r

.ON CBA•CRA: 4-PAGE SUPPJ:EMENT ... ALSO

1958 Jazz '

Jamboree I IOVEIIBER 29, 1958 Over 114,000 c,,111 Weekly · EVERY FRIDAY &•. ...c:.-ue• ....

Tommy Edwards

... ... . s

j Three stars strip lor aetion

DON'T believe those "everything in the garden's lovely " statements

from the disc companies-there is a record slump.

Who says so? Disc dealen throughout the country. A nation-wide survey concluded by the MELODY MAKER this week reveals the brutal truth that record sales are down by 20 per cent. I

The big question is: How can the disc com• panies send their sales graphs soaring in the

SEVEN U.S STARS NAMED TO TOUR

New Year? Dealers In big 1tore1 and

small corner 1hop1 have given the MM thoH aales-

N EW YORK. Wednesdor.- boosting polnta: Aaenl Harold Onvlson Is e CUT OUT THE JUNK .

seu1n1 uo British lours tor " Record manufacturers seven top US atora. d i th The\' re Loub /.rmslron1t a re overcrow nr e fhk!!lf for March i. lhe Clara I m arket ," snys one dealer. Ward Slnaers 1due In J onunry,. " At least one-third or Anh.a O'D;iy. Cannen Mc.Rae- what they produce ls rub­olu" Ella Pl~erald. Buck. blsh It doesn't stand a 01.iyLOn All-Stars and t he • MJdern Jau Qu.arul. hope or selling-.

Leslie Macdonnell follows Parnell

I ONOON lll'nl Lt llf a.tac­.. donn~ll 1, t hl' 6\ll'tl'~r to

V , 1 PJrru:11 a,, nu1na1ln1 d lrcc­Cllr or :.to,., Emplrra,

He take;, OYfr In Jonwu·,· wtten Val .,urn ,•11 bN·omu rnnn­u,«llllJ dhl'ClOr or ATV.

Mr. ~flcdo11nc)), who manoiic, Ver.i t.ynn. w ootr Phl: llps, Edmundo Ro• anct ot her top a,t r◄• will b l' Joint mnnn1i11111 dlrl'Ctor with Prince Llllltr.

'Unknown•• "Th ey could slash their

ou tput by 40 »er cenL­especlally on releases o( un­known artist. from the States. If we haven't. h eard or these performers. cWl­tomers certainly h aven' t.

"Far too many dlsc1 a rc beinc boucht from sma ll ­time opera tors, known as • one-shotters.' A couple of

V Back Page, Col. 3

DANKWORTH IN LIBEL ACTION-

A LIBEL action brought br Johnnr Dankworth against a National newspaper was settled In th•

High Court on Weclne1daJ. Dankworth received £250 compensation.

He wlll rlve t he cheque to the Stora Cnmpnlan ror Inte r­Rnclnl Frtendshlp , o r which h e ls Cho.lrman.

Untrue statement Mr. Roland Brown, r->un sel ror Da nkworth. sold that o n

July 4 the newspnJ,Jer publl llh l'd n Sltltem ent thnt nvc top bands. Includ ing t.he Pankworth bond. hod defied the Mu11lclnns' Union nnd ncct>plcd c ngnaements nt t he S cnln Ballroom. Wolverhampton.

The MU. said Mr. Brown, hod banned the Ballroom nfler It hnd r efused admission to coloured pcoplt>.

So tar aa Dank worth wa., con-

fO UR TOP PEOPLE AT THE JAMBOREE ~e:::r:l~rJi.~,l wn~~~E:r~r~:~~~i Union and ,us v.ell known • ~ an opponrm ot ractol d t.:.c1 lm­lnauon.

l The net4:0!~1 tad opnlo-I l~d and ar~ed n aum as CO:'IIPfn&at lon.

Arter Mr H P J :>.lllnn. fnr I.hr newspaper. had MSOClated hlrmelf • •Ith Mr. 8 ro11.n·1 statement. Mr. Justice Pnull

I l a\·e leave for lht' acllon lo be withdrawn. 8 Back Pago, Col. 1

Th b M.\f photo /,Om U Ollll'­u:ood 1ho10, GOrJI Cro•bw. Tommv Sand• and l'ot LIOOM /Hm,no a , 110111er-both - M fn " .Vordt Gra,." N'llt'Cluhrd /or Br110111 fn lore Ot'C'C"ml>cr.

U.S STYLE

S1n11cr Mite Prnron i,o .f"d 1n rlut nee" Stet ,on "lu•n 11• ami.:C'd bark Jrom 111, 16-da.11 d• ,c-ptuogmg ,,.,, ro 111• State' • on \VeJnt'.Jui, .Vow ruo ma1nr .\'1!14 \'ori. uur n­c1c:• 01:d 111'0 0,111,/1 l•j"' rorJlj.ldlllel ore b1tltllt10 Of'

'""'

TOP OF THE POLL

1'11·t ur,-d /Jae-I 1•11" or S11ndo11'1 J~ Jom­bortt are Jr:,u.r of Brilotn·• top bondlC'Gdc-rs.

• Lc:/l to "'1111. 1"411 uo Denn11 Bouee.

EdmkndO no, U utnpJ1•r11 Llltrf"lton and /:1J11 £t11noron Fur pwturc, end report of UW

11Wu turn tu cit, C,•11l r c: Pouu.

D 10 you krrp .a t'OPY of )OUr \Olln.r p,;-tPtr In

thr Mt.LOO\' :-.I.\KU '> llrltl.b .ind Jntnn.illonial P oll:'

If 10, h;1 nc on 10 IL It c:an ht' ~ orlh Thrt'I' Guineas.

\\'h) ~ nm use "htn tbe Poll r ttull• &rC' publlshNI JOU 1hould tbrc:k lo Kl' how nnr 1/()'Ur c-b olrC' t'lllllt to the llnal nrdlt l . u you nlc'krd - all the wlnnrn " twblrh b u.n­llkrly' 1 or C'.&llll' r.11,1 , ti°". 7uu ob•lou h know &01TIC--

thins about Jau a nd thr pu fan, • t..1,1~. \ 'our opinion b lo br ~Pf'r lrd

So ,n-Hr .and t r ll u... brlrOY h ow :and '4 h,• tnu c:i .. t ,our Yoles. Thr t:dllor "Ill p;ay 1brer culnru tor lcUt r r,ubllshrd. \'OIi ~n--T GI\'£ \ ' Ol R t ' l I.I. :"i.UIE \.~O AUDR•: .;s

Watrh lhr )Uh 4.atf'd J :inu;ary :: :and 11, .,hrn t~ P oll -r-tull1 .-Ill ~ r,ublh hNI :uid , uu C'.&n oomp..are ,-ur voles.

CONNIE FRANCIS FOR BRITISH TV

Island in the Sun

H OLLYWOOD, Wedneat.a1-Wblle • lecaU. In Plertda

f er ., A BIile ID Ute Bead " Pr'a.U Sl11Mt11 II lookin1 to bQJ aa 111.ud off Ute eout 10 that be C&D Ind.Id a b o111e and U.e Ulen for &Mee montba In Het'J year. • • • Bolly11·ood .w..-ra llla"""tmt 11 ec Ernie .. _. traadentD1 from Capl­W &o Det ucl Pat Booae 10-lq from I>.& te ea,,ltoL

Julie London to .... Hour show on B~rltaJn:.rt~t.eH~~, lnch.ld-

d B bb T REN GREVATT Ule (ortbcomln1 t.ret

we O y roup ~as~':sP~~~~~ N 'SW TORK. Wtdnuda,.- NTa, . .!f~. w~:n:; New Year's Eve expect., 14 d o the top TV abowa

......... out Slnae_r-actr J ulio .t.ondon &a .-ell

1a to ~ ber .uu.a1~1 I>lr~tor- will appeor in lritctin on a jroJ-t"'d tour of ,.•anlla, Meanwhile. her new disc of BJNO Cll08BY J\lat IOld hi~ 11,GOO,clen Nn,ada raneb for

a p rlrc, In UCldl ot o:ne mll-Ja:!: planbt Bobb, TN,up N y , E .... .. -- the stand&rd .. My Ha,rclnesa .. No date bU been 1lnallled bu&. 1pedol •• eCII' I •• anan and AUJtro.lla. 1, t d . ....

the uent 11 ea~ .. around TV -L- Ith • i _... 10 a remen ous rece on .,,.., Dectmt>er i~:· -• w top -mer • Col1D.le told me this wee.It t.hat wttt.

Uo n dClllarL • • • Pllll Harrill WM t.ratM f or lllloaldu antJ •••I• tnJnlet ,.uowtq a lA!I Annin C'U "'"'1 mn 111"ttk. ••• 8Urft01\.a eutte >'fu ll1 lff'r• fonatd an o~,.lloa Lo nruore rn.,,n.nta ot alua from Inc« Sam Cooke'I fJ'C.

J uue 131 I and BobbJ f401 wut c• n 41ac fodc•r Dick Cla.rtr. me b prepa.rtn1 •~album JOHNNY MATHIS 1D Br1t.ala t.oc-ethcr 1D KonmMr. ror her reLUrn vl&li. 14 E:n&land 1957. w!ILD Julie wu ftJmt.q •· A Tbe show wUl be aired on ln ftbrU&l'Y, Queatlon or Adulle-ry .. wtt.b ABC-TV from 11 p.m. to The album will be UUed S'- L--1y ~, Anthon, 8"ecle_. She ... for- Jd~t.. Her ppe"-"ce a._ .. _ A t.he .,,_ . ... d IA - _,, , mer1, ma.rrted t.o Jac:lt • Dracnet.. m 8 -- "-.... cross ex.a .... JOHNNY llATBlS bu Juat re-

~::!eb~b:... __________ o::n::.....:lh::.::.....:sh::.:::ow:.:....::P:.ife:;c::l.:u.:d.:es:.....:a~wU:.:::l;_.::con:::.;t;::.a;;;:ln:.,_.;:•;._.;..n.;;.um_bt_r __ o1! ~ turned io tbe stat.ca from

au recon1-breuin. da7a In A u.­lralla.. HOLLYWOOD

HEADLINES Neal Hefti is ai11ing at TIU Columbia RecordA alar pJa)' ed In 1tadtA for two csa,a In Sydne, and four d:sra In Mel­bourne. In eacb c:a.e Dew recordl were aeL. .....

BURT KORALL NEVt YORK, WedneadaJ.-

NeaJ Hetll, one of t.he busiest freelance arun1ers 1n town, ls formln1 a new band.

11ass appeal ELVIS PRESLEY 'Historic' EP

T BB ftnst OJm t.o be mo.de by BIYla Pre11e,. \U)()n bl& do­

tacbment. Crom tHe Army 111 montbl from now, has already been Hlected.

l'•om BOWARD LUCRAff

Strlpp..,. for fau

Not the first Hetu band Tenture. Neal feels lhot this unit will appeal t.o a much larger audience.

8&71 HeCU: " M r other bands were · 1nuak:al • bu not commer­clal This tlml!I we're going to try_ror a combination or both."

Toe new 11-plece Be!U organ .• lnUon w1ll be called" The Band Wlt.h The Swett Beat."

•• l p!an on d!!'YOUQ all my

SUPUI AM Pt/FICA rlOH AT MODEU TE COST

Rssan.1:j■:(lfl~•I GUITAR PICK-UP ATTACHMENTS

WITH n MOtffltS' GIIAl>Jflll IIOllC. 144 PICK-al'. 811111D -S ,-,wt, lu.d IM&&altr. J'lm 1-i •ualtlT aad MQt. .-~ - ICldfT'a ~~--- ........ ··• 11.lU 11mm. HJ &l1'PD PICS•VP. Wall lldlllllallr i,af«s Pldt•lftl - -,'ka, •h'- -..udlM 41..w_, fll l'Qlrod,-,loe • IUI e«a - onr Ulill lb "'"- t:.uirPl'-llr hull· - ~ .ai.l -- ... ... ... ....... IIODICL 141 PtmE-UP Wl'l'.II OOWl'IIOl. IJlQT. C'arll.,,_ llolkl IU PldMU> wllWl lo • T- Ultl \'olame l"'aau·nl Uau ..-lrlas 1111 1-obll • JUlrlb.a ll•IU1t." Tia Kwha ~ u. pl&Jw 10 d•- IMl.&n\tr r,- Ml ,__, IOlo '- IO.....,, cli'I> ~ rllrtbm Wllllou\ dlllwto\llil C-and 11Ullmeedilas ... ... ... ... .., ... 11onm. H7 ooom.a nmr-VP ASOYlt,'I' wrru rm OOln'IIOL UlfIT, l lgml'fiol,, l•CI MOtWI IU l'ldl•UPI wired lllntlWr IIIIO OM Coolrol U11II .. __..... n r k,1111 bu a «IIM'llle '""- 011111rol Mid botb IOCYIW • .,.. conliC:<'tt!d lo • &olle -lral. ~ -1- • dllrtfflll - Ul1 bJ uat-. 0.0 - ...__,.~Ill ._ cu lie CMltalNd ClJ.11.1

la - '816., rrll, I• Ollt,o, ,.u,,,-, r 1.rt ,•,a, ,C•p/tAn,, rtt. ID

I USOl I co. LTD •• 15 WHT mm, LOI H II, W.C.2. TWLE W N U /I

LEW DAVIS ~ f•r ~

DRUMS

A II /WJm 111 stoci '"'' ,_, •• , o,,. -' z,. Ow ••11 "'' H,.-,.,, uclaa,,pe

o,- ·" ,., Sat. 7p& Wed. I ,___, _,,k• i., ..... , ,,.,, •

LIW DAYlS LJD., IJ4 Olariat C- 1_41., '-IN, W.U. 1U 6562

THE BOOK you've been waiting for

r The Story of Follc Soi\o wdh a Jazz aeat

by BRIAN BIRD

Lonnie Donegan say,:

-l'J1

"I have alwaya felc ,uch • book wa1 oetdc:d, to trace the nor/ of Skiffle as I aenu.lne development of follt mualc and c1c.bll1h ha leaillmate position wi&hi.n the Jau movement. J-U1 111r1cdvc book ahould commend hscl( to all Jan. 10d Sltifflc fant ,"

Hue an all tll<I Mlrftn 10 c 111b 11tlttu' q~olont . llitl'lt, 100, ,ou ca11 rad

al.I abau1 rout launarit• lrir.hll Sklffl• O"M!pe, lceden, --bul -, weulhu.

NOW al aU LJbr01i~s and Boohho,n llluwaled 10/6 only

_____ RO■UT HAU ARI THI PWUSHDS ____ ..1

time to the band," Hefti told me. " Tbll 1, u1O only way to mako lt---devoun1 au ,our en­eratea to ODO tblnl,"

Tbe band'1 nm l.P La due out Mtl_f DU'\ month OD lobe Cof'&I label. Two 11n1le.s from ~~! a!bum W'IU be releucd at w... same time.

The nrn ,~ent tor t-hla new band ll llkel~ to be at New Yorll '1 Bot.cl Rooaovea.

JACKIE GLEASON Alt.mvakal TV

J A 0 KI B OLEA80N'8 mid• December TV lllOW wm be

a mwJc:al Such &1 Bobby Hacllett, C'harllo V • n t u r a .1 CbarUo 8bawtl"I. Tonl ana Jan Arden have ~n lnlled U> appear • .._~ f Ella Pltzaerald "°' ror tbe DC'r e TV atanza J\.m\ before Chr1.M.mu. • • • Bub&ra Bel Oodde, al!1111-10meLhln1 en­tirety new for be~ln tbe ~ Nlcbola rum blo .. P1H PenulCII." . • . Louil Armatron1. Denny Goodman and OOunt Dule .nn­lllbed In that order on U10 vot~a machlnea ~ bJ 'flalt.ol"I io Ule Bruucil• World Pair,

rt·• iin ortrlnal bJ' Prederlck Michael About .. Mlululppl l&Dl• bJer ( Pl'caley) wbo wins a rl'fer­boat ln o. card came.

Presley•a lona-awAllcd " Blvla &Ca .. EP. Which carries the b l.II• torte Interview wben be cm• bal'ked for BUl"Ol)C. w.u released Lhll week.

STEVE LAWRENCE

T R Ulll'ET man I CM; Onrdon ( U lllu1 O IIIHl,)11') ttPIM'rd

~· u WlllltlffllOll In I hi' t4h elly Mlanuc Quintet. • • The - -100 Cla b .. In LN Anl'!lrl--4nll'r• n" tlomall)' rantnus a,i u t n1J dlll.l l'hllld ~pot - h tlA Just chw up J.&M for urlpJ><r..

Too real

A 1s-rmr-otd x,, .lb tM17 'llf:15 fouud dnd h:la1111,: rrom a

lrN' lllld lhl' l)OIIN' ""r,:t:rnt-foUOWI Eddie Fi.sher Aid t hat. tt rame abou1 t,e. c-au..e IOC':11 )oan&-oltn 1'1're

STEVE LAWR27'CE-r«enllJ U'llna out mOC"k f1:an,rlna, In-drafted lnio tbe Arm,-bu 11plttd 111 the hi t i,ona .. Tom

won a c.op plum or an uatsnment ooolt') ." ••• The ,--a .. unc of u I.he al.n,er with tbe U.S. Arm, Mamie \ 'an Don-n and Ria.)' bsnd, 51.a t.loned ID W&lhlntrton. Anlhouy IO&t'lht'f In " The

Tbe Job wu once ha.ndlcd by Dnl Uenl'r::allan " .,., <wd 10 Eddie Pt.eh.a. bt- a ""'°n rlllatlon :allt'mpt

DAVID SEVILLE .. bU I IL ,icsn, "°""' OUl .. !;a.)' '.\lanil~" hl"NIIM' llt' hlld 10 RrlUI" Ill I h t plrhlN' and IL

Ctvistmcu hit eouulltd Ju L 11kt' home."

F OLLOWINO the a n o u a I Not pro••n 'nlaDu,lvln11 Holiday, Obrlit• COLV'.\IS l ~T l'ur l Wll""n ...,,...

m11t record.a bave started to bl01• 1 h.at a "')IIC'I' "'""'' rroal!I aom out. •- , ... Two of I.ho moat llkelY AlnlllH not one or lht' rtrnr n11 made

1110 tho DC'lfe!IL b:, Dovld SevlllC! ••aln lL t "nl nk t.l lln l nt h y A and tbc Oblpmunu titled "Tbe P~• 1>hntit1n1v1ter l\t'R! ub-1011 ELLIOTT Chipmunk sonr," whleh l!I I\ 1ta111 la ted. ml1l1ty cute novelty with 111'11· WI..._ Wyatt Earp

J , a -L- ~ , mlck Yolce.s of the chipmunk• In 01 GU -JnUVIIGuOr 1peedtd•UP harmon-1. p llRR\' UOTKt :-,,-f14mou,. nine

DON ELL l OTT bM been ne ouie:r promlal~ bo:1e1a, C'rl>'ll)' •uharl,1 11nd '.\I 0-. Klected U ono ot \be Jau.- d lac la bJ ll•YCAT-Old Aucle Rio,, 1\ 111 be \\Uh Jiu.ah 0 11rian

men to maJlo a world lOUr under wbo la appcarlq In tho Lena ( W)aU t.:&lrt•l 1111 111 .. tort ll-tbe Prulctoo&.'1 cultural pro- Horne lestt m usical. " J amaica." ron11n,1 Lond.on '"f.· . .. Pier an,mme. Tbe couplin. ta " Donde E3ta Annll all l mt'lo- ,:WO 11011:u,1

Ell iot\ haa bffn dolnr TV S&ota Claus " and " 01' FatM>" a month and 000 doUan. 11 convncrc1&1.I u an ltUtNmcmt- whe_re tbe FOunpt.cr cries, "'I monih c•hlld 111ppor1 for 18 &111t and reccnu.1 orse,n~ t he don' t care wbo Jou are old fatao )1"31'11 from h,r r,.1ronc~ hus-Don £Wot t Sl.nc•l"I for radl~ TV• ;.;sn ........ ~o. u_r_ rmi __ e1.;.eu;......;,o..;,rr..;,;tho;.;...;.roo.;,;,;1;.;,:_

1 _.;b;,;;a;,,;;n;.;;d;,;.· .;";;.;";;.:'':.;r.;.r . \~l;:.r ..;,;I ~;,;;,"';,;;";,;;°";;,;-;__

~ &nd Jlnlle WWII. r T!1la Wffll be WU llltltd t)J

MO.\. A ooJJes• «>ur 1a Mins mapped out ror bla Jan Oroui,.

KENNY BAKER IS SOLO GUEST

K ENNY DA.KER la to mnlle a 1010 appca.rance at Lbe

~. Albtoo-undCT· L,.oe, iomorrow (SaturclaJI . Two poc:Jta,ae abon follow - Wee Wlllie Hanu on DecembcT o ana ooun wcu on tbo 131.h.

• • • LIHC&STllR.-eblrleJ Bauer

lOPII t.bo blU non week at t.be Palace. . . • Cbrta Barber wtll PIAF at. t..be Do Monuon. Hall nex, Bun.ci.7. December 1.

• • • LUTOS,-A,u ~t. alnalo l1

bclna rivc.n bY a ocal 01.1tl\U,era t.o men bu11.na I ta wortb more thaJl £4.

• • • BATR-Don Lana will nab to

Bat.b alt.er b.11 " M 8pec1al " dat.e tomorrow ISaturdavJ io appear wt&.b 81d 'lilllmot'a Band a, the Recc~ Ballroom.

• • • S<'ARBOROt.00. - BBC-TV'a

- 0ome Dancina " la \0 be Ulc­'flacd tro.m Lbe 01,mpla BallroOm on December 15.

• • • ea \DFORD-Dua1• Muoo­

le&du or t.be Howard Douaw Orcbatra--bu becoma M land• lal1l •• at a bOtd nea.r Halllu •• •• M&JraUc leader BIJ17 He, la to reduce from IB-plcce io &-piece for \.WO 01 Lb.e all Dllbla.

• • • snan·1«'11.- 1-1 bMoht r ue

Brand.lib, rece.nu, returned trom Canada and America. •u•taloed a brokt'D arm and Lhllh lJl a road crub.

• • • CORNWALi. - Sntn banda

wUJ pla)' at Cornwall '• I\M MU Ball at Palmoutb on December II. • • •

BRJOUTO!li.- An<rleJ' B ulah LI La.kln1 OY~ t.be Ol"Uld Parade Rataurant trom drummel' non Bowden. He will rename IL - The Im" and run Jazz ... ,oDI ncry 8und.a7,

• • • CW.AWi.EV. - London••

Laurie Club la ll)OMOrl"­loc:al et. i.outa Jau Club.

Jerry Dowson

~ TBVVOICE l'.A. IQUll'MINY

TRUVOICE DYNAMIC Microphone An omni-direct ion,al mile for uJ.t with high gain amplif.en wch ai lhe S.1- " St.drum" (1ll1111,aled), " Aud,tOfium" and " P,oleu,on.tl." Length 6~". he.d dlameler ll'', length over conneclor 71", welghl 6 ou.

.... • ltcn,11- . Iii&' .... ct £7.15.1 Nt. 11 IU""'IN• ltw latllHaace U .15.0

Will, kt. .,.,,.,, It

IIICI}' " · lLIH • • '"" /IUCI .. - .

" Sll0E-GRIP .. MICROPHONE STAND ••• llghtw .. oht dutal column, huvy cast iron beJ.t. N.w c~s,<ess,on clutch fibre height lock, this MC1ion b aJt cvshloned end lbe conttolled csupa _, allows only • s.low, smooth col~ of Iha wand. uJ•nd, frOffl 3' 4" lo 5' I ", - lghl 10 lbt..

◄

Ne.1.3 ... ... 4 ps. STADIUM (TV 19T) AMPLIFIER

2001250 voll1 A.C. op«atlon_ .. 14 watts PNk und11torled outpyt. 12" heavy dvty •PMker. Pr.-.mi,. with lhrN high A. Impedance unlla, }11 ,..i,11111 011 • lwo volun,e con- "Slid..,,ip .. troll. T,amolo with lftile llw. lncle~ndenl deplh and speed on two channels. llt.43 ... 55ps. AUDITORIUM TV 19 u STADIUM but without tremolo. Mt.42 4Spt.

ScM I• ,.A. l•/ld ,.J..JAJ • ., ~" ,._ , .. 1.,,

~ 114 C.--. X M.. l ..... , W.U

November 28. 1958. MELODY IIAKER-Page 3

.

. • ,,,, __ __ .. . .

,;, s t ··

The pig got up-and slowly ·walked away

MOCH h°"-alr is belnr vipenilled within

these a.a.cua& pases on th a&1bJed of testlnc muiclau for UnJon mern:bttsblJ). Before we ro an1 fu.rther Into the 11UbJec&. here la • real­life cauUonary tale which bu a be:Arlnc on the cue.

Art course

Exit

Humphrey Ljttelton enters the discussion on MU aWHty tests

Agen~: " What thti Olr,pln' •eu·a thcil?" A.S.O.: " -rts my diploma. ft I r. certtrylnJ tho.t l am or lhe required .slandard of efficiency to take m., plntt In t.he world or com. mer CI. I a.rt.I" AjJeM: - Throw the bloodv Lhlng awa.y and ahow us yer ma their talents on worlhlu, work! " Exit. A a o. hur- t.nuh ror so tr,:~ t.hal they ~ n ricdly to throw hi$ dlplo- hardly comp when more ma In lhe dwu.b1n and brutn . trash-mooRers st.ep In hlm5ell ln the river. and whtSk t.ht work from under

.... their noses. T h e moral o f this fillll R ubb\.'!-h Ill rubhlsh . whellwr

stary t.s thal In lhl& cut.• ll's play~ bv 11 tralned music­. throat. cou1pet.1Uve world. Inn vmh five years st.udy be­you cl\n tCIIL 11nd grade a.nd _ hind h lm or by a. ~enilge e,camlnc until you nre blue .. guitarist .. who has yet to go In the rncc. lhrough his ftrst set of s t dnp.

