this is about...

28

description

 

Transcript of this is about...

Page 1: this is about...
Page 2: this is about...

THIS PROJECT IS ABOUT WHAT IS HAPPENING IN THE NATURAL ENVIRONMENT BEHIND OUR LIFE.

CLIMATE CHANGE, POLLUTION, DEFORESTATION, GLOBAL WARMING.... WE SEEM TO HAVE MANY BIG PROBLEMS THAT WE CANNOT EVEN IMAGINE HOW BIG IT IS. THE PROBLEMS ARE MAYBE... TOO UNREAL.

WHAT WILL PROBABLY HAPPEN IF WE KEEP LOSING ANIMALS, INSECTS AND PLANTS?WHAT IS HAPPENING TO EARTH? WHAT IS HAPPENING TO EARTH?

I WANT YOU TO GIVE A TIME TO THINK ABOUT THESE PROBLEMS IN THE SMALL SCALE

WHEN I WAS YOUNG, I SAW A LOT OF CABBAGE BUTTERFLIES AND RICEFISH IN JAPAN. WHERE ARE THEY NOW?

TYGER,POLAR BEAR, SEA TURTLE.... THEY ARE LOSING NUMBERS. ARE WE STILL ABLE TO EAT TUNA IN THE FUTURE?

OVER FISHING AND OVER HUNNTING ARE ONE OF THE HUMAN ACTIVITY, WHICH CAUSE ANIMAL EXTINCTION.CAUSE ANIMAL EXTINCTION.

FASHION IS NOT AN EXEPTION.FOR EXAMPLE, REAL FUR IS LUXURY. VERY WARM AND BEAUTIFUL.IT HAS LONG LIFRSPAN .ALSO, WE DON’T NEED TO WASH THEM OFTEN.HOWEVER, WE HAVE TO KILL ANIMALS. WE ARE LOSING ANIMALS BUT STILL KLLLING ANIMALS.FARMED ANIMALS ARE NOT EVEN GIVEN ANY FREEDOM.ON THE OTHER HAND FAUX FUR IS MADE BY SYNTHETIC FIBRE, ON THE OTHER HAND FAUX FUR IS MADE BY SYNTHETIC FIBRE, WHICH IS BASED IN OIL.IT NEEDS A LOT OF ENERY TO PRODUCE THEM.

IT CAN BE TRUE THAT FUR IS A CONTROVERSIAL MATERIAL AND THERE ARE HUGE DISCUSSIONSWHETHER IT IS SUSTAINABLE MATERIAL.

WHICH IS MORE ECOLOGICALLY FRIENDLY REAL OR FAKE?MAYBE, THERE ARE SOME OTHER POSSIBILITIES, NEITHER FAKE NOR REAL.., MAYBE, THERE ARE SOME OTHER POSSIBILITIES, NEITHER FAKE NOR REAL.., BUT SOMETHINGELSE?

BEFORE MAKE YOUR DECISION, YOU WOULD BETTER KNOW ABOUT IT MORE.

THEN DECIDE WHAT WOULD YOU CHOOSE.

IF YOU HAVE FUR,,,IS YOUR FUR REAL OR FAKE?

MADE BY LIFE FOR LIFE

Page 3: this is about...

I WOULD LIKE TO SAY THANK YOU TO ALL OF MY FRIENDS, WHO INVOLVED IN THIS PROJECT.

BIGGEST THANKS TO SHINO-SAN, SHO-KUN,TAKA-SAN,MISATO-CHAN AOI-SAN!!!

THANK YOU TO KEI-CHAN, RAJUL, MISAKI-CHAN, TAKA-SAN(DESIGNER) FOR HELPING ME OUT TO MAKE GARMENTS AND PROPS.FOR HELPING ME OUT TO MAKE GARMENTS AND PROPS.

ALSO, THANKS TO KAYANO-SAN COLLABORATING WITH YOU WAS SUCH A GRART OPPORTUNITY!

SPECIAL THANKS TO YUKI-KUN. FOR YOUR MASSIVE SUPPORT AND PHOTOSHOPPING ....

FINALLY, MASSIVE THANKS TO SUSAN POSTLETHWAITE FOR ADVICING ME AND BE MY TUTOR AND SUPERVISER.

Page 4: this is about...
Page 5: this is about...
Page 6: this is about...
Page 7: this is about...
Page 8: this is about...
Page 9: this is about...
Page 10: this is about...
Page 11: this is about...
Page 12: this is about...
Page 13: this is about...
Page 14: this is about...
Page 15: this is about...
Page 16: this is about...
Page 17: this is about...
Page 18: this is about...
Page 19: this is about...
Page 20: this is about...
Page 21: this is about...
Page 22: this is about...
Page 23: this is about...
Page 24: this is about...
Page 25: this is about...
Page 26: this is about...
Page 27: this is about...

ILLUSTATED BY EDARD GOREY

Edward Gorey was known to wear full-length fur coat until around the mid-1980s. Gorey befriended some raccoons in his home and then felt guilty about wearing fur.He faced a “moment of truth” that wearing them. So,he locking all his coats in storage.BUT the the image lives on in many of his drawings.on in many of his drawings.

“My mission in life is to make everybody as uneasy as possible. I think we should all be as uneasy as possible, because that’s what the world is like.”

Page 28: this is about...