The Rankine Taylor Collection | 24/06/2014 | 12pm

The Rankine Taylor Collection:Contents of The Old Dolphin, Cirencester

Tuesday, 24th June, 201433 Broughton PlaceEdinburgh

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33 Broughton Place, Edinburgh EH1 3RRTel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

email. [email protected]

182 Bath Street, Glasgow G2 4HGTel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5LUTel +44 (0)20 7930 9115Fax +44 (0)20 7930 9629

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The Rankine Taylor Collection:Contents of The Old Dolphin

Tuesday, 24th June, 2014at 12 noon

Sale Number LT425

ViewingSaturday, 21st June 12 noon - 4pmSunday, 22nd June 12 noon - 4pmMonday, 23rd June 10am - 5pmMorning of Sale from 9am

SpecialistsTheodora BurrellDouglas GirtonSara PierdominiciLee Young

Catalogue: £10

BUYER’S PREMIUM25% up to £25,00020% thereafter. VAT will be charged on the premium at the rate imposed by law.†20% VAT chargeable on the lot itself*5% import VAT on the lot§Droit de Suite (artist’s resale rights)applies (see our Terms and Conditionsof Sale and Information for Buyers).

ENQUIRIES AND COMMISSION BIDSLyon and Turnbull Ltd.33 Broughton PlaceEdinburgh EH1 3RRTel. 0131 557 8844 Fax. 0131 557 8668 email. [email protected]

CollectionsPaul RobertsGavin Strang


L Y O N & T U R N B U L L

Important informationfor buyers

4

Telephone biddingIf you are unable to attend the salewe can normally arrange for you tobid on the telephone. This service isavailable entirely at our discretionand at the bidder’s risk. Alltelephone bids must be confirmed inwriting, listing the relevant lots andappropriate number to be called. Werecommend that a covering bid isalso left in the event that we areunable to make the call. We cannotguarantee that lines will beavailable, or that we will be able tocall you on the day, but willendeavour to undertake such bids tothe best of our abilities. All bidrequests must be received an hourbefore the sale.

Methods of PaymentGoods purchased will not bereleased until we have received fullpayment.

Bank TransferPlease find details in any emailinvoice we issue or upon requestfrom our accounts department.

CashCash payments can be made at theaccounts desk during or after a sale.

Credit or Debit CardsPayment can be made by Visa Debit,Maestro, Mastercard or Visa Creditcards. Please note there is a 2%surcharge on credit card paymentsand we do not accept Amex..

Online PaymentsWe no longer accept card paymentsby phone, please use our onlinepayment service (powered byWorldpay). You will find a link to thisservice in any email invoice issue oryou can visit the payments section ofour website.

ChequeCheques should be made payable toLyon and Turnbull Ltd. We reservethe right to wait until cheques havebeen cleared by our bankers beforereleasing bought goods. Chequescan be cleared prior to sale onrequest. Cheques drawn by thirdparties cannot be accepted. If payingby post please include the slip fromyour invoice.

CollectionIt is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not beingheld at our main saleroom.

CITESPlease be aware that lots markedwith the symbol Y contain materialwhich may be subject to CITESregulations when exporting outsidethe EU. For more information visithttp://www.defra.gov.uk/ahvla-en/imports-exports/cites/

BiddingPlease note that all first timebidders at Lyon & Turnbull will beasked to supply the followingdocuments in order to facilitateregistration:

1 – Government issued photo ID(Passport/ Driving licence)

2 – Proof of address (utility bill/ bankstatement)

You may present these documents inperson or, alternatively, fax or emailcopies to us. We may, at our option,also ask you to provide a bankreference and/ or deposit.

At the SalePotential buyers must register andcollect a bidding number before thesale begins, and show that numberif successful in purchasing a lot.Please ensure that the auctioneerrepeats the number correctly whenconfirming the sale. If there is anydoubt at this stage as to thehammer price or buyer it must bebrought to the auctioneer’s attentionimmediately. All lots will be invoicedto the name and address given onyour registration form, which is non-transferable. If you have purchaseda lot you may take your biddingnumber to the accounts departmentand receive an invoice immediately.If you have not been successfulplease leave the number at theRegistration or Reception desks.

In writingBid forms are available at the saleand/or the back of the catalogue.These should be submitted inperson, by post, or by fax as soon aspossible prior to the sale and we willbid on your behalf up to the limitindicated. In the event of receivingtwo identical bids the first onereceived will take precedence. Allbids must be received an hourbefore the sale. This service entirelyat the bidder’s risk.

By telephoneBids submitted by telephone mustbe confirmed in writing.

All royalty charges are paid to theappropriate collecting organisationand no handling costs or additionalfees are retained by the auctioneer.Resale royalties are not subject toVAT.Please note that the royalty paymentis calculated on the rate of exchangeat the European Central Bank on thedate of the sale.More information on Droit de Suiteis available at www.dacs.org.uk

Damage and RestorationOccasionally, when a lot hassuffered extensive damage and/orrestoration it is indicated in thecatalogue. This is mentioned entirelyat our discretion for the benefit ofbuyers. Where there is no mentionof damage and/or restoration thisshould not be taken to mean thatthere is none. It is the buyer’sresponsibility to ensure that thecondition of lots is to theirsatisfaction (see our Terms andConditions of Sale).

Condition ReportsIf potential buyers are unable toinspect lots in person our specialistswill be happy to prepare detailedCondition Reports on individual lotsas quickly as possible. These are forguidance only and all lots are sold‘as found’ (see our standard Termsand Conditions of Sale).

Electrical GoodsLots that were once operated bymains electricity are bought entirelyat the buyer’s risk. They are offeredfor sale for display or historicalpurposes and may not comply withcurrent regulations.

Import/ExportProspective buyers are advised thatseveral countries prohibit theimportation of property containingmaterials from endangered species,including but not limited to rhinohorn, ivory, coral and tortoiseshell.Accordingly, prospective buyersshould familiarize themselves withall relevant customs regulationsprior to bidding if they intend toimport lots to another country.It is the buyer’s sole responsibility toobtain any relevant export or importlicence. The denial of any licence orany delay in obtaining licences shallneither justify the recession of anysale nor any delay in making fullpayment for the lot.

Buying at AuctionThis sale is subject to our standardTerms and Conditions of Sale. If you have not bought at auctionbefore we will be delighted to adviseyou.

EstimatesEstimates are printed below each lotand do not include the buyer’spremium. The sale will beconducted in pounds sterling.

DimensionsDimensions are for guidance only; itis the buyer’s responsibility toensure that they are correct.

Buyer’s PremiumThe buyer shall pay the hammerprice together with a premiumthereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premiumat the rate imposed by law. (see ourTerms and Conditions of Sale).

VATThe symbol † by a lot numberindicates that VAT is payable by thepurchaser at the standard rate onthe hammer price. The symbol * by a lot numberindicates that the lot has beentemporarily imported from outsidethe EU and that VAT is payable bythe purchaser at the rate of 5% onthe hammer price.No VAT is payable on the hammerprice or premium for books boughtat auction.

Droit de SuiteThis symbol § indicates works whichmay be subject to the Droit de Suiteor Artist’s Resale Right, which tookeffect in the United Kingdom on 14thFebruary 2006. We are required tocollect a royalty payment for allqualifying works of art. Under newlegislation which came into effect on1st January 2012, this applies toliving artists and artists who havedied in the last 70 years. This royalty will be charged to thebuyer on the hammer price and inaddition to the buyer’s premium. Itwill not apply to works where thehammer price is less than €1,000(euros). The charge for works of artsold at and above €1,000 (euros) andbelow €50,000 (euros) is 4%. Foritems selling above €50,000 (euros),charges are calculated on a slidingscale.

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Introduction

1-23 The Entrance Hall

24-59 The Snug

60-93 The Dining Room

94-151 Silver

152-180 The Kitchen & Pantry

181-199 The Upper Hall

200-238 Leli’s Bedroom

239-305 Other Bedrooms

306-332 The Attic

333-346 Rugs & Carpets

347-427 The Oak Room

428-441 The Garden

CONDITION REPORTS: Please note that damage and/or restoration is indicated in thecatalogue at our discretion. We are pleased to provide condition reports on all lots forthose who cannot view in person.

INTERNET SERVICE: For colour illustrations of all lots in this sale please consult ourwebsite at www.lyonandturnbull.com.

TELEPHONE BIDDING: Please note that all absentee and telephone bid requests mustbe received an hour before the sale.


Leslie Rankine Taylor

Leslie Rankine Taylor (nee Crawford), who died in January 2014in her adopted town of Cirencester, Gloucestershire, was a Scot,through and through. Born in Edinburgh in October 1920, shewas the daughter of John Balfour Crawford, an officer of theBank of Scotland who went on to become the well-respectedTreasurer of the Bank for a decade from 1942. She, as well asher sister and two brothers, attended the George Watson’sColleges in Edinburgh.

Known as ‘Leli’ by her friends and family, she married in 1946 ayoung Scottish Banker, Alistair Macdougall from Skye. They hadone son, John Crawford, who survives her. This marriage did notlast however and after they separated in 1952, Leslie lived adifficult life alone, raising her son whilst honing her love ofantiques by working for Margery Bromfield in her wonderful‘Castle Antiques’ shop on the Lawnmarket. She also started tobuy pieces for herself whenever she had funds and developed apassion at this time which was to sustain her thereafter in herfull and adventurous life.

In 1960 she married again, to Dr Andrew Rankine Taylor, andthey lived for the next eight years in an old Manse in Polmont,

Stirlingshire, until her husband’s poor health indicated that amove south was advisable. They decided to move to Cirencester,where they lived on the favoured Cecily Hill, and opened anantiques shop in Dollar Street; a few minutes’ walk from themediaeval parish church and town market-place. This was at ahigh point for the antiques business, with many British andoverseas buyers coming to the shop during this golden period ofantiques collecting. In 1971 they moved to larger premises, alsoin Dollar Street, with elegant showrooms, a workshop, and threeflats above. In 1972, her husband Andrew died, leaving Leslie torun the shop alone. This she did in her own striking way, creatinga truly magical antiques shop in which she presented an eclecticrange of furniture and accompanying exquisite items, withelegance and invention.

Her overwhelming desire was to assemble an ever-changingkaleidoscope of antiques which reflected her own astonishingrange of interests. It might, at any one moment, include statelyupholstered armchairs and settees, juxtaposed with oakdressers, chests, refectory and gate-leg tables - and always oakwainscot chairs, joint stools and upholstered stools. All of herfurniture had a deeply cared-for appearance and many were rareand unusual items; such as a secretaire made from stained

6

Leslie Rankine Taylor.

The Dollar Street showrooms.


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burr-mulberry to imitate tortoiseshell, or a court cupboard ofScottish origin, embellished with stylised thistles, dating fromthe early 17th century. Her style was that of a gifted interiordecorator and no horizontal surface was left without tasteful andcompelling pieces of pottery, porcelain, brass and copperware,pewter, carved figures and delft tiles. On the walls, she displayedpaintings, mirrors, framed needlework, caryatids and terms; allwith meticulously researched and interesting labelleddescriptions.

She cared for fashionable mahogany furniture too, and alwayskept bookcases, bureaux and tables. These, too, were always‘dressed’ with items compatible with their original use; a pewterink pot with a quill pen and a pile of leather-bound books; or withChinese import plates filling glazed cupboards. No surface orspace was left unadorned. All of which meant that entering thespace of her shop was to forget about time, and to enter, withher, into conversations about all manner of things which mightotherwise have passed one’s notice. She despised, above all,indifference to her carefully arranged cornucopia of historic andattractive objects. She relished combative conversation and hershop was, for her, the centre of her life into which friends, newand old, could enter and if they passed the test of good mannersand a sense of fascination, they would become welcome guestsand enjoy coffee, or a glass of something stronger (sloe gin beinga favourite!), in her inner sanctum. Others she left in no doubtthat she did not suffer fools gladly!

Leslie bought items from many sources, much of it brought toher, but her love of Scottish items never left her and sheregularly travelled to Edinburgh to see her old dealer contacts:Gordon Small, Kenneth Jackson, Harry Parry, Janet Lumsdenand others, from whom she brought treasures back toCirencester. Always there was a strong thematic element of‘Scottishness’ in her shop; for instance, she would dress theshop windows for Rabbie Burns’ birthday with Scottish tartansand appropriate memorabilia. This closely followed on from heroutstanding and fascinating Christmas scenes of the Nativity,which brought light and festive joy to the ancient Dollar Street.Other celebratory window dressings appeared for AmericanIndependence Day in July, and the ‘Glorious 12th’ in August.

In 2004 she decided to move back to Cecily Hill, to The OldDolphin, selling a large portion of her stock by auction, andprepared to retire. However she took a long time to finally dothis. In truth, she loved antiques and the contact with those whovisited her shop too much. She continued to trade for anotherfour years until her shop was eventually sold, and she thenreconciled herself to filling her new home with her fascinating

items, including her silver collection. The Old Dolphin becameanother warm and genteel place which reflected her tastes andprovided a place to invite her many friends and family.

Leslie was truly an antiques dealer of a generation whichrelished and found fascination everywhere. Her passing, and thatof her shop, marks a turning point in the history of antiquedealing in Cirencester, and more generally in the UK. Her likewill not come again, in a time when antique dealing has becomemore specialised and internet-based. Many, including myself,will miss the frequent discussions on furniture and the recordingof many items of relevance to my own research; for example, herlowland Scottish chairs bought in the Edinburgh region, werepublished in my Scottish Vernacular Furniture (Bernard D.Cotton, 2008, pp 158-159); as was the rare Orkney wooden chairdated 1703 (p 245). In this way, these and other items she ownedhave also achieved new and more widely available recognition.She will be remembered with affection, and not a little awe, bythe many who have admired her.

Dr. Bernard D. Cotton, FSA

The cover of Antique Collecting, featuring lots 196 and361 from this sale.


TheEntrance Hall



10

2 FH550/198ELIZABETHAN CARVED OAK PANEL16TH CENTURYthe standing figure wearing a hat, ruffcollar, and voluminous breeches, holdinga flower in his right hand

55cm high, 14cm wide

£600-800

3 FH550/66CHARLES II CARVED OAK JOINT STOOL17TH CENTURYthe rectangular seat with chip carved ends,above an arch carved apron, raised onturned and carved legs joined by wavy carvedperipheral stretchers

55cm wide, 47cm high, 28cm deep

£200-300

4 FH550/417GROUP OF MOUNTED ANTLERS ANDTAXIDERMY19TH / EARLY 20TH CENTURYcomprising three sets of deer antlersand a pair of taxidermy deer hooves,mounted on oak shield-shapedbackboards (5)

£250-350

5 FH550/199THREE CARVED WOOD PANELS18TH / 19TH CENTURYcomprising a rectangular panel with asaint, a foliate carved panel, and anarchitectural element carved with aprofile bust of a putto; together with aSMALL PAINTED PANEL, depictingsongbirds (4)

largest 78cm long

£250-350

6 FH550/234CARVED OAK PANEL19TH CENTURYcarved with strapwork, masks, and acartouche with a dolphin and anchorwith the motto ‘Sempere Estina Lente’and the date 1577

61cm high x 31cm wide

£150-250

1 FH550/162CHARLES II OAK WAINSCOT CHAIRYORKSHIRE, 17TH CENTURYthe panelled back with lunettes andguilloche, with downswept arms and aplank seat, raised on turned legs joinedby peripheral stretchers

59cm wide, 100cm high

£1,000-1,500


8 FH550/84CHARLES II CARVED OAK ANDUPHOLSTERED CHAIRLATE 17TH CENTURYthe arched padded back and stuffover seatcovered in tapestry upholstery, raised onbobbin turned legs united by a foliatecarved stretcher


£400-600

9 FH550/197EMBOSSED AND POLYCHROME LEATHERPANEL18TH CENTURYthe rectangular panel depicting theScottish crown, Saint Andrew and cross,and a lion, in an oak frame

39cm x 72cm

£150-250

11

7 FH550/173GOOD CHARLES II OAK GATELEGTABLELATE 17TH CENTURYthe oval drop-leaf top above onelateral frieze drawer, raised onbaluster turned legs united bystrechers, the drawer stamped withinitials

162cm wide (open), 74cm high, 131cm deep

£800-1,200


11 FH550/43GEORGE III OAK AND CROSSBANDEDLONGCASE CLOCK CASE18TH CENTURY WITH ALTERATIONSthe trunk door opening to reveal a laterfitted interior with shelves, flanked byquarter column pilasters, raised on bracketfeet, the brass dial signed Thomas Barrow,Stockport, the works lacking


£300-400


12

10 FH550/33FRENCH WALNUT GATELEGTABLELATE 18TH / EARLY19TH CENTURYthe circular tilt top raised ontwin trestle end support


£400-600


14 FH550/41CHARLES II OAK TABLE17TH CENTURY AND LATERthe rectangular top raised onturned legs joined byperipheral stretchers


£150-250

12 FH550/34CHARLES II OAK JOINT STOOL17TH CENTURYthe rectangular seat with a chip carved edgeabove a moulded apron, raised on flutedcolumn legs joined by peripheral stretchers

46.5cm wide, 51cm high, 27.5cm deep

£300-500

13

15 FH550/44JAPANESE PARQUETRYTABLE CABINETMEIJI PERIODwith four graduated drawersand metal mounts

35cm high, 28cm deep, 22cm wide

£150-250

13 FH550/42JAMES I AND VI SMALLWALNUT COFFEREARLY 17TH CENTURYthe hinged rectangular topwith a moulded edge, above achip carved front panel withflower motif roundels, raisedon trestle feet


£500-700


16 FH550/37BLACK FOREST CARVEDWOOD COAT RACK19TH CENTURYcarved as a hare in huntingattire with a rifle, with legsmade of chamois horns

48.5cm long

£300-500

17 FH550/45STAINED PINE CANDLE BOX18TH CENTURYof rectangular form, the slideoff cover with an inscriptionand initials ‘1798 M+T E L’with a heart, opening to a voidinterior

49cm long

£200-300


14

18 FH550/373THREE MAPS OF BRITAIN AND SCOTLANDPONT, TIMOTHY - BLAEU, JOAN, 17TH &18TH CENTURYInsulae quaedam minores... / Some of the WesterneYles lyiing betweene the yles of Mule and Skye.[Probably Amsterdam, after 1654]. c.430x560mm,framed and glazed; [Idem] Sterlinensis praefectura /

Sterlin-Shyr. [Probably Amsterdam, after 1654]. c.

