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in English. Edition sources : Bartók

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Academy of Sciences.Archives of the Hungarian

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All volumes are stitch-bound in teal-colored cloth with silver embossing.

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All volumes are stitch-bound in teal-colored cloth with silver embossing.

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– 2 –

MLA Administrative StructureBOARD OF DIRECTORSOfficers

PresidentMichael J. RoganTufts University

President-ElectMark C. McKnightUniversity of North Texas

Recording SecretaryLisa ShiotaLibrary of Congress

Administrative OfficerPaula HicknerUniversity of Kentucky

Assistant Administrative OfficerJanelle WestUniversity of North Texas

Members-at-Large 2015–2017Andrew JusticeUniversity of Southern California

Laura MoodyLakeland Community College

Darwin ScottPrinceton University

Members-at-Large 2016–2018Suzanne EgglestonYale University

Gerald A. SzymanskiEastman School of Music

Hermine VermeijUniversity of California, Los Angeles

CONVENTION

Convention ManagerDiane L. SteinhausUniversity of North Carolina,

Chapel Hill

Assistant Convention ManagerWendy A. SistrunkUniversity of Missouri, Kansas City

PROGRAM COMMITTEEKirstin M. Dougan, ChairUniversity of Illinois at Urbana–

Champaign

Members:Leslie AndersenKatie BuehnerAndy LeachGreg MacAyealTimothy NeufeldtMolly O’BrienAlan RingwoodPatrick SifuentesLaura Moody (Board liaison), ex

officioDiane Steinhaus (Convention

Manager), ex officioWendy Sistrunk (Assistant

Convention Manager), ex officio

– 3 –

Table ofContents

Table of ContentsProgram

Monday, February 20, 2017 4

Tuesday, February 21, 2017 4

Wednesday, February 22, 2017 5

Thursday, February 23, 2017 6

Friday, February 24, 2017 10

Saturday, February 25, 2017 15

Sunday, February 26, 2017 17

Name/Sponsor Index 18

Exhibitor List 22

Index to Advertisers 29

Hotel Floor Plans 42

Corporate Supporters 44

Save the dates for our next MLA conference!

January 31–February 4, 2018 Hilton Portland & Executive Tower

Portland, Oregon

– 4 –

Program

Music Library Association86th Annual Meeting

February 22–February 26, 2017Orlando, FL

Conference ProgramNote: All MLA program sessions occurring in Ballroom A will be live-streamed, recorded, and archived by MLA. While cameras will be focusedon the primary speakers in the front of the room, session attendees may also be circumstantially recorded. By attending this session, you aregranting MLA permission to be recorded on a video that may be placedon its site for public viewing.

Monday, February 20, 20174:00–11:00 pm MOUG Executive Board businessSalon 18

Tuesday, February 21, 20177:30 am–12:30 pm MOUG RegistrationRegistration D

8:00 am–5:00 pm MLA Board of Directors businessSalon 18

8:00 am–5:00 pm IAML Board of Directors businessSalon 17

8:45–9:00 am MOUG WelcomeBallroom D

9:00–10:00 am Cataloging Scores in an Age of Print on DemandBallroom D Anne Adams (Harvard University)

Morris Levy (Northwestern University)

10:00–10:30 am The Cataloging of Self-Published Scores and Ballroom D Recordings

Reed David (University of California, Berkeley)Nurhak Tuncer (City Colleges of Chicago)

10:30–11:00 am Coffee & TeaBallroom D

11:00 am–12:30 pm Useful Tools Lightning TalksBallroom D

Connexion ToolkitTomoko Shibuya (Northwestern University)

– 5 –

Tuesday, February 21, 2017Batch Processing with MarcEdit and OpenRefineJean Harden (University of North Texas)

Enhancing and Unenhancing the 505 with MacrosColin Bitter (Westminster Choir College)

Oral History Metadata Synchronizer (OHMS) for Audio-Visual Digital Collection

Treshani Perera (University of Wisconsin–Milwaukee)

A Metadata “Connexion” from Sharepoint to WorldCat

Felicia Piscitelli (Texas A&M University)

12:30–2:00 pm Lunch (on your own)Ballroom D

2:00–3:30 pm Ask Everything: Combining Hot Topics, Ask Ballroom D OCLC, and Ask LC

3:30–4:00 pm Cookies & LemonadeBallroom D

4:00–5:30 pm MOUG Business MeetingBallroom D

Wednesday, February 22, 20178:00 am–5:00 pm MLA Board of Directors businessSalon 18

8:00 am–5:00 pm IAML Board of Directors businessSalon 17

8:00–9:00 am MOUG Registration with Coffee & TeaRegistration D

8:30 am–2:30 pm Preconference Workshop: The Beat Goes Salon 9 On-athon: Creating Linked Data for Music

with RIMMF

9:00–9:45 am Keeping Statistics in a Music Library Technical Ballroom D Services Department

Anna LoPrete (Indiana University)Charles Peters (Indiana University)Michelle Hahn (Indiana University)

9:45–10:00 am BreakBallroom D

10:00–11:00 am Cataloging Scores Defensively: “When to Input Ballroom D a New Record” in the Age of DDR

Jay Weitz (OCLC)

Program

– 6 –

Wednesday, February 22, 201711:00 am–12:00 pm UpdatesBallroom D ALA ALCTS Cataloging Competencies

Bruce Evans (Baylor University)

LCDGT (Library of Congress Demographic Group Terms)

Casey Mullin (Western Washington University)

Search and Discovery Task ForceRebecca Belford (University at Buffalo)

Music Discovery RequirementsNara Newcomer (University of Missouri, Kansas

City)

12:00–9:00 pm MLA RegistrationRegistration A/B

3:30–5:30 pm Development Committee businessSalon 1

5:00–7:00 pm First Time Attendees Reception & Program Poolside Upper Deck invitation only

5:30–7:00 pm Music Librarianship, Preservation, and Salon 9 Documentation Worldwide: The IAML Board

Presents

7:00–10:00 pm MLA Opening ReceptionBallroom B

7:00–10:00 pm Exhibits Open; Silent Auction OpenBallroom B

8:00–11:00 pm MLA Big Band RehearsalBallroom A

Thursday, February 23, 20177:30–8:30 am Monographic Series Editors Meeting invitation Salon 14 only

8:00 am–5:00 pm MLA RegistrationRegistration A/B

8:30–9:00 am Welcome to the 86th MLA Annual MeetingBallroom A

9:00–10:25 am Plenary I: Cataloging and Promoting Music Ballroom A Special Collections in Latin America

Member-proposedSpeakers: Yael Bitrán Goren (CENIDIM); André

Guerra Cotta (Universidade Federal Fluminense Polo Rio das Ostras); Beatriz Magalhães Castro (Universidade de Brasilia); Keith Cochran (Indiana University), moderator

Program

– 7 –

Thursday, February 23, 201710:30–11:00 am Coffee BreakBallroom B

10:30 am–5:00 pm Exhibits Open; Silent Auction Open; Resume Ballroom B Review and Placement Service Open

11:00–11:55 am Copyright of Institutional RecordingsBallroom A Sponsor: Legislation Committee

Speaker: Eric Harbeson (University of Colorado Boulder)

11:00–11:55 am Public Libraries Committee businessSalon 12

11:00–11:55 am Black Music Collections Interest GroupSalon 13

11:00–11:55 am Diversity Scholarship Fundraising Subcommittee Salon 15 business

11:00 am–12:25 pm Teresa Carreño: Issues of Access, Memory, and Salon 6/7/8 (Digital) Scholarship

Sponsors: Emerging Technologies and Services Committee, Archives and Special Collections Committee, Digital Humanities Interest Group, Women in Music Interest Group

Speakers: Anna Kijas (Boston College); Jesús Eloy Gutiérrez (Centro Documental Teatro Teresa Carreño, Caracas, Venezuela); Jerry McBride (Stanford University); Jonathan Manton (YaleUniversity), moderator

11:00 am–12:25 pm Cataloging and Metadata Committee – First Salon 5 Meeting business

11:00 am–12:25 pm Educational Outreach Subcommittee businessSalon 11

12:00–12:25 pm For Love of VinylBallroom A Member proposed

Speaker: Stephanie Bonjack (University of Colorado Boulder)

12:00–12:55 pm Web Committee businessSalon 12

12:30–1:30 pm Lunch (on your own)

12:30–1:55 pm RIPM Luncheon RSVP RequiredBallroom D

Program

– 8 –

Thursday, February 23, 20171:30–1:55 pm Learning through Performance: The Academic Salon 6/7/8 Library and Performing Arts Programming

Member proposedSpeaker: Angela Pratesi (University of Northern

Iowa)

1:30–2:25 pm Local Music Interest GroupSalon 15

1:30–2:55 pm Personalities, Institutions, Music, and the Ballroom A Archives

Sponsor: Resource Sharing and Collection Development Committee

Speakers: Carol A. Hess (University of California, Davis); Hernán Gabriel Vázquez (UniversidadNacional de Rosario/Instituto Nacional deMusicología “Carlos Vega”); Carmen Helena-Tellez (University of Notre Dame); EmmaDederick (Indiana University)

1:30–2:55 pm RDA Steering Committee Working Group businessSalon 5

1:30–2:55 pm Legislation Committee businessSalon 12

2:00–2:55 pm A Framework for Collaboration: Engaging Salon 6/7/8 Faculty in Information Literacy through the

ACRL Framework Member proposedSpeakers: Erin Conor (Reed College); Beth

Christensen (St. Olaf College); Theresa Burress (New College of Florida); Maribeth Clark (New College of Florida)

2:00–2:55 pm MLA Liaisons businessSalon 11

2:00–2:55 pm Preservation Committee businessSalon 13

2:30–4:00 pm Get Involved in MLA!Ballroom Committee and subcommittee chairs are availableFoyer to answer your questions!

