The visual elements of an image (english version)
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![Page 1: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/1.jpg)
THE VISUAL ELEMENTS
OFAN IMAGE
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LOOK CAREFULLY AT NEXT PICTURE AND DESCRIBE THE ELEMENTS THAT
YOU CAN SEE IN IT
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Write and draw in your paper the elements that you can see
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I can see a spider
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I can see a face
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A bird
¿
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He´s crying
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There are a lot of stars
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There are many things in a picture
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But…
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We are looking for the essential elements
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The smallest visual elements on plastic work
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Look for the essential elements
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Try it again.
Just the essential elements¡
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WHAT ARE
THESE ?
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A DOT
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A LINE
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A PLANE
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THE VISUAL
ELEMENTS OF
AN IMAGE
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THE VISUAL
ELEMENTS OF
AN IMAGE
DOT
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THE VISUAL
ELEMENTS OF
AN IMAGE LINE
DOT
![Page 36: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/36.jpg)
THE VISUAL
ELEMENTS OF
AN IMAGE LINE
DOT
![Page 37: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/37.jpg)
THE VISUAL
ELEMENTS
LINE
DOT
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THE VISUAL
ELEMENTS
LINE
But there are two other missing
visual elements
DOT
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But there are two other missing
visual elements
![Page 40: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/40.jpg)
But there are two other missing
visual elements
Can you imagine ¿
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Look at the screen
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The fourth element is the…
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COLOUR COLOUR
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And the last element in an image is…
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And the last element in an image is…
Look at the screen
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TEXTURE
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THE VISUAL
ELEMENTS
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THE VISUAL
ELEMENTS
DOT
![Page 72: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/72.jpg)
THE VISUAL
ELEMENTS LINE
DOT
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THE VISUAL
ELEMENTS LINE
DOT
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THE VISUAL
ELEMENTS LINE
DOT
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THE VISUAL
ELEMENTS LINE
DOT
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BASIC ELEMENTS OF PLASTIC EXPRESSIONS
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BASIC ELEMENTS OF PLASTIC EXPRESSIONS
All the images that we see represented are made of the basic elements of plastic
expression: the dot, the line, the plane, the colour and texture.
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BASIC ELEMENTS OF PLASTIC EXPRESSIONS
All the images that we see represented are made of the basic elements of plastic
expression: the dot, the line, the plane, the colour and texture.
These elements, isolated or combined, are a language in itself with specific rules. They allow
the author to transmit to other people ideas, sensations or feelings.
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BASIC ELEMENTS OF PLASTIC EXPRESSIONS
All the images that we see represented are made of the basic elements of plastic
expression: the dot, the line, the plane, the colour and texture.
These elements, isolated or combined, are a language in itself with specific rules. They allow
the author to transmit to other people ideas, sensations or feelings.
It is important to study the characteristic and fundamental rules of the plastic elements in order to express effectively our own plastic
language.
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THE DOT
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The dot is the smallest, simplest element in visual expression.
THE DOT
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Dots are normally round, but they can have different shapes according to their function. Dots used in visual expression
can have irregular surface and outline.
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A shape is a dot when it takes a very small part of the surface where we draw.
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If it is bigger than other shapes around, we consider it a plane.
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If it is bigger than other shapes around, we consider it a plane.
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A dot
If it is bigger than other shapes around, we consider it a plane.
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If it is bigger than other shapes around, we consider it a plane.
A dot
A plane
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Expressive capacity of the dot
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Expressive capacity of the dot
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Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.
