deschant (Ms. Paris, Bibl. Nat.,lat. 14741), ed., Gilbert Reaney, Corpusscriptorum de musica, vol. 36 (n.p.:American Institute of Musicology;Hänssler-Verlag, 1996), 19-35. Used bypermission.

ANODMLTEXT

13th18K

File name: X

Annotations:The graphics file for this treatise is ANODML 01GF. Cf. ANO7DEM TEXT.





44


De musica mensurabili

Source of data:

Incipit: Omnis ars sive doctrina honorabiliorem habet rationem


Anonymus, De musica mensurabili, ed.Cecily Sweeney; Anonymus, Desemibrevibus caudatis, ed. André Gillesand Cecily Sweeney, Corpus scriptorumde musica, vol. 13 ([Rome]: AmericanInstitute of Musicology, 1971), 29-56.Used by permission.

ANODEMTEXT

14th48K

File name: X

Annotations:The graphics file for this treatise is ANODEM 01GF. The treatise was formerly falsely attributed to Theodoricusde Campo. Cf. ANOMUSI MBAVB307 and CAMDEM TEXT.





De musica mensurata

Source of data:

Incipit: Quoniam prosam artis musicae mensurabilis ab excellentibus in arte musicis

Thomas J. MathiesenBradley Jon TuckerJeremy Yudkin

De musica mensurata: The Anonymous ofSt. Emmeram, ed. and trans. JeremyYudkin, Music: Scholarship andPerformance (Bloomington: IndianaUniversity Press, 1990), 64-288 (even),338-48. Used by permission.

ANODMMTEXT

13th291K

File name: X

Annotations:This text makes use of superscript numbers to key the various glosses to specific words or phrases. In this file,superscript numbers are indicated by their placement within brackets immediately following the word (i.e.,without an intervening space) to which they pertain. The graphics files for this treatise are ANODMM01GF-ANODMM 05GF. Cf. ANO1279 TEXT.





De numeris musicis et de consonantiis

Source of data:

Incipit: Ex omni innumera varietate numerorum pauci et numerabiles inventi sunt


Christian Meyer, "Aus der Werkstatt desKompilators," in Quellen und Studien zurMusiktheorie des Mittelalters, vol. 2, ed.Michael Bernhard, Bayerische Akademieder Wissenschaften, Veröffentlichungender Musikhistorischen Kommission, Band13 (München: Bayerische Akademie derWissenschaften; C. H. Beck, 1997),10-12. Used by permission.

ANOMKTEXT

9th-11th33K

File name: X

Annotations:Based on Munich, Bayerische Staatsbibliothek, Clm 14965b, ff. 2v-3r (=RISM BIII/3:127-28 and BIII/6:340);and Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel 4˚ Mss. Math. 1, ff. 22v-23v(=RISM BIII/3:67-72 and BIII/6:307).





De octo tonis vbi nascuntur et oriuntur aut efficiuntur

Source of data:

Incipit: Septem orbes septem planetarum cum dulcissima armonia voluuntur


London, British Library, Lansdowne 763,f. 52r-v.

ANOOCTMLBLL763

14th3K

File name: X






45


De organo

Source of data:

Incipit: Dictis autem, prout potuimus, his, quibus ostendendum erat, qualiter unusquisque



ANOINCORTEXT

9th-11th15K

File name: X

Annotations:The graphics files for this treatise are ANOINCOR 01GF-ANOINCOR 04GF. The text continues fromANOINC TEXT. Cf. HUCORG TEXT.





De organo mediolanensi

Source of data:

Incipit: Ratio sequitus est ista. Si aliquis vult scire sequitum, oportet se scire sex rationes


Jacques Handschin, "Aus der altenMusiktheorie III. Zur AmbrosianischenMehrstimmigkeit," Acta musicologica 15(1943): 5-6.

ANOORMETEXT

15th3K

File name: X

Annotations:Edition based on Milan, Biblioteca Ambrosiana, I.20.inf., f. 25r (=RISM BIII/2:57-58 and BIII/6:517).





De origine et effectu musicae

Source of data:

Incipit: Musica est scientia recte canendi, sive scientia de numero relato ad sonum.


Gilbert Reaney, "The AnonymousTreatise De origine et effectu musicae, anEarly 15th Century Commonplace Bookof Music Theory," Musica disciplina 37(1983): 109-19. Text copyright 1985.Used by permission of the AmericanInstitute of Musicology (Tempo MusicPublications, 3773 West 95th Street,Leawood, KS 66206).

ANOOREFTEXT

15th16K

File name: X

Annotations:Cf. ANOORI MLBLL763.





De origine et effectu musice

Source of data:

Incipit: MVsica. est sciencia recte canendi. siue sciencia de numero relato ad sonum.

Thomas J. MathiesenJulie Langford-JohnsonPeter M. Lefferts

London, British Library, Lansdowne 763,ff. 55v-59r.

ANOORIMLBLL763

15th14K

File name: X

Annotations:=RISM BIII/4:87-91. This text is edited in Gilbert Reaney, "The Wylde Anonymous," Musica disciplina 37(1983): 109-19 (ANOOREF TEXT).





De plana musica

Source of data:

Incipit: Quoniam de plana musica siue de composicione gammatis breuiter

Thomas J. MathiesenKatherine Clark & Andreas GigerOliver B. Ellsworth


ANODPMMPBN1512

13th15K

File name: X

Annotations:=RISM BIII/1:120-21 and BIII/6:223. The graphics file for this treatise is ANODPM 01GF. Cf. ANODMPTEXT.





46


De plana musica breve compendium

Source of data:

Incipit: Quoniam de plana musica sive de compositione gammatis breviter


André Gilles, "De musica plana brevecompendium (Un témoignage del'enseignement de Lambertus)," Musicadisciplina 43 (1989): 39-51. Used bypermission of the American Institute ofMusicology (Tempo Music Publications,3773 West 95th Street, Leawood, KS66206).

ANODMPTEXT

13th18K

File name: X

Annotations:The incipit is preceded by a list of chapter headings. The graphics files for this treatise are ANODMP01GF-ANODMP 02GF. Cf. ANODPM MPBN1512.





De proportionibus

Source of data:

Incipit: In primis uidendum est de tono et quare dicitur tonus et in quo proporcione



ANODEPMBAVB307

14th6K

File name: X






De semibrevibus caudatis

Source of data:

Incipit: Primo nota quod omnes notulae sunt aequivocae: sic tempus ac semibrevis


Anonymus, De musica mensurabili, ed.Cecily Sweeney; Anonymus, Desemibrevibus caudatis, ed. André Gillesand Cecily Sweeney, Corpus scriptorumde musica, vol. 13 ([Rome]: AmericanInstitute of Musicology, 1971), 65-79.Used by permission.

ANOSEMTEXT

14th21K

File name: X

Annotations:Based on Paris, Bibliothèque Ste. Geneviève, 1257.





De sinemenis

Source of data:

Incipit: Sequitur de sinemenis sic: b c, cujus medium erit [sqb] parvum.

Albert C. Rotola, S.J.Margaret BentLuminita Aluas


ANODESTEXT

13th6K

File name: X

Annotations:Cf. ANOSEQ TEXT.





De tonorum agnicionibus

Source of data:

Incipit: De tonorum agnicionibus singulorum et differenciarum secundum varias incepciones

Thomas J. MathiesenAndreas GigerPeter M. Lefferts

London, British Library, Royal 12.C.VI,ff. 52r-53v.

ANOTONMLBLR12

14th3K

File name: X

Annotations:=RISM BIII/4:93-94. The graphics files for this treatise are ANOTON 01GF-ANOTON 03GF.





47


De tractatu tonorum

Source of data:

Incipit: Primum tractatum huius voluminis de symphonia id est vocum motione prosecuti

Thomas J. MathiesenBradley Jon TuckerJingfa Sun

Marius Schneider, Geschichte derMehrstimmigkeit: Historische undphänomenologische Studien (Berlin:Gebrüder Bornträger, 1934; reprint ed.,Tutzing: Hans Schneider, 1969), 106-18.

SCHANOTEXT

12th35K

File name: X

Annotations:The graphics files for this treatise are SCHANO 01GF-SCHANO 02GF.





De valore notularum tam veteris quam novae artis

Source of data:

Incipit: Ad evidentiam valoris notularum, sciendum quod, quotienscumque nota



ANO2DEVTEXT

14th17K

File name: X

Annotations:Based on Paris, Bibliothèque Nationale, lat. 15128 (=RISM BIII/1:120-21). The graphics file for this treatise isANO2DEV 01GF. Cf. ANO2VAL MPBN1512 and ANO2DEM TEXT.





De vera et compendiosa seu regulari constructione contrapuncti et de pluribus viciis a pluribus ignaris comittendis seu commissis ab autoribus

Source of data:

Incipit: Prima regula contrapuncti est quod omnis contrapunctus debet perfecte incipi et finiri



ANODVCTEXT

15th21K

File name: X

Annotations:Based on Tübingen, Universitätsbibliothek, Mc 48, ff. 64v-67r. The graphics file for this treatise is ANODVC01GF.





Discantus positio vulgaris

Source of data:

Incipit: Viso igitur quid sit discantus, quedam precognitiones sunt vidende.

Thomas J. MathiesenJan HerlingerBradley Jon Tucker


DISPOSTEXT

13th9K

File name: X

Annotations:Cf. DISPOVU TEXT, DISVUL TEXT, and DISPOSI MPBN1666.





48



Source of data:

Incipit: Viso igitur, quid sit discantus, quaedam precognitiones sunt videndae.


Hieronymus de Moravia, Tractatus demusica, ed. S. M. Cserba, FreiburgerStudien zur Musikwissenschaft, vol. 2(Regensburg: Pustet, 1935), 189-94.

DISPOVUTEXT

13th9K

File name: X

Annotations:Cf. DISPOS TEXT, DISVUL TEXT, and DISPOSI MPBN1666.






Source of data:

Incipit: Uiso igitur quid sit discantus: quedam precogniciones sunt uidende.

Thomas J. MathiesenM. Lundell & J. Langford-JohnsonSandra Pinegar

Paris, Bibliothèque nationale, lat. 16663,ff. 64v-66v.

DISPOSIMPBN1666

13th10K

File name: X

Annotations:=RISM BIII/1:124. Cf. DISPOS TEXT, DISPOVU TEXT, and DISVUL TEXT.





Discantus vulgaris positio

Source of data:

Incipit: Nunc vero de cantu ecclesiastico, secundum scilicet quod discantus subjicitur



DISVULTEXT

13th7K

File name: X

Annotations:Document III in the Coussemaker Histoire; based on Paris, Bibliothèque Nationale, lat. 16663. Cf. DISPOSTEXT, DISPOVU TEXT, and DISPOSI MPBN1666.





Distinccio inter colores musicales, et armorum heroum

Source of data:

Incipit: Numerus sexdecim. est numerus perfectissimus. quia semper potest diuidi in duas partes



ANODISTMLBLL763

14th3K

File name: X

Annotations:=RISM BIII/4:87-91. The graphics file for this treatise is ANODIST 01GF.





Diverse conclusiones

Source of data:

Incipit: Prima conclusio quod longa possit inperfecta per breuem probatur



ANODCMOBB842

14th6K

File name: X

Annotations:=RISM BIII/4:110-15. This text is derived from Johannes de Muris's Notitia artis musicae.





49


Divisio monocordi secundum enchiriadem

Source of data:

Incipit: In quatuor partes longitudinem monocordi divide equas, ita ut inter protum



ANOME5TEXT

9th-11th3K

File name: X

Annotations:Based on Kraków, Biblioteka Jagiellonska, BJ 1965, p. 77; and Leipzig, Universitätsbibliothek, 1492, f. 50r.





Dulce ingenium (Versio Parisiensis et Brugensis)

Source of data:

Incipit: Dulce ingenium musicae, quamvis instrumentis plurimis vigeat


Anonymi saeculi decimi vel undecimitractatus de musica "Dulce ingeniummusicae," ed. Michael Bernhard,Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 6(München: Bayerische Akademie derWissenschaften; C. H. Beck, 1987),14-26. Used by permission.

ANODULTEXT

9th-11th18K

File name: X

Annotations:Based on Paris, Bibliothèque nationale, lat. 8663, ff. 50r-51r; and Bruges, Stadsbibliotheek, 532, ff. 1r-4r. Thegraphics files for this treatise are ANODUL 01GF-ANODUL 02GF. Cf. ANODUL2 TEXT.





Dulce ingenium (Versio Pragensis)

Source of data:

Incipit: Dulce ingenium artis musicae, quamvis plurimis instrumentis vigeat


Anonymi saeculi decimi vel undecimitractatus de musica "Dulce ingeniummusicae," ed. Michael Bernhard,Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 6(München: Bayerische Akademie derWissenschaften; C. H. Beck, 1987),27-43. Used by permission.

ANODUL2TEXT

9th-11th28K

File name: X

Annotations:Based on Prague, Národní Knihovna Ceské Republiky, XIX.C.26, ff. 12v-18v (=RISM BIII/5:16-19). Cf.ANODUL TEXT.





Ecce modorum sive tonorum auspice Christo incipit ordo

Source of data:

Incipit: Primus tropus habet tetrachorda tria, mese, paramese, hypate meson



ANOECCTEXT

9th-11th6K

File name: X

Annotations:





50


Epistola Sancti Bernardi De revisione cantus Cisterciensis, et Tractatus cantum quem Cisterciensis Ordinis ecclesiae cantare

Source of data:

Incipit: Cantum quem Cisterciensis ordinis ecclesiae cantare consueverant, licet gravis


Epistola S. Bernardi De revisione cantusCisterciensis, et Tractatus Cantum quemCisterciensis Ordinis ecclesiae cantare,ed. F. J. Guentner, Corpus scriptorum demusica, vol. 24 ([Rome]: AmericanInstitute of Musicology, 1974), 21-41.Used by permission.

BEREPITEXT

12th31K

File name: X

Annotations:A long prologue precedes the treatise, beginning: "Bernardus humilis Abbas Claraevallis omnibus transcripturishoc Antiphonarium sive cantaturis in illo: Inter cetera quae optime aemulati sunt patres nostri, Cisterciensisvidelicet ordinis inchoatores, ..."





Est tonus sic

Source of data:

Incipit: Est tonus sic Vt Re Vt. vel Re My Re. vel Fa Sol Fa. vel Sol. La Sol.


London, British Library, Lansdowne 763,ff. 54r-55r.

ANOESTMLBLL763

14th2K

File name: X

Annotations:=RISM BIII/4:87-91. The incipit is contained in the first graphic. The graphics files for this treatise areANOEST 01GF-ANOEST 03GF. Cf. ANOINT MLBLH978.





Et octo tonorum incipit tractatus metricus

Source of data:

Incipit: Primus est tonus Re La. Re Fa. quoque secundus.


London, British Library, Lansdowne 763,f. 68v.

ANOOCTTMLBLL763

14th2K

File name: X






Expositio de motu

Source of data:

Incipit: Musica est motus vocum et est in quantitate quia consistit in numeris


Jos. Smits van Waesberghe, "Decommentator anonymus in MicrologumGuidonis Aretini en zijn verhouding totde Luiksche muziekschool," inMuziekgeschiedenis de Middeleeuwen, 3vols. (Tilburg: Bergmans, 1936-46),1:154-70.

ANOMOVTEXT

9th-11th33K

File name: X

Annotations:Edited from Darmstadt, Hessische Landes- und Hochschulbibliothek, 1988, f. 181r-v (=RISM BIII/3:39-41) andBrussels, Bibliothèque royale, 10162/66, f. 94r (=RISM BIII/1:58-62). Cf. ANOMOT TEXT.





Expositio de motu

Source of data:

Incipit: Omnis cantus per notam canitur, aut per prepositam, aut per subpositam

Thomas J. MathiesenThomas J. MathiesenPeter Slemon

Jos. Smits van Waesberghe, "Een tweedeanoniem Motus-commentaar," inMuziekgeschiedenis de Middeleeuwen, 3vols. (Tilburg: Bergmans, 1936-46),1:185-87.

ANOMOTTEXT

12th33K

File name: X

Annotations:Edited from Munich, Bayerische Staatsbibliothek, Clm 14663, f. 27r-v (=RISM BIII/3:118-19) and Leiden,Bibliotheca Publica Lugdunensis, 194 (=RISM BIII/1:136-37). Cf. ANOMOV TEXT.





51


Fragmenta musica

Source of data:

Incipit: Proportio est divisarum rerum ad se invicem comparabilis collatio.



ANOFRATEXT

13th15K

File name: X

Annotations:Based on Paris, Bibliothèque Nationale, supp. lat. 990. The incipit is preceded by various liturgical verses.





Fragmenta musica

Source of data:

Incipit: Incipit dialogus de musica:--Interrogatio. Musica a quo inventa?



ANOFRA2TEXT

12th15K

File name: X

Annotations:Based on Paris, Bibliothèque Nationale, Colbertinus lat. 7211. The graphics file for this treatise is ANOFRA201GF.





Fragmenta musica

Source of data:

Incipit: Aurea personet lyra clara modulamina;


Adrien de la Fage, Essais dedipthérographie musicale (Paris: Legouix,1864), 275-79, 281-84, 286-88.

ANOFRA3TEXT

12th13K

File name: X

Annotations:Based on Florence, Biblioteca nazionale centrale, Magliabechiana 565. This section of La Fage begins with theCantus Philomelae and continues with a Guidonian commentary, Notker's "Prologus sequentiarum," and a seriesof verses on music. The graphics files for this treatise are ANOFRA3 01GF-ANOFRA3 05GF.





Fragmentum

Source of data:

Incipit: His litteris et hac supputatione plena calculatio est cognita.


Adrien de la Fage, Essais dedipthérographie musicale (Paris: Legouix,1864), 496.

ANOFRA7TEXT

15th3K

File name: X

Annotations:Based on Paris, Bibliothèque Nationale, Colbertinus lat. 7461.





Fragmentum de mensuris

Source of data:

Incipit: [quaternaria, se]naria perfecta, senaria inperfecta, novenaria, octonaria et duodenaria

Thomas J. MathiesenJessica SiskDavid Schneider


ANOFRAMTEXT

14th33K

File name: X

Annotations:Edited from Saint-Dié, Bibliothèque Municipale, 42, f. 130r (=RISM BIII/1:131-33).





52


Inchiriadon Uchubaldi Francigenae

Source of data:

Incipit: Armonia est diversarum vocum apta coadunatio. In quibus vocibus quia plerumque

Andreas GigerKerry McCarthyAndreas Giger


ANOINCTEXT

9th-11th36K

File name: X

Annotations:The attribution to Hucbald is not generally accepted. The graphics files for this treatise are ANOINC01GF-ANOINC 06GF. The text continues in ANOINCOR TEXT. Cf. MUSENC TEXT, MUSENCH TEXT,and MUSENCI TEXT.





Instituta patrum de modo psallendi sive cantandi

Source of data:

Incipit: Sancti Patres nostri antiqui docuerunt et instituerunt subditos suos, praecipientes



PATPSALTEXT

13th10K

File name: X

Annotations:Gerbert ascribed this treatise to the time of the Church Fathers, but it is now thought to have been written after1220.





Introductorium musicae

Source of data:

Incipit: (M)usica est recte modulandi scientia. Et deducitur a musa vocabulo greco quod cantum


Hugo Riemann, "AnonymiIntroductorium musicae (c. 1500),"Monatshefte für Musikgeschichte 29(1897): 149-54, 157-64; 30 (1898): 1-8,11-19.

ANOLEIPTEXT

16th55K

File name: X

Annotations:The incipit is preceded first by a hexachord diagram and then by the heading "De definitione musice ejusquediuisione." The graphics files for this treatise are ANOLEIP 01GF-ANOLEIP 16GF.





Item versi eiusdem acute divisionis

Source of data:

Incipit: Indicis a summo capiens exordia primus


Tilden A. Russell, "A Poetic Key to aPre-Guidonian Palm and the Echemata,"Journal of the American MusicologicalSociety 34 (1981): 110.

ANOVERSTEXT

9th-11th33K

File name: X

Annotations:





Iuxta artem conficiendi [compositiones]

Source of data:

Incipit: Iuxta artem conficiendi [compositiones] quam alii compositionis artem dicunt



ANOIUXTEXT

16th30K

File name: X

Annotations:Based on Göttingen, Landes- und Universitätsbibliothek, Mus. IV 3000 Rara, suppl. ms., ff. 26r-45r. Thegraphics files for this treatise are ANOIUX 01GF-ANOIUX 04GF.





53


Jesus. Libellus musicae adiscendae valde utilis et est dialogus. Discipulus et magister sunt locutores

Source of data:

Incipit: Discipulus: Modo quaeritur quid est musica? Magister: Est veraciter canendi


Anonymus. Ex codice Vaticano lat. 5129,ed. Albert Seay, Corpus scriptorum demusica, vol. 9 ([Rome]: AmericanInstitute of Musicology, 1964), 21-48.Used by permission.

ANOLIBTEXT

15th33K

File name: X

Annotations:Based on Rome, Biblioteca Apostolica Vaticana, lat. 5129 (=RISM BIII/2:96-97). The graphics files for thistreatise are ANOLIB 01GF-ANOLIB 05GF.





Libellus tonarius

Source of data:

Incipit: Cum simplicium uocum naturaliter se sequentium septem sint discrimina


Heinrich Sowa, Quellen zurTransformation der Antiphonen: Tonar-und Rhythmusstudien (Kassel:Baerenreiter, 1935), 81-154.

ANOLITTEXT

9th-11th195K

File name: X

Annotations:The graphics files for this treatise are ANOLIT 01GF-ANOLIT 05GF.





Liber argumentorum

Source of data:

Incipit: Musica a quo inventa? A Pythagora magno philosopho.



ANOARGTEXT

9th-11th33K

File name: X

Annotations:The incipit is preceded by the heading: "<I. De musica a quo inventa>." The graphics files for this treatise areANOARG 01GF-ANOARG 02GF.





Liber musicae

Source of data:

Incipit: Decem sunt modi quorum tantum tres dicuntur consonantiae, scilicet diatesseron


G. Pannain, "Liber musicae. Un teoricoanonimo del XIV secolo." Rivistamusicale Italiana 27 (1920): 409-39.

ANOLIBMTEXT

14th44K

File name: X

Annotations:The incipit is preceded by the heading "Unde constet diatesseron." The graphics files for this treatise areANOLIBM 01GF-ANOLIBM 03GF.





Liber specierum

Source of data:

Incipit: Quid est musica? Musica est species in motus vocum.



ANOSPEGTEXT

9th-11th33K

File name: X

Annotations:The incipit is preceded by the heading: "<I.> De musica quod in motus vocum species sit." The graphics files forthis treatise are ANOSPEG 01GF-ANOSPEG 05GF.





54


Mensura monochordi Boetii

Source of data:

Incipit: Totum monochordum partire inprimis in quatuor, et in initio monochordi pone F.



ANOMENTEXT

12th12K

File name: X

Annotations:Cf. ANOMMB TEXT.





Mensura monochordi Boetii

Source of data:

Incipit: Totum monochordum partire in primis in quatuor, et in initio monochordi pone F.



ANOMMBTEXT

12th12K

File name: X

Annotations:Cf. ANOMEN TEXT.





Mensura monocordi

Source of data:

Incipit: In monocordo, quod dicitur Fortunatiani, illa mensura tenenda est



ANOMMONTEXT

9th-11th3K

File name: X

Annotations:





Metrologus

Source of data:

Incipit: Sciendum est tamen et neupme loco sunt pedum et distinctiones loco versuum


Robertus de Handlo, Regule, andJohannes Hanboys, Summa, ed. and trans.by Peter M. Lefferts, Greek and LatinMusic Theory, vol. 7 (Lincoln: Universityof Nebraska Press, 1991), 362-64(even-numbered pages only). Used bypermission.

ANOMETRTEXT

14th3K

File name: X

Annotations:Edited from London, British Library, Additional 8866, f. 64r.





Metrologus

Source of data:

Incipit: Igitur quemadmodum in metris sunt littere. sillabe. partes. et pedes ad uersus


Rome, Biblioteca Apostolica Vaticana,Reginensis lat. 1146, ff. 67r-70v.

ANOMET1MBAVR114

14th33K

File name: X

Annotations:=RISM BIII/3:112-16; BIII/6:582-83. Only the final part of the treatise is preserved here. Cf. ANOMETMLBLL763 and ANOMETE TEXT. The graphics files for this treatise are ANOMET1 01GF-ANOMET102GF.





55


Metrologus liber

Source of data:

Incipit: In nomine sancte et indiuidue Trinitatis incipit. de plana musica id est breuis sermo.



ANOMETMLBLL763

14th29K

File name: X

Annotations:=RISM BIII/4:87-91. The graphics file for this treatise is ANOMET 01GF. Cf. ANOMET1 MBAVR114 andANOMET TEXT.





Metrologus liber

Source of data:

Incipit: In nomine sanctae et indiuiduae Trinitatis incipit Metrologus liber de plana Musica,



ANOMETETEXT

14th33K

File name: X

Annotations:The graphics file for this treatise is ANOMETE 01GF. Cf. ANOMET MLBLL763 and ANOMET1MBAVR114.





Modus cantandi in mensuralibus

Source of data:

Incipit: Iam sequitur de valoribus notarum et hoc iam dictatur.


Lorenz Welker, "Ein anonymerMensuraltraktat in der SterzingerMiszellaneen-Handschrift," Archiv fürMusikwissenschaft 48 (1991): 255-81.Used by permission.

ANOMODTEXT

15th16K

File name: X

Annotations:Based on Sterzing/Vipiteno [Südtirol], Stadtarchiv/Rathaus (no signature). The graphics files for this treatise areANOMOD 01GF-ANOMOD 02GF.





Monacho qua mente sit psallendum

Source of data:

Incipit: Iunior quidam monachus, D. Antonii Abbatis discipulus, missus est aliquando



MONPSALTEXT

6th-8th4K

File name: X

Annotations:





Monachus quidam de Sherbourn talem musicam profert de Sancta Maria Magdalene

Source of data:

Incipit: Ex altera parte secuntur versus mistici huic gamme pertinente


London, British Library, Lansdowne 763,ff. 52v-53v.

ANODESAMLBLL763

14th3K

File name: X

Annotations:=RISM BIII/4:87-91. The incipit is preceded by a solmisation figure. The graphics file for this treatise isANODESA 01GF.





56


Monochordi mensura

Source of data:

Incipit: (Divide) per tres usque F et in quarta habes C


"Anonyme Monochordeintheilung (Cod.Paull. 1493, fol. 52b.)," in HugoRiemann, Studien zur Geschichte derNotenschrift (Leipzig: Breitkopf undHärtel, 1878), 301.

ANOMONRTEXT

9th-11th33K

File name: X

Annotations:





Monochordum Encheriadis

Source of data:

Incipit: Monochordum Encheriadis constat in X et VIII cordis, ex quatuor videlicet gravibus



ANOMONENTEXT

12th3K

File name: X

Annotations:





Monocordum Domni Encheriadis

Source of data:

Incipit: Monocordum Encheriadis constat ex decem et octo cordis, ex quattuor



ANOME2TEXT

9th-11th6K

File name: X

Annotations:The graphics file for this treatise is ANOME2 01GF.





Musica compendium

Source of data:

Incipit: SApiencia clamitat in plateis si quis diligit eam ad me declinet et eam inveniet testante


Salzburg, St. Peter's Abbey, a.VI.44, ff.23r-41r.

ANOMCOMMSAVI44

15th64K

File name: X

Annotations:=RISM BIII/1:27-31. This treatise exhibits numerous parallels with Johannes Affligemensis's De musica (cf.JOHDEM TEXT and JOHMUS TEXT). The Graphics files for this treatise are ANOMCOMP01GF-ANOMCOMP 06GF.





Musica enchiriadis

Source of data:

Incipit: Sicut vocis articulatae elementariae atque individuae partes sunt litterae



MUSENCTEXT

9th-11th38K

File name: X

Annotations:The text is assigned to Hucbald in Gerbert's edition, but this attribution is no longer accepted. The graphics filesfor this treatise are MUSENC 01GF-MUSENC 14GF. Cf. MUSENCH TEXT and MUSENCI TEXT.





57


Musica enchiriadis

Source of data:




MUSENCHTEXT

9th-11th39K

File name: X

Annotations:The text is assigned to Hucbald in this edition (following Gerbert), but this attribution is no longer accepted. Thegraphics files for this treatise are MUSENCH 01GF-MUSENCH 08GF. Cf. MUSENC TEXT and MUSENCITEXT.





Musica enchiriadis

Source of data:



Hans Schmid, ed., Musica et scolicaenchiriadis una cum aliquibus tractatulisadiunctis, Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 3(München: Bayerische Akademie derWissenschaften; C. H. Beck, 1981), 1-59.Used by permission.

MUSENCITEXT

9th-11th39K

File name: X

Annotations:The incipit is preceded by a list of chapter titles and a short mnemonic poem. The graphics files for this treatiseare MUSENCI 01GF-MUSENCI 11GF. Cf. MUSENC TEXT and MUSENCH TEXT.





Musicae liber

Source of data:

Incipit: Quemodmodum, ut ait ille venerabilis doctor Ambrosius, in quodam sermone



ANOMUSTEXT

14th14K

File name: X

Annotations:Based on Rome, Biblioteca Vallicelliana, B.83. Known as La Fage Anonymous III. The graphics file for thistreatise is ANOMUS 01GF.





Musice compilatio

Source of data:

Incipit: Nota quod tresdecim sunt species cantus, videlicet tonus, semitonus, dictonus



ANOMUSCTEXT

14th33K

File name: X

Annotations:Edited from Milan, Biblioteca Ambrosiana, M.28.sup., ff. 114r-117r (=RISM BIII/2:63). The graphics files forthis treatise are ANOMUSC 01GF-ANOMUSC 02GF.





Nota regulas super tactus

Source of data:

Incipit: Prima est quod manendum est ante concordanciam sequentis tenoris


Theodor Göllner, “Eine Spielanweisungfür Tasteninstrumente aus dem 15.Jahrhundert,” in Essays in Musicology. ABirthday Offering for Willi Apel, ed.Hans Tischler (Bloomington: School ofMusic, Indiana University, 1968), 70-71.

ANONOTTEXT

15th3K

File name: X

Annotations:Based on Munich, Bayerische Staatsbibliothek, cod. germ. 811, f. 22v (=RISM BIII/6:325).





58


Opusculum de musica

Source of data:

Incipit: In principio nostri opusculi primo et principaliter sumamus ab illo principium


Alexander Rausch, Opusculum de musicaex traditione Iohannis Hollandrini. ACommentary, Critical Edition andTranslation, Musical Theorists inTranslation, vol. 15 (Ottawa: Institute ofMediaeval Music, 1997), 26-80. Used bypermission.

ANOTRHOTEXT

15th88K

File name: X

Annotations:Edited from Vienna, Österreichische Nationalbibliothek, 4774 (=RISM BIII/1:45-47). The graphics file for thistreatise in ANOTRHO 01GF.





Practica musicae artis mensurabilis

Source of data:

Incipit: Gaudent brevitate moderni. Quandocunque punctus quadratus seu nota quadrata



ANOPRATEXT

13th9K

File name: X

Annotations:Document IIIb. The graphics file for this treatise is ANOPRA 01GF. Cf. ANOCOL MMBAI20I.





Proportio est duarum rerum

Source of data:

Incipit: Proporcio. est duarum rerum equalium vel inequalium adinuicem habitudo



ANODUAMLBLL763

14th5K

File name: X

Annotations:=RISM BIII/4:87-91. The graphics files for this treatise are ANODUA 01GF-ANODUA 02GF.





Quaedam de arte discantandi

Source of data:

Incipit: Figura est repraesentatio vocis in aliquo modorum ordinatae.



ANOQUATEXT

13th15K

File name: X

Annotations:Document VI in the Coussemaker Histoire; based on Paris, Bibliothèque Nationale, lat. 15129. The graphicsfiles for this treatise are ANOQUA 01GF-ANOQUA 04GF. Cf. ANOFIG TEXT (Corpus scriptorum de musica,vol. 15).





Quaestiones et solutiones advidendum tam mensurabilis cantus quam immensurabilis musica

Source of data:

Incipit: Primo videndum est quid sit introductio et unde dicatur. Secundo quot modis dividitur.

Thomas J. MathiesenPeter SlemonNigel Gwee

Anonymous (15th Century), Quaestioneset solutiones, ed. Albert Seay, CriticalTexts, no. 2 (Colorado Springs: ColoradoCollege Music Press, 1977). Used bypermission.

ANOQSTEXT

15th26K

File name: X

Annotations:The graphics file for this treatise is ANOQS 01GF. Only the Latin text (pp. 1-12) has been included here; thebalance of the treatise (pp. 13-34) is in Italian.





59


Qualiter debeant fieri organa

Source of data:

Incipit: Si quis concordiam organorum scire uoluerit ita inchoare studeat.


Paris, Bibliothèque Nationale, lat. 7400A, ff. 24v-25v

ANOQUALMPBN7400

13th4K

File name: X

Annotations:=RISM BIII/1:108. The graphics files for this treatise are ANOQUAL 01GF-ANOQUAL 02GF.





Quatuor Principalia I

Source of data:

Incipit: Pro aliquali notitia de Musica habenda. Primo, videndum est quid sit Musica

Peter M. LeffertsBradley Jon TuckerStephen E. Hayes

London, British Library, Additional 4909,ff. 17v-20r.

QUAPRIA1MLBL4909

14th11K

File name: X

Annotations:=RISM BIII/4:25-27. The graphics file for this treatise is QUAPRIA1 01GF. Version A of the QuatuorPrincipalia (also partially preserved in British Library, Cotton Tiberius B.IX; see also QUAPRIB). The treatiseis ascribed to Simon Tunstede in Coussemaker, but this attribution is not generally accepted. See alsoQUAPRIA2 through QUAPRIA4.





Quatuor Principalia II

Source of data:

Incipit: Secundo. Principaliter videndum est, primo, de Arte Musicae


London, British Library, Additional 4909,ff. 20v-26v.

QUAPRIA2MLBL4909

14th26K

File name: X

Annotations:=RISM BIII/4:25-27. The graphics files for this treatise are QUAPRIA2 01GF-QUAPRIA2 02GF. Version A ofthe Quatuor Principalia (also partially preserved in British Library, Cotton Tiberius B.IX; see also QUAPRIB).The treatise is ascribed to Simon Tunstede in Coussemaker, but this attribution is not generally accepted. Seealso QUAPRIA1 and QUAPRIA3 through QUAPRIA4.





Quatuor Principalia III

Source of data:

Incipit: In superioribus particulis dictum est de divisione Musicae


London, British Library, Additional 4909,ff. 26v-31v.

QUAPRIA3MLBL4909

14th19K

File name: X

Annotations:=RISM BIII/4:25-27. The graphics files for this treatise are QUAPRIA3 01GF-QUAPRIA3 03GF. Version A ofthe Quatuor Principalia (also partially preserved in British Library, Cotton Tiberius B.IX; see also QUAPRIB).The treatise is ascribed to Simon Tunstede in Coussemaker, but this attribution is not generally accepted. Seealso QUAPRIA1 through QUAPRIA2 and QUAPRIA4.





Quatuor Principalia IV

Source of data:

Incipit: Dictis aliquibus circa planum Cantum, restat aliud dicendum de cantu


London, British Library, Additional 4909,ff. 31v-56r.

QUAPRIA4MLBL4909

14th79K

File name: X

Annotations:=RISM BIII/4:25-27. The graphics files for this treatise are QUAPRIA4 01GF-QUAPRIA4 08GF. Version A ofthe Quatuor Principalia (also partially preserved in British Library, Cotton Tiberius B.IX; see also ANO1DEMand QUAPRIB). The treatise is ascribed to Simon Tunstede in Coussemaker, but this attribution is not generallyaccepted. See also QUAPRIA1 through QUAPRIA3.





60


Quatuor Principalia I

Source of data:

Incipit: Quemadmodum inter triticum et zizania quamdiu herba est



QUAPRIB1TEXT

14th20K

File name: X

Annotations:Version B of the Quatuor Principalia (version A is partially preserved in British Library, Cotton Tiberius B.IX;and fully preserved in British Library, Additional 4909, ff. 17v-56; see QUAPRIA and ANO1DEM). Thetreatise is ascribed to Simon Tunstede in Coussemaker, but this attribution is not generally accepted. See alsoQUAPRIB2 through QUAPRIB4.





Quatuor Principalia II

Source of data:

Incipit: Ante inventionem hujus artis, homines naturaliter cantibus utebantur



QUAPRIB2TEXT

14th36K

File name: X

Annotations:The graphics files for this treatise are QUAPRIB2 01GF-QUAPRIB2 04GF. Version B of the QuatuorPrincipalia (version A is partially preserved in British Library, Cotton Tiberius B.IX; and fully preserved inBritish Library, Additional 4909, ff. 17v-56; see QUAPRIA and ANO1DEM). The treatise is ascribed to SimonTunstede in Coussemaker, but this attribution is not generally accepted. See also QUAPRIB1 and QUAPRIB3through QUAPRIB4.





Quatuor Principalia III

Source of data:

Incipit: In superioribus particulis dictum est de divisione musicae



QUAPRIB3TEXT

14th82K

File name: X

Annotations:The graphics files for this treatise are QUAPRIB3 01GF-QUAPRIB3 19GF. Version B of the QuatuorPrincipalia (version A is partially preserved in British Library, Cotton Tiberius B.IX; and fully preserved inBritish Library, Additional 4909, ff. 17v-56; see QUAPRIA and ANO1DEM). The treatise is ascribed to SimonTunstede in Coussemaker, but this attribution is not generally accepted. See also QUAPRIB1 throughQUAPRIB2 and QUAPRIB4.





Quatuor Principalia IV

Source of data:

Incipit: Cum omnis quantitas aut est continua aut discreta



QUAPRIB4TEXT

14th118K

File name: X

Annotations:The graphics files for this treatise are QUAPRIB4 01GF-QUAPRIB4 16GF. Version B of the QuatuorPrincipalia (version A is partially preserved in British Library, Cotton Tiberius B.IX; and fully preserved inBritish Library, Additional 4909, ff. 17v-56; see QUAPRIA and ANO1DEM). The treatise is ascribed to SimonTunstede in Coussemaker, but this attribution is not generally accepted. See also QUAPRIB1 throughQUAPRIB3.





Quid est cantus?

Source of data:

Incipit: Quid est cantus? peritia musicae, artis, inflexio vocis et modulatio.


Peter Wagner, "Un piccolo trattato sulcanto ecclesiastico," Rassegna gregoriana3 (1904): 482-84.

ANOQUIDTEXT

9th-11th5K

File name: X

Annotations:Based on Rome, Biblioteca Apostolica Vaticana, Palatinus lat. 235, ff. 38v-39r (=RISM BIII/2:106-7). Thetreatise is sometimes known as the Vatican Anonymous.





61


Quomodo de arithmetica procedit musica

Source of data:

Incipit: Quinque sunt in Arithmetica inaequalitatis genera. Ex quibus tria postrema respuens



ANOQUOTEXT

9th-11th17K

File name: X

Annotations:The graphics file for this treatise is ANOQUO 01GF. Cf. ANOQUOM TEXT.





Quomodo de arithmetica procedit musica

Source of data:

Incipit: Quinque sunt in Arithmetica inaequalitatis genera. Ex quibus tria postrema respuens



ANOQUOMTEXT

9th-11th17K

File name: X

Annotations:The graphics file for this treatise is ANOQUOM 01GF. Cf. ANOQUO TEXT.





Quomodo organice moduletur

Source of data:

Incipit: Quicumque organalem scientiam cupit attingere, scire debet quod omnis cantus

Thomas J. MathiesenAnastasia ArapovaMark Butler

Michael Bernhard, "Ein weiterer Text zurKlangschritt-Lehre," in Quellen undStudien zur Musiktheorie des Mittelalters,ed. Michael Bernhard, BayerischeAkademie der Wissenschaften,Veröffentlichungen derMusikhistorischen Kommission, Band 8(München: Bayerische Akademie derWissenschaften; C. H. Beck, 1990),68-70. Used by permission.

ANOQUOOTEXT

12th2K

File name: X

Annotations:Based on Wolfenbüttel, Herzog-August-Bibliothek, Gud. lat. 334, ff. 111v-112r.





Regula de monocordo

Source of data:

Incipit: [Gamma], A, B, C, D, E, F, G, a, b, h [sqb], c, d, e, f, g, aa, bb, hh [sqb][sqb], cc, dd.


"A London Source for the Ars Nova ofPhilippe de Vitry," in Philippi de VitriacoArs nova, ed. Gilbert Reaney, AndréGilles, and Jean Maillard, Corpusscriptorum de musica, vol. 8 ([Rome]:American Institute of Musicology, 1964),72-78. Used by permission.

REGDEMTEXT

14th17K

File name: X

Annotations:The text is edited from London, British Library, Additional 21455, ff. 8v, 3r-5v, and 6r. The text was firstpublished in Musica disciplina 12 (1958): 60-66. The graphics files for this treatise are REGDEM01GF-REGDEM 02GF. Cf. ANOMM TEXT.





Regula de monocordo

Source of data:

Incipit: In primis. [Gamma], a, b, c, d, e, f, g, a, b, [sqb], c, d, e, f, g, a, b, [sqb], c, d.


London, British Library, Additional21455, f. 8v.

REGDEMLMLBL2145

14th3K

File name: X

Annotations:=RISM BIII/4:46-47. Cf. ANOMM TEXT and REGDEM TEXT.





62


Regula discantus

Source of data:

Incipit: Primus gradus incipit in diapason hoc est in octaua nota.



ANORDMLBL2145

14th12K

File name: X

Annotations:=RISM BIII/4:46-47. The graphics files for this treatise are ANORD 01GF-ANORD 02GF.





Regulae generales de compositione cantus

Source of data:

Incipit: Qui vult componere aliquem cantum, videat primo, quem tonus velit facere in tali cantu.

Thomas J. MathiesenBeth GarfinkelPeter Slemon

Fritz Feldmann, Musik und Musikpflegeim mittelalterlichen Schlesien,Darstellungen und Quellen zurschlesischen Geschichte, Band 37(Breslau: Trewendt und Granier, 1938),193-94.

ANOREGETEXT

15th33K

File name: X

Annotations:Based on Wroclaw, Biblioteka Uniwersytecka I.Q.43, f. 142r (RISM BIII/5:48-50).





Regule contrapuncti secundum usum Regni Siciliae

Source of data:

Incipit: Nota quod contrapunctus est fundamentum biscantus


Paolo Nalli, "Regulae contrapunctisecundum usum Regni Siciliae, tratte daun codice siciliano del Sec. XV,"Archivio Storico per la Sicilia OrientaleII/9 (1933): 287-88 and 291-92.

ANOREGTEXT

15th8K

File name: X

Annotations:Based on Catania, Biblioteche Riunite Civica e Antonio Ursino Recupero, Ursino Recupero D.39, ff. 40v-42v.The graphics file for this treatise is ANOREG 01GF. Cf. ANOUPS2 TEXT.





Regule Magistri Johannis de Muris incipiunt

Source of data:

Incipit: INtendentes sciencie musicalis exquirere cognicionem ad sonum applicatum



MURREGMLBLL763

14th14K

File name: X

Annotations:=RISM BIII/4:87-91. Th graphics file for this treatise is MURREG 01GF. The manuscript attribution toJohannes de Muris is not accepted by modern authorities.





Rubrice brevis

Source of data:

Incipit: Tempus perfectum recte divisum in duodecim (3 x 2 x 2 / 12).


G. Vecchi, "Anonimi Rubrice brevis,"Quadrivium 10 (1969): 128-34. Used bypermission.

ANORUBTEXT

14th33K

File name: X

Annotations:Edited from Saint-Dié, Bibliothèque Municipale, 42, ff. 65v-66v (=RISM BIII/1:131-33); Pisa, Bibliotecauniversitaria, 606 (IV,9) (=RISM BIII/2:81-84); and Rome, Biblioteca Apostolica Vaticana, lat. 5322 (=RISMBIII/2:100). The graphics files for this treatise are ANORUB 01GF-ANORUB 02GF.





63


Scholia enchiriadis de arte musica

Source of data:

Incipit: Discipulus. Musica quid est? Magister. Bene modulandi scientia. D. Bene modulari



SCHENCTEXT

9th-11th91K

File name: X

Annotations:The graphics files for this treatise are SCHENC 01GF-SCHENC 12GF. Cf. SCHEN TEXT.





Scholia enchiriadis de arte musica

Source of data:

Incipit: Discipulus. Musica quid est? Magister. Bene modulandi scientia. D. Bene modulari

Thomas J. MathiesenBradley Jon Tucker & Peter SlemonStephen E. Hayes


SCHENTEXT

9th-11th92K

File name: X

Annotations:The graphics files for this treatise are SCHEN 01GF-SCHEN 17GF. Cf. SCHENC TEXT.





Scolica enchiriadis de arte musica

Source of data:

Incipit: Magister: Musica quid est? Discipulus: Bene modulandi scientia. [Mu]: Bene modulari



SCENCHTEXT

9th-11th96K

File name: X

Annotations:The graphics files for this treatise are SCENCH 01GF-SCENCH 13GF. Cf. SCHENC TEXT and SCHENTEXT.





Sequitur de synemenis

Source of data:

Incipit: Sit [sqb]-O, cuius medium erit [sqb] parvum.



ANOSEQTEXT

13th33K

File name: X

Annotations:Cf. ANODES TEXT.





Si quis artem

Source of data:

Incipit: SI quis artem musice mansurabilis tam ueteram quam nouam



ANO4SQAMPBN1512

15th15K

File name: X

Annotations:=RISM BIII/1:120-21 and BIII/6:223. On f. 129v, the tightness of the binding makes it difficult to read the textand musical examples on the extreme right side of the page; these have accordingly been supplied by conjectureand on the basis of the two published editions. Cf. ANO4CMM TEXT and ANO4COM TEXT. The graphics filefor this treatise is ANO4SQA 01GF.





64


Species plani cantus sunt terdecim

Source of data:

Incipit: Vnisonus. Semitonus. Tonus. Semiditonus. Ditonus. Diateseron. Tritonus. Diapente.


Karl-Werner Gümpel and Klaus-JürgenSachs, "Das Manuskript Girona 91 undsein Contrapunctus-Traktat," Archiv fürMusikwissenschaft 45 (1988): 193-96.Used by permission.

ANOSPETEXT

15th8K

File name: X

Annotations:Based on Girona (Catalonia), Arxiu Capitular, 91, ff. 118r-119v.