3:00–3:30 pm Coffee BreakBallroom B

3:30–4:25 pm IAML Latin America ForumBallroom A Moderator: Emma Dederick (Indiana University)

Program

– 9 –

Thursday, February 23, 20173:30–4:25 pm “I’m Here!” Stories of Jazz and Life from the Salon 6/7/8 Fillius Jazz Archive at Hamilton College

Sponsors: Archives and Special Collections Committee, Jazz and Popular Music InterestGroup

Speaker: Monk Rowe (Fillius Jazz Archive, Hamilton College)

3:30–4:25 pm Instruction Subcommittee businessSalon 12

3:30–4:25 pm Women in Music Interest GroupSalon 13

3:30–4:55 pm Encoding Standards Subcommittee businessSalon 5

3:30–4:55 pm Publications Committee businessSalon 11

4:30–5:25 pm Contemporary Music Interest GroupSalon 12

4:30–5:25 pm Digital Humanities Interest GroupSalon 13

4:30–4:55 pm Music Instruction (Public Library Style)Salon 6/7/8 Sponsor: Public Libraries Committee

Speakers: Carolyn Dow (Lincoln City Libraries); David M. King (Carnegie Library of Pittsburgh);Laurie Bailey (San Diego Public Library)

4:30–5:55 pm Core Competencies for Music Librarians (CDS Ballroom A Town Hall)

Sponsor: Career Development Services CommitteeSpeakers: Ana Dubnjakovic (University of South

Carolina); Stephanie Lewin-Lane (University ofHouston); Angela Pratesi (University ofNorthern Iowa); Mallory Sajewski (WesternIllinois University)

5:00–5:25 pm Flipping Music BibliographySalon 6/7/8 Member proposed

Speaker: Carl Rahkonen (Indiana University of Pennsylvania)

5:00–5:55 pm Musical Theatre Interest GroupSalon 11

5:30–5:55 pm The Beatles 16 Ways: Instruction Activities on Salon 6/7/8 Score Editions

Member proposed Speaker: Marci Cohen (Boston University)

Program

– 10 –

Thursday, February 23, 20176:00–7:30 pm Innovative Users GroupBallroom A

6:00–7:00 pm SirsiDynix Users GroupSalon 6/7/8

6:00–7:00 pm Blacklight Users GroupSalon 12

6:00–7:00 pm Alma Users GroupSalon 13

7:00–8:00 pm Midwest Chapter, MLASalon 12

7:00–8:00 pm Texas Chapter, MLASalon 11

7:00–8:00 pm Southeast Chapter, MLASalon 5

7:00–8:00 pm Greater New York Chapter, MLASalon 13

8:00–11:00 pm MLA Big Band RehearsalBallroom A

Friday, February 24, 20177:30–9:00 am Alexander Street Breakfast RSVP RequiredBallroom C

8:00 am–5:00 pm MLA RegistrationRegistration Office

9:00–10:25 am Plenary II: Ontologies, BIBFRAME, and Linked Ballroom A Data for Performed Music: MLA’s Role in It All

Sponsor: Cataloging and Metadata CommitteeSpeakers: Kimmy Szeto (Baruch College); Nancy

Lorimer (Stanford University); Michael Colby(University of California, Davis); James SoeNyun (University of California, San Diego);Kirk-Evan Billet (Johns Hopkins University);Kevin Kishimoto (Stanford University)

10:30–11:00 am Coffee BreakBallroom B

10:30 am–5:00 pm Exhibits Open; Silent Auction Open; Resume Ballroom B Review and Placement Service Open

10:30 am–2:00 pm Poster SessionsBallroom Foyer

Research Practices of Undergraduate Music Students

Presenter: Joe Clark (Kent State University)

Program

– 11 –

Friday, February 24, 2017What High School Students Want to Know

about Music: An Information LiteracyInstruction Course for a High School MusicCamp

Presenter: Michael Duffy (Western Michigan University)

Outreach with a Personal Touch: Takeaways and Tips from a Personal Librarian Program

Presenters: Amanda Evans (Kent State University); Joe Clark (Kent State University)

Break It Down, Build It Up: Website Planning for Librarians

Presenter: Patrick Fulton (Cleveland Institute of Music)

Ernestine Schumann-Heink: A Contralto’s LegacyPresenter: Holly Gardinier (Claremont College)

Tell Me What You Want: Material Format Preference of Music Faculty

Presenter: Carey Huddlestun (Kennesaw State University)

Our 30-Day Challenge: Migrating to Three New Systems and One New Library in Four ShortWeeks

Presenters: Melissa Moll (University of Iowa); Katie Buehner (University of Iowa)

Achieving Balance: Triumphs and Trials of Collection Management

Presenter: Sara Nodine (Florida State University)

Challenges of Cataloging Music Gift Collections: Lessons Learned from a Music CatalogingInternship

Presenter: Treshani Perera (University of Wisconsin–Milwaukee)

The Archive from the Centro Latinoamericano de Altos Estudios Musicales (CLAEM)

Presenter: Alejandra Plaza (CLAEM, Buenos Aires)

Discoteca Pública Municipal de São Paulo: A Modernist Project

Presenter: Jéssica Barreto (Discoteca Oneyda Alvarenga, São Paulo)

Who Are We? MLA Personnel Characteristics 2016, and What Has Changed

Presenters: Jonathan Sauceda (Rutgers University);Joe Clark (Kent State University)

Program

– 12 –

Friday, February 24, 2017From Nasal Spray to Grammy Awards: The

Leonard Bernstein Collection at IndianaUniversity

Presenters: Phil Ponella (Indiana University); Charley Roush (Indiana University); LisaWollenberg (University of Hartford)

11:00 am–12:25 pm Mas vale pájaro en mano que cien volando = A Ballroom A Bird in the Hand is Worth Two in the Bush:

The Challenges of Providing Access toDiverse Latin American Collections

Sponsors: Technical Services Interest Group, Cataloging and Metadata Committee

Speakers: Klaus Kiel (RISM); John Lazos (Montreal); Cecilia Astudillo Rojas (BibliotecaNacional de Chile); Morris Levy (NorthwesternUniversity); Allison McClanahan (IndianaUniversity); Tom Moore (Aventura, FL); CharlesPeters (Indiana University); Emma Dederick(Indiana University)

11:00–11:25 am Scores of Scores: What to Do with the GrowingSalon 6/7/8 Number of Scores on YouTube

Sponsor: Contemporary Music Interest GroupSpeaker: Matthew Ertz (University of Louisville)

11:00–11:55 am Bibliography Interest GroupSalon 12

11:00–11:55 am Organ Music Interest GroupSalon 13

11:00–11:55 am Oral History Committee businessSalon 15

11:00 am–12:25 pm NACO/SACO/BIBCO businessSalon 5

11:00 am–12:25 pm Career Development and Services Committee Salon 11 business

11:30 am–12:25 pm Music Information Seeking Behavior in the Salon 6/7/8 Digital Age: Implications and

Recommendations for Music Libraries Sponsor: Reference and Access Services

SubcommitteeSpeakers: Nara Newcomer (University of

Missouri, Kansas City); Kirstin Dougan(University of Illinois at Urbana-Champaign);Erin Conor (Reed College)

12:00–12:55 pm Reference Sources Subcommittee businessSalon 12

Program

– 13 –

Friday, February 24, 201712:00–12:55 pm Sheet Music Interest GroupSalon 13

12:00–1:25 pm Notes luncheon Invitation OnlySalon 17

12:30–1:30 pm Lunch (on your own)

12:30–2:25 pm RILM Luncheon RSVP RequiredBallroom C New Releases: RAFT and MGG Online

1:30–1:55 pm Show Me the Music: Latest Developments atSalon 6/7/8 RIdIM

Member proposedSpeakers: Michael Duffy (Western Michigan

University); Alan Green (Ohio State University);Jarod Ogier (Ohio State University); SeanFerguson (Ohio State University); JessicaHronchek (Hope College)

1:30–2:55 pm Who’s Afraid of the Big Backlog? MPLP andBallroom A Music Special Collections

Sponsors: Preservation Committee, Archives and Special Collections Committee

Speakers: Dan Santamaria (Tufts University); Maristella Feustle (University of North Texas);Matt Snyder (New York Public Library)

1:30–2:55 pm Vocabularies Subcommittee businessSalon 5

1:30–2:55 pm Membership Committee businessSalon 11

2:00–2:25 pm RISM UpdatesSalon 6/7/8 Member proposed

Speaker: Sarah Adams (Harvard University); Christina Linklater (Harvard University)

2:00–2:55 pm American Music Interest GroupSalon 12

2:00–2:55 pm Education Committee businessSalon 13

2:00–2:55 pm Reference and Access Services Subcommittee Salon 15 business

2:30–2:55 pm Best Practices for Being an Ally to Transgender Salon 6/7/8 and Gender Nonconforming Individuals in a

Library Environment Member proposedSpeakers: Madeline Dietrich (Old Dominion

Uni ver sity); Holling Smith-Borne (Vanderbilt Univer sity)

Program

– 14 –

Friday, February 24, 20173:00–3:30 pm Coffee BreakBallroom B

3:30–4:25 pm The FUTURE Is NOW! Preparing for and Ballroom A Learning from Large-Scale Media Preservation

Member proposedSpeakers: Phil Ponella (Indiana University); Tony

Tadey (Indiana University); Michelle Hahn(Indiana University)

3:30–4:25 pm It’s Happening Now: Two Developments Using Salon 6/7/8 Music Ontologies

