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The Sweetest Haven by Adam Henein & Bahaa
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Transcript of The Sweetest Haven by Adam Henein & Bahaa
Since that revealing moment during childhood when he lied down in a garden with his face touching the grass, Adam Henein (1929), the Arab worldโs most prominent living sculptor, has never ceased to observe, dissect, and explore Mother Nature. Seemingly eager to escape from man-made matters, a part of Henein found comfort and peace in an underground-inhabited universe that silently exists parallel to the more apparent and contrived world. Heneinโs percep-tion of reality was challenged once more, when as a pupil at the Tawfiq Primary School; he was introduced to ancient Egyptian art during a history class fieldtrip to the Egyptian Museum of Antiqui-ties. โI went crazy as soon as I stepped inโ recounts Henein, adding โsuddenly I was discovering another world and I didnโt know if this was reality or imaginationโ. The two worlds, Mother Nature and an-cient Egyptian art, would shape and have a significant influence on Adam Henein, his art and prolific international career. To transcribe the secrets of the Art of the Valley, Henein chose sculpture as his primary medium. In contrast, painting, according to Henein, would be the means to tell the story of Mother Nature and its relation with Man. But painting would also be the means to make ends meet,
By Fatenn Mostafa
โI lay observing fine plants under the warm sunshine. I see roots penetrate the surface of the earth. Small leaves rise towards the light in unlimited shapes and small insects look like sparkling jewelry. You are in a
world that has its own laws and how beautiful it is to discover some of these laws. It is a world where fiction combines with reality and it is impossible to separate them.โ
Adam Henein, excerpt from Botanical Meditations, 2013
when as a mid-career Egyptian sculptor, Henein moved to Europe โto learn everything about artโ in 1972. Together with his late wife, Afaf, he stayed in Paris for 25 years until 1996 and produced a large number of paintings.
Best known for his sculptural works such as Fatma (1953), Cat (1961) or the legendary Om Kolthoum (2003), one could be tempted to break down Heneinโs artistic oeuvre into periods. But in essence, form manifests itself as his foremost preoccupation. Henein goes through phases where he extensively experiments one particular technique or media, proceeds to something new and yet consistently revisits the former again. In one of his rare recent interviews, Henein is quoted as saying, โwhat I am producing now looks a lot like what I was producing then. It is an itinerary pursued along a single road, which I took right from the outset and from which I never strayed.โ
In โThe Sweetest Havenโ, 87-year old internationally acclaimed Adam Henein returns to painting with six new works produced in Harrani-yya between 2015 and 2016. This time, however, he choses to ex-
plore the use of egg-based tempera, a painting technique found on early Egyptian sarcophagi decorations and many of the still existing Fayoum mummy portraits dating as far back as the 1st centuries AD. Throughout his career, Henein has repeatedly reminded us of his love for Egypt with its fascinating ancient civilization and its un-paralleled legacy with abstraction (Islamic art) before it opened up to the Western art experiment starting the 18th century. True to his commitment to Modernity, Henein constructs works that are sparse and minimalist, yet are striking because of the contrast between viv-id and rich colors and space and perspective. With comparatively large color blocks, the work glimpses on forms found in both nature and ancient Egyptian art and produces impressive geometric Su-prematist effect to render softness and rawness at the same time. In Samraa, Mabrouk, Le Saint Esprit and La Troisiรจme รtoile, the four painted on linen canvas on wood, Henein depicts abstract human figures subtly blending with the earth and the sky as if they were one entity. At times they could suggest the life-force in nature itself, at others they could evoke manโs entrapment - in the body, in the anxious mind, and in the newly frightening modern world. โMother Natureโ is a kind of capricious goddess who wreaks havoc through-out the earth, but she is also the female figure behind every creation. And hence, Henein concludes with a lone reclining naked woman, El-Mahroussa (La Protรฉgรฉe), his most recent addition to a fascinat-ing nude series, which he began to produce in the 1980s and which represents one of the most original bodies of work. El-mahroussa, which literally means the protected, is the popular name commonly used to designate Egypt. It is also Egyptโs famous royal yacht built at the order of Khedive Ismail Pasha to be the first boat to cross the Suez Canal during its inauguration in 1869. Ironically, El-Mahrousa carried three Egyptian rulers to their exile abroad, namely Khedive Ismail, Khedive Abbas II and King Farouk I, along with his son, Fouad II, the last ruling members of the Mohamed Ali dynasty. Heneinโs fas-cination with boats is well known, so is his unequivocal attachment to his homeland. And yet, it seems that El Mahroussa is the first of its kind, as it directly names Egypt and depicts the V shape of the Nile flowing along the body contour of the woman. It is as though Henein seeks to make a statement. If anything, he is sending us the message that details are never interesting, and that we should rather look at the bigger transcendental picture and lifeโs barest essentials. In one of his travel sketchbooks on display at his eponymous museum, one reads, โThis is a story of a black line and a red line and how they met and what happened between themโ.