500x620mm, framed and glazed; Homann Magna Britannia

complectens Angliae, Scotiae et Hiberniae regna... [Probably

Nuremberg, after 1707]. c.530x600mm, framed and glazed;

all hand-coloured (3)

£200-400


23 FH550/183LEATHER DOUBLECARTRIDGE CASE19TH CENTURYof typical form, with carryhandles; another CARTRIDGECASE, smaller; a HAT BOX,converted to a bucket; and aLEATHER JUG (4)

largest 26cm high, 23.5cm diameter

£300-500

22 FH550/47ARTS & CRAFTS STYLE OAKCOAT RACKEARLY 20TH CENTURYin the manner of ArthurSimpson of Kendal, therectangular panel carved withroses, thistles, shamrock anddaffodils, with three brasshooks


£150-250

15

19 FH550/83DUTCH WALNUT AND FLORALMARQUETRY CANDLESTAND18TH CENTURYthe octagonal moulded top over abaluster turned and faceted columnraised on a scrolling tripod base, withfloral marquetry throughout


£400-600

20 FH550/199ABEECH MORTAR17TH CENTURYof turned column form

14.5cm diameter, 42cm high

£500-700

21 FH550/510GROUP OF THREE RIDINGCROPS19TH / EARLY 20TH CENTURYincluding wood and leatherexamples; together with aLEATHER AND BAMBOOWHIP AND HORN; TWOWOOD SHILLELAGHS; and aCOPPER AND BRASS HORN(qty)

£250-350


The Snug

25 FH550/504PAIR OF EMBOSSED BRASSCANDLESTICKS18TH CENTURYeach with a circular drip tray above acolumn and large domed foot embossedwith shells among scrolling seaweed,17cm high; together with A BRASSEMBOSSED CANDLESTICK of similarform, 18.5cm high (3)

£300-400

26 FH550/374AUGUSTE EDOUART (FRENCH 1789-1861)SILHOUETTE OF LADY READINGSigned and dated 1832, indian ink and sepiawash

20cm x 18cm (8in x 7in)

and another silhouette of a gentleman, apair (2)

Note:Edouart is recorded as working in Edinburgh from1829-1832

£300-500

24 FH550/4SMALL QUEEN ANNE OAK CHEST ON STANDEARLY 18TH CENTURYin two parts; the moulded rectangular top abovea pair of parquetry cupboard doors opening toan arrangement of short drawers and a centraldoor opening to three further drawers; thestand with a long frieze drawer above a shapedapron, raised on baluster turned legs joined bya flattened curvilinear stretcher, raised on bunfeet


£1,000-1,500

17



18

27 FH550/2QUEEN ANNE OAK CHEST OFDRAWERSEARLY 18TH CENTURYthe rectangular top over three longmoulded panel drawers, raised onshort stile feet, the top drawer with asliding work surface


£600-800

29 FH550/1VICTORIAN TWO SEAT KNOLE SOFA19TH CENTURYof typical form, with drop-down sides,upholstered in gold and rose brocade


£800-1,200

28 FH550/184PAIR OF ENGLISH PAINTEDPORCELAIN PLAQUES BY RICHARDABBOTT19TH CENTURYeach depicting a Scottish scene, thefirst a view of Loch Foot and KeansCottage, the other of Loch Maree, ingilt frames (2)

14cm x 18.5cm

£500-800


19

31 FH550/186TWO ENGLISH NEEDLEWORK SAMPLERS18TH / 19TH CENTURYthe first by Mary Woolnough, age 13, worked in greenand gold silk on a linen ground, depicting dogs, birds,flowering urns, fruiting trees, a flowering vine borderand a verse, framed, 29cm x 26cm; the other MaryEllis, dated 1880, worked in wool on a linen ground,with three alphabets and a number sequence, depictinga cockerel, horse, cow, and flowering basket, in a pinkflowerhead boxed border, framed, 43cm x 41cm (2)

£100-200

33 FH550/189PAIR OF DUTCH BRASS WALL SCONCES20TH CENTURYin the 17th century style, each cast with acherub above scrolling birds and flowers, withtwo out-scrolling candle arms (2)

22cm high

£300-500

32 FH550/181GROUP OF STAFFORDSHIREPEARLWARE AND PRATTWAREFIGURES19TH CENTURYvarious sizes and subjects,comprising farmers, shepherdesses,allegorical figures, a deer and a pairof flowering urns (15)

tallest 20cm high

£200-300

30 FH550/180STAFFORDSHIRE PEARLWARETEA CADDY19TH CENTURYthe tapered moulded bodydepicting classical figures withinborders, the cover surmounted bya swan finial

17.5cm high

£300-500



20

36 FH550/3GEORGE II OAK SIDECABINET18TH CENTURY AND LATERthe top with a mouldedcornice above a pair of panelcupboard doors opening toshelves, on a later plinthbase, with bracket feet


Note:According to a note affixed to theinside of the door, this cabinet wasowned by Lady Margaret Sackville

£300-500

37 FH550/7GEORGE II STYLEMAHOGANY WINE TABLEWITH 18TH CENTURYELEMENTSthe dished circular top over abaluster column, raised on atripod base with pad feet

26cm diameter, 52cm high

£100-150

34 FH550/182THREE PAIRS OF CHILDREN’SLEATHER SHOEScomprising a pair of black leathershoes with metal buckles, a pair ofVictorian brown leather button ankleboots, and a pair of infant’s anklestrap leather shoes (3)

£120-180

35 FH550/175CHARLES II OAK GATELEG TABLE17TH CENTURYthe oval drop-leaf top raised on twin turned endsupports, united by a conforming stretcher andending in an openwork platform base

114cm wide (when open), 71cm high, 95cm deep

£600-800

38 FH550/5PAIR OF FRENCH WALNUT CHILDREN’S BACK STOOLS17TH CENTURYthe leather back with turned side rails and finials,above a square seat raised on baluster turned legsjoined by peripheral stretchers, on bun feet, inneedlework upholstery (2)


£400-600


42 FH550/188GEORGE III MAHOGANY TEA CADDY18TH CENTURYof sarcophagus form with a brasshandle and escutcheon, on ogeebracket feet

27cm wide, 16.5cm high, 16cm deep

£200-300

21

39 FH550/6GEORGE III PROVINCIALFRUITWOOD TILT-TOP TABLE18TH CENTURYthe circular over a balusterturned column, raised onslender tripod legs


£400-600

41 FH550/9QUEEN ANNE STYLE UPHOLSTERED WINGARMCHAIR19TH CENTURYthe high straight back with deep wings above shortscroll arms and a loose cushion seat, raised onfour baluster turned legs, joined by stretchers, inmodern upholstery

67cm wide, 120cm high, 45cm deep (seat)

£800-1,200

40 FH550/8QUEEN ANNE WALNUT ANDCROSSBANDED BUREAUEARLY 18TH CENTURYthe slant front opening to an arrangement ofdrawers and pigeon holes over a well withsliding cover, above two short and two longdrawers, raised on bracket feet; the uppersection fitted with five secret compartments


£1,500-2,500


44 FH550/164CHARLES II OAKWAINSCOT CHAIR17TH CENTURYthe scroll carved top rail and panelledback carved with stylised foliage andcentred by a diamond motif, withdownswept arms above a loosecushioned rope seat, raised on bobbinturned legs united by stretchers, theback stamped with initials ‘TM‘


£1,200-1,800

46 FH550/350SCRIMSHAW TOOTH19TH CENTURYetched and stained depictinga young girl holding a flower,11.5cm high; together withTWO CARVED BONEMARROW SCOOPS, 19thcentury, 14.5cm long (3)

£150-250

47 FH550/370EARLY 17TH CENTURYCONTINENTAL SCHOOLALLEGORICAL PORTRAIT OFFERTILITYcirca 1600, oil on panel,depicting a waist lengthportrait of a woman holding abowl of fruit, in an originalhandpainted frame

66cm x 49cm (26in x 19.25in)

£700-1,000


22

45 FH550/13CHARLES II OAK UPHOLSTERED JOINTSTOOL17TH CENTURYupholstered in faded brown velvet, onturned legs joined by peripheralstretchers


£400-600

43 FH550/15GEORGE II OAK FOLDOVERGAMES TABLE18TH CENTURYthe rectangular foldover topopening to a brown baize-linedsurface over a long frieze drawer,raised on round straight legs,ending in pad feet


£300-500


54 FH550/16CONTINENTAL OAKHANGING SHELF18TH CENTURYwith two bowed shelvesdivided by carved uprights


£120-180

51 FH550/12CARVED MAHOGANYSTANDARD LAMP19TH CENTURYthe reeded and leaf carvedstandard on a carved tripodbase

144cm high (excluding fitting)

£200-300

52 FH550/359TWO CARVED WOOD FIGUREGROUPS18TH / 19TH CENTURYthe first a polychromedecorated group of TamO’Shanter and Souter Johnniesitting on a stump, 14cmhigh; the other a standingfigure of Shakespeare holdinga sheet of paper, on a squarebaluster pedestal, 19cm (2)

£200-300

53 FH550/200TWO MIDDLE EASTERNSTYLE POTTERY VASESeach of baluster form, paintedin green, yellow and blueenamels, converted to lamps(2)

largest 34cm high (excluding

fittings)

£300-500

23

48 FH550/10GEORGE III MAHOGANY UPHOLSTERED LIBRARYARMCHAIR18TH / EARLY 19TH CENTURYthe tall rounded rectangular back over part paddedarms leading to scroll handrests, above a wideupholstered seat raised on chamfered straight legsjoined by stretchers, in sage green velvet upholstery


£700-1,000

50 FH550/187PAIR OF SCOTTISH HORN CANDLE LIGHTS19TH CENTURYthe natural tapered horn mounted on aturned wood base (2)

40.5cm high

£400-600

49 FH550/267FOUR PAIRS OF VELVET ANDWOOLWORK CURTAINSof varying sizes, lined, each in faded redvelvet with woolwork borders andtrimmed with tassels (8)

largest pair 252cm drop, 172cm wide approx

Provenance:Ex Callendar House, Falkirk

£300-500



24

55 FH550/14PAIR OF CHARLES II OAK JOINTSTOOLS17TH CENTURYthe rectangular seats with a channeledge, raised on scroll-cut trestlesupports with a cross stretcher (2)


£400-600

56 FH550/17GEORGE III PROVINCIAL FRUITWOODCANDLESTAND18TH CENTURYthe long ring and bobbin turned column over acircular base, raised on baluster turnedsplayed legs

81cm high

£700-1,000

57 FH550/415GROUP OF THREE BOXES18TH / 19TH CENTURYcomprising a small gilt embossed leathercutlery box converted to a stationery box,22cm high; a leather embossed dome topcasket, 27cm long; and a fruitwood boxwith pique decoration, 22.5cm long (3)

£300-400


59 FH550/372SIR DANIEL MCNEE R.S.A.,P.R.S.A. (SCOTTISH 1806-1882)SPANIEL AT A LADY’S FEETOil on panel

40cm x 49.5cm (15.5in x 19.5in)

Provenance:John Balfour Crawford, formerTreasurer of the Bank of Scotland,purchased 1945Then by family descent

Exhibited:Royal Scottish Academy

Note:Inscribed label verso extract fromthe ‘Life jottings’ of Daniel McNee

£1,000-1,500

25

58 FH550/371EARLY 19TH CENTURYBRITISH SCHOOLPORTRAIT OF GENERALWILLIAM MILLERcirca 1810, oil on canvas

56cm x 44.5cm (22in x 17.5in)

£800-1,200


The Dining Room



28

60 FH550/20GEORGE III OAK DRESSER BASE18TH CENTURYof inverted breakfront form, with a ledgeback tier fittedwith small drawers; the base with three central shortdrawers flanked by two further drawers, above panelledcupboard doors, with an additional drawer to one end


£3,000-5,000

61 FH550/35GEORGE III OAK SPICECABINET18TH CENTURYthe caddy top with a lift-offcover above a single inlaiddoor, opening to reveal anarrangement of smalldrawers with paper labels,raised on a stepped base

42cm high approx.

£500-700

62 FH550/262BRASS MOUNTED CARVEDCOCONUT CUP18TH CENTURYcarved with an anchor andscrolling foliage to theunderside, with a brass rim,raised on a moulded brasscolumn and turned wood foot


£150-250


29

63 FH550/27PAIR OF WILLIAM & MARY OAK HALL CHAIRS17TH CENTURYthe narrow tall backs carved with C scrolls andfoliate cresting above a caned centre panel,flanked by turned side rails over a caned seat,raised on turned legs joined by a scroll carvedstretcher rail, on shortened scroll feet (2)


£400-600

65 FH550/18GEORGE I WALNUT DROP-LEAF GATELEG TABLE18TH CENTURYthe oval top with drop-down sides above a shortfrieze drawer to both ends, raised on balusterturned legs, joined by square peripheralstretchers

126cm long, 72cm high, 142cm wide

£1,000-1,500

64 FH550/22GEORGE III OAK CORNER CUPBOARD18TH CENTURYthe plain cornice over a pair of panel cupboarddoors above a further pair of panel doors,opening to a green painted interior, on a plinthbase


£800-1,200


66 FH550/25SET OF FOUR FLEMISH STYLE OAK ANDLEATHER BACK STOOLSEARLY 20TH CENTURYthe square brown leather upholsteredbacks and seats with brass studdecoration, raised on block turned legs,joined by peripheral stretchers (4)


£400-600

68 FH550/190PAIR OF CARVED GILTWOOD FIGURESOF SAINTS17TH CENTURYeach standing on an orb, on later whitemarble cubic bases; together with aPAIR OF CARVED GILTWOOD FIGURESOF LIONS, 17th century, 16cm high (4)

40cm high

£500-700


30

67 FH550/29CHARLES II WALNUT UPHOLSTEREDSTOOL17TH CENTURYthe needlework upholstered rectangulartop raised on barley twist legs, joined byserpentine stretchers and large bun feet


£400-600


69 FH550/30WILLIAM & MARY LABURNUMOYSTER VENEERED MIRRORLATE 17TH CENTURYthe rectangular mirror plate in acushion moulded frame


£600-800

70 FH550/264TWO PAIRS OF TREEN GOBLETSeach with a turned cup above a plaincolumn and turned foot, largest15.5cm high; together with FOURTREEN ‘TODDY’ LADLES, each with aspherical bowl and carved twisthandle, largest 18.5cm long (8)

£300-500

31

71 FH550/28SMALL GEORGE II OAKGATELEG TABLE18TH CENTURYthe oval top with drop-downsides, on baluster legs joinedby turned stretchers, raisedon ball feet

69cm wide (open), 61cm high,

59cm deep

£400-600

72 FH550/376COLOURED PRINT OFWILLIAM SHAKESPEARE19TH CENTURYlaid on glass, in a mouldedgiltwood frame

26cm x 20cm (10.25in x 7.75in)

£200-300

73 FH550/419GEORGE III MAHOGANY ANDINLAY TRAYLATE 18TH CENTURYthe circular tray with amoulded edge and centred bya parquetry star motif

45cm diameter

£150-250

74 FH550/434COLLECTION OF WORKEDHORNcomprising various ladles,spoons and powder horns(qty)

£200-300


75 FH550/21SCOTTISH JAMES I AND VI OAK COURT CUPBOARDEARLY 17TH CENTURYthe moulded rectangular top over a deep frieze carved withtulips and sunburst motifs, above a central cupboard door,carved with thistles and a rose, flanked by flower carvedroundels and cup-and-cover corner posts; the lower part with aleather-lined top, above a pair of cupboard doors carved withflowering urns, above a scrolling apron, raised on stile feet


32

Note:Court cupboards of similar shape were popular in England during thisperiod, and examples can be found in Victor Chinnery, Oak Furniture: TheBritish Tradition, Woodbridge, 1979 pages 322 and 471. This particularexample is rare and interesting for its thistle carving and its diminutiveproportions. Only 127cm high, one other example of a similar height butwider was sold at Wilkinson’s Auctioneers of Doncaster in their HurstCollection & Period Oak Sale in 2010. The thistle carving on early 17thcentury examples such as this one may allude to the ascension of James I &VI to the throne. A beautiful thistle carved panel decorates another 17thcentury cupboard sold at Bonhams, Fine Oak Furniture, Pewter and Works ofArt sale in 2007. Similar thistle motifs can be found on other oak courtcupboards of different periods, such as the example found in anotherBonhams sale, The Beedham Collection: Selected Oak Furniture & Works ofArt 1450 - 1750 in 2012, which is dated Charles I and may have been made inthe North Country. Another example is the Queen Anne cupboard sold at aBonhams Oak sale in 2011, where the combination of thistle and rosedecoration refers to the Act of Union of 1707.

£5,000-8,000


76 FH550/375MANNER OF ALEXIS SIMON BELLE(FRENCH 1674-1734)PORTRAIT OF EMPEROR CHARLES VI OFSPAIN, BOHEMIA AND HUNGARYOil on canvas

66cm x 49cm (26in x 19.25in)

Note:Bears label verso stating ‘Vetted by KunsthistorischesMuseum of Vienna (Dr Karl Schutz, who identified thesitter)’.

£800-1,200

77 FH550/37717TH CENTURY BRITISH SCHOOLPORTRAIT OF CHARLES IOil on canvas

31cm x 23cm (12.25in x 9in)

£300-500


34

78 FH550/37918TH CENTURY FRENCHSCHOOLGARDES A CHEVALPen and ink and watercolour,inscribed

25.5cm x 19cm (10in x 7.5in)

and an oil portrait of agentleman and a reverseprint on glass (3)

£200-300

79 FH550/179PAIR OF TURNEDFRUITWOOD COASTERS18TH / 19TH CENTURYeach of tazza form, on a shortcolumn and a broad circularfoot (2)


£300-500

80 FH550/191COLLECTION OF COLOUREDGLASS BOTTLESincluding green and brownexamples, and one withpainted decoration (8)

largest 33cm high

£400-600

81 FH550/193WROUGHT IRONADJUSTABLE FLOOR LAMPthe scrolled finial above twooutscrolling arms, raised ona tripod base, wired forelectricity

150cm high

£300-500


83 FH550/19CHARLES I OAK BUREAUEARLY 17TH CENTURYthe slant front opening to an interior fittedwith small drawers, open compartmentsand recess well, over three long drawerswith fielded panels flanked by flat balustercolumns, raised on stile feet


£800-1,200

84 FH550/192TWO LARGE CARVED WALNUT FIGURES OFSAINTS PETER AND JOHNeach raised on canted square bases, St Peterwith a key in his right hand, 73cm high; StJohn clutching a Bible in one hand and asword in the other, 73.5cm high (2)

£700-1,000

35

82 FH550/87TURNED YEW WOODWASSAIL BOWL17TH / 18TH CENTURYof slightly waisted form withring turned bands, on a shortturned column and circularfoot


£800-1,200


85 FH550/420SET OF EIGHT REGENCY WINEGLASSESEARLY 19TH CENTURYwith cut and faceted conical cups,on a knopped stem and circularfoot, 10cm high; together with aREGENCY GLASS DECANTER, ofmallet form with a triple ring neckand faceted stopper, 29cm high (9)

£200-300

86 FH550/185SILVERED FIVE ARMCHANDELIER18TH CENTURYthe baluster column above atapered finial, with five out-scrolling arms ending incandle nozzles, 40cm high;together with a BRASSTHREE ARM CHANDELIER,the shaped column above aball finial, with three out-scrolling arms ending incandle nozzles, 42cm highapprox (2)

Provenance:The brass chandelier was purchasedfrom Peter Bontoff.

£200-300


36

87 FH550/46LEATHER BUTLER’S TRAY19TH CENTURYthe brown leather oval tray with aserpentine gallery and scroll handles

59cm long, 36cm deep

£300-400

88 FH550/507LARGE COLLECTION OFHOCK GLASSES18TH / 19TH CENTURYcomprising six sets of varioussize, shape, colour andquantity, some with pruntdecorated stems (qty)

largest 18.5cm high

Provenance:Nicholas Fairbairn’s collection(group of 9)

£400-600

89 FH550/39FRUITWOOD AND OAKCUTLERY BOX18TH CENTURYwith two divisions, a wavyedge and carry handle; andan OAK CUTLERY BOX, ofsimilar style, straight sided (2)

37cm and 37cm long

£200-300


90 FH550/86CHARLES II SILVERED ANDGESSO MIRROR17TH CENTURY AND LATERthe rectangular mirror platein a pierced, gadrooned andacanthus carved framesurmounted by winged puttiholding a cornucopia


£600-800

37

92 FH550/38MAHOGANY BUTLER’S TRAY19TH CENTURYof oval galleried twin handledform

67cm wide

£150-250

93 FH550/265TWO WOOD AND LEATHER BELLOWS18TH / 19TH CENTURYthe first an elm brass mounted example;the second a mahogany example withmetal studs; together with a TURNEDWOOD AND METAL TOASTING FORK; aSTEEL SHOVEL; and a BRASS BEDWARMER (5)

£150-250

91 FH550/48CHARLES II OAK SALT BOX17TH CENTURYthe slant top with a chip carved edge andleather hinge, above a stylised foliatecarved panel


£150-250


38

Silver

96 FH550/302SILVER IRISH BOWLDUBLIN, CIRCA 1745maker’s mark indistinct, withembossed detail of milkmaidsand other pastoral scenes,embossed beaded detail tothe rim, on three hoofed feet

height: 7cm, diameter: 14cm, 6oz

£250-350

97 FH550/304LARGE VICTORIAN SILVERTYGJOHN ALDWINKLE &THOMAS SLATER, LONDON,1884the deep circular bowl ofplain design, with three ‘C’scroll handles, on three ballfeet

height: 16.5cm, diameter of bowl:

14.5cm, 23.4oz

£250-350

98 FH550/311WILLIAM IV SILVER TEAPOTCHARLES THOMAS FOX,LONDON, 1831of squat form with thickbanded detail to middle,hinged lid and ‘C’ scrollhandle

height: 14cm, 19.6oz

£250-300

99 FH550/312WILLIAM IV SILVER TEAPOTWH, LONDON, 1832of squat form with reededdetail to rim and middle, withhinged lid and ‘C’ scrollhandle

Height: 12cm, 14.2oz

£200-300

95 FH550/301GEORGE III SILVER TUMBLERCUPJAMES GISLAND,EDINBURGH, 1783of plain form with anengraved armorial

height: 8cm, diameter: 10cm, 4.7oz

£600-800

94 FH550/300PAIR OF GEORGE IV SILVER MUGSW. & P. CUNNINGHAM, EDINBURGH, 1820of plain baluster form to a stepped circular foot and ‘S’scroll handle, with engraved armorial and ClanMacFarlane motto ‘This I’ll defend’ (2)

height: 9.4cm, combined weight: 12.8oz

£1,000-1,500


102 FH550/306FRENCH SILVER PINEAPPLE PEDESTALCUP AND COVER19TH CENTURYwith 19th century Paris marks, and Londonimport marks for 18XX, the body withtextured relief detail, to a swept circular footof similar design, the pull off cover with acast figural finial


£600-800

39

101 FH550/305IRISH SILVER CARD TRAYJAMES WARREN, DUBLIN,CIRCA 1755of circular outline with scalloped rim,engraved scrolling and foliate detailand armorial to centre, on threescrolling ball feet

diameter: 16cm, 8.9oz

£400-600

100 FH550/303MID 17TH CENTURYSILVER TWIN HANDLEDPORRINGERCIRCA 1660-1690unmarked, the slightlytapered bowl with twin Sscroll cast handles withraised thumbpieces, thebody engraved to front withfeather mantling withinitials Mc / IM within and toreverse with similarmantling with trade symbol4 / XX within, raised on asimple foot

9.5cm high, 9.3oz

Note:Although regularly associated as amerchant or tradesman’s mark theunusual symbol to the reverse ofthis piece is seen in various formsacross Europe. While it has severalpossible origins, it regularly fallsaback to the Quattuor Coronati (thefour Romans who were martyred forChristianity). Another Christian ideasuggests it is a stylised form of thelamb holding the flag. Perhaps thesimplest and most believable is thatthe symbol represents an old set ofscales where one arm wasconsiderably longer than the other,this theory carrying more weight asit connects closely with the tradeangle and also as the symbol is seenon weights and measures.