Sponsor: Cataloging and Metadata CommitteeSpeakers: Jean Delahousse (DOREMUS); Kimmy

Szeto (Baruch College)

3:30–4:25 pm Technical Services Interest GroupSalon 5

3:30–4:25 pm Archives and Special Collections CommitteeSalon 12

3:30–4:25 pm Public Services Committee businessSalon 15

3:30–4:55 pm Retirement Interest GroupSalon 11

3:30–4:55 pm Resource Sharing and Collection Development Salon 13 Committee business

4:30–4:55 pm Tell Me Your Digital Story: Using the Oral Salon 6/7/8 History Metadata Synchronizer (OHMS) in

Oral History Digital CollectionsMember proposedSpeaker: Treshani Perera (University of

Wisconsin–Milwaukee)

4:30–5:25 pm Transgender Allyship Best Practices: Follow-up Salon 5 Conversation

Member proposedSpeakers: Madeline Dietrich (Old Dominion Uni ver sity); Holling Smith-Borne (VanderbiltUniversity)

4:30–5:25 pm Diversity Committee businessSalon 12

4:30–5:55 pm CMC Town Hall Ballroom A Sponsor: Cataloging and Metadata Committee

Speakers: Tracey Snyder (Cornell University); Mary Huismann (St. Olaf College); CaseyMullin (Western Washington University); JamesSoe Nyun (University of California, San Diego);

Program

– 15 –

Friday, February 24, 2017Damian Iseminger (Library of Congress); Kirk-

Evan Billet (Johns Hopkins University);Christopher Holden (Library of Congress)

5:00 pm MLA Silent Auction EndsBallroom B

5:00–5:25 pm A Musical Migration: Exploring the Music Salon 6/7/8 Collections at the University of New Mexico

Member proposedSpeakers: Amy Jackson (University of New

Mexico); Suzanne Schadl (University of NewMexico)

5:30–5:55 pm From Angels Dancing on a Pin to Cavalcade of Salon 6/7/8 Cubes: The Florencio Asenjo Collection at the

University of PittsburghMember proposedSpeaker: James P. Cassaro (University of Pittsburgh)

8:00–11:00 pm MLA Big Band RehearsalBallroom A

Saturday, February 25, 20179:00–10:25 am Plenary III: Canadian Music Libraries: Ballroom A Connecting People and Collections

Sponsor: CAMLSpeakers: James Mason (University of Toronto

Music Library); Tim Neufeldt (University ofToronto Music Library); Joseph Hafner (McGillUniversity)

10:30–11:00 am Coffee BreakBallroom B

10:30 am–12:00 pm Exhibits Open

11:00–11:25 am The Latin American and Caribbean Collection at Ballroom A University of Florida

Member proposedSpeakers: Alan Asher (University of Florida);

Paul Losch (Latin American and CaribbeanCollection University of Florida)

11:00–11:55 am Orientation-Live Gaming in the Library Salon 6/7/8 Member proposed

Speakers: Zoë Rath (Berklee College of Music); Kellian Adams (Green Door Labs)

11:00–11:55 am Emerging Technologies and Services Committee Salon 12 business

11:00–11:55 am Music Industry and Arts Management Interest Salon 13 Group

Program

– 16 –

Saturday, February 25, 201711:00–11:55 am Basic Manual Series Editors businessSalon 15

11:00 am–12:25 pm Content Standards Subcommittee businessSalon 5

11:00 am–12:25 pm Conservatory Libraries Interest GroupSalon 11

11:30–11:55 am Pan-American Connections: Building Bridges Ballroom A between Music Librarianship and Distinctive

Collections Member proposedSpeakers: Nancy Zavac (University of Miami);

Meiyolet Mendez (University of Miami)

12:00–12:25 pm Music Collections in Uncertain Economic Times:Ballroom A A Survey of Canadian Academic Libraries

Sponsor: Resource Sharing and Collection Development Committee

Speakers: Houman Behzadi (University of Toronto); Carolyn Doi (University ofSaskatchewan)

12:00–12:25 pm Research as Process and Play: Active Learning Salon 6/7/8 Approaches for Music Instruction in One-

Shot Settings Member proposedSpeaker: Ann Shaffer (University of Oregon)

12:30–1:30 pm Lunch (on your own)

1:30–2:25 pm Best of Chapters: Hyper-connected Access to Ballroom A Archival Music Collections

Sponsor: Best of Chapters CommitteeSpeakers: Mac Nelson (University of North

Carolina-Greensboro); Stacey Krim (Universityof North Carolina-Greensboro)

1:30–2:25 pm Latin American Reference RoundupSalon 6/7/8 Sponsor: Reference Sources Subcommittee

Speakers: Laurie Sampsel (University of Colorado Boulder); Donna Arnold (University of North Texas); Lindy Smith (Bowling Green State University); Bob Terrio (Westminster Choir College); Kristina Shanton (Ithaca College)

1:30–2:25 pm Music Librarianship Educators Interest GroupSalon 11

1:30–2:25 pm Jazz and Popular Music Interest GroupSalon 13

Program

Saturday, February 25, 20171:30–2:25 pm Marketing Subcommittee businessSalon 15

1:30–2:55 pm Investments Subcommittee businessSalon 12

1:30–3:25 pm Content and Metadata Committee Meeting 2 Salon 5 business

2:30–2:55 pm Library and Archive of the Cuban Musicology: Ballroom A Stories and Strategies

Member proposedSpeaker: Laura Delia Vilar Alvarez (CIDMUC)

2:30–3:25 pm Seeing the Trends: Data Visualization and Salon 6/7/8 Developing a Local Music Collection

Member proposedSpeakers: Stephanie Lewin-Lane (University of Houston); Mary Manning (University ofHouston); Joshua Been (University of Houston)

2:30–3:25 pm Performing Arts Interest GroupSalon 11

2:30–3:25 pm Paraprofessionals Interest GroupSalon 13

3:00–3:25 pm El Centro de Investigación en Artes Musicales y Ballroom A Escénicas del Litoral Noroeste: una experien-

cia de trabajo interdisciplinario sobre artesperformáticas en Uruguay

Member proposedSpeaker: Yoanna Díaz Vázquez (Centro de

Investigación en Artes Musicales y Escénicas(CIAMEN), Universidad de la República)

3:30–5:30 pm MLA Business MeetingBallroom A

5:45–6:30 pm MLA Big Band Sound CheckBallroom B

6:30–8:30 pm Closing Cocktails and Hors d'oeuvres with the Ballroom B MLA Big Band

Sunday, February 26, 20178:00–10:30 am MLA 2018 Portland Planning businessSalon 17

8:00 am–12:00 pm MLA Board of Directors businessSalon 18

– 17 –

Program

– 18 –

Speaker/Sponsor . . . . . . . . . . . . . . . . . . Day Time . . . . . . . . . . . . . . . . . . . . PlaceAdams, Anne . . . . . . . . . . . . . . . . . . . . . . . . . . . .Tue. 9:00–10:00 AM . . . . . . . . . . . . .Ballroom DAdams, Kellian . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 11:00–11:55 AM . . . . . . . . . . . . .Salon 6/7/8Adams, Sarah . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 2:00–2:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Alexander Street Press Breakfast . . . . . . . . . . .Fri. 7:30–9:00 AM . . . . . . . . . . . . . .Ballroom CAlma Users Group . . . . . . . . . . . . . . . . . . . . . . .Thur. 6:00–7:00 PM . . . . . . . . . . . . . . . . .Salon 13American Music Interest Group . . . . . . . . . . . .Fri. 2:00–2:55 PM . . . . . . . . . . . . . . . . .Salon 12Archives and Special Collections . . . . . . . . . . .Thur. 11:00 AM–12:25 PM . . . . . . . . .Salon 6/7/8

Committee (S) Thur. 3:30–4:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Fri. 1:30–2:55 PM . . . . . . . . . . . . . . .Ballroom A

Archives and Special Collections Committee .Fri. 3:30–4:25 PM . . . . . . . . . . . . . . . . .Salon 12Arnold, Donna . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 1:30–2:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Asher, Alan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 11:00–11:25 AM . . . . . . . . . . . . .Ballroom ABailey, Laurie . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 4:30–4:55 PM . . . . . . . . . . . . . . .Salon 6/7/8Barreto, Jéssica (P) . . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerBasic Manual Series Editors . . . . . . . . . . . . . . . .Sat. 11:00–11:55 AM . . . . . . . . . . . . . . .Salon 15Been, Joshua . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 2:30–3:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Behzadi, Houman . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 12:00–12:25 PM . . . . . . . . . . . . .Ballroom ABelford, Rebecca . . . . . . . . . . . . . . . . . . . . . . . . .Wed. 11:00 AM–12:00 PM . . . . . . . . .Ballroom DBest of Chapters Committee (S) . . . . . . . . . . .Sat. 1:30–2:25 PM . . . . . . . . . . . . . . .Ballroom ABibliography Interest Group . . . . . . . . . . . . . . . .Fri. 11:00–11:55 AM . . . . . . . . . . . . . . .Salon 12Billet, Kirk-Evan . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom A

Fri. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom ABitter, Colin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Tue. 11:00 AM–12:30 PM . . . . . . . . .Ballroom DBlack Music Collections Interest Group . . . . . .Thur. 11:00–11:55 AM . . . . . . . . . . . . . . .Salon 13Blacklight Users Group . . . . . . . . . . . . . . . . . . . .Thur. 6:00–7:00 PM . . . . . . . . . . . . . . . . .Salon 12Bonjack, Stephanie . . . . . . . . . . . . . . . . . . . . . . . .Thur. 12:00–12:25 PM . . . . . . . . . . . . .Ballroom ABuehner, Katie (P) . . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerBurress, Theresa . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 2:00–2:55 PM . . . . . . . . . . . . . . .Salon 6/7/8CAML (S) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom ACareer Development and Services . . . . . . . . . .Fri. 11:00 AM–12:25 PM . . . . . . . . . . .Salon 11