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Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
![Page 100: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/100.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
![Page 101: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/101.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
![Page 102: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/102.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
![Page 103: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/103.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
![Page 104: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/104.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
![Page 105: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/105.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
![Page 106: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/106.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
concentration = dots are grouped
![Page 107: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/107.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
concentration = dots are grouped
![Page 108: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/108.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
concentration = dots are grouped
![Page 109: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/109.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
concentration = dots are grouped
![Page 110: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/110.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
concentration = dots are grouped
![Page 111: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/111.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
concentration = dots are grouped
![Page 112: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/112.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
concentration = dots are grouped
![Page 113: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/113.jpg)
Expressive capacity of the dotDots have an unlimited capacity to represent
images, ideas and emotions.For this reason, we use different visual effects like :
concentration = dots are grouped
dispersion = dots are at a distance
![Page 114: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/114.jpg)
Expressive capacity of the dot
![Page 115: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/115.jpg)
Expressive capacity of the dot
![Page 116: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/116.jpg)
Expressive capacity of the dot
Line made with dots
![Page 117: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/117.jpg)
Expressive capacity of the dot
concentration
Line made with dots
![Page 118: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/118.jpg)
Expressive capacity of the dot
concentration
dispersion
Line made with dots
![Page 119: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/119.jpg)
Expressive capacity of the dot
![Page 120: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/120.jpg)
![Page 121: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/121.jpg)
Dots also have a great attraction power.
It makes them very efficient as a composing element and as an indication sign.
![Page 122: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/122.jpg)
![Page 123: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/123.jpg)
![Page 124: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/124.jpg)
Three-dimensional capacity of the dotIf we vary appropriately sizes, shapes and colours of the dots, we can create visual sensations of spatial depth and volume.
![Page 125: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/125.jpg)
Three-dimensional capacity of the dotIf we vary appropriately sizes, shapes and colours of the dots, we can create visual sensations of spatial depth and volume.
![Page 126: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/126.jpg)
Three-dimensional capacity of the dotIf we vary appropriately sizes, shapes and colours of the dots, we can create visual sensations of spatial depth and volume.
![Page 127: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/127.jpg)
![Page 128: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/128.jpg)
![Page 129: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/129.jpg)
![Page 130: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/130.jpg)
![Page 131: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/131.jpg)
THE LINE
![Page 132: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/132.jpg)
THE LINE
![Page 133: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/133.jpg)
If we move our pencil in any direction, the result is a line. That is why we define line as a dot in motion.
THE LINE
![Page 134: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/134.jpg)
If we move our pencil in any direction, the result is a line. That is why we define line as a dot in motion.
THE LINE
A DOT IN MOTION
![Page 135: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/135.jpg)
If we move our pencil in any direction, the result is a line. That is why we define line as a dot in motion.
THE LINE
A DOT IN MOTION
![Page 136: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/136.jpg)
If we move our pencil in any direction, the result is a line. That is why we define line as a dot in motion.
THE LINE
A DOT IN MOTION
![Page 137: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/137.jpg)
If we move our pencil in any direction, the result is a line. That is why we define line as a dot in motion.
THE LINE
A DOT IN MOTION
![Page 138: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/138.jpg)
If we move our pencil in any direction, the result is a line. That is why we define line as a dot in motion.
THE LINE
A DOT IN MOTION
![Page 139: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/139.jpg)
If we move our pencil in any direction, the result is a line. That is why we define line as a dot in motion.
THE LINE
A DOT IN MOTION
![Page 140: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/140.jpg)
THE LINE
![Page 141: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/141.jpg)
THE LINELines have a position and a direction in space…
![Page 142: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/142.jpg)
THE LINELines have a position and a direction in space…
![Page 143: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/143.jpg)
THE LINELines have a position and a direction in space…
![Page 144: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/144.jpg)
THE LINELines have a position and a direction in space…
![Page 145: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/145.jpg)
THE LINELines have a position and a direction in space…
![Page 146: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/146.jpg)
THE LINELines have a position and a direction in space…
…and one of their functions is to delimitate the outline of shapes.
![Page 147: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/147.jpg)
THE LINELines have a position and a direction in space…
…and one of their functions is to delimitate the outline of shapes.
![Page 148: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/148.jpg)
THE LINELines have a position and a direction in space…
…and one of their functions is to delimitate the outline of shapes.
![Page 149: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/149.jpg)
THE LINELines have a position and a direction in space…
…and one of their functions is to delimitate the outline of shapes.
For this reason and for its expressive possibilities, it is very suitable to describe accurately any shape and to transmit ideas
and emotions.
![Page 150: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/150.jpg)
THE LINE
![Page 151: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/151.jpg)
THE LINE
![Page 152: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/152.jpg)
THE LINEThe shape, thickness,
colour and texture of the lines depend on the
materials we use and the way we use them. These structural features have different functions and allow the artist to create
different visual sensations such as depth,
balance, strength, smoothness, etc.
