The PreRaphaelites - Cal Poly CoLAcola.calpoly.edu/~pmarchba/SLIDESHOWS/304_IDENTITY/...The...
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The PreRaphaelites
Dante Gabriel Rossetti“Athur’s Tomb: The Last Meeting of Lancelot & Guinevere” (1854)
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PART 1First Generation of the
Pre-Raphaelite Brotherhood (P. R. B.)
• Dante Gabriel Rossetti (painter & poet)
• William Holman Hunt (painter)
• John Everett Millais (painter)
• others: William Michael Rossetti (scribe & historian), Thomas Woolner (sculptor), James Collinson (painter), F. G. Stephens (artist & critic)
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OBSTACLE #1
Raphael Sanzio
“The Small Cowper” (1505)
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Raphael Sanzio’s “The Three Graces” (1504)
OBSTACLE #1
Raphael Sanzio
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Raphael Sanzio’s “Saint George Fights the Dragon” (1505)
OBSTACLE #1
Raphael Sanzio
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OBSTACLE #2
The Royal Academy of
Arts
Sir Joshua Reynold’s“King George III” (1779)
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OBSTACLE #2
The Royal Academy of
Arts
William Beechey’s“The Oddie Children” (1789)
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INSPIRATION #1: pre-Renaissance paintings(engraver: Carlo Lasinio) after frescoes of Campo Santo at Pisa
Carlo Lasinio etching after fresco by Giotto
Carlo Lasinio’s engravingof a Florentine Fresco (1789)
celebrated (& vague) characteristics: strength, freshness, originality
independence
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INSPIRATION #2: the Nazarenes (the “German Pre-Raphaelites”)
Peter Von Corneliusdetail from “The Three Marys
at the Grave” (1852-65)
painters: Peter von Cornelius (1783-1867); Johann Friedrich Overbeck (1789-1869)
celebrated characteristics: luminous colors, sensuality
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• vol. 2 of Ruskin’s Modern Painters (1846)
• the poetry & opinions of John Keats
• medieval novels of Sir Walter Scott
• poetry of Blake & Coleridge
• old ballads
• early poetry of Tennyson (e.g. “The Lady of Shalott”)
William Holman Hunt “The Eve of St. Agnes” (1848)
INSPIRATION #3: literary antecedents
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Friends of the P. R. B.
Ford Madox Brown
Ford Madox Browndetail from “Work” (1852-65)
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Friends of the P. R. B.
John Ruskin
John Everett Millais “Portrait of John Ruskin” (1854)
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Friends of the P. R. B.
Christina Rossetti
Dante Gabriel Rossetti “Goblin Market” illustration
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Shared Characteristicsof early P.R.B. Paintings
• Thematic
moralistic and didacticChristian subject matter
• Stylisticdefiniteness of contouravoidance of chiaroscuronovel use of simple colors on a luminous groundminute fidelity to the sighted object, regardless of placementfidelity to nature; they often painted outdoors
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Dante Gabriel Rossetti’s Female Models
• 1840s: Christina Rossetti (DGR’s sister)
• 1850s: Elizabeth (“Lizzie”) Siddal (fiancée, wife)
• 1860s: Fanny Cornforth (housekeeper, mistress)
• 1870s: Alexa Wilding (friend)
•1870s: Jane Burden Morris (friend, wife of W. Morris, mistress)
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Dante Gabriel Rossetti’s Female Models
• 1840s: Christina Rossetti (DGR’s sister)
• 1850s: Elizabeth (“Lizzie”) Siddal (fiancée, wife)
• 1860s: Fanny Cornforth (housekeeper, mistress)
• 1870s: Alexa Wilding (friend)
•1870s: Jane Burden Morris (friend, wife of W. Morris, mistress)
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Dante Gabriel Rossetti’s Female Models
• 1840s: Christina Rossetti (DGR’s sister)
• 1850s: Elizabeth (“Lizzie”) Siddal (fiancée, wife)
• 1860s: Fanny Cornforth (housekeeper, mistress)
• 1870s: Alexa Wilding (friend)
•1870s: Jane Burden Morris (friend, wife of W. Morris, mistress)
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Dante Gabriel Rossetti’s Female Models
• 1840s: Christina Rossetti (DGR’s sister)
• 1850s: Elizabeth (“Lizzie”) Siddal (fiancée, wife)
• 1860s: Fanny Cornforth (housekeeper, mistress)
• 1870s: Alexa Wilding (friend)
•1870s: Jane Burden Morris (friend, wife of W. Morris, mistress)
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Dante Gabriel Rossetti’s Female Models
• 1840s: Christina Rossetti (DGR’s sister)
• 1850s: Elizabeth (“Lizzie”) Siddal (fiancée, wife)
• 1860s: Fanny Cornforth (housekeeper, mistress)
• 1870s: Alexa Wilding (friend)
•1870s: Jane Burden Morris (friend, wife of W. Morris, mistress)
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what follows is not required for ENGL 304
examine at your leisure, if you’re so inclined . . .