CommitteeCareer Development Services . . . . . . . . . . . . . .Thur. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom A

Committee (S)Cassaro, James P. . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 5:30–5:55 PM . . . . . . . . . . . . . . Salon 6/7/8Castro, Beatriz Magalhães . . . . . . . . . . . . . . . . . .Thur. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom ACataloging and Metadata Committee . . . . . . . .Thur. 11:00 AM–12:25 PM . . . . . . . . . . . . .Salon 5

Sat. 1:30–3:25 PM . . . . . . . . . . . . . . . . . .Salon 5Cataloging and Metadata Committee (S) . . . . .Fri. 11:00 AM–12:25 PM . . . . . . . . .Ballroom A

Fri. 3:30–4:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Fri. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom AThur. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom AWed. 8:30 AM–2:30 PM . . . . . . . . . . . . . . .Salon 9

Christensen, Beth . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 2:00–2:55 PM . . . . . . . . . . . . . . .Salon 6/7/8Clark, Joe (P) . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerClark, Maribeth . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 2:00–2:55 PM . . . . . . . . . . . . . . .Salon 6/7/8Cochran, Keith . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom ACohen, Marci . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 5:30–5:55 PM . . . . . . . . . . . . . . .Salon 6/7/8Colby, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom AConor, Erin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 2:00–2:55 PM . . . . . . . . . . . . . . .Salon 6/7/8

Fri. 11:30 AM–12:25 PM . . . . . . . . .Salon 6/7/8Conservatory Libraries Interest Group . . . . . .Sat. 11:00 AM–12:25 PM . . . . . . . . . . .Salon 11Contemporary Music Interest Group . . . . . . . .Thur. 4:30–5:25 PM . . . . . . . . . . . . . . . . .Salon 12Contemporary Music Interest Group (S) . . . .Fri. 11:00–11:25 AM . . . . . . . . . . . .Salon 6/7/8Content Standards Subcommittee . . . . . . . . . .Sat. 11:00 AM–12:25 PM . . . . . . . . . . . . .Salon 5Cotta, André Guerra . . . . . . . . . . . . . . . . . . . . .Thur. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom ADavid, Reed . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Tue. 10:00–10:30 AM . . . . . . . . . . . .Ballroom D

Name/Sponsor Index(P)=Poster (S)=Sponsor

Index

Speaker/Sponsor . . . . . . . . . . . . . . . . . . Day Time . . . . . . . . . . . . . . . . . . . . PlaceDederick, Emma . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 1:30–2:55 PM . . . . . . . . . . . . . . .Ballroom A

Thur. 3:30–4:25 PM . . . . . . . . . . . . . . .Ballroom AFri. 11:00 AM–12:25 PM . . . . . . . . .Ballroom A

Delahousse, Jean . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 3:30–4:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Dietrich, Madeline . . . . . . . . . . . . . . . . . . . . . . . .Fri. 2:30–2:55 PM . . . . . . . . . . . . . . .Salon 6/7/8

Fri. 4:30–5:25 PM . . . . . . . . . . . . . . . . . .Salon 5Digital Humanities Interest Group . . . . . . . . . .Thur. 4:30–5:25 PM . . . . . . . . . . . . . . . . .Salon 13Digital Humanities Interest Group (S) . . . . . . .Thur. 11:00 AM–12:25 PM . . . . . . . . .Salon 6/7/8Diversity Committee . . . . . . . . . . . . . . . . . . . . . .Fri. 4:30–5:25 PM . . . . . . . . . . . . . . . . .Salon 12Diversity Scholarship Fundraising . . . . . . . . . . .Thur. 11:00 AM–11:55 AM . . . . . . . . . . .Salon 15

SubcommitteeDoi, Carolyn . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 12:00–12:25 PM . . . . . . . . . . . . Ballroom ADougan, Kirstin . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 11:30 AM–12:25 PM . . . . . . . . .Salon 6/7/8Dow, Carolyn . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 4:30–4:55 PM . . . . . . . . . . . . . . .Salon 6/7/8Dubnjakovic, Ana . . . . . . . . . . . . . . . . . . . . . . . .Thur. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom ADuffy, Michael (P) . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerDuffy, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 1:30–1:55 PM . . . . . . . . . . . . . . .Salon 6/7/8Education Committee . . . . . . . . . . . . . . . . . . . . .Fri. 2:00–2:55 PM . . . . . . . . . . . . . . . . .Salon 13Education Committee (S) . . . . . . . . . . . . . . . . . .Wed. 8:30 AM–2:30 PM . . . . . . . . . . . . . . .Salon 9Educational Outreach Subcommittee . . . . . . . .Thur. 11:00 AM–12:25 PM . . . . . . . . . . .Salon 11Educational Outreach Subcommittee (S) . . . . .Wed. 8:30 AM–2:30 PM . . . . . . . . . . . . . . .Salon 9Emerging Technologies and Services . . . . . . . . .Sat. 11:00–11:55 AM . . . . . . . . . . . . . . .Salon 12

CommitteeEmerging Technologies and Services . . . . . . . . .Thur. 11:00 AM–12:25 PM . . . . . . . . .Salon 6/7/8

Committee (S)Encoding Standards Subcommittee . . . . . . . . . .Thur. 3:30–4:55 PM . . . . . . . . . . . . . . . . . .Salon 5Ertz, Matthew . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 11:00–11:25 AM . . . . . . . . . . . .Salon 6/7/8Evans, Amanda (P) . . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerEvans, Bruce . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Wed. 11:00 AM–12:00 PM . . . . . . . . .Ballroom DFerguson, Sean . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 1:30–1:55 PM . . . . . . . . . . . . . . .Salon 6/7/8Feustle, Maristella . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 1:30–2:55 PM . . . . . . . . . . . . . . .Ballroom AFulton, Patrick (P) . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerGardinier, Holly (P) . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerGoren, Yael Bitrán . . . . . . . . . . . . . . . . . . . . . . . .Thur. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom AGreater New York Chapter, MLA . . . . . . . . . . .Thur. 7:00–8:00 PM . . . . . . . . . . . . . . . . .Salon 13Green, Alan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 1:30–1:55 PM . . . . . . . . . . . . . . .Salon 6/7/8Gutiérrez, Jesús Eloy . . . . . . . . . . . . . . . . . . . . . .Thur. 11:00 AM–12:25 PM . . . . . . . . .Salon 6/7/8Hafner, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom AHahn, Michelle . . . . . . . . . . . . . . . . . . . . . . . . . . .Wed. 9:00–9:45 AM . . . . . . . . . . . . . .Ballroom D

Fri. 3:30–3:55 PM . . . . . . . . . . . . . . .Ballroom AHarbeson, Eric . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 11:00–11:55 AM . . . . . . . . . . . . .Ballroom AHarden, Jean . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Tue. 11:00 AM–12:30 PM . . . . . . . . .Ballroom DHelena-Tellez, Carmen . . . . . . . . . . . . . . . . . . . .Thur. 1:30–2:55 PM . . . . . . . . . . . . . . .Ballroom AHernández, Yohana Ortega . . . . . . . . . . . . . . . .Thur. 3:30–4:25 PM . . . . . . . . . . . . . . .Ballroom AHess, Carol A. . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 1:30–2:55 PM . . . . . . . . . . . . . . .Ballroom AHolden, Christopher . . . . . . . . . . . . . . . . . . . . . .Fri. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom AHronchek, Jessica . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 1:30–1:55 PM . . . . . . . . . . . . . . .Salon 6/7/8Huddlestun, Carey (P) . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerHuismann, Mary . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom AIAML . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Wed. 5:30–7:00 PM . . . . . . . . . . . . . . . . . .Salon 9

Thur. 3:30–4:25 PM . . . . . . . . . . . . . . .Ballroom AInnovative Users Group . . . . . . . . . . . . . . . . . . .Thur. 6:00–7:30 PM . . . . . . . . . . . . . . .Ballroom AInstruction Subcommittee . . . . . . . . . . . . . . . . .Thur. 3:30–4:25 PM . . . . . . . . . . . . . . . . .Salon 12Investments Subcommittee . . . . . . . . . . . . . . . .Sat. 1:30–2:55 PM . . . . . . . . . . . . . . . . .Salon 12Iseminger, Damian . . . . . . . . . . . . . . . . . . . . . . . .Fri. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom AJackson, Amy . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 5:00–5:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Jazz and Popular Music Interest Group . . . . . . .Sat. 1:30–2:25 PM . . . . . . . . . . . . . . . . .Salon 13Jazz and Popular Music Interest Group (S) . . .Thur. 3:30–4:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Kiel, Klaus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 11:00 AM–12:25 PM . . . . . . . . .Ballroom AKijas, Anna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 11:00 AM–12:25 PM . . . . . . . . .Salon 6/7/8King, David M. . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 4:30–4:55 PM . . . . . . . . . . . . . . .Salon 6/7/8

– 19 –

Index

– 20 –

Speaker/Sponsor . . . . . . . . . . . . . . . . . . Day Time . . . . . . . . . . . . . . . . . . . . PlaceKishimoto, Kevin . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom AKrim, Stacey . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 1:30–2:25 PM . . . . . . . . . . . . . . .Ballroom ALazos, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 11:00 AM–12:25 PM . . . . . . . . .Ballroom ALegislation Committee . . . . . . . . . . . . . . . . . . . .Thur. 1:30–2:55 PM . . . . . . . . . . . . . . . . .Salon 12Legislation Committee (S) . . . . . . . . . . . . . . . . .Thur. 11:00–11:55 AM . . . . . . . . . . . . .Ballroom ALevy, Morris . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Tue. 9:00–10:00 AM . . . . . . . . . . . . .Ballroom D