In โThe Sweetest Havenโ, Adam Henein chose to exhibit with 39-year old surrealist painter Bahaa Amer. Where there is flux, Bahaa
searches for continuity in that together with Henein, he has found a haven, a place of safety or refuge, in Mother Nature. More importantly perhaps, both artists are committed to contribute to the preservation of ancient Egyptian heritage. In 1990, Henein led the restoration of the Giza Sphinx. Throughout the past decade and parallel to painting, Bahaa has taught restoration and developed conservation plans for archaeological sites such as Isis Temple in Luxor and the ceiling of the Coptic Museum in Cairo. Working out of Luxor or in Harraniyya with Adam in the museum, Bahaa seeks to express the self in the face of the world and his world resembles an animated ancient relief or a modern puppet theater. Deformed human figures, animals and insects float, stand on the earth or sail over a sea, interlaced into a complex web. Movement through space and time seems to occupy Bahaa as though he is waiting for an imminent departure or a return. Yet, he appears to be rooted, as he faces obstacles to respond to the shifting tide. Different from Henein who prioritizes form but similar in his firm reference to ancient Egyptian art and culture, Bahaa expos-es the perks of being young in todayโs shifting sociopolitical climate in Egypt and builds on his extensive knowledge of the fundamental myths and beliefs of his past ancestors to recount present day prob-lems. Migration, romance, livelihood and the afterlife feature as ele-ments of hope and challenges. In The Northern Night Sky, a reference to the belief that the former rulers of ancient Egypt lived in the sacred and heavenly North after their death, three figures seek to find bal-
ance as they stand on a gigantic animal that re-sembles the iconic medieval sculpture, She-wolf, suckling Remus and Romulus. In The Hunting Chase, a heroic act exercised by the ruler and a basic livelihood means for the people in Dynas-tic Egypt, a main figure, arms wide open, stands tall on a boat-like object that seems to have just crossed through a block of stone coming out of the sea. In Bird From The South, a reference to Upper Egypt where the capital of Egypt was locat-ed during the period of the New Kingdom, a mas-sive crow stands on a tree, with sparse leaves, staring at its prey coming out of a boat-shaped pot. The tree floats on a sea and there is no sight of a border. Dreaming the possibility of a better life, Bahaa mixes surrealism and abstraction and plays with soft and sharp lines to create a poetic atmosphere that eventually replaces despair with hope.
Though their aesthetic rendering of Mother Na-ture as a haven is in stark contrast โ with Henein offering abstract blocks of hope and Bahaa rep-resenting elements of the universe as an integral part of the psychological torment of the youth โ both allowed the imagination to turn things up-side down. Mother Nature was the starting point, the common sanctuary between both artists. But one of the most intriguing words in the scriptures is also Egypt, which served as a place of refuge in the Bible to Abraham and Jesus and which was mentioned four times, more than any other, in the Quran. Egypt and Mother Nature intertwine fluidly in โThe Sweetest Havenโ and appear as symbols of spiritual bondage. Both Adam Henein and Ba-haa seek refuge somewhere else and invite us to think about how we understand our identity as โstrangersโ in relation to the โbiggerโ world, where Egypt and Mother Nature are cemented as โThe Sweetest of Havensโ.
