Theatre & Drama 2013 Catalogue from Cambridge University Press
-
Upload
cambridge-university-press -
Category
Documents
-
view
212 -
download
0
description
Transcript of Theatre & Drama 2013 Catalogue from Cambridge University Press
Theatre and Drama 2013www.cambridge.org/theatre2013
Receive free regular and relevant emails about new books, special offers and events in your subject
Cambridge Alerts
www.cambridge.org/camalert
15%off your next online purchase
and receive
Highlights
A History of
Theatre in Spain
Edited by MAriA M. DelgADo
and DAviD t. gies
leading theatre historians and practitioners map a
theatrical history that moves from the religious
tropes of medieval iberia to the postmodern
practices of twenty-first-century spain. Considering work
across the different languages of spain, from vernacular
latin to Catalan, galician, Castilian and Basque, the
history engages with the work of actors and directors,
designers and publishers, agents and impresarios, and
architects and ensembles in indicating the ways in which
theatre has both commented on and intervened in the
major debates and issues of the day. Chapters consider
paratheatrical activities and popular performance, such as
the comedia de magia and flamenco, alongside the works
of spain’s major dramatists, from lope de vega to Federico
garcía lorca. Featuring revealing interviews with actor
Nuria espert, director lluís Pasqual and playwright Juan
Mayorga, the volume positions spanish theatre within a
paradigm that recognises its links and intersections with
wider european and latin American practices.
MAriA M. DelgADo is Professor of theatre and
screen Arts at Queen Mary, University of london, and
co-editor of the journal Contemporary Theatre Review.
she has published widely in the areas of modern Catalan
and spanish theatre and film with a particular interest in
the work of performers and directors, and the intersections
between stage and screen cultures. Her publications include
Federico García Lorca (2008), ‘Other’ Spanish Theatres
(2003) and nine further co-edited volumes including
Contemporary European Theatre Directors (2010).
DAviD t. gies is Commonwealth Professor of spanish
at the University of virginia. He has published Agustín
Durán (1975), Nicolás Fernández de Moratín (1979),
Theatre and Politics in Nineteenth-Century Spain (1988),
The Theatre in Nineteenth-Century Spain (1994), The
Cambridge Companion to Modern Spanish Culture (1999)
and The Cambridge History of Spanish Literature (2004).
He is the editor of the journal Dieciocho.
Jacket illustration: sara Baras as Carmen, 2007, presented
by the Ballet Flamenco sara Baras (© José luis Alvarez /
Ballet Flamenco sara Baras).
CoNteNts
introduction Maria M. Delgado and David t. gies
the challenges of historiography: the theatre in medieval spain
Ángel gómez Moreno
lope de vega, Pedro Calderón de la Barca and tirso de Molina: spain’s
golden Age drama and its legacy Jonathan thacker
the world as a stage: Politics, imperialism and spain’s seventeenth-
century theatre José María ruano de la Haza
Playing the palace: space, place and performance in early modern spain
Margaret r. greer
the art of the actor, 1565–1833: From moral suspicion to social
institution evangelina rodríguez Cuadros
theatrical infrastructures, dramatic production and performance,
1700–1759 Fernando Doménech rico
Popular theatre and the spanish stage, 1737–1798
Josep Maria sala valldaura
theatre of the elites, neoclassicism and the enlightenment, 1750–1808
rené Andioc
Actors and agency in the modern era, 1801–2010 Josep lluís sirera
Zarzuela: High art, popular culture and music theatre rafael lamas
Nineteenth-century spanish theatre: the birth of an industry
José luis gonzález subías
Copyright, buildings, spaces and the nineteenth-century stage
lisa surwillo
Modernism and the avant-garde in fin-de-siècle Barcelona and Madrid
David george and Jesús rubio Jiménez
Continuity and innovation in spanish theatre, 1900–1936
Dru Dougherty and Andrew A. Anderson
theatrical activities during the spanish Civil War, 1936–1939
Jim McCarthy
theatre, colonialism, exile and the Americas Helena Buffery
theatre under Franco, (1939–1975): Censorship, playwriting and
performance John london
Flamenco: Performing the local / performing the state
lourdes orozco
Nationalism, identity and the theatre across the spanish state in the
democratic era, 1975–2010
sharon Feldman and Anxo Abuín gonzález
Directors and the spanish stage, 1823-2010 Maria M. Delgado
this evolution is still ongoing Nuria espert
theatre as a process of discovery lluís Pasqual
theatre is the art of the future Juan Mayorga
select bibliography
p r i n t e d i n t h e u n i t e d k i n g d o m
Jacket designed by Hart Mcleod ltd
A H
istory of Theatre in Spain
De
lg
AD
o
and gie
s
DELGADO: A HISTORY OF THEATRE IN SPAIN JKT CMYBLKEvidence, Argument, Controversy
SHAKESPEARE Beyond Doubt
edited by
Paul Edmondson and Stanley Wells
➤ See page 8
➤ See page 3
➤ See page 7
Christopher Innes and Maria Shevtsova
The Cambridge Introduction to
Theatre Directing
This catalogue contains a selection of our most recent publishing in this area. Please visit our website for a full and searchable listing of all our titles in print and also an extensive range of news, features and resources. Our online ordering service is secure and easy to use.
Useful contactsBook proposals: Sarah Stanton ([email protected]) and Victoria Cooper ([email protected])
Further information about Theatre and Drama titles: Laura Beveridge ([email protected])
All other enquiries: telephone +44 (0) 1223 312393 or email [email protected]
Prices and publication dates are correct at the time of going to press but are subject to alteration without notice.
British theatre 2American theatre 2European theatre 3Classical theatre 4Theatre (general) 6English literature – Renaissance
and early modern to 1700 7Shakespeare 15Also of interest 17Information on related journals
Inside back cover
Cambridge University Press advances learning, knowledge and research worldwide.
We set the standard for•Thequalityandvalidationofcontent•Design,productionandprinting•Cooperationwithauthors•Meetingourcustomers’needs
We value•Integrityandrigour•Creativityandinnovation•Trustandcollaboration
2 British theatre / American theatre
British theatre
The Cambridge Introduction to Tom StoppardWilliam DemastesLouisiana State University
This Introduction provides an accessible overview of the life and work of Tom Stoppard, widely considered to be one of the most important dramatists ofcontemporarytheatre.Inconciseandreadableform,WilliamDemastesintroduces all the complexity and variety thatmakesStoppard’sworksounique.Cambridge Introductions to Literature
2012 228 x 152 mm 220pp 15 b/w illus. 978-1-107-02195-2 Hardback £45.00 978-1-107-60612-8 Paperback £15.99www.cambridge.org/9781107021952
The Performance of NationalismIndia, Pakistan, and the Memory of PartitionJisha MenonStanford University, California
Imaginethepatrioticcamaraderieof national day parades. How does performance generate patriotic loyalty? How crucial is performance for the sustenance of the nation? This book offers a fresh analysis of nationalism from the perspective of performance and will appeal to those with an interest in history, culture or politics.Cambridge Studies in Modern Theatre
2012 228 x 152 mm 272pp 13 b/w illus. 978-1-107-00010-0 Hardback £60.00www.cambridge.org/9781107000100
American theatre
Sexual Politics in the Work of Tennessee WilliamsDesire Over ProtestMichael S. D. HooperThe Princess Helena College
Hooperquestionsthenowfashionableview that Williams was fundamentally a social writer passionately concerned about the state of twentieth-century America. Through detailed analysis of both canonical and recently discovered texts, this book indicates instead how Williams’workprioritisessexualpowerand the experience of the individual over party politics.2012 228 x 152 mm 260pp 5 b/w illus. 978-1-107-01536-4 Hardback £55.00
eBook availablewww.cambridge.org/9781107015364
The Cambridge Companion to African American TheatreEdited by Harvey YoungNorthwesternUniversity,Illinois
With contributions from the leading scholars in the field, this Companion provides a comprehensive and accessible overview of African American theatre, from the early nineteenth century to the present day. Along the way, it chronicles the evolution of African American theatre and its engagement with the wider community.