Fri. 11:00 AM–12:25 PM . . . . . . . . .Ballroom ALewin-Lane, Stephanie . . . . . . . . . . . . . . . . . . . .Thur. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom A

Sat. 2:30–3:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Linklater, Christina . . . . . . . . . . . . . . . . . . . . . . . .Fri. 2:00–2:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Local Music Interest Group . . . . . . . . . . . . . . . .Thur. 1:30–2:25 PM . . . . . . . . . . . . . . . . .Salon 15LoPrete, Anna . . . . . . . . . . . . . . . . . . . . . . . . . . . .Wed. 9:00–9:45 AM . . . . . . . . . . . . . .Ballroom DLorimer, Nancy . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom ALosch, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 11:00–11:25 AM . . . . . . . . . . . . .Ballroom AManning, Mary . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 2:30–3:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Manton, Jonathan . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 11:00 AM–12:25 PM . . . . . . . . .Salon 6/7/8Marketing Subcommittee . . . . . . . . . . . . . . . . . .Sat. 1:30–2:25 PM . . . . . . . . . . . . . . . . .Salon 15Mason, James . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom AMcBride, Jerry . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 11:00 AM–12:25 PM . . . . . . . . .Salon 6/7/8McClanahan, Allison . . . . . . . . . . . . . . . . . . . . . . .Fri. 11:00 AM–12:25 PM . . . . . . . . .Ballroom AMembership Committee . . . . . . . . . . . . . . . . . .Fri. 1:30–2:55 PM . . . . . . . . . . . . . . . . .Salon 11Mendez, Meiyolet . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 11:30–11:55 AM . . . . . . . . . . . . .Ballroom AMidwest Chapter, MLA . . . . . . . . . . . . . . . . . . . .Thur. 7:00–8:00 PM . . . . . . . . . . . . . . . . .Salon 12MLA Liaisons . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 2:00–2:55 PM . . . . . . . . . . . . . . . . .Salon 11Moll, Melissa (P) . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerMoore, Tom . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 11:00 AM–12:25 PM . . . . . . . . .Ballroom AMOUG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Tue. 8:45 AM–5:30 PM . . . . . . . . . . .Ballroom D

Wed. 9:00 AM–12:00 PM . . . . . . . . . .Ballroom DMOUG (S) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Wed. 8:30 AM–2:30 PM . . . . . . . . . . . . . . .Salon 9Mullin, Casey . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Wed. 11:00 AM–12:00 PM . . . . . . . . .Ballroom D

Fri. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom AMusic Industry and Arts Management . . . . . . .Sat. 11:00–11:55 AM . . . . . . . . . . . . . . .Salon 13

Interest GroupMusic Librarianship Educators Interest . . . . . . .Sat. 1:30–2:25 PM . . . . . . . . . . . . . . . . . .Salon11

GroupMusical Theatre Interest Group . . . . . . . . . . . . .Thur. 5:00–5:55 PM . . . . . . . . . . . . . . . . .Salon 11NACO/SACO/BIBCO . . . . . . . . . . . . . . . . . . . .Fri. 11:00 AM–12:25 PM . . . . . . . . . . . . .Salon 5Nelson, Mac . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 1:30–2:25 PM . . . . . . . . . . . . . . .Ballroom ANeufeldt, Timothy . . . . . . . . . . . . . . . . . . . . . . . .Sat. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom ANewcomer, Nara . . . . . . . . . . . . . . . . . . . . . . . . .Wed. 11:00 AM–12:00 PM . . . . . . . . .Ballroom D

Fri. 11:30 AM–12:25 PM . . . . . . . . .Salon 6/7/8Nodine, Sara (P) . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerOgier, Jarod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 1:30–1:55 PM . . . . . . . . . . . . . . .Salon 6/7/8Oral History Committee . . . . . . . . . . . . . . . . . .Fri. 11:00–11:55 AM . . . . . . . . . . . . . . .Salon 15Organ Music Interest Group . . . . . . . . . . . . . . .Fri. 11:00–11:55 AM . . . . . . . . . . . . . . .Salon 13Paraprofessionals Interest Group . . . . . . . . . . . .Sat. 2:30–3:25 PM . . . . . . . . . . . . . . . . .Salon 13Perera, Treshani . . . . . . . . . . . . . . . . . . . . . . . . . . .Tue. 11:00 AM–12:30 PM . . . . . . . . .Ballroom D

Fri. 4:30–4:55 PM . . . . . . . . . . . . . . .Salon 6/7/8Perera, Treshani (P) . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerPerforming Arts Interest Group . . . . . . . . . . . .Sat. 2:30–3:25 PM . . . . . . . . . . . . . . . . .Salon 11Peters, Charles . . . . . . . . . . . . . . . . . . . . . . . . . . .Wed. 9:00–9:45 AM . . . . . . . . . . . . . .Ballroom D

Fri. 11:00 AM–12:25 PM . . . . . . . . .Ballroom APiscitelli, Felicia . . . . . . . . . . . . . . . . . . . . . . . . . . .Tue. 11:00 AM–12:30 AM . . . . . . . . .Ballroom DPlaza, Alejandra (P) . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerPonella, Phil (P) . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerPonella, Phil . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 3:30–3:55 PM . . . . . . . . . . . . . . .Ballroom APratesi, Angela . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 1:30–1:55 PM . . . . . . . . . . . . . . .Salon 6/7/8

Thur. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom APreservation Committee . . . . . . . . . . . . . . . . . .Thur. 2:00–2:55 PM . . . . . . . . . . . . . . . . .Salon 13Preservation Committee (S) . . . . . . . . . . . . . . .Fri. 1:30–2:55 PM . . . . . . . . . . . . . . .Ballroom A

Index

– 21 –

Speaker/Sponsor . . . . . . . . . . . . . . . . . . Day Time . . . . . . . . . . . . . . . . . . . . PlacePublic Libraries Committee . . . . . . . . . . . . . . . .Thur. 11:00–11:55 AM . . . . . . . . . . . . . . .Salon 12Public Libraries Committee (S) . . . . . . . . . . . . .Thur. 4:30–4:55 PM . . . . . . . . . . . . . . .Salon 6/7/8Public Services Committee . . . . . . . . . . . . . . . .Fri. 3:30–4:25 PM . . . . . . . . . . . . . . . . .Salon 15Publications Committee . . . . . . . . . . . . . . . . . . .Thur. 3:30–4:55 PM . . . . . . . . . . . . . . . . .Salon 11Rahkonen, Carl . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 5:00–5:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Rath, Zoë . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 11:00–11:55 AM . . . . . . . . . . . . .Salon 6/7/8RDA Steering Committee Working Group . . .Thur. 1:30–2:55 PM . . . . . . . . . . . . . . . . . .Salon 5Reference and Access Services . . . . . . . . . . . .Fri. 2:00–2:55 PM . . . . . . . . . . . . . . . . .Salon 15

SubcommitteeReference and Access Services . . . . . . . . . . . . .Fri. 11:30 AM–12:25 PM . . . . . . . . .Salon 6/7/8

Subcommittee (S)Reference Sources Subcommittee . . . . . . . . . .Fri. 12:00–12:55 PM . . . . . . . . . . . . . . .Salon 12Reference Sources Subcommittee (S) . . . . . . .Sat. 1:30–2:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Resource Sharing and Collection . . . . . . . . . . .Fri. 3:30–4:55 PM . . . . . . . . . . . . . . . . .Salon 13

Development CommitteeResource Sharing and Collection . . . . . . . . . . .Thur. 1:30–2:55 PM . . . . . . . . . . . . . . .Ballroom A

Development Committee (S) Sat. 12:00–12:25 PM . . . . . . . . . . . . .Ballroom ARetirement Interest Group . . . . . . . . . . . . . . . . .Fri. 3:30–4:55 PM . . . . . . . . . . . . . . . . .Salon 11RILM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 12:30–2:25 PM . . . . . . . . . . . . . .Ballroom CRIPM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 12:30–1:55 PM . . . . . . . . . . . . . .Ballroom DRojas, Cecilia Astudillo . . . . . . . . . . . . . . . . . . . . .Fri. 11:00 AM–12:25 PM . . . . . . . . .Ballroom ARoush, Charley (P) . . . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerRowe, Monk . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 3:30–4:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Sajewski, Mallory . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom ASampsel, Laurie . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 1:30–2:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Santamaria, Dan . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 1:30–2:55 PM . . . . . . . . . . . . . . .Ballroom ASauceda, Jonathan (P) . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerSchadl, Suzanne . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 5:00–5:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Shaffer, Ann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 12:00–12:25 PM . . . . . . . . . . . . .Salon 6/7/8Shanton, Kristina . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 1:30–2:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Sheet Music Interest Group . . . . . . . . . . . . . . . .Fri. 12:00–12:55 PM . . . . . . . . . . . . . . .Salon 13Sibuya, Tomoko . . . . . . . . . . . . . . . . . . . . . . . . . .Tue. 11:00 AM–12:30 PM . . . . . . . . .Ballroom DSirsiDynix Users Group . . . . . . . . . . . . . . . . . . .Thur. 6:00–7:00 PM . . . . . . . . . . . . . . .Salon 6/7/8Smith-Borne, Holling . . . . . . . . . . . . . . . . . . . . . .Fri. 2:30–2:55 PM . . . . . . . . . . . . . . .Salon 6/7/8