Born in 1929, Adam Henein grew up into a family of silversmiths from Asyut and lived in the neighborhood of Bab al-Shaariyya. He received a degree in sculpture from the School of Fine Arts in Cairo in 1953. After graduating, he received a two-year grant to stay in Thebes at the Luxor Atelier, established in 1941 by the Alexandrian painter and diplomat Mohamed Naghi (1888 - 1956) to promote the study of an-cient Egyptian art as part of the curriculum of art schools in Egypt. There, Henein studied pharaonic tombs and witnessed daily life in Upper Egypt. In 1996, he established the annual Aswan Internation-al Sculpture Symposium (AISS) in Aswan; a city that since Antiqui-ty has been famous for its granite quarries and in 2014, he founded his eponymous museum in Harraniyya, housing over 4000 works. A modernist artist of international note, Heneinโs work is part of the founding collection of Mathaf: Arab Museum of Modern Art in Doha
and his large-scale sculpture The Ship, conceived as a metaphorical alternative to the museum space, is permanently installed in the mu-seumโs piazza. He was awarded the State Award for the Arts in 1998 and the Mubarak Prize in 2004.
Born in Gharbiah Governorate, north of Egypt, in 1977, Bahaa Amer received an MA in Restoration Painting from Cairo University in 2010. His thesis focused on the โBio Deterioration of oil paintings and meth-od treatments and conservation applied on Khedive Ismail Pasha paintingโ. He holds a Bachelor of Art Education from Helwan Univer-sity (2005) and a degree in Art Criticism from the Fine Arts Faculty in Cairo (2005). Bahaa participated in over 35 group exhibitions, locally and internationally. Bahaa works and lives in Cairo.
ุฃู ูู ููุง ูููููู ุจุงููุณููุจุฉ ูููู ุงูุฑุณููู ู ุนู ููู ุฃุจุญููุงุซ ูุฃููููุงุฑ ูููุญููุชุ ููุฑุณููุงู ููู ุตูููุฑ ุฏููููู ุฐูููู ุฃูููู ุฅู ููููุช ูุฐูููู ูุนูููู ุฃู ุฃุจุญููุซ ูููู ู ุซูููุฑุงุช ุงุฎููููุงู ูู ูููุงุฏ ูุจูููุงุก ุงููุนููู ุงูููููุฑู ูุงููููููุ ุจุงููุณููุจุฉ ุฅูููู ูุงู ููุณููููู ูุงุฃูุฏุจ ุจุงูุชุฃููููุฏ ุนููุงูููุงู ุฑุฆูุณูููุงู ูููู ุฐููููุ ููููู ููููููู ุฅู ุงูููููุงู ุงู ูุจููุฏุน ุชุชุดูููู ูุฏูููู ุฑุคูููุฉ ุนู ููููุฉ ูุงูุชููู ู ูุณููุชูุง ูููู ุงูุชู ููุงุณ ู ููุน ุฌุชุฑุจููุฉ ุขุฏู ุญูููู ู ููู ุฎููุงู ุจูููุงุก ุนุฑูููุถ ููุซูุงูููุฉ ู ููู ู ูุงูููููุง ูู ุตุงุฏุฑูููุง ูู ูุงุจุนูููุง ุงู ูุชุนููุฏุฏุฉุ ูุงูุชููู ุชุชุฌูููู ูููู ู ุตุฏุฑูู ุฃุณุงุณููููุ ู ุตููุฏุฑ ูููููุ ููุนูููู ูู ู ููุง ูุชุนูููู ุจุงููููููู ูููููุงุ ูู ุตููุฏุฑ ู ุนุฑููููุ ููุง ููู ุตููุฏุฑ ูููุฏ ุจู ููู ุชุน ููุน ูุงูุช ููู ุฃุฑุถ ุงููุงู ููุงุฑู ุงุฅููุณููุงููุฉ ุงู ูุนุงุดููุฉ ุนู ููู ุงู ูุน ูู ูุงูููููู ูููู ุตูุงุบุงุชููู ุงุฅูุจุฏุงุนูููุฉ ุงูุชุฑุงูู ูููุฉ ู ููุน ุงูุชุงุฑูููุฎ ูุงุฅูุฑุซ ุงุญูุถููุงุฑู ููุจุดููุฑูุฉ ุฌู ุนููุงุก. ูููููุฏ ูุงูููุช ุฑุณูููู ุขุฏู ุญูููู ูุฑุจุงุนูููุงุช ุตููุงุญ ุฌุงูููู ู ููู ุชูููู ุงู ูุซูููุฑุงุช ุงุฃูููููู ุงูุชููู ู ูุณููุชูุง ูููู ุงูุชุนุงุทููู ู ููุน ุฅุจููุฏุงุน ุขุฏู ุญูููู ูุงูุชููู ุชุฑุณููุฎุช ูููู ุฐุงูุฑุชูููุ ูุงูุชููู ุฃุญุณููุจูุง ููุณููุช ุชุฑุฌู ููุฉ ุจุตุฑูููุฉ ูุฑุจุงุนูููุงุช ุฌุงููููุ ูุจูููุฏุฑ ู ููุง ุฃุฎููุฑุฌ ุฌุงูููู ุนุงู ูููู ูููู ู ุฑุจุนุงุชููู ู ููู ู ูุฑุฏุงุชููู ูู ุนุฌู ููู ุงูุดููุนุฑู ุงูุบุฒูููุฑ ุฃุฎููุฑุฌ ุขุฏู ุญูููู ุนุงู ูููู ุจููููุณ ุงูุนุจูุฑูููุฉ ูุงูุบููุฒุงุฑุฉุ ู ุชูุงุฒูููุง ู ููุน ุฐูููู ุงูุนุงูููู ุงููุฑูููุฏุ ูุชูููู ุงุฃูุญุจููุงุฑ ุงุณููุชุทุงุนุช ุฃู ุชุณููุชูุฑ ูููู ูุฌุฏุงูููู ููุนูููู ุงุฌูู ุงูููู ูุงูุจุตููุฑูุ
ุฑู ุจููุง ุธูููุฑ ุฃุซููุฑู ูููู ุจุนููุถ ุฃุนู ุงูููู ุงู ูุจูููุฑุฉ.
ูููููู ุขุฏู ุญูููู ยปุฃุชุตูููุฑ ุฃู ุซู ููุฉ ุฅููุงุนููุงุ ุฃู ุฒู ูููุง ู ููุงุ ูุงู ูุงุฑุจููุง ูููู ุญูุธููุฉุ ุซููู ุนููุงุฏ ู ููู ุฌุฏูููุฏ. ูููููุฐุงุ ูุงููููู ุจุงููุณููุจุฉ ูููู ูููู ุญูููุฑ ูููู ุงูููุฐุงุช ูุงูุชุดููุงู ุฎูุจุงูุงูููุงยซ. ู ููู ุชูููู ุงูุนุจููุงุฑุฉ ุฃุณููุชุทูุน ุฃู ุฃุฏุนููู ุฃููููุง ุชุชุญูููู ุจุดูููู ูุงู ููู ูููู ุฑุณููู ูุชุตููููุฑ ุขุฏู ุญููููุ ูููููู ููุญููุฉ ุฅููููุงุน ุชุฎุชูููู ุชูุบูู ุงุชููู ูุฏุฑุฌุงุชููู ูุนู ูููู ุนูููู ุงูุณููุทุญ ุงููููุงุฏูุก ุงูุจุณูููุทุ ุงูููุฐู ููููุงุฏ ุงู ูุฎุจููุฑ ุนููู ุดูููุกุ ูุฅู ูููุง