American theatre / European theatre 3
For regular email alerts visit www.cambridge.org/alerts
Cambridge Companions to Literature
2012 228 x 152 mm 313pp 8 b/w illus. 978-1-107-01712-2 Hardback £55.00 978-1-107-60275-5 Paperback £18.99www.cambridge.org/9781107017122
David Mamet and American MachoArthur HolmbergBrandeisUniversity,Massachusetts
What does it mean to be an American man? Holmberg demonstrates how DavidMamet’splaysexplorecomplexissues of masculinity.Cambridge Studies in American Theatre and Drama, 28
2012 228 x 152 mm 322pp 19 b/w illus. 978-0-521-62064-2 Hardback £55.00www.cambridge.org/9780521620642
European theatre
A History of Theatre in SpainEdited by Maria M. DelgadoQueenMary,UniversityofLondon
and David T. GiesUniversity of Virginia
Leading theatre historians and practitioners map a theatrical history that moves from the religious tropes ofMedievalIberiatothepostmodernpractices of twenty-first-century Spain. Considering work across the different languages of Spain, from vernacular LatintoCatalan,GalicianandBasque,this history engages with the work of actors and directors, designers and publishers, agents and impresarios, and
architects and ensembles, in indicating the ways in which theatre has both commented on and intervened in the major debates and issues of the day. Chapters consider paratheatrical activities and popular performance, such as the comedia de magia and flamenco,alongsidetheworksofSpain’smajor dramatists, from Lope de Vega to Federico García Lorca. Featuring revealing interviews with actress Nuria Espert,directorLluísPasqualandplaywrightJuanMayorga,itpositionsSpanish theatre within a paradigm that recognizes its links and intersections with wider European and Latin American practices.Contributors:MariaM.Delgado,DavidT.Gies,ÁngelGómezMoreno,MargaretR.Greer,JoséMaríaRuanodelaHaza,Jonathan Thacker, Evangelina Rodríguez Cuadros,FernandoDoménech,RicoJosep,MariaSalaValldaura,RenéAndioc,RafaelLamas, José Luis González Subías, Lisa Surwillo,DavidGeorge,JesúsRubioJiménez,DruDougherty,AndrewAnderson,JimMcCarthy,HelenaBuffery,JohnLondon,Lourdes Orozco, Josep Lluís Sirera, Sharon Feldman, Anxo Abuín González, Nuria Espert,LluísPasqual,JuanMayorga2012 228 x 152 mm 558pp 28 b/w illus. 978-0-521-11769-2 Hardback £70.00
eBook availablewww.cambridge.org/9780521117692
4 European theatre / Classical theatre
Dion BoucicaultIrish Identity on StageDeirdre McFeelyTrinityCollege,Dublin
As actor, manager, designer and playwright,DionBoucicaultwasoneofthe most dynamic and influential figures innineteenth-centurytheatre.DeirdreMcFeelypresentsthefirstfullcriticalstudy of Boucicault, providing analysis of his most significant plays whilst also giving an important overview of his entire career and dramatic output.
‘McFeely is not so scholastically detached as to let us forget that Boucicault’s plays are fun and that he was a master of pithy dialogue and comic inventiveness. This is a wonderfully well-researched and discerning book, placing Boucicault as a much more politically motivated playwright than previous critics have ever suggested.’IrishTimes
2012 228 x 152 mm 228pp 5 b/w illus. 978-1-107-00793-2 Hardback £60.00
eBook availablewww.cambridge.org/9781107007932
The Sounds of Paris in Verdi’s La traviataEmilio SalaUniversityofMilan
EmilioSalare-examinesVerdi’sLa traviata in the cultural context of mid-nineteenth-centuryParis.Includingunpublished musical works, journal articles, rare documents and images, thebookexploresVerdi’sinfluencesinthe French capital, particularly that of AlexandreDumasfils’LaDameauxcamélias.
Cambridge Studies in Opera
2013 228 x 152 mm 200pp 16 b/w illus. 40 music examples 978-1-107-00901-1 Hardback c. £55.00 Publication April 2013www.cambridge.org/9781107009011
Classical theatre
Choral Mediations in Greek TragedyEdited by Renaud GagnéUniversity of Cambridge
and Marianne HopmanNorthwesternUniversity,Illinois
Collection of essays exploring how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms of meaning. Analyses choruses as fictional, religious and civic performers; as combinations of text, song and dance; and as objects of reflection in themselves.2013 228 x 152 mm 430pp 5 b/w illus. 3 maps 978-1-107-03328-3 Hardback c. £65.00 Publication May 2013www.cambridge.org/9781107033283
Performance and Culture in Plato’s LawsEdited by Anastasia-Erasmia PeponiStanford University, California
This volume illuminates one underexploredaspectofPlato’sLaws: itsuniquelyrichdiscussionofculturalmatters.Thisrequiresthecontributionsof scholars whose expertise resides beyond the boundaries of pure philosophicalinquiry,spanningart
Classical theatre 5
Visit our website at www.cambridge.org/knowledge
theory and criticism, social anthropology and comparative literature.2013 228 x 152 mm 456pp 14 b/w illus. 1 map 978-1-107-01687-3 Hardback c. £65.00 Publication May 2013www.cambridge.org/9781107016873
Greek Comedy and the Discourse of GenresEdited by Emmanuela BakolaKing’sCollegeLondon
Lucia PrauscelloUniversity of Cambridge
and Mario TelòUniversity of California, Los Angeles
InnovativetreatmentofGreekcomedy,showing that an essential characteristic at the heart of its identity is its voracious and multifarious dialogue with a large spectrum of literary, sub-literary and paraliterary traditions which surround andshapeit.Explorescomedy’sinteractions with numerous other genres within a unified interpretative framework.2013 228 x 152 mm 400pp 13 b/w illus. 978-1-107-03331-3 Hardback c. £65.00 Publication April 2013www.cambridge.org/9781107033313
Menander in AntiquityThe Contexts of ReceptionSebastiana NervegnaUniversity of Sydney
Highly illustrated reconstruction of theafterlifeofMenanderandhisplaysthroughoutantiquityandthevarious social and cultural contexts in which his comedy operated. Employs a broad range of sources such as portraits, illustrations of his plays, papyri
preserving their texts and inscriptions recording their public performances.2013 247 x 174 mm 336pp 40 b/w illus. 978-1-107-00422-1 Hardback c. £60.00 Publication March 2013www.cambridge.org/9781107004221
Slaves and Slavery in Ancient Greek Comic DramaEdited by Ben AkriggUniversity of Toronto
and Rob TordoffYork University, Toronto
This volume offers students and scholars of ancient Greek culture the first major study of the different ways Greek comic drama represents slaves and the institution of slavery. Using textual, art-historical and comparative evidence, the contributors trace the changing picture of Greek slavery from Aristophanes to Menanderandbeyond.2013 228 x 152 mm 288pp 6 b/w illus. 978-1-107-00855-7 Hardback c. £60.00 Publication January 2013www.cambridge.org/9781107008557
Theater Outside AthensDrama in Greek Sicily and South ItalyEdited by Kathryn BosherNorthwesternUniversity,Illinois
The first collection of essays on the development of Greek theater in ancientSicilyandSouthItaly,writtenbyspecialists in a range of fields, including literature, archeology and history. These different perspectives give a more complex picture of the development of western Greek theater than has hitherto been available.
