CBGB Bathroom, 1977 CBGB, 197702 03

THISIS PUNK

TAN ZI QIAN

ADM, SINGAPORE

陳子謙

IAMANANTI-CHRISTIAMANANARCHIST DON’TKNOW WHATIWANT BUTKNOWTOGETIT

新加坡

IAMANANTI-CHRISTIAMANANARCHIST DON’TKNOW WHATIWANT BUTIKNOWHOWTOGETIT IAMANANTI-CHRISTIAMANANARCHIST DON’TKNOW WHATIWANT BUTIKNOWHOWTOGETIT

我 不 信 耶 蘇 我 是 自 由 主 義 不 知 要 什 麼 但 知 怎 麼 得 到

庬克文化

0504

manageIn the late1970s, the so-called developed world had manoeuvred itself into an economic and social dead end: in Britain, unemployment was on the rise and with it the sense of political frustration.

London streets were restless. There were no guns, but there was a lot of hard street action, between punks and skins mostly. For a couple of glorious years, London was the center of the cultural universe with its libertarian sense of enfran-chisement. Anyone could do it, and it seemed like almost everyone did - and had fun doing so.

在70年代後期，所謂的發

達世界已經進入一個經濟和

社會死胡, 在英國,失業率上

升,並與它的政治意義上的

挫折。

當時的倫敦街道焦躁不安。

有很多硬碰硬的街頭行動，

朋克和皮膚之間的居多。倫

敦成為了庬克文化的宇宙中

心。彷服任何人都可成名，

幷樂在其中。

punkment庬克管理

Sex Pistol Manager, Malcom Mclaren,1977

07

Rock and roll doesn’t necessarily mean a band. It doesn’t mean a sing-er, and it doesn’t mean a lyric, really. It’s that question of trying to be immortal

搖滾並不是一個樂隊, 一個歌手或一篇歌詞，而是不斷追求的那個永恆”

THEMANAGERMcLaren was known in the industry for his cunning, self-publicity and a business brain that ran rings around Virgin Group’s Richard Branson. Under his management, the Sex Pistols signed with Virgin Records in 1977.

經理人McLaren在邁凱輪已狡猾，自我宣傳和雍有商業頭腦

為名。在他的管理，Sex Pistols 於1977年簽署處女集

團。后來幷開啟了這鼓庬克風潮。

Punk is an idea not a band Its a real good idea Its about subversion but in the service of youthful pleasure Its opposed to everything adult It’s against not just success but good manners good grooming any education or skill Punk is pretty funny like reality itself as exemplified by the statement This sentence is a lie Its hard to be authentic

The original intention of the British Punk cell may have been to gain cash from chaos but soon something quite different came of it a whirl of signs and em-blems a cacophony of ideologically formed meanings that were carried into the annihilation of meaning with destructive furorePunk is a multi-coded project of unreconciliation a manifestation determined by music fashion art In a way punk is about failure

庬克原本的意圖在於金錢 但卻很快地得到完全不同的定義庬克變成一個不停盤旋的標誌和徽記幷在思想上形成了一個不和諧的意義被帶入毀滅的意義與破壞性風波朋克是一個多編碼項目一個由音樂表現時尚 庬克是一種想法它是一個真正的顛覆它抗拒的不只是成功而是所有成功的因素像是良好的儀容與舉止任何教育或技能庬克其實很滑稽如同現實本身難以被真實化化

punkmusic

THEPISTOLSNearly everywhere the Pistols managed to perform, audience members were inspired to form their own bands -- giving rise to the Clash, the Buzzcocks, Siouxsie and Joy Division, among others.

THE PISTOLS幾乎所有the Sex Pistol到過的表演場所，都有觀眾得到啟發，

幷組成自己的樂隊-像是Buzzcocks，Siouxsie和Joy Division，

等等都從The Sex Pistols身上找到靈感。

James Reid, Nevermind the Bollocks, here’s the Sex Pistols 1977

Sid Vicious, 1978

Sid Vicious memorial march, 197909

James Reid, God Save The Queen, 1977

YOUDON’TWRITEASONGLIKEGODSAVETHEQUEENBECAUSEYOUHATETHEENGLISHRACE,YOUDOTHATBECAUSEYOULOVETHEM.

PU庬克音樂

The Clash, 1979

Joe Strummer, 1981

Give ‘Em Enough Rope, 1978

London Calling,1978

The Clash, concert flyer, 1981

The cover of the album London Calling features a photograph of Paul Simonon smashing his bass guitar against the stage at The Palladium in New York City. London Calling的

專輯封面是Paul

Simonon 正在砸他

的低音吉他的照片。

這是在紐約的一場

演唱會。

011

White riot I wanna riot White riot a riot of my own

White riot

I wanna riot

White riot

a riot of my own

White riot

I wanna riot

White riot

a riot of my own

THECLASH!The Clash espoused a worldly viewpoint and a strong, classical rock ‘n’ roll image. They sang about Sandinista and Spain, Grandmaster Flush and Chairman Mao. In two years alone, they released a double album, London Calling, then a triple album, Sandinista!. Controversy dogged their every step until they self-imploded.