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Christina Rossetti
• 1845: health problems begin at age 15
• 1848: engaged to James Collinson, a minor Pre-Raphaelite (engagement ends when he becomes a Catholic)
• 1848: pb. “Hearts Chill Between” in Anthenaeum
• 1853: begins (short-lived) day school w/ mother to support family after father’s health & eyesight fail
• 1860-70: works at Highgate House of Charity for “fallen” women
• 1862: Goblin Market & Other Poems
• 1866: declines marriage offer from non-Christian Charles Cayley
• 1870s: writes for Society for Promoting Christian Knowledge
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“Lizzie” Siddal• 1849: 22 yrs old; working as a lower-class
milliner; discovered by Deverell
• 1850: D.G.R. meets Lizzie; feels his “destiny was defined” in her
• 1851: engagement to sickly and pale, introverted Lizzie, whom he wishes to care for in chivalric fashion
• 1855: Ruskin begins paying 150 pounds/yr for her drawings to encourage her
• 1861: marriage finally occurs after series of broken engagements; Lizzie depressed
• 1861: Lizzie gives birth to stillborn girl
• 1862: Lizzie dies by laudanum overdose
• 1862: remorseful DGR throws poem manuscripts in coffin with Lizzy
• 1869: DGR exhumes poems
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Fanny Cornforth
• 1858: meets DGR; she becomes his mistress while Lizzie is in Europe
• 1860: marries Timothy Hughes for short period
• 1862: moves in w/ DGR after Lizzie’s death, as “housekeeper”
• relationship w/ DGR continues through to his death at the age of 53; she is never accepted by the family
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Jane (Burden) Morris
• 1857: noticed by DGR and Burne-Jones while attending play in Oxford
• limited education until engaged to Morris; became voracious reader
• 1859: marries William Morris
• 1861: first daughter, Jane Alice
• 1862: second daughter, Mary
• 1870s & 80s: models for DGR; affair
• 1887-94: affair w/ poet & activist Wilfrid Scawen Blunt
• 1896: William Morris dies
• 1914: Jane dies
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John Everett Millais (1829-96)
• 1848-51: member of first flowering of Pre-Raphaelitism
“Mariana in the Moated Grange” (1850-51)
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John Everett Millais (1829-96)
• 1848-51: member of first flowering of Pre-Raphaelitism
• 1853: elected to Royal Academy
“Portrait of Effie Ruskin” (1853)
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John Everett Millais (1829-96)
• 1848-51: member of first flowering of Pre-Raphaelitism
• 1853: elected to Royal Academy• 1856: married Effie Ruskin after
her marriage to John was annulled
“Apple Blossoms”(springs 1856-59)
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John Everett Millais (1829-96)
• 1848-51: member of first flowering of Pre-Raphaelitism
• 1853: elected to Royal Academy• 1856: married Effie Ruskin after
her marriage to John was annulled• 1885: became a baronet
“Trust Me” (1862)
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John Everett Millais (1829-96)
• 1848-51: member of first flowering of Pre-Raphaelitism
• 1853: elected to Royal Academy• 1856: married Effie Ruskin after
her marriage to John was annulled• 1885: became a baronet• served as President of Royal
Academy briefly• died very successful
detail from “The Eve of St. Agnes” (1863)
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William Holman Hunt (1827-1910)
• took 4 trips to the Holy Land to paint
“The Light of the World” (1851-53)
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William Holman Hunt (1827-1910)
• took 4 trips to the Holy Land to paint
• some consider his paintings too detailed, even atomistic.
“The Shadow of Death” (1871-73)
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William Holman Hunt (1827-1910)
• took 4 trips to the Holy Land to paint
• some consider his paintings too detailed, even atomistic.
• Hunt criticized the new Impressionistic style in painting
“The Lost Child” (1861-62)
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William Holman Hunt (1827-1910)
• took 4 trips to the Holy Land to paint
• some consider his paintings too detailed, even atomistic.
• Hunt criticized the new Impressionistic style in painting
• failing eyesight leads to cessation of painting
“The Lady of Shalott” (1886-1905)
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William Holman Hunt (1827-1910)
• took 4 trips to the Holy Land to paint
• some consider his paintings too detailed, even atomistic.
• Hunt criticized the new Impressionistic style in painting
• failing eyesight leads to cessation of painting
• 1905: his autobiography, Pre-Raphaelitism and the Pre-Raphaelites
“Dante Gabriel Rossetti” (1882)
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PART IIISecond (Loosely Defined) Generation of the
Pre-Raphaelite Brotherhood (P. R. B.)
• William Morris (painter & poet)
• Edward Burne-Jones (painter)
• Dante Gabriel Rossetti (painter & poet)
• Charles Algernon Swinburne (poet)
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OBSTACLE #3
hostile critics like Robert Buchanan and his essay“The Fleshly School of Poetry” (1871)
a pamphlet in the Contemporary Review
• Targets
Dante Gabriel RossettiAlgernon SwinburneWilliam Morris
• Accusations“weary wasting, yet exquisite sensuality“nothing virile, nothing tender, nothing completely sane” contains a “superfluity of extreme sensibility” in a nutshell: overtly sexual, lacking in moral didacticism