6 Classical theatre / Theatre (general)
2012 247 x 174 mm 496pp 50 b/w illus. 4 maps 978-0-521-76178-9 Hardback £70.00
eBook availablewww.cambridge.org/9780521761789
When Heroes SingSophocles and the Shifting Soundscape of TragedySarah NooterUniversity of Chicago
Uses close readings of the Greek texts to examinethelyricalvoiceofSophocles’heroes and to argue that their identities are grounded in poetic power. This study offers new insight into the ways that Sophoclean tragedy inherits and refracts the traditions of other poetic genres.2012 228 x 152 mm 208pp 978-1-107-00161-9 Hardback £55.00
eBook availablewww.cambridge.org/9781107001619
Music in Roman ComedyTimothy J. MooreWashington University, St Louis
ExplainsthenatureofRomancomedy’smusic and provides musical analyses of songs, scenes and whole plays. This book will be of interest to students of ancient theatre and Latin literature, scholars and students working on the history of music and theatre and performers working with ancient plays.2012 228 x 152 mm 468pp 9 b/w illus. 65 tables 978-1-107-00648-5 Hardback £65.00www.cambridge.org/9781107006485
TexTbook
Sophocles: PhiloctetesSophoclesEdited by Seth L. ScheinUniversityofCalifornia,Davis
Accessible edition with commentary of this widely read but highly complex and challenging play. Provides help with morphology, grammar and syntax and interpretation of the text in its historical, social, cultural and intellectual contexts. The introduction also gives an account ofitsreceptionfromantiquitytothepresent day.Contents:Introduction;Philoctetes;Commentary.Cambridge Greek and Latin Classics
2013 216 x 138 mm 350pp 978-0-521-86277-6 Hardback c. £50.00 978-0-521-68143-8 Paperback c. £19.99 Publication May 2013www.cambridge.org/9780521862776
Theatre (general)
The Cambridge Companion to Theatre HistoryEdited by David WilesRoyal Holloway, University of London
and Christine DymkowskiRoyal Holloway, University of London
This Companion offers students and general readers a lively set of essays on the why, when, where, what and how ofwritingtheatrehistory.Itconsidershow history is told, from whose point of view in our globalised world and what
Theatre / English literature – Renaissance and early modern to 1700 7
eBooks available at www.cambridge.org/ebookstore
boundaries we might place around the notion of theatre.Cambridge Companions to Literature
2012 228 x 152 mm 320pp 36 b/w illus. 978-0-521-76636-4 Hardback £55.00 978-0-521-14983-9 Paperback £18.99www.cambridge.org/9780521766364
The Cambridge Companion to Opera StudiesEdited by Nicholas TillUniversity of Sussex
Opera studies is a rapidly expanding field, bringing exciting new perspectives to a brilliant and complex art form. This book will give lovers of opera as well as those studying the subject a comprehensive approach to the many facets of opera in the past and today.Cambridge Companions to Music
2012 247 x 174 mm 362pp 978-0-521-85561-7 Hardback £55.00 978-0-521-67169-9 Paperback £19.99www.cambridge.org/9780521855617
TexTbook
The Cambridge Introduction to Theatre DirectingChristopher InnesYork University, Toronto
and Maria ShevtsovaGoldsmiths College, University of London
ChristopherInnesandMariaShevtsovadiscuss the methods of rehearsal and staging created by the path-breaking directors of the twentieth century and the twenty-first. They offer a broad overview of the roots of modern directing, and highlight its innovative theatre practices through details of
major productions and theoretical principles.Contents:Introduction;1. Traditionalstaging and the evolution of the director; 2. The rise of the modern director; 3. Directorsoftheatricality;4. Epictheatredirectors; 5. Total theatre: the director as auteur;6. Directorsofensembletheatre;7. Directors,collaborationandimprovisation.Cambridge Introductions to Literature
2013 228 x 152 mm 270pp 18 b/w illus. 978-0-521-84449-9 Hardback c. £50.00 978-0-521-60622-6 Paperback c. £15.99 Publication March 2013www.cambridge.org/9780521844499
English literature – Renaissance and early modern to 1700
Shakespeare and the Book TradeLukas ErneUniversité de Genève
Shakespeare and the Book Trade follows onfromLukasErne’sgroundbreakingShakespeareasLiteraryDramatist to examine the publication, constitution, dissemination and reception of Shakespeare’sprintedplaysandpoemsin his own time and to argue that their popularity in the book trade has been greatly underestimated.
Advance praise: ‘An admirable amount of original research has gone into the study,
8 English literature – Renaissance and early modern to 1700
making it of use to a wide array of readers. With Shakespeare and the Book Trade, Lukas Erne manages to do that most coveted of things: he has written another book that everyone must read.’Patrick Cheney, Pennsylvania State University
2013 228 x 152 mm 290pp 25 b/w illus. 21 tables 978-0-521-76566-4 Hardback c. £25.00 Publication April 2013www.cambridge.org/9780521765664
Shakespeare as Literary DramatistSecond editionLukas ErneUniversité de Genève
Firstpublishedin2003,Erne’sgroundbreaking study argues that Shakespeare wrote his plays not only with audiences but also with readers in mind. This second edition includes a substantial, 10,000-word preface that reviews and intervenes in the controversy that the book has triggered.