Fri. 4:30–5:25 PM . . . . . . . . . . . . . . . . . .Salon 5Smith, Lindy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 1:30–2:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Snyder, Matt . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 1:30–2:55 PM . . . . . . . . . . . . . . .Ballroom ASnyder, Tracey . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom ASoe Nyun, James . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom A

Fri. 4:30–5:55 PM . . . . . . . . . . . . . . .Ballroom ASoutheast Chapter, MLA . . . . . . . . . . . . . . . . . . .Thur. 7:00–8:00 PM . . . . . . . . . . . . . . . . . .Salon 5Szeto, Kimmy . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thur. 9:00–10:25 AM . . . . . . . . . . . . . .Ballroom A

Fri. 3:30–4:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Tadey, Tony . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fri. 3:30–3:55 PM . . . . . . . . . . . . . . .Ballroom ATechnical Services Interest Group . . . . . . . . . . .Fri. 3:30–4:25 PM . . . . . . . . . . . . . . . . . .Salon 5Technical Services Interest Group (S) . . . . . . . .Fri. 11:00 AM–12:25 PM . . . . . . . . .Ballroom ATerrio, Bob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 1:30–2:25 PM . . . . . . . . . . . . . . .Salon 6/7/8Texas Chapter, MLA . . . . . . . . . . . . . . . . . . . . . .Thur. 7:00–8:00 PM . . . . . . . . . . . . . . . . .Salon 11Tuncer, Nurhak . . . . . . . . . . . . . . . . . . . . . . . . . . .Tue. 10:00–10:30 AM . . . . . . . . . . . .Ballroom DVázquez, Hernán Gabriel . . . . . . . . . . . . . . . . .Thur. 1:30–2:55 PM . . . . . . . . . . . . . . .Ballroom AVázquez, Yoanna Díaz . . . . . . . . . . . . . . . . . . . . .Sat. 3:00–3:25 PM . . . . . . . . . . . . . . .Ballroom AVilar Alvarez, Laura Delia . . . . . . . . . . . . . . . . . .Sat. 2:30–2:55 PM . . . . . . . . . . . . . . .Ballroom AVocabularies Subcommittee (S) . . . . . . . . . . . . .Fri. 1:30–2:55 PM . . . . . . . . . . . . . . . . . .Salon 5Web Committee . . . . . . . . . . . . . . . . . . . . . . . .Thur. 12:00–12:55 PM . . . . . . . . . . . . . . .Salon 12Weitz, Jay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Wed. 10:00–11:00 AM . . . . . . . . . . . .Ballroom DWollenberg, Lisa (P) . . . . . . . . . . . . . . . . . . . . . .Fri. 10:30 AM–2:00 PM . . . . . . .Ballroom FoyerWomen in Music Interest Group . . . . . . . . . . .Thur. 3:30–4:25 PM . . . . . . . . . . . . . . . . .Salon 13Women in Music Interest Group (S) . . . . . . . .Thur. 11:00 AM–12:25 PM . . . . . . . . .Salon 6/7/8Zavac, Nancy . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sat. 11:30–11:55 AM . . . . . . . . . . . . .Ballroom A

Index

– 22 –

aaa Music Hunter DistributingCompany

6780 Moonlit DriveDelray Beach, FL 33446-1632musichunternyc@gmail.com561-450-7152 (v)Attn: Jay Sonin

aaa Music Hunter DistributingCompany (established 1945) is a one-stop wholesale distributor that suppliesvirtually every CD & DVD in print.Music Hunter carries every label, do-mestic & imported. Music Hunter alsohas numerous out of print & surplussale offers on CDs, DVDs, VHS tapes,& music related book remaindersthroughout the year. Our out of print,surplus, & remainders offers are madevia e-mail on Excel files to interestedMLA members who request them via e-mail. Music Hunter’s service is superior and our low prices will stretchyour budget. Purchase orders are al-ways welcome. Staff members enjoy thesame great service & rock bottom prices.Numerous long term glowing referencesare available from public libraries anduniversities.

Alexander Street, a ProQuestCompany

3212 Duke St.Alexandria, VA 22314www.alexanderstreet.comgvavra@astreetpress.com703-212-8520 (v)703-940-6584 (f)Attn: Gina Vavra

The Open Music Library is a new ini-tiative from Alexander Street to buildthe world's most comprehensive opennetwork of digital resources for thestudy of music. Come learn howAlexander Street is working with institutions around the world to bringtogether millions of open access and for-fee journal articles, scores, audio andvideo performances in one free index.

American Institute of MusicologyMergelberg 84Muenster, NRW 48161 Germanywww.corpusmusicae.cominfo@corpusmusicae.com+49 251-9277-4622 (v)+49 251-9277-4623 (f)Attn: Paul Ranzini

The American Institute of Musi -cology publishes a journal, MusicaDisciplina, critical editions as well astreatises and books on music concerningmusic of the Medieval, Renaissance,and early Baroque eras. With more than14,000 works in 675 publications, AIMmaintains a significant catalog of early music publications.

A-R Editions, Inc.1600 Aspen Commons,Suite 100Middleton, WI 53562www.areditions.cominfo@areditions.com608-255-7954 (v)608-831-8200 (f)Attn: James L. Zychowicz

A-R Editions, Inc., publishes theRecent Researches series of criticaleditions of historic music; the seriesCollegium Musicum; and co-publishes (with the AmericanMusicological Society) Music of theUnited States of America (MUSA).A-R also publishes the ComputerMusic and Digital Audio Series(DAS), and is the exclusive distributorfor the American Institute ofMusicology (AIM). Recently A-R re-leased its Online Music Anthology(www.aremusicanthology.com). A-R isproud to co-publish with MLA its threemonographic series: the MLA BasicManual Series; MLA TechnicalReports; and the MLA Index andBibliography Series.

Exhibitors

Exhibitors

– 23 –

ArkivMusic, Inc.P.O. Box 654Bryn Mawr, PA 19010www.arkivmusic.comlibraries@arkivmusic.com610-649-4392 (v)610-649-4397 (f)Attn: Suzanne Duell

ArkivMusic offers the broadest selec-tion of classical, pop, jazz, cast record-ings, country and world music titles.There are currently over 120,000 CD,DVD, SACD, Vinyl and Blu-ray Disctitles in the ArkivMusic database.

Association Book Exhibit80 S. Early St.Alexandria, VA 22304www.bookexhibit.cominfo@bookexhibit.comAttn: Mark Trocchi

A combined display of scholarly/professional titles from leading publish-ers. Free ordering catalog available.

Bärenreiter VerlagHeinrich-Schütz-Allee 35 D-34131 Kassel Germanywww.baerenreiter.cominfo@baerenreiter.com +011 49 561 3105 173 (v) +011 49 561 3105 310 (f) Represented by Theodore FrontMusical Literature, Inc.

Bärenreiter was founded in 1923 andhas headquarters situated in Kassel inthe center of Germany. The BärenreiterGroup, with a workforce of 160 peopleand subsidiaries in the United Kingdomand the Czech Republic, is committed tothe publication and distribution of clas-sical music of the highest standard.Bärenreiter has established an interna-tional reputation, above all with itsscholarly Complete Editions of theworks of Bach, Handel, Mozart,Schubert, Berlioz, and other composers,the encyclopedia Die Musik inGeschichte und Gegenwart and withworks by contemporary composers. Thecompany’s publishing program has ex-panded considerably over the decades.New Complete Editions, for example ofthe works of Rossini and Fauré, have

been started. In addition, Bärenreiter’sextensive catalog encompasses numer-ous Urtext Editions of the concertrepertoire including works byBeethoven, Mendelssohn, Elgar,Debussy, Ravel, and many other composers.

Berliner PhilharmonikerLeipziger Platz 110117 BerlinT: +49 (0)30 206 246 910F: +49 (0)30 206 246 920www.digitalconcerthall.com

/institutionsp.rosner@berliner-philharmoniker

.dek.greger@berliner-philharmoniker

.deAttn: Patricia Rosner, Kathrin Greger

Founded in 1882, the BerlinerPhilharmoniker is one of the most im-portant orchestras in the world. Famouschief conductors such as WilhelmFurtwängler, Herbert von Karajan andClaudio Abbado shaped the history ofthe orchestra. In 2002, Sir Simon Rattlebecame its chief conductor. Since the2008/2009 season, the orchestra’s Berlinconcerts are broadcast live in theBerliner Philharmoniker's virtual con-cert venue, the Digital Concert Hall,and become available in a video archivewithin a few days. The Digital ConcertHall can be accessed via the web, ontablets, smartphones and smartTV. Itcontains more than 1,000 completeworks as well as historic recordings,documentaries and interviews. SinceFebruary 2016, the Digital ConcertHall offers institutional access.

Bloomsbury Publishing1385 Broadway, 5th FloorNew York, NY 10018www.bloomsbury.comkim.petit@bloomsbury.comAttn: Jessica Tackett

Bloomsbury’s academic division pub-lishes 1,200+ books a year, with a sig-nificant presence in the humanities,social sciences and visual arts, and of-fers a rapidly growing range of onlineresources.

Exhibitors

– 24 –

Breitkopf & HärtelWalkmühlstrasse 52D-65195 Wiesbaden Germany www.breitkopf.com sales@breitkopf.com +011 49 611 450080 (v) +011 49 611 45008 5961 (f) Represented by Theodore Front

Musical Literature, Inc.

Broude Brothers141 White Oaks Road, P.O. Box 547Williamstown, MA 01267-0547http://www.broude.us/music@tfront.com661-250-7189 (v)Represented by Theodore Front

Musical Literature, Inc.

A music specialist with many years ofexperience supplying music and musi-cological publications.