£800-1,200



40

103 FH550/307LARGE SILVER MOUNTED LEATHER BEAKER18TH CENTURYthe leather body with applied silver lion rampantwithin a wreath motif, with plain silver mounts torim, marks worn

height: 17cm

£1,000-1,200

105 FH550/309GEORGE II SILVERTRENCHER SALTEDWARD WOOD, LONDON,1728of plain elongated octagonaldesign with engraved initialsCTE; together with a PAIR OFSILVER OVAL TRENCHERSALTS, London CIRCA 1703,of plain swept design (3)

combined weight: 4.5oz

£400-600

106 FH550/310LATE VICTORIAN SILVERSUGAR CASTERB.H. JOSPEH & CO.,BIRMINGHAM, CIRCA 1900of baluster form with chasedscrolling and foliate detail, toa swept circular foot;together with a PAIR OF LATEVICTORIAN SILVER PEPPERPOTS, Deakin & Francis,Birmingham 1898, of urnform with beaded detail (3)


£120-160

107 FH550/313LATE GEORGE III SILVERCREAM JUGLONDON, 1812of squat bellied form, withgadrooned detail to body andreaded detail to rim; togetherwith a smaller SILVERCREAM JUG AND SUGARBOWL, London 1886, withembossed floral detail; and aLATE VICTORIAN PEDESTALBOWL, William Neale,Chester 1900, with wrythendecoration (4)


£250-350

108 FH550/314PAIR OF GEORGE II SILVEROPEN SALTSLONDON, 1752of plain cauldron form withengraved armorial to body,raised on three cabriole feetwith blue glass liners andmatching salt spoons;together with a SILVERSUGAR BASKET, HenryBurwash, London 1808, ofplain form, with circular footand swing handle; and aSILVER CREAM JUG, LondonCIRCA 1805, of plain designwith engraved initials, to anoval foot (4)

weighable silver: 10.7oz

£250-350

104 FH550/308GEORGE I SILVER TRENCHER SALTMARY ROOD, LONDON, 1724of elongated plain octagonal form

length: 7cm, 2.6oz

£400-600


115 FH550/319GEORGE III SILVERMINIATURE TUMBLER CUPLONDON, 1771of plain form with engravedscript initials ‘JM’; togetherwith a VICTORIAN SILVERTWIN-HANDLEDPORRINGER, J & F Pairpoint,London 1893, with gadrooneddecoration and gilt interior,base set with a George IIIthree pence piece; and anASSORTMENT OF PEPPERPOTS (7)


£600-800

116 FH550/323CASED SET OF SIXEDWARDIAN SILVER PISTOLGRIP FRUIT KNIVESWD, SHEFFIELD, 1908with scrolling detail tohandles; together with anASSORTMENT OF ITEMS,including various salt andmustard spoons, toddy ladles,knives stands, pin trays etc.(qty)

£220-280

110 FH550/315COLLECTION OF SILVERITEMSto include: a Victorianmustard pot, of cylindricalform with engraved floralswag detail and hinged lid, E& J Barnard, London 1864; acollection of pin trays; twoembossed dishes with floraldetail, marks indistinct; twotea strainers; a cut glass jarwith silver mounts; a smallpepper pot (qty)

£350-450

111 FH550/316MATCHED PAIR OF SILVEROPEN SALTSLONDON, 1801 & 1810modelled as plain basketswith reeded detail to handleand rim, to a swept oval foot;together with a PAIR OFVICTORIAN SILVER OPENSALTS, London CIRCA 1852,with embossed floral detail tothree cabriole feet (4)

Weighable silver: 12.7oz

£350-500

112 FH550/317MATCHED PAIR OF IVORYAND SILVER MOUNTEDPEPPER GRINDERSHUKIN & HEATH,BIRMINGHAM, 1923 & 1936one of tapering cylindricalform the other of sweptcylindrical form both withsilver mounts, together with aVICTORIAN SILVER PEPPERGRINDER, Joseph Braham,London 1888, of cylindricalform with wrythen embosseddetail; and a GEORGE IIISILVER MUG, London 1761, ofplain baluster form (4)

£600-800

113 FH550/320GEORGE III SMALL SILVERTWIN-LIPPED JUGRICHARD MILLS, LONDON,1760of plain design with reededdetail to rim and circular foot,the twin handles of similardetail

height: 4cm, diameter (across

handles): 9.5cm, 2.7oz

£300-500

114 FH550/318GEORGE IV SCOTTISH SILVERMUSTARDEDINBURGH, 1820of plain cylindrical form withreeded detail and engravedarmorial to body, with hingedlid and small loop handle;together with an INDIANPEDESTAL PEPPER CASTER,early 19th century, markedFD, Calcutta, CIRCA 1815, ofplain design with reededdetail to rim and foot; and asmall VICTORIAN SILVERPEPPER POT, of plaincylindrical form with engravedinitials (3)


£300-500

41

109 FH550/322SILVER MOUNTED COCONUT HALF-CUPof plain design, the silver mounts with scallopededges and three cabriole feet, the interior set tothe base with a circular silver plaque withengraved script initials ‘JOB’

height: 9cm, diameter: 12.5cm

£300-400


125 FH550/333MATCHED SET OF TWELVESILVER TABLE SPOONSLONDON, 18TH CENTURYmainly second half 18thcentury, Old English andHanoverian pattern, variousengraved initials and crests(12)

combined weight: 28oz

£500-600

126 FH550/334MATCHED GROUP OF SILVERDESSERT AND TABLE FORKSfifteen mid-18th century tableforks, of Old English pattern,with engraved crests; SIXGEORGE III DESSERT FORKS,of Old English pattern withengraved crests; SIXVICTORIAN DESSERT FORKS,of Old English pattern withengraved initials (27)


£800-1,000

127 FH550/335MATCHED CANTEEN OFFIDDLE, THREAD AND SHELLPATTERN SILVER FLATWARELONDON, 19TH CENTURYcomprising ten table spoons,sixteen dessert spoons andtwelve table forks, engravedwith various initials andcrests (double struck);together with TWOCONTINENTAL TABLESPOONS, also fiddle, threadand shell pattern (qty)


£1,000-1,500

117 FH550/321VICTORIAN SILVER SALVERMARTIN HALL & CO.,SHEFFIELD, 1898of circular outline withscalloped rim to three clawand ball feet, withpresentation inscription tounderside; together with aLATE VICTORIAN SILVERTWIN-HANDLED SUGARBOWL, London 1900, of plaindesign with reeded detail; asmall rectangular SILVER HIPFLASK, Asprey 1911; and aSILVER GOBLET withengraved detail (4)


£300-500

118 FH550/324AEDWARDIAN SILVER SUGARCASTERLONDON, 1902maker’s mark indistinct, ofbaluster form with chasedfoliate detail to a sweptcircular foot, the pierced pullof lid with pineapple finial;together with a SMALLCREAM JUG, of plain designwith engraved armorial (2)

height of caster: 19cm, combined

weight: 12.6oz

£150-200

119 FH550/327GEORGE III SILVER SALVERRICHARD RUGG, LONDON,1760of circular outline withscalloped rim, to threecabriole legs, the undersidewith presentation inscription

diameter: 24.5cm, 13.3oz

£300-400

120 FH550/328SILVER MOUNTED COCONUTCUPJOHN SETTLE & HENRYWILLIAMSON, SHEFFIELD1829heavily carved with foliatemotifs and inlaid abalonedetail, the mounts withchased foliate detail, the pull-off lid with engraved ruralscene of horses, to a carvedwooden stand

height (including wood stand):

18.5cm

£200-300

121 FH550/329TWO PAIRS OF SILVER OPENSALTSMID 18TH CENTURY &LONDON 1841of open circular form withchased decoration, giltinteriors, each raised oncabriole legs with hoof feet (4)


£300-400

122 FH550/331MATCHED SET OF TWELVESCOTTISH SILVER TABLESPOONSKERR & DEMPSTER/HUGHGORDON, EDINBURGH,18TH CENTURYof Hanoverian pattern,engraved with various crestsand initials (9&3)


£500-700

123 FH550/330COLLECTION OF SILVERITEMSMAINLY 19TH CENTURYto include a leather and glasship flask, silver cap,removable silver sleeve; aDUTCH SMALL SILVERSWING HANDLED BASKET,19th century, puttodecoration, raised on piercedand foliate decoratedspreading foot: a PAIR OFFIDDLE AND THREADPATTERN SAUCE LADLES,London 1827, engraved crest;a SET OF SIXTEEN DUTCHSILVER SORBET SPOONS,plain threaded pattern; a SETOF SIX CONTINENTAL,SYLLABUB SPOONS, late19th century, chased shapedbowls, ornately turnedhandles with mother of pearlterminals (qty)

weighable silver: 17oz

£350-550

124 FH550/332MATCHED SET OF TWELVESILVER DESSERT SPOONSLONDON, MID18TH CENTURYof Hanoverian pattern, sixengraved with a crest, sixengraved with monogram (12)


£300-500


42


131 FH550/338COLLECTION OF SILVERTEASPOONS19TH CENTURYcomprising of eleven King’spattern, double struck andtwenty one of various OldEnglish pattern (32)


£250-400

129 FH550/336GROUP OF SILVER TODDYLADLESPOSSIBLY SCOTTISH,CIRCA 1800three with deep circular bowlswith maker’s marks JM to rimand engraved initialsunderside, with simple baleenhandle and cap finial;together with an OARPATTERN TODDY LADLE, JMcKay, Edinburgh 1806 (4)

16cm long

£200-300

130 FH550/337MATCHED SET OF SIXGEORGE III SILVERTABLESPOONSLONDONof Old English pattern withengraved matching crest;together with SIX GEORGE IIITEASPOONS, of fiddle patternwith matching squirrel crest(12)


£250-350

43

128 FH550/324PAIR OF GEORGE III SILVER SAUCE BOATSALEXANDER GOODMAN, GAINSFORD & CO., SHEFFIELD, 1802of plain design with engraved armorial to the body, the sweptcircular foot with reeded detail; together with TWOACCOMPANYING SAUCE LADLES (4)


£1,000-1,500


138 FH550/343GROUP OF SILVER HANDLEDCUTLERYELKINGTON & CO.,18TH CENTURY & OTHERcomprising: a matched set ofeight pistol grip table knives;a SIMILAR CARVING SET; aSET OF SIX SECOND COURSEKNIVES, leaf clasped pistolgrip handles, the steel bladesstamped ‘READ’; TWELVESILVER HANDLED LEAFCLASPED PISTOL GRIPTABLE KNIVES; modern steelblades; and SIX SILVERHANDLED TABLE KNIVES,leaf clasped decoration,engraved crest, plated blades(qty)

£400-600

133 FH550/347PAIR OF QUEEN ANNESILVER CHILD’S TREFIDSPOONSLONDON 1709makers mark worn, oftraditional trefid form withworn initial engraved toreverse of terminal, the ovoidbowls with elongated rat tails(2)

9.5cm long, combined weight 24.7g

£200-300

134 FH550/339PART SUITE OF SILVERFLATWARE AND CUTLERY18TH & 19TH CENTURYcomprising of: eight threepronged table forks, of OldEnglish pattern, eight threepronged dessert forks, OldEnglish pattern (Mappin &Webb, c1940); and twelvesilver handled steel bladedtable knives (qty)

weighable silver: 30oz

£350-450

135 FH550/340REGENCY CARVING KNIFEAND FORKEARLY 19TH CENTURYthe silver handles withengraved royal cypher, withoriginal steel blades andprongs (2)

£150-200

136 FH550/341MIXED GROUP OF SILVERFLATWAREVARIOUS DATES & MAKERScomprising of: six Old Englishpattern eggspoons, engravedcrest; a set of twelve smalltwo prong shell fish forks, ofHanoverian pattern; a set ofsix small forks, plain dognosed terminals, 19th centurycontinental; eight Dutchsyllabub spoons (qty)


£200-300

137 FH550/342GROUP OF GEORGE IIISILVER MOUNTED TODDYLADLEScomprising one with shapedoval bowl, unmarked; anotherwith a circular bowl withgadrooned border; anotherwith an oval bowl, engravedinitials, each with wrythenwhale bone handles, two withsilver terminals; together witha SILVER MOUNTED HORNSPOON; TWO SHOVELSHAPED SALT SPOONS; anda SILVER GILT MUSTARDSPOON, with apostle finial(Qty)

£250-350


44

132 FH550/325LATE VICTORIANBACHELOR’S SILVER TEASERVICECHARLES STUART HARRIS,LONDON, 1895comprising a teapot, sugarbowl and milk jug, each withgadrooned detail to body andreeded and shell pattern tothe rim, with foliate cappedhandles and plain circular feet(3)

height of teapot: 10.5cm, 13.5oz

£300-500


143 FH550/481LARGE SILVER PLATE ONCOPPER PUNCH BOWLstamped J Zimmerman, ofplain hemispherical form to astepped foot; together with APAIR OF 19TH CENTURYSHEFFIELD PLATE SALVERS,slight moulded rim, engravedto the centre with a crest andmotto in a shield surroundedby swags of cloth; ASHEFFIELD PLATE PLAINSWING HANDLED SUGARBASKET (4)

£200-300

140 FH550/344MATCHED GROUP OF SILVERHANDLED FLATWARE ANDCUTLERYMAINLY 18TH &19TH CENTURYcomprising: twelve silverpistol grip handled dessertknives and two-pronged forks(new steel blades), engravedcrests; a SET OF SEVENPISTOL GRIP STEEL BLADEDKNIVES, and two matchingtwo-pronged forks; SEVENSILVER PISTOL GRIP TEAKNIVES, plated blades;TWELVE SILVER PISTOL GRIPSTEEL BLADED TEA KNIVES;TWELVE SILVER HANDLEDPISTOL GRIP SECONDCOURSE KNIVES; EIGHTSILVER HANDLED PISTOLGRIP TABLE KNIVES, and twosimilar (Qty)

£450-550

141 FH550/345COLLECTION OF HORNHANDLED FLATWARE19TH CENTURYto include six table knives, sixside knives all with steelblades; a PART SET OFGEORGE III FRUIT KNIVESAND FORKS, the silver giltblades and prongs withengraved coronets, the hornhandles stained green,together with a furthermatched collection of stainedgreen handled flatware; aMATCHED SET OF SIXBUTTER KNIVES, silverblades; SIX TABLE KNIVES;and a CAMPAIGN FORK ANDSPOON, gilt metal work (qty)

£300-500

142 FH550/346MATCHED GROUP OFTWENTY AGATE ANDHARDSTONE FRUIT KNIVESAND FORKS19TH CENTURY AND LATERthe handles of various shapedagates and hardstones, withIndian/Burmese white metalmounts, the small threepronged forks with wrythenstems, the blades of scimitarform, all engraved with a stagcrest, the banding with castseated buddha decoration (20)

£400-600

45

139 FH550/326SET OF FOUR GEORGE II SILVER OPENSALTSLONDON, 1750each with chased foliate detail to the body,the cartouche with engraved armorial, withscalloped rim and gilt interior, to threecabriole feet (4)


£500-700


150 FH550/492LATE VICTORIAN SILVERMOUNTED GREEN GLASSWINE BOTTLEthe bottle of mallet shape,applied silver plaque to the‘seal’ and a double lippedsilver mount with marks forEdinburgh 1894, J.C (incuse),with associated metal thistlestopper

height: 31cm

£150-250

151 FH550/493SILVER MOUNTED LEATHERBLACK JACK18TH CENTURY STYLEthe slightly bulbous leatherbody with applied sewn workflat section handle, boldfootrim, applied shaped silvershield, the moulded rim withscalloped edge, indistinctlystamped stirling silver, AY464

height: 19cm

£300-500

144 FH550/482GOOD SHEFFIELD PLATECIRCULAR TRAYLATE 18TH/EARLY19TH CENTURYcast bright cut moulded rim,engraved to the centre with ashield and a crest, all raisedon three volute feet; togetherwith TWO FURTHERSHEFFIELD PLATE WAITERS,shaped moulded borders, oneengraved crest raised onthree scrolling feet, the otherlater raised on three foliatevolute feet; an EARLY19TH CENTURY SHEFFIELDPLATE OVAL TEAPOT STAND,threaded border, centralengraved shield and crest,raised on four reeded bracketfeet (qty)

£200-300

145 FH550/487PAIR OF CENTRALEUROPEAN SILVERCANDLESTICKSLATE 19TH CENTURYapparently unmarked, ofsquare knopped form, withfoliate and leaf detailthroughout, to four scrollingfeet (2)


£250-400

146 FH550/483TWIN HANDLED SOUTHAMERICAN SILVER SUGARBOWLstamped ‘STERLING A925’ tobase, with chased decorationdepicting native SouthAmericans, with scallopedrim; together with an18TH CENTURY OPEN SALT,of plain design with giltinterior, engraved decorationand initials, to three ball feetwith indistinct marks, possiblyScandinavian; and aSCOTTISH SILVER SNUFFBOX, maker’s mark for RobertHaxron and three tinker’smarks, of rectangular formwith applied gold plaque tolid, engraved initials to base(3)


£200-300

147 FH550/488GEORGE III SILVER SERVINGSPOONLONDON, 1791Charles Hougham, of OldEnglish pattern, withengraved crest; together withA LATE 19TH CENTURY SOUPLADLE, engraved crest; and aWILLIAM IV IRISH FIDDLEPATTERN SAUCE LADLE,engraved crest (3)


£200-300

148 FH550/489GEORGE III IVORY HANDLEDSILVER CAKE SLICEwith pierced brightcut border;together with a CHILD’SGEORGIAN SMALL SILVERKNIFE AND FORK, the threepieces with green stainedivory handles; and a SILVERHANDLED CARVING KNIFEAND FORK (4)

£150-200

149 FH550/490MIXED GROUP OF CUTLERYAND FLATWARE19TH CENTURYcomprising of: a set of sixsilver handled small knivesand forks, curved steel bladesand two prongs; a smallbutter knife, with greenhardstone handle; a set of fiveGeorge III tea spoons, offiddle and thread pattern withengraved crests; three smallScottish provincial teaspoons, of Hanoverianpattern, maker’s mark only,AG; and a cased set of sixcoffee spoons, rat tail patternwith trefid terminals (Qty)

£150-250


46


The Kitchen & Pantry

47


153 FH550/26WALNUT GATELEG TABLE17TH CENTURY AND LATERthe oval drop-leaf top raisedon bobbin turned legs, unitedby conforming stretchers

112cm wide (open), 70cm high,

91cm deep

£600-800

154 FH550/174ASSEMBLED SET OF EIGHTSTAINED BEECH AND ASHLADDER-BACK CHAIRS18TH / 19TH CENTURYincluding two armchairs, eachwith a rush seat raised onturned legs, joined bystretchers and ending in padfeet (8)

largest carver: 50cm wide,

110cm high

£1,000-1,500


48

152 SIX PORCELAIN BIN LABELS19TH CENTURYeach with a paintedinscription including‘Gooseberry’, ‘Constantia’,‘Port’, ‘Sherry’ and twolabelled ‘Madeira’ (6)

13cm wide approx.