Reviews of the first edition: ‘The year’s best book on Shakespeare.’Jonathan Bate, The Times Literary Supplement
2013 228 x 152 mm 320pp 12 b/w illus. 978-1-107-02965-1 Hardback c. £50.00 978-1-107-68506-2 Paperback c. £19.99 Publication April 2013www.cambridge.org/9781107029651
Shakespeare Beyond DoubtEvidence, Argument, ControversyEdited by Paul EdmondsonThe Shakespeare Birthplace Trust
and Stanley WellsThe Shakespeare Birthplace Trust
DidShakespearewriteShakespeare?Theauthorshipquestionhasbeenmuchtreated in works of fiction, film and television, provoking interest all over the world. The book explores the issues surrounding the debate in the light of biographical, textual and bibliographical evidence to bring fresh perspectives on an intriguing cultural phenomenon.2013 228 x 152 mm 280pp 5 b/w illus. 978-1-107-01759-7 Hardback c. £50.00 978-1-107-60328-8 Paperback c. £17.99 Publication April 2013www.cambridge.org/9781107017597
Environmental Degradation in Jacobean DramaBruce BoehrerFlorida State University
EnvironmentalDegradationinJacobeanDramaprovides the first general history of the Shakespearean stage to focus primarily on ecological issues. Bruce Boehrer discusses the work ofShakespeare,Jonson,Middleton,Fletcher,DekkerandHeywood,exploringthe strategies by which they made sense of radical ecological change in their drama.2013 228 x 152 mm 260pp 978-1-107-02315-4 Hardback c. £55.00 Publication March 2013www.cambridge.org/9781107023154
English literature – Renaissance and early modern to 1700 9
Visit our website at www.cambridge.org/knowledge
Medieval ShakespearePasts and PresentsEdited by Ruth MorseParis-Sorbonne-Cité
Helen CooperUniversity of Cambridge
and Peter HollandUniversityofNotreDame,Indiana
Before Shakespeare is our contemporary he is the contemporary of late-medieval European culture, self-consciously regenerating and transforming earlier ideas of history, art, poetry and the stage. This book gives readers the opportunity to appreciate both Shakespeare and his period from the perspectives of the traditions that fostered and surrounded him.2013 228 x 152 mm 300pp 10 b/w illus. 978-1-107-01627-9 Hardback c. £60.00 Publication February 2013www.cambridge.org/9781107016279
Mythologies of the Prophet Muhammad in Early Modern English CultureMatthew DimmockUniversity of Sussex
This book explores how the figure of the ProphetMuhammadwasmisrepresentedin English and wider Christian culture between 1480 and 1735. By tracing the waysinwhich‘Mahomet’waswrittenand rewritten, contested and celebrated, this study explores notions of identity and religion, and the resonances of this history today.
Advance praise: ‘Dr Dimmock has broken new ground, not only in his excavation of neglected English sources from the fifteenth
and sixteenth centuries, but also by his close reading of a wider range of writings than has hitherto been assembled in one place … This book furnishes a detailed and vivid sense of the varied ways in which the early modern English constructed and used the person of Mahomet/Muhammad in the articulation of their own identities, world views and notions of self. As such, it provides a suggestive and instructive point of reference and of self-interrogation for any reader inclined to a historically grounded and culturally contextualized understanding of the many and often-fraught ongoing twenty-first-century Western engagements with the Prophet of Islam.’Shahab Ahmed, Harvard University
2013 228 x 152 mm 304pp 25 b/w illus. 978-1-107-03291-0 Hardback c. £60.00 Publication March 2013www.cambridge.org/9781107032910
Shakespearean SensationsExperiencing Literature in Early Modern EnglandEdited by Katharine A. CraikOxford Brookes University
and Tanya PollardBrooklyn College, City University of New York
This lively and accessible collection of essays explores the ways Shakespeare and his contemporaries imagined literature’simpactonaudiences’bodies,minds and emotions. Readers and theatregoers have always sought out literature for its emotional power, and this book shows how seriously early modern writers took their relationships with their audiences.
10 English literature – Renaissance and early modern to 1700
2013 228 x 152 mm 220pp 1 b/w illus. 978-1-107-02800-5 Hardback c. £55.00 Publication February 2013www.cambridge.org/9781107028005
The Shakespearean Stage SpaceMariko IchikawaTohoku University, Japan
In The Shakespearean Stage Space, MarikoIchikawaexplorestheoriginalstaging of plays by Shakespeare and his contemporaries to build a new picture of the theatrical artistry of the Renaissance stage.Itwillofferscholars,studentsand actors a new way to analyse and interpret early modern plays.2012 228 x 152 mm 240pp 8 b/w illus. 1 table 978-1-107-02035-1 Hardback £55.00www.cambridge.org/9781107020351
Early Modern Playhouse Manuscripts and the Editing of ShakespearePaul WerstineUniversity of Western Ontario
EarlyModernPlayhouseManuscriptsand the Editing of Shakespeare analyzes surviving manuscripts and printed quartosmarkedupforperformanceinShakespeare’stimetosituatethetheoryand practice of Shakespeare editing in context.Indoingso,itexploreseditorialchoicesaboutwhattogivetoday’sreadersas‘Shakespeare’.2012 228 x 152 mm 448pp 55 b/w illus. 2 tables 978-1-107-02042-9 Hardback £65.00www.cambridge.org/9781107020429
Late Shakespeare, 1608–1613Edited by Andrew J. PowerTrinityCollege,Dublin
and Rory LoughnaneSyracuse University, New York
A team of leading international Shakespeare scholars provides a critical reappraisal of the final phase of Shakespeare’swritinglife.Containingoriginal scholarly approaches to the last seven extant plays, the volume includes dedicated chapters on Coriolanus and Shakespeare’stwolateco-authoredplays, KingHenryVIII and The Two Noble Kinsmen.2012 228 x 152 mm 355pp 5 b/w illus. 978-1-107-01619-4 Hardback £60.00www.cambridge.org/9781107016194
Rethinking Historicism from Shakespeare to MiltonEdited by Ann Baynes CoiroRutgers University, New Jersey
and Thomas FultonRutgers University, New Jersey
This collection of essays reflects on the origins of historicism and its present usefulness as a mode of literary analysis, its limitations and its future. Written by leading voices in the field, the book is designed for scholars and students of early modern English literature (1500–1700).2012 228 x 152 mm 280pp 1 b/w illus. 978-1-107-02751-0 Hardback £60.00www.cambridge.org/9781107027510
English literature – Renaissance and early modern to 1700 11
For regular email alerts visit www.cambridge.org/alerts
Milton and the Art of RhetoricDaniel ShoreGeorgetownUniversity,WashingtonDC
ThisbookshowshowMiltonusedinnovative and cunning means to persuade his readers in an age that was distrustfuloftraditionalrhetoric.Itwillappeal to readers interested in early modern literature, poetry and polemic, as well as those concerned with Greek, Roman and Renaissance rhetoric.2012 228 x 152 mm 211pp 978-1-107-02150-1 Hardback £55.00
eBook availablewww.cambridge.org/9781107021501
Performing Early Modern Drama TodayEdited by Pascale AebischerUniversity of Exeter
and Kathryn PrinceUniversity of Ottawa
Little attention has been focused on modern productions of the plays of Shakespeare’scontemporaries.Thisbook offers an overview of, and an essential reference to, recent stage and screen adaptations of early modern drama written by leading scholars and practitioners, including three detailed appendices listing amateur and professional performances.2012 228 x 152 mm 258pp 5 b/w illus. 978-0-521-19335-1 Hardback £60.00www.cambridge.org/9780521193351
Shakespeare and World CinemaMark Thornton BurnettQueen’sUniversityBelfast
This book explores the significance of Shakespeare in contemporary worldcinemaforthefirsttime.MarkThornton Burnett draws on a wealth of examples from Africa, the Arctic, Brazil, China,France,India,Malaysia,Mexico,Singapore, Tibet, Venezuela, Yemen and elsewhere.2012 228 x 152 mm 285pp 25 b/w illus. 978-1-107-00331-6 Hardback £60.00www.cambridge.org/9781107003316
Problem Fathers in Shakespeare and Renaissance DramaTom MacFaulUniversity of Oxford
Problem Fathers in Shakespeare and RenaissanceDrama explores the central role of fathers in a wide range of Elizabethan and Jacobean plays. Placing Shakespeare among his contemporaries, this book enables an understanding of the development of his dramatic genres and shows how ideas of patriarchy evolved over the period.2012 228 x 152 mm 264pp 978-1-107-02894-4 Hardback £60.00www.cambridge.org/9781107028944
12 English literature – Renaissance and early modern to 1700
Sleep, Romance and Human EmbodimentVitality from Spenser to MiltonGarrett A. Sullivan, JrPennsylvania State University
Contributing to the histories of genre, embodiment and vitality, this study shows the impact of Aristotelian and Cartesian conceptions of humanness on works by Shakespeare, Spenser, MiltonandSidney.Sullivanshowshow,through the representation of sleep, epic and romance model the distinctive relationships between man, plant and animal.