![Page 153: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/153.jpg)
THE LINEThe shape, thickness,
colour and texture of the lines depend on the
materials we use and the way we use them. These structural features have different functions and allow the artist to create
different visual sensations such as depth,
balance, strength, smoothness, etc.
![Page 154: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/154.jpg)
THE LINEThe shape, thickness,
colour and texture of the lines depend on the
materials we use and the way we use them. These structural features have different functions and allow the artist to create
different visual sensations such as depth,
balance, strength, smoothness, etc.
![Page 155: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/155.jpg)
THE LINEThe shape, thickness,
colour and texture of the lines depend on the
materials we use and the way we use them. These structural features have different functions and allow the artist to create
different visual sensations such as depth,
balance, strength, smoothness, etc.
![Page 156: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/156.jpg)
THE LINEThe shape, thickness,
colour and texture of the lines depend on the
materials we use and the way we use them. These structural features have different functions and allow the artist to create
different visual sensations such as depth,
balance, strength, smoothness, etc.
![Page 157: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/157.jpg)
![Page 158: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/158.jpg)
The structural differences of lines make them expressively rich.
![Page 159: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/159.jpg)
The structural differences of lines make them expressively rich.
Observe the different aspects of the lines drawn with a pencil, with a pen, with markers and with a paintbrush.
![Page 160: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/160.jpg)
The structural differences of lines make them expressively rich.
Observe the different aspects of the lines drawn with a pencil, with a pen, with markers and with a paintbrush.
![Page 161: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/161.jpg)
The structural differences of lines make them expressively rich.
Observe the different aspects of the lines drawn with a pencil, with a pen, with markers and with a paintbrush.
![Page 162: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/162.jpg)
The structural differences of lines make them expressively rich.
Observe the different aspects of the lines drawn with a pencil, with a pen, with markers and with a paintbrush.
![Page 163: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/163.jpg)
The structural differences of lines make them expressively rich.
Observe the different aspects of the lines drawn with a pencil, with a pen, with markers and with a paintbrush.
![Page 164: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/164.jpg)
![Page 165: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/165.jpg)
CLASSIFYING LINES
![Page 166: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/166.jpg)
CLASSIFYING LINES According to their structure, lines can be classified in:
![Page 167: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/167.jpg)
CLASSIFYING LINES According to their structure, lines can be classified in:
Simple lines
![Page 168: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/168.jpg)
CLASSIFYING LINES According to their structure, lines can be classified in:
Simple lines
Composed lines
![Page 169: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/169.jpg)
CLASSIFYING LINES According to their structure, lines can be classified in:
Simple lines are made in just one stroke, straight or curve. They are perceived at just one look.
Composed lines
![Page 170: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/170.jpg)
CLASSIFYING LINES According to their structure, lines can be classified in:
Simple lines are made in just one stroke, straight or curve. They are perceived at just one look.
Composed lines
![Page 171: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/171.jpg)
CLASSIFYING LINES According to their structure, lines can be classified in:
Simple lines are made in just one stroke, straight or curve. They are perceived at just one look.
Composed lines are made of fragments of two or more straight or curve lines. To fully visualize them, we must turn our sight in different directions. These lines can also be broken, undulating or mixed.
![Page 172: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/172.jpg)
CLASSIFYING LINES According to their structure, lines can be classified in:
Simple lines are made in just one stroke, straight or curve. They are perceived at just one look.
Composed lines are made of fragments of two or more straight or curve lines. To fully visualize them, we must turn our sight in different directions. These lines can also be broken, undulating or mixed.
We make broken lines with fragments of straight
lines
![Page 173: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/173.jpg)
CLASSIFYING LINES According to their structure, lines can be classified in:
Simple lines are made in just one stroke, straight or curve. They are perceived at just one look.
Composed lines are made of fragments of two or more straight or curve lines. To fully visualize them, we must turn our sight in different directions. These lines can also be broken, undulating or mixed.
We make broken lines with fragments of straight
lines
![Page 174: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/174.jpg)
CLASSIFYING LINES According to their structure, lines can be classified in:
Simple lines are made in just one stroke, straight or curve. They are perceived at just one look.