Speculum cantancium. siue psallencium

Source of data:

Incipit: Quia omnes septem sciencie liberales .a. septiformi gracia spiritus sancti procedentes



ANOSPECMLBLL763

14th6K

File name: X

Annotations:=RISM BIII/4:87-91. The "title" of the treatise is preceded by a short introduction: "Et de affectu MusiceMoralis secundum tradiciones antiquorum et sanctorum patrum ex alia parte tractatus compendiosus sequitur.qui et speculum psallencium nuncupatur."





Sub breuissimo compendio Philippo de Vitriaco in musica incipit

Source of data:

Incipit: Omni desideranti notitiam artis musice mensurabilis tam noue quam ueteris obtinere

Thomas J. MathiesenAndreas GigerJohn Gray

Siena, Biblioteca comunale, L.V.30, f.129r-v.

ANOOMDEMSBCLV30

14th3K

File name: X

Annotations:=RISM BIII/2:120-23. The graphics file for this treatise is ANOOMDE 01GF. Cf. ANOOMD TEXT.





Sub brevissimo compendio Philippus de Vitriaco in musica incipit

Source of data:

Incipit: Omni desideranti notitiam artis musicae mensurabilis tam novae quam veteris obtinere



ANOOMDTEXT

14th4K

File name: X

Annotations:The text was first published in Musica disciplina 14 (1960): 30-31. Cf. ANOOMDE MSBCLV30.





Summula

Source of data:

Incipit: Dat de psallendi metis pariterque canendi


Summula tractatus metricus de musicaglossis commentarioque instructus, ed.Eddie Vetter, Divitiae musicae artis,A/VIIIa (Buren: Knuf, 1988), 39-101.Used by kind permission of theLaaber-Verlag.

ANOSUMTEXT

15th71K

File name: X

Annotations:Based on Mainz, Stadtbibliothek II 375, ff. 25r-38v (=RISM BIII/3:77-82); Paris, Bibliothèque Nationale, lat.16664 (olim Sorb. 1479), ff. 39v-43v; and Rome, Biblioteca Apostolica Vaticana, Pal. lat. 957, ff. 85r-92r(=RISM BIII/2:107). The verses of the Summula are followed by a commentary, beginning: "De regulis,numero, proprietatibus et clavibus finalibus tonorum primum capitulum. Cum ars musica, quae interphilosophiae ...." An Appendix contains some additional verses by Johannes de Velle. The graphics files for thistreatise are ANOSUM 01GF-ANOSUM 10GF.





65


Terminorium musicalium diffinitorium anonymi

Source of data:

Incipit: Incipit unumquodlibet in arte musicali tam practica quam theorica

Thomas J. MathiesenPeter SlemonJohn-Bede Pauley

Zsuzsa Czagány, "Ein Diffinitoriummusicum aus dem späten 15.Jahrhundert," in International MusicalSociety Study Group Cantus Planus:Papers Read at the Fourth Meeting, Pécs,Hungary, 3-8 September 1990 (Budapest:Hungarian Academy of Sciences,Institute for Musicology, 1992), 132-39.

ANOTERTEXT

15th33

File name: X

Annotations:Based on Venice, Biblioteca Marciana, lat. VIII/82 (coll. 3047), ff. 142-47 (=RISM BIII/2:128 andBIII/6:621-22). The graphics file for this treatise is ANOTER 01GF.





Tonale

Source of data:

Incipit: Tonus quid est? Regula que de omni cantu in fine dijudicat.


Armand Machabey, "'Tonale' inédit duGraduel Manuscrit de Nevers," Revue demusicologie 10 (1926): 120-25.

ANOTONNTEXT

12th9K

File name: X

Annotations:Edition based on Paris, Bibliothèque nationale, nouv. acq. lat. 1235, ff. 141v-146r.





Tonale Sancti Bernardi

Source of data:

Incipit: Discipulus. Quid est tonus? Magister. Regula, naturam et formam cantuum regularium



BERTONTEXT

12th19K

File name: X

Annotations:The graphics files for this treatise are BERTON 01GF-BERTON 08GF. Cf. BERTONA TEXT.





Tonale Sancti Bernardi

Source of data:

Incipit: Discipulus. Quid est tonus? Magister. Regula, naturam et formam cantuum regularium

Andreas GigerDawn ReindlElisabeth Honn


BERTONATEXT

12th21K

File name: X

Annotations:The graphics files for this treatise are BERTONA 01GF-BERTONA 04GF. Cf. BERTON TEXT.





Tonale secundum usum Sarum et universalis ecclesie

Source of data:

Incipit: Primus tonus in delasolre finitur habens eleuacionem a sua finali littera

Thomas J. MathiesenPeter SlemonWilliam Renwick

The Use of Sarum, 2 vols., ed. Walter H.Frere (Cambridge: Cambridge UniversityPress, 1898-1901), 2:i-lxxiv.

SARTONTEXT

13th88K

File name: X

Annotations:The graphics files for this treatise are SARTON 01GF-SARTON 56GF.





66


Tractatuli

Source of data:

Incipit: [varia]


Codex Oxoniensis Bibl. Bodl. Rawl. C270: Pars B, XVII Tractatuli a quodamstudioso peregrino ad annum MC collecti,ed. Joseph Smits van Waesberghe,Divitiae musicae artis, A/Xb (Buren:Knuf, 1980), 33-41. Used by kindpermission of the Laaber-Verlag.

ANOTRA17TEXT

12th12K

File name: X

Annotations:Based on Oxford, Bodleian Library, Rawl. C 270, ff. 9v-22v. The incipits for the treatises included in this fileare: "Quisquis velis camenarum," "Proportio est duarum rerum ad se invicem," "Proportio est rerum diversarumapta comparatio," "Partes quidem diapason sunt diapente et diatessaron," and "Est autem in musicis diapason."





Tractatulus de cantu mensurali seu figurativo musice artis

Source of data:

Incipit: Quoniam cantum mensuralem seu figuratum musice artis multi ignorantes solent

Thomas J. MathiesenBradley Jon TuckerStephen E. Hayes

Anonymus, Tractatulus de cantumensurali seu figurativo musice artis(MS. Melk, Stiftsbibliothek 950), ed. F.Alberto Gallo, Corpus scriptorum demusica, vol. 16 ([Rome]: AmericanInstitute of Musicology, 1971), 11-37.Used by permission.

ANOTRATEXT

14th45K

File name: X

Annotations:The so-called Melk Anonymous. The graphics file for this treatise is ANOTRA 01GF. Cf. ANOTDMM TEXT.





Tractatulus de figuris et temporibus

Source of data:

Incipit: Sciendum est, quod quatuor sunt tempora discantus, scilicet tempus perfectum

Thomas J. MathiesenJessica Sisk and Peter SlemonDavid Schneider


ANOFITTEXT

14th33K

File name: X

Annotations:Edited from Sevilla, Biblioteca Capitular y Colombina, 5.II.25, ff. 93r-94v (=RISM BIII/5:110-20). Thegraphics file for this treatise is ANOFIT 01GF. See also TRAFIG TEXT.





Tractatulus de mensurationum

Source of data:

Incipit: Nota quod ubi est perfectio numeri, ibi est alteratio; appellatione numeri perfecti



ANOTRAMTEXT

15th9K

File name: X

Annotations:The graphics file for this treatise is ANOTRAM 01GF. Cf. LUCARS TEXT.





67


Tractatulus prolationum cum tabulis

Source of data:

Incipit: Nota quod quattuor sunt partes prolationis, scilicet major perfecta et maior imperfecta



ANOTPTTEXT

15th6K

File name: X

Annotations:The graphics files for this treatise are ANOTPT 01GF-ANOTPT 04GF. Cf. LUCARS TEXT.





Tractatus

Source of data:

Incipit: Diatessaron alia constat ex tono et semitonio et tono, ut ab A in D; alia ex semitonio

Thomas J. MathiesenBradley Jon TuckerFiroozeh Khazrai

Adolf Becker, "Ein Erfurter Traktat übergregorianische Musik," Archiv fürMusikwissenschaft 1 (1918-19): 151-61.

BECANOTEXT

9th-11th10K

File name: X

Annotations:The graphics files for this treatise are BECANO 01GF-BECANO 09GF.





Tractatus artis antiquae cum explicatione mensurae binariae

Source of data:

Incipit: Notandum quod, muteto vel conducto qui mensurabiliter cantantur

Thomas J. MathiesenMichael W. LundellPeter Slemon


ANOTAATEXT

13th6K

File name: X

Annotations:Based on Vienna, Österreichische Nationalbibliothek, 5003, ff. 202v-204r. The graphics file for this treatise isANOTAA 01GF.





Tractatus cantandi graduale. Graduali Cisterciensi prologi instar praemissus

Source of data:

Incipit: Sicut notatores Antiphonarium praemunivimus, ita et eos qui gradualia notaturi sunt



ANOCISTTEXT

12th6K

File name: X

Annotations:





68


Tractatus cantus figurati

Source of data:

Incipit: Quoniam per magis noti notitiam ad ignoti facilius devenitur notitiam


Anonymus, Tractatus et compendiumcantus figurati (Mss. London, BritishLibr., Add. 34200; Regensburg,Proskesche Musikbibl., 98 th. 4o), ed. JillM. Palmer, Corpus scriptorum de musica,vol. 35 (n.p.: American Institute ofMusicology; Hänssler Verlag, 1990),41-93. Used by permission.

ANO12TCFTEXT

15th59K

File name: X

Annotations:The graphics files for this treatise are ANO12TCF 01GF-ANO12TCF 08GF. A revision of Jill Palmer,"Coussemaker's Anonymous XII: A Text, Translation, and Commentary (M.A. thesis, Brigham YoungUniversity, 1975). Cf. ANO12TRA TEXT and ANOCOMP TEXT.





Tractatus cuiusdam monachi de musica

Source of data:

Incipit: Quindecim chordae habentur in monochordo secundum Boetium.


Johannes Wolf, "Ein anonymerMusiktraktat des elften bis zwölftenJahrhunderts," Vierteljahresschrift fürMusikwissenschaft 9 (1893): 194-226.

WFANON1TEXT

12th34K

File name: X

Annotations:The graphics files for this treatise are WFANON1 01GF-WFANON1 02GF. The text is edited from Darmstadt1988, ff. 182r-189v (=RISM BIII/3:39-41 and BIII/6:278-79).





Tractatus de contrapuncto

Source of data:

Incipit: Inprimis dicetur qualiter contrapuntus de iure debet diffiniri. Secundo de speciebus


Johannes Hothby, Opera omnia deproportionibus; Anonymus, Tractatus decontrapuncto (Ms. Venice, lat. VIII.82,coll. 3047), ed. Gilbert Reaney, Corpusscriptorum de musica, vol. 39 (n.p.:American Institute of Musicology;Hänssler-Verlag, 1997), 44-58. Used bypermission.

ANOTDCTEXT

15th24K

File name: X

Annotations:The graphics files for this treatise are ANOTDC 01GF-ANOTDC 03GF.





Tractatus de discantu

Source of data:

Incipit: Quicumque bene et secure discantare voluerit, primo oportet scire quid sit quintum



ANOTRDISTEXT

13th9K

File name: X

Annotations:The graphics files for this treatise are ANOTRDIS 01GF-ANOTRDIS 03GF.





69


Tractatus de figuris sive de notis

Source of data:

Incipit: Cum in isto tractatu de figuris sive de notis, quae sunt et de earum proprietatibus


Ms. Oxford, Bodley 842 (Willelmus),Breviarium regulare musicae; Ms. BritishMuseum, Royal 12. C. VI., Tractatus defiguris sive de notis; Johannes Torkesey,Declaratio trianguli et scuti, Corpusscriptorum de musica, vol. 12 ([Rome]:American Institute of Musicology, 1966),40-51. Used by permission.

TRADEFTEXT

14th25K

File name: X

Annotations:The graphics files for this treatise are TRADEF 01GF-TRADEF 02GF. The text is edited from London, BritishLibrary, Royal 12.C.VI., ff. 54-58. Cf. ANO6TRA TEXT.





Tractatus de musica

Source of data:

Incipit: Viso de gravibus ordine ad acutas, notatoque quomodo ex speciebus diatessaron



ANOFRA5TEXT

12th14K

File name: X

Annotations:Based on Florence, Biblioteca nazionale centrale, Magliabechiana XIX.D.19. The treatise is sometimes knownas La Fage Anonymous I (=St. Martial Anonymous). Cf. ANOLAF TEXT. The treatise is followed by a fewlines of a "documentum tonorum." The graphics file for this treatise is ANOFRA5 01GF.





Tractatus de musica

Source of data:

Incipit: Omni desideranti notitiam artis mensurabilis tam noue quam ueteris obtinere


Higini Angles, "Dos tractats medievals demusica figurada," inMusikwissenschaftliche Beiträge:Festschrift für Johannes Wolf zu seinemsechzigsten Geburtstag, ed. W. Lott, H.Osthoff, and W. Wolffheim (Berlin:Breslauer, 1929), 6-10.

AGANONTTEXT

15th11K

File name: X

Annotations:Sometimes known as Angles Anonymous 1929; based on Sevilla, Biblioteca Capitular y Colombina, 5.II.25(=RISM BIII/5:110-20).





Tractatus de musica

Source of data:

Incipit: ... Similiter unisonus dicitur modus, quia est fundamentum aliorum modorum omnium


Zsuzsa Czagány, "Anonymi LeutoviensisTractatus de musica," Musica disciplina46 (1992): 234-42. Used by permission.

ANOLEUTEXT

15th33K

File name: X

Annotations:Edited from an endpaper in Siebenbürgen, Bibliotheca Batthyanyana, R.IX.53.





70


Tractatus de musica compendium cantus figurati

Source of data:

Incipit: Praesens compendium secundum famosiores musicos in quindecim capitula


Jill Palmer, "A Late Fifteenth-CenturyAnonymous Mensuration Treatise (Ssp)Salzburg, Erzabtei St. Peter, a VI 44,1490; cod. pap.; 206 x 149 mm. 75ff.,"Musica disciplina 39 (1985): 89-103.Text copyright 1986. Used by permissionof the American Institute of Musicology(Tempo Music Publications, 3773 West95th Street, Leawood, KS 66206).

ANOCOMPTEXT

15th23K

File name: X

Annotations:The graphics files for this treatise are ANOCOMP 01GF-ANOCOMP 02GF. Cf. ANO12TCF TEXT andANO12TRA TEXT.





Tractatus de musica et tonarius

Source of data:

Incipit: CUM CANTUS unius modi utpote proti ad comparationem finis, tum sint graves et plani

Thomas J. MathiesenBeth GarfinkelMark Butler

A. Marcel J. Zijlstra, ed., Tractatus demusica et tonarius e codice BibliothecaeUniversitatis Ultraiectensis (Utrecht UB406), Instituut voor Muziekwetenschap,Universiteit Utrecht (Utrecht: Instituutvoor Muziekwetenschap, 1993), 9-30.Used by permission.

ANOTRUTTEXT

12th65K

File name: X

Annotations:Edited from Utrecht, Universiteitsbibliotheek, 406 (=RISM BIII/1:137-39). The graphics files for this treatiseare ANOTRUT 01GF-ANOTRUT 03GF.





Tractatus de musica figurata et de contrapuncto ab anonymo auctore

Source of data:

Incipit: Item notandum quod septem sunt reformationes in manu videlicet:



TRADEMTEXT

15th28K

File name: X

Annotations:Text edited from Paris, Bibliothèque Nationale, lat. 16664, ff. 62v-85v. The graphics files for this treatise areTRADEM 01GF-TRADEM 36GF.





Tractatus de musica mensurabili

Source of data:

Incipit: Quoniam circa artem musicalis sciencie hodiernis temporibus cantando delyrant


Johannes Wolf, "Ein BreslauerMensuraltraktat des 15. Jahrhunderts,"Archiv für Musikwissenschaft 1(1918-19): 331-45.

WFANON4TEXT

15th42K

File name: X

Annotations:Commonly known as Wolf's Anonymous 4 or the Breslau Anonymous; based on Wroclaw, BibliotekaUniwersytecka IV.Q.16, ff. 151v-160r (RISM BIII/5:50-51). The graphics files for this treatise are WFANON401GF-WFANON4 03GF. Cf. ARITRA TEXT, BEDMUS TEXT, LAMTRAC MSBCLV30, and ANOTDMMTEXT.





71


Tractatus de musica plana et organica

Source of data:

Incipit: Musica est ars recte canendi sono cantuque consistens.



ANOMUPOTEXT

13th34K

File name: X

Annotations:The so-called "Louvain Treatise." The graphics files for this treatise are ANOMUPO 01GF-ANOMUPO 06GF.





Tractatus figurarum

Source of data:

Incipit: Incipit tractatus figurarum per quas diversimode discantatur

Thomas J. MathiesenC. Matthew BalensuelaPhilip E. Schreur

Tractatus figurarum, ed. and trans. byPhilip E. Schreur, Greek and Latin MusicTheory, vol. 6 (Lincoln: University ofNebraska Press, 1989), 66-102. Used bypermission.

TRAFIGTEXT

14th14K

File name: X

Annotations:The treatise is ascribed to Philippus de Caserta in CS III. The graphics file for this treatise is TRAFIG 01GF. Cf.ANOFIT TEXT, CASTRAM MMBAI20I, and CASTRA TEXT.





Vita Sancti Remigii

Source of data:

Incipit: Isti versus sunt scripti in scrinio corporis sancti Remigii in linea superiori

Thomas J. MathiesenJan Herlinger & Bradley TuckerJohn Csonka


REMVITTEXT

9th-11th3K

File name: X

Annotations:Based on Monte Cassino, Arch. 494. The graphics file for this treatise is REMVIT 01GF.





Volens facere clavicordium

Source of data:

Incipit: Volens facere clavicordium in hunc modum procedat. Dato corpore secundum


Jacques Handschin, "Aus der altenMusiktheorie," Acta musicologica 16-17(1944-45): 7-9.

ANOVOLTEXT

15th9K

File name: X

Annotations:Based on Geneva, Bibliothèque publique et universitaire, lat. 80, ff. 44r-45v.





Tractatus de consonantiis musicalibus

Source of data:

Incipit: Tredecim consonantie sunt quibus omnis cantus ecclesiaticus contexitur.

Oliver B. EllsworthThomas J. MathiesenBradley Jon Tucker


ANO1TRATEXT

13th15K

File name: X

Annotations:The graphics files for this treatise are ANO1TRA 01GF-ANO1TRA 02GF.

Anonymous 1Author:Treatise:




72



Source of data:

Incipit: Gaudent brevitate moderni. Quandocunque punctus quadratus, vel nota quadrata

Thomas J. MathiesenPeter M. LeffertsBradley Jon Tucker


ANO2TRATEXT

13th24K

File name: X

Annotations:The graphics files for this treatise are ANO2TRA 01GF-ANO2TRA 08GF. Cf. ANOCBA MBAV5320,ANOCOL MMBAI20I, ANOCOM TEXT, ANOCOMM TEXT, ANOCMM TEXT, ANOMPM MBER267,ANOTDD TEXT, ANO3DEC TEXT, BALABREV MPBN1512, BALABM TEXT, and BALABR TEXT.





De cantu mensurabili

Source of data:

Incipit: Gaudent brevitate moderni. Quandocunque nota quadrata, vel punctus quadratus



ANO3DECTEXT

13th15K

File name: X

Annotations:The graphics files for this treatise are ANO3DEC 01GF-ANO3DEC 03GF. Cf. ANOCBA MBAV5320,ANOCOL MMBAI20I, ANOCOM TEXT, ANOCOMM TEXT, ANOCMM TEXT, ANOMPM MBER267,ANOTDD TEXT, ANO2TRA TEXT, BALABREV MPBN1512, BALABM TEXT, and BALABR TEXT.





[Musica]

Source of data:

Incipit: Cognita modulatione melorum secundum viam octo troporum et secundum usum


Fritz Reckow, Der Musiktraktat desAnonymus 4, 2 vols., Beihefte zumArchiv für Musikwissenschaft, vols. 4-5(Wiesbaden: Steiner, 1967), 1:22-89.Used by permission.

ANO4MUSTEXT

13th135K

File name: X

Annotations:Cf. ANO4DEM TEXT.





De mensuris et discantu

Source of data:

Incipit: Cognita modulatione melorum, secundum viam octo troporum, et secundum usum

Thomas J. MathiesenSandra PinegarLuminita Aluas


ANO4DEMTEXT

13th132K

File name: X

Annotations:Cf. ANO4MUS TEXT.





De discantu

Source of data:

Incipit: Est autem unisonus quando due voces manent in uno et eodem loco



ANO5DEDTEXT

14th9K

File name: X

Annotations:The graphics file for this treatise is ANO5DED 01GF.





73


Tractatus de figuris sive de notis

Source of data:

Incipit: Cum in isto tractatu de figuris sive de notis, que sunt, et de earum proprietatibus



ANO6TRATEXT

14th25K

File name: X

Annotations:The graphics files for this treatise are ANO6TRA 01GF-ANO6TRA 02GF. Cf. TRADEF TEXT.





De musica libellus

Source of data:

Incipit: Modus in musica est debita mensuratio temporis, scilicet per longas et breves

Thomas J. MathiesenCharles M. AtkinsonLuminita Aluas


ANO7DEMTEXT

13th15K

File name: X

Annotations:The graphics file for this treatise is ANO7DEM 01GF. Cf. ANODML TEXT.





De musica antiqua et nova

Source of data:

Incipit: Dictis aliquibus circa planum cantum, restat aliud dicendum de cantu

Thomas J. MathiesenStephen E. HayesPeter M. Lefferts


ANO1DEMTEXT

14th80K

File name: X

Annotations:Equivalent to the Quartum Principale of the Quatuor Princiaple, Version A (partially preserved in BritishLibrary, Cotton Tiberius B.IX; and fully preserved in British Library, Additional 4909, ff. 17v-56). The graphicsfiles for this treatise are ANO1DEM 01GF-ANO1DEM 08GF. Cf. QUAPRIA MLBL4909 and QUAPRIBTEXT.

Anonymous IAuthor:Treatise:




Musica

Source of data:

Incipit: Duo semisphaeria, quas magadas vocant, concavo instrumento hinc et hinc superponuntur



ANO1MUSTEXT

9th-11th19K

File name: X

Annotations:The incipit is preceded the following list of contents: "Argumentum. 1. Triplicis generis divisio in monochordo.2. Diatonicum genus. 3. Chromaticum et enharmonicum. 4. Chordarum nomina. 5. Quinque tetrachorda. 6.Consonantiae; 7. Earumque species. 8. Octo cantionum modi." The graphics file for this treatise is ANO1MUS01GF. Cf. ANO1MU TEXT and BERNDEM TEXT.





Musica

Source of data:

Incipit: Duo semisphaeria, quas magadas vocant, concavo instrumento hinc et hinc superponuntur



ANO1MUTEXT

9th-11th19K

File name: X

Annotations:The incipit is preceded the following list of contents: "Argumentum.--1. Triplicis generis divisio in monochordo.2. Diatonicum genus. 3. Chromaticum et enharmonicum. 4. Chordarum nomina. 5. Quinque tetrachorda. 6.Consonantiae; 7. Earumque species. 8. Octo cantionum modi." The graphics file for this treatise is ANO1MU01GF. Cf. ANO1MUS TEXT and BERNDEM TEXT.





74


De musica antiqua et nova

Source of data:

Incipit: Ad evidentiam valoris notularum, sciendum quod quotienscumque nota

Benito V. RiveraThomas J. MathiesenLuminita Aluas


ANO2DEMTEXT

14th18K

File name: X

Annotations:The graphics file for this treatise is ANO2DEM 01GF. Cf. ANO2VAL MPBN1512 and ANO2DEV TEXT.

Anonymous IIAuthor:Treatise:





Source of data:

Incipit: Gaudent brevitate moderni. Quandocumque punctus quadratus vel nota quadrata


Anonymous II, Tractatus de discantu, ed.Albert Seay, Texts/Translations, no. 1(Colorado Springs: Colorado CollegeMusic Press, 1978), 2-62. Used bypermission.

ANOTDDTEXT

13th26K

File name: X

Annotations:The graphics files for this treatise are ANOTDD 01GF-ANOTDD 19GF. Cf. ANOCBA MBAV5320, ANOCOLMMBAI20I, ANOCOM TEXT, ANOCOMM TEXT, ANOCMM TEXT, ANOMPM MBER267, ANO2TRATEXT, ANO3DEC TEXT, BALABREV MPBN1512, BALABM TEXT, and BALABR TEXT.





Tractatus de musica

Source of data:

Incipit: Quinque sunt consonantiae musicae, diatessaron, quae et sesquitertia dicitur



ANO2TDMTEXT

12th14K

File name: X

Annotations:Cf. ANO2TRDM TEXT.





Tractatus de musica

Source of data:

Incipit: Quinque sunt consonantiae musicae, Diatessaron, quae et sesquitertia dicitur



ANO2TRDMTEXT

12th14K

File name: X

Annotations:Cf. ANO2TDM TEXT.





Compendiolum artis veteris ac novae

Source of data:

Incipit: Quoniam per ignorantiam artis musice multi, et maxime temporibus moderni,



ANO3COMTEXT

14th14K

File name: X

Annotations:The graphics file for this treatise is ANO3COM 01GF.

Anonymous IIIAuthor:Treatise:




75


Fragmentum musices

Source of data:

Incipit: Ab omni superparticulari si continuam ei superparticularem quis auferat proportionem



ANO3FRATEXT

12th6K

File name: X

Annotations:Cf. ANO3FRAM TEXT.





Fragmentum musices

Source of data:

Incipit: Ab omni superparticulari si continuam ei superparticularem quis auferat proportionem



ANO3FRAMTEXT

12th6K

File name: X

Annotations:Cf. ANO3FRA TEXT.





Compendium artis mensurabilis tam veteris quam novae

Source of data:

Incipit: Si quis artem musice mensurabilis tam veterem quam novam

Thomas J. MathiesenAnne StoneLuminita Aluas


ANO4COMTEXT

15th10K

File name: X

Annotations:Cf. ANO4SQA MPBN1512 and ANO4CMM TEXT.

Anonymous IVAuthor:Treatise:




Tractatus de musica

Source of data:

Incipit: Quod punctus per sui additionem possit facere brevem alterari.


Ulrich Michels, "Der Musiktraktat desAnonymus OP: Ein frühesTheoretiker-Zeugnis der Ars nova,"Archiv für Musikwissenschaft 26 (1969):56-62. Used by permission.

ANOPTRATEXT

14th12K

File name: X

Annotations:Based on Oxford, Bodleian Library, Bodley 77; and Paris, Bibliothèque Nationale, lat. 14741.

Anonymous OPAuthor:Treatise:




Ars cantus mensurabilis

Source of data:

Incipit: Ad honorem et gloriam Sanctissime Trinitatis

Thomas J. MathiesenSandra PinegarC. Matthew Balensuela


ANO5ARSTEXT

15th49K

File name: X

Annotations:The graphics files for this treatise are ANO5ARS 01GF-ANO5ARS 03GF. Cf. ANO5ACM TEXT.

Anonymous VAuthor:Treatise:




76



Source of data:

Incipit: Quum dictum sit musicam in numero ternario sumere perfectionem

Thomas J. MathiesenAnne StoneLuminita Aluas


ANO6DEMTEXT

14th15K

File name: X

Annotations:The graphics files for this treatise are ANO6DEM 01GF-ANO6DEM 02GF.

Anonymous VIAuthor:Treatise:




De diversis maneriebus in musica mensurabili

Source of data:

Incipit: Sic formantur breves plicate:

Jan HerlingerBradley Jon TuckerLuminita Aluas


ANO7DEDTEXT

14th11K

File name: X

Annotations:Cf. ANO7DDM TEXT.

Anonymous VIIAuthor:Treatise:




Regulae de contrapuncto

Source of data:

Incipit: Consonantie contrapuncti demonstrativi ad oculum sunt sex

Thomas J. MathiesenBradley Jon TuckerLuminita Aluas


ANO8REGTEXT

15th8K

File name: X

Annotations:

Anonymous VIIIAuthor:Treatise:




De minimis notulis

Source of data:

Incipit: Item notandum quod notularum species quantum plures



ANO10DEMTEXT

15th8K

File name: X

Annotations:The graphics file for this treatise is ANO10DEM 01GF.

Anonymous XAuthor:Treatise:




[Tractatus de musica plana et mensurabili]

Source of data:

Incipit: Item diceres, quare musica studetur? Respondetur quod illo modo: quod cultus divinus

Thomas J. MathiesenPeter M. Lefferts & Andreas GigerHannah Jo Smith & Brian Palmer

Richard J. Wingell, "Anonymous XI (CSIII): An Edition, Translation, andCommentary," 3 vols. (Ph.D. dissertation,University of Southern California, 1973),1:1-173. Used by permission.

ANO11TDMTEXT

15th145K

File name: X

Annotations:Based on London, British Library, Additional 34200, ff. 1-41r. The graphics files for this treatise areANO11TDM 01GF-ANO11TDM 39GF. Cf. ANO11TRA TEXT.

Anonymous XIAuthor:Treatise:




77


Tractatus de musica plana et mensurabili

Source of data:

Incipit: Quare musica studetur? Respondetur quod illo modo: quod cultus divinus



ANO11TRATEXT

15th142K

File name: X

Annotations:The graphics files for this treatise are ANO11TRA 01GF-ANO11TRA 29GF. Cf. ANO11TDM TEXT.

Anonymous XIAuthor:Treatise:




Tractatus de musica

Source of data:

Incipit: Quoniam per magis noti notitiam ad ignoti facilius devenitur notitiam



ANO12TRATEXT

15th57K

File name: X

Annotations:The graphics files for this treatise are ANO12TRA 01GF-ANO12TRA 05GF. Cf. ANO12TCF TEXT andANOCOMP TEXT.

Anonymous XIIAuthor:Treatise:




De musica

Source of data:

Incipit: Petrus - Mirabile semper visum est philosophis ac de his

Thomas J. MathiesenAnastasia ArapovaJohn Gray

Georgii Anselmi Parmensis De musica:Dieta prima de celesti harmonia, dietasecunda de instrumentali harmonia, dietatertia de cantabili harmonia, ed. GiuseppeMassera, "Historia musicae cultores"biblioteca, vol. 14 (Firenze: Leo S.Olschki, 1961). Used by permission.

ANSDEMTEXT

15th228K

File name: X

Annotations:Based on Milan, Biblioteca Ambrosiana, H.233.Inf. The graphics files for this treatise are ANSDEM01GF-ANSDEM 03GF.

Anselmus, GeorgiusAuthor:Treatise:




Ars cantus figurati

Source of data:

Incipit: Qualiter in arte practica mensurabilis cantus erudiri mediocriter affectans



LUCARSTEXT

15th20K

File name: X

Annotations:The graphics files for this treatise are LUCARS 01GF-LUCARS 08GF.

Antonius de LucaAuthor:Treatise:




78


Ars cantus figurati

Source of data:

Incipit: Qualiter in arte practica mensurabilis cantus erudiri mediocriter affectans



LUCARSCTEXT

15th39K

File name: X

Annotations:The graphics files for this treatise are LUCARSC 01GF-LUCARSC 04GF. Cf. LUCARS TEXT.

Antonius de LucaAuthor:Treatise:




Ars musice

Source of data:

Incipit: Quatuor ecce tropi nutura iure creati. Quatuor ut reges infra sua regna sedentes

Andreas GigerKatherine ClarkAnna Gercas

S. Tommaso d'Aquino, Ars musice, ed.Mario di Martino (Naples: Eugenio deSimone, 1933), 23-39.

AQUARSTEXT

13th39K

File name: X

Annotations:The text, which is not considered authentic by modern scholars, is based on Rome, Biblioteca ApostolicaVaticana, lat. 4357, ff. 56v-65v (=RISM BIII/2:95). It is followed, on pp. 38-39, with a transcription of the firstpage of Pavia, Biblioteca universitaria, Aldino 450 (olim Venice, San Salvatore) (=RISM BIII/2:77-78), whichcontains a fifteenth-century reworking of the Ars musice. See also AQUMUS TEXT.

Aquinas [Ps.], ThomasAuthor:Treatise:




De arte musica

Source of data:

Incipit: Cum humana natura naturaliter scire desiderat, et a primi hominis [peccato] prisco sunt


D. Thomae Aquinatis De arte musicanunc primum ex codice bibliothecaeUniversitatis Ticinensis, ed. Sac.Guarinus Amelli (Milan: S. Josephus,1880), 19-25.

AQUMUSTEXT

13th33K

File name: X

Annotations:The text, which is not considered authentic by modern scholars, is based on Pavia, Biblioteca universitaria,Aldino 450 (olim Venice, San Salvatore), ff. 1r-3r (=RISM BIII/2:77-78). See also AQUARS TEXT.

Aquinas [Ps.], ThomasAuthor:Treatise:




De musica

Source of data:

Incipit: Domno suo Ellenhardo praesulum dignissimo, in universa morum honestate praeclaro

Thomas J. MathiesenOliver B. Ellsworth & Luminita AluasJohn Gray

Aribo, De musica, ed. J. Smits vanWaesberghe, Corpus scriptorum demusica, vol. 2 ([Rome]: AmericanInstitute of Musicology, 1951), 1-72.Used by permission.

ARIDEMTEXT

9th-11th96K

File name: X

Annotations:The graphics files for this treatise are ARIDEM 01GF-ARIDEM 05GF. Cf. ARIMUS TEXT and ARIMUTEXT.

AriboAuthor:Treatise:




79


Musica

Source of data:

Incipit: Domno suo Ellenhardo praesulum dignissimo in universa morum honestate praeclaro

Thomas J. MathiesenCharles AtkinsonSean Ferguson


ARIMUSTEXT

9th-11th94K

File name: X

Annotations:The graphics files for this treatise are ARIMUS 01GF-ARIMUS 05GF. Cf. ARIDEM TEXT and ARIMUTEXT.





Musica

Source of data:

Incipit: Domno suo Ellenhardo praesulum dignissimo in universa morum honestate praeclaro

Thomas J. MathiesenC. Atkinson, B.Tucker, P. SlemonJingfa Sun


ARIMUTEXT

9th-11th93K

File name: X

Annotations:The graphics files for this treatise are ARIMU 01GF-ARIMU 03GF. Cf. ARIDEM TEXT and ARIMUS TEXT.





Tractatus de musica

Source of data:

Incipit: Quoniam circa artem musicam necessaria quedam ad utilitatem constantium



ARITRATEXT

13th78K

File name: X

Annotations:This treatise is now commonly ascribed to Magister Lambert. The graphics files for this treatise are ARITRA01GF-ARITRA 12GF. Cf. ANOMPM MBER267, BEDMUS TEXT, and LAMTRAC MSBCLV30.

AristotleAuthor:Treatise:




Tractatulus de differentiis et generibus cantorum

Source of data:

Incipit: Existimo, quod nunc temporis quatuor principales sunt differentiae cantorum.



ARNTRATEXT

14th9K

File name: X

Annotations:

Arnulphus de Sancto GillenoAuthor:Treatise:




De musica, liber primus

Source of data:

Incipit: Magister: Modus, qui pes est? Discipulus: Pyrrhichius. M. Quot temporum est?



AUGDEM1TEXT

3rd-5th49K

File name: X

Annotations:See also AUGDEM2-6.

Augustinus, AureliusAuthor:Treatise:




80


De musica, liber secundus

Source of data:

Incipit: M. Attende igitur diligenter, et nunc demum accipe quasi alterum nostrae disputationis



AUGDEM2TEXT

3rd-5th45K

File name: X

Annotations:See also AUGDEM1 and AUGDEM3-6.





De musica, liber tertius

Source of data:

Incipit: M. Tertius hic sermo postulat, ut quoniam de pedum amicitia quadam concordiaque



AUGDEM3TEXT

3rd-5th85K

File name: X

Annotations:See also AUGDEM1-2 and AUGDEM4-6.





De musica, liber quartus

Source of data:

Incipit: M. Redeamus ergo ad metri considerationem, propter cujus progressum ac longitudinem



AUGDEM4TEXT

3rd-5th55K

File name: X

Annotations:See also AUGDEM1-3 and AUGDEM5-6.





De musica, liber quintus

Source of data:

Incipit: M. Quid sit versus, inter doctos veteres non parva luctatione quaesitum est



AUGDEM5TEXT

3rd-5th43K

File name: X

Annotations:See also AUGDEM1-4 and AUGDEM6.





De musica, liber sextus

Source of data:

Incipit: M. Satis diu pene atque adeo plane pueriliter per quinque libros in vestigiis numerorum



AUGDEM6TEXT

3rd-5th90K

File name: X

Annotations:See also AUGDEM1-5.





81


Musica disciplina

Source of data:

Incipit: Musicam disciplinam non esse contemnendam, multa et antiquorum, gentilium



AURMUSTEXT

9th-11th100K

File name: X

Annotations:The graphics file for this treatise is AURMUS 01GF. The preface to the treatise begins: "Christianorumnobilissimo, nobilium, virorumque praestantissimo, atque honoris culmine Apostolici nobilissime sublimato ..."Cf. AURMD TEXT and AURMUSD TEXT.

Aurelianus ReomensisAuthor:Treatise:




Musica disciplina

Source of data:

Incipit: Musicam disciplinam non esse contempnendam, multa et antiquorum gentilium

Thomas J. MathiesenKirk DitzlerBradley Jon Tucker

Joseph Perry Ponte III, "AurelianiReomensis Musica disciplina: A RevisedText, Translation, and Commentary," 3vols. (Ph.D. dissertation, BrandeisUniversity, 1961), 2:1-199 (odd only).Used by permission.

AURMUSDTEXT

9th-11th100K

File name: X

Annotations:The preface to the treatise begins: "Cristianorum nobilissimo, nobilium, virorumque praestantissimo, atquehonoris culmine apostolici nobilissime sublimato ..." The graphics files for this treatise are AURMUSD01GF-AURMUSD 03GF. Cf. AURMD TEXT and AURMUS TEXT.





Musica disciplina

Source of data:

Incipit: Musicam disciplinam non esse contempnendam, multa et antiquorum gentilium


Aureliani Reomensis Musica disciplina,ed. Lawrence Gushee, Corpus scriptorumde musica, vol. 21 ([Rome]: AmericanInstitute of Musicology, 1975), 53-135.Used by permission.

AURMDTEXT

9th-11th100K

File name: X

Annotations:The graphics files for this treatise are AURMD 01GF-AURMD 02GF. The preface to the treatise is preceded bya colophon verse, beginning: "Quisquis hoc legerit, magno cum iure patratu ...." The preface itself begins:"Cristianorum nobilissimo nobilium, virorumque praestantissimo, atque honoris culmine apostolici nobilissimesublimato ..." Cf. AURMUS TEXT and AURMUSD TEXT.





Musica disciplina

Source of data:

Incipit: Quisquis hoc legerit magno cum jure patratum


Adrien de la Fage, Essais dedipthérographie musicale (Paris: Legouix,1864), 343.

AUREPITEXT

9th-11th1K

File name: X

Annotations:This is simply the seven-line Aurelian epigram, based on Rome, Biblioteca Casanatense, G.III.6.





Musica disciplina, cap. VIII-XVI

Source of data:

Incipit: Propitia divinitatis gratia nutuque favente divino, tonorum sive ut nonnulli tenorum


Aureliani Reomensis Musica disciplina,ed. Lawrence Gushee, Corpus scriptorumde musica, vol. 21 ([Rome]: AmericanInstitute of Musicology, 1975), 136-53.Used by permission.

AURMDAPTEXT

9th-11th39K

File name: X

Annotations:This appendix represents an alternate version of chapters 8-16 found in Oxford, Bodleian Library, Canonicimisc. 212, ff. 40r-48v. 8.38-10.29 and 16.9-19.89 have been omitted because they differ only slightly from thetext preserved in AURMD.





82


Musica quadrata seu mensurata

Source of data:

Incipit: Quoniam circa artem musicam necessaria quaedam ad utilitatem cantantium tractare



BEDMUSTEXT

13th43K

File name: X

Annotations:Although attributed to the Venerable Bede in the Patrologia latina, the text is now commonly ascribed toMagister Lambert. The graphics files for this treatise are BEDMUS 01GF-BEDMUS 02GF. Cf. ANOMPMMBER267, ARITRA TEXT, and LAMTRAC MSBCLV30.

Beda [Ps.]Author:Treatise:




Musica theorica

Source of data:

Incipit: Notandum est quod omnis ars in ratione continetur. Musica quoque in ratione numerorum



BEDMUSTTEXT

6th-8th31K

File name: X

Annotations:Although attributed to the Venerable Bede in the Patrologia latina, the text is commonly assumed to be of a laterdate. Cf. BEDMUT TEXT.

Beda [Ps.]Author:Treatise:




Musica theorica

Source of data:

Incipit: Boethii textui haec praemissa sunt: Notandum quod, cum omnis ars in ratione


Hucbaldus Pizzani, "[Bedae Presbyteri]Musica theorica sive Scholia in BoethiiDe institutione musica libros quinque,"Romanobarbarica 5 (1980): 329-57. Usedby permission.

BEDMUTTEXT

6th-8th65K

File name: X

Annotations:In this text, the H and M numbers given in the margins refer respectively to the Hervagius edition of the Musicatheorica of 1563 and the Migne edition in the Patrologia latina (cf. BEDMUST TEXT). The numbers within thetext locate the lemmata in the book and chapter of Boethius's De institutione musica in the Friedlein edition.Although attributed to the Venerable Bede, the text is commonly assumed to be of a later date.

Bede [Ps.]Author:Treatise:




Institutio Sancti Bernardi abbatis Clareuallis quomodo cantare et psallere debeamus

Source of data:

Incipit: Psalmodiam non nimium protrahamus, sed rotonde et uiua uoce cantemus.


Chrysogonus Waddell, "A Plea for the'Institutio Sancti Bernardi quomodocantare et psallere debeamus,'" in SaintBernard of Clairvaux: StudiesCommemorating the Eighth Centenary ofHis Canonization, ed. M. BasilPennington, Cistercian Studies Series, no.28 (Kalamazoo, MI: CistercianPublications, 1977), 187-88.

BERINSTEXT

12th33K

File name: X

Annotations:The incipit is preceded by the introductory phrase: "Venerabilis pater noster beatus Bernardus abbatis clareuallisprecepit monachis hanc formam candendi tenere, affirmans hoc deo et angelis placere, ita dicens …."

Bernardus abbatis ClareuallisAuthor:Treatise:




Cita et vera divisio monochordi in diatonico genere

Source of data:

Incipit: Dimidium proslambanomenos est Mese, huius autem dimidium est nete hyperboleon



BERNDIVTEXT

9th-11th36K

File name: X

Annotations:The graphics files for this treatise are BERNDIV 01GF-BERNDIV 08GF. Cf. BERNDIVM TEXT.

BernelinusAuthor:Treatise:




83


Cita et vera divisio monochordi in diatonico genere

Source of data:

Incipit: Dimidium proslambanomenos est Mese, hujus autem dimidium est nete hyperboleon



BERNDIVMTEXT

9th-11th36K

File name: X

Annotations:The graphics files for this treatise are BERNDIVM 01GF-BERNDIVM 06GF. Cf. BERNDIV TEXT.

BernelinusAuthor:Treatise:




De consona tonorum diversitate

Source of data:

Incipit: Igitur octo tonis manifestum est musicam consistere, per quos musicae modulationis

Thomas J. MathiesenCharles M. AtkinsonPatricia Starr


BERNDECTEXT

9th-11th28K

File name: X

Annotations:The treatise is preceded by a short prooemium, beginning: "Berno gratia Dei, etsi non merito, tamen officioAbba. Dilectissimis in Christo filiis Purchardo et Kerungo, unacum caeteris in dominicarum scholarumgymnasio Augiae vacantibus, de virtute in virtutem diatim proficere, ut Deum deorum in Sion valeantconspicere." Cf. BERNDCT TEXT and BERNDCTD TEXT.

Berno AugiensisAuthor:Treatise:





Source of data:


Thomas J. MathiesenPeter SlemonPatricia Starr


BERNDCTTEXT

9th-11th9K

File name: X

Annotations:The treatise is preceded by a short prooemium, beginning: "Berno gratia Dei, et si non merito, tamen officioabba, dilectissimis in Christo filiis Purchardo et Kerungo, una cum caeteris in dominicarum scholarum gymnasioAugiae vacantibus, de virtute in virtutem diatim proficere, ut Deum deorum in Sion valeant conspicere." Cf.BERNDEC TEXT and BERNDCTD TEXT.






Source of data:



Franz-Josef Schmale, Die Briefe desAbtes Bern von Reichenau,Veröffentlichungen der Kommission fürGeschichtliche Landeskunde inBaden-Württemberg, A/6 (Stuttgart: W.Kohlhammer, 1961), 17-19.

BERNDCTDTEXT

9th-11th5K

File name: X

Annotations:The treatise is preceded by a short prooemium, beginning: "Berno gratia Dei, etsi non merito, tamen officio abbadilectissimis in Christo filiis Purchardo et Kerungo una cum caeteris in Dominicarum scolarum gymnasioAugiae vacantibus de virtute in virtutem diatim proficere, ut Deum Deorum in Syon valeant conspicere." Cf.BERNDEC TEXT and BERNDCT TEXT.





De mensurando monochordo

Source of data:

Incipit: Quicumque aliquod sibi artificium inchoat: semper ad eventum festinat


Bernonis Augiensis Abbatis De artemusica disputationes traditae: Demensurando monochordo, ed. JosephSmits van Waesberghe, Divitiae musicaeartis, A/VIa (Buren: Knuf, 1978), 27,42-55, 59, 61, 65, 67, 71, 73, 75, 77,84-85, 91-92, 95, 103-4,111-14, and116-19. Used by kind permission of theLaaber-Verlag.

BERNDEMTEXT

9th-11th27K

File name: X

Annotations:Based on Vienna, Österreichische Nationalbibliothek, cpv 51, ff. 52r-55r. The manuscript as a whole has beendated to the 12th century. The graphics file for this treatise is BERNDEM 01GF. Cf. ANO1MU TEXT andANO1MUS TEXT.





84


De varia psalmorum atque cantuum modulatione

Source of data:

Incipit: Ut enim maiorum firmat auctoritas, omnis veteris testamenti scriptura inprimis

Thomas J. MathiesenCharles Atkinson & Angela MarianiPatricia Starr


BERNVARTEXT

9th-11th69K

File name: X

Annotations:The treatise is preceded by a short prooemium, beginning: "Berno qui quod vult deus, Meginfrido, Eipennoni,dilectis in Christo Fratribus, perenne immarcescibilis gloriae decus." Cf. BERNVARP TEXT.





