The Theater Does Not Exist That Life
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Transcript of The Theater Does Not Exist That Life
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8/3/2019 The Theater Does Not Exist That Life
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The theater does not exist that life
She cries
At her side he does not notice it
She cries
He does not notice it
She cries from the beginning touched by the fragility of this man
She cries upset by what it is made enduring to this being on the border line in front of her
She's crying now because nurses treat him like that
Sitting next he did not see her
Because he is also upset
Because the nurses treat him like that like that yes like that how
The theater does not exist any more
That life
Thus she cries for what the nurses impose to him for her a victim now not an actor no more an
actor
After she says to him after the representation
She says to him he was not nasty
For her right away he was only a helpless being as a child at night
The theater does not exist any more
That life
What exists it is this
What this
This This terrible way of treating the others the other-livings to treat them as
As what
As if they were not human beings tres humains seres humanos
As animals machines to repair your machine has broken down you understand you understand
you cannot understand you cannot you are irresponsible
Theater does not exist
That life
What exists this is that it is that
What
That
This scene in this theater incredibly violent
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What is this scene
That's this a human Being a ser humano an tre humain a man not a puppet a being who has just
crossed the line
That just relive this event in his life
This crossing of the line the crossing of the gate of the subway in pursuit of this young woman that
he attacks that he attacks
You can not use other words in other times it would have been her fault not to him in short
Why was she wearing garters
She cries by the fact that the nurses not the actresses the nurses make him undergo at his turn
An aggression terrible
As him
Without wanting to hurt him
As him
In all innocence
The theater does not exist
That life
We are again in the fifth floor of the theater of Nice in the rehearsal room where these nurses the
actresses of the play come just to lead us
Now they are doing to undergo to Paul In the fetishist this terrible ordeal of this inconceivably
violence
The theater does not exist
That life
To Paul not a puppet to Paul the fetishist who just tell them in a hilarious way in a his hilarious
his misadventure in the subway in pursuit of this young woman because he glimpsed that she had a
garter belt from whom he demanded and got the garter that he returns it triumphantly to his wife
says he who does not understand who cries
This story so excited him that nurses believe that there is only by this means
What means
This means that fire hose to calm him To put out this exaltation
She cries at his side he does not see her because he is upset by this means used
The theater does not exist
That life
In front of them not this enlightened well of " the connoisseur " but a ditch a corridor a ditch that
of Kolyma of Auschwitz Of Rodez a ditch a corridor a corridor that of the infirmary of the labor
camp of the kolyma Of the extermination camp of Auschwitz of the camp of slow death of the
asylum of Rodez Of the asylum of Rodez where Artaud starves with all the other-livings those who
go too fast who cross the line of border the border line the border between what and what
between life and life
He has always been afraid of the body him
Paul the fetishist
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It is true the naked body has an aura a mystery the naked body in its nudity is so fragile the
naked body of the woman which we like who sleeps that we discover to the bends of a dream in
the light let us have not fear of clichs in the light of the moon so abandoned so helpless so
deprived so beautiful in its fragile nudity which palpitates
Him
The fetishist he is afraid of it in fact he does not know it but he likes it this bodyHe believes he loves clothes he believes the body is only a clothes-stand a coat stand
So why bras panties garters fascinate him why he does not like the clothes of men which do him
faint he says
Because he loves women veiled women veiled by a hat veil
He would have been happy at the end of the nineteenth century at that time impossible to see not
even one inch of the skin of a woman he came too late in the twentieth century where the clothing
of women has the same function always to stimulate the dreams of the female body to men and
also to hide enough either completely this terrible fragility of these bodies when they are
completely nakedShe cries he does not see
She will tell him after the end
The end of what
From the representation of "the fetishist"
This deeply moving fragility of the naked body which the nurse reveals when she washes him
At the instant it is no more than a helpless child Paul
Tap tap tap tap
Here is it starts
Tap tap tap
This is the sound of heels the sound of heels down the hall of the infirmary of the Kolyma of
Auschwitz of the asylum of Rodez
Tap tap tap
Throughout the performance there will be this tap tap tap before us but also behind us when the
nurse moves from side courtyard to side garden to enter by one side or the other
Tap tap tap
As soon as he hears it Paul the fetishist in his asylum the man who loves women in clothes inunderwear this tap tap tap he shrinks he curls up frightened when he hears her
She
The nurse very professional very straight very nursing nurse he is no more than that
That what
That which should be treated by this nurse
This man lapsed into one's second chilhood
Tap tap tap
The sound of heels of all the heels of all the prisons all the asylums all the camps
Tap tap tap
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Where are you taking me where are you taking me
Tap tap tap
The sound of heels
Tap tap tap
The theater does not existThat life
Where are you taking me where are you taking me
Tap tap tap
The sound of the heels of all the prisons all the asylums all the camps t
Tap tap tap
The life one hour
The life a whole life within one hour
Tap tap tap
The theater is the poetry of the space thus of time thus of life
Tap tap tap
The theater of the life within one hour
Tap tap tap
The theater does not exist
That life
Tap tap tap Tap tap tap Tap tap tap tap tap