The Vitruvian Man Leonardo da Vinci Humanism Pazzi Chapel, Florence, 1429-42 by Brunelleschi.

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Transcript of The Vitruvian Man Leonardo da Vinci Humanism Pazzi Chapel, Florence, 1429-42 by Brunelleschi.

Page 1: The Vitruvian Man Leonardo da Vinci Humanism Pazzi Chapel, Florence, 1429-42 by Brunelleschi.
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The Vitruvian ManLeonardo da Vinci

Humanism

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Pazzi Chapel, Florence, 1429-42 by Brunelleschi

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Pazzi Chapel, Florence, 1429-42 by Brunelleschi

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The Flagellation of Christ, Pierro della Francesca, c.

1455Oil and tempera on panel

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principal floor of a large house—contains the principal reception and bedrooms of the house

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Medici Palazzo

attic

piano nobile

basement

cornice

rusticated stone

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typical palazzo floor plan

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Pazzi Chapel, Florence, 1429-42 by Brunelleschi

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Palazzo Farnese

Rome, 1520-48by A. Sangallo & Michaelangelo.

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Palazzo Farnese, Rome, 1520-48, by A. Sangallo & Michaelangelo.

development of the enfilade

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Studiolo from the Ducal Palace in Gubbio, ca. 1479–82,

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intarsia—form of wood inlaying that is similar to marquetry

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Credenza (Cupboards)

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cassone (chest)

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Dante Chair

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Savonarola Chaircopied from an ancient Roman form in almost every

European country

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Casa Panca (Couch)

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Sgabello Chairs

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Pietre Dureusing small, exquisitely cut and fitted,

highly-polished colored stones to create what amounts to a painting in stone

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Michelangelo 1524, Laurentian Library, San Lorenzo, Florence

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Madonna w/ the Long Neck, Parmigianino

Italian Mannerism1525 - 1560

•an art style that focused on the human form, depicted in intricate poses and in exaggerated, not always realistic settings•term derived from the Italian word maniera, “style”•in architecture, takes all classical components and bends them to artist’s will—marked by widely diverging tendencies

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Palazzo del Te

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Room of the Giants,

Palazzo del Te

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Villa GiuliaRome, 1530s+

Vignola, Ammanati, Basari, et.al.

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loggia

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Villa Barbaro, Andrea Palladio,interior of the piano nobile is painted

with frescoes by Paolo Veronese

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Cloth of State

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Longleat Hall, 1568-80, by Robert Smythson, for Sir John Thynne

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Longleat Hall, interiors 1568-80, by Robert Smythson, for Sir John Thynne

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Hardwick Hall

Derbyshire, 1590-97, by Robert Smythson, for Elizabeth Shrewsbury.

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The Long Gallery at Hardwick

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The High Presence Chamber

tapestry

plaster

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Buffet with Cup and Cover motif

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Court Chest with strapwork detail

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Great Bed of Ware

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upholstered chair with Turkey work

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The Queen’s House, Greenwich, near London, 1616-35, by Inigo Jones.

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Tulip Staircase in The Queen’s House, Greenwich, near

London, 1616-35, by Inigo Jones