ููุจูููุก ุนููู ุฑูุญ ูุงุฏุฆููุฉ ุตุงููููุฉุ ุฎุงูุตููุฉุ ูุชุฎูููู ุงูููุญููุฉ ู ููู ุฃู ุฒุฎููุฑูุ ูููููุฉ ู ุชุงู ููุงุ ู ููุน ุฃู ููููุงู ู ุงู ููุณ ูุฎุทูููุท ูู ุณููุงุญุงุช ูุทุจูููุงุช ููููููุฉ ู ุชุฑุงูุจููุฉ ูู ุชุฑุงูู ููุฉ ูููู ู ุนุงุฌูููุงุช ุตูููููุฉ ุจุงูุบููุฉ ุงุญูุณุงุณูููุฉุ ุงู ูุณููุนู ุจูููุง ุงูููููุงู ุฅูุฏูููุงุด ุงู ูุดููุงูุฏุ ููููููู ูุฃุฎููุฐู ู ุจุฌููุฑุฏ ุฃู ุชูููุน ุนููููู ุนูููู ุงูููุญููุฉ ู ูุณููุงุญุงุช ูุนููู ุชุชุนููุฏู ุงูุจุตููุฑุ ูู ุชุณููู ุจุงูุจุตูููุฑุฉุ ูุชูุชููุญ ุฏูุงุฆููู ุงูููููุณุ ูู ููุง ุชุซูููุฑู ุชูููู ุงุฎูุทูููุท ุงููุงุฏุฆููุฉ ูุงุฃูููููุงู ุงููุงุนู ููุฉุ ูุชุชุฌูููู ุฎุจุงูููุง ุงูููุฑูุญุ ูุชุชุทูููุฑ ุนูููู ุฃุนุชููุงุจ ุชูููู ุงูููุญููุงุชุ ูุชุฑุฌููุน ุฎุงูุตููุฉ ุงู ูุดูููุก ุฃูุซููุฑ ู ููู ููุณูููุงุ ูุชููุฏูุฑ ุงูุนููู ุนุจููุฑ ุงูููุญููุฉ ุฏูุฑุฉ ูุฃุฎููุฑูุ ุฏูู ุฃู ู ุชููู ุงูููุฏูุฑุงูุ ููุณููุชูุฑ ุงูุดูููู ุงู ูุจุณููุท ูููู ููุฐู ููุงุฉ ุงู ูุบุงุฏุฑูููุงุ ู ูุงูู ููุง ููุตุฎููุจ ูุงูุชููููุซ ุงู ููุฉ ุจุชูุงุตูููู ุงุญูู ููุฉ ุงู ูุซูู ุงู ูุฎูููุนูุดููู ูููู ุนุงู ููููุง ุงู ูุนุงุตููุฑุ ู ุจุซุงุจููุฉ ุงููุงุญููุฉ ุงููุงุฏุนููุฉ ูุงุฑูููุฉ ุงูุธููู ู ูุนู ููุฉ ุจุงููููุฏูุกุ
ููู ุงูุดูููู ุจุงูุฐุงูููุฑุฉ. ู ุทููููุฉ ููุจููุฑุงุญ ุงูููุณููู ููู ููุง ุนููุฏุช ุฅู
ูููู ููุญุงุชููู ุชูููู ุงูุชููู ุงู ุฃุนุชุจุฑูููุง ุณูููู ูุจููุณ ู ููู ููููุถ ุชูููู ุงูุชุฌุฑุจููุฉ ุงูุตูููููุฉ ุงูุชููู ุฃุฎุฐูููู ูููููุง ุขุฏู ุญูููู ูุนุงู ูููู ุงูุฑุญููุจุ ุญุงููููุช ุฃุงู ุชุฏู ุบูููู ุชูููู ุงูุชุฌุฑุจููุฉ ุจุฎุงู ุชูููุงุ ูููุง ุฃุณููุชุทูุน ู ููููุง ููููุงูุงุ ูุฅู ูููุง ุญุงููููุช ุฃู ุฃููููู ู ุนูููุง ุญูููุงุฑุง ุจุตุฑูููุง ูููููุงุ ููููุช ููููู ุงู ูุชุนูููู ููุงู ููููู ุงุฃูุณููุชุงุฐุ ูููุฅู ูุงูููุช ููุญููุงุช ุงูููููุงู ุขุฏู ุญูููู ุชูุฎููุต ูุชุฎุชููุฒูุ ูู ููุง ูููู ูุงูููุช ู ุจุซุงุจููุฉ ู ุฏูููุญ ููุตู ููุช ุงูุฐูุจููู ุงู ูุชุตูููู ุงูุฒุงูููุฏุ ูุงูููุช ููุญุงุชููู ุญุงููููุฉ ุจุงูุฑุณููุงุฆู ูุงู ูุนุงูููู ูุงููููุงู ุงููุถูููุ ูููุฏ ูุจููุฏู ู ุชูุงูุถูููุ ูููููููุงู ุขุฏู ุญูููู ุฌุชุฑุจููุฉ ุฅุจุฏุงุนูููุฉ ุชุถุงุนููู ุนู ููุฑูุ ููููููุง ูููู ุญุงูููุฉ ุญูููุงุฑุ ูุบุชููู ู ูููุฑุฏุงุช ููููููุง ูุงู ูููุฉ ุนูููู ุณููุทูุญ ุงูููุญููุงุชุ ูุฅู ูุงูููุช ููุญููุงุช ุงูููููุงู ุขุฏู ุญูููู ุตููุงุฉ ูููู ุงุฌูู ููุงูุ ูููุญุงุชููู ูุงูููุช ู ุจุซุงุจููุฉ ุชุณููุจูุญุฉ ููุฌู ููุงู
ุฃูุถููุงุ ููุงูููุง ู ุชุนุจููุฏ ูููู ู ุญููุฑุงุจ ุงููููู.