Composed lines are made of fragments of two or more straight or curve lines. To fully visualize them, we must turn our sight in different directions. These lines can also be broken, undulating or mixed.
We make broken lines with fragments of straight
lines
We make undulating lines with fragments of curve
lines.
![Page 175: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/175.jpg)
CLASSIFYING LINES According to their structure, lines can be classified in:
Simple lines are made in just one stroke, straight or curve. They are perceived at just one look.
Composed lines are made of fragments of two or more straight or curve lines. To fully visualize them, we must turn our sight in different directions. These lines can also be broken, undulating or mixed.
We make broken lines with fragments of straight
lines
We make undulating lines with fragments of curve
lines.
![Page 176: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/176.jpg)
CLASSIFYING LINES According to their structure, lines can be classified in:
Simple lines are made in just one stroke, straight or curve. They are perceived at just one look.
Composed lines are made of fragments of two or more straight or curve lines. To fully visualize them, we must turn our sight in different directions. These lines can also be broken, undulating or mixed.
We make broken lines with fragments of straight
lines
We make undulating lines with fragments of curve
lines.
We make mixed lines with fragments of straight
and curve lines.
![Page 177: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/177.jpg)
CLASSIFYING LINES According to their structure, lines can be classified in:
Simple lines are made in just one stroke, straight or curve. They are perceived at just one look.
Composed lines are made of fragments of two or more straight or curve lines. To fully visualize them, we must turn our sight in different directions. These lines can also be broken, undulating or mixed.
We make broken lines with fragments of straight
lines
We make undulating lines with fragments of curve
lines.
We make mixed lines with fragments of straight
and curve lines.
![Page 178: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/178.jpg)
![Page 179: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/179.jpg)
EXPRESSIVE POSSIBILITIES OF LINES
![Page 180: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/180.jpg)
EXPRESSIVE POSSIBILITIES OF LINESWe can draw lines in different directions:
![Page 181: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/181.jpg)
EXPRESSIVE POSSIBILITIES OF LINESWe can draw lines in different directions: vertical,
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EXPRESSIVE POSSIBILITIES OF LINESWe can draw lines in different directions: vertical, horizontal
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EXPRESSIVE POSSIBILITIES OF LINESWe can draw lines in different directions: vertical, horizontal, oblique
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EXPRESSIVE POSSIBILITIES OF LINESWe can draw lines in different directions: vertical, horizontal, oblique or curve.
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EXPRESSIVE POSSIBILITIES OF LINESWe can draw lines in different directions: vertical, horizontal, oblique or curve.
Each of them has a different expressive value.
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EXPRESSIVE POSSIBILITIES OF LINES
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EXPRESSIVE POSSIBILITIES OF LINES
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EXPRESSIVE POSSIBILITIES OF LINES
Vertical lines:
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EXPRESSIVE POSSIBILITIES OF LINES
Vertical lines:
transmits an upward or a downward movement, depending on how we use them.
It gives us a visual sensation of growing, balance and power.
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growing
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balance
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power
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growing
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growing
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growing balance
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growing balance
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growing balance power
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growing balance power
strong
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EXPRESSIVE POSSIBILITIES OF LINES
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EXPRESSIVE POSSIBILITIES OF LINES
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EXPRESSIVE POSSIBILITIES OF LINES
Horizontal lines:
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EXPRESSIVE POSSIBILITIES OF LINES
Horizontal lines:
horizontal direction gives a visual sensation of stability, calm and serenity, but an excessive use can give a dull effect.
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stability
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calm
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serenity
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Stability
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Stability
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Stability
Calm
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Stability
Calm
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Stability
Calm
Serenity
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EXPRESSIVE POSSIBILITIES OF LINES
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EXPRESSIVE POSSIBILITIES OF LINES
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EXPRESSIVE POSSIBILITIES OF LINES
Obliques lines :
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EXPRESSIVE POSSIBILITIES OF LINES
Obliques lines :
transmit more instability and movement. These
two aspects give slanting lines a visual
sensation of dynamism.