As long os the t\nnl So let's have an end lO this JudgmenL Is In the honds humbug about the s t.nndard.11 or " ' people who neither know the profession ~Ing del>Med. 11 ,1 r ca re allnuL prorrsslonnl Thev were debased long a~o. :1Lam.lllrds or ortlll lt'}', the For y~l'3, T ln Pan AIIC)' ha.s result or vour teats will wallowed uoAShlLITle<lly In uiuck. hareh• lJc worth the paper Now that. the smell hl\s become t.h~y·rc written on. 1.00 stronir even ror Ila own In•

1 have obsOhtLely nn senSJtive nosLri ls, the Pill gets ~vmpaLll\' with the music un and s lowly walks nway. \ndw.lry · tn Ill! dilemma, gruntrni bitter compl:imt., H1~hly 111t1lled proCess1onlll LeL It noL look Ior 4YDlPll· muslC1"1\S h.wc been wa.sr.- lhel1c Le.us In t.hls_guarter:. ·

I

This is the second time that To■my Edwards has ltad a bit with "It's All In Tbe Ga■e"

BE·LL ACCORDIONS· LTD. hav-e pleasure in announcing that they have been appointed Sole Dist<ibutors in this country

of

EXCE-LSIOR ACCORDIONS

(Full Range in . Stock) ------•- ----

BELL ACCORDIONS- LTD. are also Sole Distributors

in Great Britain for

SONOLA • MARINUCCI GALANTI

and

CO-OPERATIVA L'ARMONICA You are COfdially invited to inspect our stock of now and secondhand Accordions. Thousands to choose from- all tvpes and makes- for Cash, Part Exchange, CH' on · Easy H.P. Terms. Ask for Froo. Now 38-Pago Catalogue and Lists.

BELL ACCORDIONS LTD. 157-159 EWELL ROAD, SURBITON, SURREY

Callers we/come Phone : ElMbridge I 166 Open all day Saturday

* LISTEN TO 'ACCORDION TIME ' ON RADIO LUXE~\BOURG EVERY SUNDAY AT 6.4S p.m.

uN::a:~ ~r?!':..::a= 111 a chance I Or at leut 9i•,• ua the recorcla on time I The cauae of their complaint? Jun1p-the-gun clisc-jodce11.

From as far afteld u Olu­cow, Plymouth, Brt1bton, Yarmouth, B1rm1n&ham and Brtst.ol, dealers have been reportlnc records betn1 plued on the BBC and Luxembourg before they've eYen heard of them, much less received them,

Examples aJven durlna the past week or two have been Eddie C&lverl'1 • Trum!M!t. Ch&· Chn.•' Peter Sellen·, .rA Drop of the Hard Slufl " and Tooy Olbome'a .. I Want t.o be BappJ Cba-cb.t.."

n.. ...... SAID oae dealer: .!' Wbm ca­

'-n C&D't bDJ wb&l &be. want, t.beJ ICNlie lalereat and spend &.heir m•e-, on some other commocllty.

li ~j]??il))))l~

~JJ)l

Yow favltl WB conk, o/ coune, to that

thomv quutlon o/ l4te de.Uoerlo,. But that. ,a11 the dl1c companfc,, t, olten t l1e dealerl' own /aull. ThCN Qrc not prompt enough 1n or"rlng.

Ml4dle111C1n TN Uae middle of lb.la dbpate .L · al&Dtla &be recordla• artlaL Be (D1Del1 per Ct.Dt. of the Umel malfttaJu lbat not only

G b '

a.re bla recorcla lat.e In ,ett.lua of ramop oae ~mes lnto &be ahoo■• nl Ua.a& Ule:re lie poblt. oat: I 1•-.. we are authorlaed by 11 not nwuoh adnnce exp o .-rnunopbone companla to Uo-:hlcA t, "'"'/ 80 n1411JI no to broe.dc&n recotds Q aoon as " they reach our Ubrary. But we the UJJffl.'" o emJJIOJllng out-do trJ to keep an eye on release aide ,pedalut, to plug /or them. dates and comply •U.h I.hem. StlU runnln9

.. The only ez_~pt.lon ls ' Pict JT'S rdndttr t.lme apln. £ed. or &.be Pope.' In which David NC!Md &tladttr lime, ln J ac:obs mJabt PlU a record a few da"'I before lt ls due on sale. ta.cL And lbe lnddaUpble ., .. ,__ _, lb &.lllmal la nmnln• Into hll

" I qmpa\....., w,tb e dueatb wtnkr eeaso.n. dealffll, but surely cu.stomen I W1ll come beck u-Lh~ r-11.. With more than 100 .. atna e■"

I.be __ ..., -1 ~ behl.od h1m land two million

want. ,_,.""" aheet. 27-milllan dllC u.Jes>. be Luxe•ow• enter■ the arma acaJn with

AND .. _. of L __ .._ eleven new recordlnp.

" I t ls Ume lhla ·advance · plunln1 was at.nmped out.. What other trade cries Ila wara beCDre atoc:klnR up? In any case, It has alway, been und,r­atood lh4t. radio and TV ata­Uona are pled,ted not. t.o Pk\.V dbcs before they can be bouaht 1n the .lhoos."

d~ bJ 0":.td~':!;:; Includ.ina lbtlleve It or not> " a 1t.eadJ battatn« nm, wont. Hu.o Wlnierho.lter'a " Rudoloh offender ot an "f the Red-Nosed Reindeer Cha· • Haoe OM on me," ,ar, Toni Dalli cu he /lill LU. R.o:a'.s gltU.t

.. w n-er la .AA .... _ .. _ Oba.'' at the Stan' Ball at Grwvenor Hoiue. w., on llonda,11. They e "'' piav r .. -....., .... ""'" In ,plte of t1,r, It 1, hfghlJI were two oJ the aoo Sho10 su,lncu pc. raona.lftfe, who attended

fore muatc publllhens permit. us unllkcTv. that Ma11foua11l wtll be the annual etlt'nt whkll ta ,taged by the ~ton' Organuatlon Jor ;~

0,!°kio~~:;u~rJ!'a.,!;0': ln,plrtia to record "Cha-Cho.- Spcutlc.s. An uti,IUIUdFutJ'f"' uw ralsed /or tile SOS centre Jor than t.wo or three daya before r•c_ha.r_•_mm __ ne_._ .. ______________ , _pa.,_u_c_c __ en_, -"'-•B•"•zh_u_,_~_-_s_ca _____ _ the, a.re In the ahope."

And tMn come, thla barb: ., What 1'11Cke• It e0tm wone u f"4l manr rtcardl do11't arrfue on the rmcue cf4te. They are anvthing up to a ~de late ...

The clHJaJ UTHAT a11 Dnld Jaeobs, t'Y -who It allqed &o lndadt

at least one " prema&are .. d.bc eYery wttk IA • Pldl of &be P~"! Tbb:

When the companies amd d1lcs to me and to the BBC record Ulmu'y <where 1 obtain l.bme 1 pl&J OD I.be alr) I assume they are on sale.

.. In any case. my Job ll to pr. ani. a v&rled p~ to ault all tasia_ purely aa enter­tainment. I am not a record IGle,man.»

The IIC TUIIAT U)'8 Douslu Law­' Y re-nee, BBC Aaautanl lltad

Adding parmcthufcall11: .. 01 cour,e, ace c:at1not be b~d ff dellverle, are late."

Th• COIIIPGfll••

T O all of &lilt, the rteord CGmpanlca tbem se lvea

malntaln: " Adnnee ttplolta­Uon la euenUal. It ii &be ba.ro­mekr bJ wblcb cleakrs ca.n ( &Dd ab.ollldl meua:re demand..

" Pew are able to detecl a hit. But. record companies baYe a pretLJ sood Idea. and lhrow all Lhelr rmou.rc.es lnt.o exploit.in,: lL

" NatunllJ ... t.bey point out. "we have to wor'lt well ln ad­vance: at leut three weeks. And wttb auch a blahly com­mercl1llsed t.rade, Jt 6ecomts a question or wbac. your rival ls 1oln1r to do.

"Will he, ror lnatance, Jump Ule IUD? One IDIUt be COD· at.anUy prepared. ••. "

~ BONGOES Svllellle for hand M atldl pla,tn._ S°'' and • - • di ■• mete, llaeda. ._.., 1ensfencd Cne,..el rl,.1111 In CIIOJU o1 white or ora n_te a.,n t11111L ... , ,.,r u., •.•

-----~----- -----------BONGUITOS

s• end ,. dl11n11a, head, key 11n1lonHI. r,,.1,11ed In enamel or cotourful pearl or Srlllar c:ovarln ... Enamel Flnlall

Per pair U , IJ, •

A , 1,ai,11,. smaller 1,.1,rvment ~ t llan 1111 allov• model with

PHrl or Qll111r Finish I Pe, pair H , 7 , 10

I ----------- -----------' I •

: ~ MARACAS I

r u 11loned lly lland al'ld -fK11ylNla11e,ad T~CIIIIIC

I terhllc 11111 F111 l1h«d '",111 .. , ,.., a nd sowt

I ,.., , • ., n. 1•.• I

-----------~-----------1 SAMIBA TAMS I 12• dllm■tu with II pairs ~ I of nlchl 1l1w1r JlnllH , I Rl'lllllltd In rad an.S. Olacll enameJa. I

C.c.h u.••·· 9~• dl1■ met1r whll 9 pal,a of I nlckel•all.,.., Jina,., rl,. l,h.c! I In ttlu. e nd o,a n11 -•m•t•

t.ecn u .a.o I I ----------~-----------0, .. , /,uuw-■11 /■ 141, ,.,,,,, - Pl,litl 1.u flfrrlw, d1111J1 •f llil•"""" I "" ,.,,, •• ,.,, • .., ..... a.1 "'"'""

CA BACA, ACIO • REIO, I •I., IIUlln JuJ,,. CHOCOLO and CLAVII

lurn to Pl•J' Its. many IHclna, I Hamo •-~----·-----tins L.a lln • Ame,tc.n thlflhma Aidt HI " LATIN • AMERICAH WAY " I -----r .. 11, 111u11ra11ct llool!,.I "'"''•" I i.,. ld-lldo Ile. Pr l« :ar• .IONN CHY & SOICS (LQWOOMI LTD

7t/U , ... lflafl, ~ LU

I copy nobody, says Betty Smit/,

ltartecl at 6 Her Dad bougM ber a t rom­

bone at a.lx (" but. my arm wasn't. Iona enough to reach out.. so I got. a aaxophone at nlne "): plaved wllb Archle'a Juveniles, Blanche Coleman, Ivy Benaon. J ohnny Smith. Preddy Randall, and finally with her own ,croup.

Apan from her mu.alcal ablll­Ues. ahe'a a Rood buslr\CA&­woman, good-natured and 11 good ■port.

She ha.a been married to her bass pla.}'er Jock Pe~rdy for el&ht. yeara.. bu Jwt tlnl■hed an LP ror Decca. nnd her laleat record, .. Beltln The Besulne," It is rumoured. OUl1 become a tut.

Toclay-Getz • I know }'Our favourite I.■

El la.'' l aid. .. Do ) OU lry t.o copy her lln&lnl n yTc? "

" No,'' ahc aJU\oered empha­tlr.a.Uy. .. I don' t copy anv• body. I Lblnk one 1hould try to be orl1lnal.

" In the early daya I listened to Hawkln8. Lester Youna Eddie Miller ond Bud Freeman· Today, It's Oetz. But some of our playen, 10 wrong when they roUow blindly tho current. Cl"I.Zlt."

She rose lo RO. " I'ro meelJnR my huabnnd

11nd we are ,colJ R out to dln­nert abe aald \\I th ll hO.PDV amhe.

"Dinner? What about your weight?"

Her race look on n dedicated look.

•· I'm mad,"' ahc uld almply, .. abour. Ob.I.Deso !ood.''

Tb e n e w •E N S A Fariwl"b.u bcendtvtlop­ed from the ori1in1I ''Grampian ENSA" wbich bu earned • wortd-Widc rcpumion for reliability 1od acrvice. The new outfit bu • greater power output witlb 3 separately control led inpuu, 2

improved 9" loucupeaker1 and new " Pencil " dyruamJc• Microphone for hand or 1tandud use.

The amplifier has a etu•h• pull output of o\-er J 2 w.111, and it filled with rwo jack

1odu.t1 ror Mkropbooe and oae for • aultu w other ln11rumtnL Tbe wboJt oulflr cUp.1 101el.ber for cay cnntpon and ii "1aJ for club,, danu bandt, botch, ecc.

£52 complnc with

W'llerproor allpo()n

The Onamplan "l!NSA" 1t1ndJ1rd model also available.