ูููู ููููููู ุฅู ุงู ูููุจููุฉ ุงุญูููููููุฉ ูุงุฌูููููุฑุฉ ู ุชุงู ููุงุ ุชุชุนููุฏุฏ ูููููุง ุงุฃููุฌููู ูุงุฃูุนู ููุงู ูุงู ููุงูููู ูุงูุฑูุงูููุฏุ ูู ููุง ุจุงููููุง ู ุจููุจููุฉ ุนู ูุชูููุง ุงูุชุฌููุงุฑุจ ุงูุทูููููุฉุ ูููุง ุดููู ุฃููููุง ุฃู ููุงู ุนุจูุฑูููุฉ ูุฑูููุฏุฉ ููููุฏุฑ ุฃู ุชุชูููุฑุฑ ูููู ุนุงู ููููุง ุงู ูุนุงุตููุฑ. ู ูุณููุช ุฐูููู ุจุงูุชุฑุงุจููู ู ููู ุฌุชุฑุจููุฉ ุงูููููุงู ุงููุจูููุฑ ุขุฏู ุญููููุ ููููุฏ ููููุช ู ุญุจููุง ููููุงุ ูุฃุชุงุจููุน ุฃุนู ุงูููู ูุญุชููุง ููุฉ ููู ุงููููุฑุจ ุดููุบูุง ุจุงูุชุฌุฑุจ ููุฑุง ูุจููู ุฃู ุฃูุชููููู ูุฃุนู ููู ู ุนูููุ ูุฒุงุฏู ูุฑุณููู ุง ูุชุตูููุจุงุฅููุณููุงูุ ููููู ู ุชุญูููู ุนุฑูููุช ุฃูุซููุฑ ู ููู 4000 ุนู ููู ุจููู ูุญููุช ูุฑุณููู ูุชุตููููุฑุ ูููุง ููููุง ู ููู ุฌุชุฑุจููุฉ ููููุงุฏ ูุชูููู ูููููุง ุงุฅููุณููุงูุ ูุจุนููุฏ ูููุฐุง ุงุงููุจูููุงุฑ ุจูููุฑุงุฏุฉ ูุนู ููู ูุซููุฑุงุก ุฃุนู ุงููููุ ุฃุฎููุฐุช ุฃุบูููุต ูููู ูู ุนู ูููุ ุฃุชุจููู ู ุงู ุญููู ูุชูุงุตููููู ููููุถููู ุงูุชููู ุงู ุชูุชููููุ ููููู ู ูุญูุชุงุชููู ุซููุฑุงุก ุงู ููุถููุจุ ุนูููู ููุฒ ูุฌุจููุณ ูุบูููุฑูุ ูุนูููู ู ุณููุชูู ุงู ูุนุงุฌูููุงุช ู ุณููุชูู ุงุฎูุงู ููุงุช ู ููู ุญุฌููุฑ ูุจุฑููุงูููุฏุคูุจ ูุงูุตุจูููุฑ ูููู ุงุฎุชูููุงุฑ ุงูุฒูุงูููุง ูุงูููุฑุคู ูุงูุชููููุน ุจููู ุงุฃููููููุฉ ุงููุงุฏุฆููุฉ ุงูุนุถูููู ูุงูุฑูุญููู ูุงูููุฏุณูููุ ูุงูุนุงูููุฉ ุจููู ุงููุชูููุฉ ูุงููููุฑุงุบุ ูุนูููู ู ุณููุชูู ุงู ููุถูุนููุงุช ูุงู ููููุฑุฏุงุชุ ุนุงูููู ูุชุดูููู ูุงู ููุง ู ููุน ูู ูุทุนููุฉุ ููุฃููููุง ุฑูุงูููุฉ ููู ุฃู ูููุ ุงู ูุนูู ูููู ู ูู ููุญ ูุชูุตู ููุฉ ู ุดููููุฉุ ู ูุณูููุฌุฉ ุจูุนููู ุดููุฏูุฏ ุจ ุฌู ูููุฒูููุฏ ููู ููุง ูุฌููุฐุจ ุงูุนููู ู ููู ุฒุฎููุงุฑู ููููุฏู ุนูููููุง ุงูููุงูููู ููุธููู ุงู ูุชููููู ู ุดููุฏูุฏุง