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instability
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movement
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dyna
mism
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Instability
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Instability
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Instability movement
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Instability movement
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Instability movement dynamism
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EXPRESSIVE POSSIBILITIES OF LINES
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EXPRESSIVE POSSIBILITIES OF LINES
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EXPRESSIVE POSSIBILITIES OF LINES
Curve lines :
![Page 243: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/243.jpg)
EXPRESSIVE POSSIBILITIES OF LINES
Curve lines :
Transmit a visual sensation of
movement and joy.
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movement
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joy
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THE PLANE
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THE PLANE
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A plane is a two-dimension surface, length and width, and it has a position and a direction in space.
THE PLANE
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THE PLANE
This plane is delimitated by an contour line. This plane is delimitated by an contour line
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THE PLANEThere are several ways to describe the limits of a plane: This plane is delimitated by an contour line. This plane is delimitated by an contour line
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THE PLANEThere are several ways to describe the limits of a plane:
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THE PLANEThere are several ways to describe the limits of a plane:
This plane is delimitated by an outline
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THE PLANEThere are several ways to describe the limits of a plane:
This plane is delimitated by an outline
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THE PLANEThere are several ways to describe the limits of a plane:
This plane is delimitated by an outline
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THE PLANEThere are several ways to describe the limits of a plane:
This plane is delimitated by an outline
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THE PLANEThere are several ways to describe the limits of a plane:
This plane is delimitated by an outline
![Page 259: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/259.jpg)
There are several ways to describe the limits of a plane: This plane is delimitated by an contour line.
THE PLANE
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There are several ways to describe the limits of a plane: THE PLANE
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There are several ways to describe the limits of a plane: THE PLANE
The surface of this plane is defined by very little
dots...
![Page 262: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/262.jpg)
There are several ways to describe the limits of a plane: This plane is delimitated by an contour line.
THE PLANE
The surface of this plane is defined by very little
dots...
or by a texture
![Page 263: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/263.jpg)
There are several ways to describe the limits of a plane: The surface of this plane is defined by very little
dots...
or by a texture
or by lines
THE PLANE
![Page 264: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/264.jpg)
There are several ways to describe the limits of a plane: This plane is delimitated by an contour line.
THE PLANE
![Page 265: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/265.jpg)
There are several ways to describe the limits of a plane: This plane is delimitated by an contour line.
To define this plane, we use a coloured surface
THE PLANE
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CLASSIFYING PLANE FORMS
This plane is delimitated by an contour line.
THE PLANE
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CLASSIFYING PLANE FORMS
This plane is delimitated by an contour line.
THE PLANEWe have two types:
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CLASSIFYING PLANE FORMS
This plane is delimitated by an contour line.
THE PLANEWe have two types:
Geometric: they can transmit strong visual sensations of order and stability.
Organic: They give a visual sensation of more dynamism than geometric forms.
![Page 269: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/269.jpg)
CLASSIFYING PLANE FORMS
This plane is delimitated by an contour line.
THE PLANEWe have two types:
Geometric: they can transmit strong visual sensations of order and stability.
Organic: They give a visual sensation of more dynamism than geometric forms.
![Page 270: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/270.jpg)
CLASSIFYING PLANE FORMS
This plane is delimitated by an contour line.
THE PLANEWe have two types:
Geometric: they can transmit strong visual sensations of order and stability.
Organic: They give a visual sensation of more dynamism than geometric forms.
![Page 271: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/271.jpg)
CLASSIFYING PLANE FORMS
This plane is delimitated by an contour line.
THE PLANEWe have two types:
Geometric: they can transmit strong visual sensations of order and stability.
Organic: They give a visual sensation of more dynamism than geometric forms.
![Page 272: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/272.jpg)
This plane is delimitated by an contour line. One of the main functions of plane forms is to create
volume when they are together with other plane forms in different directions.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
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This plane is delimitated by an contour line. One of the main functions of plane forms is to create
volume when they are together with other plane forms in different directions.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
![Page 274: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/274.jpg)
This plane is delimitated by an contour line. One of the main functions of plane forms is to create
volume when they are together with other plane forms in different directions.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
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This plane is delimitated by an contour line. One of the main functions of plane forms is to create
volume when they are together with other plane forms in different directions.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
![Page 276: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/276.jpg)
This plane is delimitated by an contour line. One of the main functions of plane forms is to create
volume when they are together with other plane forms in different directions.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
![Page 277: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/277.jpg)
This plane is delimitated by an contour line. One of the main functions of plane forms is to create
volume when they are together with other plane forms in different directions.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
Observe: if we join planes in different directions, we get a visual sensation of volume.