C.sb Price • UI

~~~,a_m_,p_ia_n_f REPRODUCERS LIMITED

20 ........... T ...... htate, Jetta.-, IIIW4L Tdei,hone 1 FftJham 2657 .

\

c;r~nt reror'4s of our time

rown c ears e oor

~ UIII H 11111 U ff I H 11111111 II 11,rn I I lllllllll 111111111111 t:

I Steve Race I a § ~ reviews Les Brown· s i

A GOOD dNI hen •••n written in this ,.,ies ol>out ~ reconlnaa ef "I've ~ recONls which • 11et clete: records whkft ret11caN1 ~- Got My Love To ~-

as fresh u on the •r ther ••• made. Thls 1s not ~ Keep Me W .. ~

one of them. s MIi § The front-line ~lllllltflUIIUIIJllllllflUllftHJIIJIIIIIJIUIIIIWlltrf. p b r as 1 n I ls Lhese cbya. ooe 01 those IJUJe cllpped and pocket metronomes,. d t d th lo 10 far u Lhe daneer ls

a e : e lnteres&.ec:1 to the melody, 1l d r u m m e r mua1. be prominent and UD.ll'Il· plays closed copal.ftl. played by s11111e m­hl-hats ln the atnnnenta or aecLlon.s. and

w1Lhout decoraUcm. dread manner Vartatlona ln voJume are w e o n c e reserved tor the end o.t a d~ thought so 1.m- mcmatratlon dance, whm tbe

band ill requlred co " 10 loud " pelltng; the ao that lhe dancers wW know s a x e s a r e when to nop. woolly and To the professional dancer.

bb mualc comes 1n tbrce slus: 64 WO ly; the hara. 3:1 bera. and the handy r e C O r d e d 10.bar pack. InLroducllona arc sounds appear 4-bera lo~. and mu.,tctans 11re to have been a rcbclllollll, mlckey-takJng.

Jnu.happv lot lo be hissed al passed through an1rnv at ench circuit or the a tablecloth. noor.

Yet, hl-0 and stylistic fads a p •rt, Les Brown's .. I've

Allen

La Broaan·, N /'t:(' Goe 11, Looe To Kttp lie Got My Love To Wann .. u a m.odd o/ do,ice band orTon¢n9. Keep Me Wann"

(COi. D82533) ls a model of dance band ac­ranrJnc and playing.

T he pro1eaJona1·1 Idea or cbnce music ls quite alien to Lhe la Br0""n record under d.lacus.tlon. Hs 'rin1 chosen one or the besl 1.rttn1 Bertln tunes. Brown hu bit on the perfect tempo-not for II Quicbtep, a Slow Po:ctrol or even a PrORres· 51ve Imperl&l Saunter. but. ror " I've Oot M.y Love To Keep Me warm."

From Dealers In 7 4 Co11ntrles r;;;,-.::,~.,--;~~~~;_711 f I am a dnlmi,1er ~ •01wu1 ebll1.111<>n1 I MOJ mr • ,au <@P)'el ·i;uH\ U JOJUY.' I

I ~;;:~;--··--··------·--·---··----...... m, .......... ;

: AdJrn. ........ , ___________ , __ , ..... - ,

1----·-·-----·--·-·-·-·--- I I ..... , 0.lct"' ,_, .. _N_____ M JJ I

'- --~-----~

Daoce bands are auPPosed '-0 P1-.f dance mu.sic. and b.F dance music, oddJv enou,b, I mean mwic for daocma. IL bas 1on1 been an axiom or mlne that music worth d&ocln1 to la wonb llstenln1 '-0: a belief which Is oot shared by the o.atJoo•, leadJnit ballroom bal· lerinas, either male or female.

Te•po Take lhe mnller or ~po. for

Instance. The roc:ord tn ques­t.loo 1oes at a IJ>eed or 37 bara a minute.

Thia umpo, u any eertoua ballroom dancer will tell YOU. does not exlat.. It lies some­where between Vietor SUt"ater when be 15 rean, nlUn1 and Josephlne Bradley ln repoee.

It la too Cast ror &low-slow, and Loo slow rur quic:k-quklc. To execute a nwer"R treble­cbasals at mcb a tempo I.I un­tbJok&ble. 11 a band plafl aL 37 bars a minute lhe only lhiDll to do 1a to repo~ it LO Mr. Heimann

One ~embers U\e story of the ~R drummer. compelled "° start playuia on bis own. when the rest or the band had bttn delayed 1:JY r~. " 111 It.Ort wllh a qutcut.ep, · he thouaht..

Arttt a cbona or lWO or IOIO tbump-Ulump-thump-t-hump, a lad}' approached tbe bn.ndst.aod w Would you ple:,.se play ' Ju.st One or Those Thln1111 '? " she asked. " Madnm.'' replied tilt' drummer, " what. else am I pla~?"

It Is hard ror lhe aerlou.s musician to refrain Crom bitter. oess when conslderin1 the serious dancer. The two, who owe so much to ~ ch other. are ln comolele opposi tion a l almost every POint

Toe dancer holds the mU&lc to be subservient to the rhythm, t.he rhythm 10 t.he tempo, and lhe temp0 lo I.be cloclt cor.

Ht' Lhen p~ to make It d11nceable.

The sboer "-ncesblllty ot Lhh record ls exu:.ordJoary. EYerr­lhlnJ about I t affect.a the reet: Lbe crisp, at.eadv beat.: the way the tune lean.a on the lat and 3rd beats of the bar; the won­derful feelloll of suppressed rhythm and POWer behind that Orst open (but plantsslmo1 brnas chol"WJ.

Il'a a ma,tnlflcent. start. There Collowa some aoc<'m­pll.sbed alto an.'<. a t.:!~•.eJul Dlnno aolo and IIOffle Lhou1thUul Lrumpcl. llll punctuated bv the most dlllclplined enaemble of lte day.

Greal The arran,:iemcn, eods with

a balutlfult, sco~ " ride-out ·· lD lbe Bob Crosby tradiUoo..

Nolblns fttY dramatic. No ooe about.a .. Wall! .. or even feels like doln1t IQ. No one blows :n conaecullve tenor choruses. 14ueezes out a tau H. or f\nda lhe chord S ir Arthur Sullivan losl Lhn t. day nt Lhe Victorian Hammond.

Y ~ 't.'a a .,-ea, record all rt,ht.. Or-eat enou1h to .-tve the profeulonlll danc~rs somelbln« Lo Ins pire t.hem. What a olty It hid t,0 cl~k 37 bars a ::ilnut.e. someone should c.en that Les Brown re1111 • •••

THE RECORDS SO FAR DIM!,. (Mod~rn Jau Q 11•f'­

ttl I; Melaftmelf ■IUN 4 Lou!A ArT1»lron1 1. CaHfwnui t.,ltt IMtl Tonnt 1; M,,al11' TIie .._. 1Bla n~,dn~e•: -.OJlsflr 1Ml'.t1 l))'tbl ; l'ner l l'eA'J' Lcf'I 1'ra11lll1 .,.. ffllanr ICno'.I 0.UDUI, U ' I Oar1"' ' tCOIIDl Bu'cl, ltn1n11 f'twlt 4Joth Wh11,,1; Fur ■nllM,. 1 Woedf lltnrant

HIXT WEEK , on, arllllltdl.

ONE dav 30011 a Frfflch /Um , • Le, Trlc11eur1," will co~ to London. T hough thti tordld , torv 1, an fnault to 1a::..:-lotring

~ u-,h (writes HenrY Kahn. from Parts> ft conta in.a ,o~ Jiu ,;a:z from the JATP unlt- lncl&Ul lng Eldridge, Hairlan$, tllb, GW.U_pie. Petuson and Get:, not to nu11tftm rtcord, btl Bcuit an~ Garv llulllgan A r «-COrdlng • .. llusfc From Lt• Trichcun,•

mav be fuut'l:I ahortlv b'V o Frtncla comi,anv.

Nooreiaber n . 1958. MELODY IIAJC!a .. ,, ~

Hu .. at lut IJ a 41ll1h,rul au,er

ll1htw1l1ht, fAONT l'LAYING,

porublo rKOrd player, deslan•d e.pod ally ror youl A ◄ a,-.4 I.S,"- player In 1•1, tWO-tOllo

"Contlnutal Sr,,11111" IMC ,ov will bo thrl ll1d to -nl

• •

DIMENSIONS Tu P;aid W ldc.h t4'•

Depth l'li"' H.;pt6• * r,11 u• ,ur r, ,r, ,r, ''*°'

rrm, 1llf U. CtllHI

Thy'r, lt1r,I Thy're lr/1/rtl Tny're Ptrl,ott

'"'-~ "c:-.«1...-.1 s,,.., .. l,utr-a,ib ere• #er te ,._,, A -,I.co r•n10 •f lll•• ,.,,.,. ,.,.,.,. •r• MW

• CM ah,-. OOH' T MISS THIM I

HOOQ. C. H. I. Ya1ani.-11c,

◄..-LS.A.­dloM.rv u u. ....., , ,lu . Eae-e llea1 .. , .. __ ,, .. •"'· _..._

Ako all'all­ab le u •

1li,1 le p la,cr .

17UI Tu 13ttn ~:~ M00£L A P'.l

DOBRES (1951) An Worb • Sutton l\oad, South~nd-on-Sa, e....

HOYERk!f~ Only guitars with all these stars !

* Only Hoya, '1.n you the -S.W brltwe for mlcro-tunlnz too ltalnbnodtJro,,eoch ind.irldw,I srrl,_. Try it I * Only Ho,·u 1fw_s you stul relnf orcen1tltf In rw ,tJm, clto1t, ltoltd-fi11inz Hoyer nttlc. HUltdk lJ tllld feel IM dJ,lerm«. * Offly HoJ·erlxln,1 ) 'OU Hoyerlttmd­craftsntlllUitlp for quality In e~ry detail Su It I Send f4tr tw.chure t~ 11 ... ttl of Raroy Court. Lo.so, W .I. Hod .. , frem 16 1n1 to 1• ans. All can be fully el-=trlc.

Abovt' is lht' lloytr Esquirt- suprtmt at £J4

hgw 6--MEWDY M AKJ:R. Navem!Mr 29. 1951

TOP 10 LPs WEIK ENDED NOVIMHR 22, 1958

1

2

(1) SOUTH PACIFIC .. ..... .. Soundtrack.. . .. .... RCA

(2) MY FAIR LADY ...... Oriefnal Cut...... PtlilI,I

3 (3) KING CREOLE ......... Elwis Prtsl.,......... RCA

• (4)

I (5)

COME FLY WITH ME Sinatra ............ tapitDI

ELVIS'S GOLDEN RECORDS ..... .. ..... ..... . RCA

• (6) KING AND 1 ............ Soundtrack ...•.•

7 (-) OKLAHOMA ... ....... .. 8oundtrad[ .... .•

C.,itol

Capitol

I (-) FRANK SINATRA STORY .... ... ........... Fontana

I (O) PACK Up Your Treubl11 Rusa Conway ... Columbia

10 (8) SONGS BY TOM LEHRER ...... ... ... ..... .... Decca

Lonnie and Kingston Trio race for top

with 'Tom Dooley' T HE "Tom Dooley" baUle 14 really •ettlnr hot. Lonnie

Donepn. \\ho came stralfht In to No. 13 last wrck. has iOlltM to No. G. but he ra~1, 1tlfT competition from the Kln1-11ton Trlo·s ,•e rs lon, a lready a Stateside b:t and n ow 1tron1ty placed here Ill No. 11- lls first appumnce. Poor old 'fom·• reUln,; more publlrtty now than when they b1m1ed hlm !

At the top, Lord Rocklngham·s XI s llll rules U1e roost wlU1 lloots :\ton. but Conway T witty has been moving very fost '\\•Ith 1t•1 Onlv ) l :ike Belle ,·e. and a t No. 3 seems to be within striking dlstance or the s ummlL I t looks as I f the game•s up tor T ommy Edward.a'& entry-.1llll at No. 2 but. hoverlng on lhe edge ot the blJ drop.

Cliff R lch11rd·s HIJh Clu s Baby has a lso proved to be n quick mover. In ror t.he tlr11l llme lul week a t No. 19. l l"s now sold lta wny to the No. 10 berth and looks set. tor a n even higher spat.

Mnlcolm Vnu_ghnn ho.s d ropped a plnce with h l'I ?\fore Than Evu. but. ror the t\rst. lime he leads the Marino Marini version, t.wo slola behind.

The only n e\vcomer Is Robin Luke. who'll Susie Darlin' could repeat Its Stateside success. He come., In with Eddie Coch ran and his S ummertime Blues.

There 'a no chnnre- In the fi rst six places ot the LP chart. but Oklahoma returns to No. 7 and The Frank S inatra Story makes Ila nrs1 appenrant'e-nt No. 8. These two come In a t the ex-pense o r Como·s DCllr Perry and Pat Boone·s Stardust. .

T Hl& top, rl1l11 ll•l o r IIU 20 bnl• at I Una ,on1 lor I ht wuk r n_dtd

Jlo\rmbtr ,,. IUI . •• 1upphtd b)' lh, P opul;;r Publhhru• Co111nllClte o f lhe M u•lr Publl•ll•.... AUl)( lll l lOn, L id U ,1u1 • ttk • pl.1c1n1• In p:arrn1htaH.)

t . (I ) COME PRIMA (MOIIE THAN IVl!R) , ,, 12 •I • 11rr:tn1

I. C21 A ClflTAIN IMILC IAI 1:l ' •I Robbin•

&. C,) VOLARI! (HQ. ■LU OIPIN• TO 01 ■LU) 1r1 ,21.1

fl(ibblna 4. (41 tT•I ALL ltf THt CAME f AI

12 • I • • • • 0 11,.-aom I. (II CAROLINA MOON IA) 12(-)

LI\Nrf'nct W rl111t e, (&) TRUDIE 1B1 12 •I

nrndr uon f. (Il l MARY'S ■OY CHILO 1/\1

12 11 • • • • • • • • Bourne ■. Ill YOU NU:D HANDS 18 ) 1:•.1

LAkt~ltw I. 1171 IOMEOAY CA) 1:•-1

our1, ,..,

11. 171 ■OR'f TOO LATE IAI 12 ·I Anclo- Plc

11. Ill ■IRD 00 0 I AI 121-1 AtUff•R Olt

12. 1101 WHEN I AI 111.1 •• 80Ulhtl"n ll. (It) HOOTS MOH (D) 12 •I

South,rn U . (13) TULIPI PROM AMITIRDAM

IP' I 12•-1 • •••.. ClnP.phonlc 15. (-) IT' I ONLY MAKE HLl l!VI

tAl 12 •I •••• Prancl• D:iy 114) STUPID CUPID IAI t2 -1

Aldnn 17. (II) ON THI! STREET WHERE

YOU LIVE I Al 12Jtl Ch11pptll

11. 1- 1 TOM DOOLEY 1A1 12 •I Ardmorr 11nd D,rchwood

11. r- 1 TOM DOOLEY IAI t2 •I ia:.,rs

tt. 120) i, ORIAMI CAMI! TRUE r A 1 121-1 .. • • • • Doml nlon

2t. 1121 MAD PAIIIONATI! LOVE IAI 1: ·., • •• • . .• .. • • Duc:httl

A- Amrrltan: B- Dtllhh : P - O tbtra. I All r tahu rntrvrd I

TOP 20 POPS WEicJC ENDED NOYEM■ER 22, 1958

1 (1) Hoon MON.............................. Loni Rockineflam'• x,......... Decca 2 (!?) ,rs ALL IN THE GAME ... .......... ........ Tomm, Edwlnlt ..... ... .... MGM 3 (7) 1rs ONLY MAKE BELIEVE ............ .. .... Conway Twitty .. ...•.. .... MGM 4 (f) A CERTAIN SMILE........................... ... Johnny Matlll1 .... ... .. Fontana 5 (3) BIRD DOQ. . . . . .. .............. ... .......... ..... . .... EvtrfJ Brotbtrl. .. . . .... Landen a (13) TOM DOOLEY... .. ............ .... ... ..... ....... Lonnie Donepn...... ,,..Nill 7 (6) • MORE THAN EVER........ .. ... .. ..... ....... Malcolm Yaupan.. ..... .... . HMY I (11) LOVE MAKES THE WORLD GO ROUND ...... ,.,,, CDmo.. .. ........ RCA I (6) COME PRIMA/VOLARE. ..... ........ ...... ...... . Marine Marini... ...... Durium

10 (10) HIGH CLASS BABY.. ... .............. ..... .... ..... Cliff Rlcflanl...... Columllia 11 (-) TOM DOOLEY.... ..... .. ..... .. .. ... ...... ... ..... .. Klnpton Trio... ...... capitol 12 (8) STUPID CUPID/CAROLINA MOON..... .... Connie Francis............ MQM 13 (0) MOVE IT.... ... . .... ..... ....... .. ...................... Cliff Richard.. .. .. Colu·mllla 14 (16) SOMEDAY/I GOT A FEELING.................. Ricky fhlson......... Londen 15 (17) COME ON, LErs GO ...... ... ........ ............. Tommy ltltlt......... Decca 18 (10) KING CREOLE...... ....... ................... ....... Elvis Prlll-, ....... .... . RCA

SOMEDAY .... ..... ... .......................... : .••.•.••• Jollie Sandi .. .......... HMV 17 (14) ~, (- )

11 (12)

20 (-)

SUMMERTIME BLUES... .... .... ...... ... ... .... Etltllt Cochran......... London TEA FOR TWO CHA CHA....... .. ... Tommy Doney Orch •.. ...• Brunswick SUSIE DARLIN' ... .. ..... ... ........................ ... .. Robin Lukt.. ....... Lonlletl

TOP 10 JAZZ DISCS 1 (1)

2 (10) 3 (2)

4 (9) 5 (8)

8 (6)

7 (7)

8 (4) 9 (3)

MY FAIR LADY (LP) ......... ....... .. ... ... ...... 8htllJ Mannt. ........ Yoeue THE MOST HAPPY PIANO (LP) ........ .......... Erroll Gamer......... Philips CHRIS BARBER IN CONCERT- Vol. Ill (LP) ...................... .. ...... Pye-Nixa MODERN JAZZ QUARTET (LP).. ..... ... .......... ......... ..... .. ....... .. London ELLA SINGS ELLINGTON SONG BOOK Ill and IV (LPa)..... .......... HMV ELLA SINGS ELLINGTON SONG BOOK I and II (LPa). ... ... .. . ... . ... . HMV CLARENCE WILLIAMS JAZZ KINGS (EP) ..... ...... ...... ... ..... ..... Fontana JAY AND KAI PLUS SIX (LP) ... Jay Jay Johnson, Kai Windinf ........ . Fontana ATOMIC MR. BASIE (LP) .. ... ....... ..... ... ... . Count Basie. ..... Columbia

10 (- ) " PAL JOEY " (LP) .... ... . ........ ..... .... ...... .. Andre Previn..... .. .. Yope

AtL ffOBU SUl'PLVDfO DfPOIUlATIOJC FOJl RUORJ> CHARTS lOlfDOH-1-lb,c Ucbtmf. lU : lmbots. W,0.l ; ' T,™ •cwe I&-. U : 11.olo For 11««,la. lUO: ... w. 1'14,td. 1.14_ 1.&..11: " · a. 1'lllllla. L LLI>: Forlaa. w.c.a: w. " · Clar1co, w., . IIA.NClllEll'TB8-l>t .. Wholuale. Ud" I : Kim• • 114 Mid i.Ian Lt4. an4 a--d RdlknoutJJl..:l.: eurou. 11. UVEJU'OOl.r-8-ftr .Radio. LIii" I I lfuru. J..14. . l . BtllMDIGHAll- n.. Om:.ry r,: ll. C. llaDMII. Ll4" 6. ~R. I. K.Udlffl. Ud" 1. POJlTIMOUTH- W-.on Hart. Lid. 8BlOIITOJl-0otieU•1 Record nio. 1 • PLYIIOOTB-<L B. Yudlrt and Co. GLAJOOW- N cConnad"I. LIL. CU. BOUlUllUIOU'Ol- a..i... MIDDL&BROOOH_: l'(W 8--4 lllop. 11.0UOH-li~ TORQVAY-.l'alab 11M eo_ Ud. l!"l)IJOJURGR- Bandimu llwlc StoNa. 1..14 1 IOvnt lJU:SLDS-&nllla Brollu n. Ud. 81.AOltWOOO-Ol,u lA1rl,. BOLTOlf-l'tns~ lrricll Co. BZUAST- Allau,llc Recardl. QAR.1)0'7- (lUJ Radio 1CUdi!J1 1.14. lil£WCAS'11.E---,1. O. Wllldow1, L14.. 1. ~ ~ 1.14.

~Top Twenty~ publishers and other versions

HOOTS MON tSn;.i1hir11 1. IT' S ALL IN THE CAME

, n 0<•om,- Sal " K .nit" Co!e ,c .. .l-,1: D:, rrr K rnc:a I (ll!:nbl. ll 'I ONLY MAKI HLIIVI

tPr imc:1. DH k Hu111cd1-J 1mm)• 8t:i rr ,1..on 1

A 01:RTAIH IMIU! IRob• bln11-Jonu Bo}a 1CoH: /\nay R;.iwr:t 1RCA1 : P a ul R!t11 1Emb1.

IIRD DOG (/\cu rr-noce1-P11ul R r h I Embt .

TOM DOOUY 1£i u), MORI THAN EVER OOMI

PRIMA 1Stcr.:nrt J ucklt Den• n .a lDtc1 : J0t Lon 1Hltt V1. Roben E:111 1P h11: E<.mund HOdtr.da• IP•NIXI; Toni O:l l:1 1Col1: No~r.t P,irJmor 1Co: 1: J11cktt flu 1f'on1. E,e Do, n :1 IP.lr t ; T1d Hf'"-'lh 10.. t l. Dwrr)' Kcndllll tEmb,.

LOVI NAICIII THE WORLD CO ROUND 1ChJp:.,cll 1

VOLAR£ t!RG:>o.n_.,_Rona'd Chrsncy t 1111 \",. A:ian O:a:t 1MOM1 : Ch ar •. , D r.ill& IP.u,. flltk1 Hrneltr • on , Em.i• . Jo-1.ou (tL\lV1: O,,:in l'>h.rt: n IOap); McOul rt 5. ttr. 1\·. Cor 1: Domr n.co llcduano ,or1 1: Ntl1on R.dd'.e 1C:ap1 : LIia Ro•~ 1P•~1 1. Annr 8htl• 1011 1P ., 1: qr11 s1aptt1on I Dtcl: J lmmr Youa1 1Coll. Tt d H tatl\ cDerJ .

HIOH Cl.JIii IAIY tKaJlthl .

TOM OOOLEY IArdmort • 1kcehwood1 - C,h R.amb'.rra (Ttm 1: fl ttl Ptlct 1roa1 : Tarnu1 ,coll.

ITUPID CUPID 1A:don1-Maurun Euna IElllbl.

CAROLINA MOON fw,r. rcnce Wrt1ht l - D,ll7 Vau~hn ! Loni: ou, Luu1a t ra 1BrJ11.11: Otor1• u .. m.llon IV 1HMV1. lburnn £\ana 1emb1

MOVI IT 1B r. WOOd l-1:ia l Bun04 IEmb).

IOMliOAY CLerda) - 8 .1:y r • rrrll tPllll .

1 GOT A ,■El.INC IC<lmmo­dor~ 1mptrtt ll

COMI ON. ~ •I 11:.n1-Rttclllt Vlilifilt N.a l.

IC ING CIREOLlt tSeHmttn a.,ue Ro• J- J ohnny Worih (Embl.

IUMMIRTIME IL\.IEI (C.c► phonlcl-\'tptra I Part

Tl.A ..-OR TWO CHA CHA IOhapptlll

IUIII DARLIN' IMI 11-0hrla llo•'•nd ,ca:i: Bnr ry Darll•" t.HMVI; Hal Burwn , .. ,.

M lblt'd by " Vl\r1tly " -lnue daUd t-01•t m br r :tG. 19~1.

1. 12) T OM DOOLEY K .nn:on T rio (Oltpltol)

2. (I) TO KNOW HIN IS TO LOVE HIM

TMdy Bl'ara (Dort) 3. (21 IT'I ONLY MAKE

8ELIIVE Con••r T•tn, tMOMI

4. 1$1 IHP 8UP P :111 mlllu IRou't llt l

5. 141 TOPSY Cou Co:, tLo,e1 I. 11>1 I OOT STUHC

Eh:. Pl"C..()' 1RCA Vl.ctorJ 1. 191 ONE NIOHT

Eh la Prulo IROA Victor) L (1) IT'S ALL IN THI CAMI

T omm) Ed•arda 1MO M I I . 1111 LONHOMI TOWN

R!tty t-11 ·•on tlml)t'rla l l (ltl IMOICI OETI IN YOUR

EYlil P .1t1tr1 ,1>1ercurr1

BRON'S

11. (tJ T IIA ,oR TWO CHA ONA T o mm)' Don ey O. d1t ,1n,

10.t'rn t 114 ) THAT OLD I UO IC MACIO

Loua Pi.ma and Kttls• S!n!tb 1Cap. tol1

tl. (16) l'ROIUMS £1 trt,· Brothen 1Coden~)

14. It) OHANTIU Y LACE B .i Bopptr 1McTCU r)' )

1-J LONl!LY TEARDROPS J ackle W.!1011 1Drun•wlcll:)

11. (131 Tlil IMO £:tr: or:in t (Dfcca)

If. (10, THE WORLD OUTIIOI Four Co n\ 1 E!)lc l

tL lllt QUU N o, THI HOP Bobb\" o., r,n IA ICO)

1t. (-) WHOLE LOTTA LOVINC P:iu Do:&:no tlml)(r . 11111

20. 1-) l'UISY CAT Amu Dro1 he ra tRCA Victor)

Bepr ln l.ed by ptrm:s•·on ol "V;ir.ur "

P.O. BOX 46, 29•31 OX.FORD STHET.

LONDON, W.1

ftoftmbet 29. 1858.

Jaz-z mak1!s the-m Lfflff lllllllllllllllll 11111 LI 11 • fl lUUJJill 111111111111111111 Ull 111111111111111 II IIUII Ill I 1111111111111111

A JAZZ single in the pop parade t Thia will confound the critics - mrself included - who have bffn

deploring the general lack of taste. The dlsc which broke through the tightly-knit

ranks of Teddy Bears, Playmates and Big Boppers 1n

• cozy COLE • TED HEATH • JACK PARNELL Two British discs ~i• with Co%Y Cole's "Topsy" for pop honour• the U.S. mt Parade is

Topsy-parts 1 and 2. And tbe• man responsible '

fs veteran Jazz drummer Cozy Cole, who wUJ need no lntroductlon to those who are beglnnlng t-0 feel their

Pap· ·n1scs Frfrnd~. Tbb one 11 well worl.h I eupl)Ose Cole In an, lnnati••• Wlllc:hln11. Wlll ,ult tho Cole to,. und trlrla.

8t1\ell :lllnnlr4 In lleunn ls (<:u111tul L<.'TUlUU) only a so-,;o encore. cm,,· 4G- l'UPJ.G8) Frank Sinatra ., Buclcl11 Holly SlNATRA alnu Slcrp Wnrm, •