‘This is a major new study with wide ranging implications for a variety of early modern interests – in the contested category of the human, in the ecological place of the human body in relation to its environment, in the legacy of Aristotelianism against the advent of Cartesianism, and in the relations between epic and romance.’Gail Paster, Folger Shakespeare Library
2012 228 x 152 mm 216pp 978-1-107-02441-0 Hardback £55.00
eBook availablewww.cambridge.org/9781107024410
New iN PaPerback
Documents of Performance in Early Modern EnglandTiffany SternUniversity of Oxford
Aswellasbeingcalled‘poets’,playwrightsofShakespeare’speriodwereknownas‘play-patchers’becausetheir texts were made up of separate documents. Using fresh print and
manuscript evidence, Stern explores the piecemeal nature of the playscript in the theatre, redefining what a play, and what a playwright, actually is.
‘… outstrips the magisterial E. K. Chambers.’KatherineDuncan-Jones,Times Literary Supplement
2012 228 x 152 mm 376pp 978-1-107-65620-8 Paperback £19.99 Also available 978-0-521-84237-2 Hardback £65.00
eBook availablewww.cambridge.org/9781107656208
New iN PaPerback
Shakespeare and Early Modern Political ThoughtEdited by David ArmitageHarvardUniversity,Massachusetts
Conal CondrenUniversity of New South Wales, Sydney
and Andrew FitzmauriceUniversity of Sydney
This volume is the first historically informed collection of essays focussing onShakespeare’sengagementwiththepolitical thinking of his time. Covering thefullrangeofShakespeare’swork,a distinguished team of contributors provides a coherent and challenging portraitofShakespeare’sengagementwiththequestionsofearlymodernpolitical thought.
Review of the hardback: ‘… one of the most important new studies of Shakespeare to have appeared this century. It takes the discussion of Shakespeare and early modern political thought to a hitherto unseen level of sophistication. For the
English literature – Renaissance and early modern to 1700 13
eBooks available at www.cambridge.org/ebookstore
first time, we are offered a serious and sustained reading of Shakespeare in the light of the ‘Cambridge school’ of work on the language of political theory … contributors come from diverse perspectives … and yet they create a strikingly unified image of a Shakespeare who is at once a deep political thinker, a consummate master of rhetoric and a wily refusenik when it comes to orthodox positions … deserves a prominent place on the bookshelf of anyone interested in Shakespeare – more than that, of anyone interested in the interplay between literature and the history of political thought.’Jonathan Bate, University of Warwick
2012 228 x 152 mm 304pp 978-1-107-69250-3 Paperback £19.99 Also available 978-0-521-76808-5 Hardback £65.00
eBook availablewww.cambridge.org/9781107692503
The Cambridge Edition of the Works of Ben JonsonBen JonsonEdited by David BevingtonUniversity of Chicago
Martin ButlerUniversity of Leeds
and Ian DonaldsonAustralian National University, Canberra
The Cambridge Edition of the Works of Ben Jonson presentsJonson’scomplete writings in the light of current editorial thinking and recent scholarly interpretation and discovery. Itprovidesaclearsenseoftheshape,scale and variety of the entire Jonsonian canon,includingplays,courtmasquesand entertainments, poems, prose
works and letters. Each text, edited in modern spelling, is accompanied by an introduction containing essential information about its date, sources and interpretation, and is supported by detailed on-page commentary and collation. The Edition presents Jonson’stextsinaformwhichcombines thoroughness of explanation with readability. An accompanying electronic edition is in development for launch in 2013. The Edition as a wholeexplicatesJonson’sworksfullyin the light of modern scholarship, making them accessible to students, scholars, theatrical practitioners and anyone wishing to explore the work of Shakespeare’sgreatcontemporary.Forfurther information, additional resources and textual essays, please visit http://blog.cewbj.org.
‘… [a] formidable enterprise … There would have to be either a transformation of our mental world beyond present imagination, or some sensational textual discovery before anyone could think it necessary to edit Jonson again.’Blair Worden, London Review of Books
Contributors:AnneBarton,DavidBevington,KarenBritland,DerekBritton,ColinBurrow,MartinButler,TomCain,Hugh Craig, Katharine Craik, John Creaser, IanDonaldson,RichardDutton,Inga-StinaEwbank,DavidGants,EugeneGiddens,Suzanne Gossett, Peter Happé, Peter Holland, Lorna Hutson, Gabriele Bernhard Jackson,W.DavidKay,JamesKnowles,DavidLindley,TomLockwood,JosephLoewenstein,RandallMartin,RobertMiola,HelenOstovich,AnthonyParr,EricRasmussen, Julie Sanders, William Sherman, MatthewSteggle
14 English literature – Renaissance and early modern to 1700
2012 228 x 152 mm 5224pp 135 b/w illus. 3 maps 978-0-521-78246-3 7 Volume Set £650.00www.cambridge.org/9780521782463
Heresy Trials and English Women Writers, 1400–1670Genelle GertzWashington and Lee University, Virginia
By analyzing the interrogations of MargeryKempe,AnneAskew,MarianProtestantwomen,MargaretClitherowand Quaker women, Genelle Gertz examines the complex dynamics ofwomen’swriting,preachingandauthorship under religious persecution and censorship and uncovers unexpected connections between the writings of women on trial for their religious beliefs.2012 228 x 152 mm 268pp 978-1-107-01705-4 Hardback £55.00
eBook availablewww.cambridge.org/9781107017054
The New Milton CriticismEdited by Peter C. HermanSanDiegoStateUniversity
and Elizabeth SauerBrock University, Ontario
The contributors to this volume emphasize ambivalence and discontinuityinMilton’sworkand interrogate the assumptions andcertaintiesinpreviousMiltonscholarship. Sure to become a focus of debate and controversy in the field, this volume is a truly original contribution to early modern studies.2012 228 x 152 mm 266pp 978-1-107-01922-5 Hardback £55.00 978-1-107-60395-0 Paperback £17.99
eBook availablewww.cambridge.org/9781107019225
Versions of AntihumanismMilton and OthersStanley FishFloridaInternationalUniversity,Miami
StanleyFish’sfinestpublishedworkisbrought together here with brand new materialonMiltonandonotherauthorsand topics in early modern literature. Lucid, provocative, direct and inimitable, thisbookisrequiredreadingforanyoneteachingorstudyingMiltonandearlymodern literary studies.