£200-300See illustrations on previouspage


160 FH550/497FOUR DELFTWARE BLUEAND WHITE VASES18TH CENTURYcomprising three balusterexamples of various sizes,and a fluted vase, depictinglandscape scenes, flowersand foliage (4)

largest 22cm high

£200-300

157 FH550/356ARTS & CRAFTS COPPERAND BRASS POSY HOLDERCIRCA 1900of lobe cinquefoil form on areeded stem and shapedfloriform foot, unmarked

12cm high, 13cm diameter

£100-200

158 FH550/495GROUP OF DELFTWAREPLATES18TH CENTURYcomprising four blue andwhite examples and two withpolychrome decoration, alldepicting flowers and foliage(6)

largest 22.5cm diameter

£200-300

159 FH550/418GROUP OF TREENTABLEWARES19TH CENTURY ANDEARLIERincluding two large circulartrenchers, 44cm diameter; asmall turned dish, 24cmdiameter; a rectangulardough bowl, 50cm long; and abowl with a scalloped edge,38cm diameter (5)

£250-350

49

155 FH550/40ROBERT ‘MOUSEMAN’ THOMPSONBREAD AND CHEESE BOARDS20TH CENTURYthe bread board of octagonal form,30.5cm wide; and the cheese board ofoval shape with a handle, 37cm long (2)

£150-250

156 FH550/36GEORGE II OAK SPICE CUPBOARDMID 18TH CENTURYthe panelled cupboard door enclosinga fitted interior with four smalldrawers


£400-600


162 FH550/498TWO PIECES OF PALISSYWARELATE 19TH CENTURYcomprising a jar withmoulded frogs, a snail and asnake on a yellow ground,16cm high; and a lobed dishwith three hares on a greenground, impressed maker’smarks, 19.5cm wide (2)

£150-250

163 FH550/31STAINED WOOD WELLBUCKET19TH CENTURYiron bound cooperedconstruction, with asuspension ring to the archedtop


£120-180


50

164 FH550/150FRENCH OAK SIDE TABLE18TH CENTURYthe rectangular top carved with a ShoveHa’penny game board, raised on twin X-form trestle end supports, joined bystretchers


£500-800

161 FH550/500GROUP OF CONTINENTAL FAIENCE TILES19TH CENTURYeach rectangular tile depicting a leaping hare; nowmounted in three framed panels (14)

longest 171cm, the second 124cm, the third 50cm, 14cm high

£200-300


165 FH550/82GEORGE III MAHOGANY BOWFRONTCORNER CUPBOARD18TH / EARLY 19TH CENTURYthe moulded cornice above a pair ofcupboard doors over two further cupboarddoors opening to shaped shelves

106cm high, 206cm high, 70cm deep

£600-800

51

166 FH550/421COLLECTION OF VENETIAN GLASSWARELATE 19TH / EARLY 20TH CENTURYcomprising a set of eight wine glasses with octagonal bowlsand spiral knopped stems; an assembled suite of wine glasseswith spiral conical bowls, with a similar decanter; six darkamber beakers with gilt rims; an amber bottle shapeddecanter with ribbed sides; and a small gilt flecked jug with adragon handle (qty)

£300-500


176 FH550/517GROUP OF THREE ENGLISHBLUE AND WHITE POTTERYPIECES18TH CENTURYdecorated in the Chinesetaste, comprising a balustershaped coffee pot with adomed lid, 26cm high; a largedish with a barbed rim, 36cmdiameter; and a tea bowl,8cm diameter approx (3)

£200-300

168 FH550/513COLLECTION OF COLOUREDGLASS WARES19TH CENTURYcomprising three decanterswith associated stoppers, onelabelled ‘Brandy’; four piecesof green glass stemware; andvarious liqueur glasses (qty)

£150-250

169 FH550/422GROUP OF GEORGIANGLASSWARE18TH CENTURYof various shape and size,including fluted and conicalexamples, and one with anetched bowl (qty)

largest 20.5cm high

£200-300

170 FH550/423THREE GEORGIAN GLASSTABLE WARES18TH / EARLY 19TH CENTURYcomprising a footed cakestand with spiral stem anddomed foot, 26cm diameter,13cm high; a footed vase withflared mouth and bandedwaist, 19cm high; and servingplate with a dot etched flaredrim, 28cm diameter (3)

£200-300

171 FH550/414GROUP OF GREEN GLAZEDMAJOLICA PLATES19TH CENTURYof typical form, moulded withlayered leaves, variouslymarked with an anchor andthe initials ‘RS’ (23)

20cm diameter

£120-180

172 FH550/514GROUP OF SIX DELFT TILES18TH / 19TH CENTURYdecorated in blue and whiteand polychrome; togetherwith TWO GOTHIC STYLETILES, one mounted in a giltbrass frame with lion pawfeet (8)

largest 15.5cm squared

£120-180

173 FH550/416DERBY PORCELAIN PARTTEA AND COFFEE SERVICE19TH CENTURYeach piece painted withscrolling foliage between giltborders, with red maker’smarks, comprising sevencoffeecups, eight teacups,and eight saucers (qty)

£100-200

174 FH550/413MASON’S IRONSTONE IMARIPATTERN PART DINNERSERVICE19TH CENTURYcomprising seven dinnerplates and six soup plates,printed and impressed marks(15)

plate 26cm diameter, soup

£120-180

175 FH550/508GROUP OF GLAZEDEARTHENWARE19TH CENTURYcomprising three jugs, twolarge jars, two dishes, and adrainer, includingpolychrome, slipware andtreacle glazed examples (8)

largest 31.5cm high

£200-300


52

167 FH550/515GROUP OF TIN GLAZED EARTHENWARE19TH CENTURYincluding a shaving bowl; a lobed dish in the Chinese taste; a boxand cover; a small lobed candle stand; a triangular salt; and a smallCantigalli dish, all with polychrome decoration (6)

shaving bowl 31cm wide

£300-500


178 FH550/263GROUP OF COASTERS19TH CENTURYcomprising of various papiermache, leather and woodenexamples (qty)

largest 13cm diameter

£200-300

179 FH550/196WEMYSS WARE ‘EARLSHALL’TANKARDEARLY 20TH CENTURYdecorated with a continuousscene of huntsmen andhounds, impressed mark


£300-500

53

177 FH550/195THREE SCOTTISH DUNMORE POTTERY PIGS19TH CENTURYcomprising a green treacle glazed examplewith maker’s marks; a green glazed example,and a small money bank; together with aDUNMORE POTTERY LUGGIE and aFREEFORM DISH in treacle glaze (5)

largest 15cm long

£200-300

180 FH550/494WEMYSS WARE ‘LILACS’BEAKER VASEEARLY 20TH CENTURYwith maker’s marks, 16cmhigh; together with a WEYMSSWARE ‘PURPLE PLUMS’PRESERVE JAR, with maker’smarks, 9.5cm high (2)

£200-300


The Upper Hall


181 FH550/85GILT BRASS ‘STARBURST’ CEILINGLIGHT19TH CENTURYthe moulded spiral twist frame withglass panels etched with flower heads

47cm high approx.

£600-800

183 FH550/24FRENCH PROVINCIAL FRUITWOOD DROP-LEAF GATELEG TABLE17TH CENTURYthe oval top above single column endsupports, on sledge feet joined bystretchers


£600-800

55

182 FH550/394JAMES GREEN (BRITISH 1771-1834)LADY CATHERINE DRUMMOND ASDIANASigned and dated 1823, inscribed verso,oil on canvas

75.5cm x 62cm (29.75in x 24.5in)

£1,000-1,500


184 CHARLES II WALNUT CHILD’S WAINSCOT CHAIRCIRCA 1680the panelled back carved with lunettes, interlaced scrolls andflower-head motifs, with downswept arms above a solid seat,raised on turned legs united by peripheral stretchers



56

Note: Children’s chairs of the 17th century tend to be scaled down versions of adultchairs, although frequently with less elaborate carving and detail. Oftenidentified in period inventories as a ‘littel chayre’, they followed the fashion ofthe day with regional ideosyncracies just like their full-sized counterparts.The present child’s chair, with its intricately carved back panel of quatrefoilguilloche centred by flowerheads beneath a top rail with stylised gothicarches stands out for its sophistication, and boasts a rich dark patinationwhich adds to its rarity. For a discussion of 16th and 17th century children’schairs see Tobias Jellinek, ‘Early British Chairs and Seats, 1500-1700’, pgs147-156.

£4,000-6,000


57

185 FH550/238PAIR OF CARVED OAK TERMSFLEMISH, 17TH CENTURYeach carved with a seraphimover acanthus, scrolls andpendant fruit (2)

61cm high

£350-550

186 FH550/246SET OF TURNED WOOD ANDNICKEL MOUNTED SCOTTISHBAGPIPES19TH CENTURYof traditional form with nickeland resin mounts, and atartan covered leather bag;the chanter lacking

£150-250

187 FH550/233FLEMISH CARVED LIMEWOODFIGURE OF SAINT BAVO18TH CENTURYseated with a falcon upon his knee

65cm high

Note:Saint Bavo is the patron saint of Ghent andHaarlem and is most often shown with afalcon and a sword

£1,000-1,500



58

188 FH550/126SCOTTISH CHARLES I OAK WAINSCOT CHAIR17TH CENTURYthe panelled back with down swept arms above a solidplank seat, raised on spiral turned supports, united by aperipheral stretcher


Provenance:By repute once part of Sir Walter Scott’s collection at Abbotsford.

Note:Leslie Taylor said of this chair: “This rich, rustic and primitive oakwainscot chair was found in the West Country, but is believed to havebeen in Sir Walter Scott’s collection of early oak at Abbotsford, hishome in the Scottish borders. As usual, I could not resist such aprovenance, as well as its extraordinary form, so I bought it joyfully! Itsits in a corner of my staircase, where I can see it daily, and gives mecourage and strength to tackle another day!”Abbotsford was the home of Sir Walter Scott since 1811 and it is in theDining Room that he died in 1832. The design of the house - whichScott called his “‘conundrum castle” - was inspired by local historicalbuildings and Scott’s knowledge of Scottish history. Carved stones anddark wooden panelling were salvaged from other buildings to decoratethe house, while his builders created new fittings taking inspirationfrom the historical buildings that Scott admired and wrote about.Furniture and furnishing were purchased in London to match the styleof the decoration and contributed to create the ancient atmosphere andtheatrical appearance that Scott was trying to achieve.Scott was also renowned as an antiquarian and collector, and he oftenjoked about his love for what he called ‘antiquarian old-womanries’. Hewas a very knowledgeable antiquary, as his library demonstrates, andtook great delight in the artefacts he collected - particularly the suits ofarmour, helmets, swords and guns, the accoutrements of a Highlandwarrior and the clubs of an Indian tribesman that to this day decoratethe Armoury.

£2,000-3,000


59

189 FH550/154ITALIAN WALNUT, SPECIMEN WOOD,EBONISED AND PAINTED TABLE CABINET19TH CENTURYthe rectangular top above a configuration ofmarbleized small drawers enclosing apanelled cupboard door, opening to aninterior with further small drawers, on turnedfeet


£800-1,200

190 FH550/235PAIR OF FLEMISH TAPESTRY PANELS17TH CENTURYthe first depicting a seated bearded manholding a tankard, the other depicting aseated woman holding a jug, in later frames(2)


£500-800

191 FH550/166OAK JOINT STOOL19TH CENTURYthe upholstered seat with brass studsdecoration, raised on baluster turnedlegs united by a peripheral stretcher


£250-350


192 FH550/385H. SMITH (19TH CENTURYBRITISH)PARTRIDGESSigned and dated 1828, oil oncanvas

31cm x 40cm (12.25in x 15.75in)

£800-1,200


60

193 FH550/137CHARLES II OAK GATELEG TABLELATE 17TH CENTURYthe oval drop-leaf top on balusterturned and block legs joined bystretchers, on bun feet

97cm wide, 87cm high, 128cm long, extended

£600-800


198 FH550/392JOHN KAY (SCOTTISH, 1742-1826)GROUP OF TEN FRAMEDPORTRAIT AND CHARACTERSTUDIESColoured engravings (10)

£300-500

195 FH550/236REVERSE PAINTING ONGLASSPOSSIBLY DUTCHdepicting an urn of flowers,45.5cm x 34cm; together witha FRAMED GLASS REVERSEPAINTED PRINT depictingFrederick, Prince of Wales,35.5cm x 25.5cm; and afurther FRAMED GLASSREVERSE PAINTED PRINT,‘Childers’, F. Seymour, 26cm x25.5cm (3)

£200-300

196 FH550/237QUILL WORK COAT OF ARMS18TH CENTURYin a carved ebonised frame

44cm high x 31cm wide

£150-250

197 FH550/358TWO NOVELTY PLASTERWALL MOUNTSone modelled as a whimsicalScotsman blowing a set ofbagpipes, the other an angelholding a sheet of music, oncarved oak cartouches (2)

£100-150

61

194 FH550/39319TH CENTURYCONTINENTAL SCHOOLPORTRAIT OF A BOY WITH ADOGOil on canvas

32cm x 27cm (12.5in x 10.5in)

£700-1,000

199 FH550/248FIVE CONTINENTAL FAIENCE TILES19TH CENTURYdepicting a continuous scene of hunters, hounds,hares and stags, in a pine frame

132cm long, 13cm wide

£150-250


Leli’s Bedroom


200 FH550/506GROUP OF FOUR BRASSCANDLESTICKS18TH CENTURYcomprising four examples of variousshape and size, including three withknopped columns and stepped feet, andone with a plain cylindrical column (4)

largest 32cm high

£250-350

201 FH550/88REGENCY MAHOGANY FOUR POSTCAMPAIGN BEDEARLY 19TH CENTURYwith carved slender baluster cornerposts and a hinged canopy frame, raisedon square legs with large brass castors

£1,500-2,500


64

203 FH550/89WILLIAM & MARY STYLE WALNUT UPHOLSTERED SOFALATE 19TH CENTURYthe high triple arch back over a loose cushion seat and scrolledarms, raised on carved legs with lobed buns and ending on scrollfeet, joined by a shaped stretcher, in green velvet upholstery withtassel trim

193cm long, 97cm high, 75cm deep

£1,500-2,500

202 FH550/38918TH CENTURY BRITISH SCHOOLPORTRAIT OF PRINCE HENRYBENEDICT STUART AGED 10Oil on canvas, oval

59cm x 42.5cm (23.25in x 16.5in)

£800-1,200


209 FH550/135CHARLES II OAK JOINTSTOOL17TH CENTURYthe rectangular seat above ashaped apron and turnedlegs, united by peripheralstretchers


£200-300

206 FH550/245FOUR CHINESE BLUE ANDWHITE PORCELAIN JARS18TH / 19TH CENTURYconverted to lamps, ofglobular form, decorated withfishing hamlets andmountains (4)

largest 22cm high

£400-600

207 FH550/93GEORGE III MAHOGANYDRESSING MIRROR18TH CENTURYthe shield shaped mirrorplate between lyre supportsabove one long and two shortdrawers, raised on splayedbracket feet

53.5cm high

£120-180

208 FH550/11ELM LOW TRIPOD TABLE18TH CENTURY AND LATERthe oval top on a shortenedbaluster column, raised on acabriole tripod base, ending inpointed pad feet


£200-300

65

204 FH550/99VICTORIAN ROSEWOOD AND UPHOLSTEREDOTTOMANCIRCA 1860the rectangular hinged top with a loosetapestry cover, opening to reveal a lined voidinterior, the waisted velvet upholstered sidesabove a moulded apron raised on bun feetwith countersunk castors


£800-1,200

205 FH550/104DUTCH OAK AND CROSSBANDEDCHEST OF DRAWERS18TH CENTURYthe moulded rectangular top abovethree long graduated drawers,raised on bun feet, united by amoulded apron


£1,000-1,500


210 FH550/386EARLY 19TH CENTURYBRITISH SCHOOLVIEW OF OXFORD FROMFERRY HINKSEYOil on board

24cm x 34cm (9.5in x 13.5in)

£200-300

211 FH550/38718TH CENTURY ITALIANSCHOOLSANTA MARIA DELLASALUTE, VENICEOil on canvas

50cm x 70cm (19.75in x 21.5in)

£1,000-1,500


66

212 FH550/244PAIR OF CARVED OAK PANELS18TH CENTURYeach rectangular panel with a moulded edge and carvedwith a saint, each holding his attributes, 20cm x 26.5cm;together with a CARVED OAK PANEL, 18th century, withthe initials ‘IHS’, 31.5cm x 21.5cm (3)

£200-300


214 FH550/90GEORGE I WALNUT AND FEATHER BANDEDKNEEHOLE DESKCIRCA 1720the foldover top opening to reveal a fitted interior withfour short drawers and an inset leather writing surface,above an arched kneehole fitted with four recesseddrawers and flanked by eight further short drawers,raised on bun feet, united by a moulded apron


Provenance:Bought from Peter Boughton Antiques in 1990.

£2,500-3,500

67

216 FH550/243PAIR OF ITALIANATE WALNUTLAMPS19TH CENTURY AND EARLIEReach with a knopped column onstepped tripod base, with ogee feet,wired for electricty (2)

49.5cm high excluding fittings

£200-300

217 FH550/107VICTORIAN WALNUT STANDARDLAMPLATE 19TH CENTURYthe spiral turned column on acircular base

161cm high

£120-180

215 FH550/502PAIR OF GEORGIAN BRASSCANDLESTICKS18TH CENTURYeach with a reeded square column,above an embossed square footdecorated with scrolling foliage (2)

18cm high

£250-350

213 FH550/98EMBROIDERED FRAMED WALL MIRROR17TH CENTURY STYLEthe rectangular mirror plate within awoolwork and needlework embroideredcushion frame depicting scrolling foliage andflowers

46cm wide, 49.5cm high

£150-250



68

218 FH550/95GEORGE III OAK AND UPHOLSTEREDOPEN ARMCHAIRCIRCA 1810the buttoned back, padded scroll arms,and stuffed overseat covered in patternedgreen fabric, raised on square taperedlegs, united by an H-shaped stretcher andterminating in ceramic castors


£300-500

219 FH550/91GEORGE III MAHOGANY LOWBOYCIRCA 1760the caddy moulded rectangular top abovethree frieze drawers and a shaped apron,raised on chamfered square legs


£800-1,200

220 FH550/240FRUITWOOD ROUNDELHOLDERwith a pointed finial above theturned holder and cover, allraised on a turned columnand foot, 32cm high; togetherwith an OLIVE WOOD OYSTERVENEERED BOX, the figuredhinged cover opening toreveal a void interior, 28cmwide (2)

£200-300

221 FH550/97VICTORIAN GILTWOOD ANDGESSO MIRRORLATE 19TH CENTURYthe rectangular mirror platein a leaf and berry carvedframe


£150-250

222 FH550/103GEORGE IV ASH TRIPODTABLECIRCA 1830the circular top and turnedcolumn support raised oncabriole legs


£200-300

223 FH550/239CARVED GILTWOOD TABLELAMP18TH CENTURYthe stepped baluster columnraised on a tripod base withscroll feet, with an old paperlabel, converted from acandlestick

75cm high

£150-250


224 FH550/516JAPANESE ARITA PORCELAIN DISH18TH CENTURYof octagonal form, decorated in theimari palette with flowers and birdswith gilt details

22.5cm wide

£200-300

225 FH550/92SMALL OAK KNEEHOLE DESK18TH CENTURY WITH ALTERATIONSthe moulded rectangular top with an insetleather writing surface above one friezedrawer and an arched kneehole, flanked bysix further short drawers, raised on bracketfeet


£1,000-1,500

69

226 FH550/94WILLIAM & MARY STAINEDBEECH AND UPHOLSTEREDSIDE CHAIRLATE 17TH CENTURYthe arched back and seatcovered in red tartan fabric, onknopped legs joined by an X-stretcher, on scroll feet


£400-600

227 FH550/242CONTINENTAL COPPER TABLELAMP19TH CENTURYof pricket candlestick form, withknopped foliate repoussedecorated column and scrolledtripod base

77cm high

£100-200


230 FH550/39117TH CENTURY DUTCHSCHOOLBOY FEEDING A RABBITOil on canvas

27cm x 23cm (10.5in x 9.5in)

£400-600

228 FH550/38818TH CENTURY ENGLISHSCHOOLMAN IN A BLUE FROCK COATOval, pastel

48cm x 34cm (18.75in x 13.5in)

£400-600


70

229 FH550/39020TH CENTURY DUTCHSCHOOLSKATERS ON A FROZENLAKEOil on panel

22cm x 36cm (8.5in x 14in)

£300-500


234 FH550/361VICTORIAN LEATHER ANDBRASS MOUNTED TRUNKof rectangular form, withcopper bosses and brassfittings marked ‘H.G. & R.Ltd’, the void interior withvarious straps


£250-350

233 FH550/102PROVINCIAL OAK NIGHTCUPBOARD19TH CENTURYthe rectangular tray top overan open recess and longdrawer, raised on cabriolelegs ending in pad feet


£150-250

71

231 FH550/96GEORGE III FRUITWOODTRIPOD TABLECIRCA 1800the circular tilt top and turnedcolumn support ending incabriole legs


£500-700

232 FH550/101GEORGE III MAHOGANYCIRCULAR WASHSTAND18TH CENTURYwith turned wooden supportsabove two short drawers,raised on a tripod base,84.5cm high; together withANOTHER OF SIMILAR FORM,79cm high (2)

£200-300

235 FH550/32FRENCH LEATHER COACHTRUNK19TH CENTURYwith brass studs, therectangular hinged lid abovecarry handles to the sides,iron security loops to theback


£200-300

236 FH550/105GEORGE II MAHOGANY ANDFEATHER BANDEDGENTLEMAN’S DRESSINGCABINETCIRCA 1750the caddy mouldedrectangular top above aratchet adjustable mirror andone later lateral archedcupboard door, opening tofive small drawers


£300-500

237 FH550/100GEORGE III OAK HANGINGCORNER CUPBOARDCIRCA 1780the arched fielded panel dooropening to a shelved interior


£100-150

238 FH550/241THREE PIECES CHINESEIMARI PORCELAINLATE 18TH / EARLY19TH CENTURYcomprising two bowls and anoval underplate with a flutedrim, largest bowl24cm diameter; underplate18cm wide; together with aPROVINCIAL CHINESE BLUEAND WHITE BOWL, 15cmdiameter. and a JAPANESEKUTANI PORCELAIN BASIN,31cm diameter (5)

£200-300


72

Other Bedrooms

241 FH550/132PAIR OF OAK PANEL BUNKBEDSMODERNof pegged construction in theearly 18th century style

£300-500

242 FH550/400IAN CHEYNE (SCOTTISH1895-1955)GLEN SLIGACHANSigned, inscribed with titleand dated 60, woodcut

30cm x 35cm (12in x 13.75in)

£200-300

243 FH550/281ITALIAN CARVED GILTWOODAND POLYCHROME LAMP17TH CENTURY ELEMENTSthe spiral carved column on aleaf carved and mouldedsquare base


£150-250

244 FH550/144PAINTED PINE LADDER19TH CENTURYof slightly tapering form, withfive rungs

175cm high

£100-150

240 FH550/127CHARLES II OAK CHILD’S WAINSCOTARMCHAIRLANCASHIRE, CIRCA 1680the panelled back with a shaped crestingrail, downswept arms, and a solid seat,raised on turned legs joined byperipheral stretchers


£1,500-2,500

239 FH550/147OAK PANEL CHESTEARLY 18TH CENTURYthe triple panel hinged topabove an arcaded carvedfrieze and two panel front,raised on stile feet


£400-600


249 FH550/146PAIR OF CONTINENTAL OAKAND WALNUT CHAIRS17TH CENTURYthe arched backs and drop-inseats covered in tartan fabric,the lobed turned supportsjoined by scroll carvedopenwork stretchers (2)


£300-500

247 FH550/151GEORGE III OAK TRIPODTABLEEARLY 19TH CENTURYthe circular snap top andturned column support raisedon cabriole legs


£300-500

248 FH550/111GEORGE III OAK CHEST OFDRAWERSCIRCA 1780the moulded rectangular topabove two short and threelong graduated drawers,raised on bracket feet


£300-500

73

245 FH550/250VICTORIAN PAINTED WOOD NOAH’S ARK19TH CENTURYthe hinged roof opening to a void interior;together with a SMALL GROUP OFASSOCIATED WOOD AND METAL ANIMALS