De varia psalmorum atque cantuum modulatione

Source of data:

Incipit: Ut enim majorum firmat auctoritas, omnis Veteris Testamenti Scriptura inprimis

Thomas J. MathiesenCharles Atkinson & Andreas GigerJingfa Sun


BERNVARPTEXT

9th-11th69K

File name: X

Annotations:The treatise is preceded by a short prooemium, beginning: "Berno qui quod vult deus, Meginfrido, Eipennoni,dilectis in Christo fratribus, perenne immarcescibilis gloriae decus." Cf. BERNVAR TEXT.





Interpolationen

Source of data:

Incipit: [varia]


Bernonis Augiensis Abbatis De artemusica disputationes traditae: Quae ratioest inter tria opera de arte musicaBernonis Augiensis, ed. Joseph Smits vanWaesberghe, Divitiae musicae artis,A/VIb (Buren: Knuf, 1979), 31-37. Usedby kind permission of the Laaber-Verlag.

BERNINTTEXT

9th-11th18K

File name: X

Annotations:





Musica seu Prologus in Tonarium

Source of data:

Incipit: Omnis igitur regularis monochordi constitutio secundum praeclaram disertissimi viri

Thomas J. MathiesenCharles Atkinson & Bradley TuckerPatricia Starr


BERNPROTEXT

9th-11th49K

File name: X

Annotations:The treatise is preceded by a short preface, beginning: "Domino Deoque dilecto Piligrino, vero mundi huiusadvenae et peregrino, Berno licet ...." Cf. BERNMUS TEXT.





Musica seu Prologus in Tonarium

Source of data:

Incipit: Omnis igitur regularis monochordi constitutio, secundum praeclaram disertissimi viri



BERNMUSTEXT

9th-11th49K

File name: X

Annotations:The treatise is preceded by a short preface, beginning: "Domino Deoque dilecto Piligrino, vero mundi huiusadvenae et peregrino, Berno licet ...." Cf. BERNPRO TEXT.





85


Tonabius [sic]

Source of data:

Incipit: Authenticus protus constat ex prima specie diapente, et ex prima specie diatessaron



BERNTOTEXT

9th-11th30K

File name: X

Annotations:Cf. BERNTON TEXT.





Tonarius

Source of data:

Incipit: Authenticus protus constat ex prima specie diapente, et ex prima specie diatessaron

Thomas J. MathiesenCharles Atkinson & Angela MarianiPatricia Starr


BERNTONTEXT

9th-11th29K

File name: X

Annotations:Cf. BERNTO TEXT.





De arte musica

Source of data:

Incipit: Utilis in multis ars musica rebus habetur;

Thomas J. MathiesenJan Herlinger & Bradley TuckerJohn Csonka

Adrien de la Fage, Essais dedipthérographie musicale (Paris: Legouix,1864), 293-94, 297-303.

BERTARMTEXT

9th-11th11K

File name: X

Annotations:Based on Paris, Bibliothèque Nationale, Colbertinus lat. 2627. The treatise of Bertrandus is preceded by a set ofverses on the first nine numbers, beginning "Ordine primigeno nomen jam possidet igin," and three lines inhonor of St. Vivianus.

Bertrandus PrudentiusAuthor:Treatise:




Erotematum musicae liber primus

Source of data:

Incipit: Quid est musica. Musica est ars bene canendi. Unde dicta est musica. Musica a Musis

Thomas J. MathiesenSergei Lebedev & Andreas GigerYury Popov

Erotematum musicae libri duo, ex optimishuius artis scriptoribus vera perspicuaquemethodo descripti (Noribergae, Inofficina typographica CatharinaeGerlachin, et Haeredum Ioannis Montani,1580; reprint ed., Köln: Arno Volk,1969), 1-68.

BEUERO1TEXT

16th56K

File name: X

Annotations:The pagination in this file follows the modern pagination added in the reprint. The treatise is preceded byvarious dedicatory verses and prefaces, beginning: "Musica quas habeat merito celeberrima laudes," "Ingeniihumani praeclarum inventum est ars Musica," "Cum omnes res utiles et salutares," and "Musica grata deo, cujusDeus extitit"; and a figure headed "Typus musicae." The graphics for this treatise are BEUERO101GF-BEUERO1 10GF. Continues in BEUERO2.

Beurhusius, FredericusAuthor:Treatise:




Erotematum musicae liber secundus

Source of data:

Incipit: Quae pars harmonica? Harmonica pars est de sonorum inflexione ad bene canendum

Thomas J. MathiesenSergei Lebedev & Andreas GigerYury Popov

Erotematum musicae libri duo, ex optimishuius artis scriptoribus vera perspicuaquemethodo descripti (Noribergae, Inofficina typographica CatharinaeGerlachin, et Haeredum Ioannis Montani,1580; reprint ed., Köln: Arno Volk,1969), 68-125.

BEUERO2TEXT

16th36K

File name: X

Annotations:The pagination in this file follows the modern pagination added in the reprint. The graphics for this treatise areBEUERO2 01GF-BEUERO2 11GF. Continued from BEUERO1.





86


Musicae rudimenta e pleniore eius descriptione itemque exempla quaedam facilia ad puerilem exercitationem e bonis auctoribus, Libellus primus de

Source of data:

Incipit: Quid est musica? Musica est ars bene canendi. Quot sunt partes musicae?

Thomas J. MathiesenCharles Atkinson & Elisabeth HonnJingfa Sun

Musicae Rudimenta e pleniore eiusdescriptione itemque exempla quaedamfacilia ad puerilem exercitationem e bonisauctoribus (Tremoniae, excudebatAlbertus Sartorius, 1581), Beiträge zurrheinischen Musikgeschichte, vol. 38(Köln: Arno Volk, 1960), 1-17. Used bypermission.

BEUMUS1TEXT

16th16K

File name: X

Annotations:The treatise is preceded by various dedicatory verses and prefaces, beginning: "Suavis ab excelso manavitmusica Olympo," "Quam nobile Dei donum et maxime homine dignum sit musica." The graphics files for thistreatise are BEUMUS1 01GF-BEUMUS1 04GF. Continues in BEUMUS2.





Musicae rudimenta e pleniore eius descriptione itemque exempla quaedam facilia ad puerilem exercitationem e bonis auctoribus, Libellus secundus de

Source of data:

Incipit: Quae pars harmonica? Harmonica pars est de sonorum inflexione ad bene canendum

Thomas J. MathiesenCharles Atkinson & Elisabeth HonnJingfa Sun

Musicae Rudimenta e pleniore eiusdescriptione itemque exempla quaedamfacilia ad puerilem exercitationem e bonisauctoribus (Tremoniae, excudebatAlbertus Sartorius, 1581); Beiträge zurrheinischen Musikgeschichte, vol. 38(Köln: Arno Volk, 1960), 18-51. Used bypermission.

BEUMUS2TEXT

16th12K

File name: X

Annotations:Continued from BEUMUS1. The graphics files for this treatise are BEUMUS2 01GF-BEUMUS2 28GF.





De Tribus Generibus Instrumentorum Musicae Veterum Organicae

Source of data:

Incipit: De instrumentis musicis id certum apud Haebreos usitata in Sacris

Peter SlemonPeter SlemonMasssimo Redaelli

Bologna, Museo Internazionale eBiblioteca della Musica, MS F.32, ff.1r-37r.

BIANTRIBMIBM32

17th68K

File name: X

Annotations:Graphics files are BIANTRI 01GF-BIANTRI 08GF. This treatise is from the eighteenth century, provisionallyin the 17t h filelist.

Bianchini, FrancescoAuthor:Treatise:




Ars musice

Source of data:

Incipit: <D>vm fo<r>me non sunt quam due videlicet Quadrata et oblonga tamen quatuor figure


Venice, Biblioteca Nazionale Marciana,lat. app. cl. VIII/24 (coll. 3434), ff.73v-89v.

BOENARSMMVBM8-24

14th65K

File name: X

Annotations:=RISM BIII/2:127 and BIII/6:615-16. The graphics files for this treatise are BOENARSM 01GF-BOENARSM02GF. Cf. BOENARS MLBL2322, BOENMUSI MVBM8-24, BOENMU TEXT, and BOENMUS TEXT.

Boen, JohannesAuthor:Treatise:




Ars musice

Source of data:

Incipit: [L,B,S,M] Hee sunt quatuor note, quibus omnis mensurabilis contexitur cantelena.


London, British Library, Additional23220, ff. 14v-21v.

BOENARSMLBL2322

14th65K

File name: X

Annotations:=RISM BIII/4:48-50 and BIII/6:389. The graphics file for this treatise is BOENARS 01GF. Cf. BOENARSMMVBM8-24, BOENMUSI MVBM8-24, BOENMU TEXT, and BOENMUS TEXT.





87


Ars (musicae)

Source of data:

Incipit: [L,B,S,M] Hec sunt quatuor note, quibus omnis mensurabilis contexitur cantelena.


Johannis Boen, Ars (musicae), ed. F.Alberto Gallo, Corpus scriptorum demusica, vol. 19 ([Rome]: AmericanInstitute of Musicology, 1972), 15-46.Used by permission.

BOENMUTEXT

14th53K

File name: X

Annotations:The graphics file for this treatise is BOENMU 01GF. Cf. BOENARMS MVBM8-24, BOENARS MLBL2322,BOENMUSI MVBM8-24, and BOENMUS TEXT.





Musica

Source of data:

Incipit: Mvsicalis sciencia que sonorum respicit interualla et De proporcione grauis


Venice, Biblioteca Nazionale Marciana,lat. app. cl. VIII/24 (coll. 3434), ff.44v-73v.

BOENMUSIMVBM8-24

14th98K

File name: X

Annotations:=RISM BIII/4:48-50 and BIII/6:389. The graphics files for this treatise are BOENMUSI 01GF-BOENMUSI03GF. Cf. BOENARS MLBL2322, BOENARSM MVBM8-24, BOENMU TEXT, and BOENMUS TEXT.





Musica

Source of data:

Incipit: Musicalis scientia, que sonorum respicit intervalla et de proportionibus gravis


Wolf Frobenius, Johannes Boens Musicaund seine Konsonanzenlehre (Stuttgart:MusikwissenschaftlicheVerlags-Gesellschaft, 1971), 32-78. Usedby permission.

BOENMUSTEXT

14th89K

File name: X

Annotations:The graphics files for this treatise are BOENMUS 01GF-BOENMUS 04GF. Cf. BOENARSM MVBM8-24,BOENARS MLBL2322, BOENMUSI MVBM89-24, and BOENMU TEXT.





De institutione arithmetica, liber primus

Source of data:

Incipit: In dandis accipiendisque muneribus ita recte officia inter eos praecipue

Thomas J. MathiesenJames RodgersPeter Slemon

Boetii De institutione arithmetica libriduo, ed. Godofredus Friedlein (Leipzig:B. G. Teubner, 1867), 1-72.

BOEARI1TEXT

6th-8th98K

File name: X

Annotations:The graphics files for this treatise are BOEARI1 01GF-BOEARI1 02GF.

Boethius, Anicius Manlius SeverinusAuthor:Treatise:




De institutione arithmetica, liber secundus

Source of data:

Incipit: Superioris libri disputatione digestum est, quemadmodum tota inaequalitatis substantia


Boetii De institutione arithmetica libriduo, ed. Godofredus Friedlein (Leipzig:B. G. Teubner, 1867), 72-173.

BOEARI2TEXT

6th-8th130K

File name: X

Annotations:The graphics files for this treatise are BOEARI2 01GF-BOEARI2 13GF.





88


De institutione musica, liber primus

Source of data:

Incipit: Omnium quidem perceptio sensuum ita sponte ac naturaliter quibusdam uiuentibus adest

Thomas J. MathiesenOliver B. EllsworthMichael W. Lundell

Cambridge, Trinity College, R.15.22(944), ff. 5r-27r.

BOEMUS1CMCTC944

6th-8th73K

File name: X

Annotations:=RISM BIII/4:15-20. The graphics files for this treatise are BOEMUS1C 01GF-BOEMUS1C 13GF. Cf.BOEMUS1 TEXT and BOEDIM1 TEXT.





De institutione musica, liber secundus

Source of data:

Incipit: Superius volumen cuncta digessit. quae nunc diligentius demonstranda esse

Thomas J. MathiesenOliver B. EllsworthMichael W. Lundell

Cambridge, Trinity College, R.15.22(944), ff. 27v-48v.

BOEMUS2CMCTC944

6th-8th70K

File name: X

Annotations:=RISM BIII/4:15-20. The graphics files for this treatise are BOEMUS2C 01GF-BOEMUS2C 08GF. Cf.BOEMUS2 TEXT and BOEDIM2 TEXT.





De institutione musica, liber tertius

Source of data:

Incipit: Superiore volumine demonstratum est diatessaron consonantiam ex duobus tonis

Thomas J. MathiesenJulie Langford-JohnsonMichael W. Lundell

Cambridge, Trinity College, R.15.22(944), ff. 48v-65v.

BOEMUS3CMCTC944

6th-8th52K

File name: X

Annotations:=RISM BIII/4:15-20. The incipit is preceded by a list of the sixteen chapter headings and the heading for thefirst chapter, beginning: "Adversus Aristoxenum demonstratio superparticularem proportionem ...." The graphicsfiles for this treatise are BOEMUS3C 01GF-BOEMUS3C 24GF. Cf. BOEMUS3 TEXT and BOEDIM3 TEXT.





De institutione musica, liber quartus

Source of data:

Incipit: Etsi omnia quae demonstranda erant superioris libri tractatione digessimus

Thomas J. MathiesenJulie Langford-JohnsonMichael W. Lundell

Cambridge, Trinity College, R.15.22(944), ff. 65v-91r.

BOEMUS4CMCTC944

6th-8th82K

File name: X

Annotations:=RISM BIII/4:15-20. The incipit is preceded by a list of the seventeen chapter headings and the heading for thefirst chapter, beginning: "Vocum differentias in quantitate consistere." The graphics files for this treatise areBOEMUS4C 01GF-BOEMUS4C 21GF. Cf. BOEMUS4 TEXT and BOEDIM4 TEXT.






Source of data:

Incipit: Omnium quidem perceptio sensuum, ita sponte ac naturaliter quibusdam viventibus adest



BOEDIM1TEXT

6th-8th67K

File name: X

Annotations:The incipit is preceded by the heading for the first chapter: "Caput primum. Musica naturaliter nobis esseconjunctam, et mores vel honestare vel evertere." The graphics files for this treatise are BOEDIM101GF-BOEDIM1 06GF. Please note that the graphics in this edition are hopelessly garbled; in accord with thepolicy of the TML, the data in this text and the accompanying graphics reflect the state of the edition. Cf.BOEMUS1 TEXT.






Source of data:

Incipit: Prooemium. Superius volumen cunctas digessit, quae nunc diligentius explicanda esse



BOEDIM2TEXT

6th-8th64K

File name: X

Annotations:The graphics files for this treatise are BOEDIM2 01GF-BOEDIM2 09GF. Please note that the graphics in thisedition are hopelessly garbled; in accord with the policy of the TML, the data in this text and the accompanyinggraphics reflect the state of the edition. Cf. BOEMUS2 TEXT.





89



Source of data:




BOEDIM3TEXT

6th-8th43K

File name: X

Annotations:The incipit is preceded by the chapter heading, beginning: "Adversus Aristoxenum demonstratio ...." Thegraphics files for this treatise are BOEDIM3 01GF-BOEDIM3 13GF. Please note that the graphics in this editionare hopelessly garbled; in accord with the policy of the TML, the data in this text and the accompanyinggraphics reflect the state of the edition. Cf. BOEMUS3 TEXT.






Source of data:

Incipit: Etsi omnia quae demonstranda erant superioris libri tractatione digessimus



BOEDIM4TEXT

6th-8th74K

File name: X

Annotations:The incipit is preceded by the chapter heading: "Vocum differentias in quantitate consistere." The graphics filesfor this treatise are BOEDIM4 01GF-BOEDIM4 19GF. Please note that the graphics in this edition arehopelessly garbled; in accord with the policy of the TML, the data in this text and the accompanying graphicsreflect the state of the edition. Cf. BOEMUS4 TEXT.





De institutione musica, liber quintus

Source of data:

Incipit: Post monochordi regularis divisionem adjicienda arbitror esse ea in quibus veteres



BOEDIM5TEXT

6th-8th34K

File name: X

Annotations:The graphics files for this treatise are BOEDIM5 01GF-BOEDIM5 05GF. Please note that the graphics in thisedition are garbled; in accord with the policy of the TML, the data in this text and the accompanying graphicsreflect the state of the edition. Cf. BOEMUS5 TEXT.






Source of data:

Incipit: Omnium quidem perceptio sensuum ita sponte ac naturaliter quibusdam viventibus adest

Thomas J. MathiesenLuminita Aluas & P. MathiesenCalvin M. Bower

Boetii De institutione musica libriquinque, ed. Godofredus Friedlein(Leipzig: B. G. Teubner, 1867), 177-225.

BOEMUS1TEXT

6th-8th66K

File name: X

Annotations:The incipit is preceded by a list of the thirty-four chapter headings and the heading for the first chapter (or,Proemium): "Proemium. Musicam naturaliter nobis esse coniunctam et mores vel honestare vel evertere." Thegraphics files for this treatise are BOEMUS1 01GF-BOEMUS1 03GF. Cf. BOEDIM1 TEXT.






Source of data:

Incipit: Proemium. Superius volumen cuncta digessit, quae nunc diligentius demonstranda esse

Thomas J. MathiesenBradley Jon TuckerCalvin M. Bower


BOEMUS2TEXT

6th-8th65K

File name: X

Annotations:The incipit is preceded by a list of the thirty-one chapter headings. The graphics file for this treatise isBOEMUS2 01GF. Cf. BOEDIM2 TEXT.





90



Source of data:


Thomas J. MathiesenAndreas GigerCalvin M. Bower


BOEMUS3TEXT

6th-8th47K

File name: X

Annotations:The incipit is preceded by a list of the sixteen chapter headings and the heading for the first chapter, beginning:"Adversum Aristoxenum demonstratio superparticularem proportionem ...." The graphics files for this treatiseare BOEMUS3 01GF-BOEMUS3 06GF. Cf. BOEDIM3 TEXT.






Source of data:

Incipit: Etsi omnia, quae demonstranda est superioris libri tractatione digressimus

Thomas J. MathiesenAndreas GigerClaudia Di Luca


BOEMUS4TEXT

6th-8th78K

File name: X

Annotations:The incipit is preceded by a list of the eighteen chapter headings and the heading for the first chapter, beginning:"Vocum differentias in quantitate consistere." The graphics files for this treatise are BOEMUS401GF-BOEMUS4 09GF. Cf. BOEDIM4 TEXT.





De institutione musica, liber quintus

Source of data:

Incipit: Proemium. Post monochordi regularis divisionem adicienda esse arbitror ea



BOEMUS5TEXT

6th-8th33K

File name: X

Annotations:The incipit is preceded by a list of the thirty chapter headings. The graphics file for this treatise is BOEMUS501GF. Cf. BOEDIM5 TEXT.





Brevis collectio artis musicae

Source of data:

Incipit: Incipit brevis collectio artis musicae, tam ex determinationibus antiquorum


Bonaventura da Brescia, Brevis collectioartis musicae, ed. Albert Seay, CriticalTexts, no. 11 (Colorado Springs:Colorado College Music Press, 1980).Used by permission.

BONBRETEXT

15th140K

File name: X

Annotations:The graphics files for this treatise are BONBRE 01GF-BONBRE 27GF.

Bonaventura da BresciaAuthor:Treatise:




Musica poetica

Source of data:

Incipit: MUsica Poëtica, quam Euclides [melopoiian] nominat, definitque esse usum harmonicae


Musica poetica: Definitionibus etdivisionibus breviter delineata, quibus insingulis capitibus sunt hypomnematapraeceptionum instar [sunoptikos] addita,edita studiô et operâ (Rostock: StephanusMyliander, 1606).

BURPOETEXT

17th163K

File name: X

Annotations:The incipit is preceded by a dedicatory preface, beginning: "VIri Amplissimi, Doctrinâ, Virtute, Rerum usu,maximè Eximij, Praeclarissimi, Peritissimi, arte hâc Musicâ ejusdemque tertiâ parte, Poeticâ dictâ ..."; and sevenlaudatory poems. The graphics files for this treatise are BURPOE 01GF-BURPOE 21GF.

Burmeister, JoachimAuthor:Treatise:




91


Musices opusculum, tractatus primus

Source of data:

Incipit: Quoniam vt inquit Cicero: in libello qui de vniuersitate nuncupatur: circa finem.

Thomas J. MathiesenPeter SlemonFiroozeh Khazrai

Nicolai Burtij parmensis: musicesprofessoris: ac iuris pontificijstudiosissimi: musices opusculum incipit:cum defensione Guidonis aretini:aduersus quendam hyspanum veritatispreuaricatorem (Bologna: Ugo Ruggeri,1487; reprint ed., Bologna: Forni, 1969).

BURMUS1TEXT

15th95K

File name: X

Annotations:The incipit is preceded by a long preface, beginning: "Cum multi velut vmbra declinauere anni quibus abadolescentia ...." See also BURMUS2 and BURMUS3. The graphics files for this treatise are BURMUS101GF-BURMUS1 03GF.

Burtius, NicolausAuthor:Treatise:




Musices opusculum, tractatus secundus

Source of data:

Incipit: Cogitanti mihi viri disertissimi quod nullus est suauior animi cibus teste Lactantio.



BURMUS2TEXT

15th18K

File name: X

Annotations:See also BURMUS1 and BURMUS3. The graphics files for this treatise are BURMUS2 01GF-BURMUS202GF.





Musices opusculum, tractatus secundus, capitulum VI

Source of data:

Incipit: Quem enim a teneris unguiculis, ut aiunt greci, contrapunctum didicerim vobis



BURMUSXTEXT

15th4K

File name: X

Annotations:Cf. BURMUS2 TEXT.





Musices opusculum, tractatus tertius

Source of data:

Incipit: Bene res se habet: iacta sunt fundamenta vt inquit eximius orator.



BURMUS3TEXT

15th89K

File name: X

Annotations:See also BURMUS1 and BURMUS2. The graphics file for this treatise is BURMUS3 01GF.





92


Platonis Timaeus et commentarius

Source of data:

Incipit: Isocrates in exhortationibus suis uirtutem laudans, cum omnium bonorum

Thomas J. MathiesenDavid SchneiderLisa Vest

Platonis Timaeus interprete Chalcidiocum eiusdem commentario, ed. Ioh.Wrobel (Leipzig: B. G. Teubner 1876;reprint ed., Frankfurt am Main: Minerva,1963).

CHALTIMTEXT

3rd-5th504K

File name: X

Annotations:The graphics files for this treatise are CHALTIM 01GF-CHALTIM 10GF.

CalcidiusAuthor:Treatise:




Exercitationes musicae duae

Source of data:

Incipit: Doctrina de modis Musicis, ab omnibus, qui Musicae student, imprimis est magnifacienda

Thomas J. MathiesenDavid SchneiderJessica Sisk

Exercitationes musicae duae. Qvarvmprior est, de modis mvsicis, qvos vulgòTonos vocant, rectè cognoscendis, etdijudicandis. Posterior, de initio etprogressv Mvsices, alijsque rebus eospectantibus (Leipzig: Iacobus Apelius,1600).

CALVEXTEXT

17th163K

File name: X

Annotations:The graphics files for this treatise are CALVEX 01GF-CALVEX 09GF.

Calvisius, SethAuthor:Treatise:




Compendium musicale

Source of data:

Incipit: Cum igitur humana natura scire desiderat, ideo divina clementia philosophis peritiam

Thomas J. MathiesenAngela MarianiJohn Csonka


NICCOMTEXT

15th52K

File name: X

Annotations:Based on Rome, Biblioteca Casanatense, C.VI,2; fonds Baini. The graphics files for this treatise are NICCOM01GF-NICCOM 15GF.

Capuanus, NicolausAuthor:Treatise:




De musica liber

Source of data:

Incipit: MVsicam neque ab antiquitate nec ab inuentorum gloria, quae duo ferme sunt

Thomas J. MathiesenPeter SlemonJames Rodgers

Hieronymi Cardani Mediolanensisphilosophi ac medici celeberrimi operumtomus decimus; quo continentur opusculamiscellanea ex fragmentis etparalipomenis. Contentorum huius tomiseriem index titulorum exhibet. Nuncprimum ex authoris manuscriptisprodeunt (Lugduni, sumptibus IoannisAntonii Huguetan et Marci AntoniiRauaud, 1663; reprint ed., Stuttgart-BadCannstatt: Friedrich Frommann Verlag[Günther Holzboog], 1966), 105-16.

CARDEMTEXT

16th65K

File name: X

Annotations:The graphics files for this treatise are CARDEM 01GF-CARDEM 02GF.

Cardanus, HieronymusAuthor:Treatise:




93


De cantu iubiliationis armonicae et utilitate eius

Source of data:

Incipit: Musicam triphariam doctores quidam esse dixerunt, scilicet, armonicam, organicam


Egidius Carlerius, Duo tractatuli demusica, ed. Albert Seay, Critical Texts,no.7 (Colorado Springs: ColoradoCollege Music Press, 1977), 5-13. Usedby permission.

CARLCANTEXT

15th14K

File name: X

Annotations:

Carlerius, EgidiusAuthor:Treatise:




Tractatus de duplici ritu cantus ecclesiastici in divinis officiis et primo de simplici

Source of data:

Incipit: Quaesivit quidam devotus, quid est quod in multis ecclesiis tam cathedralibus


Egidius Carlerius, Duo tractatuli demusica, ed. Albert Seay, Critical Texts,no.7 (Colorado Springs: ColoradoCollege Music Press, 1977), 1-5. Used bypermission.

CARLTRATEXT

15th9K

File name: X

Annotations:

Carlerius, EgidiusAuthor:Treatise:




Apologia musices tam vocalis quam instrumentalis et mixtae

Source of data:

Incipit: MVSICA, de qua in praesenti orationem instituo, deum patrem, matrem naturam habet;


Apologia musices tam vocalis quaminstrumentalis et mixtae (Oxford:Josephus Barnesius, 1588).

CASAPOTEXT

16th104K

File name: X

Annotations:The incipit is preceded by a long dedicatory preface addressed to Henricus Untonus and Guilielmus Hattonus,beginning "GRauioribus non ita pridem intentus studijs (ornatissimi viri) ...." A hypertext edition and translationof the treatise by Dana Sutton is available online at http://www.philological.bham.ac.uk/music/.

Case, JohnAuthor:Treatise:




Epistola XL: Boethio patricio Theodericvs rex

Source of data:

Incipit: Cum rex Francorum conuiuii nostri fama pellectus a nobis citharoedum

Thomas J. MathiesenPeter SlemonThomas J. Mathiesen

Magni Aurelii Cassiodori Senatoris opera,pars I, Corpus Christianorum, SeriesLatina, vol. 96 (Turnholt: Brepols, 1973),87-91.

CASLETCTEXT

6th-8th33K

File name: X

Annotations:See also CASLETP TEXT.

Cassiodorus, AureliusAuthor:Treatise:




Epistola XL: Boethio patricio Theodericvs rex

Source of data:

Incipit: Cum rex Francorum, convivii nostri fama pellectus, a nobis citharoedum

Thomas J. MathiesenPeter SlemonThomas J. Mathiesen


CASLETPTEXT

6th-8th33K

File name: X

Annotations:See also CASLETC TEXT.





94


Institutiones musicae, seu excerpta ex eiusdem libro, de artibus ac disciplinis liberalium litterarum

Source of data:

Incipit: Gaudentius quidam de Musica scribens, Pythagoram dicit huius rei invenisse



CASINSTEXT

6th-8th12K

File name: X

Annotations:Book 2.5. Cf. CASIM TEXT and CASINST TEXT.





Institutiones musicae, seu excerpta ex eiusdem libro, de artibus ac disciplinis liberalium litterarum

Source of data:

Incipit: Gaudentius quidam, de musica scribens, Pythagoram dicit hujus rei invenisse



CASIMTEXT

6th-8th12K

File name: X

Annotations:Book 2.5. Cf. CASINS TEXT and CASINST TEXT.





Institutionum liber secundus saecularium litterarum

Source of data:

Incipit: Gaudentius quidam, de musica scribens, Pythagoram dicit huius rei invenisse


Cassiodori senatoris Institutiones, ed. R.A. B. Mynors (Oxford: Clarendon, 1937),142-50.

CASINSTTEXT

6th-8th12K

File name: X

Annotations:Book 2.5. Cf. CASINS TEXT and CASIM TEXT.





De die natali liber

Source of data:

Incipit: Munera ex auro vel quae ex argento nitent, caelato opere quam materia cariora


Censorini de die natali liber, ed.Fridericus Hultsch (Leipzig: B. G.Teubner, 1867).

CENDIETEXT

3rd-5th72K

File name: X

Annotations:

CensorinusAuthor:Treatise:




Fragmenta

Source of data:

Incipit: Initia rerum eadem elementa et principia dicuntur


Censorini de die natali liber ad Q.Caerellium accedit anonymi cuiusdamepitoma disciplinarum, ed. NicolausSallmann (Leipzig: B. G. Teubner, 1983),61-86.

CENFRATEXT

3rd-5th22K

File name: X

Annotations:

CensorinusAuthor:Treatise:




95


Somnium Scipionis

Source of data:

Incipit: Cum in Africam uenissem M'. Manilio consule ad quartam legionem tribunus

Thomas J. MathiesenPeter SlemonAnastasia Arapova

Macrobius, ed. Franciscus Eyssenhardt(Leipzig: B. G. Teubner, 1868), 642-52.

MACCOMSSTEXT

3rd-5th15K

File name: X

Annotations:The Somnium Scipionis forms Book VI of Cicero's De re publica, which he wrote probably ca. 54-51 B.C.E.Only fragments of De re publica survive, and this version of the Somnium Scipionis represents the versionpreserved by Macrobius.

Cicero, Marcus TulliusAuthor:Treatise:




De proportionibus

Source of data:

Incipit: Omnem sapientiam omnemque naturam philosophiam credimus procedere


Johannes Ciconia, Nova musica and Deproportionibus, ed. and trans. by OliverB. Ellsworth, Greek and Latin MusicTheory, vol. 9 (Lincoln: University ofNebraska Press, 1993), 412-46(even-numbered pages only). Used bypermission.

CICPROPTEXT

15th27K

File name: X

Annotations:The incipit is preceded by a complete listing of the twenty-five chapter headings and a dedicatory preface,beginning: "Venerabili viro et egregio domino presbytero Johanni Gasparo ...." De proportionibus is anadaptation of Book III of the Nova musica (CICNM3 TEXT). In Faenza, Biblioteca Comunale, 117, Deproportionibus is followed by a long gloss in a later hand (see Ellsworth, 3-5 and 24-25).

Ciconia, JohannesAuthor:Treatise:




Nova musica

Source of data:

Incipit: Dulcis celebs, Urania, annue auspicio;



CICNMTEXT

15th14K

File name: X

Annotations:The graphics file for this treatise is CICNM 01GF. Based on Florence, Biblioteca Riccardiana, 734. The text ispreceded by a complete transcription of the rubrics for Books I-V. On pp. 381-83, La Fage includes two excerptsfrom an anonymous Tractatus, beginning "Consonantiae sunt quinque: scilicet unisonus, ..."





Nova musica, liber primus de consonantiis

Source of data:

Incipit: In prephatione Nove Musice nobis placuit de eius magnitudine intimare



CICNM1TEXT

15th101K

File name: X

Annotations:The graphics files for this treatise are CICNM1 01GF-CICNM1 25GF. Following the preface (the incipit ofwhich is given above), a complete listing of the seventy-four chapter headings appears, which is in turn followedby the "Prologus," beginning: "Musicam antiquam antiquorum voto editam, ..." Continues in CICNM2-4.





Nova musica, liber secundus de speciebus

Source of data:

Incipit: Cum enim omnis musica de consonantiis tractet, ut Musica sillabarum refert



CICNM2TEXT

15th57K

File name: X

Annotations:The graphics files for this treatise are CICNM2 01GF-CICNM2 14GF. Following the prologue (the incipit ofwhich is given above), a complete listing of the fifty-nine chapter headings appears, which is in turn followed bythe first chapter, beginning: "Species vero in musica secundum Boetium est quaedam positio ...." Continuedfrom CICNM1; continues in CICNM3-4.





96


Nova musica, liber tertius de proportionibus

Source of data:

Incipit: Musica ars a nobis sub arboris figura visa est. Nam arbor musice magnitudo eius est.



CICNM3TEXT

15th17K

File name: X

Annotations:Following the prologue (the incipit of which is given above), a complete listing of the twenty-one chapterheadings appears, which is in turn followed by the first chapter, beginning: "Omnem sapientiam omnemqueveram philosophiam ...." Continued from CICNM2; continues in CICNM4.





Nova musica, liber quartus de accidentibus

Source of data:

Incipit: Musica est ars spectabilis et suavis, ut in primo libro rettulimus



CICNM4TEXT

15th37K

File name: X

Annotations:The graphics files for this treatise are CICNM4 01GF-CICNM4 03GF. Following the prologue (the incipit ofwhich is given above), a complete listing of the fourteen chapter headings appears, which is in turn followed bythe first chapter, beginning: "Consuetudo antiquorum philosophorum fuit de omnibus ...." Following the explicit(p. 390), a new section appears, titled "De tribus generibus melorum," beginning: "Boetius: His igitur expeditis,dicendum est de generibus melorum...." The individual titles of the eight chapters precede the incipit in Rome,Biblioteca Apostolica Vaticana, lat. 5320 (=RISM BIII/2:98). Ellsworth (pp. 23-24) provides a review of thevarious assessments of this section by previous scholars. Continued from CICNM3.





Tetrachordum musices, tractatus primus

Source of data:

Incipit: Quid est musica? Est bene modulandi scientia. Augustinus. Vel est facultas

Thomas J. MathiesenSergei Lebedev & Andreas GigerSvetlana Khlybova

Tetrachordum musices Ioannis CocleiNorici artium magistri Nurnbergaeaeditum pro iuuentute Laurentiana inprimis dein pro ceteris quoque MusarumTyrunculis (Nurnbergae, impressi inofficina excusoria Friderici Peypus,1514), ff. Air-Bir.

COCTET1TEXT

16th29K

File name: X

Annotations:The incipit is preceded by two verses; a dedicatory preface addressed to Antonius Kress, beginning: "Cum tuabeneficentia Praestabilissime domine Praeposite ..."; and the chapter heading "De diffinitione musice." Thegraphics files for this treatise are COCTET1 01GF-COCTET1 04GF. Continues in COCTET2-4.

Cochlaeus, JohannesAuthor:Treatise:




Tetrachordum musices, tractatus secundus

Source of data:

Incipit: Quid est musica plana? Quae in suis notis aequam seruat mensuram absque incremento


Tetrachordum musices Ioannis CocleiNorici artium magistri Nurnbergaeaeditum pro iuuentute Laurentiana inprimis dein pro ceteris quoque MusarumTyrunculis (Nurnbergae, impressi inofficina excusoria Friderici Peypus,1514), ff. Bir-Civ.

COCTET2TEXT

16th19K

File name: X

Annotations:The incipit is preceded by the chapter heading "De musica plana in genere. Caput primum." The graphics filesfor this treatise are COCTET2 01GF-COCTET2 07GF. Continues from COCTET1 and in COCTET3-4.





97


Tetrachordum musices, tractatus tertius

Source of data:

Incipit: Quid est tonus? Est regula per ascensum et descensum quemuis cantum in fine diiudicans.


Tetrachordum musices Ioannis CocleiNorici artium magistri Nurnbergaeaeditum pro iuuentute Laurentiana inprimis dein pro ceteris quoque MusarumTyrunculis (Nurnbergae, impressi inofficina excusoria Friderici Peypus,1514), ff. Civ-Diiiir.

COCTET3TEXT

16th20K

File name: X

Annotations:The incipit is preceded by the chapter heading "De toni diffinitione ad divisione. Caput I." The graphics files forthis treatise are COCTET3 01GF-COCTET3 08GF. Continues from COCTET1-2 and in COCTET4.





Tetrachordum musices, tractatus quartus

Source of data:

Incipit: Quid est Musica mensuralis? Quae in suis notis secundum signorum ac figurarum


Tetrachordum musices Ioannis CocleiNorici artium magistri Nurnbergaeaeditum pro iuuentute Laurentiana inprimis dein pro ceteris quoque MusarumTyrunculis (Nurnbergae, impressi inofficina excusoria Friderici Peypus,1514), ff. Diiiiv-Fiiiir.

COCTET4TEXT

16th39K

File name: X

Annotations:The incipit is preceded by the chapter heading "De Musica mensurali. Caput primum." The graphics files for thistreatise are COCTET4 01GF-COCTET4 10GF. Continues from COCTET1-3.





Compendium musices

Source of data:

Incipit: PETVNT A ME quotidie studiosi quidam Musices, ut illa praecepta quae ad recte


Compendium musices descriptum abAdriano Petit Coclico, discipulo Josquinide Pres (Nürnberg: Johann Berg, UlrichNeuber, 1552; reprint ed., Kassel:Bärenreiter, 1954).

COCCOMTEXT

16th98K

File name: X

Annotations:The incipit is preceded by a note to the reader beginning: "Accentum: quicunque cupis ..."; a "Praefatio adnoricam iuventutem" beginning: "Cum praestantes artifices omnes ..."; two dedicatory poems beginning:"Musica divinas laudes celebrare reperta est ..." and "Iuppiter Astripotens, terram qui fulmine terret ..."; and theheading: "Prima pars. De his quae futuro musico sunt necessaria." The graphics files for this treatise areCOCCOM 01GF-COCCOM 73GF.

Coclico, Adrian PetitAuthor:Treatise:




[Tractatus de solmisatione]

Source of data:

Incipit: Tres sunt cantus in manu scilicet beduralis, naturalis et bemollis

Thomas J. MathiesenPeter SlemonJessica Sisk

Ruzena Muzíková, "Hudebne teoretickytraktat Mikuláse z Kozlí," Miscellaneamusicologica 13 (1960): 12-24.

COSTRATEXT

15th8K

File name: X

Annotations:The graphics files for this treatise are COSTRA 01GF-COSTRA 02GF.

Cosil, Nicolaus deAuthor:Treatise:




Epistola de vocibus in musica liturgica Graecorum usitatis

Source of data:

Incipit: Dubitare multae eruditionis documentum est. Etenim indubiae cognitionis initium quidam



CRIEPITEXT

17th6K

File name: X

Annotations:The incipit is preceded by the salutation: "Honoratissimo et clarissimo Domino Ioanni Henrico Kirchbergero,Medicinae Doctori spectatissimo, gratiam et misericordiam a triuno et consubstantiali Deo."

Critopulus, hieromonachus, MetrophanesAuthor:Treatise:




98


[De musica plana]

Source of data:

Incipit: Quod est musica? Est bene modulandi scientia.


Ágnes Papp, "Eine späte Abschrift derLehre der Musica plana in einemGesangbuch aus Ungarn:Musiktheoretische Aufzeichnungen undTonar," in Quellen und Studien zurMusiktheorie des Mittelalters, vol. 3, ed.Michael Bernhard, Bayerische Akademieder Wissenschaften, Veröffentlichungender Musikhistorischen Kommission, Band15 (München: Bayerische Akademie derWissenschaften; C. H. Beck, 2001),498-510. Used by permission.

CZEDMPTEXT

17th16K

File name: X

Annotations:Based on Budapest, Országos Széchényi Könyvtár, Oct. Hung. 1609. The incipit is preceded by a figure titled"Divisio scalae musicae." The graphics files for this treatise are CZEDMP 01GF-CZEDMP 02GF.

Czerey, JánosAuthor:Treatise:




Compendium musicae

Source of data:

Incipit: Finis, vt delectet, variosque in nobis moveat affectus. Fieri autem possunt cantilenae


Charles Adam and Paul Tannery, eds.,Oeuvres de Descartes, 13 vols. (Paris: L.Cerf, 1897-1913), 10:89-141.

DESCOMTEXT

17th63K

File name: X

Annotations:The graphics files for this treatise are DESCOM 01GF-DESCOM 08GF.

Descartes, RenéAuthor:Treatise:




Correspondance

Source of data:

Incipit: Et acceptae et expectatae mihi fuerunt tuae litterae, gavisusque sum primo intuitu


Charles Adam and Paul Tannery, eds.,Oeuvres de Descartes, 13 vols. (Paris: L.Cerf, 1897-1913), 10:151-69.

DESCORTEXT

17th18K

File name: X

Annotations:This text includes six letters exchanged between Descartes and Isaack Beeckman, the incipit for the first ofwhich is given above. The subsequent five letters begin as follows: "Licebit saltem, opinor, vale mittere perepistolam, quod tibi discedens dicere non potiu"; "Nolui hunc nuntium ad vos mittere sine litteris, etsi iam multascribere non vacet"; "Accepi tuas litteras pene eadem die qua scriptae sunt, noluique hinc discedere"; "Nolovllam ad te scribendi occasionem omittere, vt et meum erga te affectum"; and "Accepi tuas litteras, inclusasquetradidi Petro vander Marckt." The graphics file for this text is DESCOR 01GF.

Descartes, RenéAuthor:Treatise:




Regulae super discantum et ad discernendum ipsas notas discantus

Source of data:

Incipit: Ad discendam artem discantandi notandum est, quod omnis discantus uno sex modorum


Hans Müller, Eine Abhandlung überMensuralmusik in der KarlsruherHandschrift St. Peter pergamen. 29a,Mittheilungen aus der GrossherzoglichBadischen Hof- und Landesbibliothekund Münzsammlung, Band 4 (Leipzig: B.G. Teubner, 1886), 5-7.

DIEREGTEXT

13th5K

File name: X

Annotations:Commonly known as the Karlsruhe Anonymous.

DietricusAuthor:Treatise:




99


De arte musicali, prima pars: Musica speculativa

Source of data:

Incipit: Utilitas huius scientie musicalis magna est et mirabilis atque virtuosa ualde.

Thomas J. MathiesenMichael W. LundellP. Slemon & J. Langford-Johnson

Gent, Rijksuniversiteit, 70 (71), ff.78r-106r.

GENTSPEMGRU70

15th145K

File name: X

Annotations:=RISM BIII/1:65-69. The graphics files for this treatise are GENTSPE 01GF-GENTSPE 10GF. See alsoGENTPRA.

Dionysius Lewis de RyckelAuthor:Treatise:




De arte musicali, secunda pars: Musica practica

Source of data:

Incipit: Ibi incipere debet musice practica: ubi desinit eius theorica.


Gent, Rijksuniversiteit, 70 (71), ff.106v-123v.

GENTPRAMGRU70

15th77K

File name: X

Annotations:=RISM BIII/1:65-69. The graphics files for this treatise are GENTPRA 01GF-GENTPRA 12GF. See alsoGENTSPE.

Dionysius Lewis de RyckelAuthor:Treatise:




Idea, sive designatio aliquot Operum, quae Ioannes Baptista Donius, partim absolvit, partim incepit

Source of data:

Incipit: Semper ego exixstimavi, eos qui in studiis litterarum utilem operam ponere volunt

Peter SlemonPeter SlemonMassimo Redaelli

Bologna, Museo Internazionale eBiblioteca della Musica, MS D.32,ff.1r-41r.

DONIDEMBMID-32

16th60K

File name: X

Annotations:

Doni, Giovanni BattistaAuthor:Treatise:




Praecepta musicae poeticae

Source of data:

Incipit: Musica omnibus temporibus apud bonos et doctos in magno precio fuit.


Bernhard Engelke, "Praecepta mvsicaepoeticae a D: Gallo Dresselero,"Geschichtsblätter für Stadt und LandMagdeburg 49-50 (1914-15): 213-50.

DREPRATEXT

16th55K

File name: X

Annotations:Text edited from Berlin, Deutsche Staatsbibliothek, theor. quarto 84. The graphics files for this treatise areDREPRA 01GF-DREPRA 12GF.

Dresseler, GallusAuthor:Treatise:




Musica

Source of data:

Incipit: Dicit autem Guilielmus Dufay in sua Musica quod punctus musicalis est quadruplex


Clement A. Miller, "Early Gaffuriana:New Answers to Old Questions," MusicalQuarterly 56 (1970): 387-88.

DUFMUSTEXT

15th33K

File name: X

Annotations:Three excerpts from Dufay's treatise are preserved as marginal glosses to Gaffurio's Extractus parvus musicaeand Tractatus brevis cantus plani, both preserved in Parma, Biblioteca Palatina, 1158. The incipit for the secondexcerpt is "Pausa est vocum submissio seu aspiratio mensurata"; and for the third excerpt, "Ait nam GuilielmusDufay in sua Musica quod [sqb] quadrum est quedam perfectio." These same excerpts are also published in F.Alberto Gallo, "Citazioni da un trattato di Dufay," in Collectanea historiae musicae, vol. 4, ed. Mario Fabbri,"Historiae musicae cultores" biblioteca, vol. 22 (Firenze: Leo S. Olschki, 1966), 150-52. The graphics file forthese excerpts is DUFMUS 01GF.

Dufay, GuillaumeAuthor:Treatise:




100


Tractatus de mensura fistularum

Source of data:

Incipit: Mensuram fistularum dicturi pauca praemittere volumus



EBETRATEXT

12th10K

File name: X

Annotations:The graphics file for this treatise is EBETRA 01GF.

Eberhardus FrisingensisAuthor:Treatise:




Cantuagium

Source of data:

Incipit: Dilecti in Christo, sicut alias pro aliquali introductione ad rhetoricam

Thomas J. MathiesenAnastasia ArapovaSergei Lebedev

Das Cantuagium des Heinrich Eger vonKalkar, ed. Heinrich Hüschen, Beiträgezur rheinischen Musikgeschichte, vol. 2(Köln: Staufen, 1952). Used bypermission.

EGECANTEXT

14th98K

File name: X

Annotations:The graphics file for this treatise is EGECAN 01GF.

Eger von Kalkar, HeinrichAuthor:Treatise:




De musica, tractatus primus

Source of data:

Incipit: Propter amicorum et familiarium dilectionem et complacentiam, quibus totum volo

Thomas J. MathiesenCharles Atkinson & Bradley TuckerPatricia Starr & Sean Ferguson


ENGDEM1TEXT

14th32K

File name: X

Annotations:See also ENGDEM2-4.