rather chnnnlna ballad hi hla usual lmpcc:c:able atylc. ke-t­lJOn Rldc:llc provide, the avcl~ ncco1npanlmcnt ond the quallt.y or the recorc:llna ti, 111pc.>rb.

age. For thu benefit or the hula­

hoop brigade. l would ndd that Coey Cole Is an a lumnus o! such distinguished leaders as Oab Oallow:iy, Louis Armstrong and Benny Goodman. 'lbere·s hard~y a Jau st:ir In the main­stream book that he hasn't re­corded with a t one tlme or

Ben•hau, E X-ORJOKE'l'EER Buddy ROllJ reveola a Presley lnnucnce

OD W e ll .•. All Rllhl . ll l'U r t­hent la a number In corny C&.W vein.

another.

ra tc : who'll win the Lhree­comered coolest. la anybotly'a i\10...S.

Ted's encore la The llo ni, a awlnay p iece with oriental over­t ones ( llrt'1'U t'I I0K.1) . J ock Par­n ell's backlntr ll ChB (' ho lloc•k, on which Jac k luiiubrtously ln­t~n cs: " l$ thls a ohB-ChC\ or n rock?" I l 'urlu. 4G-IH,i00).

But before we act too u cl ted about To11,._v, Jt la ns well to m ention thnt tbta ls merely a fomillnr minor rltr d olled up with drum nnd oriran otrccta and IOmc Ooodm:utl;,h clnrtnet. Marino Marini

However. It'!! i,t lJl Jazz-albei t wt tb a pop lllrtn~. For which small mrrclrs we a.bould be truly thankCul.

(Lundun IIL8iJO)

Te• Heath & Jack Pcarnell B ATTLtNO for POP honOU1'11

With Cozy Cole ore Brltl!th b&ndletldcrs T ed R eulb and Jnck Parnell- who m:1kC!I a welcome reiu,m lo the r ccordlnr field.

The Hea th nnd Parnell ,·er­alons or 'ru11sy arc both first-

8 OUT OF10

ERIC KERSHAW

Bo sy sessloncer on records, radio and TV. F ric spends his evcnlnr. s In the pit at the Expre~so Bon ·o musical. Spare time ,s taken up wllh writing albums and 10lo1s for lhe guilar. Widely known lo, h,s best seller - "Dane<! Bar.d Cho1ds for the Cuilar." Sllcl.s to Holner be· cause he hkes the achon and response.

Hofftw gu,ta,s o,e /11 g,tal dunand. i/ ,o.i, dralN fl out of llod • ._ril• /01 lra fl•t H.G 39.

114 Cutia& Crou Rud, loll4111, W.C.2

Billy Eck■tine P ltls<>~t:11 o•· a.o, Ei:...• rnvour­

lte !iOng or BIily i,;cJtstlne·e. Is riven n m cll10uoU11 workout by .the 111w,1ya ncceptable Mr. a.

J,unn,·. •n a ttractive bC!ot number. cou:d brlnll' BIiiy boy bacJt ln to the bcst..-&ellera.

(.'ll'rt:ur.r 4J...\~ITI008)

Connie Francl• CONNI£ FRANCIS offers nn

aeceptnblc EP p aekaire with Corollnu l\lOOII, You Ahl'U)K ll urt 'J'IJe_ 0111' '1,'uu 1.0,,,, I'm . Surry a J\l11dt' You ( 'ry ;ind Urartnch"­t.l:le EP title tune.

C ;\W~I-EPG7'7\

I P Anne Shelton conttnuca to r ecord &0np In mnrLlal vein.

l feel 11ho COUid J)roft tabl)' he s!ancd ,up by the war omce lor ieerult.nir purDOllcio I

Anne J.s rl~llt on the lllriret With I .T .. \ .I~ L . II lltUnr waltz, ,md the rOhUIIL ••u rry IJ111110:-. These will cc1 t:ilnl)• be !l\vourltcs with the Forces. :is well aa mony clvtilnns,

(Ph lll1,,; 4.;..ru8i8)

ON the "Mn BY8T4VCI No. 2" EP, M t1x otrcra Comln,: Oul

l'n rO -Lhc MM prlzewlnnJ~ ton11-wlth J l klllJ:hl :lh'Jlf'lf All Ohl Uullnr, {;ulln lltn·e llnln and .J11,L ll u1Y l\lu ci h I LO\ e \ 0 011. Tvplcnlly unprctontlollli Byarovll-l' aooir fnre.

c ucrca Dl-'COJ38)

I THOUOBT tbc l'JcOulre Shstorll' ben ty version or

\ u" ire one or the best r r ndc~­lnp or the son1t.

I ncluded on the El' or Lhc a:ime n ame, thi.. tt llc !s offered v: 1Lh 1111 \ ' ,111 L 111 r :llf• 1,lkr \ ' 1111 K las :llt, IJ I ns: 1101111, ond s tnre \uu \\'rlll A\\,I,\.

(Curul t't:P:!006)

Michael HolHclay MJCHAEL HOLLIOAY ls In hi~

cu•tomary rel(IXcd mood on Corl'll"'i. ll11nc1., and ~ty 111:urf I '! An 011e11 Uook- whlc:h 11; llOC the aon.ir or the some llLle n.~ rorded by Bin; CroltbY b.ick ln 1935.

(Col11mhl11 ◄ii--lJRl'! I O)

The Gaylorcls mRE O .a1•Jorct'i VOClll irroup .I. gl\·C.'1 u l11Unir Ita lian

flavour to 1·1anil111:rn l.'.\ murr. Toll recu lllni; Lhc amcwy Enrl Bostic ve1111on ot .. t-1 Jmlnao," featurN a c:lravlnir Bos t !c-.tyled alto and orpn.

Backtnr. 1·111 1.on,:tn• Fur Lo,•e, also IJOt'll with n ,;v.•lnr.

P l ert'ur, ,t;,-.\llTIUOU)

Sammy Dawls SAM}.fY DAVlS la on a sort­

shoe 6hutnc kick In liun,: And lt;Jn tC' .,, .. II. T11p-donl:1l elfec"-' arc tbrown In f or lfOOd coeasure.

8aD1D11 15 more a\ bome With

the awtnay 1 Alu'L Goootl l:hnn1r

(Dn111swlck OM6S)

l\f )()---. I , • . .... f I o"\ '°" 1 4. I - I I I f . . ' . .,

for Clarln•t Had, from moulded pla11ic porl1_nlr fonn1d a.nd muh­ln,d. Torte chlffll,er 1pc<,allr

cl't1TJ l\td lor ruonacnu. A.,allAt,J , 1,. l,luk or (.,or,,., r<nl1h, Three dtJrtu or tar -No. I. clo11, No. 1 . .,..4. tum, No, ) , OPCI\, 14 • cuh. 1

ttC:U't°'I , • . \ii II" \."° 1 4. I - I It• . . . .. . - ..

(Coml Q, '!.1l G)

Nat 'King Cole' NA'l' " KINO" Cole 1lnp mn

Ss,4nlah on " Cole Eapnt\ol." which was recorded In .. romnnUc old Havana" t I quote from tbo 1lccve1.

I prefer Nl\t In romnntlc o~d Amer1c:onn. THle&-al10 In Spnn­lsh-lnclude rrrh11 p 11, 1•,rhn p ~. l't'rhup~; ( 'nmt- ( ' In r-r Tu :Ill' lllld I\Jnch: h The MoonUi:ht.

:llr. ~111-rf',, hat. llLIJC t.O c:ioca,, meud II 1.>11~ n bl'nt,

tCapltul 4.l•l:LI lll3G)

Eyclle Gonne .. EXOJTINO EYDIE.. ts the

◄ tltle or 11.u Eydtt Oorme EP rca111rln1 Kl,~ 111 \ '1111r • :, .. -. \ ' uur Kl~•I'~ KIii :llr- , Um111I• l>urml-Uurml. ond \ uu I'\~ lh1111h,.

(11.\1\0 it:rnl 100 >

Roy Castle makes strong disc debut

tl•IC •..._ I' "'- II A'\'-1' 1 - I It •

lltlt» --. 1 '\~ --'- 1./\ W HI .,. I t t1t .. . ... . .. - . . ..

Ill, Clarhtet Ef Allo LI• 1, Tenor Sa•

IJ/6 cfoL lt/t dot . 1')- dor.

11/• do._ ll/6 du. J O,, 401.

I t t IC• -. t V A. I I I\ '-' I, I - I t I • . ~ .- . . .

REQUEST I REQUEST,, REQUEST I I I The standard songs that are always asked for are the famous

S~RlfS U11-to--da10 arran1ement• by JIMMY LALLY sul111blo for any dance bond combination

PRICE 3 / 6 EACH SO •A•I * CMARMAINI * PA•ADISI * I LOVI MY ■A■Y * DIANI * •OSITA CUCKOO WALTZ * SOIN SONG * IF YOU KNIii IUIII * DIID I DO MAKIN' WHOOP II * SWIIT AND LOVIL Y * ■LUI AGAIN * GOOD■YI ■LUIS GOODNIGHT VIINNA * IVff JO■ A WNILI * l ' LL NIVIR aa TRI IA■I HIAR MY Sl■tNADI * NOW IS TIii Hou• * WHY DID I •••• 'JHAT GIIL

JUST Lllll A MILODY OUT Of THI MY

KEITH PROWSE MUSIC PUILISHlllG CO. LTD., 38 Hew 8111d Street, Llll4DI, W.1. PltoM HYDE PAl/C 1606

•

• PoN S-NE'tODT ~- Nonlll.bet 21, 1151 ""-- •• 1151. IIEtOl)T IIADII-P ... W

1958 3AZZ 3AMBOaEB •

Chru Barber and Ted Heath backstaoe. Vtc A.sh Se.ztct- neat and relaxed jazz. With Vtc are

Le& Condon and Johnwv Scott. The Jazzmakers-/trst Jamboree. Allan Ganley (drs.) and Stan Wa.,ser (bas.,).

Musit Maratl,on DOR those JOUDjf and health,­_._, enouah to wlth~tand o 31· bour mU61c maraLbon tb s ,-car·11 " Jg.zz Jamboree ' 1 muaL rank amoas tbe ~ of these a.nnuol cbarltJ Bhowa.

A paektd boUH at the 02U• mont Stew , Kilburn, on SundaJ, 11rnored a prosramme aPPHI to restrain lta appll\uae 10 that the IIOOW COUid run t.o time.

Who wu the aur of thla 1nr·1 ahow? Tbe old maes1.ro bhnMlf, Ted Hr.th maklna hle lHb appesrance Oil \.be .. Jam ­boree" •~ 1M4. But he wu ND CIO!le bJ tbe Dulltwortb and Barber Banda.

Por me Ule hlpapota Included

a auperb all-bh1es prtM:ntatlon by Lbe Da.llltw-ortb Ofcbntra. a hord~lna aet t rom t:he Ju& Courlcra. neat and relaud Jaa rrom the Vic Mb Sat.et aod the t>:llrovert Malnstttam or the l41.tell.on Band.

A PINIIUl t 6Ul'1)r1K WU the hllhl,. competent. 1)1- balld Jau from tht' Denn,- Bo,~ Band .

OOmpertd by Tomm, Trlnder. the coocert aim featured worthy contrlbutlona ft'Cllll Nottle Pana­mor'a BIi 8n BanJo Band. the Ray ElJIQSt.oD Quutet, the J~ muen1 tbe Ton:f Jtlnae,r Quin­tet and the orchestras at 09ca.r Rabin and Edmundo RO!I.-BOb DcuibGMl.

Calliag fl,e Slars! * Singers, artistes, bandleaders, publishers, in

fact all the leading personalities in the enter­tainment world, will be sending their Christmas niessages to our readers in the MELODY

MAKER CHRISTMAS ISSUE.

* If you have not boolced your Greetings Space, write or 'phone today-to:

ADVEBTISl;Mtff IIYIAGER "M.M.", 96 l.oa9 Acre, W.C.2

Te•ple Bar 2468, Ext. 291

GUITARS A sensation in the musical world! .

Now rou con afford to enJor the luxur, of Fra•us Supreme quality N-. fav011r•ble HJI. T•nu now b,ing th.se superb in­Mrumenls wolhin the rHch of all who aspire lo play befltl!f. Prlctu renge from 6 gns lo, the T•Nget modal up to 73 gru. for the GRAND STAR Cul away, reJonan~ ele<tric model. All obt•lnaible from yOUf loul Music DMler, Al EZAMILE 01 OUTITAKDII, '41TAI YAllE iJ tt. CALYPSO Celo Model the Uttle guiter 11 wlth the brg lone 11 Gas. or 31/· deposil •nd 12 monlhly paymenls of 20/2d. ------· ~~•~w~!~'::,::: H.--.- - ..... --··-.. ·-··-.. ·-···-······ .. ·· I

In Ciulla,,, Pklt-vp~, ~ llfieu, AddroJ .... ,_,,.,_ ............... "' ............. ..... .

;;;H:h; ~~·~~ ~7c;~~\ TD., ~:;;::·~;~::~;;~;:.·~~·::·~:~::t~'.~.~ I

DID 'OH BOY!' WRECK 6.5?

HAS "Oh, lor I" run .. Six-Fl•• Specie.I"' off the reila at last? TIils was tlM ltfg question at preutJme, when nnnoun penisbHI that "Sia-Fi••" 111t,ht ••

-----------. fiftishin9 efter DecellllM, 27. Disley Group goes Pl:e ~J)O~~~J0fh:-'~ 5!,X~ .-----------

Wednesda~:" omclally we GIITUAIIIES 01 the al•r know no al)ou1. Lhe &how

■ • • after that da . • but a meeting

T HJI! Dlz Dlllet Strtna Qulntet hU two December alrlnp­

lbe Llstn Procranlme"a " Satur• daY Club" C201.b) and the •• Outur " Club ChrLtltma.a PartJ (2'1'11).

Tbe crou,p ta resident 11t t.be JJumphrq t.Jtt,el ton club on Saiurcta,.-, the c, Lllur e Club on Monda,-a and Wood Oreeu'a Olub DJan10 OD Thursd11\'II. On 5aturdaJ Dou1 Dobell'a '1'1 Reclorda wand an LP ot the rrouo.

Line-up ta Dlsley, Dt'nnr. Pur&-80rd ona Nevill«' Skr mshlre (atra.l. Dick Powell 1v1n .1 and Johnny .10hnloD j baas).

••• and so does the Betty Smith Five The Betty Smith Quintet baa

a bU&y achedule of ra.cl lo and TV d ates In December .

The aroup OPJ)t'llnl In lhl' BBC Llebt Pr011rammt>·1 .. Worker·, Pla,:ttme" on December 2, AR· TVs .. Late Extra" on Orcrm­ber D and Ornnod11 TV'x " People And Places" on December 1'1.

of producers Ls takllilg place toniaht. ''

New format Pollowlna Utt report publtabed

Jut weell:. tbe MM underatanda that the B BC-TV allow wt:J COD• Uaue fn a new format, but wbeU'M!1' or not undes- lta prnent title la not known.

But lt SNm.a certain that the t...-o nsdent. bands-Ton, Olborne'a ~ Ha~ and Tl«> Burne's SlJ:-Plnr._.re bc-l na dropped.

Poot.notes J ack Oood, producer ot tbe rl.-al .. Oil Bo7 r .. eerll!I on ABC-TV : " It would be stupid and tabe modeet7 to a, tbat • Ob BoJ I ' ham' t md an.,­tblnc t.o do with a cllance or pollc:y ID 'Slx-P1n.'

Long bottle "Pnulldy, we'n been ftahtlna

It 1111 alona. l 0111,- tios>e we bave &ucb a Iona and 1Ucc-ru1 run M 'Slx-P lve. •

" At all r venta." adds J&ck Oood, "I ettl)C!Ct ' Oh Boy I ' wtll be rest.ed Crom M-Xt June 1.0 September. I think we·ra all due tor a rest, n.nywQy t "

News Spotlight SEVEN bands have been set for the 10th annual Jazz Band

BaU on December 8 al the RammersmJLh Palais. They are the Mick Mulllpn

Terry Llahttoot. Bobby Mlcltte-:

British c011poser dies in Hollywood H OLL YWOOD..1._ _ Wedr1-ead.ly .­

WUllam l'Tllllke BarUn,, London-born compoa.er auoct.al.ed with aucll bit.a u " Be1ond Tbc Blut> Honuin." " Where WH I? " and .. Sina You Slnneni:• dit'd In Sierra Madre, Callfornta, on Frl· day. He waa 71.

To■ Elliott Veteran aona-pluner Tom

Blllott died In Lon.don OD Octo­ber 19. He waa '11.

He Joined Lafteur Muau: lo 11>10 and handled tile MU:11 cat.al0tue ot man, t&mOUI Duke ElU~n numbers. ln.eludlna .. Caraft.ll " IUld M Solitude ."

When the ftrm wu am"IP• rnated with Boose, and Bawkea In 1930, Tom handled th• Hawkes orchestral nnd Lafteu.r·1 <iAocc music.

William Haines Wllllom R11ln cs, put coml)Oler

01 " sa111 •• l\nd otllt.r tamoua Oracle Flelda bit.al . dlt'd In. Loll· c1on on Mondo}'. n e was 80.

Other aon11a that be co­o~ratcd on Included ·• Walt.t'r," .. The 8 1Httit A."l)ld'-"lra 1n Tbe World .. and " Oberle." •

burab, Palrwt'llther-Brown. Eric NEW CHA CHA CLUB SIik, Grahnm Stt'WQrt and • E t L t ff

, cha.t ba:ok,t°" •t the C...mo11t Btatb­P leader a.nd a.ltollt Johnn11 DankloortA alld ro111m11 Trlndff. c-mentcd J'omina,, •ho rd 13 " J,u,;: Jombor«•" : •• I MM ,et to

~ an onp~r on tile lholo," 0.nA,ltOrth • prooramme or, dl6ercnt ioew, to PIA¥

tlle b ue,.

Wfnnc:r, 0/ the Be.st Brltt,h. Small Band tUle fn the itut Ma.ooT MAKEII neada.-CPoll. tlW Ton11 Kin.~ Quintet 011aln repre.renttd rnodun fa:;;; at the " Jambortt."

aught on ataoe bl/ ~fl,/ "°mffQ1nan BIii Franc<, are (1-ri Ken Wra11. Klrueu a:nd r-. l«-a4en o/ t "-e Jai:;: Courler1- tcnonn• .--L_q_C_on_do_n_. _B_11_1_i_es_a..;,o_e_<.;.imo __ .• _v_l_b_e.r.;.1_o_n4 __ D_a_11c_w_1_u_1.t_;_1bcu.:...;..;_':..1 .:.00:.."_1:.."...:'"..:..te~ttu,--=.....:ilr..;.O:.:u:.:11::..;· ____ _:1,=to:.:.n:.:.n:.:.:<• scou ona Tu oou 1,auea

Expensive Xmas for TV channels

SHOW FACTS • Sondo)"11 11how wu11 the

l!0lh "Jazx -'ut11hnrt'c-" r un bJ the M1olrl11n11' l'IOt'l:11 u• Oennolent Counf'II.

• !lflme .t:M.eeo h u, bl'f'ft ~led at tbt'lle 11hn..-1 tor Ute Beaa~otwt Fund.

• This l ear'11 ",hn1boree" ra!Hd Mme tt,000.

• Some II.tot m11,ll'l;1 nR hi 2A bande 11:ave ,tin-a &-.tr M'l'Vlt211 frtt rur IM ".,_.._ee " enr I 1M 1»1• t

JH! 1V Ht wll Nttle for attantlon with the tracllt&onal turker this Christi■-. tt ~.. .., t h~ 13111 And '"'49ets for laoth TY chmuteft o•er the hoficlara will 1M well Into • .J11mllortt " for c•otni>er•

th. fi -•-fi1ure clan. TOIDmJ' Trlndt>r • ·bn ll~d "' w Plli.1 tenor for J11n ft.Wini . Both the BBC and ITA hue programmed a star Uat • Tel Reith hn1 now

of U.S. and British artists for ata1-at-home viewers. "'"°' 1 t "' 11m1>or-." Ray On Christmas Day the BBC are banking on Barry Bela- ~nit.On 9 and Johnny

Conte, With o. p_rogra.m.me of Christmas music, and an ,___oa_ n_.1t_w_o_rth __ 7_. _____ __, al1-star Variety show.

Bela!onte recorded t2le 4'5-mlnute show when he was here In October. Featured In the Variety olferlng-tltled " Xmas With The Stars "-111 bl' the Beverley Sisters. Obarlle r,rake, Tony HAncock. Ted Ray. Vera Lynn and the Billy Cotton Band.

ITV broa4siH ITV anner this bro11dalde wltll

' 'The Max 13:,fran_s Show." a~ minute Cyrl Stapleton -pro. sramme: "Ne• Look." with Roy CuUe and Bruce Porayth: a apeclal edition or " Lunch Box " and "Spotllah, On 14ua!cal Pllm1."

Other top BBC m w lcol 8b0WI! Include "Hlaber and Hliihor:· an RXO fllm rcaturlnir Frank Sinatra. Mel Torme and Victor Bor,ie. on Oh rlatl'l\4& Eve and a .. SlX-Pl 'l"C Special.. ObrlsLm:U Portv IDect>mber :?7) .

ITV .. specl:iL'I " Include a pop m1161c veralon or .. The Obrist· mM enrol " l:?-41thl and "The Jubilee Show." 'll.'llh Michael Bol' lday and Marlon Rynn (26~b).

~

NOW ON 'rBE PI.UIJ l,IS'r!! ALU IOOEU'

IINN'JILISII ARRABGED FOB DABCE BAND BY

REG OWEN Available from:

CAVENDISH MUSIC CO. LTD. Sole Selling Agents : IOOSEY & HAWKES LTD. 295 Regent Street, W .1 Tel.: UNgum 2060 (16 lines)

GET tN ON Tff E

":·gw Storentllc lro\JJ)I. Sl"-cr11 Beryl rnes ongs a e Brvden. Oeorat Mtlly and Neva Tenorle~romoter Ra,- Whlt.-Rapbaello wW alao nppear. ~'!-c~a J•!!'nO~1ub•Y•to~!18nmobrl.le El-neat Lonpt.atre. tbe former TIie 101> , itarming up the audfence /or thb 11car'• " Ja.-=~ Jamborees " Ulfflt to Norrfe

• • • - """ BBO produur. dll'CI ID London J'uru ••11 • 11,g Ben Banjo Band. Cauglu In acuon ore icell-kN>wn ,eufonc:er1 (l-r) Judd I NI ii bu Jot ned t he Sid r1t-a1.1._ 0o_ 1d_e_n_ o_r_ee_n.;· _____ ;.o;;n;..;:S;,;un;;;,;;d;:a;,:,";.· ..:,:H;,t>_wu:,::..;" ;:."·:...--...:.----fr;_•,;°';.;·t:,::o:;.r;.. ,:;:B.:,;ll~tv::_:B:,::e,:,:11~ • .:;B;,:e~rt:,..:W;,:e;;;ecto:::,n.:::,.;J;,:oc:;:k;.C:;.:u;m;m:.:,f::;r::,::o::,• .:o::;nd::.,.::,S:,:t ~:;•.,:G;;,;a.:;u:;n::,:o;,;. _____ ,

Dates with the Stars

BUISSON WrllhL Band at tbc IN Eve Club. W •• In plau Of Harry Pinch . Trum­

peter Oennui l!Mlt month re­turned from Ouc-rn.scy wlu:re he baa been le;idtnsr a Quarltt at the Htrmltnae Hotel. S t . Peur Port.

Les Wl111a

• • • baa Joined the new Chico Arnez Band on trumpet. Lt-a 111 the nephew o! t rumpet­

ata r S t an Roderick. . . len nnd h la Jazuneo make

their nrn appearanCt' Colver at. t he Croydon J azz • Cluh, St.ar Holel. t.odny

jPrldRyl when they mnr ln I\ nzz Bnnd Ball . Lot'al band•

leader Ot'Olf Fo~ter will supply the lnU!rval mu.~lc.

• 1111 became a rntber on

Tueadt.Y, when bl• S ... ,liffe w1ro. P11t, pve l)lrtb ., to a 10n. Ba<,alst BUl

and hla ;roup aceomi,anY Harr, Secombe In •· La~e Aa Life" at tho London Pallad:um . Ba.Mist with the full London Pallodlum Oro.lleatra la Wa' tcr R w,,.ell . • • • Ray ht.s alao r ccelHd a

fllmlll' addition . His Marti• w1r.,elbJ1nlol pvedb lrth to

a • • -o:z. au,btt'r, to bt> named J acqu.ellne J :.ne, In Now York Oil Novemucr 15.

• • • Ivy and ber All G irls B&nd

leavo tomorrow rSntUT• Beato■ day) t or I.WO monl.ha nt

tho USAP Bn~c a t Ram.stein, O ermnuy. Tor y h0\'e been rebooked for the summer att.aon at Douatu. 10:11. and wlll alao be plaJIDa t here at J::aate'.r.

THE WORLD· OUTSIDE

ROSER WILLIAMS

NLll a7■e f" 110•• 49/7•

PHILADELPHIA USA

THE NU TDRNADOS

(Wut commrnrln1 Nov. 30. ) J.,,n eAAAY Seven

Wttt · Ntw Tht alrt. Car1111! lhhk, ■ASSET

Wttlt : Pa!J&ce, U lcnttr Allu OOCAH

Wtet: Hippodrome. Drl,l ol Toni DALLI

Wttll : Smpl rr. Liverpool Lorne D EIMONO

Wttlt Elnplrr . sundtrl.lnd oHhnn, DUNCAN

Week: Empire, Pl.1ubur, Pt. Rober! £AAL

WAit . l':m~lre, Ohla,rtclt l'OUR JONES ■ore

Wctk ' Ernp1rr. t;htffltld Morion l'RASEA'I HarmonlH

Cans Wtet: Hippodrome, Blrmloc .

h~m Joe HENDERSON

Week . &mpi re, Sundtrland Aullny ,IIANS

Wttk: Empire, ChlJwltlt ICEHTOHES

Wttlt : Hippodrome, ._l11n• cht IU

MUDUftlCI Wed· Empire. sundtrland

Ruby MURRAY Wtrk· &mplrr. Shtmrtd

Mal PERRY Wttll: : Hippodrome, Man•

chn1u en• RICHARD

Week ; Empire. PIMbur, Pt. Hur, SECOMlll

S.,;unn· Pu ll,,dlum. W. Malcolm VAUCHAN

WN'lt f'~np rr. Xc\1t11,tlt Hcdlt, WARD Trio

Wrr\ II , pu .. drume Drl !nl t4ancy WHISICCY

Wrh :-:,w Tht:aln . C:ird II'

FLUD OUTFIT Low Pilch concert Flute Closed G Shorp Responsive action. Silver plated. r.om• plcte in case with cleaning mop.

,2a.11.6

•••••••••••••••••••••••••••• PRESIDENT BONGOES For hond or stick playing, authenlically shaped. Accura tely paired and matched. The hoops tension below the top edge of shell. ,1.10.0. per pair.