‘Fish can be distinctive, absorbing and powerful.’Times Literary Supplement
2012 228 x 152 mm 300pp 978-1-107-00305-7 Hardback £50.00 978-0-521-17624-8 Paperback £17.99
eBook availablewww.cambridge.org/9781107003057
English literature – Renaissance & early modern to 1700 / Shakespeare 15
For regular email alerts visit www.cambridge.org/alerts
The Cambridge Companion to Shakespeare and Contemporary DramatistsEdited by Ton HoenselaarsUniversiteit Utrecht, The Netherlands
WhileShakespeare’spopularityhascontinued to grow, so has the attention paid to the work of his contemporaries. This Companion introduces the distinctive drama of playwrights fromShakespeare’stime,includingKyd,Marlowe,Middleton,Jonsonand Webster. The book also covers Shakespeare as a collaborator and the difficultquestionofco-authorship.Cambridge Companions to Literature
2012 228 x 152 mm 323pp 7 b/w illus. 1 music example 978-0-521-76754-5 Hardback £50.00 978-0-521-12874-2 Paperback £19.99www.cambridge.org/9780521767545
Shakespeare Survey 65A Midsummer Night’s DreamVolume65:AMidsummerNight’sDreamEdited by Peter HollandUniversityofNotreDame,Indiana
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains asectionofreviewsofthatyear’stextual and critical studies and of the year’smajorBritishperformances.ThethemeforVolume65is‘AMidsummerNight’sDream’.Thecompletesetof
Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.Contributors: Laura Aydelotte, Helen Barr,MichaelHattaway,JesseLander,HenryBuchanan,MichaelSaenger,SibylleBaumbach, Stuart Sillars, Laura Levine, MichaelP.Jensen,RussMcDonald,RogerWarren,CarolThomasNeely,MattKozusko,JacquelynBessell,AndrewJamesHartley,Paul Edmondson, Stanley Wells, Pascale Aebischer,MargaretTudeau-Clayton,John Jowett, Holger Schott Syme, Robert Bearman, Brian Cummings, K. E. Attar, Todd Borlik, Charlotte Brewer, Robert N. Watson, AndreasHöfele,TobyMalone,MargaretShewring, Curt L. Tofteland, Hal Cobb, Carol Chillington Rutter, James Shaw, Charlotte Scott, Russell Jackson, Eric RasmussenShakespeare Survey, 65
2012 246 x 189 mm 560pp 52 b/w illus. 978-1-107-02451-9 Hardback £75.00www.cambridge.org/9781107024519
Shakespeare
Shakespeare in the Eighteenth CenturyEdited by Fiona RitchieMcGillUniversity,Montréal
and Peter SaborMcGillUniversity,Montréal
Duringtheeighteenthcentury,editionsand adaptations of Shakespeare proliferated, making him the most popular English dramatist. He exerted a profound influence on a variety of authors and on several other
16 Shakespeare
literary genres. Shakespeare in the Eighteenth Century explores the impact Shakespeare had on various aspects of society and culture.2012 228 x 152 mm 468pp 17 b/w illus. 978-0-521-89860-7 Hardback £65.00
eBook availablewww.cambridge.org/9780521898607
TexTbook
The TempestSecond editionEdited by David LindleyUniversity of Leeds
The Tempest is one of the most suggestive, yet most elusive of all Shakespeare’splays,andhasprovokedawiderangeofcriticalinterpretations.Inthisupdatededition,DavidLindleyhasthoroughly revised the introduction and reading list to take account of the latest directions in criticism and performance.
Reviews of the first edition: ‘If you are looking for a model edition – by which I mean one that is concerned to honour the text and to explain the processes involved in editing – this is it. If I were ever again to undertake the editing of a Shakespeare play, I would keep Lindley’s edition of The Tempest open beside me.’Peter Thompson
Contents: List of abbreviations and conventions; Preface to the second edition; Introduction;Noteonthetext;Listofcharacters; The play; Textual analysis; Appendix 1. The songs; Appendix 2. Parallel passages from Virgil and Ovid; Appendix 3. And others: casting the play; Reading list.
The New Cambridge Shakespeare
2013 228 x 152 mm 280pp 26 b/w illus. 978-1-107-61957-9 Paperback c. £8.99 Publication April 2013 Also available 978-1-107-02152-5 Hardback c. £25.00www.cambridge.org/9781107619579
The New Cambridge ShakespeareSecond editionEdited by A. R. Braunmullerand Brian Gibbons
The New Cambridge Shakespeare appeals to readers worldwide for its up-to-date scholarship and emphasis on performance. The series, edited by an expert international team, includes allShakespeare’splays,sonnetsandpoems, in modern spelling, annotated texts, presented in attractively designed volumes.The New Cambridge Shakespeare
2012 228 x 152 mm 9000pp 978-1-107-65663-5 41 Volume Set £295.00www.cambridge.org/9781107656635
Th
e T
em
pe
sT
The Tempest is one of the most suggestive, yet most elusive, of Shakespeare’s plays. It is a magical romance, yet embedded in seventeenth-century debates about authority and power. David Lindley’s introduction and commentary refer to contemporary documents in attending to the implications of Prospero’s magic, his political and paternal ambitions and the controversial issue of his ‘colonialist’ control of Caliban. Shakespeare’s experimental response to the new Blackfriars indoor theatre is apparent in the play’s unique dramatic form, its stage-craft and especially its use of music and spectacle.
T h e N e w C a m B r I D g e S h a k e S P e a r eNCS
Cover illustration: karl weatherly / getty images.
portrait of William shakespeare on back and spine: design by Paul Oldman, based on a drawing by David hockney, reproduced by permission of the artist.
Cover design: andrew ward
The New Cambridge Shakespeare appeals to readers worldwide for its up-to-date scholarship and emphasis on performance. The series, edited by an expert international team, includes all Shakespeare’s plays, sonnets and poems, presented in attractively designed volumes.
• modernised texts• full notes and lively introductions• informative illustrations• precise details of staging and performance.