Engelbertus AdmontensisAuthor:Treatise:




De musica, tractatus secundus

Source of data:

Incipit: Postquam in prima parte huius tractatus circa voces et sonos musicos pro introductionis

Thomas J. MathiesenCharles AtkinsonPatricia Starr & Sean Ferguson


ENGDEM2TEXT

14th66K

File name: X

Annotations:See also ENGDEM1 and 3-4.





De musica, tractatus tertius

Source of data:

Incipit: Modo iam in duabus partibus huius tractatus praehabitis et praedeclaratis aliquibus

Thomas J. MathiesenCharles Atkinson & Bradley TuckerPatricia Starr & Sean Ferguson


ENGDEM3TEXT

14th47K

File name: X

Annotations:See also ENGDEM1-2 and 4. The graphics files for this treatise are ENGDEM3 01GF-ENGDEM3 03GF.





101


De musica, tractatus quartus

Source of data:

Incipit: Finitis tribus partibus huius tractatus nostri de Musica, ad quartam partem

Thomas J. MathiesenCharles AtkinsonPatricia Starr & Sean Ferguson


ENGDEM4TEXT

14th89K

File name: X

Annotations:See also ENGDEM1-3. The graphics files for this treatise are ENGDEM4 01GF-ENGDEM4 04GF.





Ad musicam practicam introductio

Source of data:

Incipit: MUSIVA est certa canendi et modulandi scientia. Nomen habet à [mousa], quod est cantus.

Thomas J. MathiesenDavid SchneiderBeth Garfinkel

Ad musicam practicam introductio, nonmodo praecepta, sed exempla quoque adusum puerorum accomodata, quàmbreuissime continens (Norimbergae, inOfficina Iohannis Montani, et VlriciNeuber, 1550), ff. A1r-L1v.

FABMUS1TEXT

16th65K

File name: X

Annotations:The incipit is preceded by a dedication to the Nuremberg town council, beginning: "Neminem ignorare arbitror,Musices studium non modò apud ueteres cultum, uerum etiam in magno praecio fuisse." The graphics files forthis treatise are FABMUS1 01GF-FABMUS1 38GF.

Faber, HeinrichAuthor:Treatise:




Ad musicam practicam introductio

Source of data:

Incipit: Hactenus praeceptiones, quae ad uulgarem et usitatam canendi rationem faciunt


Ad musicam practicam introductio, nonmodo praecepta, sed exempla quoque adusum puerorum accomodata, quàmbreuissime continens (Norimbergae, inOfficina Iohannis Montani, et VlriciNeuber, 1550), ff. L2r-a3v.

FABMUS2TEXT

16th65K

File name: X

Annotations:The graphics files for this treatise are FABMUS2 01GF-FABMUS2 63GF.





Compendiolum musicae pro incipientibus

Source of data:

Incipit: Quid est Musica? Est bene canendi scientia. Quotuplex est?

Thomas J. MathiesenAndreas GigerKatherine Clark

Henrici Fabri Compendiolum musicaepro incipientibus, Bibliotheca musicabononiensis, II/20 (Nuremberg: PaulKauffmann, 1594; reprint, Bologna:Forni, 1980).

FABCOMTEXT

16th15K

File name: X

Annotations:The incipit is preceded by a dedicatory preface, beginning: "Optimae spei pueris, Martino, Nicolao et IosuaeMedleris, Clarissimi et Doctissimi viri ...." The graphics files for this treatise are FABCOM 01GF-FABCOM14GF.





102


Elementa musicalia

Source of data:

Incipit: Interuallum est soni grauis, acutique spaciorum habitudo. Spacium vocamus neruum


In hoc opere contenta. | Arithmeticadecem libris demonstrata | Musica librisdemonstrata quattuor | Epitome in librosarithmeticos diui Seuerini Boetij |Rithmimachie ludus qui et pugnanumerorum appellatur (Paris: JoannesHigmanus et Volgangus Hopilius, 1496),ff. f1r-h6v.

STAPMUSTEXT

15th200K

File name: X

Annotations:The incipit is preceded by a dedicatory preface to Nicolaus de Haqueville, beginning "Decreueram clarissime virnulli meas elementorum musicalium ..."; a second preface addressed to Jacobus Labinius and JacobusTurbelinus, beginning " Quod inter oratorem atque rhetora ..."; a list of ancient and medieval writers on thesubject of music; and the heading "Argumentum quottuor librorum musices." The graphics for this treatise areSTAPMUS 01GF-STAPMUS 14GF.

Faber Stapulensis, JacobusAuthor:Treatise:




Disputatio de somnio Scipionis

Source of data:

Incipit: Imitatione Platonis (de republica 10, 13 p. 614B) Cicero de re p(ublica) scribens


Favonii Eulogii Disputatio de somnioScipionis, ed. Alfred Holder (Leipzig: B.G. Teubner, 1901).

FAVDISTEXT

3rd-5th36K

File name: X

Annotations:The graphics file for this treatise is FAVDIS 01GF.

Favonius EulogiusAuthor:Treatise:




Practica musica

Source of data:

Incipit: Inter caeteras praeclaras artes quae uere dei dona sunt, non infimum locum

Thomas J. MathiesenAndreas Giger & Elisabeth HonnClaudia Di Luca

Practica musica Hermanni Finckii,exempla variorum signorum,proportionum et canonum, iudicium detonis, ac quaedam de arte suaviter etartificiose cantandi continens(Vitebergae, excusa typis haeredumGeorgii Rhaw, 1556).

FINPRATEXT

16th164K

File name: X

Annotations:The treatise is preceded by a dedicatory epistle, beginning: "Totum opificium hominis plenum est ingentiummiraculorum" and an engraving of "Musica." The graphics files for this treatise are FINPRA 01GF-FINPRA84GF.

Finck, HermannAuthor:Treatise:




Epithoma musice instrumentalis ad omnimodam Hemispherii seu Luthine et theoricam et practicam

Source of data:

Incipit: OMnis instrumentalis et harmonica modulatio in differentia grauium et acutorum


Epithoma musice instrumentalis adomnimodam Hemispherii seu Luthine ettheoricam et practicam per Orontiumfineum Delphinatem studiose collectum.1530; reprint ed., Genève: Minkoff,1993).

FINEPITEXT

16th33K

File name: X

Annotations:The graphics files for this treatise are FINEPI 01GF-FINEPI 05GF.

Finé, OronceAuthor:Treatise:




Musica theorica, sectio prima

Source of data:

Incipit: Mvsicae facvltatis svbiectvm: Quod: Numerus sonorus: appellatur: nihil aliud est:

Thomas J. MathiesenSandra PinegarNigel Gwee

Ludovici Foliani Mutinensis de musicatheorica (Venice: Io. Antonius et Fratresde Sabio, 1529; reprint ed., Bologna:Forni, 1970).

FOLMUS1TEXT

16th46K

File name: X

Annotations:The incipit is preceded by a reader's preface, beginning: "Qvisquis es: qui nostram accedis ad Musicam ..."; atable of contents; and the chapter heading: "Quid subiectum Musices: et cur illa dicatur scientia media: etsubalternata: et quis operis huius ordo." The graphics files for this treatise are FOLMUS1 01GF-FOLMUS111GF. See also FOLMUS2 and FOLMUS3.

Folianus, LudovicusAuthor:Treatise:




103


Musica theorica, sectio secunda

Source of data:

Incipit: Dvo tantum genera proportionum ueteres et praesertim Pythagorici: ad musicas



FOLMUS2TEXT

16th72K

File name: X

Annotations:The incipit is preceded by the chapter heading "Quomodo unaquaeque consonantia suae aptetur proportioni."The graphics files for this treatise are FOLMUS2 01GF-FOLMUS2 28GF. See also FOLMUS1 and FOLMUS3.





Musica theorica, sectio tertia

Source of data:

Incipit: Nvnctis iam quae mihi ante monochordi diuisionem: expedienda uidebantur: expeditis:



FOLMUS3TEXT

16th54K

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Annotations:The incipit is preceded by the chapter heading "De monochordi diuisione." The graphics files for this treatise areFOLMUS3 01GF-FOLMUS3 05GF. See also FOLMUS1 and FOLMUS2.






Source of data:

Incipit: Cum, inquiunt, de plana musica quidam philosophi sufficienter tractaverint

Thomas J. MathiesenCharles M. AtkinsonBradley Jon Tucker


FRAARSTEXT

13th37K

File name: X

Annotations:The graphics files for this treatise are FRAARS 01GF-FRAARS 05GF. See also FRAACM, FRAACMEMPBN1666, FRAACMO, FRAARSCM, and FRAARSC.

FrancoAuthor:Treatise:





Source of data:

Incipit: Cum, inquiunt, de plana musica quidam philosophi sufficienter tractaverint

Thomas J. MathiesenPeter M. Lefferts & Kirk DitzlerBradley Jon Tucker


FRAARSCMTEXT

13th35K

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Annotations:The graphics files for this treatise are FRAARSCM 01GF-FRAARSCM 06GF. See also FRAACM, FRAACMEMPBN1666, FRAACMO MOBB842, FRAARS, and FRAARSC.






Source of data:

Incipit: Cum de plana musica quidam philosophi sufficienter tractaverint

Albert C. Rotola, S.J.Luminita AluasLaurel Carter


FRAARSCTEXT

13th33K

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Annotations:The graphics files for this treatise are FRAARSC 01GF-FRAARSC 03GF. See also FRAACM, FRAACMEMPBN1666, FRAACMO MOBB842, FRAARSCM, and FRAARS.





104



Source of data:

Incipit: Cum de plana musica quidam philosophi sufficienter tractaverint


Franconis de Colonia, Ars cantusmensurabilis, ed. Gilbert Reaney andAndré Gilles, Corpus scriptorum demusica, vol. 18 ([Rome]: AmericanInstitute of Musicology, 1974), 23-82.Used by permission.

FRAACMTEXT

13th35K

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Annotations:The graphics files for this treatise are FRAACM 01GF-FRAACM 05GF. See also FRAACME MPBN1666,FRAACMO MOBB842, FRAARS, FRAARSCM, and FRAARSC.





Compendium discantus

Source of data:

Incipit: Primo vero notandum tredecim esse species consonantiarum et dissonantiarum

Albert C. Rotola, S.J.Thomas J. MathiesenBradley Jon Tucker


FRACOMTEXT

13th6K

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Annotations:The incipit is preceded by the heading for the first chapter: "Premissis consonantiis et dissonantiis, continetquinque regulas ascendendi in discantu. Ego Franco de Colonia utililati juvenam cupiens deservire,compendiosum tractatum de discantu, ut subsequeretur, composui." See also FRACOMO MOBB842 andFRACOMP TEXT.






Source of data:

Incipit: Cum inquiunt de plana musica quidam philosophi sufficienter tractauerint

Thomas J. MathiesenJ. Langford-Johnson & M. LundellSandra Pinegar

Paris, Bibliothèque nationale, lat. 16663,ff. 76v-83r.

FRAACMEMPBN1666

13th37K

File name: X

Annotations:=RISM BIII/1:124. Cf. FRAACM TEXT, FRAACMO MOBB842, FRAARS TEXT, FRAARSC TEXT, andFRAARSCM TEXT. The graphics files for this treatise are FRAACME 01GF-FRAACME 06GF.






Source of data:

Incipit: Cum de plana musica quidam philosophi sufficienter tractauerint



FRAACMOMOBB842

13th35K

File name: X

Annotations:=RISM BIII/4:110-15. The incipit is preceded by a listing of the chapter headings. The graphics files for thistreatise are FRAACMO 01GF-FRAACMO 10GF. See also FRAACM, FRAACME MPBN1666, FRAARS,FRAARSCM, and FRAARSC.





Compendium discantus

Source of data:

Incipit: Primo enim notandum tredecim esse species consonanciarum et dissonanciarum



FRACOMOMOBB842

13th6K

File name: X

Annotations:=RISM BIII/4:110-15. The incipit is preceded by a listing of the chapter headings. The graphics file for thistreatise is FRACOMO 01GF. See also FRACOM TEXT and FRACOMP TEXT.





105



Source of data:

Incipit: Primo enim notandum tredecim esse species consonantiarum et dissonantiarum



FRACOMPTEXT

13th6K

File name: X

Annotations:The incipit is preceded by a list of chapter titles and the statement: "Ego Franco de Colonia, utilitati iuvenumcupiens deservire, compendiosum tractatum de discantu, ut subsequitur, composui." The graphics files for thistreatise are FRACOMP 01GF-FRACOMP 02GF. See also FRACOM TEXT and FRACOMO MOBB842.

Franco [Ps.]Author:Treatise:




Rerum musicarum opusculum rarum ac insigne

Source of data:

Incipit: Iam vero telam nobis (ut aiunt) exordientibus, non suppetet facultas


Rerum musicarum opusculum rarum acinsigne, totius eius negotii rationem miraindustria et brevitate complectens, iamrecens publicatum (Argentorati, apudPetrum Schoeffer et Mathiam Apiarium,1535).

FRORERTEXT

16th162K

File name: X

Annotations:The treatise is preceded by a table of contents, three verses (beginning "Si tibi sunt Musae," "Huc propera," and"Vade age parve liber"), a dedicatory epistle (beginning "Miraberis forsan illustris pariter atque ClarissimeComes"), an index, and a preface (beginning "Etsi cuiquam (Lector amice) ad hoc"). The graphics files for thistreatise are FRORER 01GF-FRORER 18GF.

Frosch, JohannesAuthor:Treatise:




Breviarium de musica

Source of data:

Incipit: Compendiosum de musica, 'breviarium' collecturi et quasi quamdam introductionem


Frutolfi Breviarium de musica etTonarius, ed. P. Cölestin Vivell,Akademie der Wissenschaften in Wien,Philosophisch-historische Klasse,Sitzungsberichte, vol. 188, no. 2 (Vienna,1919), 26-113.

FRUBRETEXT

12th130K

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Annotations:The graphics files for this treatise are FRUBRE 01GF-FRUBRE 08GF. See also FRUTON TEXT.

FrutolfusAuthor:Treatise:




Breviarium de musica, capitulum XI

Source of data:

Incipit: Expeditis igitur omnibus quae ad praemittendum pro monochordi speculatione

Thomas J. MathiesenDawn Reindl and Mark ButlerAndreas Giger

Michael Bernhard, "Zur Überlieferungdes 11. Kapitels in Frutolfs Breviarum,"in Quellen und Studien zur Musiktheoriedes Mittelalters, ed. Michael Bernhard,Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 8(München: Bayerische Akademie derWissenschaften; C. H. Beck, 1990),40-67. Used by permission.

FRUBRECTEXT

12th98K

File name: X

Annotations:A comparison of chapter 11 of Frutolf's Breviarium de musica with Berno's De mensurando monochordo, "Siregularis monochordi dimensionem," and readings in Wolfenbüttel, Herzog-August-Bibliothek, Gud. lat. 8˚ 334(cat. 4641), ff. 90v-97v.





106


Rythmimachia

Source of data:

Incipit: Quoniam quidem huius artis scientia ab ignorantibus contempnitur

Thomas J. MathiesenPeter SlemonTravis Yeager

R. Peiper, ed., "Fortolfi Rythmimachia,"in Abhandlungen zur Geschichte derMathematik, 9 vols. (Leipzig: B. G.Teubner, 1877-99), 3:169-97 and 228.

FRURITTEXT

12th98K

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Annotations:The graphics files for this treatise are FRURIT 01GF-FRURIT 05GF.





Tonarius

Source of data:

Incipit: Authentus protus, qui et dorius, constat ex prima specie diatessaron superius

Thomas J. MathiesenThomas J. MathiesenPeter Slemon

Frutolfi Breviarium de musica etTonarius, ed. P. Cölestin Vivell,Akademie der Wissenschaften in Wien,Philosophisch-historische Klasse,Sitzungsberichte, vol. 188, no. 2 (Vienna,1919), 113-83.

FRUTONTEXT

12th130K

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Annotations:The graphics files for this treatise are FRUTON 01GF-FRUTON 07GF. See also FRUBRE TEXT.





Mitologiarum libri tres

Source of data:

Incipit: Quamuis inefficacem petat studium res quae caret effectum et ubi emolumentum deest


Fabii Planciadis Fulgentii V. C. Opera,ed. Rudolfus Helm (Leipzig: B. G.Teubner, 1898), 3-80.

FULMITTEXT

6th-8th99K

File name: X

Annotations:Marginal indications of pagination in two earlier editions have been omitted from this file.

Fulgentius, Fabius PlanciadesAuthor:Treatise:




Apologia adversus Ioannem Spatarium et complices musicos Bononienses

Source of data:

Incipit: Occasionem dicendi de te prebes Ioannes Spatarie qui in alios dicere solitus es.

Thomas J. MathiesenBradley Jon TuckerJessica Burr

Apologia Franchini Gafurii Musiciadversus Ioannem Spatarium et complicesmusicos Bononienses (Turin: Augustinusde Vicomercato, 1520; reprint ed., NewYork: Broude Bros., 1979).

GAFAPOTEXT

16th42K

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Annotations:The graphics files for this treatise are GAFAPO 01GF-GAFAPO 06GF.

Gaffurio, FranchinoAuthor:Treatise:




De harmonia musicorum instrumentorum opus, liber primus

Source of data:

Incipit: Mos fuit apud Antiquos uir Amplissime: quem posteriores per manus traditum

Thomas J. MathiesenPeter SlemonNigel Gwee & John Csonka

Franchini Gafurii Laudensis Regii Musicipublice profitentis: DelubriqueMediolanensis Phonasci: de HarmoniaMusicorum Instrumentorum Opus (Milan:Gotardus Pontanus, 1518; reprint eds.,New York: Broude Bros., [1979];Bologna: Forni, 1972).

GAFHAR1TEXT

16th127K

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Annotations:The first book is preceded dedicatory poems and a list of contents. The graphics files for this treatise areGAFHAR1 01GF-GAFHAR1 11GF. See also GAFHAR2, GAFHAR3, and GAFHAR4.





107


De harmonia musicorum instrumentorum opus, liber secundus

Source of data:

Incipit: Chromatici Generis chordae ita per tetrachorda disponuntur: ut tertia tantum chorda

Thomas J. MathiesenPeter SlemonNigel Gwee & John Csonka


GAFHAR2TEXT

16th154K

File name: X

Annotations:The book begins with the chapter heading "De Genere Chromatico Caput Primum." The graphics files for thistreatise are GAFHAR2 01GF-GAFHAR2 37GF. See also GAFHAR1, GAFHAR3, and GAFHAR4.





De harmonia musicorum instrumentorum opus, liber tertius

Source of data:

Incipit: Rationem extremorum sonorum in harmonia inuicem consonantium harmonica



GAFHAR3TEXT

16th59K

File name: X

Annotations:The book begins with the chapter heading "De Continua proportionalitate Arythmetica et eius proprietatibusCaput Primum." The graphics files for this treatise are GAFHAR3 01GF-GAFHAR3 04GF. See alsoGAFHAR1, GAFHAR2, and GAFHAR4.





De harmonia musicorum instrumentorum opus, liber quartus et ultimus

Source of data:

Incipit: Modos apud ueteres de mente Aristotelis trigesimi luciditate Problematis Petrus



GAFHAR4TEXT

16th83K

File name: X

Annotations:The book begins with the chapter heading "Qui priores Modi apud Antiquos fuerint in usu Caput Primum." Thegraphics files for this treatise are GAFHAR4 01GF-GAFHAR4 04GF. See also GAFHAR1, GAFHAR2, andGAFHAR3.





Extractus parvus musice

Source of data:

Incipit: Ne iuvenibus studentibus ex dicendorum prolixitate sit honerosum


Franchini Gafurii Extractus parvusmusice, ed. F. Alberto Gallo, Antiquaemusicae italicae scriptores, vol. 4(Bologna: Università degli Studi deBologna, Istituto di Studi Musicali eTeatrali - Sez. Musicologia, 1969),13-208. Used by permission.

GAFEXTTEXT

15th260K

File name: X

Annotations:Based on Parma, Biblioteca Palatina, parmense 1158, ff. 1r-34r. The incipit is preceded by an exordium toPhilippus Trexenus, beginning: "Grandem mihi letitiam immensumque gaudium affert perspicax tue fraternitatisingenium, percordialissime frater, ..." the graphics files for this treatise are GAFEXT 01GF-GAFEXT 11GF.





108


Glossemata quaedam super nonnullas partes theoricae praescriptae Iohannis de Muris

Source of data:

Incipit: Iste liber prima sui diuisione diuiditur in duas partes.

Thomas J. MathiesenTravis YeagerOliver B. Ellsworth

Milan, Biblioteca Ambrosiana,H.165.inf., ff. 16v-18v.

MURMGAFMMBAH165

15th33K

File name: X

Annotations:=RISM BIII/2:56 and BIII/6:515-16 (Gaffurio's autograph). Cf. MURMGAF TEXT and MURMUSMMMBAH165.





Practica musice

Source of data:

Incipit: Et si harmonicam scientiam plerique cessante usu

Thomas J. MathiesenCharles M. AtkinsonC. Matthew Balensuela

Practica musice Franchini GaforiLaudensis (Milan: Ioannes Petrus deLomatio, 1496; reprint ed., New York:Broude Bros., 1979).

GAFPM1TEXT

15th82K

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Annotations:The graphics files for this treatise are GAFPM1 01GF-GAFPM1 17GF. See also GAFPM2, GAFPM3, andGAFPM4





Practica musice

Source of data:

Incipit: Musicam vocis actionem quam superiori volumine

Thomas J. MathiesenJan HerlingerC. Matthew Balensuela


GAFPM2TEXT

15th86K

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Practica musice

Source of data:

Incipit: Harmonici modulaminis Genus auctore Baccheo est



GAFPM3TEXT

15th62K

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Practica musice

Source of data:

Incipit: Proportio apud Euclidem est duarum quamcaecumque



GAFPM4TEXT

15th112K

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Annotations:The graphics files for this treatise are GAFPM4 01GF-GAFPM4 50GF. See also GAFPM1, GAFPM2, andGAFPM3.





109


[Prefatio de Johannis de Muris Musica speculativa]

Source of data:

Incipit: Princeps philosoforum Aristotiles ait in prohemio sue Methaphisice, omnino scientis


Johannis de Muris Musica <speculativa>,ed. Susan Fast, Musicological Studies,vol. 61 (Ottawa: The Institute ofMediaeval Music, 1994), 332. Used bypermission.

MURMGAFTEXT

15th3K

File name: X

Annotations:Gaffurio's preface to his manuscript copy (Milan, Biblioteca Ambrosiana, H.165.inf. [=RISM BIII/2:56 andBIII/6:515-16]) of a fragment of de Muris's Musica speculativa. Cf. MURMUSM MMBAH165 and MURMUSITEXT.





Theorica musice, liber primus

Source of data:

Incipit: Diuturni studii lectione depraehendi musices disciplinam antiquis temporibus

Thomas J. MathiesenBradley Jon TuckerPeter Slemon & Matthew Balensuela

Theorica musice Franchini GafuriLaudensis (Milan: Ioannes Petrus deLomatio, 1492; reprint ed., New York:Broude Bros., 1967).

GAFTM1TEXT

15th84K

File name: X

Annotations:The incipit is preceded by a list of contents for the entire treatise and a dedicatory letter, beginning: "Quorummagis sententiae accedere debeam ...." The graphics files for this treatise are GAFTM1 01GF-GAFTM1 02GF.See also GAFTM2, GAFTM3, GAFTM4, and GAFTM5.





Theorica musice, liber secundus

Source of data:

Incipit: Cum omnis institutio cuiuscunque rei a ratione suscepte de beata diffinitione proficisci:



GAFTM2TEXT

15th53K

File name: X

Annotations:The incipit is preceded by the chapter heading "De diffinitione musices et accidentibus sonorum." See alsoGAFTM1, GAFTM3, GAFTM4, and GAFTM5.





Theorica musice, liber tertius

Source of data:

Incipit: Quantitatem duplicem esse Mathematici asserunt Continuam scilicet et discretam



GAFTM3TEXT

15th67K

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Annotations:The incipit is preceded by the chapter heading "De Discreta et continua quantitate." The graphics file for thistreatise is GAFTM3 01GF. See also GAFTM1, GAFTM2, GAFTM4, and GAFTM5.





Theorica musice, liber quartus

Source of data:

Incipit: Quoniam omnium uarietate numerorum Macrobius: ac Boetius coeterique Musici



GAFTM4TEXT

15th46K

File name: X

Annotations:The incipit is preceded by the chapter heading "De Consonantiis ex Proportionibus Eductis." The graphics filesfor this treatise are GAFTM4 01GF-GAFTM4 03GF. See also GAFTM1, GAFTM2, GAFTM3, and GAFTM5.





110


Theorica musice, liber quintus

Source of data:

Incipit: Refert Nicomachus canendi disciplinam primitus adeo simplicem fuisse



GAFTM5TEXT

15th83K

File name: X

Annotations:The incipit is preceded by the chapter heading "De inuentione et dispositione sonorum." The graphics files forthis treatise are GAFTM5 01GF-GAFTM5 09GF. See also GAFTM1, GAFTM2, GAFTM3, and GAFTM4.





Fragmenta de musica

Source of data:

Incipit: Item de fistulis Gerlandus. Si fistulae aequalis grossitudinis fuerint, et maior minorem



GERFRATEXT

12th5K

File name: X

Annotations:

GerlandusAuthor:Treatise:




[Carmina]

Source of data:

Incipit: CErne quis es. quid agis moreris dic, duc


Salzburg, St. Peter's Abbey, a.VI.44, ff.60r-62v.

GERCARMSAVI44

15th16K

File name: X

Annotations:=RISM BIII/1:27-31. The title of the first carmen is "Super recogitacione mortis"; the second, "De laudemusice" (incipit: "MUsica diuini noua pulsu que fit amoris"); the third, "Ecclesiasticorum exhortacio" (incipit:"<S>Emper in ore tuo sit laus sint cantica Syon"); and the fourth, "De laudibus elegie spiritualis" (incipit:"<Q>Visquis amas prosam metris ignoscito nostris").

Gerson, Johannes deAuthor:Treatise:




Dodecachordum, Liber primus

Source of data:

Incipit: Musica duplex est, Theorice ac pratice. Theorice circa rerum musicarum

Thomas J. MathiesenCharles Atkinson & Bradley TuckerSean Ferguson

[Dodekachordon] (Basle: Henrichus Petri,1547; reprint ed., New York: BroudeBros., 1967), 1-64.

GLADOD1TEXT

16th172K

File name: X

Annotations:The treatise itself is preceded by a long dedicatory preface, beginning: "Timotheum Milesium, artis Musicesauthorem celeberrimum, Reuerendissime Pater ..."; a list of authors cited in the treatise; a list of chapters in eachof the three books; an index of "cantiones mensurales"; and a detailed index of terms and subjects. The graphicsfiles for this treatise are GLADOD1 01GF-GLADOD1 20GF. See also GLADOD2 and GLADOD3.

Glareanus, HenricusAuthor:Treatise:




Dodecachordum, Liber secundus

Source of data:

Incipit: Hactenus omnia, quae uisa sunt necessaria, huius scientiae principia

Thomas J. MathiesenMichael W. LundellBradley Jon Tucker


GLADOD2TEXT

16th226K

File name: X

Annotations:The graphics files for this treatise are GLADOD2 01GF-GLADOD2 67GF. See also GLADOD1 andGLADOD3.





111


Dodecachordum, Liber tertius

Source of data:

Incipit: Hactenus omnia, quae uisa sunt necessaria, huius scientiae principia

Thomas J. MathiesenBradley Jon TuckerNigel Gwee


GLADOD3TEXT

16th172K

File name: X

Annotations:The graphics files for this treatise are GLADOD3 001GF-GLADOD3 225GF. See also GLADOD1 andGLADOD2.





Lucubratiunculae bonarum septem artium liberalium, capitulum quintum, De musica

Source of data:

Incipit: Aristobolus. Age nunc, si tibi quicquam nervorum est, musicam tueare

Thomas J. MathiesenSandra PinegarPeter Slemon

Peter Wagner, "Aus der Musikgeschichtedes deutschen Humanismus," Zeitschriftfür Musikwissenschaft 3 (1920-21):22-27.

GRELUCTEXT

15th10K

File name: X

Annotations:The chapter was originally published in Theodorici Gresemundi junioris moguntini lucubraciuncule bonarumseptem artium liberalium apologiam ejusdemque cum philosophia dialogum et orationem ad rerum publicarumrectores in se complectentes (Mainz: Peter Fridberg, 1494).

Gresemund, DietrichAuthor:Treatise:




Utillissime musicales regule

Source of data:

Incipit: Quoniam inter cetera mortalium nichil dignius esse constat scientiarum liberalium


Utillissime musicales Regule cunctissummopere necessarie plani cantussimplisis contrapuncti rerum factarumtonorum et artis accentuandi tamexemplariter quam practice permagistrum Guillermi Guersoni deVillalonga nouitter conpilate (Paris:Michel Thouloze, [c. 1495]).

GUEUTTEXT

15th83K

File name: X

Annotations:This is the first edition. Text entered from the exemplar in the British Library, which is missing ff. eiir-eiiiv. Thegraphics for this treatise are GUEUT 01GF-GUEUT 32GF.

Guerson, GuillaumeAuthor:Treatise:




Musica

Source of data:

Incipit: Si cantus ascendit duas voces et organum incipit in duplici voce



GUICHATEXT

13th5K

File name: X

Annotations:Document IV in the Coussemaker Histoire; based on Paris, Bibliothèque Ste. Geneviève, 2284 (olim 1611), ff.109v-110v. The incipit is preceded by a short verse beginning: "Ars probat artificem quae scribitur arteGuidonis...." The graphics file for this treatise is GUICHA 01GF. The text is also incorporated at the end ofAbbott Guido, Regulae de arte musica (ABGURAM TEXT). Cf. ABGUREG TEXT.

Gui de ChalisAuthor:Treatise:




De modorum formulis et cantuum qualitatibus

Source of data:

Incipit: Vox est aer ictus auditu sensibilis quantum in ipso est. Omnis autem vox aut est

Thomas J. MathiesenAngela MarianiFiroozeh Khazrai


GUIMODTEXT

9th-11th64K

File name: X

Annotations:The treatise is preceded by a Prooemium, beginning: "Vocum modus, veterum editus voto, disgregatus a vero etrecto ...." The graphics files for this treatise are GUIMOD 01GF-GUIMOD 10GF.

Guido d'ArezzoAuthor:Treatise:




112


De sex motibus vocum ad se invicem et dimensione earum

Source of data:

Incipit: Omnibus ecce modis descripta relatio vocis. Est tonus, in numeris superantur



GUISEXTEXT

9th-11th3K

File name: X

Annotations:





Epistola Guidonis Michaeli monacho de ignoto cantu

Source of data:

Incipit: Beatissimo atque dulcissimo fratri Michaeli Guido, per anfractus multos dejectus

Thomas J. MathiesenCharles Atkinson & Angela MarianiJingfa Sun


GUIEPTEXT

9th-11th22K

File name: X

Annotations:The graphics file for this treatise is GUIEP 01GF. Cf. GUIEPI TEXT.





Epistola Guidonis Michaeli monacho de ignoto cantu directa

Source of data:

Incipit: Beatissimo atque dulcissimo Fratri Michaeli Guido, per anfractus multos deiectus

Thomas J. MathiesenLuminita AluasSergei Lebedev


GUIEPITEXT

9th-11th21K

File name: X

Annotations:The graphics file for this treatise is GUIEPI 01GF. Cf. GUIEP TEXT.





Micrologus

Source of data:

Incipit: Gymnasio musas placuit reuocare solutas.

Thomas J. MathiesenMichael W. LundellJulie Langford-Johnson

Brussels, Bibliothèque Royale Albert Ier,II 784, ff. 1r-20v.

GUIMICBMBBR2784

9th-11th50K

File name: X

Annotations:=RISM BIII/1:63. The graphics files for this treatise are GUIMICB 01GF-GUIMICB 06GF. Cf. GUIMICTEXT, GUIMICR TEXT, and GUIMICRO TEXT.





Micrologus

Source of data:

Incipit: Gymnasio musas placuit revocare solutas,

Thomas J. MathiesenLuminita AluasLaurel Carter


GUIMICTEXT

9th-11th55K

File name: X

Annotations:The graphics files for this treatise are GUIMIC 01GF-GUIMIC 10GF. Cf. GUIMICB MBBR2784, GUIMICRTEXT, and GUIMICRO TEXT.





113


Micrologus

Source of data:

Incipit: Gymnasio musas placuit revocare solutas.

Thomas J. MathiesenBradley Jon TuckerLaurel Carter


GUIMICROTEXT

9th-11th55K

File name: X

Annotations:The graphics files for this treatise are GUIMICRO 01GF-GUIMICRO 09GF. Cf. GUIMICB MBBR2784,GUIMIC TEXT, and GUIMICR TEXT.





Micrologus

Source of data:

Incipit: Gymnasio musas placuit revocare solutas,


Guidonis Aretini Micrologus, ed. Jos.Smits van Waesberghe, Corpusscriptorum de musica, vol. 4 ([Rome]:American Institute of Musicology, 1955),79-234. Used by permission.

GUIMICRTEXT

9th-11th50K

File name: X

Annotations:The graphics files for this treatise are GUIMICR 01GF-GUIMICR 04GF. Cf. GUIMICB MBBR2784, GUIMICTEXT, and GUIMICRO TEXT.





Prologus in antiphonarium

Source of data:

Incipit: Temporibus nostris super omnes homines fatui sunt cantores

Thomas J. MathiesenAngela Mariani & Bradley TuckerDolores Pesce


GUIPRANTEXT

9th-11th18K

File name: X

Annotations:The graphics file for this treatise is GUIPRAN 01GF-GUIPRAN 02GF. Cf. GUIPRO TEXT and GUIPROLTEXT.






Source of data:

Incipit: Temporibus nostris super omnes homines fatui sunt cantores



GUIPROLTEXT

9th-11th19K

File name: X

Annotations:The graphics files for this treatise are GUIPROL 01GF-GUIPROL 02GF. Cf. GUIPRO TEXT and GUIPRANTEXT.






Source of data:

Incipit: Temporibus nostris . super omnes homines (:) fatui sunt cantores!

Thomas J. MathiesenElisabeth HonnSergei Lebedev

Tres tractatuli Guidonis Aretini: Guidonis"Prologus in Antiphonarium," ed. JosephSmits van Waesberghe, Divitiae musicaeartis, A/III (Buren: Knuf, 1975), 58-81.Used by kind permission of theLaaber-Verlag.

GUIPROTEXT

9th-11th8K

File name: X

Annotations:The graphics file for this treatise is GUIPRO 01GF. Cf. GUIPROL TEXT and GUIPRAN TEXT.





114


Regulae rhythmicae

Source of data:

Incipit: Musicorum et cantorum magna est distantia. Isti dicunt, illi sciunt, quae componit

Thomas J. MathiesenElisabeth HonnSergei Lebedev

Guidonis Aretini "Regulae rhythmicae,"ed. Joseph Smits van Waesberghe andEduard Vetter, Divitiae musicae artis,A/IV (Buren: Knuf, 1985), 92-133. Usedby kind permission of the Laaber-Verlag.

GUIREGTEXT

9th-11th16K

File name: X

Annotations:The treatise is preceded by the short acrostic beginning: "Gliscunt corda meis hominum mollita camenis, Unamihi virtus numeratos contulit ictus, ..." The graphics files for this treatise are GUIREG 01GF-GUIREG 02GF.Cf. GUIRR TEXT and GUIRRH TEXT.





Regulae rhythmicae in antiphonarii sui prologum prolatae

Source of data:

Incipit: Musicorum et cantorum magna est distantia, Isti dicunt, illi sciunt, quae componit

Thomas J. MathiesenAngela Mariani & Bradley TuckerDolores Pesce


GUIRRTEXT

9th-11th16K

File name: X

Annotations:The treatise is preceded by the short acrostic "Guidonis versus de musicae explanatione, suique nominis ordine"beginning: "Gliscunt corda meis hominum mollita Camenis, Una mihi virtus numeratos contulit ictus, ..." Thegraphics files for this treatise are GUIRR 01GF-GUIRR 02GF. Cf. GUIRRH TEXT and GUIREG TEXT.





Regulae rhythmicae in antiphonarii sui prologum prolatae

Source of data:

Incipit: Musicorum et cantorum magna est distantia. Isti dicunt, illi sciunt, quae componit



GUIRRHTEXT

9th-11th17K

File name: X

Annotations:The treatise is preceded by the short acrostic "Guidonis versus de musicae explanatione, suique nominis ordine"beginning: "Gliscunt corda meis hominum mollita Camenis, Una mihi virtus numeratos contulit ictus, ..." Thegraphics files for this treatise are GUIRRH 01GF-GUIRRH 02GF. Cf. GUIRR TEXT and GUIREG TEXT.





Tractatus Guidonis correctorius multorum errorum, qui fiunt in cantu gregoriano in multis locis

Source of data:

Incipit: Multorum considerans errorem coactus sum Gregorii cantum, quem multis in locis



ANOTRA2TEXT

15th14K

File name: X

Annotations:Doubtfully attributed to Guido in Gerbert's edition, the treatise probably dates from the fifteenth century. Cf.ANOTRAC2 TEXT.

Guido d'Arezzo [Ps.]Author:Treatise:




Tractatus Guidonis correctorius multorum errorum, qui fiunt in cantu gregoriano in multis locis

Source of data:

Incipit: Multorum considerans errorem coactus sum Gregorii cantum, quem multis in locis



ANOTRAC2TEXT

15th14K

File name: X

Annotations:Doubtfully attributed to Guido in Gerbert's edition, the treatise probably dates from the fifteenth century. Cf.ANOTRA2 TEXT.

Guido d'Arezzo [Ps.]Author:Treatise:




115


Tractatus de tonis

Source of data:

Incipit: Gaudere sciens brevitate modernos et tamen ex altera parte considerans quod


Sieglinde van de Klundert, Guido vonSaint-Denis Tractatus de tonis: Editionund Studien, 2 vols. (Bubenreuth:Hurricane Publishers, 1998), 2:1-137.Used by permission.

GUISTONTEXT

14th163K

File name: X

Annotations:Based on London, British Library, Harley 281, ff. 58v-96v (=RISM BIII/4:74-78 and RISM BIII/6:394). Thegraphics files for this treatise are GUISTON 01GF-GUISTON 60GF. The author is also known as Guy deSaint-Denis.

Guido de Sancto DionysioAuthor:Treatise:




Ars musice mensurate

Source of data:

Incipit: Ad habendam aliqualem noticiam figurarum sinplicium et conpositarum seu ligaturarum

Thomas J. MathiesenDavid SchneiderMark Butler


GUIFARTEXT

14th33K

File name: X

Annotations:Edited from Sevilla, Biblioteca Capitular y Colombina, 5.II.25, ff. 1r-5r (=RISM BIII/5:110-20). The graphicsfile for this treatise is GUIFAR 01GF.

Guido FraterAuthor:Treatise:




De preceptis artis musice et pratice compendiosus libellus

Source of data:

Incipit: Nota quod duplex est prolatio, scilicet major et minor.

Oliver B. EllsworthLuminita AluasC. Matthew Balensuela


MONPRETEXT

15th64K

File name: X

Annotations:The graphics files for this treatise are MONPRE 01GF-MONPRE 19GF. See also MONPREC.

Guilielmus monachusAuthor:Treatise:




De preceptis artis musice et pratice compendiosus libellus

Source of data:

Incipit: Nota quod duplex est prolatio, scilicet, maior et minor.


Guilielmi monachi De preceptis artismusicae, ed. Albert Seay, Corpusscriptorum de musica, vol. 11 ([Rome]:American Institute of Musicology, 1965),15-59. Used by permission.

MONPRECTEXT

15th80K

File name: X

Annotations:The graphics files for this treatise are MONPREC 01GF-MONPREC 18GF. See also MONPRE.

Guilielmus monachusAuthor:Treatise:




Ars musicorum liber VI

Source of data:

Incipit: Contrapunctus secundam tenens musicae cantandi differentiam est duorum vel plurium


Guillermus de Podio, Ars musicorum libriVI et VIII, ed. Albert Seay, Critical Texts,no. 8 (Colorado Springs: ColoradoCollege Music Press, 1978), 1-8. Used bypermission.

GUIARS6TEXT

15th16K

File name: X

Annotations:See also GUIARS8.

Guillermus de PodioAuthor:Treatise:




116


Ars musicorum liber VIII

Source of data:

Incipit: De proportionibus cantandi hoc in ultimo volumi dicturi; animadvertendum in primis


Guillermus de Podio, Ars musicorum libriVI et VIII, ed. Albert Seay, Critical Texts,no. 8 (Colorado Springs: ColoradoCollege Music Press, 1978), 9-34. Usedby permission.

GUIARS8TEXT

15th34K

File name: X

Annotations:See also GUIARS6. The graphics files for this treatise are GUIARS8 01GF-GUIARS8 11GF.





Enchiridion de principiis musice discipline

Source of data:

Incipit: Quanti ab ineuntibus seculis ad hanc usque diem post Boetium principem nostrum

Thomas J. MathiesenPeter SlemonBeth Garfinkel

Karl-Werner Gümpel, "Das Enchiridionde principiis musice discipline desGuillermus de Podio," SpanischeForschungen der Görresgesellschaft, I/27(Münster: Aschendorff, 1973), 362-96.Used by permission.

GUIENCTEXT

15th98K

File name: X

Annotations:Based on Bologna, Civico museo bibliografico musicale, A71, pp. 134-90. The graphics files for this treatise areGUIENC 01GF-GUIENC 02GF.





De divisione philosophiae, Liber decimus, "De musica"

Source of data:

Incipit: Circa artem quoque musicam hec eadam inquirenda sunt scilicet: quid sit ipsa

Thomas J. MathiesenAndreas GigerC. Matthew Balensuela

Dominicus Gundissalinus, De divisionephilosophiae, ed. Ludwig Baur, Beiträgezur Geschichte der Philosophie desMittelalters, IV/2-3 (Münster:Aschendorff, 1903), 96-102.

GUNDDIVTEXT

12th10K

File name: X

Annotations:Gundissalinus, Archdeacon of Toledo, was also known as Gundisalvus or Gundisalvi.

Gundissalinus, DominicusAuthor:Treatise:




Summa

Source of data:

Incipit: Hic incipit musica magistri Franconis cum additionibus et opinionibus diversorum.

Thomas J. MathiesenBradley Jon TuckerPeter M. Lefferts


HANSUMATEXT

14th107K

File name: X

Annotations:The graphics files for this treatise are HANSUMA 01GF-HANSUMA 02GF. Cf. HANSUM TEXT.

Hanboys, JohannesAuthor:Treatise:




Summa

Source of data:

Incipit: Hic incipit musica magistri Franconis cum additionibus et opinionibus diversorum.

Thomas J. MathiesenLuminita AluasPeter M. Lefferts

Robertus de Handlo, Regule, andJohannes Hanboys, Summa, ed. and trans.by Peter M. Lefferts, Greek and LatinMusic Theory, vol. 7 (Lincoln: Universityof Nebraska Press, 1991), 180-344. Usedby permission.

HANSUMTEXT

14th111K

File name: X

Annotations:The graphics file for this treatise is HANSUM 01GF. Cf. HANSUMA TEXT.

Hanboys, JohannesAuthor:Treatise:




117


Musica

Source of data:

Incipit: Discipulus: Estne musica genus an species? Magister: Species est et subalternum genus


Musica Domni Heinrici Augustensismagistri, ed. Joseph Smits vanWaesberghe, Divitiae musicae artis,A/VII (Buren: Knuf, 1977), 35-53. Usedby kind permission of the Laaber-Verlag.

HEIMUSTEXT

9th-11th22K

File name: X

Annotations:Based on Vienna, Österreichische Nationalbibliothek, Cpv 51, ff. 90r-91r.

Heinricus AugustensisAuthor:Treatise:




Tractatus de cantu perfecto et imperfecto

Source of data:

Incipit: Gaudent musicorum discipuli, quod Henricus de Zeelandia

Albert C. Rotola, S.J.Luminita AluasC. Matthew Balensuela


ZELTRATEXT

14th10K

File name: X

Annotations:Cf. ZELTRAC TEXT.

Henricus de ZeelandiaAuthor:Treatise:




Tractatus de cantu perfecto et imperfecto

Source of data:

Incipit: Gaudent musicorum discipuli, quod Henricus de Zeelandia


Zsuzsa Czagány, "Der Tractatus de cantuperfecto et imperfecto des Henricus deZeelandia," in Quellen und Studien zurMusiktheorie des Mittelalters, vol. 2, ed.Michael Bernhard, Bayerische Akademieder Wissenschaften, Veröffentlichungender Musikhistorischen Kommission, Band13 (München: Bayerische Akademie derWissenschaften; C. H. Beck, 1997),114-17. Used by permission.

ZELTRACTEXT

14th33K

File name: X

Annotations:Based on Prague, Národní Knihovna Ceské Republiky, XI.E.9 (2056), f. 243r-v (=RISM BIII/5:14-15). Cf.ZELTRA TEXT.

Henricus de ZeelandiaAuthor:Treatise:




Summula

Source of data:

Incipit: Musicis studium a cunctis summopere amplectendum fore multiplex racio videtur



HEHESUMMLBL2322

14th65K

File name: X

Annotations:=RISM BIII/4:48-50 and BIII/6:389. HEHESUMM MVBM8-24.

Henricus HeleneAuthor:Treatise:




Summula

Source of data:

Incipit: Musice studium Inter cetera arcium studia non fore negligendum ymo preciosus


Venice, Biblioteca Nazionale Marciana,lat. app. cl. VIII/24 (coll. 3434), ff.10r-44r.

HEHESUMMMVBM8-24

14th130K

File name: X

Annotations:=RISM BIII/2:127 and BIII/6:615-16. The graphics files for this treatise are HEHESUMM 01GF-HEHESUMM19GF. Cf. HEHESUM MLBL2322.

Henricus HeleneAuthor:Treatise:




118


De natura cantus ac miraculis vocis

Source of data:

Incipit: Cum inter omnia humana studia, eximie Pontifex, quibus aut virtutem aliquam

Thomas J. MathiesenPhillip KuraszJessica Sisk

Herbeni Traiectensis De natura cantus acmiraculis vocis, ed. Joseph Smits vanWaesberghe, Beiträge zur rheinischenMusikgeschichte, vol. 22 (Köln: ArnoVolk, 1957), 16-78. Used by permission.