Selected hardwood wi th correc t Cuban click.

7a. 10d, per pair.

MARACAS Moulded Bakellte mounted on hardwood handles, giving genuine swish.

12s .. 8d. per pair. r------------1 FREE ~iu:;,;;:: ~::11., I UI UOM I , ...... , ••d 11.,.. l __ ___;I

I II.I• h ., ,.(SIDtNf I On,.,., a11d Ac.co ,., ... ,.._ _ __,

I I NAM( ..... """•·---·-·

I AOOJfH ••u-•••-••••••u•••• ••U•••••H•U<U

I I • -------~~_:I;_

DALLAS BUILDING, CLIFTON STREET, LONDON. E.C.l .

Page 1 0-MELODY MAKER. November 18, 1958

est p aying, not rea ing a i ity

AN ability test for would-be MU mem­

bers would grectly help to raise musical ~andards:

But the test sh ould not be of the musiclnn's abll­lly lo read a piece or music but to produce a good per­formance of the type of music he will be playing to Lh c general public.

In lh ls w1y the competent Jnzzman who ctinnot read m 11slc cou ld be admitted.­Pt•l1:r A. Cressu:ell, Luton.

e 1.r \\'fSSEB.

Closed shop ? \

'T r1. ume when sklffle has • Jw.t ooen depostd, "hen rock c. sllll ,·e~· much u 1th u.s a.1d the week's top d:.sc ls · Hoo:s :>.fan:· you au: - Shou :d m~.ctons be graded on the Imes of an 11-plus ,-c110<>t exa m ?··

8 \ a ll mtans have MO en­t.r.inc~ cums. But h:i,·e a nev,· la.r. 11t the 5ame t1me which al.\t«'S that o:ily '.\fU members ah31t bt' perm1t~ed to p!a}' for p:i td engagements.

Otherwise . l &!:rec wt:h the p re..o;en t ~IU poller that any mu'>lcuan v,ho plays for a fee sha ll ~ ellS",ble !or member­ship and It is up to the em­pl 'l·,er to d'!Ctde 0:1 a musician's competence. - t ear Malranu, Lo11don. \V.1

Craftsmen

--are rocket.cd to stardom over­night. by ravenous mnnaaers nnd aaenls?-P. o. T . Pro11.i,ch. LOIICWII , \V.2.

The seml•pro A N argument that aeems to

have been 0\'erlookcd con. cerns lhe young semi-pro mualc­tnn who Joins the MO aome'A•hat unwllllngl)•, because h e ls no~ able to piny 1n a reasonablr &ood band unless he Is an MU member.

He Joins unwlllln1IY, never etc.ends meeting _... Ulke3 no Interest In the U:tton and dropa out at the earliest oppor tunity.

I! he had to pass an nudltlon to set n Union Card, and \,...S 11ble LO PUS harder talJI to 1d

Dee-Ja,·s used to be accused 01 not pb\in1 what the public wantNI. Request. programmes were Introduced. Now dee--Jays are attacked for pla}·log wb.at the public asks ror.

nie ad !acl ls that few lis• teners wilh good taste bother to tuk.-\Vil/rld Thoma! . Lon• don, \V.3. •

• Arrced. Not ALL dee-Jays are hucluiters.

Jim Crow again AN otherwise eJ<CCllent " Jazz

Club " programme was marred last nlqht by the un­fortunate use or a word.

Sure Iv .. people" could be aubsLlluted for "dnrkles" ln the tune ·· Carry Me Back To Old Virglnnv."

Thill- loathsome expression &tuck out like a sore thumb.­GtoDreµ K nott. Binningl1am 13. e H~r! lle.ar!

a better arnde. he would hl\'I! 'Great records· a sense or achievement and prtde In being good enougli to THOUGH I admire Steve be 1n the MU.-Rogcr Bruton, Race, I would Ute to ask DudltJI. (Vorc,. hi I h h • I I d d e Are lbrre no mu !clans m " . l}' e amt nc u e a Opftft<~ 10 enl.rance exam.sf Charlie Parker re-cord In his

r-• "Orent Records or Our T1me •• For the klda aeries.- K. Ducker,, Bebfnqton.

• Steve Race replies: M Tbe

'

"l :"REN Ii JllZ% appreclaUon 5Cifes hu not ended yet. And ' l' 10101 to be tauaht. 1n onttt of appe::anance doesn't

schools? - Brian Goldtttin, nttess:ar11y lmpl)' ordu of Olnc11. Buclu. prduenee. •

a When, lndred. LP WIN•:-------------~Ek. DJ protests

T H'£ stJ01 In lhe l.1111 or Tony erown·s article 115 11 68>

jolted me t rom smllln1 acquies­cence to a rclp or protest. SONGSHEET

by Huoert W. D,wid

jazz on the air (Timu: Ol,IT)

IATVIIDAY, N OYmMlmll •• 11.»-12 o A 1: 111 ,,1,n, Carn•,, JtM

L•l1, J A It , Huln. u .a-1, •o pm. A , , : 1111 .. 1,narr

Quintet. 11••• CamplNJI, "'""• Tllallu,

2.15-2 o z : For Ju, F■nL 2.15-2.U P 2; llhrthlll It Tht.lr • .,.,. -S ,o., 40 R : Jan In Outl.o"'tnt. ._,~.u z: lwln1 Suen■••• 1.30-7.0 DI.: Ct\arfu w,1,1111. ·us....o T . c11,111,. S·F, H,111, ,.u,

Lee. 110-1.0 A I 2 : Ch■mPt•EJrtt• ,bu. Ls-t O J : Amerlra'a POii M1alo. Ll:..t.o T ; ■u• Po•tll, Ktnton,

111111h, LOUIi lmllh, .laclllt Dul,, £kner lttn11eln, olau C l1n11 of 'IL

11 .0.t.◄ 5 W: Jau Time. 1 .10-,11 ss F I : Jan Mlcl"Olroovta. t .30-10.0 P • · olau P,ocromme. a.35-10 o \': Jau 01111,r. 10.1-12.0 J : 0..1 lhOWI, 11 30-1:1 U T : R"'l),111 ot 8. 15, 12,0.1.0 a m. &-Q: Sa1u,c1e, Nishi

Club. 1.5-3.0 H-Q: Holh•wood• Ntw York,

SUNDAY, NOVl:Mltll 301 3. Jr.-3 .llO pm. C 2: Rll1 Ren Trio, s .20,s .,o A 1 2: , , ., T odar. 7. tS,1.0 T : Hl•L•·· · J amu, lhttrlnr.

8._hlcln. Nlchol1, LIS,t O T : Dulc11 of Dhhlanl ,

llcober, l!!lla•Ouk1, H■rm■n, Mulll•

''"· I 30.11.0 P 2 : J:au In ru,0111. t 10.10 0 8 : For Jau Fant for••

hr,.~lt II in, 10 0-to )~ P I : Car lot d1 RldO.rlir, 11 ~ 12 o E. Jau P,oanmm1. 11 .30-12 I$ nm. T . Rrprii t of I.IS.

MONDAY, D ECEMIEA 11

t.J0.10 0 Q: The lau Cl• 10.1 .. 11.0 o: '"" .,, .... 11.10-n.o J t , • • · •.-11, . .._, O■r11nl, '•lllfo, .. 01:a,llle.

IU0-12. 1~ a 111. T : R~H ot 1.11. THUIIIOAY, 01:CICMIIR 41

7. IM O pm. T : Alba"', Oal" •ICral, ,u11r Cllnl■n, l •I',

l .l~.f.O t : M&11nr Alb••·· u ··­,. lhtr,Nib''t latln8M " (ti mnt&.).

1 ,30-0.0 P I : Jau ,,1 ... .., . t 10-10 0 8 : Al 8Undn. t lt.-10 0 M: Hl•II , ... ,m. t ,o.:o O P • : ,.._, P. J.,._ft .... 10.0•II 0 P: Jan- an upe,lmtt1ta.l

lllutle. 10.◄0•II .SO DI.: J.au Ch.a.. 11.,0-12. u am, T : lttpu\ or 1.11.

,,UDAY DfCI Mllfl I : UH.~ pm. K: Jut '""' UIA. 4.U.$.6 L: Jau. '7. IM 0 T : Jamu, Iha•, olh.,._ '7.◄M.O Z: J■u • la Carle. I . I $-1.0 T : Bnllucll In turopt, l'lta,

1 0,.1 u r, m DL· lanAor. O,atr Sbntoes Monay ., ..... 7 IW O T : lult•Wllllam,, T .o •• a..,

e rewn. l11l1an, llamnr L1Wls Trte, I IMO T· P1.u, L u . ..,.iulcll, lll1 l nalrt11n 111• M.-.rn c,....

ltchet, lar'lldllt. Ctttlt Lunt, 1 .30-t O S.2llm . The 11111 Jau. L41M1•; Sldn.,, •• P •• llmttn. t .10.10.0 a : .u eundaJ.

I 3M$> I: Jut In Ctrmanr. 1.1$.f O P 2 : Tht U•lnt .lau. t 10.100 8 : .u SCJnd11, 1,15-t U N: Jau ,r11n-o. 9 :JO.ll !o5 J . Ill land loun.._ I .JO.t U J : 111.rw or Jan. t :»-10 311 !IIJP K· Jau Hov,. 11 ,0.12 1$ a ni. T : Rrpral or I .IL 9.U.ID OZ Eurovu., Jau Htrhona. Pro-sramn:ta aubJtel 10 cban .. e. 10t,;:;h~1Ji Ian• 0·•~ o .... lh,.. KEY TO ITATIONI AHD 11. ,.:12 15 am. T · Rr;;iut of 1.15. WAVllLlNCTHI IN IIIITIID

A1 RTP Prance 1: 1- ltlt, ti.-. TUUOAY, DECEMll!!R 2 1 ,-au.

1.IM o p m T : , .o~ Pra,o. l ,F, 1 1 nTr f"nnrr 2: no. 111, SI i . su, l111Jer, Me1C1n11,. Lu ••••n, llit, 40. Ill

I U-9 0 T · llull, lrown ■fld ltl&e. C s ltllvr num: 1-402 2..:..291, •• TIie Ouun·• ,ancy " 11r ,lohn O: nae: i--. t.-uoo. 2n . Lewt, (lt1111,111 IYfflllh.on, Wllh t 1 !"DR won: '°'· IQ, • • 31. Rtnnl.e Rou) , Carner,War,cll , , Drl11:1, Radio: l-41l. 2- Ul. Crar. A.lbam. 3-!fl. 4- lU.

9.10.10 0 S: A• S11ndn1. H: RIAS Bnlln : SOl . 11.:JO.I0 o N: Ju, Pro1,amm1. 11 awp B-Badrn: IH. ,n. IH, 4t..a. 8.30-10 1$ I : Oennan Am11cur Jau J 1 Al'N: 314, 271 . $'7.

F•I. IHI. Kl 880 Stoclthohn: 1571 255, 2U, 10 40.J I lO DI.: 8altr'1 Ne• Du1"• 30t, r.M, 411 b.lod. II :so.i, Ill II Ill, "l' : Rrpra1 or I . U . LI NR Oalo: !Jil, 337. 221, •n. Lt.

2& or 31 b1nda. wt:DNESOAV. OECliMIEA J I M 1 Cop, r:i h•cen : :n 210.

I 45.2.0 p.m. 0 !I: Jar, DltCI, NI Mon•~ Carlo: 20~, 4G.71. 40.H. 2 •~.o A I 2 : Ja,1 For You. 0 1 DR MUnlrh : !175. 111. 41.7.

I T Is t1ll verv n-en f o: the MU Lo r~ttrd muslcian.."-OT,

perh:ips . lnslruruentallst.s-as crnrLSmen. but how can an}'• body hone.~tly den:; the need ! or Lests In view or the mercJ­lf.'ss k!lllng or pap music by wtshv • v:nshy performers. who

All dtt-JO}'JI nre not huCk· sters. and here la one who clings obsllnntely to the belief that record programmes should be planned for licence buyers, no~ only for rrcord buye rs.

5.0.s.10 P 2 : Joe Wlll,al"fl.a. , , eon 8Lu11Ia n: n2. 41.n. THE sonJbroklnr business ls .Sl0-&.55 P 1: lllodon .,.,, 1151. Q 1 IIR l"nn1trur1 : &ffG.

l lu h I I•• 6 I ll.cl 4$ DE: ,la u l~HIOn, 11 1 RAI n on,il: in. e!>0. 289. 41.ll. Ii ,•cry muc n ... 7.1$-1 o T : c,nhwln, L1t 1,own, 111 E\lrop, r : ll2'l.

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''DANCETTES'' No. I Quick-steps

POCKETFUL OF DREAMS MUSIC GOES ROUND

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Infancy, so It Is with some Doris Dai,. T 1 VOA: i ,16 nnd I 15: ◄O. 31 . u . It, satisfac tion lhnt I r11 n once 1.1:..a.o T : Condon. T., Kamln1lci,, 18 m,•1rt•bi1 nc11. I uo: ll3t ILWI. apln commend '.\lttsical Ser- 111.. c . L.ew1,, Allllon, Mono, W1 L1ne1nbourc: 208. t o.2e. vrce■, tbr firm s pollllOred by the lyrd, C,,ee, Daw, Llmb111 w l1h Y1 sue Lur11no: 5111 •• Soniwrllen. Cu,ld. Anni, Rost. z, 880 O entvQ, L11u111nne: 3U, 31

B ill Dunstone, of NorU1amp- 1 30-i.SO P 3: Jan for lwtri,one. ba n tt, ton. tells me he has now ,-.

9•

1.0-.io_.o_ a_: _,._8

_1_1".

11.n·.1··------------F•.-"'.·.s_T_R_E_E_T_ received o. publishing contract from Berry Mublc Ltd. ror his sonr. "Thought tcssl)'," through an Introduclfon made b}• Eddie Rosera or Mmtlcal Services.

Anothr r crompony which bu tntertd t hU. 0r!d l!f Stnplcton Cooper Ltd.-tbe StlI)ll"tOn hall la repTt"llrntrd bJ l:>h.ow Band leoder C)'rll Stnplcton. This ftrm. too. hJ\ a;ned terms with tbe Sonprllrrs Gul!d-a point which 11bould commend ,h'°1 ,.o unltnown wr: ter..

Don't ro=-vrt · It 18 alwaTs as well to Inquire trom an, firm oft'trln& mu .. Jc.i l ll('rvtces ..,bether theJ arr member-, ot tbe Prr'form-1n1 Rllht SoC'IPty. PRS mem­ber..til p IA the h:lllmllrk or the proteutonat 10n1wrt~r- tr he 15 not a mrmbf'r It 111 M fe to awume he C--J n have hlld little prnctlral f"llpe-r!rnce ot wrtuna 11114 markeuna liOQ8'S ,

Song clubs In the m t'llntlme you Ahould

try to let coll•boratlon tbrouah liOJJle IO<'a l liOna club, ror mon IIOOd JOna~ n:e written bl/' two or more wri lf'r~. The collabora­tion ACh t-n\t wwi put rorwnl'd 11, the comblnl'd mrctlna or the Sonrwrlttr• Oulld nnd the Mnn­ctuii.ll•r nnd Dl~t rlct SOna Club. ht ld 1n .. t monu,. nnd t hl:S ts to be rDl"t'd ut thr Gutld's next orovlnolnl mrrt ln11.

Thl11 l ,11<~ plllCC llt the Adl'IPlll Hotrl. Orand Junctlon Pnr'1dt, Brlvih ton. on Friday. Decrmber 12. tit 7.30 p.m. 1 ahnll b e In the choir. while 0utld chnlrmn n Pnddy Roberts and 111.'crat ul'}' Victor Knight will •IH'nk on thr Oulld's activities. Soverol othl'r Wt!I known per-10n11ll~ltA horc to be present.

t1 i:,11 -.; u ,:1 : ~ext Monday. Orcem tuir l. L11 the to11t dny ror rf'Crlvina ent•II',- In ou r 80NG­QUJZ COfflPl'tlllDO.

Thia tOUpOn tnt llln JOU to lrt• ad•lct en anr OM t0n1 OT lrrlc rou ,.,., llaH •Tltlen. OR an 1n1war lo • ao"1wr,11n1

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'

This World of Jazz ev MAX JONES

WU 1111 Da•l1on anJ•ecl In London on Monday ra41otln9 enthutlcum for hl1 JUJt•completed

to111 of the ContJnent. With him were hil actreu wife, Anne, hi• trumpet, and a 1atchel full of trains to add to hl1 111oclel railway collection.

When Swiss and German locomotlves, Austrian wagons, the restaurant car in which the World War One armlstice was signed, and other HO gauge stock had been ndmlred and repacked, Blll turned his attentJon to buslness.

Wild Bill Daut,on ja,ru fn Frankfurt·, St011,lvllle Club with the Trnnble Kid, from Zurich. L. to r. ~Walter Leibundvut flmb,I, 0 1kar K lein cy,tr., tpt .). Han~ttr Giger ,d,1.1. Wild Bill, Roi/

C1.zmek <ban>. Werner Ke ler (cft.) a11ct Ota Rlngstrom <pno.1.

"That's some country, but done In mv ovm style. n·, that Swlt.zerla.nd," he said, w1·.1• Bill· 11·ps hal on Dixieland J ubilee label. J chewlnr happily. "The tlrst hope you'll get IL on voau,; J concert I played, they pre- think ll has a n ice teellna:· , ented me wlth flowers as lf EmporlDIII I waa sqme prlma donna. E Surprise number one. After lo 11.rope's • BILL and Anne DavlAOn are th t lt h d 1a-- here for about flve da>I' a • appene every «,.;;,ar;, ~•lion. Thb wuk-eod tb,y concert. __ _

"Everythln; was beautllull.r plan to ro to Pub, then home done. Th1s wa.sn't a comDler- after two monlll! ln Europe. clal promotion. I waa Invited leads them anc.t they've a and It picked you up Just per- It la played almply by comet, "We have to leave on Decem-by Dr. R Ambel'I, of t.he Oenos- nne Swedl.sh plnno player. feet. I did a contest with one guitar, piano. d rum~ and bass- ber 3.'' (la~•s Anne. who 111 the aenschaftl lchea Seminary, t.o They work like dogs and are so or I.he guys. It was atartllng to BIii, Oeorae Von Eps. Stan fo\lrth M rs. Wild BIIL " we·~-. front a Swtaa band on a t<>ur ot talented. I plased with them hear the play-back " 'Ith the Wrightsman. Nick Patool and booked on the JeL' ' ~ clUes. "- In Vicnna-6t>autJrul city. I horns rlghl. lo position." Morty Corb (" a aenaallonal Bill, 11,i,o was .,

0rk:lng on the

"It. ,;;as kind or a auo.tldlacd wa.s a sideman In that band. Sal bus"). w est C">asL l:H-rorc he ftt'V, on lhlng. so we could be heard all " We cut 10 t itles In stereo ale Saya WBO: " I Just do one to Zurich. intends to have hla over at reasonable prices. They there: the mike was most Inter- ff 1S lut LP lo the SCatH was tune In honour or each guy- own club in C:1hfom1a. .. Ju11~ really went t.o town with news- es1ln1- a longish tube ,dth Ultle one he led■ proud of, a Louis. or cour&e, Joe 0 11\er, drinking 110d Jazz." he l ru-1 ta papers and publicity. Every- wfndo11·a. Each horn hod to saJute to 11 CTOt trumpet Bunk J ohnson, Blx. Cooti e, "''1th sh1n1ng eyes. ·· My em-where was packed: these amall aim for one of these windows. names. Bobby Hackett and so forth- porlum of mirth-" places-they turned out to a.-------------------------------------------------• man.'"

No Sqaawla T HE band BIU frootl"d wu Che

Darktown Strultt'n, led. b1 d&rl.netU1t Peter \Vyas. .. I pe1;ed. him the Benny Good­m.aa of 89'ib:.erland, .. uy1 Da-n-911D, " because be pla11 ln t.ha t style."

Thls la a alx-plece trndttlonal band whose trumpe&. pl11)1er had been ~mporar11y removed by t.be CAU-up. Bill led the re,. ma1n1n1r ft\•e.

w In th!! other countr1ts I &lwaya had another trumpet," says BIil " But not here. And I waa doing tw<>-and-n-half. bour concert.. a<> you can see I earned mv m oney. But I cm­Joyed 1wery bit. of It. I had no squnwks.

"That band couldn't do enough to P.leaae me ; you know. they dldn t s pare the horses. And every night we h11d n party. I discovered the white wine In Swllzcrlnnd."

Recordings F ROl\l Swilurlancl Dnl!lon

went rl1ht Lo Berlin, wbtre he pltlyed with Hans• Wolf Schnc:ldt'r nnd the Spree City S tompcrs.

.. Schneider's a trombonist who dol!Sn't. have to play to eat," BIil explllned. " Re O'l\'M the • EnsheU ' In Berlin- a c lub which Is packed to lht! rafters e\·ery nlaht- ond a record <,hop cnllNI • Jcau Maan­zlne.' He's n ~I ao-geUe.r .

.. [ ttcorded with tht Stom• pers twice In Berlin-once ror Oennan Brunn,lck and once tor Bertdsmann. T ills ls tht group I recorded wllh In Ger­many when I was over tut year.

"Then t went ·t.o Hnmburs to fl nlm the Bnins\\•lck album 9i•ilh the Pccl\\·ormera from Dusseldort . I 9'0rk with LWO d ifferent aroups on Lhe record -underatand? And both ore floe bands n ow."

Gum law I N Germany WIid nm drunk

his first Sttlnharer. But he ran out or rum, nnd h11d to be rcacucd bv a fr iend from the IJ,S. Armed Forcta,

Al P ress time. ho was "out.•· asaln but Ofltlmlallc. " There's a guy at the Embns.sy I cnn 'phone who con get nw brond," he assured me. "Rl1ht n ow I wnnt. a t ra in shop whr,·e I C4n buy the • Royal scot.'"

Whlle he WWI red laco\'erlng the vlnut'! or Scotch wh lsk~i but. UlUtlously, I Mked WIid Bh what change., he had found In Europe's Jau scene.

"The thing that struck me rlghL between the e~·e, WM the colossal Improvement lo the bands." he uld. "All those 1 knew B yur aao ore 100 per cent. better now. The\•'ve rc­pt.aced wcnlt men \\'Ith more aultable men. nnd thev seem to know Ju.at. where they're aolna: ·

Tremble Kids T BB band that lmprHUd

him most wa1 a , "la .-roup umt'Cl the Tremble Kids trhlt b .. pla71 Just like a re.al American band."

Sa.ya BW: " Werner Keller

NIXA

THE FREDDIE REDO TRIO with Guests "Get Happy" - Get Happy: Guessln' : Studio Blues: Tunnelbanan : FG1ewell lo Sweden : Dawn Mist : Duo : Beaulllul Adela : Ohio : Blues X.

IUL II (Ill' LrJ

SONNY TERRY (roe11I •nd h.,monlc•J,

BROWNIE McGHEE <~ontandgu1t11J,

accompanied by Dave Lee fpl,noJ. "Tho Bluest" - Woman Lover: Black Horse Blues : Aulo•mechanlc Blues : Wholesale and Reial!.

NIXA

"TIie Don Rendell Jan St,• NJL 7 (It' Lf') Alen Lomu " Bluu In TIie Mlnlulppl Night" IUL I u1· LP) Thad Jonu end hla Ennmble "Mad Thed"

Ch1l1 Barbtr'a Jau Bind "Chll1 Barbtr In Concert"

NJL 19 (II' LPJ

"Sonnie, Brownle And Chrla" NJT 115 uo· LI')

A ltr Welah 111d hla Band "The Mctrou Folio" NJT 1111 (10' LP) VANGUARD Buck Clayton tr1,mpt1 "Ouckln Tho B'un" Ronntll Brlgl)~ " Brighi FH11<11"

NJE I0GO (7" EP) Ruby Br•"• trumpet: £Illa Larklna, piano ''Two-Perl lnvtnUona In J1tu"

PPT ltolO PPT 12022 lf· IO' Lh) COLLECTED AND RECORDED by J lmmv Ruahtng ALAN LOMAX "J immy Rushing Showc.tH" ,n 1to11 uo· LP)

Murderers' Home " - Part 2 - No More " Srr Charlu Thompaon Trio" ,,r t202J (10' Lf'J y Lewd : Early In the Momlng : Whoa " Urble Grtan and Hla Band" ,,., lfflt (10· ack: Old Alabama.

DISTRIBUTED BY PYE GROUP RECORDS (SALES) LTD .. 66 HAYMARKET. LONDON, S.W.l

50 UW BOND STREIT, LO.DOIi. W .1 CHAPPELL'S BAND MUSIC SERVICE TELEPHONE:

IIAYFAIR 7601

CHAPPELL The Songs from the Shows MORRIS

I HEARD THE BELLS That You Must Have BE HAPPY ON CHRISTMAS DAY From I S TIIE PRLSS

MORE THAN EVER "WEST SIDE STORY" FIREFLY

TONIGHT SHELDON

MY HEART IS FAMOUS-CHAPPELL

From tlw Pnrnmounl Film I FEEL PRETTY AN OPEN BOOK Produ,tlon "IIQUSEDOAT"

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YOUR ARMS Score b:v Rod,tcrs n11d Hammcr-,rcln LOVE IS ALL DO I LOVE YOU WE NEED·

ACUFF-ROSE •

BIRP DOC A LOVELY NICHT CHAPPELL

TEA FOR TWO IN MY OWN DEVOTED TO YOU CHA-CHA LITTLE CORNER I X TIil. PRf:SS "COMMODORE IMPERIAL"

BERT WEEDON'S I WANT TO BE POOR LITTLE Guitar Gulde to HAP,Y CHA-CHA FOOL

Modrrn Gultor Plai•lns: " PLAY IN A DAY 1

' Price • J6 not IS T IIE PRESS

