The Renaissance in Italy 1300-1500
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The Renaissance in Italy 1300-1500
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Features of the ITALIAN Renaissance
What does the word mean? New Secular and scientific values combine
with a spirit of adventure and curiosity (a desire to comprehend the world in which they live) Still Christian in attitude but transition from:
Medieval to modern world religious to lay authority Agricultural to urban Focus on HUMAN experience in the here and now
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Why Italy History and
geography The Papacy Trade
Wealth of city statesCreated Patrons to support the arts
Ex: Florence: The Medici’s
Ideas from the East
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Humanism Intellectual movement which celebrated
the dignity of mankind. The study of Latin and Greek classics and of Church fathers for their own sake, not to come to a closer understanding of God Still pious Christians
Education to stimulate creativity Rhetoric, Poetry, History Francesco Petrarch: Father of Italian
humanism Letters to the Ancient Dead
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A new secular spirit Material instead of eternal world
Pope Julius II tore down the old St. Peters basilica (Michelangelo the dome) (next slide)
Machiavelli The Prince: No need to be guided by a pre-determined code of behavior Safer to be feared than loved “Ruthless political expediency” (ends
justify means)
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Important Renaissance Artists Michelangelo : Pieta, David, Sistine
Chapel Leonardo DaVinci: Mona Lisa, inventor,
dissection of corpses Raphael: Madonna's, School of Athens Botticelli: The Birth of Venus, Adoration of
the Magi Brunelleschi: The Cathedral of Florence,
Linear perspective
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St. Peters Dome
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New Techniques and skills Painting
Oil paints, Chiaroscuro (light and shade) Linear perspective Frescoes Realism / Detail /Human Anatomy
Architecture: Return to Classical style Columns, Domes and Arches Filippo Brunelleschi
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Essential question?
How did the shift in art reflect the shift in mindset that occurred between the Middle Ages and the Renaissance?
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Brunelleschi’s Dome in Florence
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The Vocation of Peter and Andrew (Duccio)
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The Birth of VenusBotticelli
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Mona Lisa and anatomy sketchesLeonardo DaVinci
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The Pieta and Moses at the tomb of Pope Julius II
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Donatello (David in Bronze)
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Creation (Mike, Sistene Chapel)
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Temptation and Expulsion (Sistene Chapel ceiling Mike)
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The adoration of the MagiBotticelli
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The TrinityMassachio
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Last Judgment
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The School of Athens (Raphael)
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The Renaissance in the NorthAlbrecht Durer Self PortraitChapter 13 section 2
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The Northern Renaissance Centered in Flanders
Differences: Deeply concerned with religion Religious upheaval Called for a return to an earlier simple Christian
faith emphasis on the common people Northern Artists specialize in: landscapes,
detailed portraits, images of every day life (commoners) Smaller more transportable ($ motive) Not as much classical influence or fascination
with form
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Jan Van Eyck (Arnolfini)
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Pieter Bruegel
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Albrecht Durer: Michelangelo of the North (painter, engravings)
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Northern Humanists Desiderius Erasmus from
Holland-The Praise of Folly-Critical of the Church
and Clergy of the period“Father” of the Northern
humanist movement
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Shakespeare
Human ordeal examined Classical influence “What a piece of work is a man, how noble in
reason, how infinite in faculties, in form and moving, how express and admirable in action, how like an angel in apprehension, how like a god! The beauty of the world; the paragon of animals.” Hamlet
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Sir Thomas More Utopia (“No place”) social commentary IMPROVE SOCIETY