HERDENTEXT

15th195K

File name: X

Annotations:The incipit is preceded by a dedicatory preface, beginning: "Consueverunt magno quidem, ut optime tenes, atqueexcellenti ingenio viri, Reverentissime praesul, ..."

Herbenus TraiectensisAuthor:Treatise:




Musica speculativa

Source of data:

Incipit: Libellus Theorematum musicae diuiditur primum in Mundanam, Vocalem


Theodor Kroyer, "Die Musica speculativades Magister Erasmus Heritius," inFestschrift zum 50. Geburtstag AdolfSandberger (München: FerdinandZierfuss, 1918), 72-91.

HERSPETEXT

15th51K

File name: X

Annotations:Based on Munich, Universitäts- bibliothek, quarto Cod. 752 (=RISM BIII/3:174-76). The graphics files for thistreatise are HERSPE 01GF-HERSPE 07GF.

Heritius, ErasmusAuthor:Treatise:




Musica

Source of data:

Incipit: In consideranda monochordi positione ea prima speculatio occurrit

Thomas J. MathiesenPeter SlemonJohn Snyder

Rochester, New York, Eastman School ofMusic, Sibley Library, 92 1100(Wolffheim 1) (acc. 149,667), 91-130.

HERMUSMRSL1496

9th-11th65K

File name: X

Annotations:=RISM BIII/4:180-83. In the manuscript, capitals, small capitals, and a lower-case a were used to designatepitches in the various octaves. In this file, the capitals have been retained, the small capitals have been entered aslower-case letters, and the lower-case a (when designating an octave) has been entered as aa. The graphics filesfor this treatise are HERMUS 01GF-HERMUS 04GF. Cf. HERMUSB TEXT, HERMUSE TEXT, HERMUSGTEXT, and HERMUSP TEXT.

Hermannus ContractusAuthor:Treatise:




Musica

Source of data:


Thomas J. MathiesenAngela MarianiJohn Snyder

Hermanni Contracti Musica, ed. W.Brambach (Leipzig: B. G. Teubner,1884).

HERMUSBTEXT

9th-11th63K

File name: X

Annotations:The graphics files for this treatise are HERMUSB 01GF-HERMUSB 03GF. Cf. HERMUS MRSL1496,HERMUSE TEXT, HERMUSG TEXT, and HERMUSP TEXT.





Musica

Source of data:


Thomas J. MathiesenAngela MarianiJohn Snyder

Musica Hermanni Contracti, ed. andtrans. Leonard Ellinwood, EastmanSchool of Music Studies, no. 2(Rochester, New York: Eastman Schoolof Music, 1936).

HERMUSETEXT

9th-11th64K

File name: X

Annotations:The graphics files for this treatise are HERMUSE 01GF-HERMUSE 05GF. Cf. HERMUS MRSL1496,HERMUSB TEXT, HERMUSG TEXT, and HERMUSP TEXT.





119


Musica

Source of data:


Thomas J. MathiesenBradley Jon TuckerJohn Snyder


HERMUSGTEXT

9th-11th64K

File name: X

Annotations:The graphics files for this treatise are HERMUSG 01GF-HERMUSG 04GF. Cf. HERMUS MRSL1496,HERMUSB TEXT, HERMUSE TEXT, and HERMUSP TEXT.





Musica

Source of data:


Thomas J. MathiesenAndreas GigerAngela Mariani


HERMUSPTEXT

9th-11th64K

File name: X

Annotations:The graphics files for this treatise are HERMUSP 01GF-HERMUSP 04GF. Cf. HERMUS MRSL1496,HERMUSB TEXT, HERMUSE TEXT, and HERMUSG TEXT.





Versus ad discernendum cantum

Source of data:

Incipit: Versus atque notas Herimannus protulit istas,



HERVERTEXT

9th-11th4K

File name: X

Annotations:The versus is preceded by an "Explicatio litterarum et signorum, quae in sequentibus versibus ocurrunt,"beginning "E (e) voces unisonas ...." The graphics files for this treatise are HERVER 01GF-HERVER 06GF.





Versus ad discernendum cantum

Source of data:

Incipit: Versus atque notas Herimannus protulit istas,



HERVERPTEXT

9th-11th5K

File name: X

Annotations:The versus is preceded by an "Explicatio litterarum et signorum quoe in sequentibus occurrunt," beginning "E.,(e) voces unisonas ...." The graphics files for this treatise are HERVERP 01GF-HERVERP 02GF.





De arte canendi, ac vero signorum in cantibus usu, liber primus

Source of data:

Incipit: Usu comperimus, longe alium institutionis modum requiri, si quis pueros adhuc


De arte canendi, ac vero signorum incantibus usu, libri duo, autore SebaldoHeyden (Norimbergae apud Ioh.Petreium, 1540).

HEYDAC1TEXT

16th71K

File name: X

Annotations:The incipit is preceded by a dedicatory letter beginning: "Quod ueteri prouerbio posteriores cogitationesplaerunque prudentiores esse dicuntur, uir ornatis ...." The graphics files for this treatise are HEYDAC101GF-HEYDAC1 28GF.

Heyden, SebaldusAuthor:Treatise:




120


De arte canendi, ac vero signorum in cantibus usu, liber secundus

Source of data:

Incipit: Hactenus idem fere facere studui, quod probat pictores erga discipulos suos solent


De arte canendi, ac vero signorum incantibus usu, libri duo, autore SebaldoHeyden (Norimbergae apud Ioh.Petreium, 1540).

HEYDAC2TEXT

16th67K

File name: X

Annotations:The graphics files for this treatise are HEYDAC2 01GF-HEYDAC2 82GF. See also HEYDAC1.

Heyden, SebaldusAuthor:Treatise:




Epistola ad Dardanum

Source of data:

Incipit: Cogor a te ut tibi dardane de aliis generibus musicorum sicut res docet

Thomas J. MathiesenBeth GarfinkelChristian Meyer

Reinhold Hammerstein, "InstrumentaHieronymi," Archiv fürMusikwissenschaft 16 (1959): 120-22,124-25, 127, 129-31. Used by permission.

HIERINSTTEXT

9th-11th8K

File name: X

Annotations:

Hieronymus [Ps.]Author:Treatise:




[De arte contrapuncti]

Source of data:

Incipit: In primo dico quod contrapunctum requirit habere quatuor res


Johannes Hothby, De arte contrapuncti,ed. Gilbert Reaney, Corpus scriptorum demusica, vol. 26 (n.p.: American Instituteof Musicology, 1977), 43-44. Used bypermission.

HOTDACTEXT

15th4K

File name: X

Annotations:

Hothby, JohannesAuthor:Treatise:




De cantu figurato

Source of data:

Incipit: Octo sunt figure mensurabilis cantus, videlicet maxima, longa, brevis, semibrevis



HOTDECTEXT

15th7K

File name: X

Annotations:The graphics file for this treatise is HOTDEC 01GF.





De cantu figurato secundum eundem fratrem Johannem Hothbi Carmelitam

Source of data:

Incipit: Octo sunt figure mensurabilis cantus, videlicet maxima, longa, brevis, semibrevis


Johannes Hothby, Opera omnia de musicamensurabili; Thomas Walsingham,Regulae de musica mensurabili, ed.Gilbert Reaney, Corpus scriptorum demusica, vol. 31 (Neuhausen-Stuttgart:Hänssler Verlag for the AmericanInstitute of Musicology, 1983), 27-31.Used by permission.

HOTDCF1TEXT

15th7K

File name: X

Annotations:Based on Faenza, Biblioteca comunale, 117. The graphics file for this treatise is HOTDCF1 01GF.





121


De proportionibus

Source of data:

Incipit: Proportio est habitudo vel respectus duorum sibi invicem comparatorum



HOTDEPTEXT

15th12K

File name: X

Annotations:Based on Florence, Biblioteca Medicea-Laurenziana, 29.48 (=RISM BIII/2:36-43). The graphics file for thistreatise is HOTDEP 01GF.





Dialogus in arte musica

Source of data:

Incipit: Nos te nostrum carmen facile intellexisse fatemur cum picturae


Johannis Octobi Tres tractatuli contraBartholomeum Ramum, ed. Albert Seay,Corpus scriptorum de musica, vol. 10([Rome]: American Institute ofMusicology, 1964), 61-76. Used bypermission.

HOTDIATEXT

15th22K

File name: X

Annotations:





Excitatio quaedam musicae artis per refutationem

Source of data:

Incipit: In manus meas incidit liber quidam tuus quem de arte musica conscriptsisti


Johannis Octobi Tres tractatuli contraBartholomeum Ramum, ed. Albert Seay,Corpus scriptorum de musica, vol. 10([Rome]: American Institute ofMusicology, 1964), 17-57. Used bypermission.

HOTEXCTEXT

15th67K

File name: X

Annotations:The graphics file for this treatise is HOTEXC 01GF.





Regulae cantus mensurati secundum Johannem Otteby

Source of data:

Incipit: Figurae enim cantus choralis sunt 8, sed proprie 5 dumtaxat



HOTRCM2TEXT

15th11K

File name: X

Annotations:Based on London, British Library, Additional 10336; and London, Lambeth Palace, 466. The graphics files forthis treatise are HOTRCM2 01GF-HOTRCM2 03GF.





122


Regulae contrapuncti

Source of data:

Incipit: Nota quod contrapunctus semper debet incipi et finiri per consonantias



HOTRCTEXT

15th8K

File name: X

Annotations:The graphics files for this treatise are HOTRC 01GF-HOTRC 04GF.





Regulae Magistri Johannis Hoctobi anglici cantus figurati

Source of data:

Incipit: Figurae cantus figurati sunt octo, videlicet maxima, longa, brevis, semibrevis



HOTDCF2TEXT

15th7K

File name: X

Annotations:Based on Venice, Biblioteca Marciana, lat. VIII/82 (coll. 3047) (=RISM BIII/2:128 and BIII/VI:621-22). Thegraphics file for this treatise is HOTDCF2 01GF.





Regulae super proportionem

Source of data:

Incipit: Omnis numerus habet tot partes quot sub se sunt unitates



HOTREGPTEXT

15th6K

File name: X

Annotations:Cf. HOTRSP TEXT.





Regulae super proportiones

Source of data:

Incipit: Omnis numerus habet tot partes quot sub se sunt unitates



HOTRSPTEXT

15th9K

File name: X

Annotations:Cf. HOTREGP TEXT.





123


Regulae supra contrapunctum

Source of data:

Incipit: Quamvis species sive consonantie discantus infinite sint



HOTREGCTEXT

15th6K

File name: X

Annotations:Cf. HOTRSC TEXT.





Regulae supra contrapunctum

Source of data:

Incipit: Quamvis species sive consonantiae discantus infinitae sint



HOTRSCTEXT

15th5K

File name: X

Annotations:Cf. HOTREGC TEXT.





Sequuntur regulae cantus mensurati eiusdem Ottobi

Source of data:

Incipit: Octo sunt partes prolationis sive figurae cantus simpliciter mensurabilis sive cantus



HOTRCM1TEXT

15th8K

File name: X

Annotations:Based on Florence, Biblioteca Medicea-Laurenziana, 29.48 (=RISM BIII/2:36-43). The graphics file for thistreatise is HOTRCM1 01GF.





De harmonica institutione

Source of data:

Incipit: Ad musicae initiamenta quemlibet ingredientem, qui aliquam scilicet interim



HUCHARTEXT

9th-11th52K

File name: X

Annotations:The graphics files for this treatise are HUCHAR 01GF-HUCHAR 07GF. Cf. ALIMU TEXT, ALIMUS TEXT,and HUCHARM TEXT.

HucbaldAuthor:Treatise:





Source of data:

Incipit: Ad musicae initiamenta quemlibet ingredientem, qui aliquam scilicet interim



HUCHARMTEXT

9th-11th52K

File name: X

Annotations:The graphics files for this treatise are HUCHARM 01GF-HUCHARM 05GF. Cf. ALIMU TEXT, ALIMUSTEXT, and HUCHAR TEXT.





124


De organo

Source of data:

Incipit: Dictis autem, prout potuimus, his quibus ostendendum erat, qualiter unusquisque



HUCORGTEXT

9th-11th11K

File name: X

Annotations:This text is no longer generally attributed to Hucbald. The graphics files for this treatise are HUCORG01GF-HUCORG 02GF. Cf. ANOINCOR TEXT.





Novus cyclus harmonicus

Source of data:

Incipit: NOvam tibi mitto de Musica observationem. Spectat haec prima Scientiae


Opera varia, vol. 2 (Lugduni Batavorum:J. van der Aa, 1724), 747-54; reprint asChristiaan Huygens, Le Cycleharmonique (Rotterdam 1691) Novuscyclus harmonicus (Leiden 1724) withDutch and English translations ed. RudolfRasch, Tuning and Temperament Library,vol. 6 (Utrecht: Diapason Press, 1986),143-52.

HUYNOVTEXT

17th16K

File name: X

Annotations:The graphics file for this treatise is HUYNOV 01GF.

Huygens, ChristiaanAuthor:Treatise:




Tractatus de musica

Source of data:

Incipit: Quoniam, ut dicit Boetius in prohemio super musicam



IERTRA1TEXT

13th286K

File name: X

Annotations:The graphics files for this treatise are IERTRA1 01GF-IERTRA 12GF. Tractatus de musica continues inIERTRA2. Cf. IERTDM1 TEXT and IERTDM2 TEXT.

Ieronimus de MoraviaAuthor:Treatise:




Tractatus de musica

Source of data:

Incipit: Quoniam autem sic cantus, ut jam diximus, firmus sive planus, precipue ecclesiasticus


Scriptorum de musica medii aevi novaseries a Gerbertina altera, 4 vols., ed.Edmond de Coussemaker (Paris: Durand,1864-76; reprint ed., Hildesheim: Olms,1963), 1:89-94 and 139-54.

IERTRA2TEXT

13th64K

File name: X

Annotations:The incipit is preceded by the heading "Caput XXV: De modo faciendi novos ecclesiaticos et omnes alios firmossive planos cantus." The second section of this file, beginning on p. 139, resumes with "CAPUT XXVII. Dequibusdam grecorum vocabulorum litterarumque ...." The graphics files for this treatise are IERTRA201GF-IERTRA2 02GF. This section of the Tractatus de musica is preceded by IERTRA1. Cf. IERTDM1 TEXTand IERTDM2 TEXT.





Tractatus de musica

Source of data:

Incipit: Quoniam, ut dicit Boetius in prohemio super musicam, sicut in visu non sufficit



IERTDM1TEXT

13th294K

File name: X

Annotations:The edition is based on Paris, Bibliothèque Nationale, lat. 16663. The text continues in IERTDM2. The graphicsfiles for this treatise are IERTDM1 01GF-IERTDM1 14GF. Cf. IERTRA1 TEXT and IERTRA2 TEXT.





125


Tractatus de musica

Source of data:

Incipit: Quoniam, ut dicit Boetius in prohemio super musicam, sicut in visu non sufficit


Hieronymus de Moravia, Tractatus demusica, ed. S. M. Cserba, FreiburgerStudien zur Musikwissenschaft, vol. 2(Regensburg: Pustet, 1935), 179-89,263-91.

IERTDM2TEXT

13th66K

File name: X

Annotations:Continued from IERTDM1. The edition is based on Paris, Bibliothèque Nationale, lat. 16663. The graphics filefor this treatise is IERTDM2 01GF. Cf. IERTRA1 TEXT and IERTRA2 TEXT.





De musica

Source of data:

Incipit: Musica est peritia modulationis sono cantuque consistens; et dicta musica



ISIDEMTEXT

6th-8th14K

File name: X

Annotations:Cf. ISISEN TEXT, ISIDEMU TEXT, and ISISENT MBAVB307.

Isidorus HispalensisAuthor:Treatise:




De musica

Source of data:

Incipit: Musica est peritia modulationis sono cantuque consistens. Et dicta musica


Isidori Hispalensis episcopiEtymologiarum sive originum libri XX, 2vols., ed. W. M. Lindsay (Oxford:Clarendon, 1911), 1:ff. K6r-L2r.

ISIDEMUTEXT

6th-8th13K

File name: X

Annotations:Cf. ISISEN TEXT, ISIDEM TEXT, and ISISENT MBAVB307.





Institutionum disciplinae

Source of data:

Incipit: Bonorum natalium indolem non tam dignitate generis magis quam moribus animi


Paul Pascal, "The 'Institutionumdisciplinae' of Isidore of Seville," Traditio13 (1957): 426-27.

ISINSTTEXT

6th-8th33K

File name: X

Annotations:Based on Paris, Bibliothèque nationale, lat. 2994; and Munich, Bayerische Staatsbibliothek, Clm 6384.





Sententiae de musica

Source of data:

Incipit: Musica est peritia modulationis sono cantuque consistens. Et inde dicta musa


Rome, Biblioteca Apostolica Vaticana,Barberini lat. 307, ff. 27r-29r.

ISISENTMBAVB307

6th-8th15K

File name: X

Annotations:=RISM BIII/2:102-4. The treatise concludes with two chapters ("De octo tonis" and "De autentico protho") nototherwise known as part of Isidore's Sententiae. The last part of the first of these chapters (beginning"prothomartir Abel") and all of the second are very close to Aurelian. Cf. ISIDEM TEXT, ISIDEMU TEXT, andISISEN TEXT.





126


Sententiae de musica

Source of data:

Incipit: Musica est peritia modulationis sono cantuque consistens, et dicta Musica



ISISENTEXT

6th-8th16K

File name: X

Annotations:Cf. ISIDEM TEXT, ISIDEMU TEXT, and ISISENT MBAVB307.





Compendium de musica

Source of data:

Incipit: Dispendiosa sub compendio tradere, facile quoniam non est, manifestum est.


Jacobi Leodiensis Tractatus deconsonantiis musicalibus, Tractatus deintonatione tonorum, Compendium demusica, ed. Joseph Smits vanWaesberghe, Eddie Vetter, and ErikVisser, Divitiae musicae artis, A/IXa(Buren: Knuf, 1988), 88-122. Used bykind permission of the Laaber-Verlag.

JACCDMTEXT

14th49K

File name: X

Annotations:Based on Brussels, Bibliothèque Royale Albert Ier, 10162/66, ff. 48r-54v. The graphics files for this treatise areJACCDM 01GF-JACCDM 03GF.

Jacobus LeodiensisAuthor:Treatise:




Speculum musicae, Liber primus

Source of data:

Incipit: Libro tertio de Philosophica Consolatione, Boethius, volens reddere causam


Jacobi Leodiensis Speculum musicae, ed.Roger Bragard, Corpus scriptorum demusica, vol. 3/1 ([Rome]: AmericanInstitute of Musicology, 1955), 3-142.Used by permission.

JACSP1ATEXT

14th258K

File name: X

Annotations:The graphics files for this treatise are JACSP1A 01GF-JACSP1A 04GF. Continues in JACSP1B. See alsoJACSP2A-C, JACSP3A-B, JACSP4, JACSP5A-B, JACSP6A-B, and JACSP7.






Source of data:

Incipit: Capitulum L. Unitatis ad binarium collatio et numeri imparis ad parem.



JACSP1BTEXT

14th153K

File name: X

Annotations:The graphics files for this treatise are JACSP1B 01GF-JACSP1B 13GF. This section of Book I is preceded byJACSP1A. See also JACSP2A-C, JACSP3A-B, JACSP4, JACSP5A-B, JACSP6A-B, and JACSP7.





Speculum musicae, Liber secundus

Source of data:

Incipit: Actus activorum in patiente sunt et disposito si quidem dispositio ad aliquam formam

Thomas J. MathiesenOliver B. Ellsworth & Bradley TuckerJohn Gray


JACSP2ATEXT

14th264K

File name: X

Annotations:This section of Book II is followed by JACSP2B-C. See also JACSP1A-B, JACSP3A-B, JACSP4, JACSP5A-B,JACSP6A-B, and JACSP7.





127



Source of data:

Incipit: Capitulum LIII. De commatis simplicitate. Comma consonantia simplex dici potest



JACSP2BTEXT

14th213K

File name: X

Annotations:This section of Book II is preceded by JACSP2A and followed by JACSP2C. See also JACSP1A-B,JACSP3A-B, JACSP4, JACSP5A-B, JACSP6A-B, and JACSP7.






Source of data:

Incipit: Capitulum C. Instantiae contra dicta et ad illas responsio. Forsitan instabitur



JACSP2CTEXT

14th155K

File name: X

Annotations:This section of Book II is preceded by JACSP2A-B. See also JACSP1A-B, JACSP3A-B, JACSP4, JACSP5A-B,JACSP6A-B, and JACSP7.





Speculum musicae, Liber tertius

Source of data:

Incipit: Cum, in superiore libro, de consonantiis quaedam narrata sint, quaedam probata sint



JACSP3ATEXT

14th155K

File name: X

Annotations:The graphics files for this treatise are JACSP3A 01GF-JACSP3A 19GF. This section of Book III is followed byJACSP3B. See also JACSP1A-B, JACSP2A-C, JACSP4, JACSP5A-B, JACSP6A-B, and JACSP7.





Speculum musicae, Liber tertius

Source of data:

Incipit: Capitulum XXVII. Quod ex numeris contra se primis numeri nascuntur contra se primi.



JACSP3BTEXT

14th146K

File name: X

Annotations:The graphics files for this treatise are JACSP3B 01GF-JACSP3B 05GF. This section of Book III is preceded byJACSP3A. See also JACSP1A-B, JACSP2A-C, JACSP4, JACSP5A-B, JACSP6A-B, and JACSP7.





Speculum musicae, Liber quartus

Source of data:

Incipit: Ordo poscit naturalis ut absoluta rei cognitio collativam antecedat.

Thomas J. MathiesenOliver B. Ellsworth & Peter SlemonJohn Gray


JACSP4TEXT

14th252K

File name: X

Annotations:The graphics files for this treatise are JACSP4 01GF-JACSP4 05GF. See also JACSP1A-B, JACSP2A-C,JACSP3A-B, JACSP5A-B, JACSP6A-B, and JACSP7.





128


Speculum musicae, Liber quintus

Source of data:

Incipit: Boethius, musicae doctor eximius, non ignorans quod scientia unius generis subiecti est,



JACSP5ATEXT

14th168K

File name: X

Annotations:The graphics files for this treatise are JACSP5A 01GF-JACSP5A 14GF. This section of Book V is followed byJACSP5B. See also JACSP1A-B, JACSP2A-C, JACSP3A-B, JACSP4, JACSP6A-B, and JACSP7.





Speculum musicae, Liber quintus

Source of data:

Incipit: Capitulum XXXI. Ratio superius positae descriptionis. Tria tetrachorda tali nobis ratione



JACSP5BTEXT

14th184K

File name: X

Annotations:The graphics files for this treatise are JACSP5B 01GF-JACSP5B 20GF. This section of Book V is preceded byJACSP5A. See also JACSP1A-B, JACSP2A-C, JACSP3A-B, JACSP4, JACSP6A-B, and JACSP7.





Speculum musicae, Liber sextus

Source of data:

Incipit: Unumquodque opus tanto laudabilius est necnon utilius, quanto per illud ad bonum aliquod

Oliver B. EllsworthPeter M. LeffertsStephen E. Hayes


JACSM6ATEXT

14th262K

File name: X

Annotations:This section of Book VI is followed by JACSM6B. Coussemaker attributed the text to Johannes de Muris. Thegraphics files for this treatise are JACSM6A 01GF-JACSM6A 26GF. Cf. JACSP6A-B TEXT.






Source of data:

Incipit: Unumquodque opus tanto laudabilius est necnon utilius, quanto per illud ad bonum aliquod



JACSP6ATEXT

14th277K

File name: X

Annotations:This section of Book VI is followed by JACSP6B. The graphics files for this treatise are JACSP6A01GF-JACSP6A 27GF. See also JACSP1A-B, JACSP2A-C, JACSP3A-B, JACSP4, JACSP5A-B, and JACSP7.Cf. JACSM6A-B TEXT.






Source of data:

Incipit: Capitulum LXI. [De litteris vel signis monocordi.] Dicunt musice doctores monocordi

Oliver B. EllsworthPeter M. LeffertsStephen E. Hayes


JACSM6BTEXT

14th236K

File name: X

Annotations:Continued from JACSM6A. The graphics files for this treatise are JACSM6B 001GF-JACSM6B 122GF. Cf.JACSP6A-B TEXT.





129



Source of data:

Incipit: <Capitulum LXI. De litteris vel signis monocordi.> Dicunt musice doctores monocordi



JACSP6BTEXT

14th246K

File name: X

Annotations:This section of Book VI is preceded by JACSP6A. The graphics files for this treatise are JACSP6B01GF-JACSP6B 56GF. See also JACSP1A-B, JACSP2A-C, JACSP3A-B, JACSP4, JACSP5A-B, and JACSP7.Cf. JACSM6A-B TEXT.





Speculum musicae, Liber septimus

Source of data:

Incipit: Simplicius in commento suo super Aristotelis pedicamenta in commendationem

Thomas J. MathiesenOliver B. Ellsworth & Bradley TuckerStephen E. Hayes


JACSM7TEXT

14th175K

File name: X

Annotations:Coussemaker attributed the text to Johannes de Muris. The incipit is preceded by a list of chapter headings. Thegraphics files for this treatise are JACSM7 01GF-JACSM7 04GF. Cf. JACSP7 TEXT.





Speculum musicae, Liber septimus

Source of data:

Incipit: Simplicius, in <commentario> suo super Aristotelis predicamenta, in commendationem



JACSP7TEXT

14th180K

File name: X

Annotations:The graphics files for this treatise are JACSP7 01GF-JACSP7 05GF. See also JACSP1A-B, JACSP2A-C,JACSP3A-B, JACSP4, JACSP5A-B, and JACSP6A-B. Cf. JACSM7 TEXT.





Tractatus de consonantiis musicalibus

Source of data:

Incipit: Tredecim consonantiae sunt quibus omnis ecclesiasticus cantus contexitur


Jacobi Leodiensis Tractatus deconsonantiis musicalibus, Tractatus deintonatione tonorum, Compendium demusica, ed. Joseph Smits vanWaesberghe, Eddie Vetter, and ErikVisser, Divitiae musicae artis, A/IXa(Buren: Knuf, 1988), 21-46. Used by kindpermission of the Laaber-Verlag.

JACDCMTEXT

14th16K

File name: X

Annotations:Based on Brussels, Bibliothèque Royale Albert Ier, 10162/66, ff. 13r-15v. The graphics files for this treatise areJACDCM 01GF-JACDCM 03GF.





130


Tractatus de intonatione tonorum

Source of data:

Incipit: Tonus prout antiphona vel alter cantus totus alicuius toni dicitur, est plurium


Jacobi Leodiensis Tractatus deconsonantiis musicalibus, Tractatus deintonatione tonorum, Compendium demusica, ed. Joseph Smits vanWaesberghe, Eddie Vetter, and ErikVisser, Divitiae musicae artis, A/IXa(Buren: Knuf, 1988), 47-87. Used by kindpermission of the Laaber-Verlag.

JACDITTEXT

14th39K

File name: X

Annotations:Based on Brussels, Bibliothèque Royale Albert Ier, 10162/66, ff. 15v-22v. The graphics files for this treatise areJACDIT 01GF-JACDIT 12GF.





De musica antica et moderna

Source of data:

Incipit: In nomine domini incipit Michrologus id, est brevis sermo de Musica.



JOAMUSTEXT

12th19K

File name: X

Annotations:The graphic file for this treatise is JOAMUS 01GF. Based on Monte Cassino, Arch. 318.

Joannes PresbyterAuthor:Treatise:




De musica cum tonario

Source of data:

Incipit: Domino et patri suo venerabili Angelorum antistiti Fulgentio


Johannes Affligemensis, De musica cumtonario, ed. J. Smits van Waesberghe,Corpus scriptorum de musica, vol. 1([Rome]: American Institute ofMusicology, 1950), 43-200. Used bypermission.

JOHDEMTEXT

9th-11th109K

File name: X

Annotations:The graphics files for this treatise are JOHDEM 01GF-JOHDEM 32GF. Cf. JOHMUS TEXT and JOHMUTEXT.

Johannes AffligemensisAuthor:Treatise:




Musica

Source of data:

Incipit: Domino et patri suo venerabili Angelorum antistiti Fulgentio



JOHMUSTEXT

9th-11th90K

File name: X

Annotations:The graphics files for this treatise are JOHMUS 01GF-JOHMUS 08GF. Cf. JOHDEM TEXT and JOHMUTEXT.





Musica

Source of data:

Incipit: Domino et Patri suo venerabili Anglorum antistiti Fulgentio

Thomas J. MathiesenPeter SlemonStephen E. Hayes


JOHMUTEXT

9th-11th91K

File name: X

Annotations:The graphics files for this treatise are JOHMU 01GF-JOHMU 08GF. Cf. JOHDEM TEXT and JOHMUSTEXT.





131


De mensurabili musica

Source of data:

Incipit: Habito de ipsa plana musica, quae immensurabilis dicitur


Erich Reimer, Johannes de Garlandia: Demensurabili musica, kritische Edition mitKommentar und Interpretation derNotationslehre, 2 vols., Beihefte zumArchiv für Musikwissenschaft, vols.10-11 (Wiesbaden: Steiner, 1972),1:35-89 and 91-97. Used by permission.

GARDMMTEXT

13th55K

File name: X

Annotations:The graphics files for this treatise are GARDMM 01GF-GARDMM 11GF. Cf. GARDEM TEXT, GARDEMPTEXT, GARDMMP TEXT, and GARDMP MPBN1666.

Johannes de GarlandiaAuthor:Treatise:





Source of data:

Incipit: Habito de ipsa plana musica que immensurabilis dicitur

Thomas J. MathiesenLuminita AluasJohn Snyder


GARDEMTEXT

13th18K

File name: X

Annotations:The graphics files for this treatise are GARDEM 01GF-GARDEM 02GF. Cf. GARDEMP TEXT, GARDMMTEXT, GARDMMP TEXT, and GARDMP MPBN1666.





De musica mensurabili positio

Source of data:

Incipit: Habito, inquit Johannes, de cognitione plane musice et omnium specierum soni

Thomas J. MathiesenJan HerlingerBradley Jon Tucker


GARDEMPTEXT

13th46K

File name: X

Annotations:The graphics files for this treatise are GARDEMP 01GF-GARDEMP 12GF. Cf. GARDEM TEXT, GARDMMTEXT, GARDMMP TEXT, and GARDMP MPBN1666.






Source of data:

Incipit: Habito, inquit Johannes, de cognitione planae musicae et omnium specierum soni



GARDMMPTEXT

13th46K

File name: X

Annotations:The graphics files for this treatise are GARDMMP 01GF-GARDMMP 17GF. Cf. GARDEM TEXT, GARDMMTEXT, GARDEMP TEXT, and GARDMP MPBN1666.





Optima introductio in contrapunctum pro rudibus

Source of data:

Incipit: Volentibus introduci in arte contrapunctus

Thomas J. MathiesenSandra PinegarC. Matthew Balensuela


GAROPTTEXT

13th6K

File name: X

Annotations:





132



Source of data:

Incipit: Habito inquit Iohannes de cognicione plane musice et omnium specierum soni



GARDMPMPBN1666

13th50K

File name: X

Annotations:=RISM BIII/1:124. The incipit is preceded by the introductory text: "Qua quia quedam naciones utunturcommuniter uulgarem esse diximus. Sed qui defectuosa est ideo posicionem que Iohannis de Garlandia est:Subuetimus habito ...." The graphics files for this treatise are GARDMP 01GF-GARDMP 11GF. Cf. GARDEMTEXT, GARDEMP TEXT, GARDMMP TEXT, and GARDMM TEXT.





De musica

Source of data:

Incipit: Quoniam quidam iuvenum, amici mei, me cum affectu rogaverunt, quatenus eis aliquid

Thomas J. MathiesenPeter Slemon & Angela MarianiSergei Lebedev

Ernst Rohloff, Der Musiktraktat desJohannes de Grocheo nach den Quellenneu herausgegeben mit Übersetzung insDeutsche und Revisionsbericht, Medialatinitas musica, vol. 2 (Leipzig:Gebrüder Reinecke, 1943), 41-67.

GRODEMTEXT

14th76K

File name: X

Annotations:Cf. GROTHE TEXT.

Johannes de GrocheoAuthor:Treatise:




Theoria

Source of data:

Incipit: Quoniam quidam iuvenum, amici mei, me cum affectu rogaverint, quatenus eis aliquid

Thomas J. MathiesenAlbert C. Rotola, S.J.Bradley Jon Tucker

Johannes Wolf, "Die Musiklehre desJohannes de Grocheo," Sammelbände derInternationalen Musikgesellschaft 1(1899-1900): 69-120.

GROTHETEXT

14th62K

File name: X

Annotations:Cf. GRODEM TEXT.

Johannes de GrocheoAuthor:Treatise:




Ars contrapuncti

Source of data:

Incipit: Quilibet affectans scire contrapunctum ea scribat diligenter



MURARSCTEXT

14th12K

File name: X

Annotations:The graphics files for this treatise are MURARSC 01GF-MURARSC 05GF. Although the treatise is "secundumJohannem de Muris," de Muris is no longer generally considered to be the author.

Johannes de MurisAuthor:Treatise:




Ars discantus

Source of data:

Incipit: Ad sciendum artem discantus, primo est sciendum



MURARSDTEXT

14th110K

File name: X

Annotations:The graphics files for this treatises are MURARSD 01GF-MURARSD 21GF. Although the treatise is"secundum Johannem de Muris," de Muris is no longer generally considered to be the author.





133


Ars discantus data a Magistro Iohanne de Muris abbreviando

Source of data:

Incipit: Princeps philosophorum Aristoteles ait in prooemio metaphysicae suae:



MURADTEXT

14th7K

File name: X

Annotations:The graphics file for this treatise is MURAD 01GF.





Ars practica mensurabilis cantus secundum Iohannem de Muris (Recensio A)

Source of data:

Incipit: Quilibet in arte practica mensurabilis cantus erudiri

Thomas J. MathiesenTravis YeagerPeter Slemon

Christian Berktold, ed., Ars practicamensurabilis cantus secundum Iohannemde Muris: Die Recensio maior dessogenannten "Libellus practice cantusmensurabilis," Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 14(München: Bayerische Akademie derWissenschaften; C. H. Beck, 1999), 3-79.Used by permission.

MURARSPATEXT

14th33K

File name: X

Annotations:Cf. MURARSPB TEXT, MURLIB TEXT, MURLIBF MFAB1119, MURLIBM MMBAI20I, MURLIBM1MMBAH165, and MURLIBV MVBM8-85. The graphics files for this treatise are MURARSPA01GF-MURARSPA 02GF.





Ars practica mensurabilis cantus secundum Iohannem de Muris (Recensio B)

Source of data:


Thomas J. MathiesenKristie WithersPeter Slemon

Christian Berktold, ed., Ars practicamensurabilis cantus secundum Iohannemde Muris: Die Recensio maior dessogenannten "Libellus practice cantusmensurabilis," Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 14(München: Bayerische Akademie derWissenschaften; C. H. Beck, 1999),97-121. Used by permission.

MURARSPBTEXT

14th33K

File name: X

Annotations:Cf. MURARSPA TEXT, MURLIBF MFAB1119, MURLIBM MMBAI20I, MURLIBM1 MMBAH165,MURLIBV MVBM8-85, and MURLIB TEXT. The graphics files for this treatise are MURARSPB01GF-MURARSPB 02GF.





Compendium musicae practicae

Source of data:

Incipit: Partes prolationis quot sunt? Quinque. Quae? Maxima, longa, brevis, semibrevis



MURCOMTEXT

14th12K

File name: X

Annotations:The graphics file for this treatise is MURCOM 01GF. Cf. MURCOMP MBAVR114.





134


Compendium musicae practicae

Source of data:

Incipit: <P>artes prolacionis quot sunt. quinque. que. Maxima longa. brevis. semibrevis



MURCOMPMBAVR114

14th33K

File name: X

Annotations:=RISM BIII/3:112-16; BIII/6:582-83. The graphics file for this treatise is MURCOMP 01GF. Cf. MURCOMTEXT.





De numeris, qui musicas retinent consonantias, secundum Ptolomaeum de Parisius

Source of data:

Incipit: Et quia superius, cum de inventione musicae loqueremur



MURDENTEXT

14th6K

File name: X

Annotations:Although the treatise is included among the treatises ascribed to Johannes de Muris by Gerbert, de Muris is nolonger generally considered to be the author.





De practica musica, seu de mensurabili

Source of data:

Incipit: Quoniam in antepositis sermonibus theoricam musicae leniter tetigimus et in brevi



MURPRATEXT

14th27K

File name: X

Annotations:The graphics file for this treatise is MURPRA 01GF. See also MURDEP.





De tonis

Source of data:

Incipit: Sequuntur numeri proportionales secundum Macrobium, qui quidem numeri



MURTONTEXT

14th11K

File name: X

Annotations:Continues MURQUAE.





Libellus cantus mensurabilis

Source of data:

Incipit: Quilibet in arte pratica mensurabilis cantus erudiri

Thomas J. MathiesenMichael W. LundellDaniel Katz

Florence, BibliotecaMedicea-Laurenziana, Ashburnham 1119,ff. 57r-63v.

MURLIBFMFAB1119

14th24K

File name: X

Annotations:=RISM BIII/2:47-49 and BIII/6:481. Cf. MURARSPB TEXT, MURLIB TEXT, MURLIBM MMBAI20I,MURLIBM1 MMBAH165, MURLIBR MBAVR114, and MURLIBV MVBM8-85.





135



Source of data:

Incipit: Quilibet in arte pratica mesurabilis cantus erudiri



MURLIBMMMBAI20I

14th33K

File name: X

Annotations:=RISM BIII/2:57-58 and BIII/6:517. The incipit is preceded by: "Adsit principio virgo Maria meo." Space hasbeen provided for various figures and musical examples, all but the first few of which have been omitted. Cf.MURARSPB TEXT, MURLIB TEXT, MURLIBF MFAB1119, MURLIBM1 MMBAH165, MURLIBRMBAVR114, and MURLIBV MVBM8-85.






Source of data:

Incipit: Quilibet in arte pratica mesurabilis cantus erudiri


Milan, Biblioteca Ambrosiana, H.165.inf,ff. 18v-22v.

MURLIBM1MMBAH165

14th33K

File name: X

Annotations:=RISM BIII/2:56 and BIII/6:515-16 (Gaffurio's autograph). Cf. MURARSPB TEXT, MURLIB TEXT,MURLIBF MFAB1119, MURLIBM MMBAI20I, MURLIBR MBAVR114, and MURLIBV MVBM8-85.






Source of data:

Incipit: <Q>uilibet in arte pratica mesurabilis cantus erudiri



MURLIBRMBAVR114

14th33K

File name: X

Annotations:=RISM BIII/3:112-16; BIII/6:582-83. The graphics files for this treatise are MURLIBR 01GF-MURLIBR08GF. Cf. MURARSPB TEXT, MURLIB TEXT, MURLIBF MFAB1119, MURLIBM MMBAI20I,MURLIBM1 MMBAH165, and MURLIBV MVBM8-85.






Source of data:

Incipit: Quilibet in arte pratica mensurabilis cantus erudiri

Thomas J. MathiesenMichael W. LundellDaniel Katz

Venice, Biblioteca Nazionale Marciana,lat. app. cl. VIII/85 (coll. 3579), ff.11r-23v.

MURLIBVMVBM8-85

14th28K

File name: X

Annotations:=RISM BIII/2:128-29. The manuscript is dated 1464. The graphics file for this treatise is MURLIBV 01GF. Cf.MURARSPB TEXT, MURLIB TEXT, MURLIBF MFAB119, MURLIBM MMBAI20I, MURLIBM1MMBAH165, and MURLIBR MBAVR114.






Source of data:




MURLIBTEXT

14th24K

File name: X

Annotations:The graphics file for this treatise is MURLIB 01GF. Cf. MURARSPB TEXT, MURLIBF MFAB1119,MURLIBM MMBAI20I, MURLIBM1 MMBAH165, and MURLIBV MVBM8-85.





136


Libellus cantus mensurabilis [fragmentum]

Source of data:

Incipit: Mvsica est arcium domina. continens omnium methedorum principia


Rome, Biblioteca Apostolica Vaticana,Barberini lat. 307, f. 31v.

MURLCMMBAVB307

14th6K

File name: X






Musica Johannis de Muris abbreviata

Source of data:

Incipit: Hic Pitagoras antiquus princeps numerorum et proporcionum magister


Johannis de Muris Musica <speculativa>,ed. Susan Fast, Musicological Studies,vol. 61 (Ottawa: The Institute ofMediaeval Music, 1994), 335-44. Usedby permission.

MURMUSABTEXT

14th18K

File name: X

Annotations:The incipit is preceded by the heading: "Pitagoras artem nobis tradidisse sonorum." Cf. MURMUSI TEXT,MURMGAF TEXT, and MURMNOR TEXT.





Musica speculativa

Source of data:

Incipit: Hic Pythagoras antiquus princeps numerorum et proportionum magister


Christoph Falkenroth, Die Musicaspeculativa des Johannes de Muris,Beihefte zum Archiv fürMusikwissenschaft, vol. 34 (Stuttgart:Steiner, 1992), 292-301. Used bypermission.

MURISW3TEXT

14th21K

File name: X

Annotations:This is the short version of the treatise derived from Vienna, Österreichische Nationalbibliothek, cod. 503 (olimPhilos. 387). The graphics file for this treatise is MURISW3 01GF. Cf. MURMSP TEXT, MURMSPE TEXT,MURMSPEW TEXT, MURISAPP TEXT, MURMUSI TEXT, MURMSPEB MBBR1457, MURMUSMMMBAH165, and MURMSPEC MVBM8-24.





Musica speculativa

Source of data:

Incipit: Etsi bestialium voluptatum, per quas gustus et tactus irrefrenatus impetibus

Thomas J. MathiesenKatherine ClarkAndreas Giger

Christoph Falkenroth, Die Musicaspeculativa des Johannes de Muris,Beihefte zum Archiv fürMusikwissenschaft, vol. 34 (Stuttgart:Steiner, 1992), 70-284 (even only). Usedby permission.

MURMSPTEXT

14th57K

File name: X

Annotations:This is version A in Falkenroth's edition (based on Prague, Národní Knihovna Ceské Republiky, V.F.6 [928], ff.28r-58r [=RISM BIII/5:10-13]). The graphics files for this treatise are MURMSP 01GF-MURMSP 09GF. Cf.MURISW3 TEXT, MURMSPE TEXT, MURMSPEW TEXT, MURISAPP TEXT, MURMUSI TEXT,MURMSPEB MBBR1457, MURMUSM MMBAH165, and MURMSPEC MVBM8-24.





Musica speculativa

Source of data:

Incipit: Quoniam musica est de sono relato ad numeros aut econtra, necessarium est musicam

Thomas J. MathiesenKatherine ClarkAndreas Giger

Christoph Falkenroth, Die Musicaspeculativa des Johannes de Muris,Beihefte zum Archiv fürMusikwissenschaft, vol. 34 (Stuttgart:Steiner, 1992), 77-289 (odd only). Usedby permission.

MURMSPETEXT

14th51K

File name: X

Annotations:This is version B in Falkenroth's edition. The graphics files for this treatise are MURMSPE 01GF-MURMSPE10GF. Cf. MURISW3 TEXT, MURMSP TEXT, MURMSPEW TEXT, MURISAPP TEXT, MURMUSI TEXT,MURMSPEB MBBR1457, MURMUSM MMBAH165, and MURMSPEC MVBM8-24.





137


Musica speculativa

Source of data:

Incipit: Etsi bestialium voluptatum, per quas gustus et tactus suis irrefrenatis impetibus

Thomas J. MathiesenAnastasia ArapovaPeter M. Lefferts

Elzbieta Witkowska-Zaremba, MusicaMuris i nurt spekulatywny wmuszykografii sredniowiecznej--MusicaMuris and Speculative Trend in theMedieval Musicography, Polish Academyof Sciences: Institute for the History ofScience, Education and Technology,Studia Copernicana, vol. 32 (Warsaw:Polska Akademia Nauk, 1992), 171-204.Used by permission.

MURMSPEWTEXT

14th54K

File name: X

Annotations:The graphics files for this treatise are MURMSPEW 01GF-MURMSPEW 09GF. Cf. MURISW3 TEXT,MURMSP TEXT, MURMSPE TEXT, MURISAPP TEXT, MURMUSI TEXT, MURMSPEB MBBR1457,MURMUSM MMBAH165, and MURMSPEC MVBM8-24.





Musica speculativa

Source of data:

Incipit: Item aliter hoc probatur per medium proportionale. Nam natura numerorum talis est


Christoph Falkenroth, Die Musicaspeculativa des Johannes de Muris,Beihefte zum Archiv fürMusikwissenschaft, vol. 34 (Stuttgart:Steiner, 1992), 290-91. Used bypermission.

MURISAPPTEXT

14th6k

File name: X

Annotations:This is a short passage inserted in several manuscripts prior to Theorema 12. The graphics file for this treatise isMURISAPP 01GF. Cf. MURISW3 TEXT, MURMSP TEXT, MURMSPE TEXT, MURMSPEW TEXT,MURMUSI TEXT, MURMSPEB MBBR1457, MURMUSM MMBAH165, and MURMSPEC MVBM8-24.





Musica speculativa

Source of data:

Incipit: Et si bestialium voluptatum, per quas gustus et tactus irrefrenatus impetibus


Johannis de Muris Musica <speculativa>,ed. Susan Fast, Musicological Studies,vol. 61 (Ottawa: The Institute ofMediaeval Music, 1994), 2-330 (evenonly). Used by permission.

MURMUSITEXT

14th66K

File name: X

Annotations:The graphics for this treatise are MURMUSI 01GF-MURMUSI 12GF. Cf. MURISW3 TEXT, MURMSPTEXT, MURMSPE TEXT, MURMSPEW TEXT, MURISAPP TEXT, MURMSPEB MBBR1457, MURMUSMMMBAH165, and MURMSPEC MVBM8-24.





Musica speculativa

Source of data:

Incipit: EEt si bestialium voluptatum per quas gustus et tactus suis irrefrenatis inpetibus


Brussels, Bibliothèque Royale Albert Ier,14579/85, ff. 48r-54r.

MURMSPEBMBBR1457

14th65K

File name: X

Annotations:=RISM BIII/1:62 and BIII/6:119. The graphics file for this treatise is MURMSPEB 01GF. Cf. MURISW3TEXT, MURMSP TEXT, MURMSPE TEXT, MURMSPEW TEXT, MURISAPP TEXT, MURMUSI TEXT,MURMUSM MMBAH165, and MURMSPEC MVBM8-24.





