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Transcript of Theatrical Design and Production Chapter 11: Stage Properties © 2006 McGraw-Hill. All right...
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
In the proscenium theatre, stage properties are the icing on the scenic designer’s cake
They are the primary design tool used to provide clues to the personalities and socioeconomic status of the characters
The following three slides show the same set dressed with different props
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
In thrust and arena theatres, the visual importance of stage properties increases significantly
Because the stage space cannot house large sets, the furniture and decorative props become the major visual element of the design
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
The property master must have a detailed working knowledge of every craft area in theatre
Woodworking
Metalworking
Electrical wiring and electronics
Mold making
Ceramics
Sewing
Upholstery
Furniture construction
Scene painting
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
What is a Prop?
Stage properties are traditionally divided into three categories
Set props
Hand props
Decorative props
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
What is a Prop?
Set Props
Set props are defined as larger movable items, not built into the set, that are used in some way by the actors
Furniture, floor lamps, rugs, stoves, tree stumps, etc.
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
What is a Prop?
Hand Props
Hand props refer to small items that are handled or carried by the actors
Plates, cups, letters, books, fans, lanterns, etc.
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
What is a Prop?
Decorative Props
Decorative props include all the things that are used to enhance the setting visually but are not specifically touched by the actors
Window curtains, pictures, table lamps, bric-a-brac, books in bookcases, etc.
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Property Design
In the commercial and educational theatre, properties are normally designed by the scenic designer
The prop master then builds, buys, rents, or borrows the props for the production
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Property Design
Real or Fake?
If an actor is going to touch or pick up a prop, it should feel real
A book that will be picked up and opened should feel real and have pages
Props can be faked if they are not going to be used by the actors
Books on a shelf may be no more than the spines
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Property Design
Property Acquisition
To create an aura of authenticity, property masters frequently try to find actual objects appropriate to the period of the play
Since antiques are expensive and rare, the property master may build or acquire a reproduction of period pieces
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Property Design
Property Acquisition
Borrowing or Renting Props
Any type of prop used in the theatre is subject to unusual stresses and wear
When borrowing or renting, assure the lending agent that the item will be returned intact
Lending agreements can make this process easier
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Property Design
Property Acquisition
Building Props
Some props, such as antiques, are best not used on stage
It is usually more appropriate wither to use a reproduction or to build the piece in the shop
Some props, like fantasy pieces, must be built
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Organizing Props for Production
If props are going to be effective in a production, they must be consistently places in their proper locations in and around the set
Hand props and small set props should be locked up between rehearsals and performances
A written list, including a map or location indicator, detailing the onstage placement of all set props must be created
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Organizing Props for Production
During rehearsals and performances, the property crew will place the set props in their appropriate locations
The organization of hand props must also be exact
The prop crew head should create a precise list of what props are handled by the actors during each scene
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Organizing Props for Production
A “prop table” on which on hand props are placed is normally set up in the wings
To aid in organizing props, this large table (or tables) is usually covered with butcher paper and “mapped” with the names of the props
The appropriate prop is placed in its location on the “map” on the table
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Craft Techniques
Furniture
Upholstery
Decorative Curtains and Draperies
Papier-Mâché
Vacuum Forming
Molds
Foam Carving
Heat Forming
Fiberglass
Wood Turning
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Craft Techniques
Furniture
Carpenter-style furniture can be built using ordinary woodworking tools and techniques
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Craft Techniques
Upholstery
Many times the apparent age or period of a fabric-covered piece can be altered by simply changing the fabric
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Craft Techniques
Upholstery
The fabric covering can be altered in two ways
Slipcovers—covers existing fabric
Reupholstery—replaces existing fabric
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Craft Techniques
Decorative Curtains and Draperies
Decorative curtains are used by the scenic designer to help dress the set
The type and style is dictated by the period being represented
A variety of material can be used in making draperies
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Craft Techniques
Papier-Mâché
One of the oldest and cheapest craft techniques used in the theatre
It is used to make or cover a wide variety of shapes and objects: logs, statues, fake food, etc.
Papier-Mâché is made by building up a form with successive layers of paper that are bound together with a wheat-paste binder
After it is constructed, the item can be painted easily
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Craft Techniques
Vacuum Forming
Also known as vacuforming, this process shapes plastics through the application of heat and vacuum pressure A sheet of plastic is heated by an oven and then placed over a mold
When the plastic cools, it retains the shape of the mold
His system can be used to form banisters, cornices, wall panels, masks, etc.
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Craft Techniques
Molds
Molds are used to create multiple copies of a wide variety of items: fake food, decorative panels, cornice molding, costume jewelry, etc.
There are two categories of molds: open and closed
They can further be divided into rigid and flexible
Rigid molds are made form wood, fiberglass, plaster of paris
Flexible mold are made from synthetic materials, like silicone
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Craft Techniques
Foam Carving
Expanded polystyrene foam (Stryofoam) is used in the fabrication of statues, columns, cornices, etc.
Light-blue Styrofoam is fire resistant, but the white variety is not
Styrofoam is easily cut with any power saw
Theatrical Design and Production
Chapter 11: Stage Properties
© 2006 McGraw-Hill. All right reserved.
Craft Techniques
Heat FormingHeat forming refers to warming plastic until it
becomes flexible enough to bend
FiberglassFiberglass is formed by coating glass-fiber
reinforcement with polyester or epoxy resin