Thirty Magazine, Volume 1

96
One Month J. Namdev Hardisty Erin Hauber Jeremy Miranda Gene Pittman NO.1 thirty

description

Photojournal edited and designed by Kimberlee Whaley, featuring photographs taken over a 30-day period by Erin Hauber, J. Namdev Hardisty, Jeremy Miranda and Gene Pittman.

Transcript of Thirty Magazine, Volume 1

Page 1: Thirty Magazine, Volume 1

One Month

J. Namdev Hardisty Erin Hauber Jeremy Miranda Gene Pittman

NO.1

thirty

Page 2: Thirty Magazine, Volume 1
Page 3: Thirty Magazine, Volume 1

Thirty is about the everyday, people living their lives and the hi-jinx that ensue. Your life may not always be interesting to you but it is interesting to other people. It’s like gossip without the vicious rumors and the loss of reputation. I love looking at photos especially snapshots and that’s what Thirty is. Well, at least that’s what this issue is. Thirty will probably expand into other areas, I don’t want to restrict it.

At it’s core Thirty is a magazine about making stuff with the people I know. It was born out of a question I was asked in an interview, “Unlimited budget–What do you do?” My response was “Open my own studio, shoot whatever I want all day long. Have my friends come over and par-take. I would print my own magazine every month and it would be filled with whatever happened in the studio the previous month. It would be the first food fashion art lifestyle magazine that is 100% about me and my life.” (In retrospect this seems very Warhol-like.) My friend Jeremy (the same Jeremy in this issue) read this and thought it was a great idea. He proceeded over the next few months to ask me when the first issue was coming out. I began to think that maybe Thirty was a good idea and should see what happens. Although the idea of Thirty is less based on me doing the photographing, the first issue is about some great artists I know. Oh, and I did get my studio. Enjoy.....

Thanks, KIM

cover Erin Hauber inside cover J. Namdev Hardisty

thirty

Page 4: Thirty Magazine, Volume 1

Erin Hauber

Page 5: Thirty Magazine, Volume 1
Page 6: Thirty Magazine, Volume 1
Page 7: Thirty Magazine, Volume 1
Page 8: Thirty Magazine, Volume 1
Page 9: Thirty Magazine, Volume 1
Page 10: Thirty Magazine, Volume 1
Page 11: Thirty Magazine, Volume 1
Page 12: Thirty Magazine, Volume 1
Page 13: Thirty Magazine, Volume 1
Page 14: Thirty Magazine, Volume 1
Page 15: Thirty Magazine, Volume 1
Page 16: Thirty Magazine, Volume 1
Page 17: Thirty Magazine, Volume 1
Page 18: Thirty Magazine, Volume 1
Page 19: Thirty Magazine, Volume 1
Page 20: Thirty Magazine, Volume 1
Page 21: Thirty Magazine, Volume 1
Page 22: Thirty Magazine, Volume 1
Page 23: Thirty Magazine, Volume 1
Page 24: Thirty Magazine, Volume 1
Page 25: Thirty Magazine, Volume 1
Page 26: Thirty Magazine, Volume 1

J.NAMDEV HARDISTY

Page 27: Thirty Magazine, Volume 1
Page 28: Thirty Magazine, Volume 1
Page 29: Thirty Magazine, Volume 1
Page 30: Thirty Magazine, Volume 1
Page 31: Thirty Magazine, Volume 1
Page 32: Thirty Magazine, Volume 1
Page 33: Thirty Magazine, Volume 1
Page 34: Thirty Magazine, Volume 1
Page 35: Thirty Magazine, Volume 1
Page 36: Thirty Magazine, Volume 1
Page 37: Thirty Magazine, Volume 1
Page 38: Thirty Magazine, Volume 1
Page 39: Thirty Magazine, Volume 1
Page 40: Thirty Magazine, Volume 1
Page 41: Thirty Magazine, Volume 1
Page 42: Thirty Magazine, Volume 1
Page 43: Thirty Magazine, Volume 1
Page 44: Thirty Magazine, Volume 1
Page 45: Thirty Magazine, Volume 1
Page 46: Thirty Magazine, Volume 1
Page 47: Thirty Magazine, Volume 1
Page 48: Thirty Magazine, Volume 1
Page 49: Thirty Magazine, Volume 1
Page 50: Thirty Magazine, Volume 1
Page 51: Thirty Magazine, Volume 1
Page 52: Thirty Magazine, Volume 1
Page 53: Thirty Magazine, Volume 1
Page 54: Thirty Magazine, Volume 1
Page 55: Thirty Magazine, Volume 1
Page 56: Thirty Magazine, Volume 1
Page 57: Thirty Magazine, Volume 1