Page 12- MELODY NAXER. N099mbez U, 1851

H UIIIPBREW Ll.'TTELTON

CLUB • JAZZ CLUB CALENDAR

TIii llal Ila_. 1ft llritallt a,. U • .......... , ....... al e FRIDAY-contd. e

DIOIC CHAIILES'llrOIITH, Putt • SUNDAY-contd. • HtOH wwconE, CD.11.t!fta B all

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,.. 1tr111r,

Mack's, 100 Oxford St., W.1 F r iday, N011embu 28th

"4AZ2 at 1h11 P'i..1'MNtCe," 1.147, ..... , 11.rN(, • • , .

Brllltl ,-r trlcnd.a to nerr - 100. •~CHT (PRIDA\') at '7 : :rl'lm .ll "1 TONY l(tfdiff QNT.

FAJRWEATHER·IROWN All·STAIS

S aeurday, November 29th AVON ams JAZZ UNI

wt, ... ,. .... conu .. ~ .... -W&L H.AHIFI QUAIITIT

Sunday, NO'DCmber 30th MICKY ASHMAN'S JAUMflt

,_t.,r1119 DICltll ■II"°"

lt!o,nda-y, December 1st HUMPHREY l fflElTON

AND HIS IAND T uc.sda:,,, Deumber 2nd

AUX WllSH AND IGS IAND w1lh ann. NYDIN

\\'ednesday, Decftffber 3rd HUMPHREY LfflElTON

AND HIS IAND ... ,_.. lty-Da Df1uY'I IT1ttNG QUINTII'

Th111rsda)•, Deu mber 4th TEUY LMitmOOTS

NEW ORUANS JAUWN Suaie,u com. 7 .30 p.m, Sc,111. 7.JS , .,.. trfrtt*tt1r-1,tt •tttt-kH*

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VIC UH MltTn lrit11 ,.._n, loott, Al .. .,_.....,_. 1,M.::,UAY (DIii) at J 1

N I • nM 4All COUll ll!ld" wtlb TWlbY aaa!n. cm PLUTII

TONY lU,-.Y GUSMTET •• Wru Lae c-..tt, lill ..._. ... TUR01Y 1N -· (- lie._) •ll~Y <•11> at Ult ADIIIINtON l'HTIULY ,.-11.u TO• NICtfT-fer aJI wlle - 'Ml -••• ~ ■ 1utr1hlp far ttl, at -.W. A ,muJoe barpl11! You maAD'L lli!a kl POUA HOUM' - .... tMll AHO CHA.ON.A ltr Titllfti OltUT ■ANDJ I {II Ha,.,., WIiii. CHA•OHA UVEN

with Frank Holder &ll.-i• K•n• (SJ • THI! 4Az'i COUIIIEM "

wlltt - ltl!IO,_ INtl, Ha,a II) TONY IUHIEY QUINTTI' A llldlt 7ou •can't afford to ml.Ml •WE.l>NEIDAY (:Srd) al 1 1 Mon m ld-w.,_ Jau and Claa-Cha

HARRY WNfTS CHA-QM HVEN TONY lrlNaY QUINTET

Compcrcs: T .. , w.11, lois °'61'tia. MEM■ERAtn>1 1f J OO c:a111' t C'Ome

OD 6WlcbJ, aend P .O. ( 10.'· I Dod a.a .e . ror membenhlp 1.111 Ja11,. 1900. to II, Woodlancll, North Ha.rl"Otr, Kida. • • • Anou,,r .rau " ~t llatl•• "

THII JATUILDAY (fflb), MIDNIQHT•l a.m.

at J•• Krurw•, .. ,AU al , ... l'UMINGO."

Noo409 ••l.all~.,.,.!tT tor 1 boura bf !be az'lt&L • . COUIUIIIII," wlttl Roil1dte Itel!, ,....., Ha,-. •~!', Cl,-a, Erdon1 ~a MM ,.,..._ r~uri lljf TINI . •• ■-EnORD, Keith OffRII IE,:. wlllt Tony KIN!_~1.L. 1111 ltSACr;. '9111 •-- &Del ...,...,.. CAL.olUE. Ou17 1/Bd. J:tsl. 111.' •JiUesUI). BaT. Re.tr~--.,. eened I Dllht. O l•e 1' • lrJ'. Tou·u enJor ,ouree.lf. •••• al UM Ma.P4'1al llwlaurant

CLU■ "M," ... -"' tM ....-n .. llnta11n1n1 ~ , Clonntrr 11 •• W. t .

,. ~- N,e&IMl 1-l■M n •F•UDAY, NovllllllN.r n 1

TONIGHT, aM1h■r 011lli nl all• nt,t!tu f .. 111rklf IIHTTHM 'H' ■LUEl/4AZZ/CHA-«IHA•ClJfA. D,en -n 11 .._ .. Vfftll 4.» a.,a, y._1 A FIVl'-.\HD-A-HALr.tfOUII au,10N. *IATU,.DAY ALL-N10HT IEHION1 ,... , Anollt1r 1wtntJn• ■ll •nlehter •• Earop••• 1ru111t Jau Hntre. 11arrln1 Ute MIIMIIIOMI "4AllMAKE!RS." ff• IN 111 ALLAH GANLEY and RONNI£ aou, ol• ..., IVWI artleb. Ell• •Uant -• -1ar and Nfl llr1nti ca,11111-. PLEASE NOTl!1 ... tron, •mt ..-, e■tlr th ... Ara to onu.tro .,......_ DNra oeion 11 a1•111it -m 1 ..... z-111 A IEVE:H•HOUR l&IIIOH. •IUHOA'f AFTERNOON1 W p .111.1 h• looalon., RHYTHM N' aLUEI/ IAWCHA-CHA•CHA.

C..U9 OONTEIIPOltAIN. 5. Whlu Rone atrffi. w .11• eveTJ' o.lab t . f.12: OINQ&II •oHNSO .. Bevetl•Pftto Afro­CUba.n Cba-cba Band.

• FRIDAY (TODAY) • AIANDON UATHY - c:.elebrllle

F'Lff:T ITIIE.ET'S LUNCHTIM& n.TIVALI ftonl SCOUl.sh Qor,,oru• Uon. ~tc.u t.ane. 11A51 The unique nua GANG otuan?

.&U. Clft.&M lllt!GIWl"lhlpe nlld. TNAIKa HOTD.. ,HaD\J)ton Court:

MIKE DANIIL.a 0£LTA •AUMEN, ~ u. J iff. Uoawed.. •u p.m. AT ITIIEATHAM: DAVI' CAlln'

4AUIAND P1111 NORMAN DAY •All• II.IX.

AVON CITIQ .,IZZ&AIU». 11>hu lhe f~ NtlYL ■IIYDEH. Worr all a-.., Bla4kboJ Bl U. NIITOL.

■IRDLAND, ~ ~~, QbMllffil Butb, 7.M. 'lbla •ru: TU■IY HAYEI, DD11' HARYaY.

Otffl&.ntUR -.-T--CA-V-Us Cresct.n\ ""1 .Je-n.

OOUft lrlNQWID.&.'I IAU UN-DIT'I "Jti'DS"• Anni.'' Rllnwe:t, HO •• •

0ttOYOON U.ll ow•. ltar Hotel, LolldOn R•d

(CIIJI). ABO C!Hma), Broad Otten. l_p.m. ""Ill MIDNIQHT: kllN 00&.Y U 'I ,IAZZ.MeN,

l)kla Otlll!I! P-.er Jllll'IKA. C't LAUIUt! Ohlb: 07 Lauri,e Band.

7.l6-IO.d. DA«TPOIIDt PA9ULOUI ■O■

WALLII 'lriUI t he n•ln1 STORY• YI IJ..I 4AUM&N.-Du.ll B.o4d.

POPLAR CIVIC THEATRE Town H■n. Bow. (ADV. 4.C14)

SATURDAY, 6tl,DEC. 7.30

Jazz Concert

KEN COLYER

with hla JAZIIIIN and RIFFLE GROUP Boal, No,-1/6, 2 /6, 3 16. C/6

---HAMMERSMITH PA.LAIS---Monday, DeceilllNr Ith, 1951

SEE YOU AT THE

JAZZ BAND BALL 7 BANDS 7

Panclnc 7.30 •• 12, S /•. TICJ(ET1 NOW ON SAlE

GRANADA Keaniaetoa SUN. 7th DK. 5.30 & 8

* THf COLIN HICK:a BAND SHOW * Wmt COLIIH JOHNNY NANCY YHI ANI IICKS • DUNCAN • unarwrv • ~nu1 •~ ffllUftlo • -■nWUIIIUI,. SIHIP. CO. NtC>ES 6 ' · 5'• 4 ' • IOX Offfef ~ DAILY TeJe 1 RR 1394

La.De. orordo;i. hlC IILK-,-.---:.:-:0:-:-U::::T:cHE,.N JAZZ..

■AND Bouthun Jan Club. Muoolc Ball. 640, H lch Road. IAJ't01Ut ooe. HOT c-wa=.::o :.:,.P_L_OttOC--,C Off, ~DI,:

ri,Nu.tgt9,~~ .. ~~ CIUYlllttl>: TEARY LICHT• l'OOT.-00,op. Socia.I Club.

HARV-CY HALL. Beckenbam: l'de BaYeftY J..-neu.

Shuupo11re B~. Powa etm:t, Woolwich.

NDIEL Hll- .. - ,...,.,T""EA,,.......,o=- et. J obe'• Rill, 1n.nCI openln1 l'Ttd&J', Decmibe:r 5: 07 u une J anband.

" OLD TIQl!R'I HEAD," Lee; Erle BJ~• Qulo~r.. 7 p.a. Adl:a.!ulon l re e. LUNCHTIIH .._.. ... , 121·2, auate11na inri~ to 1lt..1A.

HUOICLIEfllOK, " Red Lion.'' 112. Westmtn&tcr &rldJo Road. 6.£.l: ■UDO'f l'SATHER TOHHAUOff .

.. 0t..0 TICt!N H£AD,'' Lee: Eric B l&chcoctt'a Quintet.. 1ucst&. 1.JO. AdmialO'D trff.

RIDHILL ,IAZZ CLUS, •• Ort)'· hound.'• Brl1hion Road; PANAMA 4A.llMEN. _____ .

ST. LOUIi Jan Club. Elm Part Holel. Hornchurd, cnearnt •t:lllon: !:Im Par1t1 • . Buaea to hotfl, cur part a dJolnlnc: J(enov Ball Ouc lel11nde.u. Neu wcelr. : T edd)' Layton.

ITllEATltAM DOU"ttlN CLUa, 225. 8Uulobam H ttrh tload 1oppoa.tle BU..U.m a .a . s.a1ton1 , every Pr!• day: The n~w Roy SLllDDJUd Oroup, with Mlte w 11:lllmt Quute~. Oar:, wtber J UeSl n a n . J>ree ad• !Dlaon oo iln t nlJ.ht. Pk-11.u come eat ly .

IUTTOH " HNI Lloo ••: DELL COC>nft SEXTET.

"VIADUOT-,"-H_A_N_W-ELL1 Thi! Pele Korruon B:.od. 7.45.

• SATURDAY • lll!CKIE:NHAM I AUOTHER (TUI

ICSAOn • 11J:1 o .ck .• Lord •• CharlH­• OTUI J1n:11:1and, - Har-rt) Ba.U. Ya.Jr. Oelu Road 10a B 11b Bt~u, . Busea 54, 136, I~. lll7_. ___ _

CHA•CHA, with dHllonalrllUon, .. Boath0IIM." Kew Bnd1e : Jobno7 Riunano·a Olltlbbcan Butel,

CHA·CHA, With dtmon.1trlltlOD, Royal PotHl B ol~I. Ohln1 lord: " .Plve o· Spadea" Coloured Uand.

CHIILEHURIT CAVES (nut to Ohlslcbun e Station,. 7.30: l!llCAVATIONS I /Jtu fW1he.r U • ,~sve ezcal'alloni. we an, mo,•ln11 our ■ft.Ilona to Lile wonder hll u OOUILE NUMIERIS " cave. Peatur. 101 tolll1bL Lile ta.nu.sue KENNY aALL •Ana_A_N.;,,;.D_. __

oooa•a FEIIRY INN! P'A■ULOUI 108 WALLIS

and Ille l":'\'ln; ITOIIYVILUE JAUMEN

with eenaa&loul , ·ocau,te IIOIINA IKUODER,

CROYDON ,IAU CLUI. &:ar Hotel: MKU(Y ASHMAN and bu ■AND, w1U1 l)fe'kle BullOI)_ . ....,.....,......-,--

oY LAURIE Olub. Offill W IDdmUI Street, '7. tl-t0.45: Cy wunc Baod.

DICK CHARLEIWOR_:r_HL ~llltlntl• Ult or Uu yt:&r 1Jeunuam Ju.i; Oh1b.

HARRINCAY JAU CLU■ 1 n,o SILK'S ..... Mr • .ru.-.u •1111 NORMAN ■UNCE on !Vila.

EVE.AY■oDY WEU:OME I See Wed• DesdGJ club for addr·ca.

PINNER, Whlltlns:ton Hotel. C&l:laon Lane. f.11 :

MIKE DANIEUI DELTA 4AZZMEH. • 1CKMANIWOIITH: The f:amous

IOUl'HIIIN tTOMPE,U and PAM .. . "Stock~d Strut," kltmlJera. 1ursu. -octd!tllOWs' & U.

TtfAIIE& HOTEL Hampton Courl: THE Kl,IL Mll.1.ETT ,IAllMEH. 0 111.t the Pete Scoi.t Jaamm.

TNJ OliORCHWC J,au Club, Hl•h Stne<. Cowte,,: Jan Boll'• J aamm.

WOOO ORl!DC1 THE PAIII • W8ATKaR-IROWN ■ANDI

• SUNDAY • Aa&OLUT£LY & EH S A TIONAL

,U:'41r!M <kortt ltlff, YD<al Clon• roll., T-r HAINEI, v!bta con10 quart.et.-" &. and O .• " Puwe,.

AFTERNOON, 3◄ p. in,1 CY LAURIE Club; Bill Brv.call: l.i;i .>UIIGleD. EYSMINQ. 1.1~•10 ,45: C, Laurie Bolld.

ANOTIKR WAILINO &ESIION With CLUa OCTAVE •• almOllphere •• You·u lo.c our orw prca:ia.a: •• W l:lil e Hut:· So 11.tha u .

APEX CLUa : Jeevt?'I Apu Jau­meo.-" Pr-eana,011s Tntrn," <.'!'01• doo Ro:14. Puae. ,.u. ■ALLADI ANO ■LUES. CORA

HOTEL. Upper Woburn Pbct W.C I (Ell.lloo TUl>el : l>Wlla lfcCoU. ·F,tuoy

KOoW11&G

11• Cooper Brolhtt~. 8tt1n

e ;:,. 7.1&.

ILACK 1u'"u.--,,...,5-,.-Pul~m Road (oPPOllte St. Ma r,·a eo::erc, : HARRY WALTON'S BAND.

Oll««N VICTORIA , North Obeam: ORAMA .. lffWAIIT UVE.N,

L!uto. J l~e. L!otnse.d . 7•10 p.m. ITAR HOTEL. Crordoo : Pete

8A Y1tftT Jaai_n_G_. __ WOOD 011.RHt ■Y 8l!OUEITI

MIKE DAN IELi 0£4.TA .IAllMENI

e MONDAY • A 0LAIIIIO Jua aesalon a i the

Tundo: The IOUTHEAN SlOMPEAS DDd PAM.-" Te~~ Hs.rr o\OF ROlld, 6udb1'TJ' ToYD. l>en. su~u ..

AGAIN, ILUE OIRCLJ!, IIUIILIP: Jau hrtJ s t.arn nc ART ELUI'• SON, DAVE MORH Q11atttL :i, •• uicliaHnc bufte_-"t . ____ _

DOULL'S RECORD Redia l Club ; Alua IJWtlohn-Len Douil!itJ'. •~ 'J'ht! Ore&i Bill .' - •• Whlle Bnr.'' ...a•!e 81.~e,. w .0.2. , .JO. Ad.lllls&loo 21·.

ltEW aoATHOUlli1 ~ WAL.I.II' ltrrit!lc ITOR YVIL&.l! 19':tZMEN,

HORTHIRN STAR J au Olub, Blah Road, New Sout b1ate, pre.ent..a • 11l'O-ba.D<I a,peclal: JA10.nJa .ID.-U. Craccnt C!Ly .l.au1oe-n. M.eucnbi I) tree.

OHNINQ NIQHT, 11 CHY• HO UNO." CKADWEU. HUTM: l(ENNf ULI. fAR!9EN, U5. 2/G.

• TUESDAY • AC-AIM, IOUTHA~ "Wblte

lb.r~ ••: NIIT CO\IIITLEY wlLb Ult I.Dfff~ ■UT QUARTfi,

AL.PERTOH. "PLOUGH," J!:llllna Ro,ad : MIAAYLAHO J an.men. ST8£AMLINERS 8killk. 7.!WHC.:iu. lf •G. bllllS IDelDbcnh!ps Wlll!d,

AVON CITIU •AU■AHD, St. Mlchu1'1 HaU, Ott,, ■RIITOL

OALLADI AND ILUES. FESTIVAL HALL IUCll.ol Room. I p .m.: Ew.rn McOoll. A.. L . Lloyd, AU £d~rd.1, J immie V acP.;;h;;.;;e.;;;e•'----

IAffHET. AUe.mblJ Bill Onion S lreel: C, L:IIUl1t J1u.bllnd.

a110MLEY, K£NT, 7,31).10,IIO: MIKE DANIE.I.I' JUibllDd.

CHINCJfOIID, ·• Bull and Crown." Tim Wttt·• 1uen: JIMMY SKID• MORE.

CY LAURIE C:u.b: 'l'Nld)' La)'ton Dllnd.

DICK CHA■LE.$WOIITH'I Stram. hot S la , Portland Uiall. New Croaa.

""""ow ,IAZZ CLUI, B rltll h t.nrfon HIIU. Solllb l:la rrow: leenny 8 1111 J :iamen . .;.:•;..... __ _

WOOD CRllEH: OWEN aRYOE ■ANO I

• WEPN~D~Y • A MLL AGAIN 04.U■ TUNIAIA,

Poz a nd Jioand• . Ki rt.dale , S~deoham: TlMi CIIEAT DON UHOEU.. A ■ALL "CAULIFLOWEfl,"

S53. Hlda Rollcl ll ford : " T HI 4All COURIIRI."

AIAHDOH AIIILUS w11a derln1t! CO, CO COLOUI QIIEEN. CHA· CHA, ,IAll. 'ton ight: Our res iden t Cl'OUP. the X Club Monnrra.

CHRII ■A Ra ER'S J aailand. " Wilke Ha rt," Sou Ill a IL

CY LAURIE C:ub: 8ooor Morr!1 JllUIDt-n, 1,16-10,45.

DAC ENHAM JAZZ CLua. R ornl Oak Hotel: P'alrwutber-Bro•n All• S!llra .

HAIIRINQAY JAZZ cwa: ITSVE u.Na'I PAMOUI SOUTH&.RN STOMNAS

EVUYNDY WELCOMI I JI- at "Ruawll•Valt" Danc•lng School. Wlllln1tdoo Ro&d N.n 150 r ardi 1rom ·• Watbun .. ..;;1>_u_b""'.1 __

.. UTNEY. "WHITE LION "1 SWINCINC WffH TftADITIDH, OEL f'OSTERS 4AUMEH.

1 1;.i ALIAN ~ Mar~,, S.U: Cy Lau e Jaub:1.cc"c=· .,......--

TNE DOOK rldu anln u l"IHlev. P1Llm Cour t : LORD CHARL£1WORTH and his booTla h tmroni.

" T IGER'S HEAD." Bromley Road. oatrord: Terry U1h1root'1 Ne• Orll'IIDI Jaumeo. No,• wee.It : Acker Bilk!

• fRORSOAY • UCKEMHAM ,IA.ll cwa l)rHl'nta

TNE NEW COMMODOIIU 4AllMEN Landon 's IWINCIEST ~rouo bf far . ...: 8tt IJalu.nlaJ for acldrru.

awn ANO ■ARRELHOUSE, " Roundhoun." Wardou r Street.: Alu . Korntt :a.nd Cnll Oulr•.

NOTICE NARD

IIIIVBB~£~ NEWI OUI RIST ,.., .. y NIGHT SESSION

• JOE IIAIIJOYTS QUINTEi • JOSBttONE STAHL • MKHAa QUl(I

QUAim • MEMBERS ~/· ONLY j()IIC lNG\.AHO'S HST MOMIIN JAU aw fHIS Wlot- ANYONI ,0--. TMIS -.iDAY Will II GfVIN A TICltlT DITITUNG A Vlffl At HA~ OIC AHOTHa ~. * MfMUIUHIP ONLY Z/ 6.

SATURDAY {29th) at 1.30:

• JOE HAIIIOTTS MIINl'tT •ltll Harr, K'-'-, H1111tt a ... Harr, S..da, -.W.y O" -4 Col.,14,- Goo4e.

* UNNIE llST QUAim

■REHTPORD'II Ho, 1 TRAD. CLU■ PROUDLY PRESENTS 'tHE FUIIT ,IAZZ BALI.: THE UP•ANO•COMINC OEOFf' WILKINS' ,IAXZMEN AIDED AND Aa£TTED ay TWO UTAI• LIIHED FAYOURITU, COLIN KINOWELL't UNDITI AND THE FROH•Zl•ME ,I AUMEN. COM• MENCH 7 p.m, IIAR,- BRITIIH LECION. ■OITON MANOR ROAD, IIIEHTPOIID, ADM ISSIO N 31·.

CHI LMIFORD •AU CLUI, Odton Cinema Bl\llr oom, Baddow Ro~d 7 JO: Kronr BDll J ia.umen. ·

• * ADMISSION 5/· {MtMlfUI

CI.AIIINET WIZARD. DI C I( CHAALEIWORTH, Duby Arms. Ellu S heen.

CLUI FIIENEII . " IIE:D LION," bETT0NIT0NE t

MOOERH ,IAU. CHll•OHA ,CHA t o ROH SAINT COMBO, Sir.iri 7.30:

COOK'S FER RY INN; DAU .. HIN STREET II~

or r11,dlo and ·r v. 10·11t, 1r.1d>J1innnl RUDY MARSALIS.

HAMPTON COURT. Th"l m•;o R ot~l rropen. n111 : Bobbv WELLINS , CIIIJ l>EHCHFIELD, C1:tr HA LL T r.a.

CY LAUftlE O!ub; Brian Taflor Band.

MONEW OOMMODORQ J AZZMEN

Y£ TO ■EOKEHHAM,

THE MONKS ,IAUIANQ - " Thr Muter Robert." Orelll Wet\ Ro~d Hounalow. .-":'-=cc--- ·

WATFORD J AZZ CLUB Unltrd 'Ex­Sen1cem.-n'1 OlulJ, 91. Alb11n.s R ond: M ldrJ A•hman J antnnd.

WOOD OREEN: " CLUB OJANQO " for Ute REINHARDT Inn. 1·10 30 w!ch DI% O IIUY-.S OOI NTET nod ..-u. - " Jl'l.llhmona,ra Arma•· 12 mlns l r om Undrraroundl

MARQUEE CLUB

BIG BAND CHA-CHA

165 OXFORD ST., Pbf ro l,(ADIM'f C11UJJ

EVERY SUNDAY At 7.30 p.m.

ANDRE RICO ANO THE CHA-CHALEROS

fcalwlng lhe Yofct o/ GIOV14HNI

· The Hea t and Beat of South America Your favourite Cha-Cha Rhythms played by

A FULL 16-PIECE ORCHESTRA

ADMISSION 5/ • (MEMIDls), 6'· (GUESTS) M£MIRSfffp OHl Y 2'6

Come urlr I few l~ t hiNII wHlc we cloMd che ...,,. (UCitpt to - mMt'1) bJ , o'doc.l<.

SUNDAY (30th) at 7.30:

* JW AND CHA-<HA * ANDRE RICO _, th CHA-atALEROS * Al>MIUIOH 5/• IMIMUIUJ

DDL'BIN Dolphin Hot.I, u..i,ri.i .. R••• SlouJ!t: ■ucks.

MONDAY (1st) at 7.30:

* TONY KINSEY QUIMTff wlm a ill L• Ser■, llen Wray, L• Con.tton a114 D•v• W lllk. * ADMIJSION • I· (MlMUHJ

* MlMJ~ ONI..Y 2/a .

WEDNESDAY (3rd) at 7.30:

* THE JAUMAKERS f■atlim1lc "°"'"• ..... A!la.• Gaal•r..., Arc an.r-* AD'11UION ◄/· (HENHUI NU1HUHll'ONLYJ/f,.

lteoamlAI ti, 1158. N!IMT KAUB-ll'oo- '3 umu .u .. ·,.. ....

HAAN .... un ~ IIAUMU IUIIUIIAN. lll'ilaJD'4 &OD~ 11.AclAI ttatblr. aBCl/lTVITtco -. :,,U1ls ta.ke &1\1.M.1 tr- AURICMI IIURMAH. ~-..- IDCOClr&lld. ttJlldn•. DMle:iioe.-~oo• or wn1111: 311, Tb• 'WbJC.. U:ouat, N.W.1. SU.. U:00 GI . ...

A"ANDOH W.·u•ua-.111TAIN•a auT 8&UJI Teacbu. ""· SONAL TUITI N. bq\.u«nJadYanceii

esson om pupli,. Qumil. Jau-l!rom11uo­o·tr1 pt~ u~ nn dct.&iled attention. PaLlcnce un l~d-muale trtt h1c.lucllua top.Una Am«riw 1J1tthod.l. Conni\ me FllllT • • • l .-111 atJtct/tcn any niopbone ftte. £:spu\ w tuon ruuant-1,roansa.­Dtlalla US.LI■ ffANI. t Ool.llQ HIUdl 'Luit. N. lt. bl. 4Jif.

AClCO■DION.-TUl. IH7. AL'81 •AHN TIIACHal Plllle.

Clarine\. :&11011hOlle.-can. •••• AL&. aRAII iDIUUDII~ leutm.

11e11A.Oer• '° &d•uced.-l'larura, 1. Oanaq Plact, W.l . Ourerd 8"t.

ARNOLD 1101■, TIIAlrlll OF STAkltl auurn your •oca auueaa. All fuJ f_ 1.r1wud puplla &lnstn1 p­rrsalonau, 8Uccesaa include nan or 11.ase. acrcen and ncol'dl. R.teora. 101 e01Z1p:anln and astnu nnd aruau tor co&cru111. Talented t,qlaura tD· coun1ed.-'1'd.: Par. hOl.-4. Holland Parll, ll:e1aaln110~ W,lli

AUaRaY FnANK' penon11 IU!Uoo Alla, T111or Clart1111.-S.a.1., \in. The While s'ouu, R.tiresu·a Part, N.W.l. Iha. 1200, en. 112.

a Iu. DU.N peraon,u 1.1ru1111 ~1bl'1l• pboa• TIUUOD.- Wem.. $003,

CENTRAL IOHOOL OP OAHOI MUIIO 611 1:1'1 INDIVIDUAL lnuru­mealal aad vocal &ult.loo. harmony, arnan&1na and ear lraln1n1. PllPllJ undtr penonal aupervWon or 11rln­clPlll. lYor MIUl"anta. - Apply. O.li.D,lf. • .. ,. It;), Wardour Blrttl, ox:ro~ sine'- w .1. Rc-I1111 oa.u,o.

OHIO MIL.HI!, Clannec..81noph0oe, Amcrle&n meLDOd .• - a401&11tV1ew 1:1111.

CLAIIIO C-UITAII bq1nntra need our new poalMJ coune on ll.n1er-11yle pla7t1r1.-e1enna Le-Once SctlooL a . QIILdOn R.oa4. London. ILi.

OLIPF ftOCIIII, Accordion. Plano, eiuophlllla, Olannll. modern IUlllon. Penoa•Vpoal&l.~ IA.ruwood HIii.­" · Thorpe Rolld, WallbamalOW. •

DftUII TUITION,-Jlm Kanball, SouUlall 83H..

OIIUII TUrrlON, Norlb London; beswua •elcome,-MO\I. osa.

.. A .. OUI RA,.,,O a11d TV 111r. M ToUe.lam." wlU inch you the !U'I or ptay ln.l: \be' acconilo11.-·· Accordion BoUH,'0 a. Wood Lalle. W.12. 8be. H42.

fl.UTI'._ &AX and Clartllel TUlllon. Becllou r ncders.-Denll: Oroumlth (Jacll PamH}. BtlDleJ Blaell:, B80 Varier.., Oren. I._ RIYenfde uo:a.

POOTI l•UDIOL BQIDllen' COIIJ"lft. all IIUINDJCIIU.-Wrl\.e or mil: 20, Dcnaulo Sl., W,1. OCT. 1811.

FREODf s,,..,,. ,oenldo Orcbe.­'"'1 ·rrum11e1 TUluon. Wen SZld I LUd o .--&111. Sll53.

,IAU C-&.01101 IN tau,bJ. Tb• DUI beS4 ll11D1 I.a our' &•PROYflATION eourae. t'eno=t aupervlalou. Ponal eoune l''allable anortlJ.-Wrlte, L.S.O" 10, New Road. <:touch End, M.I .

LONDON ITUD£NT ORCHUTRAI t or \tie naal dance ba.nd nilUon. Orcbatru rehuracd u.uaer npen 1upcrvt.Son. R.tboarula t:,ld near PlccadlllJ csrcua.-Wril.e. II. New Bo&d. Cro11cll SDd, N.1. MOUIILYiew 184

-huRIOE PLACQUET. Orum TUI, Uon.-ehe. &•~-

POITAL TUITION,-Plve u ctlltnt &azopnone eourau. Completely cov­UUII , , • pleyln1, 1l1b\•rtadl~. ltCbnlque. Chor~. Jua. Al.lo apedallJ' 1tlec1eo books, J,on aoloa. duet.a. atudler..-~Ue &van■ la■ ab0ve1.

REC. MOR0AN 1ln11n1 coach to the late &T£,tE OONWA\',- Hol. 3379.

IAXOPHONS,CLARINn, nptn tlll,IJOD, aec:Uon rtbtanala.-ERIO RYAN BIL 7tll.

IAXOHtDNE I CLARINET / Trom­bone.-Helherlnaton. Brlxtoo 41U.

THI •uLIS RUIIN IYITIM Of MOD■RN RHITHMI O PIANO PLAY• INCi per.ona t,poatal llllllo11. L■N NIE F£I. X aay■ : .. l IIUdled wllh Juln Rubal and bt:1:11ly rtcammend hll l )"lttm lO all IIUdtDll of Jaa pli:i.no plaY'lna."-4. Ml!Adow Drive. Henelo:n. N.'R.4. Sun, 0221.

THI! NIIW 110 ,HIL&.l,a CAAOU· ATED COIIIIU,,ONOOfCE COURIE FOR GLARlNET. the moal thorou11b 111d up-tC>-date anywbn-e.-Wnu ror detal11: 8Jd Phllll llll Mualc School. Bulle l, 42. Shes,htrd'a B ill. London. N.I . nlUOJ nu. TROMaON■ :and T II u .. , ET

TUlUon.-1132b. Plnchlt , Road, Ooldeni Orun. ' Pltoat: Spt. 770 1evenln11.

TRUMPET TUITION, South Lon• don. modern method.-Lu t.ambei-1 (SllJTOClltla 1. t,ueaulay 4U5.

RECORDS FOR W.E u . ~ ...,. AM■IIIOAN L,J, an, luued rttord

to ordu.-L.a.al,un._ 107. Byrne Road. London 8 .W.11 ualham Dll:S.