60cm long

£300-500

246 FH550/109FRENCH OAK SIDE TABLELATE 17TH CENTURYthe cleated rectangular top above onefrieze drawer, raised on turned legsunited by a peripheral stretcher


£400-600



74

250 FH550/124REGENCY GILTWOOD AND GESSO PIERMIRROREARLY 19TH CENTURYthe bevelled rectangular mirror plate in amoulded frame with rosettes to the uppercorners


£300-500

251 FH550/120GEORGE III MAHOGANY AND UPHOLSTEREDGAINSBOROUGH CHAIRMID 18TH CENTURYthe square back and padded downswept armsover a stuffover seat covered in blue fabric,raised on square legs united by an H stretcher


£700-1,000


75

252 FH550/258SHIP’S MODEL OF THE ‘ASTROLABE’with intricate thread rigging above thepainted wood hull, a name plaque to one end,on a wooden stand

51cm long

£150-250

253 FH550/133QUEEN ANNE UPHOLSTERED OAKARMCHAIREARLY 18TH CENTURYthe serpentine top rail over a padded backand seat, with straight arms, raised on turnedlegs joined by peripheral stretchers,upholstered in green suede with brass studdetail


£400-600

254 FH550/39519TH CENTURY CONTINENTALSCHOOLAUTOGRAPHED CARICATURES OFMONKSSepia ink and wash

28cm x 37cm

£150-250


260 FH550/160GEORGE III MAHOGANYBIRDCAGE TRIPOD TABLECIRCA 1780the circular dished top andurn-form turned columnsupport raised on threecabriole legs terminating inpointed pad feet


£400-600

257 FH550/108GEORGE II OAK OPENARMCHAIRLATE 18TH CENTURYthe shaped back with a vaseform splat and outscrollingopen arms, above a solid seatraised on turned legs, unitedby stretchers


£150-250

258 FH550/110GEORGE III STUDDED BLACKLEATHER TRAVELLINGCHEST18TH CENTURYraised on a later mahoganystand, with fluted square legs

63cm wide, 61cm high (including

stand), 32cm deep

£200-300

259 FH550/136GEORGE III MAHOGANYCORNER CUPBOARDLATE 18TH CENTURYthe straight moulded cornersabove a panelled cupboarddoor opening to hangingspace, raised on bracket feet


£250-350


76

255 FH550/398L. HARRISNORTH AFRICAN BERBER IN TURBANSigned and inscribed ‘Morocco’ andindistinctly dated 21-11-83, oil oncanvas laid on board

53.5cm x 43cm (21in x 17in)

£300-500

256 FH550/118CHARLES II OAK JOINT STOOL17TH CENTURYthe padded seat covered in studdedtartan fabric, raised on turned legs,joint by peripheral stretchers


£200-300


77

262 FH550/128GEORGE III OAKCANDLESTANDEARLY 19TH CENTURYthe hexagonal top and facetedcolumn support ending on atripod base


£300-500

263 FH550/168SMALL OAK SIDE TABLE17TH CENTURYthe cleated rectangular topabove a lateral frieze drawer,raised on baluster turnedlegs, joined by a peripheralstretcher


£300-500

264 FH550/257TWO BARTMANNSTONEWARE JUGS18TH / 19TH CENTURYconverted to lamps, each ofovoid form with a single straphandle, largest 47cm highexcluding fitting; togetherwith a STONEWARE VASE ofbaluster form, moulded witha figure of a man amongstgrapevine borders, 31.5cmhigh (excluding fitting) (3)

£300-500

265 FH550/158SMALL OAK SIDE TABLEPART 17TH CENTURYthe rectangular top raised onbobbin turned legs, united bya peripheral stretcher


£200-300

261 FH550/163OAK PANEL DOUBLE BED19TH CENTURY FROM EARLIER ELEMENTSthe four panel headboard between square posts, thefootboard with three panels, raised on stile feet withcastors

202cm long, 130cm high, 140cm wide

£600-900


266 FH550/149LOUIS XV PROVINCIAL WALNUT PRESSCUPBOARD18TH CENTURY WITH ALTERATIONSthe later plank top above two panelcupboard doors, opening to a shelvedinterior, raised on later bun feet


£500-800


78

268 FH550/152PAIR OF FRENCH CHESTNUTSIDECHAIRSEARLY 19TH CENTURYwith pierced vase shapedsplats and drop-in rush seats,raised on chamfered squarelegs and joined by stretchers(2)


£150-250

269 FH550/122GEORGE III MAHOGANYTRIPOD TABLECIRCA 1780the circular tilt top and turnedcolumn support raised oncabriole legs terminating inpad feet


£300-500

270 FH550/131STAINED PINE STOOLEARLY 19TH CENTURYthe rectangular seat with apierced carrying aperture,raised on square tapered legs,joined by peripheralstretchers


£200-300

271 FH550/170CONTINENTAL GILTWOODAND GESSO MIRROR19TH CENTURYthe rectangular mirror platewithin tinted blue glassmargin plates


£200-300

267 FH550/123CHARLES II STYLE OAK ANDUPHOLSTERED SIDE CHAIR19TH CENTURYthe padded back and stuffover seat coveredin studded green fabric, raised on spiralturned legs, united by stretchers


£250-350


272 FH550/140FLEMISH RED LACQUER UPHOLSTEREDOPEN ARMCHAIR17TH CENTURYthe square back, padded downswept armsand stuffed seat covered in salmon-pinkfabric, raised on turned legs, united by aconforming H-shaped stretcher


£400-600

79

273 FH550/142GEORGE II OAK CHEST OF DRAWERSMID 18TH CENTURYthe moulded rectangular top over fourlong drawers and raised on later bunfeet


£600-800

274 FH550/145TURNED BEECH HANGINGWIG STANDEARLY 19TH CENTURYwith spindle rails andadjustable pegs


£200-300

275 FH550/115SMALL VICTORIANMAHOGANY BUFFETCIRCA 1860the three galleried tiersraised on baluster turnedsupports, terminating inbrass caps and castors


£300-500

276 FH550/138QUEEN ANNE STYLEWALNUT ANDUPHOLSTERED PIANOSTOOLLATE 19TH CENTURYthe padded seat covered instudded gold fabric, raised oncabriole legs and ending inpad feet


£250-350

277 FH550/114OAK SIDE TABLE19TH CENTURY WITH SOMEEARLIER COMPONENTSthe moulded rectangular topabove one frieze drawer,raised on four baluster turnedlegs united by an X-formstretcher and ending in bunfeet


£200-300


279 FH550/112CHARLES II CARVED WALNUT OPENARMCHAIRLATE 17TH CENTURYthe caned back with spiral turneduprights and acanthus carveddownswept arms, above a cane seatand raised on spiral turned legs unitedby stretchers


£300-500


80

280 FH550/159GEORGE II MAHOGANY OPENARMCHAIRMID 18TH CENTURYthe square back with ashaped solid splat andoutscrolling open arms, abovea stuffover seat, raised onsquare legs united byperipheral stretchers


£150-250

281 FH550/156QUEEN ANNE WALNUT SIDECHAIRCIRCA 1710with a vasiform splat over adrop-in seat, raised oncabriole legs and pad feet;upholstered in modernneedlework depicting Charles I


£150-250

282 FH550/399SALVATOR ROSA (ITALIAN1615-1673)FROM THE ‘SOLDATI’ SERIESSigned with monogram inplate, etching

14cm x 9cm (5.5in x 3.5in)

and another etching from thesame series framed together

£300-500

283 FH550/134SMALL OAK CUPBOARD19TH CENTURY WITHALTERATIONSwith one multi-panelledcupboard door, opening toreveal a lined interior withhanging space


£150-250

278 FH550/119GEORGE III CARVED PARCELGILT WALNUT MIRROR18TH CENTURYwith scrolling pediments anda giltwood hoho bird, fittedwith a small folding candleshelf; together with a smallbrass candlestick

84cm high

£250-350


287 FH550/165CONTINENTAL OAK CHESTOF DRAWERS17TH CENTURYthe rectangular top above twoshort and three longgraduated drawers, raised onstile feet


£300-500

284 FH550/113CHARLES II WALNUT SIDE CHAIR17TH CENTURYthe cane back with a coronette cristinerail, the cane seat raised on spiral turnedlegs, joined by a conforming stretcher,49cm wide, 110cm high; together with aSIMILAR OAK EXAMPLE, 49cm wide,110cm high (2)

£300-500

286 FH550/129STAINED PINE PEDESTALCANDLESTANDGeorge III style, the circulartop and turned columnsupport ending in a tripodbase


£250-350

81

288 FH550/249PAIR OF MAHOGANY SEWINGBOXES19TH CENTURYeach of sarcophagus form with atartan covered pin cushioncover, 12.5cm wide; togetherwith a MAHOGANY BOX, ofsimilar form, raised on bonefeet, 14.5cm wide (3)

£100-150

285 FH550/161SMALL GEORGE II OAK BUREAUEARLY 18TH CENTURYthe slant front with a moulded edgeenclosing a fitted interior, above three longgraduated drawers, on bracket feet


£500-700


290 FH550/501COLLECTION OF GEORGIANBRASS CANDLESTICKS18TH / 19TH CENTURYof various shapes and sizes,each with a knopped columnstem, one inscribed with theinitials ‘LV’ (12)

largest 22cm high

£600-800

289 FH550/167CHARLES II OAK SIDE TABLELATE 17TH CENTURYthe moulded rectangular top above an Sscroll and rosette carved frieze drawer, onbead and reel turned legs joined by similarstretchers, on block feet


£500-800


82

291 FH550/130JAMES I AND VI OAK BACKSTOOLEARLY 17TH CENTURYwith an openwork panelled backabove a solid seat, raised onshort bobbin turned legs, unitedby peripheral stretchers


£400-600


292 FH550/139CHARLES I OAK BACK STOOLLATE 17TH CENTURYthe panel back centred by arosette carved lozenge, abovea moulded plank seat raisedon turned and block legsjoined by stretchers

£300-500

293 FH550/396WILLIAM MOUNCEY(SCOTTISH 1852-1901)RIVER LANDSCAPE WITHCATTLESigned and dated ‘97, oil oncanvas

30cm x 39cm (12in x 15.25in)

£600-900

294 FH550/397WILLIAM ALFRED GIBSON(SCOTTISH 1866-1931)THE APPROACHING STORMSigned, oil on canvas

34cm x 44cm (13.5in x 17.25in)

£800-1,200

83


300 FH550/155OAK TWO-TIERED DUMBWAITER19TH CENTURYthe two galleried graduatedtiers raised on a turnedcolumn support and tripodbase, reduced in height


£200-300

297 FH550/143GEORGE III WALNUT MIRROR18TH CENTURYthe rectangular mirror platein fret cut scrolled frame


£100-150

298 FH550/261PAIR OF PATINATED METALWALL LIGHTSeach with narrow back platewith a circular finial over anadjustable candle arm andcurved shade (2)

68cm high

£300-500

299 FH550/141SET OF FOUR GEORGE IIIOAK SIDE CHAIRS18TH CENTURYwith vase shaped splats andplank seats, raised on squarelegs joined by stretchers (4)


£300-500


84

295 FH550/169CHARLES II OAK ARMCHAIR, POSSIBLY SCOTTISHMID 17TH CENTURYthe triple panelled back with a fluted archedcrest rail and downswept scroll arms, raised onturned legs joined by a peripheral stretcher

103cm high

Note:For a similar example with a sunburst crest rail andshaped ears, see Tobias Jellinek, ‘Early British Chairs andSeats 1500-1700’, pg. 114, plate 123.

£2,000-3,000

296 FH550/116GEORGE III OAK OCCASIONAL TABLE18TH CENTURYthe circular top and chamfered squarecolumn support raised on a domed basewith four outset scroll feet


£800-1,200


85

302 FH550/153GEORGE II OAK BUREAUMID 18TH CENTURYthe fall front enclosing a stepped fittedinterior with covered well, with threelong graduated drawers, raised onbracket feet


£500-800

303 FH550/251PAIR OF WALNUT BARLEYTWIST TABLE LAMPSeach spiral carved columnabove a circular stepped base(2)


£100-150

304 FH550/117CHARLES II STYLE OAK ANDUPHOLSTERED OPENARMCHAIREARLY 20TH CENTURYthe padded back and stuffoverseat covered in red tartanfabric, raised on turned legs


£200-300

305 FH550/252PAIR OF OVER-PAINTEDPINE LAMPSeach of baluster form, with akey pattern silk shade (2)

49cm high (excluding fitting and

shade)

£150-250

301 FH550/121GEORGE II WALNUT OPEN ARMCHAIR18TH CENTURYrectangular back with a serpentine toprail, over a stuffover seat and scrollingopen arms, raised on square straight legsjoined by stretchers, in brown suedeupholstery


£800-1,200


306 FH550/259TWO FLEMISH TAPESTRY FRAGMENTS17TH CENTURYthe first depicting two women and a beardedman, in an octagonal frame, 30cm x 37cm; theother depicting a bare foot and robe section,framed, 50cm x 28cm (2)

£250-350

87

The Attic

307 FH550/106GEORGE III BEECH AND WALNUTCORNER CHAIRLATE 18TH CENTURYthe curved top rail with two vaseshaped splats, above a drop-inseat, raised on square legs unitedby stretchers


£100-150

308 FH550/256GROUP OF FOUR PAPIER MACHETRAYScomprising three circular trayspainted with fleur-de-lys, 30.5cmdiameter; and a Victorian ovaltray decorated in gilt with flowers,44cm long (4)

£150-250

309 FH550/512TWO INDIAN PAPIER MACHEANIMAL PULL TOYScomprising a leopard and pair ofoxen, each raised on a woodenbase with wheels; together with aSTUFFED MOHAIR TOY TIGER,and a PAINTED WOOD PIGEONDECOY (4)

£150-250

310 FH550/177SMALL OAK SIDE TABLEEARLY 19TH CENTURYthe rectangular plank top raisedon chamfered square legs unitedby an H shaped stretcher

53cm wide, 62cm hign, 45cm deep

£150-250

311 FH550/172TWO SCOTTISH PRIMITIVE ASH‘CROFTER’ SIDE CHAIRS19TH CENTURYwith ladder backs and later rushseats, raised on square legsjoined by stretchers (2)

largest chair 51cm wide, 85cm high

£150-250

312 FH550/432COLLECTION OF TREENincluding a variety of bowls,including footed examples; a pairof brass mounted candle lampbases with glass shades; and twowooden goblets (qty)

£200-300

313 FH550/255WHITE MARBLE BUST OF A BOYPOSSIBLY ROMANcarved with short wavy hair, with a hollowopening to the back of the head

26cm high

£500-800



88

316 FH550/352PAINTED PINE BOX19TH CENTURYwith a lift off cover, paintedblack and labelled‘PROBATES’, 42cm wide,22cm high, 25.5cm deep,together with a BLUEPAINTED STOOL, 19thcentury, 50.5cm long, 24cmhigh (2)

£120-180

315 FH550/157SCOTTISH PROVINCIAL CHESTNUTCRIB19TH CENTURYwith serpentine scroll ends andcorner finials, on rocker rails


£200-300

314 FH550/253PAIR OF CHINESE CELADON GLAZEDFUNERARY VASESSONG DYNASTYeach of tapered bottle form with agarlic mouth neck, modelled withcreeping chilong and mythical beastsabove a band of figures, each in afitted wood case (2)

59cm high

£2,000-3,000


321 FH550/425COLLECTION OF COSTUMEAND LINENcomprising a boxed net veiland wax flowerbudheaddress; various Victorianchristening gowns andclothing; and a largecollection of household linen,including embroidered andcrochet examples (qty)

£200-300

322 FH550/171GEORGE III OAKADJUSTABLE CANDLESTANDLATE 18TH CENTURYthe height adjustableoctagonal top, raised on aturned column supportending in a tripod base


£300-500

319 FH550/357GROUP OF LEATHER SPORTAND GAME ITEMSincluding five various leathertumblers, a cricket ball, gamepouch, quiver and silvermounted dress powder flask;together with a PAIR OFSCOTTISH BADGER HAIRSASH PINS, with purplecairngorm finials, and FOURLIGNUM VITAE BOULES (qty)

£250-350

320 FH550/424COLLECTION OF EASTERNEMBROIDERED TEXTILEScomprising a child’s velvetwaistcoat, worked in giltthread; a plush hat; a Chinesesilk bell pull; a linen runner;a square linen panel workedin gilt thread; and variouspatches and small panels,some worked in silver and giltthread (qty)

£100-200

89

318 FH550/178REGENCY LEATHER BOUNDTRAVEL TRUNKEARLY 19TH CENTURYwith brass studs and ironcorners, the hingedrectangular top with tasseltrim, carry handles to thesides, brass castors, theinterior with label for ‘JOHNBUNDY, 49 HIGH HOLBORN,LONDON’


£150-250

317 FH550/125CONTINENTAL STRIPPED PINE HOBBYHORSE19TH CENTURYwith iron strapwork and a jute maneand tail

93cm long, 71cm high

£400-600

317A FH550/254PAIR OF WROUGHT IRON STANDINGCANDLESTANDSeach with pricket drip tray above aknopped column, on a tripod base (2)

120cm high

£150-250


330 FH550/429PRINTED LINEN, BYZOFFANY IN ‘CROWNDAMASK’with a repeating patterndepicting crowns andacanthus leaves in rustbrown, 976 x 137cm approx;together with a CUT SILKVELVET PANEL, with arepeating foliate pattern inmoss green, 271 x 238cmapprox; and a COLLECTIONOF MODERN CUSHIONS, ofvarious sizes (qty)

£100-150

327 FH550/392AJOHN KAY (SCOTTISH, 1742-1826)GROUP OF FRAMEDCHARACTER STUDIESEngravings (10)

£300-500

328 FH550/428TWO PAIRS OF SILKBROCADE CURTAINSeach lined, with faded pinkscrolling acanthus leaves on agold ground (4)

281cm drop approx.

£200-300

329 FH550/520GROUP OF COLOUREDGLASS BOTTLES18TH / 19TH CENTURYincluding green and brownexamples, one with distressedpainted decoration (8)

largest 32cm high

£150-250


90

331 FH550/430GROUP OF EMBROIDEREDAND NEEDLEWORKCUSHIONSincluding wool work, velvetand silk examples (qty)

£100-150

332 FH550/431GROUP OF CARPET FACEDCUSHIONSof various shape and size,largest 51cm wide; and twocut crewel work cushions,depicting flowering foliage,50cm wide (12)

£250-350

324 FH550/511GROUP OF COPPER ITEMScomprising a large hot waterjug inscribed ‘Four Gallons’,46cm high; a brass mountedcoal bucket, 30.5cm high; abrass mounted warmingbasin with a tin liner, 31cmwide; and a small bucket witha bale handle, 16cm high (4)

£250-350

325 FH550/521THREE ‘STARBURST’CEILING LIGHTS20TH CENTURYeach of similar form, themetal frames with plainglazed panes (3)

largest 63cm high approx.