Carl Philipp Emanuel Bach: TheComplete Works11A Mt. Auburn St.Cambridge, MA 02138www.cpebach.orgldesiro@packhum.org 617-876-1317 (v)617-876-0074 (f)Attn: Lisa DeSiro

Carl Philipp Emanuel Bach: TheComplete Works is a scholarly criticaledition of the composers' works, withbeautifully-produced hardcover volumesat extremely affordable prices; in addi-tion, free scores and performing mate -rials are available for download atwww.cpebach.org

Cayambis Music Press1718 Honeysuckle DriveBlacksburg, VA 24062www.cayambismusicpress.cominfo@cayambismusicpress.com540-553-0564 (v)Attn: John Walker

Cayambis Music Press publishes con-temporary Latin American classicalsheet music for small and large ensem-bles as well as works by NorthAmericans and historical compositionsfrom the 19th and early 20th centuries.

CD-A/V Source912½ Sherman AveEvanston, IL 60202-1704www.cdsourceinc.comsupport@cdsourceinc.comghill@cdsourceinc.com847-869-9999 (v)847-869-9997 (f)Attn: Geoffrey Hill

Full service audio-visual supply: DVD - CD - LP - Standing Orders -Approval Plans

The Donahue Group41 Mechanic StreetWindsor, CT 06095www.dgiinc.compmccurdy@dgiinc.com 860-683-1647 (v)Attn: Pat McCurdy-Crescimanno

DGI provides high-quality cataloging/metadata creation services for librariesof all sizes and types, and for materialsin all formats and many languages.Copy and original cataloging for newacquisitions, gifts, backlogs. Our experi-enced music catalogers work with scoresfor sacred and secular music, record-ings, streaming audio files, etc.

Equinox Publishing, Ltd.415 The Workstation 15 Paternoster RowSheffield, S1 2BX UKwww.equinoxpub.com jjoyce@equinoxpub.com+011 114 2210285 (v) Attn: Janet Joyce

Equinox publishes academic books andjournals in popular music and jazz,among other subject areas. We are basedin Sheffield, U.K.

Exhibitors

– 25 –

Green Door Labs20 Grove Street, #51Somerville, MA 02133Green Door Labswww.greendoorlabs.comkellian@greendoorlabs.com617-314-5047 (v) Attn: Kellian Adams Pletcher

Green Door Labs is a small game de-sign company that works with nonprof-its and informal education. OurEdventure Builder is an easy-to-useplatform that has allowed dozens of uni-versity libraries to create fun, interac-tive and scalable library orientationsand programming.

Hal Leonard Corporation1210 Innovation Dr.Winona, MN 55987www.halleonard.comhalinfo@halleonard.com414-774-3630 (v)Attn: Heidi SteenoRepresented by Theodore Front

Musical Literature, Inc.

Hal Leonard is the world's largest music print publisher/distributor.Besides having the largest popular and educational catalogue in the world,Hal Leonard is the exclusive source forSchirmer, Boosey & Hawkes, Ricordi,Durand, Eschig, Salabert, Schott,Henle, Chester/Novello, EMB, DSCH,Sikorski, Peer Classical, and other classical publications.

Harrassowitz Booksellers & Subscriptions Agents

Kreuzberger Ring 7b-d65205 Wiesbaden Germanywww.harrassowitz.deservice@harrassowitz.de800-348-6886 (v)+49-(0)611-5300 (v)+49-(0)611-530 560 (f)Attn: Monika Krieg

HARRASSOWITZ Booksellers andSubscription Agents is a global full-service subscription agent and book-seller for academic and research librariesspecializing in the distribution of schol-arly books, periodicals, e-resources, andmusic scores.

Hit Songs Deconstructed1123 Broadway, Suite 518New York, NY 10010www.HitSongsDeconstructed.com/

academic yael@hitsongsdeconstructed.com 212-671-2308 (v)646-365-6855 (f)Attn: Yael Penn

Hit Songs Deconstructed is theONLY online resource that providesdata and analysis of contemporary pop-ular music at the compositional level.While other music industry databasestrack songs solely based on sales, radioairplay and streams, Hit SongsDeconstructed tracks the compositionalcharacteristics and production tech-niques of songs as they enter the Top 10of the Billboard Hot 100. The monthlyHit Songs Deconstructed Reports take adeep dive into the what, how and whybehind current chart-topping hits. Theyare exceptionally comprehensive andfeature a combination of impartial dataand insightful analysis. IMMERSION,the Hit Songs Deconstructed interactivesearchable database, houses the songsthat land in the Top 10 of the BillboardHot 100. Updated weekly, it offers over200 customizable search criteria and in-cludes one-page song deconstructionsdetailing key compositional characteris-tics. Searches include songwritingtrends, compositional characteristics, hitsong comparisons across record labels,artists, songwriters, genres and manymore.

iCadenza12021 Wilshire Blvd, Suite 710Los Angeles, CA 90025310-261-1644 (v)icadenza.comlisa@icadenza.com Attn: Lisa Husseini

iCadenza provides career developmentresources and training to musicians ofall career stages.

Exhibitors

ISD, Distributor of Scholarly Books70 Enterprise Drive, Suite 2Bristol, CT 06010www.isdistribution.cominfo@isdistribution.com(860) 584-6546 (v)Attn: Lauren Milka

ISD is a distributor of scholarly andspecialist publications from some of theworld’s finest publishing houses. Visitus in the exhibits hall to learn aboutnew publications and special offers fromEquinox Publishing, Brepols andHarvey Miller Publishers, CambridgeScholars Publishing, and others.

J.W. Pepper & Son191 Sheree Blvd. Exton, PA 19341www.jwpepper.commusiclibrarian@jwpepper.com610-648-0500 (v)610-993-0563 (f)Attn: Mickey Jianniney

J.W. Pepper, the world's largest sheetmusic retailer, offers extensive servicesto music libraries, including notifica-tions of important new publications,and a convenient blanket order plan.

The MediaPreserve111 Thomson Park DriveCranberry Township, PA 16066www.ptlp.cominfo@ptlp.com724-779-2111 (v)724-779-9808 (f)Attn: Chloe Kie

The MediaPreserve, a division ofPreservation Technologies, provideshigh-quality reformatting services foraudio, video and film. Using expertly-modified legacy equipment as well ascurrent technologies, our staff of engi-neers, librarians, archivists and meta-data specialists transfer and documentyour collection materials according toprofessional standards and best prac-tices so that your AV assets remain accessible into the future.

The Metropolitan Opera30 Lincoln Center PlazaNew York, NY 10023www.metopera.org/studentaccessstudentaccess@metopera.orgAttn: Justin Fuhs

Met Opera on Demand: StudentAccess is the streaming database forcollege and university libraries offeringinstant access to hundreds of full-lengthMetropolitan Opera performances, in-cluding HD videos from the Met'saward-winning “Live in HD” series ofworldwide cinema presentations andhistoric television and radio broadcasts.New content is added monthly, and thewebsite is fully accessible on most mo-bile devices.

MUSEEC-medici.tv54 rue de Paradis75010 Paris, France www.medici.tvdryfman@medici.tv +33 179 74 3174 (v)Attn: David Ryfman

Described as “the closest thing to a clas-sical Netflix” by The New York Times,since 2008 medici.tv offers the best ofclassical music to institutions across theglobe.

Musical Theater Songs LLC45 Overlook Terrace, #5ENew York, NY 10033www.musicaltheatersongs.comSteven@MusicalTheaterSongs.com917-806-3370 (v)Attn: Steven Gross

MusicalTheaterSongs.com is a li-censed data base that features more than11,000 song titles spanning 150 yearsof theater. Users can search our site using up to 20 parameters and 100 de-scriptive tags to pinpoint exactly theright song for an audition or a perfor -mance or for study. MusicalTheaterSongs.com is used by dozens of schools anduniversities worldwide and was fea-tured recently in Playbill. -Get directlinks to sheet music and recordings connect with your school's or local library's music collection usingWorldcat.

– 26 –

Exhibitors

– 27 –

Naxos Music Library and Licensing1810 Columbia Ave., Suite 28Franklin, TN 37067www.NaxosMusicLibrary.com MusicLibrary@NaxosUSA.com615-465-3836 (v)Attn: Nick Floyd

Naxos Music Library is the most com-prehensive classical music library on-line. In conjunction with hundreds oftop labels, it contains titles spanningmedieval to modern! As the only labelwith a full-time commitment to educa-tion, Naxos offers expert educationalcontent written by a staff of musicolo-gists. Naxos also offers educational resources focused on video performingarts, world music, jazz, spoken wordaudio, sheet music and musical works!For the busy musician, Naxos’ free mobile apps help users access millions ofundiscovered worlds anytime, anywhere!

New World Records/DRAM20 Jay St., Suite 1001Brooklyn, NY 11201 www.newworldrecords.org www.dramonline.org answers@dramonline.org info@newworldrecords.org 646-442-7929 (v) 212-290-1685 (f) Attn: Lisa Kahlden

New World produces recordings ofmusic by underrepresented Americancomposers, issuing approximately 12–16 new titles per year. DRAM is a digi-tal subscription service providing accessto the New World and NWCR/NWCRLcatalogue(s), along with similar musicfrom 34 partner labels/archives.

New York Philharmonic Archives10 Lincoln Center PlazaNew York, NY 10023archives.nyphil.orgschlottmannk@nyphil.org212-875-5930 (v)Attn: Kevin Schlottmann

Beginning in 1842, the New York Phil -harmonic’s historic collections are someof the longest running, most comprehen-sive Archives in the world of performingarts. An early tradition of docu mentingall activities began even before the firstconcert and continues today.