Al N'tW L.h. E.PI. 78~ tor ao~t. etieap.- D011 Ol.1bome. llf. Coornt>t Oardena. Ne ~ Malden. BurreJ. Mal. OIM,

ame11, &HT Rt<Of'd Mall Ord•r 8en1ce. FOIICEI. OVERSEAS or HOME oummtra obtain REAL Id· vanla1t1. - Booll:ltl idtlalb: Alfale and Co., Ltd. tDtPI. Ml , 77, Oharln1 Otcu Ro:id, London, W.C 2,

JAU, SWIHQ, aa new 211 each. M anf dtltllona.-Jeuop, Ill. l'tarnt­boush Street Shtllltld • .

LUCI ,IAUT Pltn\y or uud Jaa L P.1 al baQ'llln pricer . Abo l:irat llOCII ol UI ~ dlltl. a l? ,i:.eda.- Wrh e. call. 'phonl': The Rl'cord Shop 100, Cbartn1 Crou Jto11d. W.0.2. Ttm. Hit.

LONDON JAU RECORD CENTRE offn JAU ■ARCAINI bJ mall. lotam• moth comprth~n11,•e monlhlJ Cllla· loaue eontalru f'lre Brlllah , Amrrlcan and continenta l dlaca. S .a.e. for cur­l'l'nl 11111 -4 Orten·• Court. W.1. Oerrnrd Hta.

POST fREE ord,ni o,-,r Cl or C 0 .0 . TAX FRCE anvwhen ABROAO. FREE monthlJ caulow, on f t(IUUl.-lAn D.anltll. 4 Boho Strftt. Oxford 8 trttl, London, W.l.

LUHR YOUNC jLPI " Blue Latu ·

I o.tl't Stand A Clloel 01 A Ol't!lnu WIUt Yeu tbJ; Criur Our Jau lcJ; Dina Dona tc1 ; lnlllana 1b1 ; Th- , .. lltill Thlna ta); •• .,. , 1 .. In 1w111, 111; ••- ••• a,111 ICI; ·••Dte To fate 1a 1; ,lun, ai,a ICJ: a 11111 L•t■ r lbl ; Jump, utlt.r, JllfflP tbJ; auI1 En1111n ,.,.

(London It In, L T%•C11U2-3la. lltf, ) (a)- Youn1 1tnr.1; Hank D'AmlH

( ti LI; •111, •uttnl•I· t i Pl,); •obnn, Cuarnl■rl 1pno.1: outer Hall 111tr.1, • 111, Taylor 11>:1111 i Co,, «:011 111n,1, 1114 • ._ New Yorlt 1Am. &,•oy.1

(lt)-Youn& n nr.J: Counl au1, 1pno.1; FndCIII Green• 111r ., : Roen, fhll\ardson IWIII ; lll■NW W1l10n 1ar11.1. 1161 U . Do. 1Do.1

(1)- YOUll,I 1uu.1: .,.. Orak■ 11,p1.1; J urr 1111011 1uuo.1; Jvn,or Mann IPIIO, I . L.ero, ..... ,..n tbau,; Hor Na,n• tdr •. 1. 1lill4ll. Do. tDo 1

I AM o!tell Ulted to recom• m e nct 1.t'a UJu.stratlna tbo

~.i.all,1tta Ol i..eatcr lCOUIJl'S Pll.11• 1&4 Ul IIWAll-c>tUld IIW'rtlWlQUI.P, 1. DUJ cou1.c ..ioo. aeiip1t.c uuc:.<1or IZU.CIJI DI,' U lC llHII aroup, ana ..ome 100Juerent recurclUla , 011uuld .11.sl 1ue 0111 rel.Lo(.luau,r Well.

,ul Uicse can count NI euLDvles or post-.dallle Lester. tor uio early ut1cs were aut.ae wbeo oo Wll4 abou, to leave tne bana u.aer reJ011W11 lt. tor a 1ew montba 111 .u.icumber, '43.

" uoost Ot A u.naocu." slow nod asouuul , snows ou uie beauty aud .IU'lllnffll O( Ltater'a I.ODO wneo it "'"" " rtaht," Becauae ot tbo 1an1n1 !KU ao<l pa»lvo meto<1le t.irllll, pcrbap1, or ma11-oe an ldel,blo IUiSOCtotlon o f lctna, 1 am con.nantlY rem!nded I.If Blllle llollday dW'I°" Ulls per-1ormance. allO durllla " l-'0011.ah ! lllup."

.. lnduu1n," lllto ·• Chance." bas '4!oor lmprovlllDI[ over a Baa!o rhyl.hm unit : •· Blue Les t.er .. _ s uperbly relaxed-and " Jump, Lester " ra1110 llnowll u " Lester's oavoy Ju.nµ • I an: tuo omen, wltb Ba.ale.

All exhlblt tbe tlmloa, the mild 1,0110 and emotional opproacb wtllcb bave li loce ~ cumc part lllld parcel or ao many tenor 1tylcs.

nie rour 101 tllles were re­lea.scd on E.P under the DJlDle o r Johnny Ouo.rnleri's Swt.na Meo. ond reviewed oo 28( 10/ 6'7. Young awiAfa pur~11otu1 11 on "Elter• cl.le· and • Bule EXlallsb," In very milled comp:my and blowa with t he almJ.!llc.ltY ol the mu\.Cl.r o n " Saluto :ro Patll."

The 19"'4 trncka, at ally rate. st1ould convince new collectors or Younir·s 1to1.ure.-M1u. Jonu.

In top form MILES DAVIS CROUP tLPJ

" Dli" 0 11 fbll ; lt'a Onlr A ,~., Moon

ta1; Denial 1b1 ; 11111111 1111; Cul 01 TIM 11111 tbl ,

(Eaquke 12 In. :12.en---.3h. 71d.) (e) - Davia ttpl.l: Sonni, Rollln1

, tnr.1; wa111.r a I111op (pt10.1; TIN'l'lffllf Poller (bull : Ari llatlti, tdra I a,. 10 l>I. USA 11101, Prtlll~ .I

(b) - P.-r1011nrl a, ror , a l, plua Jullle Mcuan 111101 Same 1u11on

Prnloua :Uuea: 1111 lllld tl>I I botb tncludocl In esquire 10 hi. 1.P 20•017

I HAVE yet t.o hear a poor dlsc rrom .t.Ulea Davll and on

thll Esquire laaue b e, Rollins and McLean all live up , o thelr con­s lderab:e repu tations.

The prevlou1ly lssued ·· 011 " ~ In ra et, " Sweet Geo rvla Brown · anct features effortlHS Mlles1 Rollin& In hla Hawkins mooa a nd CJtcciJent. Jumplnir McLean

All three are In tor. rorm on the ex~ended u Blu na " and bounclna "Out Of The- Blue," aahouah Ro:lln.s' reed .squca ka too otten ro r comfon McLean d rops out on " Pape r Moon " whrch contalna the beat trumpel o n the record.

COLEMAN HAW KINS AU ITARS 1£P1

Hon1,111ckl1 Rne; Orerr RhJlhffl l 0111 Ot Howh1n1 lw11t Ceor1l1 arown.

( HMV 7EQl31,)-11e. 11 d.)

RECORDS WANTED u. IH' _, T"LS Partl•mll.4o Internat ional A aETTER prlcl' ror your t.PI.- Jam sessio n music L5 now

Pton•tr fblto. t2l. North Sllffl. Rom- more tban 21 , eara old , a.end stlll I d Eal R 4&711 very lmprHSIYe. All rour lMICU 0

~11·x n ilE18~RHOK·11 record• feature Hawkins a_nd Ben.ny n nlt d,- Bn:ir 11,12. "llft.1." Oarter (~t.o and trumpet) and

COLLIOTOR WIIHH lo buT luz t.hcse two alants domlncte tile H tord1, 111 apetda. Bu t pr¼cts record. tho uab Rein hardt. Andre d'utd. - KrCM'i;_tr . 11. Orchard Eltyan and Allx CombeUe furollb Avenue, Nt• Miildtn, SUrreJ . admirable 10l01.

,IAZZ RECORDI bou1M 11,000 In For sheer awing, try ~ Ora~, aloelo.- Mouom'a. 21>1. Poren Road. Rh)•thm 't'• tor l'lll)rt'Mlve power, 2.:~VALIO WANTS Kuna·, Decca "Out O Nowhere.'' An OUl• P.~ . - 17. south View cru«nt. a tandlna rel.slue ror s·ouna col• 8hem,ld 7 lectora.-:.1. , .

~ONDOH JAZZ RECORD CtNTR~ rtqUl re 100.000 1lt1hllJ uatd LPa. KPII. ERNESTINE AND£RIOH (LP) '111. Record Bhop.,, pk ue nole we wlll " Br SpNllal Rcqutai" bUJ your deltltd or unaaltable Jan My Man; Day orum: wrap You r r teord1. an, Qllentll:,. &pol CHh. Pull Troulll• In Dnam11 Mad About drtalla -4 Orttn 'a Coun, W. I, Ou• Th• loVI That Old PMll"I: Le" rud 1411. For .. ,,: AutUll'III Ill N1• York:

RECORDING

I Tiu Iona la Endtd.

I/• ,_ - (Nin NPTl112.5-27a. tld.) 11, IOHO IOUARI!. w.1.- 1\fodtrn b S dl h

recordln1 1111.dlo; atl trpea recordln111.• ~ACKED Y •orloua we a • DrnlHJlonal ama1~11r : ennln1 1t11• American ITOUPI, and In Ilona UDdtr1all:u.--aOHOTA,£. QER, he ~ or " Mad About The MK Boy " a U.S. ulo com~ of

Only dl&appolnUq track ta • De11W " where MU ea IIOUDdl Un• UI uaJ ly 8 tTa ln e<I 004 Ro Ill Ill Ill Inclined to sorlbble l111tead of pla1tn1 hla uauaJ rorthrtlht Uoca. McLN..o la •PIil t\ne.

Ap1n. from a p~t. lntro to • Blutn1,• Blabop runcuons pure~y u a member of tho rbylhm aecUoo w.lllch 11'1011 despite Blakey•• Ja,aed drum­ml~ Which la tar WO loud OD ·• Denial."

Thll la not the •er, bat. o r Mlle-. Dnvlll but la certainly worth e very p ennr o r the prtc:e.-lJ-Ob l)Un'barn.

Andre improves IHELLY MANNE AND HII FIUE.HDI

11.P) t.todecrn J 11u P~rrormancu Of Soos•

Prom " Ll'I AbDtr " Jutlllallon T. o.rnPODII n,,

Co11nlrr'1 In The Y117 ••• 01 Hana; II I Haa .._ Dnatllen1 Unn11•1,11rr Tewn1 l!lalrlmonlal 1to•p1 Pro,,- 1, n, Root Of All E•II I 011, H._, DUI N&JMIJ Y•: Put llr PrlllM,

(Cont,,,....rar, It In, LA0121-lk. :s .. ,

Manne ldra.1: An*• Ptt'flll fpno.l : 1.■ror Vlnnepr (bull. I. 7 2$/2161. Los An1t ltt. (Am. ooattn1pof'lr7.l

T HIS album o r t.unee from tho Broadway aboW " Ll1 Abner"

I s an ob\•loua follow-up to tho Prlendll' remarllablJ aucccs■tuJ " M,lt' F\\lr Lady " LP,

Penonall11 I UU lt. better

111tbo. uab without the maa1c " Pair lAdY " taa I don't •up. pose I t will aell a quan,er as well.

Tbc 29-Jear~ld Prevlll con­tinues to Improve wtc.b every new record. Already one of the aelec c. b1.1nd or la:z:z ptantna who can really mll.ke something ot a bal­lad-Ile never sentlmental~ he tu!• now ceaaed to treat up­t empo numbers as mere technlcal exerc ises.

AC. times be waJJde:nt Into t.bo Bud Powell-Horace 811,er achool o r thouahl. pert10u1ar17 notlce­able on " Druthers."

There Is oo lonaer doubt. of hla ablUC.y to inr,lrur-witnea U- e shoutllla " Jubtrauon" o~ d rocltlnR "Prc,:i:eu''-9hlll\. on .. Happy Dell ' and lhc lenalhY " Namely" he mues admirable U5e or ■urprtse Lo b1a melodic progreulooa.

" Unneceasory " Introduces an unnecoasnry Interlude on eel~~~°-'

I have never underawau Manne·• Crequenc. t.oPJ)llla or polls tor JU& drummers but be La olWB)'S eOlclenUJ u.nobtrul1Ye. Vlnnepr'11 baa pla,tJJf u superb.- Oob Dawbarn.

Back to Be11ie LaYERN HUR g;'J

"IA Vrrn B!np Dua le h • Qtmm• A Pl&IOOt (a) : •• Doll

ca •: On Revival Der ta); ,._, llu• I bl : I Al•·· Qonna Plai, No ..... .1 Plddk tbl : aacll Waler a1ue■ ILi: EfflPtr •ec1 ··- lbl : Theo'II l!t A .... Tl- In TIie Old Town TenlOtt (b)j Neiltody Kn-• You '#hon ,Yotr•~ Oown Alld 0111 la) : Alltr Yeu'H ~~ 1c1: Y-■ •---•• aIuu (t i : Pr1achln1 Thi aI1111 ( C).

(LonOOn 12 In. LTZ•Ktlt»-371. lld.) L&Vern .. k., (voe. ) acc. by: (■ )-Paul 011lnloh11t1 rinr.): lehlb

ShllUI) tba rl.); aucll 01-,tOft 111'\. I : YI• DlcllaMOn I Ul'lb,); Nat Piere■ tpno-1; 01n11r ••rller 11tr.); Wendell Marallall 1 ba■ai : "" Manl\aJI (dn.) .

(b) - 8:ame peraonntl, nce11t ,llmmy o,, ,.11fld 11.mb.1 replacm O!ellvaon

Dulce J ord na , John Slmmona and Art Taylor, Ernestlne Aruieraon atnas In a tuteCul, unatrect.e<I , Jazz-slanted Casl:Uo n on b er l'lrat. locnl release.

Her trcntm e n t.s abow awareoeu of the methods or Vausrhan. WMhlll1ton. McRae, Pearl Balley el"en. but copy n o one, " T roubtr,." "Boll," "Love Por Sn!e:· " My Man " and "D.i11 Drl'am, " nrc good enou1h to 1u1• r e.it LhoL we shall bear ~ IOL more of thla Texu-born alnaer.-:'IJ. J. DON ELLIOTT ANO HII CHOIR lLPl

" The :!.fello &Nod " A MUUon Dream■ A111 lt'e Ont, A

Paptr ""oon; Dinah; a1u1 Wallr: Poinciana: PIIJ, l'ldclle, P lay: Summu &c1n11 Tlnd Of Ma; I Don' t Want To Walk WllhOul You1 When The lun C- Out: Th■ Storr 01 A llarry Nf1hl1 A w111,.

(■runaw lck 12 In. LATUQ--.3la. lid.)

DON ELLIOTT, OD mellopbone, trumpet and vibes, ls b&dttd

b y a choir and aexte c. lneludlna harp for ao lllbum o r drea.ry m ood mu&lc.

P resumably aimed at the com• merclal m .,rllet It I.I too aooey ro r mo..L J.u l..Mtea.- U, 1'.

LNttr Young', tenor - plal/fng ezhU>U. the t Im f n g, ti~ nilld tone and e1rwtlonat op. v,oach whfch 11:a ve 1f nce be­come i,art and i,arcd o/ 10 mo n 11 t enor

ltl(lU.

11>-Puso111111 a■ for cal , tlllCtpl ""'"" Rlelul,,,_ (ba r!.) ; l"f1)1acU 8J1lha b: Urtlle Qr11n ttmb,) nplacea D1cll:11raon.

All 1868. OSA. (Am. .Mlaotlc, )

L.~ BAKER, Ibo toush• luqed alnltT ol .. J im

Dandy ~ and other Juke-box auc­cessea, 11 one or eeveral present­day 111'1Tla wbo have la~IY declded to tackle Beasle Bmlt.b's reper• tol re .

We are told that L&Vcm I.D­allted Oil - doloa It her war:• and that Is how tbeec 1011511 are dell•• ere<I- W1tb tho tOToetul •oleo altabt111 roual:uxl Ul> t or the occasion.

At tlmea u on • Seconct Piddle .. ror lnata.nce, tbe atna1ns doea roar tbrou1h I.ii a manner remlnllceot or the IJJ'eat blues Interpret.er. Bue. In the main lt Is a JumplerA more ahaJLow atrle. 1ac1t tna the nuJbuttJ and uprea­alveneu or Be&ale.

u )'OU Judie tbe dlao bY bow much tbe euenco ot »eute Smith'• on b .. been recaptured. you may COUDt I t a failure . But ln lt.s own rlEbt. tbe record bu

enurt.al.Dmeot and aome musical \ 1a :ue.

" Nobodv Knowa You.• M Bilcll• water," '1 Seco.ncl Piddle.. and " Preach.Ina •• h a V O t b e I r moment.a. and "Bab, Doll " and " Youna woman·• Bluea " work up A conslder&ble beat.

The tut-er IODP renal aome deflc:lencles In tone, and awlnalnlf 1ktu except tor "Be•lval DaJ L whlcb auneata that. L&Vern .. rlabt at home wtt.h tho rb,tbmlc accenc.s of aosi>el m usic. one ar two ot t.he maJest1c b lu~ aeem 1>eroud her emotional reacll.

Phil Moore, Nat. Pluce and Bmte WIikins hHe J)ro'f lded adequate IC01"C9 Wit.ti plentY ot ,paces tor lot4:T1Udea bJ Olartoa, Dlckcnaon, Qu.µtlcbet\.11, Oreen, Cleveland and Ptuce.

The band aeta 101~ no• and ar,.ID: but tbe b e.a1. La t,oo often a raLner m o notoooua IOCk. and umpoa aro not Ideal.

Summlna up, tbe.c re91nll of r,owe:rful period aono are sratlfY• Ina. and the performance i. some­times 11ttrr111a. But I reel ttiac. le. could haYO beeo more ~oaJtl•elJ bandied all rouod~-Mu loaes.

( S'l,J,-1 ~~~~~!E! FANS lin&le Bclb. Whlte Chrbtma. Rudolph The Red Nosed Reindeer. 'm Goh:>a Home For Cuuanu. The Chrbtmu Soaa. Sldllh

Ride. God Rest Ye M~ Gcotkmm. Silent Nipt. liartt Tfle HN'lld Anacb Sm,. Christiani Awuc. Tbc Pim Noel. Good Kina W cncalas.

:12..oM RAY BRYANT TRIO Cioldc;n Eurlnp Spllttin' Du.howl AnJcl ~)'Cl Olanao Soaor Blocs CbaD1C1 TIM: 'tbrlll Ia Gone

D-4117 FOR BASIB Slksd c.lliru, PauJOuinicJwtr,, No, Pluu, Fr,4di, G.rtm,,

IVoJu,, Pa,,, Jo Jrmn. Rocbbye Bu.le Ow The Window Jin At Fm: Tau Shuffle l>iain' Pot Dc:s. 32-Ge8 RELAXIN' W1TH THE MIL.ES DA VIS QUINTET JC I Wctt A Bell Oleo You're My En:tythln1 h Could Hippen To Yoa I Coll.Id Write A Book

ESIIIIRE RUOIDS lTI., 71 Bdflli Cllrt IIHSIIIIS, Bufoli An., loMII, I.C.1

................................................... ::JAME,fa!u~~!l:!u!~~!!~~!,NTRE i

GIT YOUR CHRISTMAS RI CORDS FROM£ TWO ADDRESSES

• JAMESASIIAN'SJAZZCENTRE JAMES ASIIAH'S RECORD CENTRE f : Ut&l llW 18", IT. 111.QTil'I WL II CAIIGJlflE ITUn. lllltl"tiAfL ~ • LIHOlt. W.C.J.. tCH. 11111 LUHN. E.C.I tAft TIil! -ti ..............................................

WINBL GRAMOPHONE RECORD CASES • ALBUMS • CABINETS • COVERS. ETC.

NEW' ATTRACTIVE MODELS LITERATURE 1./

• REDUCED PRICES u/,i-/ifi> HENRY ELWIN·\ L TD. ( DEPT.M 6 ) PLUMPTRE STREET · NOTTINGHAM ,rou <;AH DU'EHO .OtCTHI. QUALITY, STYU: 4 IINISH>

THE VERDICT ON THE NEW " 1 959 RANGE "

-TRIXON-oRuMs and VIBES

SENSAnONAL! RICO HOW fOtl RH I IIOCHUU

A.ND P~ICI WTS. ITC.

PWMOllfT IIISltAL IHSrmDT CD. 14J1• SHAITUIVH AVON(. W. I

CIC '"' un OPL• &U .. , u,.

BILL LEWINGTON u uocu1nn1 srun 111t .-.-r1 UIFTOIVIY AWE .. W.t SEIi 4211

... li□P ~ G ERR A R0

1 ITR££ r

>1 l'ii/rq@j:d

.. c:a ··- ,.....,. ..... ~--.. llfl-wfflt·a.a. ... ...... , lif•laif-.

._.., .. ,_ 1'-, • • la&e . .. a.tW 11M

..... l~.._. i;:C. • new- ._ .. IJII

...._ Ttatr, 1:.;. 11Add...t ... IN k"lJI 1:11 Cnl&l'J T<t1cw. O.L IU .__ ..... 1• Allu. C-1:.•- ... UI w-, II .A Alw. a.;. u llt'W ••• IN .......... Ana, .... _ •.• "' ..,_ .._.., .. ruu liol'hm rtarloe l .. 1H f-..,rt■& ''ttl,• IIMhm nu .. Khonllr 141 ~ Ctau A, llt Bodlm Ua.r. ltl · T--.. 11. L. ... •.• • •• 114 ... n.. 0.---. 1.rom .:. • •• ID ... ._ le NJ all latt1 ••• W ... trf•L Pa,t la...,_ . T11a, . '"'' u,11.. 20 ROMILlY ST,. SHAFTmUIY AVE.,

-~. JN.I. · Gt:rnrd 4S11

GUIT All AIIPLIFIIRS " flH•ct• T.I . I _ 14 Cu. " fl■vo1cr u . 12 ... 21 5A. " TIHD CE-" r .Y.' 11 - _ 47 Su. · r■HDIC[ " r .w. 2t _ 47 ••• _,.O n,aUI rtu-1, £2. S.O

All MOdri , rn n oct. UY WESTWORTH & CO. LTD.

'- WIJl11

MODERN MUSIC .-..----·· 11,1 .-..-.---•·• au ==·~= =:~.:: = .,._.._,___... ,,."""''·•...,_.,,.,....,.,...._'--'-'- a ..,.. ... .. n ·_._.._ __.. .............. ~ w ---·"" ----... ntll- ut -.a .. ,_... ...... ...., .. _ -..... .,.,....,... .• ,_.,,.., ,n_.., ••ld.~,.... • .... ti..-~ .... ._. t ..... CL. f.,.. • ..-,r 1.,.-t.,, -.... ... ,.,. ............ ~ .. , ..... . ., Alle, ll_ ,,.,.,~., . • L, 1, ............. Ill

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HARR\' HAYES New Moclel

s,,c111 llltll llolltJlpiecu Are Now AwailaMe

ITANDAaD LAYS. J , • • S e1M1 e

SU.U.-TONI LAYS, 7, I .,. 9 fOI n.omn l l.QUQDIG THAT Off.A

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Aho , • . 10.0 Tenor £7.0.0 Nflt AtOtU fflffl, ~ w., ,,,., .,.,.,.blHIJ ra._..,-, ~ •us

MELODY MAkER

MttSlc.lANS WANTED- "' PIA.HIST. LU O 1'" UMPCT. T ROii•

■d)UST • .anttJ, other 1nunimtnU COlUldtrrd. - AIIIIU', UJDO.DllklfT. RO)'.ll l nnlJltllhnl( Or-JJO.Jn o u,nh B.P.P.O. 11.

RHYTHM S ECT ION, all lru.trU· mtoll to nr1tJr.r "'llh 110.>c.1 ,111utrur tradi11on111 tr11n1 llnr. W. l.Und~n.­Uo ic 11u, " :\IM "

TRADITIONAL conlptlrnl OrUnl• mr r. Pl1101~t.-A1nll~rH 2:1~.t tel•D P.lll .),

UROl!NTLY RliOUIAI DI lhPffl• enrl'd Prnntn In .. 11 r,mu, or 11~111 mualc :ind d,1nc- IIIUII0 - Ap111\· O:r• rctn r o l MU•tc. Or,n 1di•r CIU l<r1h, w ,111n11on B.irr;acka, Ulrdc,;o W.il,.

· SPECIAL NOTICES ,,. ,. _. . ACKNOWl.£00£0~ AS nta UA"

llllf wtitlfn : J immy Oran t·• PGaTIIL P I ANO bOURIE: :artc. O lld t r <1 " MOOIRN HARMON!." 11 THIOII' Olf' MUSIC." for 1Ms1llllrn: IYOR M!AIRAN1'1 ' P O S T A L GUITA■ CDUIIHI (PLECTRUM CHI FIHCE■ I TYLE). Parucutars. C..S.D M.. 11, W'ardo11r Stn•tt. Oxford s u~u . W .I R,tctnl ~ $.

A 000 0 MUSICIAN 11 altr.aJI In dM11:1nd - Po cu-t;uls oJ how 10 ~ Co«M rr:allf prGfl.drnt . WTllr L.11 O .. I). Sr• Road. Cr-ottdl End. N..&.

IA ND ACENT rN1UJred for ftnt• c~n lil llll&9' li.&nd now matln1 u p rn1a1cmrn11 book tor the 18» •utDUUtr ScUOD- - A_pi>!J: • . Boe &Jf!,

S CHOOL OF COHTDU•OAART ARI\AHCUHC TECHH1QUD.-Wou~ )1>11 :,tr 10 ~ ■n ATI"anKfr comoOKr l Tt1u1 • rilt' tor luruier J)&l'!.lcu:An 10 Boa &lOt. ·· ldlJ;· or 'phone: 1', rm.ma TTll.

II WltfC MUS ICIANS' POCK lrT DI ARY , I ii.. D:rri:tor:, o r l .!>00 tn 1r,t>, Utelul lnronn1111on. lllt1ry for u munll•• e II post l rrt,-Londoo dwln11 World. 16. Cit)' Road. E.C I.

PUBLIC NOTICES ,,. ,,, .,.,. STDNEHAVI H TOWN COUNCIL

Wu111NI . rtJ1 :d,•111 Dance B.lnd. 1l11 !notrurur nl~. tor t h~ per,od t rum Jrd J ul1 10 ;.!jnd Au,11111, llllll oo,•n tu the J c.na To"'n e.-rr-lt:, Stouth:i\fn Ii 01 Jlld , b· :Hth Dccrmber. I~ . dtun~h.a,, n. 20 II a.

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s:rr~CENTLY WANTf/D 1 TnlncJ Com,1 and Tru111p,1 pl.I\ ·r. tot U.1nd Kln,c·• 0'4n bcottt,h D mffrtr £:xc.t.lkn~ P-r•UP<CIJ ""d tUH llln . pr... ENGAGEMENTS WANTED .i.:. - , _. UlOllon In .. 11 r.anltJ wh,n <Ill ,1111, 11 r Othrr ch••"• ot niu,1c1.,n, ~:,,, A BASS D\.aJl.:ibtr Dr«mbU ' · " · .-•• ,urd.-fa: rurthct p 1«1cul.ar, ll J, £lmbr.d~" o,a. .&pplf Band Prt>hlfnj I K tllilJ l'o r1h I A BLE ACCORDION IST ■ •;all■blt.­c:imp lJllton BM CP M1IIIOth' ,n. P r<> u~,. Seolland. or O C. 0,0.,t KOl:>8 Tttt All. I! PIAHIST.- P ro. 0.42 lbrr.iw. ll•ra1ck•V11"1n•T ..... N2 ACCOR DION. 100. h'tl tnanspc,n -

WANf EO ror thf> B.lnJ at lht Tno .S';J. Wd.t1 Oiur1h. EDph l'lnlUlll l'r• nrh ACCOR DION IST. - 30d. Polr,:on Horn. P4llftlal E,p,11,nc..a :,I• ,r. Bu lldtnw• Londc.a. :. WI. onlT.- Apph 10 0 1rtr1<1r u l ~l\j.:t A LTO. ani.atrur -SPf'. 1 412. Wt!ah Ou.ar.U. Bfrdcau \V.allr. wn- ALT O and \ t.n:,n - )be. JU$ don. S w .1. A LTO •.allh i;.,:>.-ll.ac. !1141.