Jeremy Miranda

Page 58: Thirty Magazine, Volume 1
Page 59: Thirty Magazine, Volume 1
Page 60: Thirty Magazine, Volume 1
Page 61: Thirty Magazine, Volume 1
Page 62: Thirty Magazine, Volume 1
Page 63: Thirty Magazine, Volume 1
Page 64: Thirty Magazine, Volume 1
Page 65: Thirty Magazine, Volume 1
Page 66: Thirty Magazine, Volume 1
Page 67: Thirty Magazine, Volume 1
Page 68: Thirty Magazine, Volume 1
Page 69: Thirty Magazine, Volume 1
Page 70: Thirty Magazine, Volume 1
Page 71: Thirty Magazine, Volume 1
Page 72: Thirty Magazine, Volume 1
Page 73: Thirty Magazine, Volume 1
Page 74: Thirty Magazine, Volume 1
Page 75: Thirty Magazine, Volume 1
Page 76: Thirty Magazine, Volume 1
Page 77: Thirty Magazine, Volume 1
Page 78: Thirty Magazine, Volume 1
Page 79: Thirty Magazine, Volume 1
Page 80: Thirty Magazine, Volume 1
Page 81: Thirty Magazine, Volume 1

Gene Pittman

Page 82: Thirty Magazine, Volume 1
Page 83: Thirty Magazine, Volume 1
Page 84: Thirty Magazine, Volume 1
Page 85: Thirty Magazine, Volume 1
Page 86: Thirty Magazine, Volume 1
Page 87: Thirty Magazine, Volume 1
Page 88: Thirty Magazine, Volume 1
Page 89: Thirty Magazine, Volume 1
Page 90: Thirty Magazine, Volume 1
Page 91: Thirty Magazine, Volume 1
Page 92: Thirty Magazine, Volume 1
Page 93: Thirty Magazine, Volume 1
Page 94: Thirty Magazine, Volume 1

Erin Hauber www.cottageindustriesdesign.com•[email protected] recent midwestern transplant to Los Angeles, Erin Hauber is a maker, writer and educator baffled by Southern California’s ever-present sunshine. She teaches typography and graphic design at the Otis College of Art De-sign, is a founding member of the design collective Dead Letter Bureau (www.deadletterbureau.com) and man-ages her humble studio, cottage industries, designing for artists, small businesses and cultural institutions.

Even though Erin thinks of herself as a graphic designer who happens to take photographs, photography plays an important role in her practice. The point-and-shoot digital camera is a device of discovery and exploration, her companion on daily walks. Many of the resulting photographs act as documents of color, shape, line, texture, life, experience or process.

Before relocating to Los Angeles, Erin studied graphic design at the Minneapolis College of Art and Design, then worked at Intermedia Arts in Minneapolis and the Westport Arts Center in Connecticut. She also loves knitting, riding her bike and visiting the Hollywood farmers’ market.

J Namdev Hardisty www.jnamdevhardisty.com•[email protected]“I am an unabashed procrastinator and it affects all areas of my life. Photography plays a huge role in my day-to-day work as a graphic designer. Whether finding an image that fits a concept or looking for documentation of a certain image or shooting for a project, I am engaging with photographic images constantly and have a need for a huge library of them. Yet, I rarely take pictures. My procrastination is so bad that I might see some beautiful typography and think “I need a picture of that” and instead of grabbing my phone and snapping off a photo, I then think “I’ll take one later”. Horrible. So, to be forced, or rather, to volunteer to shoot an image a day was a god-send. “I’ll take one later” became “Oh good, I’ve got my picture covered”, and while I may not be a shining example of dedication and quality, at least, procrastination was temporarily staved. Of course, there were days I couldn’t stop shooting and re-discovered how much I love the act of looking through a view-finder. My “thirty” became an index of my activities for a month, sometimes documentation, sometimes art and other times trying to find a picture at 11:30 at night.”

J. Namdev Hardisty is a designer and author. As a partner in The MVA, he designs and creates content for clients such as Analog Clothing, Corleone Records and Princeton Architectural Press, as well as publishing personal projects and artworks. His first book “New Skateboard Graphics”, a collection of contemporary skate-board art was published in 2009 by Mark Batty Publisher. He freaks out about Minneapolis’ old signs set in Helvetica Neue and is prone to quoting Dipset too often.

Jeremy Miranda www.jeremymiranda.com•[email protected] Miranda received a BFA in painting from Mass college of art in 2004. He lives and works in Salem Massachusetts. To view current work visit jeremymiranda.com

Gene Pittman www.genepittman.com•[email protected] you would like to find out more about Gene, his phone number is 612-810-3879. He would love to have lunch or coffee with conversation.

back cover Gene Pittman inside back cover Jeremy Miranda

designed by Kimberlee Whaley for The MVA Studio•[email protected]

published by kimberleewhaley.com•www.the-mva.com

Page 95: Thirty Magazine, Volume 1
Page 96: Thirty Magazine, Volume 1