ููุนู ููู ุงููููููุ ุจููู ุฅูููู ูุชุบุงุถููู ุนููููุง ููุฒูููุฏ ูููููุงุ ูููููุฃููุง ุงู ุชุนูููููุ ูููู ุฌููุฑุฃุฉ ูุญุณููุฏ ุนูููููุงุ ูุฅู ูููุง ูุทูููู ุฃุฑูุงุญ ุงููุงุฆูููุงุช ุญููุฑุฉ ุชูุณููุงุจ ูููู ุงูุนู ูููุ ุชุชุฌุณููุฏ ุฃู ููุงู ูู ุฑุงุกุ ููุฑุงูููุง ูู ุญุณููุจ ุทุงูุชูููุ ูุชูููู ุนุจูุฑูููุฉ ุงู ูุฌูุฏูููุง ุฅุงู ููู ุขุฏู ุญูููู ูุฅุตููุฑุงุฑู ููุฏุฃุจ ุงูููุฐู ูุนู ููู ุจ ููุฏุฑุฉ ู ููู ุงูููุงููููุ ุฑู ุจููุง ุงูุดููุบู ูุงู ูุนูููู ุงูุชุฌุฑูููุจ ูุงูุนู ููู ุงู ูุณููุชู ุฑุ ูุฑุบููู ูููููู ุดูููุฎ ู ููู ุดููููุฎ ุงููุญููุช ุงููุจููุงุฑ ุฅุงู ุฃููููู ุฃุดููุนุฑ ุจููุฑูุญ ุดููุงุจุฉ ููููุงุฏุฉ ุชุชูุฌููุฑ ุจุงุญููููููุฉ ูุงุญููููุงุฉ ุชุบูููู ุฃุนู ุงููููุ ุฐูููู ูููู ุธูููู ูุชูุฌููุฉ ุงุฑุชุจุงุทููู ุจุงุฅููุณููุงู ูุงู ุดูููุก ุบูููุฑูุ ูุงูุชุตุงูููู ุจูููุฐุง ุงู ูุจููุฏุฃ ุฃูุชููุฌ ุชูุทูููุ ููุงุฆูุงุชููู ุชุชููููู ุ ูุชูููุงุฏ ุทููููุฑู ูููู ุฃุนู ุงููููุ ุงุฅููุณููุงููุฉ ุชูููู ูู
ููุฃููููุง ูุฃูููููุง ู ููู ููููุณ ุงููุณูููุฌ ุงุฅููุณููุงูู ุงูููุฐู ููููู ูููุฐุง ุงูุนุงูููู ุ ุฎุทุงุจูููุง ููููุณ ุญูุงุณููุฉ ุงูุจุตููุฑ ููู ุงู ููุญูุชููุงุช ูุงุฃูุนู ููุงู ุงูุชุดููููููุฉุ ูุฅู ูููุง ุชูุชููุฌ ูุบููุฉ ุฃุฎููุฑู ูุฃูุญุงุณูููุณ ูุงุงูููุนููุงุงูุชุ ูุบููุฉ ูุฌุฏุงููููุฉ ุฑูููููุฉุ ููุฃู ุขุฏู ุญูููู ูุถููุน ูููู ุฃูุฏููููุง ุชูููู ุงูุฑุณููุงูุฉ ุงูุชููู ู ุคุฏุงูููุง ูุญููุฏุฉ ุงููุฌูููุฏ ูุงููููููุ ููููู ู ูููุฑุฏุฉ ูููู ุนุงู ูููู ูููู ู ุญููุถ ู ูููุฑุฏุฉุ ุชุนูููุด ูุชุชุขูููู ู ููุน ู ูููุฑุฏุงุช ูููุฐุง ุงููุฌูููุฏ ูููููุ ูู ููุง
ููุฉ ุฐูููู ุงููุฌูููุฏ. ูุฌููุจ ุฃู ูุนูููุด ุงุฅููุณููุงู ููุณููู ู ุชุขููููุง ู ููุน ุฑุญุงุจ
