The Roman Theatre at Lepcis Magna Original construction date: AD 1-2.

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The Roman Theatre at Lepcis Magna Original construction date: AD 1-2

Transcript of The Roman Theatre at Lepcis Magna Original construction date: AD 1-2.

Page 1: The Roman Theatre at Lepcis Magna Original construction date: AD 1-2.

The Roman Theatre at Lepcis Magna

Original construction date: AD 1-2

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Greek

Roman

Roman

Shakespearean

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Leptis MagnaArch of Septimius Severus

Theatre PortHadrianic Baths

Severan Forum and Basilica

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pulpitum

Mediterranean

caveaorchestra

ara

proscaenium

The components of the theatre

scaena

scaenae frons

apse

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cavea(seating area)

vomitoria

orchestra

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cavea seen from the pulpitum

vomitorium

position of shrine

cavea

pulpitum

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The theatre viewed from the centre vomitorium of the cavea

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The tribunal above the right entrance

The inscription which tells us about Annobal building the theatre in the reign

of Augustus

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The left statue of one of the

Dioscuri, with the horse’s head

at his feet

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Theatre at Leptis Magna

Date: 1-2AD (Age of Augustus)

Location: Leptis Magna, North Africa

Commissioned by: Annobal Rufus, a local merchant. His name appears on the inscription.

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The Cavea It is semi-circular

There are two ambulatories (passageways) dividing up the cavea into three levels

The seating is divided up into wedge-shaped sections separated by staircases that lead up and down.

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The Cavea

There are vomitoria (underseat passageways) providing entry to the cavea

There is a portico around the top of the Cavea, featuring marble Corinthian columns.

In the middle of the portico there is a temple to Ceres-Augusta.

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Three levels of seating:

The UPPER LEVEL rests on a massive vaulted sub-structure.

The MIDDLE LEVEL is built on an artificial bank.

The LOWER LEVEL rests upon a natural bank.

(Also VIP seating could be added in the five front rows)

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The Orchestra Semi-circular (unlike Greek orchestra – full circle)

Tribunalia (viewing boxes) were built above VIP entrances for most important citizens

Vaulted VIP entrances

Stone wall separated cavea from orchestra

Altar to unknown god

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The Pulpitum and Proscaenium

Pulpitum (stage) was wooden

Statues of Hercules and Dionysus, patrons of the city

Niches in Proscaenium (stage front) would have held statues

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The Scaena – Stage Building

Scaena is whole stage building

Central of 3 semi-circular recesses for entrance/exit of actors

Scaena frons is the stage backdrop. It had 3 tiers of columns – the same height as the cavea)

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Later Additions to the Theatre

limestone columns on scaena frons

Tribunalia

Altar

Temple to Ceres-Augusta (Ceres of the Emperors)

Temple to Deified Emperors

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Key Understanding: The additions to the Theatre at Leptis Magna were for religious purposes, and/or to promote the greatness of the Roman Empire, its religion and its Emperors in this far-off Roman colony.

Religious Features

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1__________

- the tiered seating area.

2_____________

- the semi-circular lower floor area by the proscaenium.

3_____________

- the facade at the front of the stage.

4___________

- corridors into the theatre for exit and entry

6__________

- the raised stage platform for acting on.

7________________

- the front of the stage building, which provided a backdrop and entry and exit points for actors.

5__________

- the stage building itself, where the actors could prepare and props were stored.