T h e N e w C a m B r I D g e S h a k e S P e a r eNCS
The TemPeST
edited by David Lindley
T h e T e m Pe S T
lin
dl
ey
: nC
s T
he
Te
mp
esT
C
ov
er
C
m
y
b
lk
Shakespeare / Also of interest 17
Visit our website at www.cambridge.org/knowledge
TexTbook
The Two Gentlemen of VeronaSecond editionEdited by Kurt SchlueterAlbert-Ludwigs-Universität Freiburg, Germany
Professor Schlueter approaches this early comedy as a parody of two types of Renaissance educational fiction:thelove-queststoryandthetest-of-friendship story. A thoroughly researched, illustrated stage history reveals changing conceptions of the play and this updated edition features a new introductory section on recent stage and critical interpretations.Contents:Introduction:date;Themesandcriticism; Structure and sources; Speed and Lance; The outlaws; Stage history; Recent stage and critical interpretations by Lucy Munro;Listofcharacters;Theplay;Textualanalysis; Appendix: a further note on stage directions; Reading list.The New Cambridge Shakespeare
2012 228 x 152 mm 180pp 16 b/w illus. 978-0-521-18169-3 Paperback £8.99 Also available 978-1-107-00489-4 Hardback £45.00www.cambridge.org/9780521181693
TexTbook
The Two Noble KinsmenWilliam ShakespeareEdited by Robert Kean Turnerand Patricia Tatspaugh
With scholarly attention recently focusingonShakespeare’slateplays,collaboration and sexuality, The Two Noble Kinsmen has become an essential script. Containing a detailed performance history and a lively
introduction which surveys contemporary critical responses and addresses Shakespeare’scraftsmanship,thiseditionargues that the play can no longer be marginalized.Contents:Introduction:authorship;Date;Sources; Craftsmanship; Critical reception; Shakespeare’slatestyle;The Two Noble Kinsmen in performance; Note on text; List of characters; The play; Supplementary notes; Textual analysis; Appendix: The Two Noble Kinsmen: a performance chronology; Reading list.The New Cambridge Shakespeare
2012 228 x 152 mm 246pp 10 b/w illus. 978-0-521-68699-0 Paperback £8.99 Also available 978-0-521-43270-2 Hardback £45.00www.cambridge.org/9780521686990
Also of interest
Antigone, InterruptedBonnie HonigNorthwesternUniversity,Illinois
Antigone, Interrupted explores the intertwined history of law, politics, gender and humanism through a new readingofSophocles’classicaltragedy.Studying the play in its fifth-century and modern contexts, Bonnie Honig argues for an Antigone committed not just to dissidence but to a positive politics of counter-sovereignty and solidarity.2013 228 x 152 mm 300pp 978-1-107-03697-0 Hardback c. £55.00 978-1-107-66815-7 Paperback c. £17.99 Publication March 2013www.cambridge.org/9781107036970
18 Also of interest
The Handbook of Journal PublishingSally MorrisEd BarnasDouglas LaFrenierand Margaret Reich
The Handbook of Journal Publishing is an up-to-date and comprehensive handbook written by experienced professionals, covering all aspects of journal publishing, both online andinprint.Itisabasicreferencesource for publishers, librarians and scholars dealing with such issues as copyright, business models, scholarly communication and intellectual property.2013 228 x 152 mm 380pp 8 b/w illus. 43 tables 978-1-107-02085-6 Hardback c. £60.00 978-1-107-65360-3 Paperback c. £19.99 Publication February 2013www.cambridge.org/9781107020856
Index 19
eBooks available at www.cambridge.org/ebookstore
A Aebischer, Pascale .................................11Akrigg, Ben .............................................5Antigone,Interrupted ............................17Armitage,David ....................................12
B Bakola, Emmanuela .................................5Barnas, Ed .............................................18Baynes Coiro, Ann .................................10Bevington,David ...................................13Boehrer, Bruce .........................................8Bosher, Kathryn .......................................5Braunmuller, A. R. ..................................16Butler,Martin ........................................13
C Cambridge Companion to African
American Theatre, The ...........................2Cambridge Companion to Opera
Studies, The ..........................................7Cambridge Companion to Shakespeare andContemporaryDramatists,The ......15
Cambridge Companion to Theatre History, The ...........................................6
Cambridge Edition of the Works of Ben Jonson, The ........................................13
CambridgeIntroductiontoTheatreDirecting,The .......................................7
CambridgeIntroductiontoTomStoppard, The .......................................2
ChoralMediationsinGreekTragedy .........4Condren, Conal .....................................12Cooper, Helen .........................................9Craik, Katharine A. ..................................9
D DavidMametandAmericanMacho .........3Delgado,MariaM. ...................................3Demastes,William ...................................2Dimmock,Matthew .................................9DionBoucicault .......................................4DocumentsofPerformanceinEarlyModernEngland .................................12
Donaldson,Ian ......................................13Dymkowski,Christine ..............................6
E EarlyModernPlayhouseManuscripts
and the Editing of Shakespeare ...........10Edmondson, Paul.....................................8EnvironmentalDegradationinJacobeanDrama ..................................................8
Erne, Lukas.......................................... 7, 8
F Fish, Stanley ..........................................14Fitzmaurice, Andrew ..............................12Fulton, Thomas ......................................10
G Gagné, Renaud .......................................4Gertz, Genelle .......................................14Gibbons, Brian ......................................16Gies,DavidT. ...........................................3GreekComedyandtheDiscourseof
Genres .................................................5
H Handbook of Journal Publishing, The......18Heresy Trials and English Women
Writers, 1400–1670 ...........................14Herman, Peter C. ...................................14History of Theatre in Spain, A ...................3Hoenselaars, Ton ...................................15Holland, Peter ................................... 9, 15Holmberg, Arthur.....................................3Honig, Bonnie .......................................17Hooper,MichaelS.D. ...............................2Hopman,Marianne .................................4
I Ichikawa,Mariko ...................................10Innes,Christopher ...................................7
J Jonson, Ben ..........................................13
20 Index
L LaFrenier,Douglas .................................18Late Shakespeare, 1608–1613 ..............10Lindley,David ........................................16Loughnane, Rory ...................................10
M MacFaul,Tom ........................................11McFeely,Deirdre ......................................4MedievalShakespeare .............................9MenanderinAntiquity .............................5Menon,Jisha ...........................................2MiltonandtheArtofRhetoric ...............11Moore,TimothyJ. ....................................6Morris,Sally ..........................................18Morse,Ruth ............................................9MusicinRomanComedy .........................6MythologiesoftheProphetMuhammadinEarlyModernEnglishCulture ............9
N Nervegna, Sebastiana ..............................5New Cambridge Shakespeare, The .........16NewMiltonCriticism,The ......................14Nooter, Sarah ..........................................6
P Peponi, Anastasia-Erasmia .......................4PerformanceandCultureinPlato’sLaws ..4Performance of Nationalism, The ..............2PerformingEarlyModernDramaToday ..11Pollard, Tanya ..........................................9Power, Andrew J. ...................................10Prauscello, Lucia ......................................5Prince, Kathryn ......................................11Problem Fathers in Shakespeare and RenaissanceDrama ............................11
R Reich,Margaret .....................................18Rethinking Historicism from ShakespearetoMilton ........................10
Ritchie, Fiona ........................................15
S Sabor, Peter ...........................................15Sala, Emilio .............................................4Sauer, Elizabeth .....................................14Schein, Seth L. .........................................6Schlueter, Kurt .......................................17Sexual Politics in the Work of Tennessee
Williams ...............................................2ShakespeareandEarlyModernPolitical
Thought .............................................12Shakespeare and the Book Trade .............7Shakespeare and World Cinema .............11ShakespeareasLiteraryDramatist ............8ShakespeareBeyondDoubt .....................8Shakespeare in the Eighteenth Century ..15Shakespeare Survey 65 ..........................15Shakespeare, William .............................17Shakespearean Sensations .......................9Shakespearean Stage Space, The ............10Shevtsova,Maria .....................................7Shore,Daniel .........................................11Slaves and Slavery in Ancient Greek ComicDrama .......................................5
Sleep, Romance and Human Embodiment .......................................12
Sophocles ...............................................6Sophocles: Philoctetes .............................6SoundsofParisinVerdi’sLa traviata ......4Stern, Tiffany .........................................12Sullivan, Jr, Garrett A. .............................12
T Tatspaugh, Patricia ................................17Telò,Mario ..............................................5Tempest, The .........................................16Theater Outside Athens ...........................5ThorntonBurnett,Mark .........................11Till, Nicholas ............................................7Tordoff, Rob ............................................5Turner, Robert Kean ...............................17Two Gentlemen of Verona, The ..............17Two Noble Kinsmen, The ........................17
V Versions of Antihumanism .....................14
Index 21
Visit our website at www.cambridge.org/knowledge
W Wells, Stanley ..........................................8Werstine, Paul .......................................10When Heroes Sing ...................................6Wiles,David ............................................6
Y Young, Harvey .........................................2
22 Notes
Notes 23
For regular email alerts visit www.cambridge.org/alerts
customer ServicesCambridge University Press BookshopCambridge University Press Bookshop occupies the historic site of 1 Trinity Street, Cambridge CB2 1SZ, where the complete range of titles is on sale.