Oxford University Press198 Madison AvenueNew York, NY 10016global.oup.com/academic custserv.us@oup.com800-451-7556 (v)919-677-0977 (v)919-677-1305 (f)Attn: Amy Hugo

Oxford University Press is an innova-tor in online academic research, publish-ing some of the world’s leading referenceworks and over 200 highly-cited jour-nals. OUP publishes a suite of critically-acclaimed online products, includingGrove Music Online, Oxford History ofWestern Music, Oxford BibliographiesOnline, and an innovative cross-publishere-book platform, University PressScholarship Online. Stop by to learn moreabout our award-winning resources.

Répertoire International deLittérature Musicale (RILM)

CUNY Graduate Center365 Fifth Avenue New York, NY 10016www.rilm.orgrilm@rilm.org212-817-1996 (v)212-817-1569 (f)Attn: Michele Smith

Répertoire International deLittérature Musicale (RILM) is committed to the comprehensive and accurate representation of music schol-arship in all countries and languages,and across all disciplinary and culturalboundaries. RILM disseminates knowl-edge among all research and perform-ance communities and fosterscommunication among researchers in the arts, humanities, sciences, andsocial sciences.

RIPM Consortium Ltd3600 Clipper Mill Rd., Suite 211Baltimore, MD 21211www.ripm.orgbknysak@ripm.org 410-662-6014 (v)410-662-6015 (f)Attn: Benjamin Knysak

RIPM digitizes and indexes rare andhistoric music periodicals published between 1760 and 1966.

Exhibitors

– 28 –

The Scholar’s Choice100 College Avenue, Suite 130Rochester, NY 14607www.scholarschoice.commlh@scholarschoice.com 585-262-2048 x.111 (v)585-262-2228 (f)Attn: Julidta Tarver

The Scholar’s Choice brings books toreaders worldwide through exhibits atacademic conferences. We display titlesfrom a variety of university and aca-demic publishers and all books will beavailable for sale and/or order to confer-ence attendees, individual buyers, andlibrary buyers.

SingersBabel LLC104 Main St., Suite 2Sheffield, MA 01257www.singersbabel.cominfo@singersbabel.com413-441-6446 (v)Attn: Trudy Miller

To sing is to communicate. SingersBabelgives musicians the diction tools to beexpressive and communicative in themeaning and pronunciation of textsfound in oratorios, secular and sacredchoral music, cantatas, art songs, andsong cycles. BabelGuidesTM featurediction specialists/native speakers recit-ing the text in poetic and slow versions,while the original text, word-for-wordtranslation, and International PhoneticAlphabet (IPA) Guide scrolls by, in aninnovative MP4 format. Affordable in-dividual, institutional, and ensemblesubscriptions are available through theSubscriber Library. Works are alsoavailable for individual purchase in theOnline Store.

Theodore Front Musical Literature,Inc.

26362 Ruether AveSanta Clarita, CA 91350 www.tfront.commusic@tfront.com661-250-7189 (v)661-250-7195 (f)Attn: Christine Clark

Theodore Front Musical Literature is a supplier of music scores, mono-graphs, compact discs and DVDs pub-lished in the U.S. and abroad. Servicesinclude standing orders, online order-ing, customized approval plans (books,music, CDs and DVDs), subscriptionand periodical services, new issue notifi-cation and out of print searches. Pleaseinquire about our MARC records, dis-counts and other services. Institutionalsupplier since 1961.

Yesterday Service Sheet Music, Inc.191 Highland Ave., Suite B7Somerville, MA 02143www.yesterdayservice.comRobBethel@YesterdayService.com617-547-8263 (v)Attn: Rob Bethel

Yesterday Service is an independentlyowned and operated sheet music retailerin the Boston area. The YesterdayService staff take pride in providingfriendly, expert, personalized service tolibraries, schools, performing organiza-tions, individual musicians, and stu-dents at all levels.

Exhibitors

Index to Advertisers

aaa Music Hunter . . . . . . . . . . . . . . . . . . . . . . . . . 30–31, 33

A-R Editions, Inc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Ars Antiqua . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Berliner Philharmoniker . . . . . . . . . . . . . . . . . . . . . . . . . . 35

CD-A/V Source . . . . . . . . . . . . . . . . . . . . . . . . . Back cover

Duke University Press . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Equinox Publishing Ltd . . . . . . . . . . . . . . . . . . . . . . Online

Flourish Music Metadata Solutions . . . . . . . . . . . . . . . . 34

Harrassowitz Booksellers & Subscriptions Agents . . . . . . . . . . . . . Inside back cover

Hit Songs Deconstructed . . . . . . . . . . . . . . . . . . . . . . . . . 37

Index to Printed Music . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

J.W. Pepper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

The Metropolitan Opera . . . . . . . . . . . . . . . . . . . 39, Online

Paraclete Press, Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . Online

RIPM Consortium Ltd . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Theodore Front Musical Literature, Inc. . . . . . . . . . . . . . . . . . . Inside front cover

– 30 –

aaa MUSIC HUNTERCORPORATE SUPPORTER MLA

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NEW FROM NAXOS! LA TRAVIATA | RIGOLETTO | TOSCAFeaturing: Placido Domingo, Catherine Malfitano, Ruggero Raimondi, Eteri Gvazava, Rolando

Panerai, Juli Novikova, Vittorio Griogolo and Zubin Mehta conducting Orchestra Sinfonica Nazionale della RAI

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All other NAXOS label CD’s & DVD’s 20% discounted from MSRP through June, 29 2017Sale label catalog files available upon request to musichunternyc@gmail.com

NEW FROM DYNAMIC! DONIZETTI’s ROBERTO DEVERUXFeaturing: Mariella Devia, Sonia Ganassi, Stefan Pop, Mansoo Kim, Alessandro fantoni, Matteo

Armanino, Loris Purpura and Francsco Lanzillotta conducting Orchestra & Chorus of Teatro Carlo Felice

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VIVARTE COLLECTION, VOLUME 2 available now from SONY CLASSICALVivarte is the legendary Sony Classical period music label known for producing outstanding

recordings on period instruments. This collection features recordings made by legendary producer Wolf Erichson. The 60 CD boxed set includes a 240 page booklet and the artwork

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All other SONY MASTERWORKS label CD’s & DVD’s discounted 15% from MSRP through June, 29 2017Sale label catalog files available upon request to musichunternyc@gmail.com

ITALIAN BAROQUE – THE INSTRUMENTAL EDITIONa new collection available now from BRILLIANT CLASSICS

The 50 CD disc release is an anthology of Italian Baroque composers & features their instrumental works. It showcases pieces by Vivaldi, Albinoni, Mancini and many more.

50 CD BOXED SET | item#: BRI 95430 | UPC: 5028421954301 | $92.97

All other BRILLIANT CLASSICS label CD’s & DVD’s discounted 17% from MSRP through June, 29 2017Sale label catalog files available upon request to musichunternyc@gmail.com

please identify offer when ordering

– 32 –

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– 35 –

www.digitalconcerthall.com/institutions

TH E B E R LI N E R P H I LHAR MON I K E R I N YOU R LI B RARY

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Enrich your l ibrary with more than 1,000 exclusive classical works in HD performed by the Berl iner Philharmoniker.Access via al l supported devices – inside and outside your institution!

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Subscribe to the

journal of music theory

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– 38 –

IPM

Index to Printed Music: Collections & Series

______________________________________________________________

Over 22,000 collections indexed! Over 526,700 index entries and growing! Over 25,000 research-based names! Music from the earliest to current periods, with citations to scholarly editions, including volume and page numbers where a particular piece can be found. Brochures and further information will be found at the RILM Exhibit table.

MLA wishes to thank these contributors to the 2017 Conference:

Alexander Street Theodore Front Musical Literature Bloomsbury Digital Resources SEMLAMedia Preserve At Your Service Library Contract Cataloging

– 39 –

Nina Stemme in Richard Strauss’s Elektra (2016) VISIT O

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Thanks to our Corporate Patrons:

A-R Editions, Inc.

American Institute of Musicology

Arkivmusic, LLC

Harrassowitz

JW Pepper and Son, Inc.

Naxos Music Library

Theodore Front Musical Literature, Inc.

And our Corporate Members:

Alexander Street

The Broude Trust

CD-A/V Source

G. Schirmer, Inc./Associated Music Publishers, Inc.

Hal Leonard Corporation

Hit Songs Deconstructed

ISD

Maurice River Press, LLC

New World Records / DRAM

Répertoire International de Littérature Musicale (RILM)

RIPM Consortium Ltd

Music Scores Approval Plan

New Title Announcements

OttoEditions

Fokus

MARC 21 records

Management Reports

HARRASSOWITZ News

HARRASSOWITZ Booksellers & Subscription Agents, 65174 Wiesbaden, Germany Tel: +49 (0) 611 530-0 Fax: +49 (0) 611 530 560 Email: service@harrassowitz.dewww.harrassowitz.de

MUSIC SERVICESWe are one of the world’s leading and most trusted

suppliers of music scores and music books.

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selected by music specialists.ofile and Based on customer pr

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suppliers of music score one of the world’e arWMUSIC SER

standing oroval, and for volumes shipped on appr

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selected by music specialists.ofile and

es and music books.suppliers of music scors leading and most trusted e one of the world’

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.derstanding oroval, and for volumes shipped on

ders, items sent on Supplied for firm or

dsecorMARC 21 r

es and music books.s leading and most trusted

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oval, and for volumes shipped on ders, items sent on

acquisitions. for managing book and music scor

s online system HARRASSOWITZ’

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and on a customizable schedule.customer ding to accorovided Pr

Announcements New Title

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HARRASSOWITZ News

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Management Reports

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and on a customizable schedule.ofile prcustomer

Announcements

. egularlye announced rNew music publications and special

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