£200-300

326 FH550/426COLLECTION OFEMBROIDERED TEXTILEScomprising a Glasgow Schoolbell pull; various panels andrunners, including somecrewel work examples,various velvet and silk pieces;and some woven panels (qty)

£150-250

323 FH550/260VICTORIAN NEEDLEWORK PANEL19TH CENTURYdepicting Prince Edward and PrincessVictoria dressed as a Highland lad andlassie, with a terrier, unframed

60cm x 48cm

£150-250


336 FH550/271KHORASSAN CARPETEAST PERSIA, LATE19TH/EARLY 20TH CENTURYthe burgundy field with alloverstylised palmette and foliatepattern, within blue borderbetween yellow bands

430cm x 392cm

£500-800

334 FH550/269NORTHWEST PERSIANRUNNERLATE 19TH/EARLY20TH CENTURYthe indigo field with alloverherati pattern, within ivoryrosette and vine borderbetween red bands

305cm x 105cm

£100-200

335 FH550/270TEKKE JUVALTURKMENISTAN, LATE19TH/EARLY 20TH CENTURYthe red field with fourcolumns of four guls, withinreddish-cream star borderbetween bands, plain elem,kelim back

132cm x 70cm

£100-200

91

Rugs & Carpets

333 FH550/266TEKKE CARPETTURKMENISTAN, LATE 19TH/EARLY20TH CENTURYthe red field with four columns of twelve guls,within red and rose pink starburst borderbetween bands, serrated lozenge elem

244cm x 158cm

£500-700


337 FH550/273KAZAK RUGSOUTH CAUCASUS, LATE19TH/EARLY 20TH CENTURYthe indigo field with threepolychrome hooked lozengemedallions, within red shieldinner and white star outerborder between bands

190cm x 140cm

£250-350

340 FH550/275NORTHWEST PERSIAN RUGTABRIZ OR SAROUKFEREGHAN, LATE19TH/EARLY 20TH CENTURYthe lemon field with alloverstylised boteh and foliatepattern, within pinkish redstylised palmette and rosetteborder between blue bands

168cm x 98cm

£300-500


92

338 FH550/272USHAK CARPETWEST ANATOLIA, LATE19TH CENTURYthe red field with allover greypalmette and cruciform motifpattern, within red rosetteand diagonal branch borderbetween indigo bands; withthree offcuts to one longborder

450cm x 390cm

£400-600

339 FH550/274BRITISH OR IRISH RUNNERLATE 19TH/EARLY20TH CENTURYof Ushak style, the green fieldwith six orange palmettes,within orange stylised vineborder between bands

355cm x 92cm

£100-200


346 FH550/280AINDIAN CARPETLATE 20TH CENTURYthe purple field with two off-blue lozenge medallions,similar spandrels, withinmultiple borders

268cm x 180cm

£150-250

343 FH550/277NORTHWEST PERSIANSHORT RUNNERPOSSIBLY DATED 1361 AH(1943 AD)the ivory field with camelmedallion, brown spandrels,within brown stylised vineborder

222cm x 99cm

£100-200

344 FH550/278SOUTH CAUCASIAN RUNNERLATE 19TH/EARLY20TH CENTURYthe grey field with alloverstylised rosette pattern,within green octagon borderbetween orange bands

255cm x 112cm

£150-250

345 FH550/279WEST PERSIAN CARPETPROBABLY SERABEND, LATE19TH CENTURYthe red field with elongatedindigo medallion, ivoryspandrels, within ivorystylised vine border betweenred bands

356cm x 203cm

£200-300

93

341 FH550/280USHAK CARPETWEST ANATOLIA, LATE19TH/EARLY 20TH CENTURYthe red field with stylisedfoliate and palmette lozenge,flanked by similar motifs, noborder

372cm x 278cm

£300-500

342 FH550/276TABRIZ RUGNORTHWEST PERSIA, LATE19TH CENTURYthe brick red field with creammedallion, similar spandrels,within brick red palmette andvine border between indigobands

157cm x 120cm

£150-250


The Oak Room


347 FH550/51CHARLES II OAK AND WALNUT MITREMOULDED CHEST OF DRAWERSDATED 1682in two parts, the moulded top above two shortand three long graduated drawers, flanked byspiral turned split pilasters, raised on laterbun feet


£1,000-1,500

348 FH550/505TWO PAIRS OF GEORGIANBALUSTER BRASSCANDLESTICKS18TH / EARLY 19TH CENTURYcomprising a larger pair, eachwith a knopped column abovea stepped octagonal foot,23cm high; and a smallerpair, of similar design, eachwith a conical circular foot,17cm high (4)

£250-350


96

349 FH550/219PAIR OF FLEMISH CARVED WALNUTPILASTERS17TH CENTURYeach with a figural term depicting puttoholding a fruiting vine and cornucopia withscrolls, shells and pendant fruit (2)

67cm long

£300-500


350 FH550/229THREE EARLY NEEDLEWORK FRAGMENTS17TH CENTURY AND EARLIERthe first depicting the Madonna and child, working inwool, silk, and metallic thread; the next a standingfigure of a female saint worked in wool and linen; thelast depicting the Archangel Gabriel with shepherdsand text ‘Dixit Gloria In Excelsis Deo’, worked inmetallic threads and wool; all mounted and framed (3)

£300-500

97

351 FH550/55KNOLE THREE SEAT SOFAof typical form, with drop sides and threecushioned seat, in gold damask upholsterywith tassel trimming


£700-1,000



98

354 FH550/56SCOTTISH GEORGE III ELMUPHOLSTERED WING ARMCHAIR18TH CENTURYthe high back with an arched top rail,over curved wings and short scrollarms and loose cushion seat, raisedon square cabriole legs, joined byblock turned stretchers

73.5cm wide, 125cm high, 54cm deep

£1,000-1,500

353 FH550/215EASTERN ORTHODOX ICON OFSAINT MICHAEL17TH / 18TH CENTURYpolychrome painted on woodpanel, the saint wearing a crownand holding a shield

35.5cm x 27.5cm

£400-600

352 FH550/60GERMAN OAK DROP-LEAF GATELEG TABLE17TH CENTURYthe oval top with drop-leaf sides, raised onscroll-cut trestle supports

115cm wide (open), 68cm high, 101cm deep

£800-1,200


99

358 FH550/72PAIR OF VICTORIANUPHOSTERED FOOTSTOOLS19TH CENTURYwith curved ends, covered incut velvet upholstery (2)


£200-300

357 FH550/54SMALL WELSH OAK COFFORBACH18TH CENTURYthe loose rectangular top overthree panel front and twoshort drawers to the base,raised on shaped bracket feet


£1,000-1,500

355 FH550/218PAIR OF CARVED OAK PANELS OFSAINTS17TH / 18TH CENTURYeach figure carved in relief, one holding adove, the other holding a column base (2)

37.5cm high

£200-300

356 FH550/58SCOTTISH GEORGE III WING ARMCHAIR18TH CENTURYthe wide padded back with a serpentine toprail flanked by deep curved wings, over widescrolling arms and loose cushion seat,raised on straight moulded legs, joined bystretchers, in pea green velvet upholstery


£800-1,200


359 SCOTTISH CHARLES II OAKCAQUETEUSE ARMCHAIRDATED 1674the arched cresting toprail abovea panelled back, carved withinitals ‘I F G’ over the date ‘1674’leading to outscrolled arms anda spreading plank seat, raisedbaluster turned and block legsjoined by stretchers, turned feet


Note:This distinctive type of chair is a fineexample of the Franco-Scottishcacqueteuse chairs popular in the 17th century. The seaports on the eastern coast ofScotland supported a thriving trade andimport business more notably fromFrance to Aberdeen, which was a majorcentre of furniture craftsmanship. TheFrench influence can be seen in thisexample in the general form of thechair and in the architectural nature ofthe back. This example is alsocomparable to a group of chairsexecuted in the Scots vernacular styleand assembled at Trinity Hall,Aberdeen, whose significant featuresinclude a tall narrow back, a seat ofalmost triangular shape and the armssweeping round to grasp the sitter. Asimilar armchair was sold at Christie’sSale 6546, lot 333, ‘A collection of earlyoak furniture and metalware’ on 21stMay 2001, and another is illustrated inVictor Chinnery ‘Oak Furniture, TheBritish Tradition’, Woodbridge, 1979,p460, fig 4.94. Based on researchcarried out by Leslie Rankline Taylor,the initials on the back of this chair mayrelate to the Gunn family of Lybster,Caithness. The Gunn family, fromNorwegian descent, is an old clan whocan trace their presence in the countryto the early 13th century; they claimdescent from the legendary SweynAsleifsson, the so-called ‘UltimateViking’.

£6,000-8,000


100


360 FH550/62THREE CHARLES II OAK JOINT STOOLS17TH CENTURY AND LATERwith replaced panel seats, raised onturned baluster legs, with block feet joinedby peripheral stretchers (3)

largest 44cm wide, 51cm high, 31cm deep

£1,000-1,500

361 FH550/38118TH CENTURY CONTINENTALSCHOOLPORTRAIT OF A GERMANNOBLEMANcirca 1720, oil on canvas, the figurewith his hand resting on the book ofSeneca

99cm x 69cm (39in x 27.25in)

£2,000-3,000

101

362 FH550/224SET OF NICKEL AND IVORINEMOUNTED SCOTTISHBAGPIPES19TH CENTURYof traditional form, withturned hardwood drones,chanter and mouthpiece, withtartan covered leather bag,the chanter signed ‘R.G.Lawrie, Edinburgh’; togetherwith another CHANTER,ivorine mounted signed‘Alexander’

£250-350

363 FH550/227GROUP OF CLEAR GLASSDECANTERS19TH CENTURYEnglish and Continentalexamples of various shapesand sizes, some with etchedand cut decoration, andassociated stoppers (8)

tallest 28cm high

£300-500

364 FH550/76GEORGE III STYLE OAK TRAY19TH CENTURYwith a serpentine gallery andopen handles

51cm long, 42cm wide

£150-250

365 FH550/65OAK HANGING CORNERLIVERY CUPBOARD17TH CENTURY AND LATERthe moulded cornice above adoor with a spindled topsection over a carved panelflanked by ovals, on amoulded base


£400-600


368 FH550/68PAIR OF CHARLES II OAK UPHOLSTEREDFOOTSTOOLS17TH CENTURYthe padded square tops over turned column legs,joined by peripheral stretchers (2)


Note:Leslie Rankine Taylor purchased these stools in 1990. Theprevious owner had bought them in the 1970s from the EstateSteward of Earl Sondes of Sheldwick Manor and Lees Court,near Faversham, Kent. The previous owner wrote an interestingletter to Leslie, stating that the Earl had a reputation for violence“when in his cups”: “I was shown into the Billiard Room, whichwas piled high with broken antique furniture and porcelain,smashed in drunken frenzy. Any dealer would give their eye teethto have such pieces for their restorer today!”See Chinnery, pg. 34, fig. 1:6A

£1,500-2,500


102

366 FH550/59QUEEN ANNE UPHOLSTERED WINGARMCHAIRCIRCA 1710, POSSIBLY IRISHthe rectangular back with a serpentine toprail and deep serpentine wings, over paddedscroll arms and a loose cushion seat, raisedon ebonised shaped cabriole legs, joined bya scroll-cut stretcher and ending on padfeet, in green velvet upholstery


£1,000-1,500

367 FH550/57SCOTTISH GEORGE I UPHOLSTERED WINGARMCHAIR18TH CENTURYthe high straight back with an arched toprailand deep curved wings, above scroll arms anda loose cushion seat, raised on cabriole legsending in pad feet and joined by turnedstretchers


£2,000-3,000


369 CHARLES I OAK CREDENCE TABLEEARLY 17TH CENTURYthe hinged oval drop-leaf top above a strapwork and bosscarved frieze, on turned legs above an undertier, with blockfeet

106cm wide, 80cm high 52cm deep, unextended

Provenance:By family repute, from the home of Sir Francis Drake.

103

Note:For a similar example, see Chinnery, Oak Furniture, p302, figure 3:203.This is an example of the earliest forms of folding tables to be provided witha gate, now called ‘gate leg’ tables although this term was not in use in the17th century. These were fitted with a gate and leaf on one side, so that theycould be turned to side tables and pushed against a wall. In this example andin the one illustrated in Chinnery, the falling leaf is hung at the back andsupported by the gate. In the Chinnery example, the rear leg and stretcherare split to form the gate, while in this example the legs are joined by anundertier. Underneath the top a finely decorated compartment can be found,with very similar carving in both examples.

£4,000-6,000


370 FH550/64ITALIAN CARVED GESSO ANDPAINTED STANDARD LAMP19TH CENTURYin the form of a pricket stick,carved with trailing flowers,volute scrolls and acanthus,on a tripod base


£700-1,000

371 FH550/78FIVE LEATHER FIRE BUCKETS19TH CENTURYof typical form with strap handles and brass orcopper fittings, two with painted decoration (5)

largest 30cm high, 27cm diameter (excluding handle)

£300-500

372 FH550/67SMALL CHARLES II OAK JOINT STOOLCIRCA 1680the moulded square seat above a lunettecarved frieze, raised on baluster turned legs,united by a peripheral stretcher, 44cm wide,32cm high; together with a CHARLES II OAKJOINT STOOL, 17th century and later, theassociated top raised on turned legs, joinedby a peripheral stretcher, frieze stamped IA,33cm wide, 37cm high (2)

£400-600


104


380 FH550/519GROUP OF BRASS WARES18TH / 19TH CENTURYincluding a mortar, anembossed box, a tobacco box,a thistle shaped measure, anda pair of small brass footmen(6)

£250-350

374 FH550/222TWO TAXIDERMYPHEASANTS(PHASIANUS COLCHICUS)comprising a male on anaturalistic wooden base,55cm long; and a leucistichen, raised on an oval woodenbase, 43cm long approx. (2)

£150-250

375 FH550/223PAIR OF PAINTED OAKBALUSTER LAMPS18TH CENTURY STYLEon a stepped hexagonal foot,with gilt painted highlights (2)

67cm high excluding fittings

£150-250

376 FH550/73MAHOGANY TORCHERE19TH CENTURY, POSSIBLYAMERICANthe plain circular top over aspiral and foliate carvedcolumn, on a tripod baseending in claw and ball feet


£400-600

377 FH550/74WROUGHT IRON DOUBLECANDLESTAND19TH CENTURYthe central column with aloop finial above adjustabletwo-light candle arms, on atripod base; together withANOTHER SIMILAR, with asingle pricket candleholder (2)

120cm and 150cm high

£300-500

378 FH550/75PATINATED BRASS SIX LIGHTCHANDELIER20TH CENTURYin the 17th century Dutchmanner, the baluster shapedcolumn with six outscrollingcandle arms

65.5cm high

£250-350

379 FH550/228BRASS MORTAR ANDPESTLE17TH CENTURYof typical form

14cm diameter, 11cm high;

pestle 22cm long

£100-150

105

373 FH550/69GEORGE II OAK DUMBWAITERMID 18TH CENTURYwith three dished circular tiers,on a turned gun-barrel columnsupport ending on a tripod base


£700-1,000


381 FH550/53SCOTTISH CHARLES II OAK CAQUETEUSE17TH CENTURYthe acanthus carved and pierced toprail centred by a crown,above a panel back and outscrolled arms, the spreading plankseat raised on baluster turned and block legs joined bystretchers and ending in turned feet, bearing a white metalplaque inscribed: ‘OLD SCOTTISH CROWN CHAIR FROMLINLITHGOW PALACE’



106

Note:The small plaque on this chair states that it came from Linlithgow Palace,once a stronghold for Scottish royalty and called home by many Stewartkings and queens. Legend has it that the good people of the town rushed tosalvage the valuable pieces of furniture as the palace was burned down bythe Duke of Cumberland in January 1746 during the Jacobite rebellion. Overtime pieces of furniture bearing similar plaques stating their LinlithgowPalace provenance have come to light. Leslie Rankine Taylor purchased thischair in the early 1960s.

£5,000-7,000


107


383 FH550/213SCOTTISH PEWTER ‘TAPPITHEN’18TH CENTURYof ‘Scot’s Pint’ capacity, inscribedto the lid ‘IT’; together with aNORMANDY PEWTER LIDDEDMEASURE, of similar form (2)

£200-300


110

382 FH550/71CHARLES II OAK JOINT STOOL17TH CENTURYrectangular panel top above a mouldedfrieze, raised on turned column legs withblock feet, joined by peripheral stretchers


£300-500

385 FH550/77OAK RELIQUARY CASEPROBABLY 17TH CENTURYthe top with a bone crucifix,above a foliate carved frieze,over an open recess, above asimilarly carved base

49cm wide, 43cm high, 14.5cm deep

£300-500

386 FH550/80BAMBOO LADDER19TH CENTURYof slightly tapering form, withfive rungs

184cm high

£120-180

387 FH550/355COLLECTION OF BONE ANDHORN SPOONS19TH / EARLY 20TH CENTURYvarious shapes and lengths,together with bone picks andmarrow scoops (qty)

£100-150

388 FH550/383AFTER REMBRANDTPORTRAIT OF A MAN WITH ATURBANOil on panel

39cm x 29.5cm (15.25in x 11.5in)

£500-800

384 FH550/79CONTINENTAL PARCEL GILT AND PAINTEDWOOD AND GESSO MIRROR17TH CENTURYthe shaped mirror plate in a frame carvedwith scrolling acanthus and fruit


£400-600


390 FH550/351GROUP OF TREEN BOWLS AND CONTAINERS19TH CENTURYcomprising a Scandinavian painted treen bowl,26.5cm diameter; a Scandinavian red-paintedmortar with a metal band, 13cm diameter; aScandinavian birch bark canister, 13cm high; acoopered pail with metal mounts, 14,5cm high;and a coopered container and cover, 18cmdiameter (5)

£300-400

391 FH550/360BRASS ALMS DISHNUREMBERG,17TH CENTURYand another smaller

larger 47cm diameter;

smaller 31cm diameter

£300-400

111

389 FH550/354COLLECTION OF HORNBEAKERS19TH / EARLY 20TH CENTURYof various sizes; together witha horn dish, pair of tankards,snuff box, cup, andmagnifying glass (qty)

£200-300


394 FH550/38418TH CENTURY ENGLISHSCHOOLEXOTIC FOWLOil on canvas laid on panel

34cm x 28.5cm (13.25in x 11.25in)

£400-600

392 FH550/38016TH/17TH CENTURYITALIAN SCHOOLDOUBLE PORTRAIT OFSAINTSOil on canvaseach portait measures 34cm x34cm (13.25in x 13.25in), bothsharing the same frame

£400-600

393 FH550/382EARLY 18TH CENTURYENGLISH SCHOOLBOY IN A BLUE DRESS WITHA GREYHOUNDOil on canvas

73cm x 59cm (28.75in x 23.25in)

£700-1,000


112


113

395 FH550/81CHARLES II OAK CREDENCE TABLE17TH CENTURYthe angled top above a scrolling foliatecarved frieze with a central short drawerand arched apron, raised on circularstraight tapered legs


£800-1,200

397 FH550/433COLLECTION OF PEWTER18TH / 19TH CENTURYwith various touch marks,including Scottish and Irishexamples, comprisingchalices, a tankard, smalllidded measures, quaichs,porringers, candlesticks, ajug, and various dishes (qty)

£200-300

398 FH550/230CARVED OAK BALUSTERLAMP19TH CENTURYcarved acanthus leaves,raised on a circular foot withrope-twist decoration and gilthighlights, converted from acandlestick

51cm high excluding fittings

£300-500

399 FH550/226FRUITWOOD AND BRASSMOUNTED CANDLESTICK18TH / 19TH CENTURYthe removable brass sconceand drip tray with copperbosses, on a turned columnand platform base

50cm high

£150-200

400 FH550/216GILT AND CARVED WALNUTLAMP19TH CENTURYthe circular drip tray andbaluster column raised on atripod base with scroll feet,converted from a candlestick


£200-300

396 FH550/207GROUP OF CHINESE EXPORT BLUEAND WHITE PORCELAIN18TH / EARLY 19TH CENTURYincluding assorted platters,chargers, dishes, tea bowls and ahelmet shaped ewer (qty)

£300-500


402 FH550/225CARVED AND PAINTED PANEL OF THECRUCIFIXION17TH CENTURYthe Gothic arch panel depicting Christ onthe cross with Saints Jerome andChristopher above a fleur-de-lys carvedfrieze

45cm high

£300-500

403 FH550/217THREE WHITE METAL MOUNTEDPOWDER HORNScomprising a large powder horn withwhite metal mounts, the cover with ametal knop finial, 52cm long; a Persianhorn with niello silver mounts andturquoise beads, 22cm long; and a silvermounted snuff mull, 10cm long (3)

£200-300


114

401 FH550/70OAK TRIPOD OCCASIONAL TABLE18TH CENTURYcircular top with a single drawerbelow, raised on three spindlesupports, over an octagonal undertier,raised on a tripod base


£800-1,200

404 FH550/220PERSIAN LACQUER AND GILT PEN BOX19TH CENTURYof canted rectangular form, decorated withfigures and creatures amongst foliatereserves, with a paper label to theunderside

26cm wide

£150-250


406 FH550/210VICTORIAN POTTERY MOULDOF A LAMB19TH CENTURYin two sections, the interiorwith red-orange glaze

28.5cm long

£150-250

115

405 FH550/214BRASS JUG OR ‘CHAFFER’17TH / 18TH CENTURYof squat pyriform with a loop handle withscroll terminus, the interior bearing theinitials ‘MR’

16cm high

£500-700

407 FH550/209LARGE STAFFORDSHIRE FIGUREOF A RABBIT19TH CENTURYthe recumbent rabbit modelledeating lettuce leaves

25cm long

£300-500

408 FH550/221SMALL CARVED OAK TAPERBOX18TH CENTURYin the form of a book with asliding cover carved withstylised tulips and the initials‘KLG’, the back cover dated1750


£100-150

409 FH550/212THREE DELFTWARE BOWLS18TH CENTURYcomprising a polychromeexample, 25.5cm diameter; ablue and white example26.5cm diameter; and anEnglish blue and white bowl,25.5cm diameter (3)

£250-350

410 FH550/211FOUR EXPORT PORCELAINPUNCH BOWLS18TH / EARLY 19TH CENTURYcomprising a Chineseexample, decorated in sepiawith flower sprays, 26cmdiameter; another withfamille rose flower groups,28.5cm; and two Japanesebowls similarly decorated iniron red, green and aubergine,31cm diameter and 25cmdiameter (4)

£400-600

411 FH550/201SALT-GLAZED POTTERYFLASK, POSSIBLY LAMBETH19TH CENTURYof flattened bottle form, withmoulded Tenniers styledecoration, depicting figures

17cm high

£150-250

412 FH550/204GROUP OF THREE DELFTBLUE AND WHITECHARGERS18TH CENTURYeach of typical form,decorated with a centralflowerhead and flower sprayswithin a leafy border (3)

34cm diameter

£250-350

413 FH550/203PAIR OF DELFT BLUE ANDWHITE VASES18TH CENTURYof baluster form, decoratedwith flower sprays and sprigs,20cm high; together with aFRENCH FAIENCE BLUE ANDWHITE FLASK, 19th century,of typical ovoid form with twinhandles, decorated with birdsand rabbits, 20.5cm high (3)

£150-250



116

414 FH550/49GEORGE III OAK DRESSER18TH CENTURYthe moulded cornice overthree open shelves; the lowerpart with a raised back, fittedwith short drawers, abovethree short frieze drawers,and scroll-cut apron, raisedon baluster turned legs,joined by an open undertierand raised on block feet

167cm wide, 220cm high,

45cm deep

£3,000-5,000


117

415 FH550/208COLLECTION OF ENGLISH ORDUTCH GREEN ‘ONION’ BOTTLES18TH CENTURYof various sizes, one with a roundelinscribed ‘thirty years old’ (4)

largest 18cm high

£300-500

416 FH550/202SALT-GLAZED POTTERY FIGURALTOBACCO JAR19TH CENTURYmodelled as a Dutch toper holding abeaker

33cm high

£300-500

417 FH550/205COLLECTION OF DUTCHDELFT BLUE AND WHITEDISHES18TH AND 19TH CENTURYcomprising seven examples ofvarious size, depicting flowersand foliage, one withpolychrome decoration (7)

largest 34cm diameter

£300-500

418 FH550/206FOUR EARTHENWAREPLATES BY DONOVAN,DUBLINEARLY 19TH CENTURYeach octagonal shaped dishdecorated in the Japanesestyle with chrysanthemum,marked ‘Donovan’ to thereverse (4)

24cm wide/diameter

£120-180

419 FH550/194CARVED IVORY BUST OF AMANEARLY 19TH CENTURYpossibly the Duke ofWellington, previously awalking stick handle, nowmounted on an ebonisedpedestal

bust 7cm high, 13cm high overall

£150-250

420 FH550/50OAK WALL PANELLING17TH / 18TH CENTURYcomprising a quantity ofwaxed and polished panelsand framework to complete asection 439cm long x 234cmhigh; together with a smallerquantity of matching butunwaxed and polished panelsand framing

439cm long, 234cm high approx.