Musica speculativa

Source of data:

Incipit: Princeps philosoforum Aristotiles ait in prohemio suo Methaphisicae omnino scientis


Milan, Biblioteca Ambrosiana,H.165.inf., ff. 1r-16r.

MURMUSMMMBAH165

14th65K

File name: X

Annotations:=RISM BIII/2:56 and BIII/6:515-16 (Gaffurio's autograph). This text is a conflation of the beginning of theNotitia artis musicae (MURNOT TEXT) and the Musica speculativa. The graphics files for this treatise areMURMUSM 01GF-MURMUSM 10GF. Cf. MURISW3 TEXT, MURMSP TEXT, MURMSPE TEXT,MURMSPEW TEXT, MURISAPP TEXT, MURMUSI TEXT, MURMSPEB MBBR1457, and MURMSPECMVBM8-24. See also MURMGAFG MMBAH165 and MURMGAF TEXT.





138


Musica speculativa

Source of data:

Incipit: Omnem doctrinam et omnem disciplinam ex preexistenti cognicione fieri


Venice, Biblioteca Nazionale Marciana,lat. app. cl. VIII/24 (coll. 3434), ff.90r-108r.

MURMSPECMVBM8-24

14th65K

File name: X

Annotations:=RISM BIII/2:127 and BIII/6:615-16. The graphics files for this treatise are MURMSPEC 01GF-MURMSPEC13GF. Cf. MURISW3 TEXT, MURMSP TEXT, MURMSPE TEXT, MURMSPEW TEXT, MURISAPP TEXT,MURMUSI TEXT, MURMSPEB MBBR1457, and MURMUSM MMBAH165.





Notitia artis musicae

Source of data:

Incipit: Princeps philosophorum Aristoteles ait in prooemio Metaphysicae suae: Omnino scientis



MURNOTTEXT

14th40K

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Annotations:The graphics files for this treatise are MURNOT 01GF-MURNOT 03GF.





Quaestiones super partes musicae

Source of data:

Incipit: Partes prolationis quot sunt? Quinque. Quae? maxima, longa, brevis, semibrevis



MURQUAETEXT

14th18K

File name: X

Annotations:The graphics file for this treatise is MURQUAE 01GF. Continues in MURTON.






Source of data:

Incipit: Libro tercio de phylosophica consolatione boethius uolens reddere causam


Walter Grossmann, Die einleitendenKapitel des Speculum Musicae vonJohannes de Muris: Ein Beitrag zurMusikanschauung des Mittelalters(Leipzig: Breitkopf und Härtel, 1924;reprint ed., Nendeln/Liechtenstein: Kraus,1976), 53-93.

MURSPETEXT

14th107K

File name: X

Annotations:Although attributed here to Johannes de Muris, the text is that of the treatise now attributed to JacobusLeodiensis. Cf. JACSP1A TEXT.





Summa

Source of data:

Incipit: Amicorum iusta et honesta petitio coactio reputatur, hac itaque me stimulante



MURSUMTEXT

14th144K

File name: X

Annotations:The treatise is no longer generally attributed to Johannes de Muris. Cf. PEPESUM TEXT.





139


Tractatus de musica

Source of data:

Incipit: Experimento multiplici colligi potest, quod musica promoveat affectiones animae



MURMUSTEXT

14th74K

File name: X

Annotations:The graphics files for this treatise are MURMUS 01GF-MURMUS 12GF. Cf. MURMUSI TEXT.





Tractatus de proportionibus

Source of data:

Incipit: Proportionum adipisci musicalium a venerandae memoriae magistro Iohanne de Muris

Charles M. AtkinsonBradley Jon TuckerSergei Lebedev


MURDEPTEXT

14th13K

File name: X

Annotations:The graphics files for this treatise are MURDEP 01GF-MURDEP 02GF. "Secundus Liber" in MURPRA.





Palma choralis

Source of data:

Incipit: Musica est enim scientia regularem docens noticiam ad canendi perfectionem.



JOHPALMMMBAI20I

15th130K

File name: X

Annotations:=RISM BIII/2:57-58 and BIII/6:517. The incipit is preceded by a didactic poem beginning: "Ingenio facilispateant ut lumina cantus" and a prologue beginning: "Fundamentalem cantus choralis pro adolescentumclericorum profectu." The graphics files for this treatise are JOHPALM 01GF-JOHPALM 29GF. Cf. JOHPALTEXT.

Johannes de OlomonsAuthor:Treatise:




Palma choralis

Source of data:

Incipit: Musica est enim scientia regularem docens notitiam ad canendi perfectionem


Johannes de Olomons, Palma choralis, ed.Albert Seay, Critical Texts, no. 6(Colorado Springs: Colorado CollegeMusic Press, 1977). Used by permission.

JOHPALTEXT

15th100K

File name: X

Annotations:The graphics files for this treatise are JOHPAL 01GF-JOHPAL 26GF. Cf. JOHPALM MMBAI20I.

Johannes de OlomonsAuthor:Treatise:




[Abreviatio Magistri Franconis]

Source of data:

Incipit: Gaudent breuitate moderni. Quandocumque punccus quadratus

Andreas GigerKatherine Clark & Andreas GigerOliver B. Ellsworth

Paris, Bibliothèque nationale, lat. 15128,ff. 122v-124r.

BALABREVMPBN1512

13th12K

File name: X

Annotations:=RISM BIII/1:120-21 and BIII/6:223. The graphics file for this treatise is BALABREV 01GF. Cf. ANOCBAMBAV5320, ANOCMM TEXT, ANOCOM TEXT, ANOCOMM TEXT, ANOMPM MBER267, ANOTDDTEXT, ANO2TRA TEXT, ANO3DEC TEXT, BALABM TEXT, and BALABR TEXT.

Johannes dictus BalloxAuthor:Treatise:




140


Abreviatio Magistri Franconis

Source of data:

Incipit: Gaudent brevitate moderni. Quandocunque punctus quadratus



BALABMTEXT

13th9K

File name: X

Annotations:Based on Paris, Bibliothèque Nationale, lat. 15128 (=RISM BIII/1:120-21). The graphics file for this treatise isBALABM 01GF. Cf. ANOCBA MBAV5320, ANOCMM TEXT, ANOCOL MMBAI20I, ANOCOM TEXT,ANOCOMM TEXT, ANOMPM MBER267, ANOTDD TEXT, ANO2TRA TEXT, ANO3DEC TEXT,BALABREV MPBN1512, and BALABR TEXT.

Johannes dictus BalloceAuthor:Treatise:




Abreviatio Magistri Franconis

Source of data:

Incipit: Gaudent brevitate moderni. Quandocunque punctus quadratus



BALABRTEXT

13th8K

File name: X

Annotations:The graphics file for this treatise is BALABR 01GF. Cf. ANOCBA MBAV5320, ANOCMM TEXT, ANOCOLMMBAI20I, ANOCOM TEXT, ANOCOMM TEXT, ANOMPM MBER267, ANOTDD TEXT, ANO2TRATEXT, ANO3DEC TEXT, BALABREV MPBN1512, and BALABM TEXT.

Johannes dictus BalloxAuthor:Treatise:




Ritus canendi [Pars prima]

Source of data:

Incipit: Omnium quidem artium, etsi varia sit introductio

Thomas J. MathiesenPeter Slemon & Bradley TuckerStephen E. Hayes

Johannes Gallicus, Ritus canendi [Parsprima], ed. Albert Seay, Critical Texts,no. 13 (Colorado Springs: ColoradoCollege Music Press, 1981). Used bypermission.

GALRC1TEXT

15th133K

File name: X

Annotations:The graphics files for this treatise are GALRC1 01GF-GALRC1 18GF. Cf. GALRIT1 TEXT, GALRIT2 TEXT,and GALRIT3 TEXT.

Johannes GallicusAuthor:Treatise:




Ritus canendi [Pars secunda]

Source of data:

Incipit: Pauperibus ecclesiae Dei clericis, ac religiosis Deo laudes concinere

Thomas J. MathiesenPeter Slemon & Angela MarianiStephen E. Hayes

Johannes Gallicus, Ritus canendi [Parssecunda], ed. Albert Seay, Critical Texts,no. 14 (Colorado Springs: ColoradoCollege Music Press, 1981). Used bypermission.

GALRC2TEXT

15th137K

File name: X

Annotations:The graphics files for this treatise are GALRC2 01GF-GALRC2 26GF. Cf. GALRITS1 TEXT, GALRITS2TEXT, and GALRITS3 TEXT.

Johannes GallicusAuthor:Treatise:




141


Vera quamque facilis ad cantandum atque brevis introductio

Source of data:

Incipit: Pauperibus ecclesiae Dei clericis, ac religiosis Deo laudes concinere



GALRITS1TEXT

15th71K

File name: X

Annotations:De ritu canendi. Secunda pars. Liber primus. The graphics files for this treatise are GALRITS101GF-GALRITS1 12GF.

Johannes Gallicus dictus Carthusiensis seu de MantuaAuthor:Treatise:




Incipit liber secundus de sex, ut, re, mi, fa, sol, la, sillabis

Source of data:

Incipit: Omnem ob sex sillabas et quinque vel sex modici decoris figuras



GALRITS2TEXT

15th35K

File name: X

Annotations:De ritu canendi. Secunda pars. Liber secundus. The graphics files for this treatise are GALRITS201GF-GALRITS2 04GF.





Incipit liber tertius de contrapuncto praefationcula

Source of data:

Incipit: Libet post editum de divino cantu quod pauperi clero sponte devoveram



GALRITS3TEXT

15th37K

File name: X

Annotations:De ritu canendi. Secunda pars. Liber tertius. The graphics files for this treatise are GALRITS301GF-GALRITS3 08GF.





Incipit praefationcula in tam admirabilem quam tacitam et quietissimam novorum concinentiam

Source of data:

Incipit: Etsi non parvum auribus humanis afferre soleant modi musici per ruritum



GALTRATEXT

15th43K

File name: X

Annotations:Tractatus brevissimus de totis algorismi calculationibus. The graphics files for this treatise are GALTRA01GF-GALTRA 03GF.





Ritus canendi vetustissimus et novus, liber primus

Source of data:

Incipit: Omnium quidem artium, etsi varia sit introductio



GALRIT1TEXT

15th42K

File name: X

Annotations:The graphics files for this treatise are GALRIT1 01GF-GALRIT1 06GF. See also GALRIT2 and GALRIT3.





142


Ritus canendi vetustissimus et novus, liber secundus

Source of data:

Incipit: Hoc expleto primo libro volens implere promissus ac in monocordo



GALRIT2TEXT

15th50K

File name: X






Ritus canendi vetustissimus et novus, liber tertius

Source of data:

Incipit: His ista rite peractis ac quindecim philosophorum cordis in unum collectis



GALRIT3TEXT

15th38K

File name: X






Tacita nunc inchoatur stupendaque numerorum musica

Source of data:

Incipit: Jam vero quisquis inquirere cupit a primis numeris



GALLIBTEXT

15th38K

File name: X

Annotations:Liber notabilis musicae Johannis Gallici. The graphics files for this treatise are GALLIB 01GF-GALLIB 02GF.





Liber de musica

Source of data:

Incipit: Cum igitur de arte musice tractare debeamus



VERLIBTEXT

14th127K

File name: X

Annotations:The graphics files for this treatise are VERLIB 01GF-VERLIB 04GF. Cf. VERLDM TEXT.

Johannes Verulus de AnagniaAuthor:Treatise:




Liber de musica

Source of data:



Liber de musica Iohannis Vetuli deAnagnia, ed. Frederick Hammond,Corpus scriptorum de musica, vol. 27(n.p.: American Institute of Musicology,1977), 26-97. Used by permission.

VERLDMTEXT

14th133K

File name: X

Annotations:The graphics files for this treatise are VERLDM 01GF-VERLDM 05GF. Cf. VERLIB TEXT and VERDMPVMBAVB307.





143


Liber de musica

Source of data:


Thomas J. MathiesenP. Lefferts & J. Langford-JohnsonOliver B. Ellsworth

Rome, Biblioteca Apostolica Vaticana,Barberini lat. 307, ff. 1r-16v.

VERDMPVMBAVB307

14th134K

File name: X

Annotations:=RISM BIII/2:102-4. The graphics files for this treatise are VERDMPV 01GF-VERDMPV 03GF. Cf.VERLDM TEXT and VERLIB TEXT.





Introductorium musicae

Source of data:

Incipit: Musicam triplicem esse ferunt sapientes, metricam unam, rhythmicam alteram

Charles M. AtkinsonBradley Jon TuckerSergei Lebedev


KECKINMUTEXT

15th28K

File name: X

Annotations:The treatise is preceded by a preface, beginning: "Exultabunt labia mea, cum cantavero tibi, inquit egregius illemusicus regius ...." This is followed by the "argumentum, beginning: "Introductorius in musicam liberappellatur, quoniam omnium sonorum proportiones mira brevitate complectitur ...." Each of the five chapterheadings is then given prior to the formal incipit, as transcribed above.

Keck, IoannesAuthor:Treatise:




Lilium musicae planae

Source of data:

Incipit: Musica ars modulativa, in qua animorum placiditas, delinimentum et solatio maxima est


Michael Keinspeck und sein Musiktraktat"Lilium musicae planae" Basel 1496, ed.Winfried Ammel, Marburger Beiträge zurMusikforschung, vol. 5 (Marburg: Görichund Weierhäuser, 1970), 111-29. Used bypersmission.

KEINLILTEXT

15th65K

File name: X

Annotations:The graphics files for this treatise are KEINLIL 01GF-KEINLIL 07GF.

Keinspeck, MichaelAuthor:Treatise:




De ortu et divisione philosophiae, Capitulum XVIII, De ortu et subiecto et proprio fine ac definitione

Source of data:

Incipit: Jam tempus est de ortu aliarum mathematicarum aliquid dicere

Thomas J. MathiesenPeter SlemonBradley Jon Tucker

Walter Grossmann, Die einleitendenKapitel des Speculum Musicae vonJohannes de Muris: Ein Beitrag zurMusikanschauung des Mittelalters(Leipzig: Breitkopf und Härtel, 1924;reprint ed., Nendeln/Liechtenstein: Kraus,1976), 94-96.

KILDEOTEXT

13th8K

File name: X

Annotations:

Kilwardby, RobertAuthor:Treatise:




De ortu scientiarum

Source of data:

Incipit: Eodem etiam modo se habent ad invicem numerus de quo arithmetica et numerus

Thomas J. MathiesenOliver Ellsworth & Andreas GigerJohn Gray

Robert Kilwardby O.P, De ortuscientiarum, Auctores britannici mediiaevi, vol. IV (London: The BritishAcademy; Toronto: The PontificalInstitute of Mediaeval Studies, 1976),46-47, 50-53, 55-60, 138, 144, 146, 167,and 224. Used by permission.

KILDOSTEXT

13th23K

File name: X

Annotations:This file contains excerpts from De ortu scientiarum pertaining to music, including sections 112, 126-134 (i.e.,Cap. XVIII [cf. KILDEO TEXT]), 138-51 (i.e., Capp. XX-XXI), 393 (i.e., Cap. XLII), 412, 417 (i.e., Cap.XLVI), 491, and 656.

Kilwardby, RobertAuthor:Treatise:




144


De musica figurata

Source of data:

Incipit: Quae superiori libro diximus, non solum illa quidem ad planam musicam spectant


Marcin Kromer, De musica figurata liberposterior, ed. Albert Seay,Texts/Translations, no. 3 (ColoradoSprings: Colorado College Music Press,1980), 2-34. Used by permission.

KRODEMTEXT

16th13K

File name: X

Annotations:The graphics files for this treatise are KRODEM 01GF-KRODEM 05GF.

Kromer, MarcinAuthor:Treatise:




[Musica]

Source of data:

Incipit: Pro themate praesentis operis assigno Cassiodorum in quadam epistola sic inquirentum:


Dénes von Bartha, Das Musiklehrbucheiner ungarischen Klosterschule in derHandschrift von Fürstprimas Szalkai(1490), Musicologica hungarica, vol. 1(Budapest: Magyar nemzeti múzeum,1934), 63-128.

SZAMUSTEXT

15th128K

File name: X

Annotations:The graphics files for this treatise are SZAMUS 01GF-SZAMUS 19GF. SZAMUS 01GF, SZAMUS 04GF,SZAMUS 06GF, and SZAMUS 08GF-SZAMUS 10GF exhibit facsimiles of the original manuscript, Esztergom,Erzbischöfliche Bibliothek, II, 395.

Ladislaus de ZalkaAuthor:Treatise:




Compendium musices

Source of data:

Incipit: QVID est Musica? Est quae rectas cantandi formulas demonstrat teuto: Ein singe Kunst.


Compendium musices, tam figurati quamplani cantus ad formam dialogi, in usumingenuae pubis ex eruditis Musicorumscriptis accurate congestum, quale antehac nunquam uisum, et iam recenspublicatum. Adiectis etiam regulis deconcordantiarum et componendi cantusartificio, summatim omnia musicespraecepta pulcherrimis exemplisillustrata, succincte et simplicitercomplectens (Bern: Samuel Apiarius,1554).

LAMCOMTEXT

16th65K

File name: X

Annotations:The incipit is preceded by a poem in praise of music, beginning: "In laudem musices Ioannes Telorus. Quem nondelectet divine Musicamentis?"; a hortatory preface, beginning: "Studioso musices, Eberardus à Rüml.Vituduranus Salve. Si alio nullo merito certe ..."; and two prefaces by the author, the first beginning: "De libellomeo, amice haud Vulgaris ..."; the second beginning: "Exigit Quintilianus a praeceptoribus, studiosi pueri, ..."The graphics files for this treatise are LAMCOM 01GF-LAMCOM 45GF.

LampadiusAuthor:Treatise:




De accentuum ecclesiasticorum exquisita ratione

Source of data:

Incipit: Quartam vtilitatem, Ecclesiae ministris noticia accentuum conferat.

Thomas J. MathiesenAndreas GigerJohn Snyder

De accentuum ecclesiasticorum exquisitaratione, scilicet Lectionali, Epistolari, etEuangelico, Libellus omnibus sacrisiniciatis, Vicarijs et Ecclesiae Ministris,non minus Vtilis quam necessarius(Cracow: Scharffenberg, 1539; reprinted., Cracow: Polskie WydawnictwoMuzyczne, 1975).

LIBDEATEXT

16th107K

File name: X

Annotations:The treatise is preceded by a long dedicatory preface, beginning: "Saepe mecum constitui Reuerende Dominecongratulandi gratia, et cui ut bene praecarer, accedere Amplitudinem ...." The graphics files for this treatise areLIBDEA 01GF-LIBDEA 19GF.

Liban, JerzyAuthor:Treatise:




145


De musicae laudibus oratio

Source of data:

Incipit: Animaduerti quam plurimos iam pridem Adolescentulos, iucundissimae Musices


De musicae laudibus oratio seu adhortatioquaedam, ad musicae studiosos: cuiannexa est, quae in scalis et musicatractantur, multorum vocabulorumgraecorum interpretatio, cum octotonorum proprietatibus, et totidem eorummelodijs, tetraphonis haud inconcinnisAtque alia nonnulla, quae sequensostendit paginula. His octo tonis, tanquamauctarium additur Peregrinus, quasi postliminio reuersus, qui cum coeteris tonisfratribus suis, in pristinam redit noticiam(Cracow: Halicz, 1540; reprint ed.,Cracow: Polskie WydawnictwoMuzyczne, 1975).

LIBDEMTEXT

16th76K

File name: X

Annotations:The treatise is preceded by a table of contents and a long dedicatory preface, beginning: "Magnus orator eteloquentiae parens Cicero [<en> arche ton protou ton kathekon]. his verbis alloquitur filium suum ...." Thegraphics files for this treatise are LIBDEM 01GF-LIBDEM 09GF.





De philosophiae laudibus oratio

Source of data:

Incipit: Veror nimirum magnifice domine Rector, Doctores Celebres, Magistri insignes


De philosophiae laudibus oratio in quasingularum artium fere liberalium, laus etdecorum continetur et utilitas, adoctissimorum sententiis philosphorum,non abhorrens, eme, lege, et adficiere(Cracow: Scharffenberg, 1537; reprinted., Cracow: Polskie WydawnictwoMuzyczne, 1975).

LIBDEPTEXT

16th31K

File name: X

Annotations:The treatise is preceded by a long dedicatory preface, beginning: "Cum indies fere mecum animo reuolueremReuerende pater, pulcherrima illa tua a plusculis annis in me collata ...."





Synopsis musicae novae omnino verae atque methodicae universae

Source of data:

Incipit: MUSICA [APO TON MOUSON] dicta, cum caput sit omnium Piorum


Synopsis musicae novae omnino veraeatque methodicae universae, in omnissophiae praegustum [Parergos] inventaedisputatae et propositae omnibusphilomusis. à Magistro Joanne LippioArgentoratensi Alsato Theologo(Argentorati: Paulus Ledertz, typisCarolus Kieffer, 1612).

LIPMUSTEXT

17th104K

File name: X

Annotations:The corrigenda that appear at the end of the print have been incorporated into the text. The graphics files for thistreatise are LIPMUS 01GF-LIPMUS 19GF.

Lippius, JohannesAuthor:Treatise:




De musica et poetica opusculum in quo Conradolum Stangam prothonotarium apostolicum perpetua oratione alloquitur

Source of data:

Incipit: Patrum nostrorum memoria et Alphonsus, splendidissimus ille Aragonum rex



LIPDEMTEXT

16th11K

File name: X

Annotations:Based on Rome, Biblioteca Casanatense, c.V,3.

Lippus, junior, Raphael BrandolinusAuthor:Treatise:




146


Musica

Source of data:

Incipit: Mvsica est rite ac bene canendi scientia. Bene canere, est cantum sub certa aliqua regula


Musica Nicolai Listenii ab authore denuorecognita multisque novis regulis etexemplis adaucta (Nuremberg: Petreius,1549; reprint in Veröffentlichungen derMusik-Bibliothek Paul Hirsch, vol. 8,Berlin: Martin Breslauer, 1927).

LISMUSTEXT

16th65K

File name: X

Annotations:The incipit is preceded by a dedicatory poem by Valentinus Chudenius, beginning: "Si cupis Aonios breviter ...";and Listenius's dedication, beginning: "Collegi elementa Musices ...." The graphics files for this treatise areLISMUS 01GF-LISMUS 19GF.

Listenius, NicolausAuthor:Treatise:




Sentencia in musica sonora subiecti

Source of data:

Incipit: Omnes homines, sicut dicit philosophus, naturaliter scire desiderant


Ambrogio Abbate Amelli, O.S.B., "Diuno scritto inedito di S. Lodovicovescovo di Tolosa intorno alla musica,"Archivum franciscanum historicum 2(1909): 379-80.

LUDSENTEXT

14th4K

File name: X

Annotations:Based on Florence, Biblioteca Medicea-Laurenziana, Ashburnham 1051 (=RISM BIII/2:43-47). Cf. LUDSENTMFAB1051.

Ludovicus SanctusAuthor:Treatise:




Sentencia in musica sonora subiecti

Source of data:

Incipit: Omnes homines sicut dicit philosophus naturaliter scire desiderant.


Florence, BibliotecaMedicea-Laurenziana, Ashburnham 1051,f. 170r.

LUDSENTMFAB1051

14th4K

File name: X

Annotations:=RISM BIII/2:43-47. The text is also transcribed in Henry Cochin, "Sur le Socrate de Pétrarque," Mélangesd'archéologie et d'histoire 37 (1918-1919): 31-32. Cf. LUDSEN TEXT.

Ludovicus SanctusAuthor:Treatise:




Musurgia seu praxis musicae

Source of data:

Incipit: Andreas. In columem aduenisse te, Sebastiane suauissime, uehementer gaudeo


Musicae seu praxis musicae.... Deconcentus polyphoni, id est, ex plurifariisvocibus compositi canonibus libri totidem(Strasbourg: Schott, 1536).

LUSMUSTEXT

16th130K

File name: X

Annotations:The incipit is preceded by a dedicatory preface, beginning: "Qum ob alias insignes uirtutes tuas, magnificeAndrea, summamque eruditionem, plurimus tibi honos ab omnibus iure optimo debeatur ...." The graphics filesfor this treatise are LUSMUS 01GF-LUSMUS 31GF.

Luscinius, OttmarAuthor:Treatise:




Commentarium in somnium Scipionis

Source of data:

Incipit: Inter Platonis et Ciceronis libros, quos de re publica uterque constituit, Eustachi fili

Thomas J. MathiesenPeter SlemonAnastasia Arapova


MACCOM1TEXT

3rd-5th163K

File name: X

Annotations:Continues in MACCOM2 TEXT. The graphics file for this treatise is MACCOM1 01GF.

Macrobius Ambrosius TheodosiusAuthor:Treatise:




147


Commentarium in somnium Scipionis

Source of data:

Incipit: Superiore commentario, Eustachi luce mihi dilectior fili usque ad stelliferae sphaerae



MACCOM2TEXT

3rd-5th130K

File name: X

Annotations:Continued from MACCOM1 TEXT. The graphics files for this treatise are MACCOM2 01GF-MACCOM202GF.

Macrobius Ambrosius TheodosiusAuthor:Treatise:




Introductio musice

Source of data:

Incipit: Introductiones in arte musice. Primo videndum est quod sit introductio

Peter M. LeffertsThomas J. MathiesenBradley Jon Tucker


GARINTTEXT

13th36K

File name: X

Annotations:The graphics files for this treatise are GARINT 01GF-GARINT 13GF. The author of this treatise is thehypothetical "Garlandia the Younger," but most scholars no longer accept the hypothesis.

Magister de GarlandiaAuthor:Treatise:




Brevis compilatio in arte musicae mensuratae

Source of data:

Incipit: Quoniam omnis cantus mesuratus dicitur eo quod tempore mensuratur

Peter M. LeffertsStephen E. HayesC. Matthew Balensuela


MARBRETEXT

14th22K

File name: X

Annotations:Cf. MARBREV TEXT.

Marchetus de PaduaAuthor:Treatise:




Brevis compilatio

Source of data:

Incipit: QUoniam omnis cantus mesuratus, mensuratus dicitur eo quod tempore mensuratur


Giuseppe Vecchi, "Su la composizionedel Pomerium di Marchetto da Padova ela Brevis Compilatio," Quadrivium 1(1956): 177-205. Used by permission.

MARBREVTEXT

14th65K

File name: X

Annotations:The graphics files for this treatise are MARBREV 01GF-MARBREV 07GF. Cf. MARBRE TEXT.





[Compendium]

Source of data:

Incipit: Sciendum est quod antiquitus solummodo fuerunt adinventi quatuor toni sive modi


Raffaello Monterosso, "Un compendioinedito del "Lucidarium" di Marchetto daPadova," Studi medievali III/2 (1966):927-31. Used by permission of the Centroitaliano di studi sull'alto medioevo.

MARCOMTEXT

14th33K

File name: X

Annotations:Edited from Pavia, Biblioteca universitaria, Aldino 361, ff. 25r-28v (=RISM BIII/2:74-76). See also ANOSEMITEXT and THEPAR TEXT.





148


Lucidarium, tractatus primus

Source of data:

Incipit: Qualiter Pitagoras adinuenit musicam membrat Macrobius


Milan, Biblioteca Ambrosiana, I.20.inf.,ff. 36v-38v.

MARLU1MMMBAI20I

14th33K

File name: X

Annotations:=RISM BIII/2:57-58 and BIII/6:517. The treatise is preceded by a letter, beginning: "Magnifico Militi et potentidomino suo domino Rainerio de Urbeueteri, ..." See also MARLU2M MMBAI20I. Cf. MARLU1 TEXT-MARLU16 TEXT and MARLUC1 TEXT-MARLUC16 TEXT.





Lucidarium, tractatus secundus

Source of data:

Incipit: Ad huius euidentiam est sciendum quod secundum Remigium.


Milan, Biblioteca Ambrosiana, I.20.inf.,ff. 38v-39r.

MARLU2MMMBAI20I

14th33K

File name: X

Annotations:=RISM BIII/2:57-58 and BIII/6:517. The incipit is preceded by the heading (all on the same line): "De tono quidsit Tractatus secondus Capitulum primum." The text breaks off in Capitulum quartum following "Habemus ergoex dictis quod cum sumus ad nouenariam divuisionem."






Source of data:

Incipit: Qualiter Pytagoras adinvenit musicam, memorat Macrobius



MARLU1TEXT

14th15K

File name: X

Annotations:The treatise is preceded by a letter, beginning: "Magnifico militi et potenti domino suo, domino Raynerio dominiZachariae de Urbe veteri, ..." See also files MARLU2 through MARLU16; and all the files of MARLUC. Cf.MARLU1M MMBAI20I.






Source of data:

Incipit: Ad huius evidentiam est sciendum, quod secundum Remigium



MARLU2TEXT

14th18K

File name: X

Annotations:The graphics file for this treatise is MARLU2 01GF. See also files MARLU1 and MARLU3 throughMARLU16; and all the files of MARLUC. Cf. MARLU2M MMBAI20I.





Lucidarium, tractatus tertius

Source of data:

Incipit: Ad videndum autem de numeris musicalibus



MARLU3TEXT

14th5K

File name: X

Annotations:See also files MARLU1 through MARLU2 and MARLU4 through MARLU16; and all the files of MARLUC.





149


Lucidarium, tractatus quartus

Source of data:

Incipit: Proportio est quaedam habitudo duorum terminorum



MARLU4TEXT

14th5K

File name: X






Lucidarium, tractatus quintus

Source of data:

Incipit: Sequitur videre de consonantia, de qua primo videbimus



MARLU5TEXT

14th9K

File name: X

Annotations:The graphics file for this treatise is MARLU5 01GF. See also files MARLU1 through MARLU4 and MARLU6through MARLU16; and all the files of MARLUC.





Lucidarium, tractatus sextus

Source of data:

Incipit: Quaeritur, quare una consonantia magis concordet quam altera



MARLU6TEXT

14th12K

File name: X






Lucidarium, tractatus septimus

Source of data:

Incipit: Genera inaequalitatis quinque sunt, scilicet multiplex



MARLU7TEXT

14th4K

File name: X






Lucidarium, tractatus octavus

Source of data:

Incipit: Quoniam omnis tonus et semitonium in voce consistit



MARLU8TEXT

14th10K

File name: X

Annotations:The graphics files for this treatise are MARLU8 01GF-MARLU8 02GF. See also files MARLU1 throughMARLU7 and MARLU9 through MARLU16; and all the files of MARLUC.





150


Lucidarium, tractatus nonus

Source of data:

Incipit: Coniunctio in musica est dispositio sive ordinatio sonorum



MARLU9TEXT

14th14K

File name: X






Lucidarium, tractatus decimus

Source of data:

Incipit: Mensura in musica est ordo cantuum mensuratorum


Scriptores ecclesiastici de musica sacrapotissimum, 3 vols., ed. Martin Gerbert(St. Blaise: Typis San-Blasianis, 1784;reprint ed., Hildesheim: Olms, 1963),3:100.

MARLU10TEXT

14th2K

File name: X






Lucidarium, tractatus undecimus

Source of data:

Incipit: Tonus, tropus, sive modus, secundum dicta Boetii



MARLU11TEXT

14th32K

File name: X






Lucidarium, tractatus duodecimus

Source of data:

Incipit: Ostenso superius de tonis, quomodo per species formentur



MARLU12TEXT

14th5K

File name: X

Annotations:The graphics file for this treatise is MARLU12 01GF. See also files MARLU1 through MARLU11 andMARLU13 through MARLU16; and all the files of MARLUC.





Lucidarium, tractatus decimustertius

Source of data:

Incipit: Sequitur videre de pausis, scilicet quo modo in cantu plano



MARLU13TEXT

14th2K

File name: X






151


Lucidarium, tractatus decimusquartus

Source of data:

Incipit: Clavis est reseratio notarum in cantu quolibet signatarum



MARLU14TEXT

14th3K

File name: X






Lucidarium, tractatus decimusquintus

Source of data:

Incipit: A. Proslambanosmenos, B. Hypate hypaton



MARLU15TEXT

14th1K

File name: X

Annotations:See also files MARLU1 through MARLU14 and MARLU16; and all the files of MARLUC.





Lucidarium, tractatus decimussextus

Source of data:

Incipit: Musicus dicitur ille, testante Boetio, cui adest facultas



MARLU16TEXT

14th2K

File name: X

Annotations:See also files MARLU1 through MARLU15; and all the files of MARLUC.






Source of data:

Incipit: Qualiter Pytagoras adinvenit musicam memorat Macrobius


The Lucidarium of Marchetto of Padua:A Critical Edition, Translation, andCommentary, ed. and trans. by Jan W.Herlinger (Chicago and London: TheUniversity of Chicago Press, 1985),68-106. Used by permission.

MARLUC1TEXT

14th16K

File name: X

Annotations:The treatise is preceded by a letter, beginning: "Magnifico militi et potenti, domino suo, Domino RaynerioDomini Zacharie de Urbeveteri, ..." See also files MARLUC2 through MARLUC16; and all the files ofMARLU.






Source of data:

Incipit: Ad huius evidentiam est sciendum quod, secundum Remigium



MARLUC2TEXT

14th20K

File name: X

Annotations:The graphics file for this treatise is MARLUC2 01GF. See also files MARLUC1 and MARLUC3 throughMARLUC16; and all the files of MARLU.





152


Lucidarium, tractatus tercius

Source of data:

Incipit: Ad videndum autem de numeris musicalibus



MARLUC3TEXT

14th6K

File name: X

Annotations:See also files MARLUC1 through MARLUC2 and MARLUC4 through MARLUC16; and all the files ofMARLU.





Lucidarium, tractatus quartus

Source of data:

Incipit: Proportio est quedam habitudo duorum terminorum



MARLUC4TEXT

14th6K

File name: X






Lucidarium, tractatus quintus

Source of data:

Incipit: Sequitur videre de consonantia, de qua primo videbimus



MARLUC5TEXT

14th10K

File name: X

Annotations:The graphics file for this treatise is MARLUC5 01GF. See also files MARLUC1 through MARLUC4 andMARLUC6 through MARLUC16; and all the files of MARLU.





Lucidarium, tractatus sextus

Source of data:

Incipit: Queritur quare una consonantia magis concordet quam altera



MARLUC6TEXT

14th12K

File name: X






153


Lucidarium, tractatus septimus

Source of data:

Incipit: Genera inequalitatis quinque sunt, scilicet multiplex



MARLUC7TEXT

14th6K

File name: X






Lucidarium, tractatus octavus

Source of data:

Incipit: Quoniam omnis tonus et semitonium in voce consistit



MARLUC8TEXT

14th12K

File name: X






Lucidarium, tractatus nonus

Source of data:

Incipit: Coniunctio in musica est dispositio sive ordinatio sonorum



MARLUC9TEXT

14th18K

File name: X






Lucidarium, tractatus decimus

Source of data:

Incipit: Mensura in musica est ordo cantuum mensuratorum


The Lucidarium of Marchetto of Padua:A Critical Edition, Translation, andCommentary, ed. and trans. by Jan W.Herlinger (Chicago and London: TheUniversity of Chicago Press, 1985), 368.Used by permission.

MARLUC10TEXT

14th2K

File name: X






154


Lucidarium, tractatus undecimus

Source of data:

Incipit: Tonus, tropus, sive modus, secundum dicta Boetii



MARLUC11TEXT

14th36K

File name: X

Annotations:The graphics file for this treatise is MARLUC11 01GF-MARLUC11 06GF. See also files MARLUC1 throughMARLUC10 and MARLUC12 through MARLUC16; and all the files of MARLU.





Lucidarium, tractatus duodecimus

Source of data:

Incipit: Ostenso superius de tonis quomodo per species formentur



MARLUC12TEXT

14th6K

File name: X






Lucidarium, tractatus tercius decimus

Source of data:

Incipit: Sequitur videre de pausis, scilicet quomodo in cantu plano



MARLUC13TEXT

14th4K

File name: X






Lucidarium, tractatus quartus decimus

Source of data:

Incipit: Clavis est reseratio notarum in cantu quolibet signatarum



MARLUC14TEXT

14th4K

File name: X






155


Lucidarium, tractatus quintus decimus

Source of data:

Incipit: A. Proslambanosmenos, [sqb]. Ypate ypaton



MARLUC15TEXT

14th2K

File name: X

Annotations:See also files MARLUC1 through MARLUC14 and MARLUC16; and all the files of MARLU.





Lucidarium, tractatus sextus decimus

Source of data:

Incipit: Musicus dicitur ille, testante Boetio, cui adest facultas



MARLUC16TEXT

14th2K

File name: X

Annotations:See also files MARLUC1 through MARLUC15; and all the files of MARLU.





Pomerium

Source of data:

Incipit: Quoniam dicente philosopho inde omnia accidentia multum conferunt



MARPOMTEXT

14th185K

File name: X

Annotations:The graphics file for this treatise is MARPOM 01GF. A long introduction precedes the treatise proper,beginning: "Analysis operis, prout in dicto codice eidem praeponitur. Quatuor sunt causae ...." Then, adedicatory letter follows, beginning: "Praeclarissimo Principum domino Roberto Dei gratia Ierusalem et SiciliaeRegi Marchetus de Padua ...." Cf. MARPOME TEXT.





Pomerium

Source of data:

Incipit: Quoniam, dicente Philosopho in prooemio de Anima, accidentia multum conferunt

Thomas J. MathiesenOliver Ellsworth & Bradley TuckerJohn Gray

Marcheti de Padua Pomerium, ed. IosephVecchi, Corpus scriptorum de musica,vol. 6 ([Rome]: American Institute ofMusicology, 1961), 31-210. Used bypermission.

MARPOMETEXT

14th193K

File name: X

Annotations:A long introduction precedes the treatise proper, beginning: "Primae partis primi libri divisiones praemittuntur.Quattuor sunt causae ...." Then, a dedicatory letter follows, beginning: "Praeclarissimo principum, dominoRoberto, Dei gratia Jerusalem et Siciliae regi, Marchetus de Padua ...." The graphics files for this treatise areMARPOME 01GF-MARPOME 02GF. Cf. MARPOM TEXT.





156


Lucidarium, Regulae de tonis, Tractatus figurarum, and Nova musica

Source of data:

Incipit: [See annotations below]



LAFVARTEXT

15th5K

File name: X

Annotations:Based on Pisa, Biblioteca universitaria, 606 (IV,9) (=RISM BIII/2:81-84). La Fage prints short excerptsbeginning as follows: "Incipit quidam extractus. Marchetti de Padua de Tonis. Divina auxiliante gratia, brevetractatum compilare intendo de arte musicali plana" (385); "Quaedam regulae de tonis secundum illorum deFrancia" (386); "Incipit Tractatus figurarum per quas diversimode [fit] discantus per aliquas non sequentesmodum tenoris" (386); "De proportionibus. Venerabili viro et egregio domino presbytero Johanni Gasparocanonico Vicentino" (387); "Auctores diversi. Sunt precipue magister francho de colonia prothonotariusJohannes de Muris et Marchettus de Padua" (387); and "Quoniam de canendi scientia doctrinam sumus facturi"(388).

Marchetus de Padua, Ciconia, and AnonymousAuthor:Treatise:




De nuptiis Philologiae et Mercurii, Liber IX, De harmonia

Source of data:

Incipit: Iam facibus lassos spectans marcentibus ignes instaurare iubet tunc hymenea Venus

Thomas J. MathiesenAngela MarianiBradley Tucker

Martianus Capella, ed. Adolfus Dick(Leipzig: B. G. Teubner, 1925), 469-535.

MARDEN9TEXT

3rd-5th63K

File name: X

Annotations:Cf. MARDNP9 TEXT.

Martianus CapellaAuthor:Treatise:




De nuptiis Philologiae et Mercurii, Liber IX, De musica

Source of data:

Incipit: Iam facibus lassos spectans marcentibus ignes instaurare jubet. tunc hymenea Venus;


Antiquae musicae auctores septem.Graece et Latine, Marcus Meibomiusrestituit ac notis explicavit, 2 vols.(Amstelodami, apud LudovicumElzevirium, 1652), 2:165-98.

MARDNP9TEXT

3rd-5th64K

File name: X

Annotations:Cf. MARDEN9 TEXT.

Martianus CapellaAuthor:Treatise:




De modis

Source of data:

Incipit: Quod tibi periucundum futurum putaui, eo libentius totam hanc, Victori, de modis

Thomas J. MathiesenPeter SlemonAndreas Giger

De modis, ed. Tsugami Eisuke (Tokyo:Keiso Shobo, 1991), 3-129. Used bypermission.

MEIMODTEXT

16th324K

File name: X

Annotations:The graphics files for this treatise are MEIMOD 01GF-MEIMOD 22GF.

Mei, GirolamoAuthor:Treatise:




Tractatus de musica plana

Source of data:

Incipit: Etsi multi musici his tribus vocabulis: tropus, modus et tonus, quasi sinonimis



CARTRATEXT

15th130K

File name: X

Annotations:The ascription of authorship to "A Certain Carthusian Monk" is Coussemaker's. The text is based on Gent,Universiteitsbibliotheek 70 (71). The graphics files for this treatise are CARTRA 01GF-CARTRA 20GF.

Monachus CarthusiensisAuthor:Treatise:




157


De laude et utilitate spiritualium canticorum, quae fiunt in ecclesia Christiana; seu de psalmodiae bono

Source of data:

Incipit: Dicamus, quae nobis Deus donare dignatur, quando fit grata et acceptabilis Deo



NICLAUTEXT

6th-8th13K

File name: X

Annotations:

Nicetius, episcopusAuthor:Treatise:




Tractatus de musica

Source of data:

Incipit: Notandum primo, quod quatuor sunt uoces supra tenorem consonantiam facientes


Higini Angles, "Dos tractats medievals demusica figurada," inMusikwissenschaftliche Beiträge:Festschrift für Johannes Wolf zu seinemsechzigsten Geburtstag, ed. W. Lott, H.Osthoff, and W. Wolffheim (Berlin:Breslauer, 1929), 10-12.

NICTRATEXT

15th5K

File name: X

Annotations:Sometimes known as Angles Anonymous 1929; based on Sevilla, Biblioteca Capitular y Colombina, 5.II.25(=RISM BIII/5:110-20). The graphics file for this treatise is NICTRA 01GF.

Nicolaus de SenisAuthor:Treatise:




[Prefatio de Johannis de Muris Musica speculativa]

Source of data:

Incipit: In illa sciencia et in qualibet alia sunt quattuor magis communia ut vult Phylosophus


Johannis de Muris Musica <speculativa>,ed. Susan Fast, Musicological Studies,vol. 61 (Ottawa: The Institute ofMediaeval Music, 1994), 332-34. Usedby permission.

MURMNORTEXT

16th9K

File name: X

Annotations:Noricus's preface to his edition (Vienna, Österreichische Nationalbibliothek, 5274) of de Muris's Musicaspeculativa. Cf. MURMUSI TEXT.

Noricus, ConradusAuthor:Treatise:




[De musica]

Source of data:

Incipit: Quid singulae litterae in superscriptione significent cantilenae

Thomas J. MathiesenOliver Ellsworth & Andreas GigerJohn Gray


NOTDEMUTEXT

9th-11th12K

File name: X

Annotations:The incipit is preceded by the salutation "Notker Lamberto fratri salutem." Beginning with the heading "De octotonis," the odd-numbered columns provide the text in Althochdeutsch, with the even-numbered columnsproviding the "Latin interpretation." Only the even-numbered columns have been included from that point to theend of this file. Cf. NOTDEM TEXT and NOTLET TEXT.

NotkerAuthor:Treatise:




De musica

Source of data:




NOTDEMTEXT

9th-11th11K

File name: X

Annotations:The incipit is preceded by the salutation "Notker Lamberto fratri salutem." Cf. NOTDEMU TEXT and NOTLETTEXT.





158


Quid singulae litterae

Source of data:



Jacques Froger, "L'Épitre de Notker surles 'Lettres significatives': Éditioncritique," Études grégoriennes 5 (1962):69-70.

NOTLETTEXT

9th-11th33K

File name: X

Annotations:The incipit is preceded by the salutation "Notker Lamberto fratri salutem." Cf. NOTDEM TEXT andNOTDEMU TEXT.





Registrum tonorum

Source of data:

Incipit: In subscriptis tonorum formulis differentie cum suis varietatibus subtrahuntur


Philipp Jaffé, "Des Abtes Udalskalk vanSt. Ulrich in Augsburg RegistrumTonorum," Archiv für die Geschichte desBisthums Augsburg 2 (1859): 69-78.

ODAREGTEXT

12th17K

File name: X

Annotations:Odalschalchus was Bishop of the Benedictine Cloister of St. Ulrich and Afra in Augsburg ca. 1124-1150.

OdalschalchusAuthor:Treatise:




De speculatione musice

Source of data:

Incipit: Plura quam digna de musice speculatione et musice speculatoribus perutilia brevi

Thomas J. MathiesenLuminita AluasJohn Snyder


ODIDESTEXT

14th149K

File name: X

Annotations:The graphics files for this treatise are ODIDES 01GF-ODIDES 36GF. See also ODISUM.

Odington, WalterAuthor:Treatise:




Summa de speculatione musice

Source of data:

Incipit: Plura quam digna de musicae speculatione et musicae speculatoribus perutilia brevi


Walteri Odington, Summa despeculatione musicae, ed. Frederick F.Hammond, Corpus scriptorum de musica,vol. 14 ([Rome]: American Institute ofMusicology, 1970), 42-146. Used bypermission.

ODISUMTEXT

14th149K

File name: X

Annotations:The graphics files for this treatise are ODISUM 01GF-ODISUM 42GF. See also ODIDES.

Odington, WalterAuthor:Treatise:




De musica

Source of data:

Incipit: Musicae artis disciplina summo studio appetenda est, et maxime his, qui communi



ODOMUSTEXT

9th-11th49K

File name: X

Annotations:The graphics files for this treatise are ODOMUS 01GF-ODOMUS 05GF. See also ODOMU.

OdoAuthor:Treatise:




159


De musica

Source of data:

Incipit: Musicae artis disciplina summo studio appetenda est, et maxime his qui communi

Thomas J. MathiesenPeter Lefferts & Peter SlemonStephen E. Hayes


ODOMUTEXT

9th-11th52K

File name: X

Annotations:See also ODOMUS. The graphics files for this treatise are ODOMU 01GF-ODOMU 07GF.

OdoAuthor:Treatise:




Dialogus

Source of data:

Incipit: DIalogus dicitur a dya quod est duo et logos sermo quasi sermo Duorum


Venice, Biblioteca Nazionale Marciana,lat. app. cl. VIII/24 (coll. 3434), ff. 1r-7v.

