The Real and the virtual: Online exhibitions, Web 2.0 and design students Jane Devine Mejia

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The Real and the virtual: Online exhibitions, Web 2.0 and design students Jane Devine Mejia 20 March 2009

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The Real and the virtual: Online exhibitions, Web 2.0 and design students Jane Devine Mejia 20 March 2009. CETLD partners. CETLD goals. Embed the use and understanding of archives and museum collections in the experience of design students - PowerPoint PPT Presentation

Transcript of The Real and the virtual: Online exhibitions, Web 2.0 and design students Jane Devine Mejia

Page 1: The Real and the virtual:  Online exhibitions,  Web 2.0 and design students Jane Devine Mejia

The Real and the virtual: Online exhibitions,

Web 2.0 and design students

Jane Devine Mejia

20 March 2009

Page 2: The Real and the virtual:  Online exhibitions,  Web 2.0 and design students Jane Devine Mejia

CETLD partners

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CETLD goals

• Embed the use and understanding of archives and museum collections in the experience of design students

• Explore ways of using technologies to enhance learning and teaching

• Work with partners to share ideas, expertise and resources

• Contribute to pedagogic research

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Relevant themes

• Learning spaces: physical and virtual

• Student voice and student-centred approach to learning

• Use and application of collections

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Online Exhibition Project goals

• to design a sustainable online exhibition learning site;

• to find effective ways of engaging design students and tutors with archival material, particularly those in practice-based disciplines;

• to learn lessons about how students and tutors most effectively engage with archival materials in an online environment.

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Online Exhibition Project elements

• A review of art/design, museum, library and archives literature about online exhibitions and virtual learning

• A review of best practice in online exhibition design

• Development of a prototype exhibition using existing digitised archival materials from CETLD partner archives

• Exploration of ways to engage students and tutors

• Providing an opportunity for “students as curators”

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Fine Arts Museums of San Francisco My Gallery

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2 Willow Road: Ernö Goldfinger, architectA modernist house and its archive

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Jalbum Fotoplayer

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Student participation

Visiting, capturing, exploring archives, blogging, virtual exhibition, evaluation

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Undergraduate 3D design students: a profile

• Predominantly female ( 70%+)• Ages 18-25 • Dyslexia is significant factor for 21-35%• Makers, not writers• Proficient in use of social networking

technology• No experience with archives

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Observations

• Academic vs. social networks• Limited use of blogging• Online exhibition as a reminder of

the physical experience• Appreciation for real objects and

people• Influence on the work

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Working with postgraduate students

Exploring curatorship in a virtual context

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Learning from the online exhibition project