£2,000-3,000See illustration on page 94


421 FH550/176CHARLES II OAK GATELEG TABLELATE 17TH CENTURYthe oval drop-leaf top above a lunettecarved frieze to the long sides, on balusterturned and block legs joined by stretchers,on turned feet

107cm wide, 70cm high, 122cm long, extended

£700-1,000

422 FH550/37819TH CENTURY BRITISHSCHOOLPORTRAIT OF A GENTLEMANIN BLACK COAT &WAISTCOATOil on canvas

75cm x 61.5cm (29.5in x 24.25in)

£400-600


118

423 FH550/503PAIR OF DUTCH BRASSCANDLESTICKSEARLY 18TH CENTURYeach with a knopped column, above alarge circular ogee foot (2)

15cm high

£400-600


426 FH550/232ANTIQUES REFERENCE WORKSA COLLECTION OF 9 BOOKS ANDPUBLICATIONS Chinnery, Victor Oak furniture, the

British tradition. Woodbridge: Antique

Collectors’ Club, 1984. 4to, Christmas

card signed from author taped to

endpaper, dust-jacket; MacQuoid,Percy A history of English furniture,

1991. Small folio, dust-jacket; Jellinek,Tobias Early British chairs and seats,

1500-1700, 2009. 4to, dust-jacket;

Edwards, Ralph The shorter dictionary

of English furniture, 1969. 4to; Walton,Peter Creamware and other English

pottery at Temple Newsam House,

Leeds, 1976. 4to, dust-jacket;

Michaelis, Ronald F. Old domestic

base-metal candlesticks, 1997. 4to,

dust-jacket; Pinto, Edward H. Treen...,

1969. 4to, ownership inscription;

Atkins, Garry An exhibition of English

pottery..., 2006. 8vo, loosely inserted

Christmas card from Atkins; Green,Derek - Chinnery, Victor Early oak &

country furniture, in Antique Collector10/82, pp.5-14; sold not subject to

return (9)

£200-300

427 FH550/232ACOLLECTION OF LITERATUREMANY WORKS RELATING TOSCOTLANDIncluding Boileau-Despréaux,Nicholas Oeuvres... Dresden [i.e.

Leipzig]: Walther [i.e. Breitkopf], 1776. 4

volumes, 8vo, contemporary vellum gilt;

Maclehose, Alexander Historic haunts

of Scotland, 1936. 8vo; Masson,Rosaline I can remember Robert Louis

Stevenson, 1922. 8vo, Worthing Public

Library stamps (withdrawn); Scott, SirWalter Poems, 1874. 6 volumes, 16mo,

Morocco gilt; Mackenzie, W. MackayThe mediaeval castle in Scotland, 1927.

First edition, 8vo; Mackie, AlbertEdinburgh, [n.d.]. 8vo, dust-jacket;

Curr, Tom Modern Athenians, 1946.

Small 4to, dust-jacket Buchan, JohnMemory hold-the door, 1945. 8vo, dust-

jacket; Cameron, Alan Bank of

Scotland..., 1995. Small 4to, dust-jacket;

Cockburn, Henry Memorials of his

time, 1910. 8vo; Burlington MagazineThe Burlington magazine for

connoisseurs, volume 2, 1903. 4to; and

others, including 22 Country Lifemagazines covering various Scottish

topics, dating from between 1963 and

2005; sold not subject to return (42)

£150-250

119

424 FH550/518GROUP OF BRASS AND COPPERWARES18TH / 19TH CENTURYincluding a quaich, rattles, coveredboxes, jugs, measures, and variousother items (qty)

£150-250

425 FH550/231MACQUOID, PERCYA HISTORY OF ENGLISH FURNITURELondon: Lawrence & Bullen, Ltd.,1904-1908. 4 volumes, folio: The Ageof Oak (1904); The Age of Walnut(1905); The Age of Mahogany (1906);The Age of Satinwood (1908); originalred cloth gilt, 60 colour plates (4)

£150-250


121

The Garden


428 FH550/402TWO COMPOSITION STONEFIGURES OF GREYHOUNDSeach in a recumbent pose (2)

66cm long

£400-600

429 FH550/412PAIR OF STONE SPHERES(2)

25cm diameter

£150-250

430 FH550/405CARVED STONE CORBEL INTHE FORM OF A MAN’S HEAD17TH / 18TH CENTURYwith long hair and amoustache

31cm high

£300-400

431 FH550/404TWO TERRACOTTAPLANTERSrectangular with mouldeddecoration (2)


£200-300

432 FH550/401CARVED STONE FIGURE OFAN EAGLEwith wings spread and headturned to the left, on acomposition stone columnpedestal

eagle 83cm high, 175cm high

overall

Provenance:Purchased in Scotland from acountry house sale

£1,500-2,500

433 FH550/403COMPOSITION STONEFIGURE OF DIANAthe draped standing figurewith her head turned to theright

144cm high

£500-800

434 FH550/409TWO CARVED STONEPINEAPPLE FINIALS19TH CENTURY

46cm high

£300-500


122

438

439

435 FH550/410PAIR OF PAINTEDTERRACOTTA PLINTHSof square section form withmoulded laurel wreaths to thesides, with a rectangularcomposition stone table top


£200-300

436 FH550/411COMPOSITION STONE URNAND PEDESTAL

91cm high overall

£150-250

437 FH550/509COMPOSITION STONEFIGURE OF A PUTTO

37.5cm high

£120-180

438 FH550/407LARGE CHINESE BROWNGLAZE EARTHENWARE JARMODERNof amphora form with aneverted rim above five fu dogmasks, the body incised withdragons

57.5cm high

£100-200

439 FH550/406GROUP OF CONTINENTALPOLYCHROME TILES19TH CENTURYeach with relief mouldedfoliate and circle motifs (12)

30cm wide, 13cm high (each)

£150-250


1144



124

440 FH550/148WROUGHT IRON AND MOSAIC LOW TABLEMODERNthe circular top insert with a mosaic paneldepicting a hare amongst foliage, raised onthree outswept metal supports


Note:This mosaic is a copy of the famous 4th centuryRoman mosaic found in Beecher Road, Cirencester in1977

£150-250

441 FH550/408GOTHIC STYLE WROUGHT IRON GARDENBENCHMODERNthe double Gothic arch back over astrapwork seat


£200-300

END OF SALE


125

Fine Antiques & Works of ArtWednesday, 25th June, 201433 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

EnquiriesDouglas GirtonTel: +44 (0)131 557 8844 [email protected]

Theodora BurrellTel: +44 (0)131 557 8844 [email protected]

DUTCH EBONY, WALNUT,BURR WOOD, FRUITWOODAND IVORY SCHRANK19TH CENTURY

£8,000-12,000


Paul Roberts

+44 (0)131 557 8844

[email protected]

Gavin Strang

+44 (0)131 557 8844

[email protected]

We understand that your collection is worth more than the sum of its parts.

Collections sell better as collections. That belief is at the heart of our approach to auctioneering. Over the course of our long history,

we have seen this borne out time and time again: from the contents of grand homes to corporate collections, from contemporary

art to Chinese snuff bottles; there is little we have not handled and sold well.

Each collection is unique and often has an emotional connection to the owners who create or inherit them. Our team work closely

with our clients to provide a carefully tailored approach to the sale of their collections.

Personal, passionate and professional - we deliver outstanding results.

Rankine-pp126-127 v7.qxd:Layout 1 4/6/14 12:05 Page 1

ENQUIRIES:

Gavin Strang

+44 (0)131 557 8844

[email protected]

The Contents of Bantry House Auction Tuesday 21st October

On the premises at Bantry House,

Bantry, County Cork, Ireland

Rankine-pp126-127 v7.qxd:Layout 1 4/6/14 12:05 Page 2

128


Scottish Silver & AccessoriesAuction Wednesday, August 13th, 201433 Broughton Place, Edinburgh EH1 3RR

EnquiriesColin FraserTel: +44 (0)131 557 8844 [email protected]

Trevor KyleTel: +44 (0)131 557 8844 [email protected]

FURTHER ENTRIES ARE INVITED

A fine late 19th century copy of theMonymusk reliquary

In silver, copper and enamel withfinely engraved decoration.

£5,000 -10,000


129

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Packing and Shipping Please note that we do not pack orship items. The followingsuggested carriers will be able toarrange packing and shipping;please contact them directly toreceive a quote. You may wish tocontact an alternative courier.

Smaller items & PicturesMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BF Tel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email: [email protected]

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Arrangements for Sold Lots All bought items will be heldfree of charge at BroughtonPlace until the Fridayfollowing the sale.

Thereafter lots will beremoved to store in Edinburghand a charge incurred.

Administration fee:£20 + VAT

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© Lyon and Turnbull Ltd. 2014. All rights reserved. No part of thispublication may be reproduced, stored in a retrieval system ortransmitted by any form or by any means without the prior writtenpermission of Lyon and Turnbull Ltd.

129


Board of Directors

ChairmanSir Angus Grossart

Vice ChairmanPaul Roberts

Managing DirectorNick Curnow

DirectorsCampbell ArmourRachel DoerrTrevor KyleJohn MackieMhairi McFaddenGavin StrangLee Young

130


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Pictures, Watercolours andPrintsNick CurnowCharlotte RiordanEmily Johnston (London)

Furniture, Clocks and Works of ArtDouglas GirtonLee YoungSara Pierdominici

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Rugs and CarpetsGavin Strang

Decorative Arts and DesignJohn Mackie

Jewellery, Silver, Coins and MedalsColin FraserTrevor KyleRuth Davis

European and Asian CeramicsDouglas GirtonCampbell Armour

Rare Books, Maps, Manuscriptsand Photographs Simon VickersCathy Marsden

Arms and ArmourJohn Batty (consultant)

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131

Operations ManagerAlex Dove

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Lyon & Turnbull are one of the leading specialist valuationcompanies in the UK. In Scotland, we specialise in InheritanceTax, Capital Gains Tax and other tax planning valuations.

Edinburgh Tel: +44 (0)131 557 8844Glasgow Tel: +44 (0)141 333 [email protected]

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Client Services Glasgow & the WestLinda Robinson

Edinburgh & the EastTessa RobsonEleanor Welsh

Insurance & beyond ScotlandInsurance valuations and other types of valuation in the rest of the UK and internationally are looked after by our partnervaluations company, Pall Mall Art Advisors.

Pall Mall Art AdvisorsTel: +44 (0)845 882 [email protected]

London and Southern England

Ian Peter MacDonaldTel: +44 (0)20 7930 [email protected]

Lee Young Mobile: +44 (0)7825 [email protected]

Emily Johnston Mobile: +44 (0)7741 [email protected]

Business Development

Ian Peter MacDonaldLindsey MichieJames McNaughtJohn SibbaldJohn ThomsonTessa ThomsonLady Middleton


1. DEFINITIONSIn these Conditions of Sale (Sellers): “Auctioneer” means Lyon & TurnbullLtd or its authorised auctioneer, asappropriate; “Buyer“ is the person who makes thehighest possible bid or offer acceptedby the auctioneer, and/or suchperson’s principal where bidding asagent; “Buyer‘s Premium” is the commissionpayable by the Buyer on the HammerPrice at the rates set out in the SaleCatalogue Guide to Prospective Buyersand an amount in respect of applicableVAT; “Hammer Price” is the highest bidaccepted by the auctioneer by the fallof the hammer or in the case of a post-auction sale, the agreed sale price; “Item” means each and every itemconsigned for sale following expresswritten agreement between Lyon &Turnbull and the Seller; “Lot“ means each Item offered for saleby Lyon & Turnbull; “Lower Estimate” means the lowestimate provided by Lyon & Turnbullto the Seller in relation to each Item, orin relation to any Item which Lyon &Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the companywhich has its registered office at 33Broughton Place, Edinburgh, EHI 3RRregistered in Scotland No. 191166 “Net Sale Proceeds” are the HammerPrice, less commissions and othercharges, of the Lot sold, to the extentreceived by Lyon & Turnbull in clearedfunds; “Proposed Sale” means the intendedsale through which the items will besold on “Purchase Price” is the Hammer Priceand applicable Buyer‘s Premium; “Reserve” means the lowest pricebelow which an item cannot be sold; “Upper Estimate” means the highestimate provided by Lyon & Turnbullto the Seller in relation to each Item, orin relation to any Item which Lyon &Turnbull holds on behalf of the Seller; “Terms of consignment” means thestipulated terms and rates ofcommission on which the Auctioneeraccepts instructions from Sellers ortheir agents; “You”, “Your” means the seller“Us”, “Our”, “We” etc refers to Lyon &Turnbull LtdThe singular includes the plural andvice versa as appropriate.

2. WARRANTY OF TITLE ANDAVAILABILITY

The Seller warrants:-(a) that you are the true owner of theproperty consigned or are properlyauthorised by the true owner toconsign it for sale and are able totransfer good and marketable title tothe property free from any third partyclaims.(b) that all requirements have beencomplied with, legal or otherwise,relating to any export or import of theproperty consigned, all duties andtaxes in respect of the export or importof the lot have (unless agreed in writing

with us) been paid and, so far as youand any principal for whom they areacting in relation to the lot are aware,all third parties have complied withsuch requirements in the past.(c) that you have provided Lyon &Turnbull with any and all informationconcerning the item’s provenance orany concerns expressed by thirdparties concerning its ownership,condition, authenticity, attribution, andexport or import history; and(d) Unless the Seller advises Lyon &Turnbull in writing to the contrary ondelivery of the item to Lyon & Turnbull,there are no restrictions on Lyon &Turnbull rights to reproducephotographs or other images of theitem in connection with the sale or anyother marketing which will be done inaccordance with good taste anddecency.

3. PREPARATION FOR SALE(a) Lyon & Turnbull shall decide theway in which a lot may be included inthe sale, how any lot is described andillustrated in the catalogue or anyreport, and the marketing, promotion,date, place and conduct of the sale. (b) Lyon & Turnbull will instruct,consult with, and rely on, any outsideexperts or restorers, agents or otherthird parties, and carry out suchother due diligence, inquiries,research or tests in relation to theproperty or its provenance, eitherbefore the Proposed Sale as it maydeem appropriate in its reasonablediscretion.(c) Any oral or written estimate orevaluation or report provided by Lyon& Turnbull is a genuinely held opiniononly. It may not be relied on as aprediction of the selling price or valueof the Item, and may in Lyon &Turnbull’s absolute discretion berevised from time to time.(d) The Seller acknowledges thatattribution of Items is a matter ofopinion and not of fact, and isdependent upon (amongst other things)information provided by the Seller, thecondition of the property, the degree ofresearch, examination or testing that ispossible or practical in thecircumstances, and the status ofgenerally accepted expert opinion atthe time of cataloguing

4. TERMS OF SALEThe Seller acknowledges that lots aresold subject to these Conditions andon the Terms of Consignment asnotified to the consignor at the time ofthe entry of the lot.

5. STANDARD SELLER FEES ANDCHARGES (Subject to VAT)(1) Commission: 15% is charged on theselling price of each lot, (subject to aminimum charge of £30). Loss anddamage warranty: 1.5% on value of lotssold. Photography: min charge £30.Online Listing: £10 per lot.(2) Transport: Items for sale must beconsigned to the sale room by anystated deadline and at your expense.We may be able to assist you with thisprocess. When organised on theSeller’s behalf the provision oftransport will be contracted to thirdparties. Fees for transport will bededucted at the initial settlement.

(3) Illustrations: The cost of anyillustrations will be borne by the Seller, unless agreed otherwise prior. Thecopyright in respect of suchillustrations shall be the property of us,the auctioneers, as is the text of thecatalogue.

6. RESERVES(a) You are entitled to place, prior to theauction, a reserve on any lot consigned,being the minimum hammer price atwhich that lot may be sold. Reservesmust be reasonable and we maydecline to offer goods which in ouropinion would be subject to anunreasonably high reserve.(b) Firm reserves may be no greaterthan lower pre-sale estimate level.(c) A reserve once set cannot bechanged except with our agreement.(d) You may not bid or instruct orpermit any other person to bid onyour behalf on your own property. Ifthe Seller breaches this prohibition,Lyon & Turnbull may treat the Selleras bound as Seller and as Buyer butwithout the benefit of Lyon &Turnbull Authenticity Guarantee or thereserve, and/or pursue otherremedies.(e) We may sell lots below the reserveprovided we account to you for thesame sale proceeds as you would havereceived had the reserve been thehammer price.

7. LOSS & DAMAGE WARRANTY(a) Subject to condition 7(c) below Lyon& Turnbull will assume liability for lossor damage to an item, commencing atthe time that item is taken into physicalcontrol and possession by Lyon &Turnbull and ceasing on the earliestdate of; (i) when risk passes to the Buyer of thelot following its sale; (ii) for unsold lots, when the lot isreleased to the Seller, or, within 3months of the sale;or (iii) 6 months from the date of deliveryto Lyon & Turnbull for items still in thepossession of Lyon & Turnbull but notconsigned for sale (unless part of along-term storage agreement).(b) Lyon & Turnbull shall charge a lossand damage warranty fee of 1.5% ofthe hammer price, plus VAT. (c) If any loss or damage should occurto the lot during the period identified inparagraphs (a) above, Lyon & Turnbull’sliability to compensate the Seller inrespect of that loss shall be restrictedto a maximum of the upper estimate,or actual loss incurred, whichever islower. This compensation will besubject to a deduction of a 1.5% loss &warranty fee (subject to VAT).

8. UNSOLD ITEMS(1) If an item is unsold it may, with yourconsent, be re-offered at a future sale.Where in our opinion an item is notsuitable for a future sale we may eitherrequest (a) you collect such items fromthe saleroom promptly on being soinformed. We shall be entitled tocharge you for storage costs, chargesshall be made at a reasonable dailyrate; or (b) suggest that the item betransferred to a secondary saleroomfor sale without reserve. Alltransferred lots will be sold for thebest price on the day, this may not bear

any reflection on the item’s originalestimate. Lyon & Turnbull are notliable for any items (whether it beselling price or loss & damage) whentransferred. (2) Aftersales: We reserve the right toaccept an after-auction offer on a loton behalf of the seller, at the agreedreserve price or above, for up to 48hours after the original auction. Inwhich case the same charges will bepayable as if such lots had been sold atauction and so far as appropriate theseConditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lotorganised for sale, a withdrawal feewill apply; (a) if withdrawn over 28 working daysprior to the sale, this will be charged at10% of the mid estimate along with anyancillary charges incurred (such asphotography), all subject to VAT at thecurrent rate.(b) if withdrawn within 28 working daysof the sale, this will be charged at 20%of the mid estimate along with anyancillary charges incurred (such asphotography), all subject to VAT at thecurrent rate.(c) Lyon & Turnbull may withdraw a lotfrom the proposed sale without anyliability if: (i) Lyon & Turnbull reasonably believesthat there is any doubt as to the lot‘sauthenticity or attribution; or (ii) it reasonably doubts the accuracy ofany of the Seller’s warranties; or (iii) the Seller breaches any provisionsof the Conditions of Sale in anymaterial respect; or (iv) the lot suffers from loss or damageso that it is not in the state in which itwas when Lyon & Turnbull tookdelivery of it. (d) if an item is withdrawn from saleunder Condition 9(c) (i), or (iv), theSeller shall not be charged awithdrawal fee and the item shall bereturned to the Seller or dealt withpursuant to Clause 8, as the Sellerdecides.

10. AUTHORITY TO DEDUCTCOMMISSION AND EXPENSES ANDRETAIN PREMIUM AND INTEREST.The Seller authorises us to deductcommission at the stated rate, and allexpenses incurred for your accountfrom the hammer price, and consentsto our right to retain beneficially thepremium paid by the Buyer inaccordance with these Conditions ofSale and any interest earned on thesale proceeds until the date ofsettlement.

11. NON-PAYMENT BY THE BUYER(a) Lyon & Turnbull will, where itconsiders appropriate, take reasonablesteps to investigate the ability ofbidders to pay for lots and will usereasonable endeavours, in consultationwith the Seller, to enforce payment ofthe Hammer Price by any Buyer.(b) Lyon & Turnbull, in consultationwith the Seller, will decide whether topursue any of the remedies available toit, including those set out in Condition10 of the Condition of Sale (Buyers)including the right to cancel the saleand return the property to the Seller.

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only and disclaims any responsibilityfor default by Sellers or Buyers.