ODODIALMVBM8-24

9th-11th33K

File name: X

Annotations:=RISM BIII/2:127 and BIII/6:615-16. The graphics file for this treatise is ODODIAL 01GF. Cf. ODODIATEXT and ODODI TEXT

OdoAuthor:Treatise:




Dialogus de musica

Source of data:

Incipit: Petistis obnixe, Carissimi Fratres! quatenus paucas vobis de Musica regulas traderem



ODODIATEXT

9th-11th37K

File name: X

Annotations:The graphics file for this treatise is ODODIA 01GF. Cf. ODODIAL MVBM8-24, ODODI TEXT, andODOPRO TEXT.

OdoAuthor:Treatise:




Dialogus de musica

Source of data:

Incipit: Petistis obnixe, charissimi fratres, quatenus paucas vobis de Musica regulas traderem



ODODITEXT

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Annotations:The graphics file for this treatise is ODODI 01GF. Cf. ODODIAL MVBM8-24, ODODIA TEXT, andODOPRO TEXT.

OdoAuthor:Treatise:




Dialogus de musica, prologus

Source of data:

Incipit: Petistis obnixe, karissimi fratres, quatenus paucas vobis de Musica regulas traderem


Michel Huglo, "Der Prolog des Odozugeschriebenen 'Dialogus de Musica',"Archiv für Musikwissenschaft 28 (1971):138-39. Used by permission of the FranzSteiner Verlag, Stuttgart.

ODOPROTEXT

9th-11th33K

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Annotations:Se also ODODI TEXT and ODODIA TEXT.

OdoAuthor:Treatise:




160


Intonarium

Source of data:

Incipit: Incipit intonarium a Domno Octone abbate diligenter examinatum et ordinatum

Thomas J. MathiesenAngela Mariani & Bradley TuckerFiroozeh Khazrai


ODOINTTEXT

9th-11th35K

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Annotations:The graphics files for this treatise are ODOINT 01GF-ODOINT 30GF.

OdoAuthor:Treatise:




Quomodo organistrum construatur

Source of data:

Incipit: In primis a capite iuxta primum plectrum, infra usque ad aliud plectrum



ODOORGTEXT

9th-11th2K

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Annotations:See also ODOOR.

OdoAuthor:Treatise:




Quomodo organistrum construatur

Source of data:

Incipit: In primis a capite juxta primum plectrum, infra usque ad aliud plectrum



ODOORTEXT

9th-11th2K

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Annotations:See also ODOORG.

OdoAuthor:Treatise:




Regulae de rhythmimachia

Source of data:

Incipit: Sesquialtera proportio est, quando numerus maior continet in se totum numerum



ODORHYTEXT

9th-11th28K

File name: X

Annotations:The graphics files for this treatise are ODORHY 01GF-ODORHY 03GF. Cf. ODORH TEXT.

OdoAuthor:Treatise:




Regulae de rhythmimachia

Source of data:

Incipit: Sesquialtera proportio est, quando numerus major continet in se totum numerum



ODORHTEXT

9th-11th28K

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Annotations:The graphics files for this treatise are ODORH 01GF-ODORH 03GF. Cf. ODORHY TEXT.

OdoAuthor:Treatise:




161


Regulae super abacum

Source of data:

Incipit: Si quis notitiam abaci habere desiderat, necesse est, ut in consideratione numeri



ODOREGTEXT

9th-11th20K

File name: X

Annotations:See also ODORE.

OdoAuthor:Treatise:




Regulae super abacum

Source of data:

Incipit: Si quis notitiam abaci habere desiderat, necesse est ut in consideratione numeri



ODORETEXT

9th-11th20K

File name: X

Annotations:See also ODOREG.

OdoAuthor:Treatise:




Tonarium

Source of data:

Incipit: Incipit formula super tonos, qualiter unusquisque cantor in Ecclesia agere debeat.



ODOTONTEXT

9th-11th8K

File name: X

Annotations:See also ODOTO.

OdoAuthor:Treatise:




Tonarium

Source of data:

Incipit: Incipit formula super tonos, qualiter unusquisque cantor in ecclesia agere debeat.



ODOTOTEXT

9th-11th8K

File name: X

Annotations:See also ODOTON.

OdoAuthor:Treatise:




Liber opusculorum, capitula V-VI

Source of data:

Incipit: Dimidiae parti animae suae fratri et consacerdoti Rotberto, peccatis maximis


Odorannus de Sens, Opera omnia: Textesédités, traduits et annotés parRobert-Henri Bautier et Monique Gilles,et, pour la partie musicologique, parMarie-Elisabeth Duchez et Michel Huglo(Paris: Centre national de la recherchescientifique, 1972), 150-225. Used bypermission.

ODOSENSTEXT

9th-11th39K

File name: X

Annotations:Based on Rome, Biblioteca Apostolica Vaticana, Reginensis lat. 577 (=RISM BIII/2:111-12). The graphics filesfor this treatise are ODOSENS 01GF-ODOSENS 48GF.

Odorannus de SensAuthor:Treatise:




162


[Breviarium de musica] and [Versus monocordi]

Source of data:

Incipit: Cum multimode curiositatis instantissima studia feruentissimum tui animum


Karl-Werner Gümpel, "Das Breviariumde musica und Versus monocordi desMönchs Oliba von Ripoll," in Quellenund Studien zur Musiktheorie desMittelalters, vol. 3, ed. Michael Bernhard,Bayerische Akademie derWissenschaften, Veröffentlichungen derMusikhistorischen Kommission, Band 15(München: Bayerische Akademie derWissenschaften; C. H. Beck, 2001),110-19. Used by permission.

OLIBREVTEXT

9th-11th20K

File name: X

Annotations:Based on Barcelona, Arxiu de la Corona d'Aragó, Ripoll 42, ff. 1v-5r (=RISM BIII/5:60-65 and BIII/6:681). Thegraphics file for this treatise is OLIBREV 01GF.

Oliva de RipollAuthor:Treatise:




Practicae musicae utriusque praecepta brevia

Source of data:

Incipit: Musica est liberalis ars certe ac scite canendi; idque quatenus ea ad sonos spectat.

Thomas J. MathiesenPeter SlemonTravis Yeager

Renate Federhofer-Königs, JohannesOridryus und sein Musiktraktat(Düsseldorf 1557), Beiträge zurrheinischen Musikgeschichte, vol. 24(Köln: Arno Volk, 1957), 65-157. Usedby permission.

ORIPRATEXT

16th130

File name: X

Annotations:The incipit is preceded by a long dedicatory letter, beginning: "Obsecuti honestissimae, Tuae Honestatis,voluntati ac mandato, vir ornatissime, ad praelectionem Musicae, artis liberalissimae, nos libenter paravimus";this is followed by a brief excerpt from Juan Luis Vives, "De corruptis artibus," beginning: "Musica hominibus aDeo tamquam muneri data est"; this is in turn followed by the heading for chapter 1, "De definitione etdivisione." The graphics files for this treatise are ORIPRA 01GF-ORIPRA 36GF.

Oridryus, JohannesAuthor:Treatise:




Musice active micrologus liber primus

Source of data:

Incipit: Artem modulatoriam: qua nil dulcius in terris: scripturi:

Thomas J. MathiesenJessica Sisk and Peter SlemonBeth Garfinkel

Musice active micrologus, 2d ed.(Leipzig: Valentin Schumann, 1517;reprint ed., New York: Dover, 1973), ff.Air-Eijv.

ORNMUS1TEXT

16th98K

File name: X

Annotations:The incipit is preceded by several laudatory poems, an extended dedication, and a preface, beginning "Quom sitvtilius multo, pauca idonea effundere ...." The graphics files for this treatise are ORNMUS1 01GF-ORNMUS116GF.

Ornithoparchus, AndreasAuthor:Treatise:




Musice active micrologus liber secundus

Source of data:

Incipit: Boetius ille romanus, Cuius ingenium in musica nemo superauit imo nec attigit vnquam


Musice active micrologus, 2d ed.(Leipzig: Valentin Schumann, 1517;reprint ed., New York: Dover, 1973), ff.Eiijr-Iir.

ORNMUS2TEXT

16th65K

File name: X

Annotations:The incipit is preceded by an extended dedication, beginning "Cum Platonis illam: qua non nobismetipsis, sed etpatri ...." The graphics files for this treatise are ORNMUS2 01GF-ORNMUS2 13GF.





Musice active micrologus liber tertius

Source of data:

Incipit: Magnam habet cum concentu accentus affinitatem: fraterna nanque cognatione coherent


Musice active micrologus, 2d ed.(Leipzig: Valentin Schumann, 1517;reprint ed., New York: Dover, 1973), ff.Iir-Kijv.

ORNMUS3TEXT

16th33K

File name: X

Annotations:The incipit is preceded by an extended dedication, beginning "Quum homo dignissima creaturarum, animaldeiforme ...." The graphics files for this treatise are ORNMUS3 01GF-ORNMUS3 04GF.





163


Musice active micrologus liber quartus

Source of data:

Incipit: Refert Nichomachus Musicus, Canendi disciplinam, adeo simplicem fuisse primitus


Musice active micrologus, 2d ed.(Leipzig: Valentin Schumann, 1517;reprint ed., New York: Dover, 1973), ff.Kijv-Mivr.

ORNMUS4TEXT

16th65K

File name: X

Annotations:The incipit is preceded by an extended dedication, beginning "Cum intellectus noster in ortus sui principio,nudus atque informis existat ...." The graphics files for this treatise are ORNMUS4 01GF-ORNMUS4 06GF.





De vocum consonantiis

Source of data:

Incipit: Ars est iam utillima, a philosophis composita, ars est vocata Musica


Codex Oxoniensis Bibl. Bodl. Rawl. C270: Pars A, "De vocum consonantiis" ac"De re musica" (Osberni Cantuariensis?),ed. Joseph Smits van Waesberghe,Divitiae musicae artis, A/Xa (Buren:Knuf, 1979), 14-38. Used by kindpermission of the Laaber-Verlag.

OSBMUSTEXT

9th-11th29K

File name: X

Annotations:Based on Oxford, Bodleian Library, Rawl. C. 270, ff. 1r-9v (=RISM BIII/4:124-26); and Rome, BibliotecaApostolica Vaticana, Reg. lat. 1146, ff. 9v-16v (=RISM BIII/2:112-16. The graphics files for this treatise areOSBMUS 01GF-OSBMUS 03GF.

Osbernus Cantuariensis (?)Author:Treatise:




[Gerontikon]

Source of data:

Incipit: Abbas Pambo misit discipulum suum in Alexandriam, ut eorum manufacta venderet.



PAMGERTEXT

6th-8th3K

File name: X

Annotations:

Pambo, AbbasAuthor:Treatise:




Ars ad adiscendum contrapunctum

Source of data:

Incipit: Circa tractatum artificialis musicae primo sciendum quot sunt consonantiae

Thomas J. MathiesenTimothy K. ChenetteThomas J. Mathiesen

Albert Seay, "Paolo da Firenze: ATrecento Theorist," in L'Ars nova italianadel trecento: Primo convegnointernazionale 23-26 Iuglio 1959, ed.Bianca Becherini (Certald: Centro diStudi sull'Ars Nova Italiana del Trecento,1962), 133-40.

PAULARSATEXT

15th33K

File name: X

Annotations:Based on Florence, Biblioteca Medicea-Laurenziana, Ashburnham 1119 (=RISM BIII/2:47-49 and BIII/6:481).The graphics files for this treatise are PAULARSA 01GF-PAULARSA 03GF. Cf. PAULARS TEXT.

Paulus de FlorentiaAuthor:Treatise:




164


Ars ad discantandum contrapunctum

Source of data:

Incipit: Circa tractatum artificialis musice primo sciendum est quot sunt consonantie


P. Paolo Scattolin, "Il trattato teorico diPaolo da Firenze," in Mensurabilismusicae tractatuli, vol. 2, Antiquaemusicae italicae scriptores, vol. 1(Bologna: Università degli Studi diBologna, Istituto di Studi Musicali eTeatrali - Sez. Musicologia, 1975), 63-79.Used by permission.

PAULARSTEXT

15th33K

File name: X

Annotations:The graphics files for this treatise are PAULARS 01GF-PAULARS 04GF. Cf. PAULARSA TEXT.

Paulus de FlorentiaAuthor:Treatise:




Tractatus de musica

Source of data:

Incipit: Mutetus est cantus mensuralis per triplum vadens in quo discantus habet textum


Josef Reiss, "Pauli Paulirini de PragaTractatus de musica (etwa 1460),"Zeitschrift für Musikwissenschaft 7(1924-25): 261-64.

PAUTRATEXT

15th11K

File name: X

Annotations:The treatise is preserved in Codex 257 of the Jagellonian Library in Cracow. Only excerpts from Parts 2 and 3 ofPaulirinus's Tractatus are included in this article.

Paulirinus, PaulusAuthor:Treatise:




Summa musice

Source of data:

Incipit: Amicorum iusta et honesta petitio coactio reputatur. Hac itaque me stimulante


The Summa Musice: AThirteenth-Century Manual for Singers,ed. Christopher Page, Cambridge MusicalTexts and Monographs (Cambridge:Cambridge University Press, 1991),139-211. Used by permission.

PEPESUMTEXT

13th143K

File name: X

Annotations:The graphics file for this treatise is PEPESUM 01GF. Cf. MURSUM TEXT.

Perseus and PetrusAuthor:Treatise:




Tractatus musicae scientiae

Source of data:

Incipit: Quamvis inter artes liberales musica sit digne numerata, ipsa tamen quorundam

Thomas J. MathiesenSandra PinegarPeter Slemon

Hermann Müller, "Der tractatus musicaescientiae des Gobelinus Person,"Kirchenmusikalisches Jahrbuch 20(1907): 180-96.

PERTRATEXT

15th65K

File name: X

Annotations:

Person, GobelinusAuthor:Treatise:




165


Quodlibet VI: Quaestiones 16 et 17

Source of data:

Incipit: Consequenter ponuntur quaestiones pertinentes ad accidentia in particulari

Thomas J. MathiesenThomas J. MathiesenAndreas Giger

Frank Hentschel, "Der verjagte Dämon:Mittelalterliche Gedanken zur Wirkungder Musik aus der Zeit um 1300, mit einerEdition der Quaestiones 16 und 17 ausQuodlibet VI des Petrus d'Auvergne," inMiscellanea Mediaevalia:Veröffentlichungen des Thomas-Institutsder Universität zu Köln, vol. 27,Geistesleben im 13. Jahrhundert, ed. JanA. Aertsen and Andreas Speer (Berlin:Walter de Gruyter, 2000), 412-21. Usedby permission of Walter de GruyterGmbH & Co. KG

PETQUOTEXT

13th18K

File name: X

Annotations:Based on Berlin, Staatsbibliothek Preussischer Kulturbesitz, lat. fol. 428; Paris, Bibliothèque nationale, lat.15851 and 14562; Troyes, Bibliothèque de la ville, 269; and Rome, Biblioteca Apostolica Vaticana, lat. 932.

Petrus de AlverniaAuthor:Treatise:




Compendium artis motectorum Marchecti

Source of data:

Incipit: Quoniam tocius nove artis motectorum difficultas circa temporum varietatem



PAMCOMTEXT

14th33K

File name: X

Annotations:Edited from Sevilla, Biblioteca Capitular y Colombina, 5.II.25, ff. 116r-117v (=RISM BIII/5:110-20).

Petrus de AmalfiaAuthor:Treatise:




Tractatus de tonis

Source of data:

Incipit: Dicturi de tonis: primo videndum est quid sit tonus et unde dicatur.



PETTRATEXT

13th10K

File name: X

Annotations:The graphics files for this treatise are PETTRA 01GF-PETTRA 10GF. Cf. PETTRAC TEXT.

Petrus de Cruce AmbianensisAuthor:Treatise:




Tractatus de tonis

Source of data:

Incipit: Dicturi de tonis, primo videndum est quid sit tonus et unde dicatur.


Petrus de Cruce Ambianensi Tractatus detonis, ed. Denis Harbison, Corpusscriptorum de musica, vol. 29 (n.p.:American Institute of Musicology, 1976),vi-xxv. Used by permission.

PETTRACTEXT

13th10K

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Annotations:The graphics files for this treatise are PETTRAC 01GF-PETTRAC 17GF. Cf. PETTRA TEXT.

Petrus de Cruce AmbianensisAuthor:Treatise:




166


Tractatus de Musica

Source of data:

Incipit: Incipit tractatus fratris Petri de Sancto Dionysio, qui est in duas partes divisus



PSDTRATEXT

14th19K

File name: X

Annotations:A glossed version of MURNOT. The editor has provided only the additions of Petrus, with parentheticalreferences (referring to book, chapter and sentence numbers) to orient the reader to the appropriate sections ofthe de Muris Notitia artis musicae as edited in CSM, vol 17. The graphics files for this treatise are PSDTRA01GF-PSDTRA 02GF.

Petrus de Sancto DionysioAuthor:Treatise:




Compendium de discantu mensurabili

Source of data:

Incipit: Ad honorem Sanctae et Individuae Trinitatis et intemeratae viriginis Mariae


Johannes Wolf, "Ein Beitrag zurDiskantlehre des 14. Jahrhunderts,"Sammelbände der InternationalenMusikgesellschaft 15 (1913-14): 505-34.

PETCOMTEXT

14th37K

File name: X

Annotations:The graphics files for this treatise are PETCOM 01GF-PETCOM 19GF.

Petrus dictus Palma ociosaAuthor:Treatise:




Ars motettorum compilata breviter

Source of data:

Incipit: Quoniam nonnulli, maxime novi auditores, compendiosa brevitate letantur


Petrus Picardus, Ars motettorumcompilata breviter, ed. F. Alberto Gallo;Anonymus, Ars musicae mensurabilissecundum Franconem (Mss. Paris, Bibl.Nat., lat. 15129; Uppsala,Universiteitsbibl., C 55), ed. GilbertReaney and André Gilles; Anonymus,Compendium musicae mensurabilis artisantiquae (Ms. Faenza, BibliotecaComunale 117), ed. F. Alberto Gallo,Corpus scriptorum de musica, vol. 15([Rome]: American Institute ofMusicology, 1971), 16-24. Used bypermission.

PETARSTEXT

13th12K

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Annotations:The graphics files for this treatise are PETARS 01GF-PETARS 03GF. See also PETMUS TEXT, PETMUSMTEXT, PETMUSUP TEXT, and PETMM MPBN1666.

Petrus PicardusAuthor:Treatise:




Musica mensurabilis

Source of data:

Incipit: Quoniam nonnulli maxime novi auditores compendiosa brevitate letantur

Albert C. Rotola, S.J.Thomas J. MathiesenBradley Jon Tucker


PETMUSTEXT

13th7K

File name: X

Annotations:See also PETARS TEXT, PETMUSM TEXT, PETMUSUP TEXT, and PETMM MPBN1666.





167


[Musica mensurabilis]

Source of data:

Incipit: Quoniam nonnulli et maxime auditores noui compendiosa breuitate laetantur



PETMUSUPTEXT

13th33K

File name: X

Annotations:Based on Uppsala, Universiteitsbibl., C 453, ff. 172r-173v. See also PETARS TEXT, PETMUS TEXT,PETMUSM TEXT, and PETMM MPBN1666. The graphics files for this treatise are PETMUSUP01GF-PETMUSUP 02GF.





Musica mensurabilis

Source of data:

Incipit: Quoniam nonnulli, maxime novi auditores, compendiosa brevitate laetantur



PETMUSMTEXT

13th7K

File name: X

Annotations:See also PETARS TEXT, PETMUS TEXT, PETMUSUP TEXT, and PETMM MPBN1666.





Musica mensurabilis

Source of data:

Incipit: Quoniam non nulli maxime noui auditores compendiosa breuitate letantur



PETMMMPBN1666

13th8K

File name: X

Annotations:=RISM BIII/1:124. The incipit is preceded by the introductory text: "Que quidem quasi epilogando sedabreuiando Petrus Picardus scribens ait." Cf. PETARS TEXT, PETMUS TEXT, PETMUSM TEXT, andPETMUSUP TEXT.





Ars contrapunctus

Source of data:

Incipit: Volentibus introduci in artem contrapuncti



VITARSCTEXT

14th14K

File name: X

Annotations:Although the treatise is "secundum Philippum de Vitriaco," de Vitry is no longer generally considered to be theauthor. The graphics file for this treatise is VITARSC 01GF.

Philippe de VitryAuthor:Treatise:




Ars nova

Source of data:

Incipit: Musice tria sunt genera Mundanum humanum et instrumentalem

Thomas J. MathiesenOliver Ellsworth & M. W. LundellJohn Gray

Rome, Biblioteca Apostolica Vaticana,Barberini lat. 307, ff. 17r-20v.

VITANVMBAVB307

14th29K

File name: X

Annotations:=RISM BIII/2:102-4. The graphics files for this treatise are VITANV 01GF-VITANV 02GF. Cf. VITARSNTEXT, VITARN TEXT, and VITARNO TEXT.





168


Ars nova

Source of data:

Incipit: Musice tria sunt genera: mundanum, humanum, et instrumentale



VITARSNTEXT

14th28K

File name: X

Annotations:The graphics file for this treatise is VITARSN 01GF. Cf. VITANV MBAVB307, VITARNO TEXT, andVITARN TEXT.





Ars nova

Source of data:

Incipit: Musicae tria sunt genera: mundanum, humanum et instrumentale



VITARNOTEXT

14th30K

File name: X

Annotations:The graphics file for this treatise is VITARNO 01GF. Cf. VITANV MBAVB307, VITARSN TEXT, andVITARN TEXT.





Ars nova

Source of data:

Incipit: Musicae tria sunt genera: mundanum, humanum et instrumentale

Thomas J. MathiesenHannah Jo Smith & Andreas GigerStephen E. Hayes

Gilbert Reaney, André Gilles, and JeanMaillard, "The 'Ars nova' of Philippe deVitry," Musica disciplina 10 (1956):13-32. Used by permission of theAmerican Institute of Musicology(Tempo Music Publications, 3773 West95th Street, Leawood, KS 66206).

VITARNTEXT

14th32K

File name: X

Annotations:The graphics file for this treatise is VITARN 01GF. Cf. VITANV MBAVB307, VITARSN TEXT, andVITARNO TEXT.





Ars perfecta in musica

Source of data:

Incipit: Septem sunt species consonantiarum in discantu

Thomas J. MathiesenDolores PesceC. Matthew Balensuela


VITARSPTEXT

14th20K

File name: X

Annotations:The graphics files for this treatise are VITARSP 01GF-VITARSP 02GF.





Liber musicalium

Source of data:

Incipit: Quoniam de arte mensurabili tractare proponimus



VITLIBMTEXT

14th26K

File name: X

Annotations:The graphics files for this treatise are VITLIBM 01GF-VITLIBM 03GF.





169


Tractatus de diversis figuris

Source of data:

Incipit: Quoniam sicut deo placuit scientiam musice


Milan, Biblioteca Ambrosiana, I.20.inf.,ff. 34v-36v.

CASTRAMMMBAI20I

14th33K

File name: X

Annotations:=RISM BIII/2:57-58 and BIII/6:517. The incipit is preceded by: "Incipit tractatus figurarum per quasdiuersimode discantur non sequentes ordinem tenoris sed alterius temporis." Space has been provided forvarious figures and musical examples, all of which have been omitted. The final few lines on f. 36r and thebeginning of f. 36v exhibit (without a break or a new title) the first few lines of Phillipotus Andrea's Decontrapuncto quaedam regulae utiles (ANDCOM TEXT), beginning "Post octauam quintam" and ending "Postsextam octauam si cantus descendit per vnum. Et sic est finis Deo. Gratias Amen." Cf. CASTRA TEXT andTRAFIG TEXT.

Philippus de CasertaAuthor:Treatise:




Tractatus de diversis figuris

Source of data:

Incipit: Quoniam sicut domino placuit scientiam musice



CASTRATEXT

14th14K

File name: X

Annotations:The graphics file for this treatise is CASTRA 01GF. Cf. CASTRAM MMBAI20I and TRAFIG TEXT.

Philippus de CasertaAuthor:Treatise:




De contrapuncto quaedam regulae utiles

Source of data:

Incipit: Versus Post octavam quinta, si note tendunt



ANDCONTEXT

14th4K

File name: X

Annotations:The graphics files for this treatise are ANDCON 01GF-ANDCON 03GF. The first few lines of the treatiseappear as the final few lines in CASTRAM MMBAI20I.

Phillipotus AndreaAuthor:Treatise:




Brevis summula proportionum

Source of data:

Incipit: Tibi, dilecte frater, tuus Prosdocimus de Beldemandis

Benito V. RiveraThomas J. MathiesenC. Matthew Balensuela


PROBRE2TEXT

15th14K

File name: X

Annotations:Cf. PROBRE1 TEXT.

Prosdocimo de' BeldomandiAuthor:Treatise:




170


Brevis summula proportionum quantum ad musicam pertinet

Source of data:

Incipit: Adsit principio Virgo Maria meo. Tibi, dilecte frater

Thomas J. MathiesenJan Herlinger & Anne StoneMalcolm Litchfield

Prosdocimo de' Beldomandi, Brevissummula proportionum quantum admusicam pertinet and Parvus tractatulusde modo monacordum dividendi, ed. andtrans. by Jan Herlinger, Greek and LatinMusic Theory, vol. 4 (Lincoln: Universityof Nebraska Press, 1987), 46-62. Used bypermission.

PROBRE1TEXT

15th14K

File name: X

Annotations:Cf. PROBRE2 TEXT.





Contrapunctus

Source of data:

Incipit: Scribit Aristotiles secundo Elenchorum, capitulo ultimo

Thomas J. MathiesenC. Matthew BalensuelaJan Herlinger

Prosdocimo de' Beldomandi,Contrapunctus, ed. and trans. by JanHerlinger, Greek and Latin MusicTheory, vol. 1 (Lincoln: University ofNebraska Press, 1984), 26-94. Used bypermission.

PROCONTEXT

15th22K

File name: X

Annotations:The graphics file for this treatise is PROCON 01GF. Cf. PROTRAC TEXT.





Expositiones tractatus pratice cantus mensurabilis magistri Johannis de Muris

Source of data:

Incipit: Rogasti me, amice dilecte, ut in arte musicali tui amore aliqua in uno opusculo

Thomas J. MathiesenTimothy K. ChenettePhil Kurasz and Peter Slemon

Prosdocimi de Beldemandis opera 1:Expositiones tractatus pratice cantusmensurabilis magistri Johannis de Muris,ed. F. Alberto Gallo, Antiquae musicaeitalicae scriptores, vol. 3 (Bologna:Università degli Studi de Bologna,Istituto di Studi Musicali e Teatrali - Sez.Musicologia, 1966), 19-223. Used bypermission.

PROEXPTEXT

15th325K

File name: X

Annotations:The graphics file for this treatise is PROEXP 01GF.





Libellus monocordi

Source of data:

Incipit: Etsi facile sit inventis addere

Thomas J. MathiesenJohn SnyderC. Matthew Balensuela


PROLIBTEXT

15th34K

File name: X

Annotations:The graphics file for this treatise is PROLIB 01GF. Cf. PROPAR TEXT.





171


Parvus tractatulus de modo monacordum dividendi

Source of data:

Incipit: Etsi facile sit inventis addere

Thomas J. MathiesenJan Herlinger & Anne StoneMalcolm Litchfield


PROPARTEXT

15th34K

File name: X

Annotations:The graphics file for this treatise is PROPAR 01GF. Cf. PROLIB TEXT.





Tractatus de contrapuncto

Source of data:

Incipit: Scribit Aristoteles, secundo Elencorum capitulo ultimo

Thomas J. MathiesenDolores PesceC. Matthew Balensuela


PROTRACTEXT

15th22K

File name: X

Annotations:The graphics file for this treatise is PROTRAC 01GF. Cf. PROCON TEXT.





Tractatus musice speculative

Source of data:

Incipit: Dum quidam mihi carus ac uti frater intimus lucas nomine de castro lendenarie policinii

Thomas J. MathiesenAngela Mariani & Bradley TuckerJessica Burr

D. Raffaello Baralli and Luigi Torri, "IlTrattato di Prosdocimo de' Beldomandicontro il Lucidario di Marchetto daPadova per la prima volta trascritto eillustrato," Rivista musicale italiana 20(1913): 731-62.

PROSPETEXT

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Annotations:A single graphic is contained in PROSPE 01GF.





Tractatus practice cantus mensurabilis ad modum ytalicorum

Source of data:

Incipit: Ars practice cantus mensurabilis duplex reperitur.


Claudio Sartori, La notazione italiana deltrecento in una redazione inedita del"Tractatus practice cantus mensurabilis admodum ytalicorum" di Prosdocimo deBeldemandis (Firenze: Leo S. Olschki,1938), 35-71.

PROTRAYTEXT

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Annotations:Based on Lucca, Biblioteca Statale, 359, ff. 34r-48r (=RISM BIII/6:509-12). The graphics files for this treatiseare PROTRAY 01GF-PROTRAY 02GF. Cf. PROTRAP2 TEXT





172


Tractatus practice de musica mensurabili

Source of data:

Incipit: Quoniam multitudo scripture lectoris animo sepius fastidium non parum infert



PROTRAP1TEXT

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Tractatus practice de musica mensurabili ad modum italicorum

Source of data:

Incipit: Ars pratice cantus mensurabilis duplex reperitur:

Thomas J. MathiesenWalter KreyszigC. Matthew Balensuela


PROTRAP2TEXT

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Commentary on De vita et honestate clericorum of Pope John XXII

Source of data:

Incipit: Licet musica ipsa magnis possit efferri laudibus adeoque inter caeteras disciplinas


Karl-Werner Gümpel, "Der ToledanerKapellmeister Bartolome de Quevedo undsein Kommentar zu der Extravagante'Docta Sanctorum' Johannes XXII," inGesammelte Aufsätze zurKulturgeschichte Spaniens, SpanischeForschungen der Görresgesellschaft, I/21(Münster: Aschendorff, 1963), 297-308.Used by permission.

QUECOMTEXT

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Annotations:Based on Madrid, Biblioteca de la Real Academia de la Historia, 9/1010 (olim Colección Salazar y Castro N-4),ff. 83r-94v (=RISM BIII/5:89-90).

Quevedo, Bartolomé deAuthor:Treatise:




De origine rerum

Source of data:

Incipit: Musica est peritia modulationis sono cantuque consistens et dicta musica



MAUMUSTEXT

9th-11th16K

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Annotations:Based on Monte-Cassino, Arch. 132. Cf. MAUDEU TEXT.

Rabanus MaurusAuthor:Treatise:




De universo, liber XVIII, caput IV

Source of data:

Incipit: Musica est peritia modulationis sono cantuque consistens; et dicta musica



MAUDEUTEXT

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Annotations:Cf. MAUMUS TEXT.

Rabanus MaurusAuthor:Treatise:




173


Musica practica, prima pars, tractatus primus

Source of data:

Incipit: Boetii musices disciplina quinque voluminibus comprehensa quoniam profundissimis

Thomas J. MathiesenPeter SlemonJingfa Sun

Johannes Wolf, Musica practicaBartolomei Rami de Pareia Bononiae,impressa opere et industria ac expensismagistri Baltasaris de HiriberiaMCCCCLXXXII: Nach denOriginaldrucken des Liceo musicale mitGenehmigung der Commune vonBologna, Publikationen derInternationalen Musikgesellschaft,Beihefte, vol. 2 (Leipzig: Breitkopf undHärtel, 1901), 1-24.

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Ramus de Pareia, BartholomeusAuthor:Treatise:




Musica practica, prima pars, tractatus secundus

Source of data:

Incipit: Etiam nunc voces musicas distinguamus. Vox est aeris repercussio indissoluta



RAMMP1T2TEXT

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Musica practica, prima pars, tractatus tertius

Source of data:

Incipit: Redeamus igitur ad ipsam musicae speciem, quae totam harmoniae vim dicitur



RAMMP1T3TEXT

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174


Musica practica, secunda pars, tractatus primus

Source of data:

Incipit: Taliter hucusque prosecuti fuimus, ut tantum de vocibus successive prolatis



RAMMP2TEXT

15th32K

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Annotations:See also RAMMP1T1, RAMMP1T2, RAMMP1T3, RAMMP3T1, and RAMMP3T2. The graphics files for thistreatise are RAMMP 01GF-RAMMP 08GF.





Musica practica, tertia pars, tractatus primus

Source of data:

Incipit: Binas longas maximam binasque breves longam atque brevem duas semibreves



RAMMP3T1TEXT

15th31K

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Annotations:See also RAMMP1T1, RAMMP1T2, RAMMP1T3, RAMMP2, and RAMMP3T2. The graphics files for thistreatise are RAMMP 01GF-RAMMP 08GF.





Musica practica, tertia pars, tractatus secundus

Source of data:

Incipit: Sicut igitur ex numerorum multiplicatione relata proportionum genera redundarunt



RAMMP3T2TEXT

15th42K

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Annotations:See also RAMMP1T1, RAMMP1T2, RAMMP1T3, RAMMP2, and RAMMP3T1. The graphics files for thistreatise are RAMMP 01GF-RAMMP 08GF. This file also includes the Anhang that forms a part of Wolf'sedition, containing excerpts from Burtius, Hothby, and Gaffurio.






Source of data:

Incipit: Cum frequenter in Ecclesiae vestrae dioecesibus chorus psallentium psalmorum



REGHARITEXT

9th-11th52K

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Annotations:The incipit is preceded by the address "Excellentissimo domino Radbodo, sanctae Treverensis Ecclesiaearchiepiscopo. Regino devotum obsequium in perpetuum." Cf. REGDHI TEXT and REGHAR TEXT.

Regino PrumiensisAuthor:Treatise:




175



Source of data:

Incipit: Cum frequenter in ecclesiae vestrae dioecesibus chorus psallentium psalmorum


Edna Marie Le Roux, RSM, "The Deharmonica and Tonarius of Regino ofPrüm" (Ph.D. dissertation, CatholicUniversity of America, 1965), 22-84.Used by permission.

REGDHITEXT

9th-11th51K

File name: X

Annotations:The incipit is preceded by the address "Excellentissimo domino Rathbodo sanctae Treverensis ecclesiaeArchiepiscopo, Regino devotum obsequium in perpetuum." The editor of this text indicated the folio numbersfor Leipzig, Universitätsbibliothek, lat. 169 in brackets and the page numbers for the Gerbert edition (seeREGHAR) in parentheses throughout the text. Each indication is preceded by a virgule (/). Cf. REGHAR TEXTand REGHARI TEXT.





Epistola de harmonica institutione

Source of data:

Incipit: Cum frequenter in ecclesiae vestrae dioecesibus chorus psallentium psalmorum



REGHARTEXT

9th-11th51K

File name: X

Annotations:The incipit is preceded by the address "Excellentessimo domino Rathbodo sanctae Treverensis ecclesiaeArchiepiscopo, Regino devotum obsequium in perpetuum." Cf. REGDHI TEXT and REGHARI TEXT.





Tonarius

Source of data:

Incipit: Incipiunt octo toni musicae artis cum suis differentiis authenticus protus

Thomas J. MathiesenAndreas GigerAngela Mariani

Edna Marie Le Roux, RSM, "The Deharmonica and Tonarius of Regino ofPrüm" (Ph.D. dissertation, CatholicUniversity of America, 1965), 137-294and (left column only) 303-5. Used bypermission.

REGTONATEXT

9th-11th240K

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Annotations:The editor of this text indicated the folio numbers for Leipzig, Universitätsbibliothek, lat. 169 in bracketsthroughout the text. Cf. REGTON TEXT.





Tonarius

Source of data:

Incipit: Ignatius Antiochie Syrie tertius post apostolum Petrum Episcopus,



REGTONTEXT

9th-11th49K

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Annotations:The graphics files for this treatise are REGTON 01GF-REGTON 35GF. Cf. REGTONA TEXT.





Margarita philosophica cum additionibus nouis: ab auctore suo studiosissima reuisione quarto super additis, Liber V: De principiis musicae

Source of data:

Incipit: Discipulus; Inter ceteras quibus humanus torquetur animus


Margarita philosophica, mit einemVorwort, einer Einleitung und einemneuen Inhaltsverzeichnis von LutzGeldsetzer (Düsseldorf: Stern-VerlagJanssen & Co., [1973]), 175-203.

REIMARTEXT

16th64K

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Reisch, GregorAuthor:Treatise:




176


Musica

Source of data:

Incipit: Omnis ars Musica proportionibus constat, id est consonantiis. (Dico, quidquid recte



REMMUSTEXT

9th-11th90K

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Annotations:Cf. REMMUSI TEXT.

Remigius AltisiodorensisAuthor:Treatise:




Musica

Source of data:

Incipit: Omnis ars musica proportionibus constat, id est consonantiis. (Dico, quidquid recte



REMMUSITEXT

9th-11th90K

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Annotations:Cf. REMMUS TEXT.

Remigius AltisiodorensisAuthor:Treatise:




Enchiridion utriusque musicae practicae

Source of data:

Incipit: Musicam artem multis retro seculis floruisse, nemo est qui neget.


Enchiridion utriusque musicae practicae aGeorgio Rhau ex varijs musicorum libris,pro pueris in schola Vitebergensicongestum (Wittemberg: Georg Rhau,1538; reprint ed., Kassel: Bärenreiter,1951).

RHAENCTEXT

16th58K

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Annotations:The text proper is preceded by a pedagogical epigram, a dedicatory letter (beginning "Omnes eruditi homines,qui vel antiquis illis temporibus ..."), and a note Ad pueros (beginning "Non miremini optimi pueri ..."). Thegraphics files for this treatise are RHAENC 01GF-RHAENC 27GF.

Rhau, GeorgAuthor:Treatise:




Regulae

Source of data:

Incipit: Incipiunt regule cum maximis magistri Franconis, cum additionibus aliorum musicorum

Thomas J. MathiesenBradley Jon TuckerPeter M. Lefferts


HANREGUTEXT

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Robertus de HandloAuthor:Treatise:




Regule

Source of data:

Incipit: Incipiunt regule cum maximis magistri Franconis cum additionibus aliorum musicorum

Thomas J. MathiesenLuminita AluasPeter M. Lefferts

Robertus de Handlo, Regule, andJohannes Hanboys, Summa, ed. and trans.by Peter M. Lefferts, Greek and LatinMusic Theory, vol. 7 (Lincoln: Universityof Nebraska Press, 1991), 80-178. Usedby permission.

HANREGTEXT

14th44K

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Robertus de HandloAuthor:Treatise:




177


Summa musicae artis

Source of data:

Incipit: Musica est motus vocum, id est, per arsyn et thesyn. Est etiam veraciter canendi scientia


Albert Seay, "Guglielmo Roffredi'sSumma musicae artis," Musica disciplina24 (1970): 71-77. Used by permission ofthe American Institute of Musicology(Tempo Music Publications, 3773 West95th Street, Leawood, KS 66206).

ROFFSUMTEXT

12th15K

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Annotations:Based by Lucca, Biblioteca arcivescovile, 614, ff. 211v-212r. The graphics file for this treatise is ROFFSUM01GF.

Roffredi, GuglielmoAuthor:Treatise:




Libellus de rudimentis musices: Compendium musicae

Source of data:

Incipit: Musica est ars Deo placens ac hominibus, omne quod canitur discernens


Biagio Rossetti, Libellus de rudimentismusices, ed. Albert Seay, Critical Texts,no. 12 (Colorado Springs: ColoradoCollege Music Press, 1981), 1-60. Usedby permission.

ROSLIB1TEXT

16th111K

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Annotations:The incipit is preceded by various dedicatory poems. The graphics files for this treatise are ROSLIB101GF-ROSLIB1 06GF. Cf. ROSLIB2 TEXT.

Rossetti, BiagioAuthor:Treatise:




Libellus de rudimentis musices: De choro et organo compendium

Source of data:

Incipit: Habitis itaque atque utcumque enucleatis musices rudimentis quibus pueri


Biagio Rossetti, Libellus de rudimentismusices, ed. Albert Seay, Critical Texts,no. 12 (Colorado Springs: ColoradoCollege Music Press, 1981), 62-94. Usedby permission.

ROSLIB2TEXT

16th68K

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Annotations:The graphics files for this treatise are ROSLIB2 01GF-ROSLIB2 03GF. Cf. ROSLIB1 TEXT.

Rossetti, BiagioAuthor:Treatise:




Quaestiones in musica

Source of data:

Incipit: Quare non possint esse plura quam septem vocum discrimina. Natura omnium rerum


Rudolf Steglich, ed., Die Quaestiones inmusica: Ein Choraltraktat des zentralenMittelalters und ihr mutmasslicherVerfasser Rudolf von St. Trond(1070-1138) (Leipzig: Breitkopf undHärtel, 1911), 12-99.

RUDQUATEXT

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Rudolf of St. TrondAuthor:Treatise:




Tractatus modi, temporis et prolationis

Source of data:

Incipit: Omnem scientiam omnemque philosophiam credimus et profitemur de externo fonte

Benito V. RiveraThomas J. MathiesenC. Matthew Balensuela


FLATRATEXT

15th14K

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Sadze de Flandria, ChristianusAuthor:Treatise:




178


Musica plana atque mensurabilis una cum nonnullis solmisationis regulis certissimis insertis summa diligentia compendiose exarata

Source of data:

Incipit: Musicae artis non unum tantum, sed plures diversis saeculis et coeli plagis


Renate Federhofer-Königs, "Die Musicaplana atque mensurabilis von HeinrichSaess," Kirchenmusikalisches Jahrbuch48 (1964): 64-94. Used by permission.

SAEMUSTEXT

16th58K

File name: X

Annotations:The incipit is preceded by a two laudatory poems, beginning: "Quisquis ad Orpheum velis applicuisseleporem..." and "Dulcisona lector qui vis complectier arte ..."; and a dedicatory preface, beginning: "Deosplacatos pietas efficiet et sanctitas ...." The graphics files for this treatise are SAEMUS 01GF-SAEMUS 21GF.

Saess, HeinrichAuthor:Treatise:




De musica, liber primus

Source of data:

Incipit: Inter omnium animantium voces merito vox humana principem locum obtinere


Francisci Salinae Burgensis AbbatisSancti Pancratii de Rocca Scalegna inregno Neapolitano, et in AcademiaSalmanticensi Musicae Professoris, deMusica libri Septem, in quibus eiusdoctrinae veritas tam quae adHarmoniam, quam quae ad Rhythmumpertinet, iuxta sensus ac rationis iudiciumostenditur, et demonstratur (Salamanca:Mathias Gastius, 1577), ff. 1r-8v and pp.1-45.

SALMUS1TEXT

16th189K

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Annotations:The incipit is preceded by the imprimatur, several dedicatory verses, and a dedicatory preface. The graphics filesfor this treatise are SALMUS1 01GF-SALMUS1 13GF. See also SALMUS2 TEXT, SALMUS3 TEXT,SALMUS4 TEXT, SALMUS5 TEXT, SALMUS6 TEXT, and SALMUS7 TEXT.

Salinas, FranciscusAuthor:Treatise:




De musica, liber secundus

Source of data:

Incipit: De Numeris, et Proportionibus, quae ex numerorum comparationibus oriuntur,

Thomas J. MathiesenAlbert C. Rotola, S.J.Bradley Tucker & Andreas Giger

Francisci Salinae Burgensis AbbatisSancti Pancratii de Rocca Scalegna inregno Neapolitano, et in AcademiaSalmanticensi Musicae Professoris, deMusica libri Septem, in quibus eiusdoctrinae veritas tam quae adHarmoniam, quam quae ad Rhythmumpertinet, iuxta sensus ac rationis iudiciumostenditur, et demonstratur (Salamanca:Mathias Gastius, 1577), 46-100.

SALMUS2TEXT

16th175K

File name: X

Annotations:The incipit is preceded by the chapter title: "Qvod non nvmervs per se, neqve sonvs ab harmonico considerandussit, sed vterque simul: et quot modis Soni nomen accipiatur." The graphics files for this treatise are SALMUS201GF-SALMUS2 19GF. See also SALMUS1 TEXT, SALMUS3 TEXT, SALMUS4 TEXT, SALMUS5 TEXT,SALMUS6 TEXT, and SALMUS7 TEXT.





De musica, liber tertius

Source of data:

Incipit: Libro superiore satis atque abunde de consonantijs, et minoribus interuallis



SALMUS3TEXT

16th240K

File name: X

Annotations:The incipit is preceded by the chapter title: "Qvid sit genvs in mvsica: et quot sunt Genera melodiarum." Thegraphics files for this treatise are SALMUS3 01GF-SALMUS3 21GF. See also SALMUS1 TEXT, SALMUS2TEXT, SALMUS4 TEXT, SALMUS5 TEXT, SALMUS6 TEXT, and SALMUS7 TEXT.





179


De musica, liber quartus

Source of data:

Incipit: Postquam tribus superioribus libris absoluimus omnia, quae ad compositionem

Thomas J. MathiesenAndre BarberaAndreas Giger


SALMUS4TEXT

16th207K

File name: X

Annotations:The incipit is preceded by the chapter title: "Qvid sit species in mvsica, et quomodo differat a genere, et despeciebus consonantiarum iuxta Euclidis, et Ptolemaei, ac Boetij positiones." The graphics files for this treatiseare SALMUS4 01GF-SALMUS4 10GF. See also SALMUS1 TEXT, SALMUS2 TEXT, SALMUS3 TEXT,SALMUS5 TEXT, SALMUS6 TEXT, and SALMUS7 TEXT.





De musica, liber quintus

Source of data:

Incipit: Qvatuor superioribus libris a nobis tractatum est de priore Musicae parte

Thomas J. MathiesenAlbert C. Rotola, S.J.Andreas Giger


SALMUS5TEXT

16th185K

File name: X

Annotations:The incipit is preceded by the chapter title: "Qvid sit rhythmvs, a quo altera Musicae pars Rhythmica nominatur,iuxta Philoxeni et Platonis, et aliorum definitiones, et quo pacto Rhythmus Oratorius, et Poeticus a Musicodifferant." The graphics file for this treatise is SALMUS5 01GF. See also SALMUS1 TEXT, SALMUS2 TEXT,SALMUS3 TEXT, SALMUS4 TEXT, SALMUS6 TEXT, and SALMUS7 TEXT.





