The Woman at the Well: Two Texts, Two Traditions in Art

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The Samaritan Woman at the Well: Two Texts and Two Traditions in Art

description

Two early Christian traditions about Jesus and the Samaritan woman at the well.

Transcript of The Woman at the Well: Two Texts, Two Traditions in Art

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The Samaritan Woman at the Well:

Two Texts and Two Traditions in Art

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The Samaritan woman at the well was the first evangelist to the gentiles.

Many Samaritans from that city believed in him because of the woman's testimony.

- John 4:39a (RSV)

Two very different early traditions depicted her status in early art.

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In the first tradition, she and Jesus stood as equals. Sarcophagus, Gaul, 4th century

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Both stand. Catacomb fresco, Rome, 4th century

She and Jesus stood together. Catacomb fresco, Rome, 4th century

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She and Jesus both stood. Tile from northern Africa, 5th century

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She and Jesus both stood. Bishop’s gold enkolpion from near Ancient Syria, 6th c.

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She and Jesus stood together. Constantinople, 550s

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Two Texts, Two Traditions

The text of John 4:27 in a 4th-century manuscript written in a dialect of Aramaic (old Syriac) says:

His disciples came and wondered that he was standing and talking with a woman.

Later manuscripts (and our modern bibles) do not say Jesus was standing with her. They only say:

His disciples came and wondered that he was talking with a woman.

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In the second tradition, she stood alone. Jesus sat, as if her master.

Saint Apollinaire Nuovo, Ravenna, 6th century

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She stood. Jesus sat. Coptic Egypt, 6th century

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His disciples came and wondered that he was standing and talking with a woman.

What a difference two words made.

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Art as Text

By Ally Kateusz

In honor of Mary Ann Beavis