ูู ููุน ุฌุชุฑุจููุฉ ุจูููุฐุง ุงูุตููุฏู ูุงูุนู ููู ูุงูุชููููุน ุงุฅูุจุฏุงุนููู ุงููููุงุฌุช ุนููู ููููู ุงุฅูุฑุซ ุงุฅููุณููุงูู ุจุฏุงูููุฉ ู ููู ุฃุฑุถููู ุงูุชููู ูุดููุฃ ุนูููููุงุ ููููุชูููุง ุงูุถุงุฑุจููุฉ ูููู ุฌููุฐูุฑ ุงูุชุงุฑูููุฎุ ู ููู ุงููููู ุงู ูุตููุฑู ุงููููุฏู ู ูุงุญูุถููุงุฑุฉ ุงููุจุทูููุฉ ูุงุฅูุณููุงู ูุฉ ูุงูุนุฑุจูููุฉ ูุซูุงูููุฉ ุงูุจุญููุฑ ุงุฃูุจูููุถ ุงู ูุชูุณููุท ูุงูุนู ููู ุงุฅููุฑูููููุ ููููุณ ูููุฐุง ูุญุณููุจ ุจููู ูุฌูุงููู ุชููู ูู ุงุฑุชููููู ู ูููุฑ ู ุจุฑุงูููููุฒู ูููุถููู ูุณููุชูุนุจ ุฃู ุงุณููุชุทุงุน ูุบูุฑูููู ู ููู ุนุงู ููุงุช ูููู ุงููุญููุช ุงุญูุฏูููุซ ูุงู ูุนุงุตููุฑุ ููููุณ ููุนูููุฏ ุตูุงุบุชูููู ููู ุจูุชูููุฉ ูุจูุชูููุฉ ูุงูููุฏู ุงูุตุงุฆููุบ ุงูุชููู ุชูุชุญููุช ุนููููุงู ุนูููููุง ูุฅู ูููุง ูุชููููู ุฃุนู ุงูุทูููุงุ ููููุฑู ุฑูุญ ุงููููู ุงู ูุตููุฑู ุงููููุฏู ู ู ูุณููุฌู ุฉ ูููู ุชูุงุบููู ุชููุงู ู ููุน ุงูุชุฌุฑูููุฏ ูุงุงูุฎุชููุฒุงู ุงู ูุนุงุตุฑูููู ููู ูู ุงููููู ูุบูุฑูููู ุ ุชุชุญููุงูุฑ ูููู ุฃุนู ุงูููู ุงููุญุชูููุฉ ุงููุชูููุฉ ูุงููููุฑุงุบ ูููู ุตูุงุบููุฉ ุชูุจูููุก ุนููู ููููู ููุนููู ุบุงูููุฉ ูููู ุงูุนู ูููุ ูููุง ุชุจูููุญ ุงุฎูุงู ููุฉ ูุงู ุชูุทููู ุงู ููุญูุชููุฉ -ุฃูููุง ูุงูููุช ุฎุงู ุชูููุง ุญุฌููุฑุง ุฃู ุจุฑููููุฒุง ุฃู ุฌุจุณููุง- ุฅุงู ู ุจููุง ุจุซููู
ููุฏุฉ. ููุฉ ุงูุฒุงู ููู ุฑูุญููู ุงู ูุชุตูู ููู ููุณููู ู ููุง ุขุฏู ุญู ููู
ูุชุญูููู ุฐูููู ูููู ุงูุฑุณููู ูุงูุชุตููููุฑ ูุฐููููุ ููู ููุง ูููููู ุขุฏู ุญูููู ุงููุชูููุฉ ูููู ุงูุฑุณููู ุตูุฑูููุฉ ูููู ุนุงูุชูููุง ุจุงููููุฑุงุบุ ูุชุนูู ููุช ู ูููู ุฃู ุงูุฑุณููู ู ุณููุฃูุฉ ุจุญุซูููุฉ
PrintingConcorde Press
CoordinatorsLisa Lounis
Graphic Concept& Realization
Omar Mobarek
TextFatenn Mostafa
Bahaa Amer
PhotographsBahaa Amer
Catalogue Publishedon the occasion of the showAdam Henein & Bahaa AmerThe Sweetest Haven30 May - 16 September 2016ArtTalks | Egypt