De musica, liber sextus

Source of data:

Incipit: Svperest nunc vt de metris ac versibus ac eorum canoris differentijs dicamus

Thomas J. MathiesenBenito V. RiveraAndreas Giger


SALMUS6TEXT

16th271K

File name: X

Annotations:The incipit is preceded by the chapter title: "Qvod non ponenda sit tertia Musicae pars, quae metrica nominatur,sed ad rhythmicam metrorum tractatio pertineat: et vtrum plus laudis mereantur, qui tenorem vnius vocis metricalege constantem inuenerint, an qui inuentum artificioso plurium vocum cantu composuerint." The graphics filefor this treatise is SALMUS6 01GF. See also SALMUS1 TEXT, SALMUS2 TEXT, SALMUS3 TEXT,SALMUS4 TEXT, SALMUS5 TEXT, and SALMUS7 TEXT.





180


De musica, liber septimus

Source of data:

Incipit: Traditis iam et expositis, quae ad rhythmorum et metrorum compositionem visa sunt

Thomas J. MathiesenAlbert C. Rotola, S.J.Andreas Giger

Francisci Salinae Burgensis AbbatisSancti Pancratii de Rocca Scalegna inregno Neapolitano, et in AcademiaSalmanticensi Musicae Professoris, deMusica libri Septem, in quibus eiusdoctrinae veritas tam quae adHarmoniam, quam quae ad Rhythmumpertinet, iuxta sensus ac rationis iudiciumostenditur, et demonstratur (Salamanca:Mathias Gastius, 1577) 374-438.

SALMUS7TEXT

16th184K

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Annotations:The incipit is preceded by the chapter title: "De metri et versus differentia, et de versus nominis etymologia."The graphics file for this treatise is SALMUS7 01GF. See also SALMUS1 TEXT, SALMUS2 TEXT,SALMUS3 TEXT, SALMUS4 TEXT, SALMUS5 TEXT, and SALMUS6 TEXT.





Scientia artis musicae

Source of data:

Incipit: Sciendum est, quod ars musicae septenario numero litterarum contenta est



SALSCITEXT

13th105K

File name: X

Annotations:A long preface precedes the treatise, beginning: "Quoniam veritas et claritas scientiae artis musicae ubiquepartium mundi, super quem fundamentum universalis ecclesiae quasi post fidem orthodoxam consistit, ..." Thegraphics files for this treatise are SALSCI 01GF-SALSCI 16GF.

Salomo, EliasAuthor:Treatise:




Opus aureum musicae, partes III et IV

Source of data:

Incipit: Amphionem dircaeum Antiopae, Lyncei coniugis, Methei Thebani regis filiae, ac Epaphi

Thomas J. MathiesenJames RodgersPeter Slemon

Klaus Wolfgang Niemöller, Die Musicafigurativa des Melchior Schanppecher,Beiträge zur rheinischenMusikgeschichte, vol. 50 (Köln: ArnoVolk, 1961), 1-40. Used by permission.

SCHOPATEXT

16th65K

File name: X

Annotations:The four-part Opus aureum musicae was first published by Nicolaus Wollick in Cologne in 1501, but parts IIIand IV were by Wollick's teacher, Melchior Schanppecher (for parts I and II, see WOLOPA TEXT). Wollicklater revised and expanded his treatise under the title Enchiridion musices (see WOLENC1 TEXT, WOLENC2TEXT, WOLENC3 TEXT, WOLENC4 TEXT, WOLENC5 TEXT, and WOLENC6 TEXT). The graphics filesfor this treatise represent both the added handwritten examples as they appear in a photocopy of the 1501 editionformerly in the library of the Universität Münster (SCHOPA 01GF-SCHOPA 12GF) and the correspondingexamples that were reprinted in the 1508 edition of Margarita philosophica nova by Gregor Reisch (SCHOPA12GF-SCHOPA 14GF).

Schanppecher, MelchiorAuthor:Treatise:




Modus regulariter accentuandi lectiones Matutinales, prophetias necnon epistolas et euangelia

Source of data:

Incipit: Cum regularis debitaque pronunciatio vniuscuiusque vocis (que finis grammatice

Thomas J. MathiesenAndreas GigerSergei Lebedev

Modus regulariter accentuandi lectionesMatutinales, prophetias necnon epistolaset euangelia ([Cracow: Jan Haller, 1518];reprint ed., Cracow: PolskieWydawnictwo Muzyczne, 1979).

FELMODTEXT

16th27K

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Annotations:The incipit is preceded by an ad lectorem, beginning: "Si quid in hoc vicij, cernas pugnare libello ...." Thegraphics files for this treatise are FELMOD 01GF-FELMOD 14GF.

Sebastianus de FelstinAuthor:Treatise:




181


Opusculum musice

Source of data:

Incipit: In laudem pulcherrime artis musicae assummo dictum diuini Dauid

Thomas J. MathiesenAndreas GigerSergei Lebedev & Olga Lebedeva

Opusculum musice compilatum nouiterper dominum Sebastianum presbiterumde Felstin. Pro institutione adolescentumin cantu Simplici seu Gregoriano([Cracow: Jan Haller, 1517]; reprint ed.,Cracow: Polskie WydawnictwoMuzyczne, 1979).

FELOPTEXT

16th34K

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Annotations:The graphics files for this treatise are FELOP 01GF-FELOP 16GF.

Sebastianus de FelstinAuthor:Treatise:




Quaestiones musicae in usum scholae Northusianae

Source of data:

Incipit: Quid est Musica? Est ars liberalis, rectas canendi formulas demonstrans.


Quaestiones musicae in usum scholaeNorthusiane, per Ioannem SpangenbergHerdessianum collectae (Nuremberg:Iohannes Petreius, 1536).

SPANQUATEXT

16th65K

File name: X

Annotations:The incipit is preceded by a series of dedicatory poems and letters, and by the heading "De definitione musicae."The graphics files for this treatise are SPANQUA 01GF-SPANQUA 15GF.

Spangenberg, IohannesAuthor:Treatise:




De modo, tempore, et prolatione

Source of data:

Incipit: Quae nominibus tria proponuntur, re vera quatuor sunt.

Thomas J. MathiesenAndreas GigerAlbert C. Rotola, S.J.

Madrid, Biblioteca nacional 6486, ff.46v-49r.

STOMTPMMBN6486

16th7K

File name: X

Annotations:This treatise follows Stoquerus's De vera solfizationis (cf. STOVERA MMBN6486) and De musica verbali (cf.STODEM TEXT) in the manuscript. The graphics file for this treatise is STOMTP 01GF.

Stoquerus, GasparAuthor:Treatise:




De musica verbali libri duo

Source of data:

Incipit: Ociosum me nec gravioribus additum studiis

Thomas J. MathiesenAnne StoneAlbert C. Rotola, S.J.

Gaspar Stoquerus, De musica verbali libriduo, ed. and trans. by Albert C. Rotola,S.J., Greek and Latin Music Theory, vol.5 (Lincoln: University of Nebraska Press,1988), 100-254. Used by permission.

STODEMTEXT

16th96K

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Annotations:The graphics file for this treatise is STODEM 01GF.





De vera solfizationis

Source of data:

Incipit: Quam stulte faciant, qui Solfizandi rationem pueros ex Guidonis scala docere conantur

Thomas J. MathiesenAndreas GigerAlbert C. Rotola, S.J.

Madrid, Biblioteca nacional 6486, ff.41r-45v.

STOVERAMMBN6486

16th12K

File name: X

Annotations:This treatise follows Stoquerus's De musica verbali (cf. STODEM TEXT) in the manuscript.





182


Dialogus de musica

Source of data:

Incipit: Rogerius: Quod dudum concupivi, nunc indeptus sum, quia tecum loqui semper volui


Rutgerus Sycamber de Venray, Dialogusde musica (um 1500), ed. FritzSoddemann, Beiträge zur rheinischenMusikgeschichte, vol. 54 (Köln: ArnoVolk, 1963), 1-64. Used by permission.

RUTDIATEXT

16th163K

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Annotations:Based on Köln, Stadtarchiv, W 340, ff. 692r-702v (=RISM BIII/3:75 and BIII/6:311). The incipit is preceded bya dedicatory preface addressed "Ad devotum patrem Thomam Stralem," beginning: "Diutius mecum cogitavi...." The graphics files for this treatise are RUTDIA 01GF-RUTDIA 02GF.

Sycamber de Venray, RutgerusAuthor:Treatise:




Musica

Source of data:

Incipit: Principia artis musice ad laudem dei omnipotentis virginisque marie serenissime

Thomas J. mathiesenAnastasia ArapovaMark Butler

Waclaw Gieburowski, Die "MusicaMagistri Szydlovite": ein polnischerChoraltraktat des XV. Jahrh. und seineStellung in der Choraltheorie desMittelalters, mit Beruecksichtigung derChoraltheorie und -Praxis des XV. Jahrh.in Polen, sowie der NachtridentinischenChoralreform (Posen: St. Adalbert, 1915),9-72.

SZYDMUSTEXT

15th139K

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Szydlow, Johannes deAuthor:Treatise:




Lectura

Source of data:

Incipit: Incipit lectura per Petrum Tallanderii ordinata tam super cantu mensurabili


Petrus Tallanderius, Lectura, ed. AlbertSeay, Critical Texts, no. 4 (ColoradoSprings: Colorado College Music Press,1977). Used by permission.

TALLECTEXT

15th23K

File name: X

Annotations:The graphics files for this treatise are TALLEC 01GF-TALLEC 11GF.

Tallanderius, PetrusAuthor:Treatise:




De partitione licterarum monocordi

Source of data:

Incipit: <Magister>: Nota quod quatuor sunt lictere graves et quatuor gravissime | et quatuor


Angiolamaria Guarneri Galuzzi, Il "Departitione licterarum monocordi" diJacobus Theatinus, Instituta etMonumenta, II/4 (Cremona: FondazioneClaudio Monteverdi, 1975), 29-52. Usedby permission.

THEPARTEXT

15th65K

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Annotations:Edited from Pavia, Biblioteca universitaria, Aldino 361, ff. 36r-52r (=RISM BIII/2:74-76). See also ANOSEMITEXT and MARCOM TEXT.

Theatinus, JacobusAuthor:Treatise:




Musica, liber primus

Source of data:

Incipit: Quoniam musicorum de hijs cantibus frequens est dissensio. qui in uno octo chordo

Thomas J. MathiesenPeter M. LeffertsJohn Snyder


TDMUS1MOBB842

12th44K

File name: X

Annotations:=RISM BIII/4:110-15. The graphics files for this treatise are TDMUS1 01GF-TDMUS1 12GF. Continues inTDMUS2 and TDMUS3.

Theinredus DoverensisAuthor:Treatise:




183


Musica, liber secundus

Source of data:

Incipit: Raciones autem musicarum consonanciarum hee sunt uniuersi generis arithmetici



TDMUS2MOBB842

12th8K

File name: X

Annotations:=RISM BIII/4:110-15. The graphics file for this treatise is TDMUS2 01GF. Continued from TDMUS1 and inTDMUS3.





Musica, liber tercius

Source of data:

Incipit: Consonanciarum igitur racionibus perspectis; ad species earum perspiciendas



TDMUS3MOBB842

12th51K

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Regule contrapuncti

Source of data:

Incipit: Set in primis ostendendum est que et quot sunt consonancie tam perfecte



THEOREGMBAVB307

15th12K

File name: X

Annotations:=RISM BIII/2:102-4. The graphics file for this treatise is THEOREG 01GF. The treatise is closely related toTreatise II in BERMAN TEXT. Cf. THEORC TEXT.

Theodonus de CaprioAuthor:Treatise:




Regulae contrapuncti

Source of data:

Incipit: Set [= sed] In: primis ostendendum est que et quot sunt consonantie tam perfecte


Raffaele Casimiri, "Teodono de Caprionon Teodorico de Campo, Teoricomusicale italiano del sec. XV. Un suotrattato inedito," Note d'Archivio per lastoria musicale 19 (1942): 94-98.

THEORCTEXT

15th9K

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Theodonus de CaprioAuthor:Treatise:





Source of data:

Incipit: Omnis ars sive doctrina honorabiliorem habet rationem



CAMDEMTEXT

14th48K

File name: X

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Theodoricus de CampoAuthor:Treatise:




184


Musica

Source of data:

Incipit: Pythagoras philosophus primus apud Graecos musicae artis repertor legitur.

Thomas J. MathiesenCharles Atkinson & Angela MarianiSean Ferguson


THEMUSTEXT

9th-11th37K

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Theogerus MetensisAuthor:Treatise:




Musica

Source of data:

Incipit: Pythagoras philosophus primus apud Graecos musicae artis repertor legitur.



THEMUSITEXT

9th-11th37K

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Theogerus MetensisAuthor:Treatise:




Complexus effectuum musices

Source of data:

Incipit: Effectus primus est iste: Musica Deum delectat. Proprium etenim est cujuslibet artificis

Jan W. HerlingerPeter M. LeffertsStephen E. Hayes

Johannis Tinctoris Opera theoretica, ed.Albert Seay, 3 vols. in 2, Corpusscriptorum de musica, vol. 22 ([Rome]:American Institute of Musicology,1975-78), 2:165-77. Used by permission.

TINCOMTEXT

15th22K

File name: X

Annotations:The incipit is preceded by a dedicatory prologue beginning: "Illustrissimae dominae Beatrici de Aragonia ...."Cf. TINCOM1 TEXT and TINCOM2 TEXT.

Tinctoris, JohannesAuthor:Treatise:




Complexus effectuum musices

Source of data:

Incipit: Primo, Musica Deum delectat. Proprium etenim est cujuslibet artificis



TINCOM1TEXT

15th11K

File name: X

Annotations:Cf. TINCOM TEXT and TINCOM2 TEXT.





Complexus viginti effectuum nobilis artis musices

Source of data:

Incipit: Effectus primus est iste: Musica Deum delectat.--Proprium etenim est: cujuslibet



TINCOM2TEXT

15th19K

File name: X

Annotations:Cf. TINCOM TEXT and TINCOM1 TEXT.





185


De inventione et usu musicae

Source of data:

Incipit: Quid sit lyra populariter leutum dicta: quid etiam quelibet instrumentalis species


Karl Weinmann, "Ein unbekannterTraktat des Johannes Tinctoris," inRiemann-Festschrift: GesammelteStudien: Hugo Riemann zum sechzigstenGeburtstage überreicht von Freunden undSchülern (Leipzig: Hesse, 1909), 269-71.

TININV4TEXT

15th7K

File name: X

Annotations:See also TININV.





De inventione et usu musicae

Source of data:

Incipit: De hoc autem instrumento naturali ac prestantissimo id est voce:


Karl Weinmann, ed., Johannes Tinctoris(1445-1511) und sein unbekannterTraktat "De inventione et usu musicae"(Regensburg: F. Pustet, 1917), 27-46.

TININVTEXT

15th41K

File name: X

Annotations:See also TININV4.





De inventione et usu musice

Source of data:

Incipit: Cantores quibus ars uox quoque dulcis est


Ronald Woodley, "The Printing andScope of Tinctoris's Fragmentary TreatiseDe inventione et vsv mvsice," EarlyMusic History 5 (1985): 259-68. Used bypermission.

TININV2TEXT

15th17K

File name: X

Annotations:Based on Cambrai, Bibliothèque municipale, A 416, ff. 8v-12v.





Diffinitorium musicae

Source of data:

Incipit: A est clavis locorum A re et utriusque A la mi re. Acutae claves, acuta loca



TINDIFTEXT

15th40K

File name: X

Annotations:





Expositio manus

Source of data:

Incipit: Manus est brevis et utilis doctrina ostendens compendiose qualitates vocum musicae



TINEMTEXT

15th40K

File name: X

Annotations:The graphics files for this treatise are TINEM 01GF-TINEM 10GF. Cf. TINEXP TEXT.





186


Expositio manus

Source of data:

Incipit: Manus est brevis et utilis doctrina ostendens compendiose qualitates vocum musicae



TINEXPTEXT

15th40K

File name: X

Annotations:The graphics files for this treatise are TINEXP 01GF-TINEXP 08GF. Cf. TINEM TEXT.





Liber de arte contrapuncti, Liber primus

Source of data:

Incipit: Contrapuncto daturos operam quid sit ac unde descendat scire primum oportet.



TINCON1TEXT

15th91K

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Liber de arte contrapuncti, Liber secundus

Source of data:

Incipit: Postquam superiori libro de concordantiis tractatum est, ut nunc de discordantiis



TINCON2TEXT

15th45K

File name: X

Annotations:The graphics files for this treatise are TINCON2 01GF-TINCON2 23GF. See also TINCON1 and TINCON3.Cf. TINCPT2 TEXT.





Liber de arte contrapuncti, Liber tertius

Source of data:

Incipit: Quoniam autem hucusque de usu concordantiarum praemissuque discordantiarum



TINCON3TEXT

15th12K

File name: X

Annotations:The graphics files for this treatise are TINCON3 01GF-TINCON3 05GF. See also TINCON1 and TINCON2.Cf. TINCPT3 TEXT.





Liber de arte contrapuncti, Liber primus

Source of data:

Incipit: Contrapuncto daturos operam quid sit ac unde descendat scire primum oportet.



TINCPT1TEXT

15th91K

File name: X

Annotations:The graphics files for this treatise are TINCPT1 01GF-TINCPT1 34GF. Cf. TINCON1 TEXT.





187


Liber de arte contrapuncti, Liber secundus

Source of data:

Incipit: Postquam superiori libro de concordantiis tractatum est, ut nunc de discordantiis



TINCPT2TEXT

15th46K

File name: X






Liber de arte contrapuncti, Liber tertius

Source of data:

Incipit: Quoniam autem huc usque de usu concordantiarum permissuque discordantiarum



TINCPT3TEXT

15th12K

File name: X






Liber de natura et proprietate tonorum

Source of data:

Incipit: Secundum Ciceronis praeceptum in eo libro quem de Officiis inscripsit



TINNATTEXT

15th64K

File name: X

Annotations:The graphics files for this treatise are TINNAT 01GF-TINNAT 14GF. Cf. TINLDN TEXT.





Liber de natura et proprietate tonorum

Source of data:

Incipit: Secundum Ciceronis praeceptum in eo libro quem de officiis inscripsit



TINLDNTEXT

15th64K

File name: X

Annotations:A long prologue precedes the treatise, beginning: "Praestantissimis ac celeberrimis artis musicae professoribusDomino Johanni Okeghem, christianissimi regis Francorum ...." The graphics files for this treatise are TINLDN01GF-TINLDN 15GF. Cf. TINNAT TEXT.





Liber imperfectionum notarum musicalium

Source of data:

Incipit: Tractaturus autem de ipsis notarum musicalium imperfectionibus



TINLIBTEXT

15th34K

File name: X

Annotations:The graphics file for this treatise is TINLIB 01GF. Cf. TINLIMP TEXT.





188


Liber imperfectionum notarum musicalium

Source of data:

Incipit: Tractaturus autem de ipsis notarum musicalium imperfectionibus



TINLIMPTEXT

15th34K

File name: X

Annotations:A long prologue precedes the treatise, beginning: "Artis musicae studiosissimo iuveni Jacobo Frontin, Johannes,Tinctoris eiusdem artis professor minimus ...." The graphics file for this treatise is TINLIMP 01GF. Cf. TINLIBTEXT.





Proportionale musices

Source of data:

Incipit: Proportio est duorum terminorum ad invicem habitudo. Haec autem diffinitio generalis



TINPROTEXT

15th49K

File name: X

Annotations:The graphics files for this treatise are TINPRO 01GF-TINPRO 19GF. Cf. TINPROM TEXT.





Proportionale musices

Source of data:

Incipit: Proportio est duorum terminorum ad invicem habitudo. Haec autem diffinitio generalis


Johannis Tinctoris Opera theoretica, ed.Albert Seay, 3 vols. in 2, Corpusscriptorum de musica, vol. 22 ([Rome]:American Institute of Musicology,1975-78), 2a:9-60. Used by permission.

TINPROMTEXT

15th50K

File name: X

Annotations:A long prologue precedes the treatise, beginning: "Sacratissimo ac invictissimo principi divo Ferdinando, regisregum dominique dominantium providentia regi Siciliae, Jherusalem et Ungariae, Johannes Tinctoris, intermusicae professores suosque capellanos minimus ...." The graphics files for this treatise are TINPROM01GF-TINPRM 27GF. Cf. TINPRO TEXT.





Tractatus alterationum

Source of data:

Incipit: Alteratio est proprii valoris alicujus notae duplicatio. Notam enim alterari



TINTRALTTEXT

15th10K

File name: X

Annotations:Cf. TINTRAL TEXT.





Tractatus alterationum

Source of data:

Incipit: Alteratio est proprii valoris alicuius notae duplicatio. Notam etenim alterari



TINTRALTEXT

15th10K

File name: X

Annotations:Cf. TINTRALT TEXT.





189


Tractatus de notis et pausis

Source of data:

Incipit: Primum igitur de notis, postmodum de pausis tractemus. Nota est signum vocis certi



TINTRANTEXT

15th15K

File name: X

Annotations:The graphics file for this treatise is TINTRAN 01GF. Cf. TINTDN TEXT.





Tractatus de notis et pausis

Source of data:

Incipit: Primum igitur de notis, postmodum de pausis tractemus. Nota est signum vocis certi



TINTDNTEXT

15th15K

File name: X

Annotations:The graphics file for this treatise is TINTDN 01GF. Cf. TINTRAN TEXT.





Tractatus de punctis

Source of data:

Incipit: Punctus est minimum signum quod notae appositum eam dividit, aut augmentat



TINTDPTEXT

15th19K

File name: X

Annotations:The graphics files for this treatise are TINTDP 01GF-TINTDP 02GF. Cf. TINTRAP TEXT.





Tractatus de regulari valore notarum

Source of data:

Incipit: Quamquam in plerisque opusculis nostris quot et quae notae sint explicaverimus



TINTRARTEXT

15th20K

File name: X

Annotations:Cf. TINTDR TEXT.





Tractatus de regulari valore notarum

Source of data:

Incipit: Quamquam in plerisque opusculis nostris quot et quae notae sint explicaverimus



TINTDRTEXT

15th20K

File name: X

Annotations:Cf. TINTRAR TEXT.





190


Tractatus super punctis musicalibus

Source of data:

Incipit: Punctus est minimum signum quod notae appositum eam dividit, aut augmentat



TINTRAPTEXT

15th17K

File name: X

Annotations:The graphics file for this treatise is TINTRAP 01GF. Cf. TINTDP TEXT.





Declaratio et expositio

Source of data:

Incipit: Ad habendam perfectam noticiam actus musice mensurabilis


London, British Library, Lansdowne 763,ff. 89v-94v.

TORKDECMLBLL763

14th18K

File name: X

Annotations:=RISM BIII/4:87-91. The incipit is preceded by the "triangle" figures. The graphics files for this treatise areTORKDEC 01GF-TORKDEC 05GF. See also TORKDEC1 MBAVR114, TORTRI TEXT, and TORTRILMLBL2145.

Torkesey, JohannesAuthor:Treatise:




[Declaratio trianguli et scuti]

Source of data:

Incipit: Cum sex sunt species notarum simplicium sicut ostensum est hic in figura


Rome, Biblioteca Apostolica Vaticana,Reginensis lat. 1146, ff. 55v-57r.

TORKDEC1MBAVR114

14th33K

File name: X

Annotations:=RISM BIII/3:112-16; BIII/6:582-83. The incipit is preceded by the "triangle" figure. The graphics file for thistreatise is TORKDEC1 01GF. See also TORKDEC MLBLL763, TORTRI TEXT, and TORTRIL MLBL2145.





Septem sunt species

Source of data:

Incipit: Septem sunt species discantus secundum modernos, videlicet unisonus



TORKSEPTEXT

14th3K

File name: X

Annotations:Edited from London, British Library, Lansdowne 763, f. 94. Cf. TORKDEC MLBLL763.





Trianguli et scuti declaratio

Source of data:

Incipit: Ad habendam noticiam perfectam arte musice mensurabilis



TORTRILMLBL2145

14th6K

File name: X

Annotations:=RISM BIII/4:46-47. The graphics file for this treatise is TORTRIL 01GF. See also TORTRI TEXT,TORKDEC MLBLL763, and TORKDEC1 MBAVR114.





191


Trianguli et scuti declaratio de proportionibus musicae mensurabilis

Source of data:

Incipit: Ad habendam notitiam perfectam artis musicae mensurabilis


Ms. Oxford, Bodley 842 (Willelmus),Breviarium regulare musicae; Ms. BritishMuseum, Royal 12. C. VI., Tractatus defiguris sive de notis; Johannes Torkesey,Declaratio trianguli et scuti, ed. GilbertReaney and André Gilles, Corpusscriptorum de musica, vol. 12 ([Rome]:American Institute of Musicology, 1966),58-61. Used by permission.

TORTRITEXT

14th7K

File name: X

Annotations:The graphics files for this treatise are TORTRI 01GF-TORTRI 02GF. See also TORTRIL MLBL2145,TORKDEC MLBLL763, and TORKDEC1 MBAVR114.





Declaratio musicae disciplinae, liber primus

Source of data:

Incipit: Potentiarum animae nobilissima esse noscitur intellectiva potentia, nam anima


Ugolini Urbevetanis Declaratio musicaedisciplinae, ed. Albert Seay, Corpusscriptorum de musica, vol. 7/1 ([Rome]:American Institute of Musicology, 1959),13-121. Used by permission.

UGODEC1ATEXT

15th221K

File name: X

Annotations:The graphics files for this treatise are UGODEC1A 01GF-UGODEC1A 14GF. Continues in UGODEC1B. Seealso UGODEC2, UGODEC3A, UGODEC3B, UGODEC4, and UGODEC5.

Ugolino UrbevetanisAuthor:Treatise:




Declaratio musicae disciplinae, liber primus

Source of data:

Incipit: Tertia differentia huius quarti tropi cum secunda conformem habet modum

Thomas J. MathieseOliver B. Ellsworth & Bradley TuckerJohn Gray


UGODEC1BTEXT

15th238K

File name: X

Annotations:The incipit is preceded by the headings: "Capitulum LXXXI. De tertia differentia." The graphics files for thistreatise are UGODEC1B 01GF-UGODEC1B 19GF. Continued from UGODEC1A. See also UGODEC2,UGODEC3A, UGODEC3B, UGODEC4, and UGODEC5.





Declaratio musicae disciplinae, liber secundus

Source of data:

Incipit: Homo dicitur esse liber qui sui ipsius causa est et in ratione causae moventis



UGODEC2TEXT

15th113K

File name: X

Annotations:The graphics files for this treatise are UGODEC2 01GF-UGODEC2 13GF. See also UGODEC1A,UGODEC1B, UGODEC3A, UGODEC3B, UGODEC4, and UGODEC5.





Declaratio musicae disciplinae, liber tertius

Source of data:

Incipit: Aristoteles in elenchis persuadens erudiri iuvenes et assuefieri virtutibus



UGODEC3ATEXT

15th277K

File name: X

Annotations:The graphics files for this treatise are UGODEC3A 01GF-UGODEC3A 04GF. Continues in UGODEC3B. Seealso UGODEC1A, UGODEC1B, UGODEC2, UGODEC4, and UGODEC5.





192


Declaratio musicae disciplinae, liber tertius

Source of data:

Incipit: Sequitur de alteratione unde alteratio in musica est proprii valoris secundum notae



UGODEC3BTEXT

15th239K

File name: X

Annotations:The incipit is preceded by the headings: "Capitulum IV. Capitulum quartum de alteratione." The graphics filesfor this treatise are UGODEC3B 01GF-UGODEC3B 03GF. Continued from UGODEC3A. See alsoUGODEC1A, UGODEC1B, UGODEC2, UGODEC4, and UGODEC5.





Declaratio musicae disciplinae, liber quartus

Source of data:

Incipit: Tres esse musicas, mundanam, scilicet, humanam et instrumentalem, ex prioris



UGODEC4TEXT

15th152K

File name: X

Annotations:See also UGODEC1A, UGODEC1B, UGODEC2, UGODEC3A, UGODEC3B, and UGODEC5.





Declaratio musicae disciplinae, liber quintus

Source of data:

Incipit: Etsi in huius operis nostri primordio de excellentia atque intellectus nobilitate



UGODEC5TEXT

15th284K

File name: X

Annotations:The graphics files for this treatise are UGODEC5 01GF-UGODEC5 30GF. See also UGODEC1A,UGODEC1B, UGODEC2, UGODEC3A, UGODEC3B, and UGODEC4.





Musica disciplina

Source of data:

Incipit: Musici [latini] ut eam rem ad majorem nobilioremque excellentiam ducerent



UGOMUSTEXT

15th68K

File name: X

Annotations:Based on Rome, Biblioteca Casanatense, C.II,3; fonds Baini. The text is preceded by a complete transcription ofthe rubrics for Books I-V. The graphics files for this treatise are UGOMUS 01GF-UGOMUS 17GF.





Tractatus monochordi

Source of data:

Incipit: Musicae disciplinae quinque partium pratice et speculative declaratione peracta



UGOTRAMTEXT

15th45K

File name: X

Annotations:The graphics files for this treatise are UGOTRAM 01GF-UGOTRAM 06GF.





193


Opusculum monacordale

Source of data:

Incipit: Nulla omnino aetas, quae a cantilenae dilectione se vitet, scribit venerabilis Boetius


Fritz Feldmann, Musik und Musikpflegeim mittelalterlichen Schlesien,Darstellungen und Quellen zurschlesischen Geschichte, vol. 37 (Breslau:Trewendt und Granier, 1938), 157-88.

VALMONTEXT

14th98K

File name: X

Annotations:Based on Wroclaw, Biblioteka Uniwersytecka IV.Q.81, ff. 246r-281r (RISM BIII/5:52-53).

Valendrinus, JohannesAuthor:Treatise:




Recanetum de musica aurea

Source of data:

Incipit: VIdi compilationes tuas in Musica sic elucubratas, demorsasque, ut cui uel tigres

Thomas J. MathiesenAlbert C. Rotola, S.J.David Branscome & Katherine Clark

Recanetum de musica aurea (Rome:Valerius Doricus, 1533; reprint, Bologna:Forni, 1969).

VANREMTEXT

16th585K

File name: X

Annotations:The incipit is preceded by a series of laudatory epigrams, Vanneo's dedication, and a table of contents. Thegraphics files for this treatise are VANREM 01GF-VANREM 60GF. Cf. VANREC TEXT.

Vanneo, StephanoAuthor:Treatise:




Recanetum de musica aurea, liber II, capituli XX-XXXVII

Source of data:

Incipit: Mihi per proportionum campum qui patentissimus est


Stephano Vanneo, Recanetum de musicaaurea, liber II, capituli XX-XXXVII, ed.Albert Seay, Texts/Translations, no. 2(Colorado Springs: Colorado CollegeMusic Press, 1979). Used by permission.

VANRECTEXT

16th47K

File name: X

Annotations:The graphics files for this treatise are VANREC 01GF-VANREC 03GF. Cf. VANREM TEXT.

Vanneo, StephanoAuthor:Treatise:




Carmen de musica cum glossis

Source of data:

Incipit: Postquam pro rudibus, fabricavi materiale, Grammatice partes reseraris cum carmine


Alexander de Villa Dei, Carmen demusica cum glossis, ed. Albert Seay,Critical Texts, no. 5 (Colorado Springs:Colorado College Music Press, 1977),1-25. Used by permission.

VILCARTEXT

13th35K

File name: X

Annotations:This text makes use of superscript letters to key the various glosses to specific words of phrases. In this file,superscript letters are indicated by their placement within brackets immediately following the word (i.e., withoutan intervening spcae) to which they pertain.

Villa Dei, Alexander deAuthor:Treatise:




Speculum doctrinale, liber XVII, capitula X-XXXV

Source of data:

Incipit: Richardus ubi supra: Musica est plurium dissimilium in unam redactoram concordia.


Gottfried Göller, ed., Vinzenz vonBeauvais O.P. (um 1194-1264) und seinMusiktraktat im Speculum doctrinale,Kölner Beiträge zur Musikforschung,Band XV (Regensburg: Gustav Bosse,1959), 86-118. Reprinted by permissionof the Bärenreiter Verlag.

VINSPETEXT

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Annotations:

Vincent of BeauvaisAuthor:Treatise:




194


Musicae rudimenta

Source of data:

Incipit: Musica est ars recte canendi modulandive cognitionem administrans.


Renate Federhofer-Koenigs, "JohannesVogelsang und sein Musiktraktat (1542):Ein Beitrag zur Musikgeschichte vonFeldkirch (Vorarlberg),"Kirchenmusikalisches Jahrbuch 49(1965): 76-113. Used by permission.

VOGMUSTEXT

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Annotations:The treatise was published in Augsburg in 1542 by Valentin Otmar. The incipit is preceded by a laudatory poem,beginning: "Qui cupis in teneris, ..." and a dedicatory preface, beginning: "Cum inter alias ludi litterarii ...." Thegraphics files for this treatise are VOGMUS 01GF-VOGMUS 23GF.

Vogelsang, JohannesAuthor:Treatise:




Regulae Magistri Thomae Walsingham de figuris compositis et non compositis, et de cantu perfecto et imperfecto, et de modis incipiunt

Source of data:

Incipit: Cum sit necessarium iuvenilibus ad facultatem organicam tendentibus notitiam



WALREGTEXT

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Annotations:Based on London, British Library, Lansdowne 763. The graphics files for this treatise are WALREG01GF-WALREG 06GF. See also WALREGU MLBLL763.

Walsingham, ThomasAuthor:Treatise:




Regule Magistri. Thome Walsingham. De figuris compositis. et non compositis. et de cantu perfecto et inperfecto. et De modis. incipiunt

Source of data:

Incipit: Cvm sit necessarium iuuenilibus ad facultatem organicam tendentibus noticiam



WALREGUMLBLL763

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Annotations:=RISM BIII/4:87-91. The graphics files for this treatise are WALREGU 01GF-WALREGU 07GF. See alsoWALREG TEXT.

Walsingham, ThomasAuthor:Treatise:




[Commentum in musicam speculativam Iohannis de Muris]

Source of data:

Incipit: Qvia exposicioni Musice communis, cuius auctor extitit Magister venerandus

Thomas J. MathiesenMark Butler and Peter SlemonAnastasia Arapova

Gerhard Pietzsch, "Die Pflege der Musikan den Universitäten bis zur Mitte des 16.Jahrhunderts," in Mitteilungen desVereines für Geschichte der Deutschen inBöhmen 73 (1935): 112-18.

WENCOMTEXT

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Annotations:Based on Prague, Národní Knihovna Ceské Republiky, V.F.6 (928), ff. 26v-27v (=RISM BIII/5:10-13).

Wenceslaus de PrachatitzAuthor:Treatise:




Regule

Source of data:

Incipit: Omnis nota in cantu mensurato Maxima figuratur quadrata

Thomas J. MathiesenJohn SnyderC. Matthew Balensuela


WEYREGTEXT

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Annotations:The graphics file for this treatise is WEYREG 01GF.

Weyts, Carmelite, NicasiusAuthor:Treatise:




195


Musica

Source of data:

Incipit: Othlochus. Postquam donante Deo petitionibus meis et quaestionibus in astronomica

Thomas J. MathiesenCharles M. AtkinsonSean Ferguson


WILMUTEXT

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Annotations:The graphics files for this treatise are WILMU 01GF-WILMU 03GF. See also WILMUS and WILMUSI.

Willehelmus HirsaugensisAuthor:Treatise:




Musica

Source of data:




WILMUSITEXT

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Annotations:The graphics file for this treatise is WILMUSI 01GF. See also WILMUS and WILMU.





Musica

Source of data:



Willehelmi Hirsaugensis Musica, ed.Denis Harbinson, Corpus scriptorum demusica, vol. 23 ([Rome]: AmericanInstitute of Musicology, 1975), 11-75.Used by permission.

WILMUSTEXT

9th-11th87K

File name: X

Annotations:The incipit is preceded by a list of chapter headings. The graphics files for this treatise are WILMUS01GF-WILMUS 04GF. See also WILMUSI and WILMU.





Breviarium regulare musicae

Source of data:

Incipit: Multorum cantorum scripturas varias ac opera ad practicam musicae laborata


Ms. Oxford, Bodley 842 (Willelmus),Breviarium regulare musicae; Ms. BritishMuseum, Royal 12. C. VI., Tractatus defiguris sive de notis; Johannes Torkesey,Declaratio trianguli et scuti, Corpusscriptorum de musica, vol. 12 ([Rome]:American Institute of Musicology, 1966),15-31. Used by permission.

WILBRETEXT

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Annotations:Text edited from Oxford, Bodleian Library, Bodley 842. The graphics files for this treatise are WILBRE01GF-WILBRE 06GF. Cf. WILBREV MOBB842.

WillelmusAuthor:Treatise:




Breviarium regulare musice

Source of data:

Incipit: Multorum cantorum scripturas varias ac opera ad practicam musice laborata

Thomas J. MathiesenBradley Jon TuckerJohn Snyder

Oxford, Bodleian Library, Bodley 842(S.C. 2575), ff. 62v-73v.

WILBREVMOBB842

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Annotations:=RISM BIII/4:110-15. The graphics files for this treatise are WILBREV 01GF-WILBREV 07GF. Cf. WILBRETEXT.

WillelmusAuthor:Treatise:




196


Enchiridion musices, liber I

Source of data:

Incipit: HOc igitur opusculum ingressuri triphariam erudiendi modum musice artis partiri

Thomas J. MathiesenAnastasia ArapovaKatherine Clark

Enchiridion musices Nicolai WolliciBarroducensis de gregoriana et figuratiuaatque contrapuncto simplici percommodetractans, omnibus cantu oblectantibusperutile et necessarium (ImpressumParisii impensa honestissimorum virorumIohannis Parui ad intersignium LeonisArgentei et Francisci Regnault adintersignium diui Claudii commorantium.Anno virginei partus .1512. 14. kalendasNouembris), ff. air-aviir.

WOLENC1TEXT

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Annotations:The incipit is preceded by a dedicatory epigram beginning: "Desine Calliope grandi resonare Cothurno ..."; apreface beginning: "MUsicam esse primam omnium illarum septem artium ..."; and a prayer beginning: "Abpater omnipotens precibus si flecteris vllis ...." The graphics files for this treatise are WOLENC101GF-WOLENC1 03GF. See also WOLENC2 TEXT, WOLENC3 TEXT, WOLENC4 TEXT, WOLENC5TEXT, and WOLENC6 TEXT.

Wollick, NicolausAuthor:Treatise:




Enchiridion musices, liber II

Source of data:

Incipit: SEd de prima hactenus. deinceps ad secundam huius partem festinantes


Enchiridion musices Nicolai WolliciBarroducensis de gregoriana et figuratiuaatque contrapuncto simplici percommodetractans, omnibus cantu oblectantibusperutile et necessarium (ImpressumParisii impensa honestissimorum virorumIohannis Parui ad intersignium LeonisArgentei et Francisci Regnault adintersignium diui Claudii commorantium.Anno virginei partus .1512. 14. kalendasNouembris), ff. aviir-cviiir.

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Annotations:The graphics files for this treatise are WOLENC2 01GF-WOLENC2 20GF. See also WOLENC1 TEXT,WOLENC3 TEXT, WOLENC4 TEXT, WOLENC5 TEXT, and WOLENC6 TEXT.





Enchiridion musicae, liber III

Source of data:

Incipit: TOnus apud Guidonem est regula per ascensum et descensum omnes descriptas ac etiam


Enchiridion musices Nicolai WolliciBarroducensis de gregoriana et figuratiuaatque contrapuncto simplici percommodetractans, omnibus cantu oblectantibusperutile et necessarium (ImpressumParisii impensa honestissimorum virorumIohannis Parui ad intersignium LeonisArgentei et Francisci Regnault adintersignium diui Claudii commorantium.Anno virginei partus .1512. 14. kalendasNouembris), ff. cviiir-giv.

WOLENC3TEXT

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Annotations:The incipit is preceded by a preface beginning: "Hactenus solertissimi adolescentes ..." and an introductorypoem beginning "Grande sophos musis carmen quodcum quam repente: ..." The graphics files for this treatiseare WOLENC3 01GF-WOLENC3 32GF. See also WOLENC1 TEXT, WOLENC2 TEXT, WOLENC4 TEXT,WOLENC5 TEXT, and WOLENC6 TEXT.





197


Enchiridion musices, liber IV

Source of data:

Incipit: ACcentus est eleuandarum deprimendarumque syllabarum lex et preceptio


Enchiridion musices Nicolai WolliciBarroducensis de gregoriana et figuratiuaatque contrapuncto simplici percommodetractans, omnibus cantu oblectantibusperutile et necessarium (ImpressumParisii impensa honestissimorum virorumIohannis Parui ad intersignium LeonisArgentei et Francisci Regnault adintersignium diui Claudii commorantium.Anno virginei partus .1512. 14. kalendasNouembris), ff. giv-gviir.

WOLENC4TEXT

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Annotations:The incipit is preceded by the headings "De arte accentuandi perutilis libellus incipit" and "De accentibus Caputprimum." The graphics files for this treatise are WOLENC4 01GF-WOLENC4 08GF. See also WOLENC1TEXT, WOLENC2 TEXT, WOLENC3 TEXT, WOLENC5 TEXT, and WOLENC6 TEXT.





Enchiridion musices, liber V

Source of data:

Incipit: Figura est species vel forma occultas notularum preceptiones aperiens


Enchiridion musices Nicolai WolliciBarroducensis de gregoriana et figuratiuaatque contrapuncto simplici percommodetractans, omnibus cantu oblectantibusperutile et necessarium (ImpressumParisii impensa honestissimorum virorumIohannis Parui ad intersignium LeonisArgentei et Francisci Regnault adintersignium diui Claudii commorantium.Anno virginei partus .1512. 14. kalendasNouembris), ff. gviiv-kiiiir.

WOLENC5TEXT

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File name: X

Annotations:The incipit is preceded by a preface beginning: "Harmonicam vocis actionem specierum diuersitate figura tamaccuratissime ...." The graphics files for this treatise are WOLENC5 01GF-WOLENC5 19GF. See alsoWOLENC1 TEXT, WOLENC2 TEXT, WOLENC3 TEXT, WOLENC4 TEXT, and WOLENC6 TEXT.





Enchiridion musices, liber VI

Source of data:

Incipit: Musice actionis dilucidata tum simplicis, tum Pictagorice natura siue essentia


Enchiridion musices Nicolai WolliciBarroducensis de gregoriana et figuratiuaatque contrapuncto simplici percommodetractans, omnibus cantu oblectantibusperutile et necessarium (ImpressumParisii impensa honestissimorum virorumIohannis Parui ad intersignium LeonisArgentei et Francisci Regnault adintersignium diui Claudii commorantium.Anno virginei partus .1512. 14. kalendasNouembris), ff. kiiiir-liiiir.

WOLENC6TEXT

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Annotations:The graphics files for this treatise are WOLENC6 01GF-WOLENC6 02GF. See also WOLENC1 TEXT,WOLENC2 TEXT, WOLENC3 TEXT, WOLENC4 TEXT, and WOLENC5 TEXT.





Opus aureum, partes I-II

Source of data:

Incipit: Musicam esse unam illarum septem artium, quas liberales vocant


Die Musica Gregoriana des NicolausWollick, ed. Klaus Wolfgang Niemöller,Beiträge zur RheinischenMusikgeschichte, vol. 11 (Köln: Staufen,1955), 1-80. Used by permission.

WOLOPATEXT

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Annotations:The incipit is preceded by an "Epigramma ad lectorem" beginning: "Musica dulce sonans ...." The four-partOpus aureum musicae was first published by Nicolaus Wollick in Cologne in 1501, but parts III and IV were byWollick's teacher, Melchior Schanppecher (see SCHOPA TEXT). Wollick later revised and expanded histreatise under the title Enchiridion musices (see WOLENC1 TEXT, WOLENC2 TEXT, WOLENC3 TEXT,WOLENC4 TEXT, WOLENC5 TEXT, and WOLENC6 TEXT). The graphics files for this treatise areWOLOPA 01GF-WOLOPA 24GF.





198


De musica

Source of data:

Incipit: Musica s(ecundu)m Augustinum est bene modulandi scientia


Paul Kast, "Der Traktat 'De Musica' vonJoachim Woltersdorf," in Studien zuritalienisch-deutschen Musikgeschichte,ed. Paul Kast, Analecta musicologica,Band 1 (Köln: Böhlau, 1963), 24-27.Used by permission.

WOLDEMTEXT

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Annotations:Based on Palermo, Biblioteca comunale, 3 Qq B 98. The graphics files for this treatise are WOLDEM01GF-WOLDEM 02GF.

Wolterstorpius, JoachimusAuthor:Treatise:




Musica guidonis

Source of data:

Incipit: Quia iuxta sapientissimum Salomonem dura est vt inferus Emulatio



WYLMUSIMLBLL763

15th221K

File name: X

Annotations:=RISM BIII/4:87-91. The graphics files for this treatise are WYLMUSI 01GF-WYLMUSI 34GF. Cf.WYLMUS TEXT.

Wylde, JohnAuthor:Treatise:




Musica manualis cum tonale

Source of data:

Incipit: Quia iuxta sapientissimum Salomonem, Dura est ut infernus aemulatio


Johannis Wylde Musica manualis cumtonale, ed. Cecily Sweeney, Corpusscriptorum de musica, vol. 28(Neuhausen-Stuttgart: American Instituteof Musicology, 1982), 43-206. Used bypermission.

WYLMUSTEXT

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Annotations:The graphics files for this treatise are WYLMUS 01GF-WYLMUS 80GF. Cf. WYLMUSI MLBLL763.

Wylde, JohannesAuthor:Treatise:




De modo bene cantandi

Source of data:

Incipit: Causa, quare sequens opusculum rarissimum prae mille aliis merito fuit


Karl-Werner Gümpel, Die MusiktraktateConrads von Zabern, Akademie derWissenschaften und der Literatur,Abhandlungen der Geistes- undSozialwissenschaftlichen Klasse,Jahrgang 1956, Nr. 4 (Wiesbaden:Steiner, 1956), 260-82. Used bypermission of the Franz Steiner Verlag,Stuttgart.

CONCANTEXT

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Annotations:

Zabern, Conrad vonAuthor:Treatise:




199


Novellus musicae artis tractatus

Source of data:

Incipit: Incipit Novellus musicae artis tractatus pro renovando monochordi usu compilatus



CONNOVTEXT

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Annotations:The graphics files for this treatise are CONNOV 01GF-CONNOV 10GF.





Opusculum de monochordo

Source of data:

Incipit: Incipit Opusculum valde singulare et rarum noviter cum magna diligentia collectum



CONMONTEXT

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Annotations:





200

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