Other plastic elements such as changes in colour and size
contribute to this.
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THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
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This plane is delimitated by an contour line.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
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This plane is delimitated by an contour line.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
Volume has three dimensions:
![Page 281: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/281.jpg)
This plane is delimitated by an contour line.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
Volume has three dimensions: length
![Page 282: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/282.jpg)
This plane is delimitated by an contour line.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
Volume has three dimensions: length
![Page 283: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/283.jpg)
This plane is delimitated by an contour line.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
Volume has three dimensions: length, width
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This plane is delimitated by an contour line.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
Volume has three dimensions: length, width
![Page 285: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/285.jpg)
This plane is delimitated by an contour line.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
Volume has three dimensions: length, width and depth
![Page 286: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/286.jpg)
This plane is delimitated by an contour line.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
Volume has three dimensions: length, width and depth
![Page 287: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/287.jpg)
This plane is delimitated by an contour line.
THREE-DIMENSIONAL POSSIBILITIES OF THE PLANE THE PLANE
Volume has three dimensions: length, width and depth
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The plane is most suitable to transmit visual sensations such as volume, chiaroscuro, depth, etc. These qualities make of it a fundamental part for the elaboration of artistic work in any
of their means of expression.
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THE PLANE EXPRESSIVE CAPACITY OF PLANE FORMS
The plane is the plastic element that receives the action of all the other elements, because we can work on it with dot, lines, colours and textures. That is why it has such a great power of expression.
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THE PLANEEXPRESSIVE CAPACITY OF PLANE FORMS
The plane is the plastic element that receives the action of all the other elements, because we can work on it with dot, lines, colours and textures. That is why it has such a great power of expression.
![Page 336: The visual elements of an image (english version)](https://reader038.fdocuments.us/reader038/viewer/2022102318/54b9fe664a79599f1b8b45e9/html5/thumbnails/336.jpg)
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THE TEXTURE
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THE TEXTURETexture is the quality of surfaces due to the material structure of
the object. It can transmit different visual and tactile
sensations.
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We can distinguish
flatTEXTURE
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We can distinguish
flatTEXTURE
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We can distinguish
flatTEXTURE
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We can distinguish
FLATTEXTURE
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We can distinguish
FLATTEXTURE
smooth
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We can distinguish
FLATTEXTURE
smooth
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We can distinguish
FLATTEXTURE
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We can distinguish
FLATTEXTURE
granulated
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We can distinguish
FLATTEXTURE
granulated
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We can distinguish
FLATTEXTURE
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We can distinguish
FLATTEXTURE
rough
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We can distinguish
FLATTEXTURE
rough
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the surface of silk is flat and smooth
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the surface of the bark of a tree is rough and ridged
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Artists use textures as
another plastic
element to reach more expressivity
in their works
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NATURAL AND ARTIFICIAL TEXTURES
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NATURAL AND ARTIFICIAL TEXTURESAccording to their origin we can classify textures into:
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NATURAL AND ARTIFICIAL TEXTURESAccording to their origin we can classify textures into:
Natural textures
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NATURAL AND ARTIFICIAL TEXTURESAccording to their origin we can classify textures into:
Natural textures
Artificial textures
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NATURAL AND ARTIFICIAL TEXTURES
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NATURAL AND ARTIFICIAL TEXTURESNatural textures: those present in nature.
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NATURAL AND ARTIFICIAL TEXTURESArtificial textures: those manually or mechanically elaborated by man.
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TACTILE
TEXTURES
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We can perceive them through the sense of
touch. In plastic representation -
painting or sculpture-, we can perceive a lot
of tactile effects combining different materials or making
surfaces with the relief we want.
TACTILE
TEXTURES
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VISUAL TEXTURES
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VISUAL TEXTURES
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VISUAL TEXTURES
We perceive visual textures only with our
sight. We also call them graphic textures, because they are photographs or
representations on paper or on other materials.