BookshopManager:CathyAshbee Phone + 44 (0)1223 333333 Fax + 44 (0)1223 332954 Email [email protected]
BooksellersFor order processing and customer service, please contact:
Catherine Atkins Phone + 44 (0)1223 325566 / 325577 Fax + 44 (0)1223 325959 / 325151 Email [email protected] [email protected] [email protected]
Your telephone call may be monitored for training purposes.
Account-holding booksellers can order online at www.cambridge.org/booksellers or at www.PubEasy.com
cambridge University Press around the world
Cambridge University Press has offices, representatives and distributors in some 60 countries around the world; our publications are available through bookshops in virtually every country.
United Kingdom and IrelandAcademicSalesDepartmentCambridge University Press, The Edinburgh Building, Cambridge CB2 8RU, UK Phone + 44 (0)1223 325517 Fax + 44 (0)1223 325983 Email [email protected] Web www.cambridge.org/emea
Europe (excluding Iberia), Middle East and North AfricaAcademicSalesDepartmentCambridge University Press, The Edinburgh Building, Cambridge CB2 8RU, UK Phone + 44 (0)1223 325517 Fax + 44 (0)1223 325983 Email [email protected] Web www.cambridge.org/emea
IberiaCambridgeUniversityPressIberianBranchBasílica17,1º-,28020Madrid,Spain Phone + 34 91 360 46 06 Fax + 34 91 360 45 70 Email [email protected] Web www.cambridge.org/emea
Asia79 Anson Road Unit #06-04/06 Singapore 079906 Phone + 65 6323 2701 Fax + 65 6323 2370 Email [email protected] Web www.cambridge.org/asia
The AmericasNorth, Central, South America and Hispanic CaribbeanCambridge University Press32 Avenue of the Americas, New York, NY 10013-2473, USA Phone + 1 212 924 3900 Fax + 1 212 691 3239 Email [email protected] Web www.cambridge.org
Sub-Saharan Africa and English-speaking CaribbeanCambridge University Press African BranchLower Ground Floor, Nautica Building, The Water Club, Beach Road, Granger Bay – 8005,Cape Town, South Africa Phone + 27 21 412 7800 Fax + 27 21 419 8418 Email [email protected] Web www.cambridge.org/africa
Australia and New ZealandCambridge University Press Australian Branch477WilliamstownRoad,PortMelbourne,VIC3207,Australia Phone +61 3 8671 1411 Fax +61 3 9676 9966 Email [email protected] Web www.cambridge.org/aus
General enquiriesCambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Phone + 44 (0)1223 312393 Fax + 44 (0)1223 315052 Email [email protected] Web www.cambridge.org/international
Discover key research in Performance Studies
from Cambridge Journals
Theatre Research International
Published for the International Federation for Theatre Research
Cambridge Opera Journal
in association with the
International Federation
for Theatre Research
Volume 37 Number 2 July 20120307-8833
Theatre ResearchInternational
Theatre Research International
Volume 37 Number 2 July 2012 Theatre Research InternationalVolum
e 37 Num
ber 2 July 2012
Cambridge Journals OnlineFor further information about this journalplease go to the journal website at:journals.cambridge.org/tri
ARTICLES101 Editorial: Aesthetics, Politics and the Public Sphere
ELAINE ASTON104 I want to be the Palestinian Romeo! Arna’s Children and the Romance with Theatre
EMINE FISEK118 Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre's
Every Year, Every Day, I Am WalkingEMMA COX
134 Transience and Connection in Robert Lepage’s The Blue Dragon: China in the Space of FlowsCHRIS HUDSON AND DENISE VARNEY
148 De-monopolizing the Public Sphere: Politics and Theatre in Nineteenth-Century GermanyMEIKE WAGNER
DOSSIER163 History, Memory, Event: A Working Archive
NOBUKO ANAN, BISHNUPRIYA DUTT, JANELLE REINELT AND SHRINKHLA SAHAI
184 BOOK REVIEWS
200 BOOKS RECEIVED
Cover illustration: Pierre and Xiao Ling cycle through Shanghai by night. The Blue Dragon.Image courtesy of Ex Machina. Photographer Yannick Macdonald.
03078833_37-2.qxd 4/18/12 7:54 PM Page 1
New Theatre Quarterly
Tempo
N110
NEW THEATRE QUARTERLY
MRS PAT AND THE ‘NEW WOMAN’ OPHELIA LETTER TO A DEAD PLAYWRIGHT?POSTDRAMATISM IN THE PLAYS OF MARTIN CRIMP IN SEARCH OF ADOLPHE APPIA
NEW MASKS FOR ANCIENT DRAMA THEATRE DE COMPLICITE’S ‘MNEMONIC’ARGUING WITH THE AUDIENCE DRAMA ONSTAGE AND OFF IN TBILISI
NE
WT
HE
AT
RE
QU
AR
TE
RLY
volum
exxviii
.part2 .m
ay 2012
cover design: angela ashton
110
NTQ
: N
EWTH
EATR
E Q
UAR
TER
LY28
.2 C
VRBL
ACK
CM
YBLK
PMS
871
volume xxviii . part 2 . may 2012
Cambridge Journals OnlineFor further information about this journal please go to the journal website at:journals.cambridge.org/ntq
NTQ_28-2.qxd 10/5/12 11:52 Page 1
tem�oa quarterly review of modern musicissn 0040-2982
te
mp
ov
ol
. 66
n
o. 2
59
journals.cambridge.org
vol. 66 no. 259 january 2012
out of the shadows and silences:lotta wennäkoski in profileTim Howell
schoenberg: the petrarch setting in the serenade, op. 24; form and material in klavierstück, op. 33bEdward Green, Hugh Collins-Rice
‘the space of the soul’: an interview with sofia gubaidulinaIvan Moody
the evolution of form in the music of roger reynolds (part i)Michael Boyd
first performances: proms 2011, cheltenham, presteigne &manchester festivals
spin
esp
inetem66_259cvr(Frev).indd 1 8/2/12 8:12:51 pm
Theatre SurveyPublished for the
American Society for Theatre Research
Dance Research JournalPublished for the Congress
on Research in Dance
To access sample articles and activate email content alerts, visit
journals.cambridge.org/performancejournals
University Publishing Online provides institutional access to content from the world-renowned publishing programmes of Cambridge University Press,
plus an expanding range of partner presses, including: Anthem Press, Foundation Books, Liverpool University Press, Nottingham University Press, University of Adelaide Press,
Edinburgh University Press and Boydell & Brewer.
Benefits for users
1 Log in from your home PC, laptop or iPad with remote user access
1 Download and print individual chapters in PDF
1 Export citations in MLA style for quick and accurate referencing
1 Stay up to date with RSS feeds for saved searches and new content alerts
Benefits for your library
1 Choose from a range of front and backlist titles, with new content added every month
1 Select predefined or bespoke collections for maximum flexibility (25 books minimum order)
1 Get comprehensive library support tools, including: downloadable MARC records, usage reports, and access to authentication methods
Cambridge University PressTheatre Studies eBook Collection Over 100 Theatre Studies eBooks available
View the full list: www.cambridge.org/cbotheatre
Ask your librarian to request a free trial – www.universitypublishingonline.org/trial
CAMBRIDGE BOOKS ONLINEAvaila
ble for
institutio
nal purch
ase