THE CLASH!The Clash的音樂帶有一個較世俗的觀點，與

一個強大古典搖滾形象。他們唱著關於桑地諾

和西班牙，薌沖洗並毛主席。在兩年間，他們

發行了London Calling，和sandinista！兩張

專集， 都被受爭議。

Talking Heads, 1981

Buzzcock, 1979

Sham 69, 1979

The Ramones, 1981

013012

What followed the 70s was an influx of inspired D.I.Y band who genuinely felt anyone could play guitar. Bands such as the Ramones (first from left) eventually had their sounds widely imitated.

70年代起， 許多被庬克

風潮感染的青少年都紛紛

組成樂隊。 那一貫自己

來的風格釀就了后來的庬

克音樂。 如來自美國的

the Ramones 。

Blondies, 1981

The Ramones at CBGB, 1978

SPIKEDHAIRANDLEATHERJACKETSHADBECOMETHE

NEWUNIFORM

尖頭髮和皮夾克已

成為新的庬克制服

nkfashion

PU庬克服飾

14

Boy, 1979

BOY到1978年，英皇道其中一個最時尚的朋克服裝景點就是Boy。這家

商店吸引了許多想要走庬克Skinhead風的孩子們。Boy的老闆John

Krivine等功能的外衣為“T-恤衫幹動物血，死亡與樣機照片，Gary

Gilmore [剛剛在猶他州被處決]和珠寶製成的，皮下注射器和避孕

的數據包.

Following a December 3 TV appearance during which Sex Pistols cursed crotchety host Bill Grundy, UK tabloids ran lurid headlines - THE FILTH AND THE FURY! - and vandals began attacking the storefront of Sex.

繼12月3日在電視上亮相的Sex Pistols

詛咒嘮叨的主持人Bill Grundy，英國

小報聳人聽聞的標題跑-污物與騷動！

過后Sex便成為反庬克風化者的攻擊對像。

BOYBy 1978, one of the hippest King’s Road spots to have emerged for punk apparel was Boy. The shop attracted some kids going for the skinhead look, as popularized by neo-Nazis in the National Front. Boy’s owner John Krivine featured such garb as T-shirts with dried animal blood.

Sex by Malcolm McLaren and Vivienne Westwood, 1979

The Sex Pistols on Bill Grundy’s show, 1979

ITSSELF-MADE

STYLEICONSGLEEFULLY

TRAHSEDCONVENTIONS

OFBEAUTYANDGLAMOUR

WHILEPICKPOCKETINGFROM

THECOOLESTUNDER

GROUNDSTYLEOF

THEPREVIOUS

CENTURY

16

John Cooper Clarke,1981

Patti Smith,1980

Richard Hell,1982 Jim Carroll,1979

PUNKPOETSBy 1976, punk poets like John Cooper Clarkebecame the support act for many seminal punk bands such as the Sex Pistols, Buzzcocks and Joy Division. His biting, satirical, political and very funny verse delivered in a rapid-fire performance style. Before long, John was held his own gigs and drew huge crowds of fans.

庞克詩人到1976年的到來和朋克，他最初的支持行為對許多開

創性的朋克樂隊，例如性手槍，Buzzcocks和Joy Divi-

sion。尖刻，諷刺，政治和非常有趣的詩發表在速射表

演風格。不久，約翰是他自己的演出，領銜人山人海的

Many punk poets were also punk muscians themselves Prominent Punk poets of the mid 70s include Richard Hell, the Medway Poets, John Cooper Clarke and Patti Smith.

許多朋克詩人也朋克音樂家自我著名詩人的朋克70年代中期，包括理查德地獄，在梅德韋詩人約翰庫珀克拉克和帕蒂史密斯。

jesus christdiedfor somebody’s sins

but not mine

19

nkLiterature

PU18

First issue of Punk Magazine, 1976

Article on the Ramones, Punk Magazine, Issue 3, 1976

Article on the Ramones, Punk Magazine, Issue 3, 1976

THEPUNKMAGAZINEFrom the very first issue, the magazine embodied its unique style. Articles about bands alternated with cartoons, references to TV culture, and features bristling with rebellious teen attitude. There is little doubt that it was Punk Magazine that fleshed out the term “punk rock”and linked it with the music at CBGB.

庬克雑誌從第一刊，該雜誌以其獨特的風格體現。文章帶

相間的卡通，電視文化的參考，並具有插滿叛逆

青少年的態度。毫無疑問，庬克這個名稱是朋克

雜誌將其鏈接與當時CBGB的音樂。

bibliography

BOOKSPUNK 365, Holly George Warren

No One is Innocent

Made in the UK:The Music of Attitude,1977-1983,Janette Beckman

書PUNK 365, Holly George Warren

No One is Innocent

Made in the UK:

The Music of Attitude,1977-1983,

Janette Beckman

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WEBSITEShttp://www.wsc.ma.edu

http://hoagy-articles.blogspot.com

http://www.beyondhollywood.com

http://thinkexist.com

http://www.richardhell.com

參考書目

24