17. DATA PROTECTIONIn connection with the managementand operation of our business and themarketing and supply of Lyon &Turnbull’s services, or as required bylaw, we may ask the Seller to providepersonal information about themselvesor obtain information about the Sellerfrom third parties (e.g. creditinformation). Lyon & Turnbull will notgive out personal information except asmay be required by law. If you would like further information onLyon & Turnbull policies on personaldata, or to make corrections to yourinformation, please contact us on +44(0)131 557 8844.

18. LAW AND JURISDICTION(a) Governing Law: These Conditions ofSale and all aspects of all matters,transactions or disputes to which theyrelate or apply shall be governed by,and interpreted in accordance with,Scots law (b) Jurisdiction: The Seller agrees thatthe Courts of Scotland are to haveexclusive jurisdiction to settle alldisputes arising in connection with allaspects of all matters or transactionsto which these Conditions of Salerelate or apply.

Lyon & Turnbull will inform the Sellerof any action which it contemplatestaking against the Buyer.(c) lf the Seller elects to take actionagainst any Buyer on its own behalfLyon & Turnbull will provide the Sellerwith such assistance as may bereasonably necessary to pursue thataction.(d) The Seller hereby agrees to informLyon & Turnbull of any action which itchooses to take against the Buyer toenforce payment of the amount due tothe Seller.(e) In the event that a Buyer fails to payfor a lot in accordance with theConditions of Sale for Buyers, that lotwill be treated in the same way as anunsold or collected lot.

12. SETTLEMENT PAYMENTSSubject to full payment by the Buyer,payment of the net proceeds of saledue to you will be made over to you 28working days following a sale. Providedwe have received cleared funds.Payment will be made by cheque orBACS (if requested).

13. SALE BY PRIVATE TREATY(a) The same Conditions of Sale(Sellers) shall apply to sales by privatetreaty. (b) Private treaty sales made under

these Conditions are deemed to besales by auction and subject to ouragreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes toinform the Seller of any offers itreceives in relation to an item prior toany Proposed Sale, excluding thenormal method of commission bids.(d) For the purposes of a private treatysale, if a lot is sold in any othercurrency than Sterling, the exchangerate is to be taken on the date of sale.

14. THIRD PARTY LIABILITYAll members of the public on ourpremises are there at their own riskand must note the lay-out of theaccommodation and securityarrangements. Accordingly neither theauctioneer nor our employees oragents shall incur liability for death orpersonal injury (except as required bylaw by reason of our negligence) orsimilarly for the safety of the propertyof persons visiting prior to or at a sale.

15. GENERAL(a) We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctionsby any person.(b) Any notice to any Buyer, Seller,bidder or viewer may be given by email,or if not available then first class mail,in which case it shall be deemed to

have been received by the addressee 48hours after posting.(c) Notices to Lyon & Turnbull shouldbe in writing and addressed to NickCurnow at 33 Broughton Place,Edinburgh EH1 3RR, quoting thereference number specified at thebeginning of the sale catalogue.(d) Should any provision of theseConditions of Sale be heldunenforceable for any reason, theremaining provisions shall remain infull force and effect.(e) These Conditions of Sale are notassignable by either party without theother’s prior written consent, but arebinding on the seller’s successor andrepresentatives. No act, omission ordelay by Lyon & Turnbull shall bedeemed a waiver or release of any ofits rights.(f) The contract between the partiesmay be varied by the parties byagreement and in writing.

16. AGENCY Lyon & Turnbull acts as agent solelyfor and in the interests of the Seller.We do not act for Buyers in this roleand does not give advice to Buyers.When Lyon & Turnbull make astatement about a lot it is doing so onbehalf of the Seller of the lot. The Auctioneer normally acts as agent

The Auctioneer carries on businesswith bidders, Buyers and all thosepresent in the auction room prior to, orin connection with, a sale on thefollowing General Conditions and onsuch other terms, conditions andnotices as may be referred to herein.

1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon & TurnbullLtd or its authorised auctioneer, asappropriate; “Hammer price” means the level ofbidding reached (at or above anyreserve) when the Auctioneer bringsdown the hammer; “Lot” means each Item offered for saleby Lyon & Turnbull; “Purchase Price” is theh ammer Priceand applicable Buyer‘s Premium; “Reserve” means the lowest pricebelow which an item cannot be sold; “Total amount due” means thehammer price in respect of the lot soldtogether with any premium, ValueAdded Tax or other taxes chargeableand any additional charges payable bya defaulting Buyer under theseConditions; “You”, “Your” means the Buyer“Us”, “Our”, “We” etc. refers to Lyon &Turnbull LtdThe singular includes the plural andvice versa as appropriate.

2. AGENCYLyon & Turnbull acts as agent solelyfor and in the interests of the Seller.We do not act for Buyers in this roleand does not give advice to Buyers.When Lyon & Turnbull make astatement about a lot it is doing so on

behalf of the Seller of the lot. The Auctioneer normally acts as agentonly and disclaims any responsibilityfor default by Sellers or Buyers.

3. BIDDING PROCEDURES AND THEBUYER (a) Bidders are required to registertheir particulars before bidding and tosatisfy any security and creditreferences or arrangements beforeentering the auction room to view orbid; (b) The maker of the highest bidaccepted by the Auctioneer conductingthe sale shall be the Buyer and anydispute shall be settled at theAuctioneer’s absolute discretion. (c) Once made, no bid may bewithdrawn. (d) Our right to bid on behalf of Sellersis expressly reserved up to the amountof any reserve. (e) The right to refuse any bid is alsoreserved.(f) Commission Bids: While prospectiveBuyers are strongly advised to attendthe auction and are always responsiblefor any decision to bid for a particularlot and shall be assumed to havecarefully inspected and satisfiedthemselves as to its condition we shall,if so instructed, clearly and in writingexecute bids on their behalf. Neitherthe Auctioneer nor our employees noragents shall be responsible for anyfailure to do so. Where two or morecommission bids at the same level arerecorded we reserve the right in ourabsolute discretion to prefer the firstbid so made. (g) Telephone Bids: If a prospectiveBuyer makes arrangements with usprior to the commencement of the sale

we will use reasonable efforts tocontact them to enable them toparticipate in bidding by telephone. Wedo not accept liability for failure to doso or for errors and omissions inconnections. (h) Online Bidding: We will usereasonable efforts to carry out onlinebids and do not accept liability forequipment failure, inability to accessthe internet or software malfunctionsrelated to execution of online bids/ livebidding.

4. INCREMENTSBidding increments shall be at theAuctioneer’s sole discretion.

5. THE PURCHASE PRICE For each lot purchased a Buyer‘sPremium of 25% is payable on the first£25,000 of the hammer price, 20%thereafter. VAT at the appropriate rateis charged on the Buyer‘s Premium. NoVAT is payable on the hammer price orpremium for printed books orunframed maps bought at auction.Live online bidding is subject to anadditional 3% premium (charged by thelive bidding service providerInvaluable). This additional premium issubject to VAT at the appropriate rateas above.

6. VALUE ADDED TAX Value Added Tax is charged at theappropriate rate prevailing by law atthe date of sale and is payable byBuyers of relevant lots. (1) Lots affixed with (†): Value AddedTax on the hammer price is imposed bylaw on all items affixed with a dagger(†). This imposition of VAT maybebecause the Seller is registered for VATwithin the European Union and is not

operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rateof Value Added Tax on the hammerprice of 5% is payable. This indicatesthat a lot has been imported fromoutwith the European Union. Thisreduced rate is applicable to Antiqueitems. (3) Lots affixed with [Ω]: Standard rateof Value Added Tax on the hammerprice and premium is payable. Thisapplies to items that have beenimported from outwith the EuropeanUnion and do not fall within thereduced rate category outlined above.

7. DROIT de SUITEThis symbol § indicates works whichmay be subject to the Droit de Suite orArtist’s Resale Right, which took effectin the United Kingdom on 14thFebruary 2006. We are required tocollect a royalty payment for allqualifying works of art. Under newlegislation which came into effect on1st January 2012 this applies to livingartists and artists who have died in thelast 70 years. This royalty will becharged to the Buyer on the hammerprice and in addition to the Buyer’spremium. It will not apply to workswhere the hammer price is less than€1,000 (euros). The charge for works ofart sold at and above ¤1,000 (euros)and below €50,000 (euros) is 4%. Foritems selling above €50,000 (euros),charges are calculated on a slidingscale. All royalty charges are paid tothe Design and Artists CopyrightSociety (‘DACS’) and no handling costsor additional fees are retained by theauctioneer. Resale royalties are notsubject to VAT. Please note that theroyalty payment is calculated on therate of exchange at the EuropeanCentral Bank on the date of the sale.

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agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes toinform the Seller of any offers itreceives in relation to an item prior toany Proposed Sale, excluding thenormal method of commission bids.(d) For the purposes of a private treatysale, if a lot is sold in any othercurrency than Sterling, the exchangerate is to be taken on the date of sale.

15. THIRD PARTY LIABILITY All members of the public on ourpremises are there at their own riskand must note the lay-out of theaccommodation, safety and securityarrangements. Accordingly, neither theAuctioneer nor our employees oragents shall incur liability for death orpersonal injury or similarly for thesafety of the property of personsvisiting prior to, or at, a sale.

16. GENERAL (a) We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctionsby any person.(b) Any notice to any Buyer, Seller,bidder or viewer may be given by emailif not available then first class mail inwhich case it shall be deemed to havebeen received by the addressee 48hours after posting.(c) Notices to Lyon & Turnbull shouldbe in writing and addressed to NickCurnow at 33 Broughton Place,Edinburgh EH1 3RR, quoting thereference number specified at thebeginning of the sale catalogue.(d) Should any provision of theseConditions of Sale be heldunenforceable for any reason, theremaining provisions shall remain infull force and effect.(e) These Conditions of Sale are notassignable by either party without theother’s prior written consent. No act,omission or delay by Lyon & Turnbullshall be deemed a waiver or release ofany of its rights.(f) The contract between the partiesmay be varied by the parties byagreement and in writing.

17. DATA PROTECTION In connection with the managementand operation of our business and themarketing and supply of Lyon &Turnbull’s services, or as required bylaw, we may ask the Buyer to providepersonal information about themselvesor obtain information about the Buyerfrom third parties (e.g. creditinformation). Lyon & Turnbull will notgive out personal information except asmay be required by law. If you would like further information onLyon & Turnbull policies on personaldata, or to make corrections to yourinformation, please contact us on +44(0)131 557 8844.

18. LAW AND JURISDICTION(a) Governing Law: These Conditions ofSale and all aspects of all matters,transactions or disputes to which theyrelate or apply shall be governed by,and interpreted in accordance with,Scots law (b) Jurisdiction: The Buyer agrees thatthe Courts of Scotland are to haveexclusive jurisdiction to settle alldisputes arising in connection with allaspects of all matters or transactionsto which these Conditions of Salerelate or apply.

More information on Droit de Suite isavailable at www.dacs.org.uk.

8. PAYMENT (1) Within 7 days of a lot being sold youwill: (a) Pay to us the total amount due incash or by such other method as isagreed by us. We accept cash, banktransfer (details on request), debitcards and Visa or MasterCard creditcards. We do not accept AmericanExpress.(b) Please note there is a surcharge of2% when using credit cards. (c) Please note that under The MoneyLaundering Regulations 2007 wecannot accept cash payments over¤15,000 (euros). (2) Any payments by you to us may beapplied by us towards any sums owingby you to us howsoever incurred andwithout agreement by you or youragent, whether express or implied.

9. TITLE AND COLLECTION OFPURCHASES (1) The ownership of any lotspurchased shall not pass to you untilyou have made payment in full to us ofthe total amount due. (2) You shall at your own risk andexpense take away any lots that youhave purchased and paid for not laterthan 7 working days following the dayof the auction or upon the clearance ofany cheque used for paymentwhichever is later. We can provide youwith a list of shippers. However, we willnot be responsible for the acts oromissions of carriers or packerswhether or not recommended by us. (3) No purchase can be claimed orremoved until it has been paid for. (4) It is the Buyer’s responsibility toascertain collection procedures,particularly if the sale is not being heldat our main sale room and thepotential storage charges for lots notcollected by the appropriate time.(5) Export of goods: Buyers intendingto export goods should ascertain (a)whether an export licence is requiredand (b) whether there is any specificprohibition on importing goods of thatcharacter, e.g. items that may containprohibited materials such as ivory orrhino horn. It is the buyer’s soleresponsibility to obtain any relevantexport or import licence. The denial ofany licence or any delay in obtaininglicences shall neither justify therecession of any sale not any delay inmaking full payment for the lot.

10. REMEDIES FOR NON·PAYMENT ORFAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full andtaken away in accordance with theseConditions or if there is any otherbreach of these Conditions, we, asagent for the Sellers and on theirbehalf, shall at our absolute discretionand without prejudice to any otherrights we may have, be entitled toexercise one or more of the followingrights and remedies: (a) to proceed against you for damagesfor breach of contract; (b) to rescind the contract for sale ofthat lot and/or any other lots sold by usto you; (c) to resell the lot (by auction orprivate treaty) in which case you shallbe responsible for any resultingdeficiency in the total amount due(after crediting any part payment andadding any resale costs).

(d) to remove, store and insure the lotin the case of storage, either at ourpremises or elsewhere and to recoverfrom you all costs incurred in respectthereof; (e) to charge interest at a rate notexceeding 1.5% per month above thecurrent base rate on all sumsoutstanding for more than 7 workingdays after the sale;(f) to retain that or any other lot sold toyou until you pay the total amount due; (g) to reject or ignore bids from you oryour agent at future auctions or toimpose conditions before any such bidsshall be accepted; (h) to apply any proceeds of sale ofother lots due or which become due toyou towards the settlement of the totalamount due by you and to exercise alien over any of your property in ourpossession for any purpose until thedebt due is satisfied.

11. DESCRIPTIONS AND CONDITION(1) whilst we seek to describe lotsaccurately, it may be impractical for usto carry out exhaustive due diligence oneach lot. Prospective Buyers are givenample opportunities to view andinspect before any sale and they (andany independent experts on theirbehalf) must satisfy themselves as tothe accuracy of any description appliedto a lot. Prospective Buyers also bid onthe understanding that, inevitably,representations or statements by us asto authorship, genuineness, origin,date, age, provenance, condition orestimated selling price involve mattersof opinion. We undertake that any suchopinion shall be honestly andreasonably held and only acceptliability for opinions given negligentlyor fraudulently. Subject to the foregoingneither we the auctioneer or ouremployees or agents accept liability forthe correctness of such opinions andno warranties, whether relating todescription, condition or quality of lots,express, implied or statutory, are given.(2) Condition reports: Condition reportsare provided on our website or uponrequest. The absence of a report doesnot imply that a lot is withoutimperfections. Large numbers of suchrequests are received shortly beforeeach sale and department specialistsand administration will endeavor torespond to all requests although weoffer no guarantee. Any statement inrelation to the lot is merely anexpression of opinion of the Seller orLyon & Turnbull and should not berelied upon as an inducement to bid onthe lot. Lots are available forinspection prior to the sale and you arestrongly advised to examine any lot inwhich you are interested prior to thesale. Our condition reports are notprepared by professional conservators,restorers or engineers.(3) Estimates: Estimates are placed oneach lot to help Buyers gauge thesums involved for the purchase of aparticular lot. Estimates do not includethe Buyer’s Premium or VAT.Estimates are a matter of opinion andprepared in advance. Estimates maybe subject to change are for guidanceonly and should not be relied upon.(4) Catalogue Alterations: Lotdescriptions and estimates areprepared in advance of the sale andmay be subject to change. Anyalterations will be announced on thecatalogue alteration sheet, madeavailable prior to the sale. (5) Electrical Goods: are sold as

“works of art” only and if bought foruse must be checked over forcompliance with safety regulations by aqualified electrician first. Use of suchgoods is entirely at the risk of theBuyer and no warranties as to safety ofthe goods are given.(6) Upholstered items: are sold as“works of art” only and if bought foruse must be checked over forcompliance with safety regulations(items manufactured prior to 1950 areexempt from any regulations). Use ofsuch goods is entirely at the risk of theBuyer and no warranties as to safety ofthe goods are given.(7) Special terms may be used incatalogue descriptions of particularclasses of items (Books, Jewellery,Paintings, Guns, Firearms etc.) inwhich case the descriptions must beinterpreted in accordance with anyglossary appearing in the catalogue.These notices and terms will also formpart of our terms and conditions ofsales.

12. BOOKS, CLOCKS & WATCHES(1) Books-Collation: If on collation anyNAMED item in the sale catalogueproves defective, in text or illustrationthe Buyer may reject the lot providedhe returns it within 21 days of the salestating the defect in writing. This,however, shall not apply in the case ofunnamed items, periodicals,autographed letters, music M.M.S.,maps, drawings NOR in respect ofdamage to bindings, stains, foxing,marginal worm holes or other defectsnot affecting the completeness of thetext NOR in respect of Defectsmentioned in the catalogue, or at thetime of sale, NOR in respect of lotssold for less than £300. (2) Clocks & Watches: All lots are sold“as seen”, and the absence of anyreference to the condition of a clock orwatch does not imply that the lot is ingood condition and without defects,repairs or restorations. Most clocksand watches have been repaired in thecourse of their normal lifetime andmay now incorporate parts not originalto them. Furthermore, Lyon & Turnbullmakes no representation or warrantythat any clock or watch is in workingorder. As clocks and watches oftencontain fine and complex mechanisms,bidders should be aware that a generalservice, change of battery or furtherrepair work, for which the Buyer issolely responsible, may be necessary.Bidders should also be aware that Lyon& Turnbull cannot guarantee a watchwill remain waterproof if the back isremoved. Bidders should be awarethat the importation of watches suchas Rolex, Frank Muller and Corum intothe United States is highly restricted.These watches may not be shipped tothe USA and can only be importedpersonally.

13. CITESPlease be aware that all lots markedwith the symbol Y are subject to CITESregulations when exporting these itemsoutside the EU. These regulations maybe found athttp://www.defra.gov.uk/ahvla-en/imports-exports/cites/

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale(Buyers) shall apply to sales by privatetreaty. (b) Private treaty sales made underthese Conditions are deemed to besales by auction and subject to our


CClient Signature Date

Bidder No

Bidding Form

Sale/customer details

Sale Title

Sale Date Sale No.

Title Initials Client No

Surname

Address

Postcode

Telephone Telephone 2

E-mail

Have you registered to bid with Lyon & Turnbull before?

Accompanying

Documents:

We may, at our discretion, ask you to provide a bank reference and/or a deposit as a condition of authorising you to bid

Lot No. Description £ Sterling limit

Edinburgh Saleroom

33 Broughton Place Edinburgh EH1 3RR

Telephone 0131 557 8844

Fax 0131 557 8668

email: [email protected]

www.lyonandturnbull.com

I understand that if any of my bids aresuccessful, the total price payable willbe the amount of the final bid, plus abuyer’s premium calculated at 25% upto £25,000 then 20% thereafter.

VAT will be charged on the premium.

The premium and VAT is payable by all

purchasers.

Lots in the catalogue marked † are

subject to VAT at the standard rate on

the hammer price. The symbol * by a

lot number indicates that the lot has

been temporarily imported from

outside the EU and that VAT is payable

by the purchaser at the rate of 5% on

the hammer price and the buyer’s

premium.

No VAT is payable on the hammer price

or premium for books bought at

auction.

Lots in the catalogue marked § are

subject to Droit de Suite or Artist’s

Resale Right. Please ask us for details

or see our conditions of sale.

Where there are identical bids for a lot,

the first received will be executed.

Please make certain that your bids are

submitted at least one hour before the

start of the sale.

We will do our utmost to ensure all

commission and telephone bids are

executed, however this can not be

guaranteed and is a service offered at

the bidders risk.

Bidding Form - version 14.1

if known

May we email you in future

regarding similar sales?

Telephone bid Commission bid

Excl. Premium & VAT (Commission bid only)

YES NOHow did you hear

about this sale?

YES NO (if No please provide the following:)

1.Government-issued photo ID 2. Proof of address

(Passport / Driving License / National ID card) (Utility Bill / Bank Statement / Letter from Tax Authority)

I request Lyon & Turnbull, without legal obligation of any kind on its part, to bid on the above up to the prices listed. I understand that if any of my bids are

successful, the total price payable will be the amount of the final bid, plus a buyer’s premium calculated at 25% up to £25,000 then 20% thereafter. VAT will be

charged on the premium.

I confirm that I accept and will bid in accordance with the terms and conditions of sale as printed in the catalogue, detailed on the Lyon & Turnbull website or

available for inspection in the saleroom, subject to any amendment announced or published by Lyon & Turnbull prior to the fall of the hammer.

OFFICE USE ONLY Received by: Time: Date: Bidder No:

Photo ID: Proof of address: Bank ref/deposit:


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The Rankine Taylor Collection:Contents of The Old Dolphin, Cirencester

Tuesday, 24th June, 201433 Broughton PlaceEdinburgh

LYON

& TU

RN

BU

LL AU

CTION

EERS

EDIN

BU

RG

HTH

E RA

NK

INE TAYLO

R C

OLLECTIO

N 24TH

JUN

E, 2014


email. [email protected]


78 Pall Mall, London SW1Y 5LUTel +44 (0)20 7930 9115Fax +44 (0)20 7930 9629

Rankine Taylor Cover.qxd:dec arts cover 4/6/14 12:04 Page 1

The Rankine Taylor Collection | 24/06/2014 | 12pm

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