WILL ERNIE IOULI! pl,.,. t,>DIJCI ALT O BAR. nutt Cl:ir •• ur.- Pn Ralph Rw.,tll• B11e Ult >.11\1 OU,

WIND INS1'RUMEHTA LII T S. 81rt111 Al,.TO CI.AR.- Klns•ton 1150. f'lolJfn and Voc:illtlt. ,. , lllnt 1,, ALT O CUA .• nad. dt<iirH ~ rm : Jam II ftrat•rl•u m1htJ1y o,nr• ..1nJ p1la •• or , .m.la: , Lcndqn 11r 111111,rl!a. arf tntorml'd lh..1l t11, BORO II A j Uoa fiJIU. • MJJ •· · Re CIMIEJfT BAND 11111 IIU .1 ,,... ALTO CLAR.- \Vor. t914. .-,1candt1{ Tuition 11\fl'l lntludr A LTO CLAR. \'tul!n. rt.ad buak.-pnntr tSJnnt rrom mr111b,•r, ,11 Out \◄-1 i. l1>11dln11 BeftLIH orrhrtlrJt .• f'or dr• ALTO CLA RINET.-Laburnum G1'09 lalls, """" o .. n111111:•t~r. l •I lln , ALT O 0 1.ARINCT.- Mo:urr :1u Boran Rt1lmrn1 .. D.1.t P (), U , ALTO CLARINET· trNI SnturcJIIJ'.-

YOUNQ AMAT"'U" Tru 11111tt , Allo, £1111u 61/il , B ad , , l or •da.nc • nioorrn 11rou p IO')ll• AL TO TENOR, Chrutnuu ,r N. \',I!, ln11,- PIion, . £di"· IIJ31 ... L, r U, 10. r.1r- w, Ill. b'9)1.1.

YOUNG IAII I T o.nd T,•n11r hi ALTO 1'EHCA C:Dr-CII. 4111 accomp1rny Pll•no drum.- , niu,t r~ AL TO TENOR Cf:lr 1 ta1 1Jbr11rr ~":~•r-3l. Oordon R~ud, P tCllham, r..1r, · 0 1-t. :m:.a. " ' •

0

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7Slt S louwh .03~. ALAN COLD'I B nd r<W"lc d!IMt BONCOIIT • DRUMMER. tall#rl •

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ALAN oll!NIUNI ,AUIII H. tr.1111• CIL All(NIT ALTO rcu n1 ruu .. U• ll~n~f.i~ oi'iii O~~o to 1,pl~tt. pn~rnml p rott»:onr.l.°:'CI/. 7121. t r111sn1 rt.-n rl $hl. e;f.tU• BASS IST n , at111 blt.-Rul ,

A :r.,ut DAY!$ HJCTIT.- W .. lthJm Dl!I PCNOABLI! DRUMMER (fem )-Crou 3950. Ch•, l o1J. ■AND PRl!I N,'V .t - c:11, rtn,m ORUMMIA orcampll,htd. l.r,UU• 4

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tlons ; opm N.Y.IE.-t..,rll , ,..oo,;1 U19 lib · · ~ ' · 4!SJI DR IIMEft. ,..,ptr.cncrd -Col. 4011

LEW DAVIS I UMJflD IM OIAINK atOSS U . , LOH.DON, WL2

TEM 6562

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•• lnRRY TO MAK I. THtl lllU 21&:. CHRISTlilAI , •• MI ARY." a, nw, _D RUMM ER. tnan•port. - RrUanet 1,on.a.: 119-a0d~ocn,n11 " rock 11c .. 1 l,n , .-ocat • Cd ln,tr·Ant«nl,., . 1outc• O IIIUM ME ll I VOCALI ST OomtHrt. Chrutma, da te- tni:ium•• • Otrt\ )'01111. , "'II' n,nud - t.rr. 079. Han and bu ""rl*•""- Uoa .,,~. Dl'I UMI . tltf.-l.tr.unt\lf'W )312 " lo.l " I LECTft l C CUITAA. uprnrnffd.

FOR A , o L~Y rv,ntns Arthlf 1r,n1p ,,n f,. l :!OA WO~n•s Band lh·cl)' )IC If rl'nutrfJ tLllCT AIC OUITAA.-Str. H O . tr1J1Q1 ll•pl,ce upw,udl Yrtt Cntnt• EL[C-,,R IC 0 UITARIIT.- Rh• li1T9. mu. N.Y.E. - Clrrktn.,rll IUJ(l, .allfr ILl! CTRIC GUITARIST, llttl.-J p.1n, Ho11 . ~•oo.

FRED HEDL EY ORCHCITRA ll~lt GUITAR. J"n •wlna LoUn,- 91r. Recent llrlMhlon1 Mll11 .. 1• r :.it

1

,o,a Wen Bouie c;101t. 11:w 111 \ ~n· 11ul OUITARII T .- Hcun lto .. , 6-100.

f'RfE CHRISTMAS WEE lt Ny ll P,A,tlST ;illlf U11. 9366, 1PHOHI! OR WRIT E NO.AM AN PI ANIST. "b;, • P io. i SI~ .iACltS ON CH I 11Low•,. I PIA~ IST ACCORDION ctl\follnr • HOWARD IAlt l R liJnO) 11nll c.,b,, frtr Chr.,1n:a, POJ). ~n

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CEOFI' WIL IC IN I ' ,AtlMI N, bu,d PIA Nl 5 1' c 'ub !ounu 11111. - P rl an tr.:&dtllon Ki l 0:.Jlf HH

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HIC[ T RIO Quut•I .&.nt u·. cw.t T■NOfl, C'LAR .. lrtf'.- Ar~ ons. -rlt ooly.-hnd\ kl' 1111 TCHOR CLAR.-ll.ir lOtO.

NORIIAW .lACICI OH OftC HIIT II A T l!HDII CLA RINET. rnd - Molur7 AHO ASSOCIAT ED CROUPI . WRITll 111), l'OR , Rec tLLUITRATl!D ■RO· I Ta NoR CLA RINET. )·oun1. ntttfl• CHURE1 II . AAACOH ROAD, rnr..... r..,d bU•lr:, tr.1n1pon. - .i.c't KIHCI T ON. IC IH, ""• 16117

O RI CIHAL IEXT f!T ur Quiantt T lltf OR. - Ttnr hltY ~7411. 'Phon t • £;ii. l0) T l!NOII T RUMPET, r rad 'bllJk.-

PETI! S MITH Oi l( IELANO I AI Pramro•o' ◄210 . ' Phnnt. Ole_, 0769 ,e-1 '-10 11 .111 J, • T E~OR VIOLI N, 6 D,-!ulton 7900,

OU~A'fET. P Ji $1411, TRO MilOH.C, Spr 71◄~ •t1tn•n111 TEDDY MORILLI U~nu1. TUI T IU,I MPET ~1.11lablt. 111n,·'ll'he" -

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BANDS WAKTED .., ~• ••·" VIOLIN T E:NO R. Qui 4113 'l'OUNC EXPCRIENCE D . Trnnr

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rlll OIMIIIIUI.F Hft.U>QU U'nU

11/11~'-!',~•-'-'--• • ... " ..... ,...... '-" ltU•J

SIX-IIVE SPECIALISTS! NJIW UNl!S OI OUTS'TMIDINC VALUB

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Cao ,f .. m., •.• on. ,-14

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.Cl$ - Bo• 07'1. " IOI..' CAM Wl■ll.lU &.o P lllllllt1 Bros .

K. .Cknud II~ W..1.. OU. 4122.

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Bot.ha, P lJ""'-~ n t COIIII~ UOCI. ~ &.-...._ OnMl,J Road Oa.11n-,.

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DONN IOPRANO an . Sb, 1-.P .. O .t.... CH!a,.Offm&ll led II)' B. tt.n.d ll., ■-uput,, a.u for Qwck u lc.- PI.Dllu IIN.

IMILCITONI. praCUc:allY lll1llaed, CIS.-'Phooe. 8)-mcra,, l'ooeurOft 7141 a n , mott1ltt1.

Nilw •11UN1WICK Tenor. ,rood COD· d lUoa, BrlUuut Mouthpiece, £40 o.o.o, - u ow•rd 41N.

au.Mell .. CICAII CUUcr," o .i.. T fflor , JlnfC!d. In ca&«; P m.» Jll'llD .. A I &o, 0 .L.. 11:Q den!Q:n I , prrf fft ~ _lo C&H.-·Pllooe: Cbancuy ,m o-J; SM. I W . Dfw_r I.JD.

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l:loa Ann Dt. Wembley IUSII .

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New Range o/ Rrsson.. MOUTHPIECES

/or TRUMPET lC/·, CORNET 31/6 &TROMIOHE40/· ,.,.,.,,,,, , •• ,.,... -11•

IHl••t ...,._, • .., •l,.an "' ,.... ..... , ........ $Nd fo r t'Rf:Elpp. Boot..ld d eM-rlb lng Ille nagr, wllh ad , Tltt o■ cho lre • a d ~lrdlo■ CaaWr.

1t s.11• , ct. l rt., 11 wu, n .. tt•N•, w.c.2

Why not ue tile '' lelody Maker" FREE DEPOSIT SERVICE? S:tncl for dtl.lih NOW MS ,...,. tieN

f, .. Deposit Service "M,eiodv Mabr,"

96 Long Ac,., London, W.C.2

RECORD CHANGER Brand N- .... . . •ONA.CH • ap. AUTO - RK • CHjUIG•lt OIIIJ' (7 • 0 • 0 ( Carr. P a id )

8eflt r., return frol'III

COOPER'S s... G.rdaft Wo,~a. Haw;lekl s 11-,.

STOUPOlf. otUH.al TN,._., rrocuon- JIU

I-flat TOOi IAlD. I.P la -

'-ChdO. o. Loe.. t oil ....,. . ...... .. m --.o. S-.P.A. ....., •• • .... ~ o..L.. P..&.L .. .. -.o.i.., r,......_ · · • -..-.-w.hllJ .... lld. •17•0.&..PAIL -a.ti..,... P.A.JL. O,L. • • .. • • -....., ....... 181Al. "17. o. i-. ,.u "' -.S,P..A.ll. 0 , 1- •• • • ffl --. :i cu.. ...,....i.i • • • • ,,. mi.-■~Q.J.. P.A.Jl .•• ,. ffl ,-...,._1,i..... -,.0.1..r..&.L •• m -------0...- ·· ­.......... .wla. 0 i.-. ,._ •. -................. , .... 1. 0 1. • °" - ».Ill. 0.L. ........ • .Jllt -(IU.A.J....-...-o. t... . ua D&c ... -. - ... --- .... • a» ~ l.60J ~-ot.--aa.a....

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-DRUMS--lUW tnd USED PfM1 IUTJ, I.O,. l.04

T.r._ , ... _ d prket. CYMIAU _..., ... ,. ,_ U Tc»S lfal■ ll DaUltU • - •• .. MW

VIUWS ,__,., a.pad ,_ CL THUi OCTAVI AJA,, VIIU _,_, U S LUY 1'illMS. H ll'f IXC:HANGU

VIC O'BRIEI ~-=:-,_-:.:,f1 ~ ! LA.LIU&._, ........ ....

ARTHUR SEA TON * 1Cffll'1 loAd rmr11U11M1 Ccllttc * aarlO\eta, .._ T....,,._ .._.. .. _ o..,...._ Gulta,._ ""-' ._. I IIOWtllm~IOIJ • ,.,.,,,, -... , ...

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•oUATIST , .. ow­M.a-A•-fllAIMaN.11-. ....,.. IOSJ

BARGAINS IN INSTRUMENTS ·••.n•• DjlU. ountr, DIDI! OUUff l'hllatl ... ·- ... U7 • • aUDY ■UH ,.. •• ,n. ~. O.L • .&nd llk:kd 8.D-rtt ... • .. an I I •aT .. 1', i.•8/ Dru.mud 8Wld.. U" ()JmllaludFl.tttaa. Slkb, .. I •

Brlllheii -· ... ... •.• .•• , . . ... .. . ._ A N, ..,.. TIO■,aT Ill, O.L. I.ow P lldl ... • •• '11 II I l■AHII IIHH CLA't•ti OUU1T. 1-~ ••• 111

1 ■1 ■ :ZH11'N IUl1'AI. C.Do Built Plec&rlln ltoddJ .•• ·- -• &1 •

.AHOIIA A■n.tf'lla. 5-T w■ta., , _ ..,. 8" 8PQku ... r.: ,: I

:~~::.1':a.°A•:.r.T'tu¥;1it 1".: :~~ ::: ... • : ·1au■P«T ,- i- Ptl.rh ol .. ..wi c-ue ••• ~- ••• a11 ., • • unH 6Llt8 ...... ,,. JI.eel Clllin f"tnlab ••• ••• • .. an 11 • •urTAa, .... t Toa, Jl....t Soad Bait', MLiaJ Strlus ... ... II • I •u■A •u1T1o•. Otllo Dalli, l"llctrum Modd. ISlnibo.nl lakb . .. U4 4 I

FRANCIS, DAY & HUNTER, LTD. ls.■1140 CNAnNt1 aou IIOAO, LONOOM, W .c.L TII.Mi,u .,_ l>Jfl.H

=~ ~ ~"£1.$~.!.1;1,1{~ ~ ca V.: 8'.rdlal)d llu,lc Boa, IN . 'Oa• br:Oae Road. aie,iiwnt·a DWlb o~ . W. I~. &tit. OU,11.

HUNT FOR HEADI-Bun\ ror R eada- RunL t or Hcada-B uni t.11, Dr um Bea.Al Kins.

l<IT, MODE■N. C4.-Wlmbledon O t 4.

PRO,UIIONAL KIT. 71J. 1.Q. B.t•. Mel.Al Bmn. ne• Y~,u~ Prd:ll. Al u DM-.C. 2 'nlltl •T oma ti AJn. brand new), Bon1oa. T'lmbo~. C'JmbllJa etc.. -.rest oa:r r to £tO accu rt:11.- Wrh .l'. 14. DU~ldo Road. tlorU..OOd. U ldds.

TWO AVEDII ZUcUlsn o:,,rJ,alJ to r ult. lMa., 20-lll.. fair pr tcr .-0 ,J»J' UUI 2J 15

WANTED: I ECONOHAHO Alu Orr p TOID•T om. black pearl-Do• ... ·· 1iw.•·

INSTRUMEITS WAITED IL pn -AN, CONOITI0N--Al.L IU•CS•

llltbt:at a.ab p rtoa pald ror Vl■U­Yl■C5-YIIQ,. - Writ~. ·phOl)e or c■h: S. a a d I. Arbllt'r , Lt.cl.. 21..._0rtt t 8 t rttt. Lo:ndo o . W.1. Ou. 44n.

H CONONANO 1, r11.11 ~ Bau . flood condition ■.nd ■ lll>f!llBDCr.-t.■r. ~ -

WANTIJD 1 IAXOPHON.£1, Ctar1· tltla, Trombonu, r k.., ror caah o r p1rt,uch.11n1• . All mll.llcal \IIJtl'II• mrnia. M cordl on repai r aprc •Utt.a • - l'Tf'Ntma n•• Accordion Dtpol. 1..1.d .. a:u

1 Htah Road. t.eytoualoae. London.

I.I • 1.#J, 41119.

TAPE RECORDERS u. '" ...., ALL MAICU. lauru·l !rt!t l J,I .

Charsnl Bl1aa.i aules ID En1l11nl'I Whyt Ou.aruntHd bi'Jl unbutnl.tf lfnna, «:41h and H.P . .Clll tree r.a114' off t r. P/ u chan1r. 2.5 mod,~1 100 ro.ul:lln n 1LocllNS..-Prtt brocnu rC11: HDWAAO IPNOTOCttAPHIO, 211, lltth 8Uttt, Bromlty. R H . +411.

P N I L LI P & "UA:ORDEACRAM NaJor.'' cue:lelll coocllUon. 111t:11~ t £J4 aecuru. Omu!ne machlnt , u«~ uud - Wrti.. 14. Rlllllcte Roild. tfor\b1rood. Mldd!e:wx.

IISTRUM£1T 11£PAJn ,,. ,,-, -•oNNNII'. CUY far 81U.Oohoatl

Ctat1tttl ontb&Ula.-23. Dal..al&l'k &trTtl. w.c 2.. °""· ono.

PARAMOUNT ftDAllll a-ad Offf· hauls 1u.a r■nlN'd two 1nn. Bltrhtat qu.allt, ■l rr.uooablt CIGII.L Erutorud by all ltadlnc mustdau. '7-4aY I U • \'let. l nal rvmmt.a lo;in NI cal~ n -Pu amouo1. 711. Sh'&tlalnuy .t,Tm uc, W I. Otrr■rd 9171.

,aANO TUNER.- TIIL o• . INSIJBANCE ,,. pn -

MOTOR INSURANCE-low cat nu~, bd\ ltrms- NO RE:ITRI CTIONS ON OCQUPATION.-W. 0. Collini a nti 00. llnau ranu Droll.en, , 14 !I Q uHn \ll0t i,,rta 8 lrttt. a.o., fClt, N1el. Our D\UllC1\1 IM lnlffl~l lDIUr■nu auurne alrl'11d y wtdu, knD'll'D. rau .c1 . pu .£100 ■nd p ro r.ua .. A114 .-lit, Endowru,nt. liloUJe PUrchau ..

ORWSu. ,,,. .... ILECTAONIC OACANI. 6oll0 1un11

U.K .. tor t he Ubll.lOW Btln .OTPN, - Write rar dtlAU&: 8traA •· 331. OXIord RClad.. ll&o_eba&.u ts.

I IU.JHR COHCUT Orpn, wtlh l on • prod ucr r. 11ur ell.U,td o..... Ocl .• tH1. prrf et l condiUon, pr1ea .cm -Dos llll. •· MM."

MUSICAL SElmCES ,,. ,,,. ..,. IARN MONff IGNCW■fTING I

ltl\cttttln,r ,,.... book lLlb bo•. Sffld u. 11.UD.P to Union Btbool o f 8oa.&• wrlUa:1 IDIN NI. 20. ~ 8trttl. London. W.C.2.

MUIIC TO LYRIC&. OtthUtralJOM an11h1n1 - Ramtoond >I. 8a4lnlrJ M mur, Wffllbl'7. Wmi.. >418.

MHSIC .._ ~ _. F OR I ALE t Mualc. 1111'1:UI orcbrstr■

S<-l~tlt1n,. Ent net"'· Ol't'rtun• ault n . 11.farrhra. Wallus. coo pltcn «,_.,, Mac or Way, D.ut1bvr•i.

K~"Jn l ~LE'1 1:10 BUndu da. S.0.­t.lbt'f\J 1123.

BUSINESSES FOR SALE 11• ,., ..,,. MOO E'RN &HOP atlUn,. r KOrd11

rad toa/lna t ruml'flta. ICOllt OT TV and rad.lo r~11ln &urny arca..-Oc\■lb. Bos llll. " iiw "

FOR SALE IL "" ... 0 I I T I! T N I II OUl'UCATIH ~

Machine. kkr.l flll" C:Ub or ~ s• olllce, .ci.o .-«en LlndsaJ', Ocr. -• •

SOUID EQDIPIIEIT .._,._. • CUIHU O'IIIUlr .t.m11U.Ou. Uk•

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FOIi I IRE •r- Pff -l fl..F OUYE lkater llll Mlol0

bUM'L- Nornu u1 Orlln.L 1- ITII

ACCOMIIODATIOI ,,. ,a -' DI VAN RO OM. Bro:ada:ooct Orand,

coot.Inc. • I.QI.-Tat. ono.

No11 ■ber II, 1151. ll!LODT ~ 1 5

114 CHAR ING CROSS RD.

ci LONDON,W.C.2, TEHP\.E BAA 0+44

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KITCHENS tUTctfllNS MOOIIIIS

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LIMlffD

IMO DENMAN STaUT. PICCADILLY CIRCUS.

LONDON, W.1 CUtotd 164'

*

LEEDS lJ.nl N ~ CASTU: lUOO

DRA01'"UIW U S77

FOOTE

IIITAIN'S LIAIIIHG QRTAI IDaT

i\ur mLJiran l s

CURRENT ORCHESTRATIONS PC:Jt0RNIIY

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I IOVEMBER 29, 1958 EVERY FRIDAY &d.

LEARN TO CHA-CHA -FREE

EDMUNDO ROS and his

~-7 Star• shine lor Spaaties . . ...

Freshmen tops in U.S jazz poll

orchestra open a new series of "BIC Latin· American Ballroom " on January 1.

Produced as usual by David Miller. It will be heard every Thu rsday In the Light Programme from 10 to JO.JO p.m. and wlll be played be-fore a dancing audience. I

ln5tructlon v.-111 nlso be tflven ln the samb11. rumba, mnmbo. son ba.Jon and the cha-elm and reader~ wishing t o otlcnd should appl\' to t he BBC T ickcl Uni t.. Brondcast1n11 House, Lon•

THE 1958 Readers Poll conducted by the American .. Down Beat. " ma1nzlne hM produced rew changes.

Thr P our Freshmen have

BILLY MITCHELL IN BASIE BAND

N EW ( IIClt' In lhl' Count Bil.Ill' Orchr,tra tor ltit February

i;o11r ot Brltnln wm bt u:uor1.t1 B1lh• 1Uitch11:I

He re11l:acca Eddlr ".LockJ.a"'" O w,, who 1-. now lu<11na bl.a own ;iroup

Apu·• from " llehrl!. tb t' BMlr b.1n\l w11; ~ unchan1e-d from 1,1,.. I 'h': Brill ,h tour

The band w1:: pl.a)" a WHk In sw,1,..-r· .mu bl'Core OpC'nlnr lia B rlU h h>Ur Al 1he R0)III Ptltl• YAa. H~~ on Febr-uan , •

DAN KW ORTH 8 From Page 1

on sundar D.ankworth wu lnvolvtd an an 1oc.d~nt conc:rrn• 11\.1,J l.l r )IIC:hlll'I \\'udl', • dlrl.'C• v ,r or the ~la

Shonl> befort' appc-arlna on a conn-rt ,u Dudlr> l llpP0drome on Sund.1Y Dan1U1nr1h dL..co,·c:rrd Uul thr promolf. 11111• :\Ir Wadi'.

In a autrmt·nt 1,..11N1 to the MAI ~nkWOl'th all ,d ~ I 'lllnt'CI tbt' conlract noi knn• Ina th Ill th«' promoter wa, ~r Wadi! I ru,(' d t'l:ldt'd lO Uc-at the CODct'rL a, .1 ch1rlt)' .. how u1d dnn. le till' t'n tlre orontt to11101 d1 wrllare work .-imon!( co.ourt'd peopla In Llu.· lOdlandl.

'Good uae' • l nm vcr)' ht1pu1 Lhnt Mr.

w..cioe·,. 111onc11 OIID 1>11 pul to ,uch iron t u ,c •·

Ahn 1)4l(Jkl"(i tor lhe 11how WU 1eml-i,ro Dun bm1th•- <111e or lht' b,rndl.:,de,... lmol\l"d In the Sc:.AIU lncidcmt. Dllnkworlh Ulktld tbitt Smllh wt:hdruw t ro,n the c:unc,•rt und hl' d hl 10.

Foot,i01e punna n IPt't'<'h In thl' HOU•l' 0 Lord• ln&l Wel'k, Lord PJkenhnrn .. 111d thllt tral,.. l .1lll>II llh0Uld be l11110dllrl'd to d ea l with rorhtl dl~crlmlnallon In all t'il.Ahlhhln(•nt .. "hlcb cnU!rt'd for the public:. lnc,udlna dance b.sll•

• fllnt ,,,,. uro/tUIOIIOl Icade, 0/ f/1,. 'Ill '"" OUIIII'.

OIISlCd Lile HI-Lo's L'l lhe I.Op vocal group l\nd T o n y Scott thls ;;ear !>cot Jimmy Oluttre 1nto 1econd plt\ce clarinet.

Counl D.a11c IA aallln the top Ju.a b:inel 11nd he lA al..o rlrcted to "Down Bent••" H t1ll o r f'llme. lAI Brown toPPed lhe D:lnce uand Mellon and thr ~lodrm JllU Quarl1:l fl'talncd ll6 Combo title .

Mtll',1 Oolllt1 WI¥ t'lt'C'led P l'l"IOn• allty or Thi' Yr.1r and Ray Chlrlu 111 10µ Rh)'lhm And Blun Penon.1lllr.

Individuals Othtr lndlYldu.11 wlnneni Wl'Tt':

Prank Sinatra I m.alf" 11ln1teT1. El la Jl'U.a,ruald 1 (Pm..&ll' ,lntr"1'1, MIi ... 0a,1 .. I I Pl). J J JohnlliOn ft.mb ). Paul Dcamond 111101. Stan Oct& I tnr 1. Ocrry ~ulltcan I bsrS.). F.rToll Oarner I pno ,. Bame, K I 1•lr I. Ray Bl"O'lm ltlual. Sbellr JJ'annr 1dr, . ).lllt Jack• aon 1vlball. Herblt' >.tann cftute). Art V11n D mme caC"C.l. Don f:1110lL I ml..c-1.'lli>Ot'OUII and Dull.' &I II n1 ton I COJTI l)Olt'r I

TONY SCOTT ORK FOR TROPICANA

T ONY SCOTT and hlJI Cha­ChD o.,nd WIii t lkC! ovrr

f rom tht' 91.anley Be-.t Barut at lht Club Troplc::ioa, Soho, from Dtecmbu a

Tony 11Jmb;>IC11\ WIii lead Res D rllCIOII llPII, .lOII Bua,,annn ltlll0), Pill Burki' {tnr.1. Roy HAIi ccon111 C1rum~1. Prank Park• I poo.1, 8 I' TIIODlpi,00 C b:U..I.

don, W .l . I Two new shows

David l\U:ll'r wlll 1160 be tbt' p roducer for llll'O 13•wcck Llfhl Progrnmmc bt'rks whlcll 1tort •hort!)·. I

Thi')' -~, •• T !p T o p Tunrs •• which rr~urn~ on Ot'ttm~r 3\. and "Spotllllhl," ~·hlch start. a froll llt'rlc.-. on J nnuary 2.

-ht' 33--plrce G rraldo OrrhH· lra and 111.0 rtaldcDl lllnlJC-1"1 w1;1 be heard In " Tip Top TUn1'11 while "Spot:11ht" wlll teaturr rueat aum, r11cb wN!k buckNI by t be r esld rnt J..-or l.Lumnt1 Trio.

Louis Levy forms own disc label

Lout, Le\""J'. rb!ct or Let'd• )Juste lo tbe Slate.. 11 to 1a,111eb hl> own Amtrlcao rttord labC!I

H ' s Out llll])IDll a COffll'illan A!an Klnl "f,ho SlArr(d In thr tan two f'd.~ 1on.. of Gnm.ida• TV'I •. Cltt'I.Sn A t Nine." Kini: l'lew bllck t., ~ew York o n Wrd• n eaelay iand bo]>t'4 to rtt0NI hu dr•t !ou: a.!CIH D.t'Jll •·ttk.

AT THE GARGOYLE S luts ~Dit': Bl'r,I Brydrn t.

booked to: t"11,o ..-ttk11 at Lon- , don·• G,'\r;;oylr c :ub f rom Mon­Clnl'.

Uunc,110 IOjJtJIIIC't at lilt' Voll ora Anne: SIIC'llon 011&1 Ph ilipa rrn·u/1le John1111 Fra11:. Jol,r11111 INlt AIIIIC: I ON'OIII • palll•l /Ot oa·cr 10 )ltOtl a nd 1, now lat'r rr:rort/11111111u11nar, . ---------------------

V DISC SLUMP - From Page 1

Cha-Cha Var·1ety zoot-,u!tcd C'hornct er11 In the o•Nn producllon . Thnt. mnkea ll A Bronx th!nk uµ i,omllthlna with ao cu.air on our ordertn1. we n Cnnt{"llc lflmmtck 11nd man aar Ju 'L don' t llCL dclh•rrlca o n

The flr11t Ohl•Chl\ Vortet)' to noi; '.I to ll fUlllbll' 110-bl'• time." •11 0~1 t ltlt'd " ChrLllmH Chu• 1 t Wt'(~n . (~? :--!'lihl l hcr'rc In lhl' e , r sr11111" I i- ►: I,:\ l'I.UIT,\ , Cha. '111 111 bl' Ill the Metrop0t1. rl'CO. d bu .n•.--. T IU:'\ "'roo 0lltln the )'0una• ··" " · EdllWArf" Road. on Dcct•m• " 8111 lhe k ids hO\'C been full• • ' k f I , , ·,er 16. It wlll te&tllrt' lt<norlat Ina tor lhc muck lon11 cnou11h ltt'rt H or c l_aa we, v,, nrur J ohnnie O rai ~Hc:v,• Murun, 1bc They're 1,eulo1, wbe to ll a nd n h t'lird o r. Their \It' t'llhrr h rnrd conrr,.., P h lhlPll Trio, Ron·, a rr.n dP.1I nio. t rhoo•) •· t h em on thl'. nlr or. rtnd about Blt1Ckwe1f and h i• Black Jack,, e 11(:11 n . , l I-' Ill.I.I\ I .It\" them Thf.'le plu111 t h 0l.ld no t with oLhtr nrllst.a 1;1111 to bl' JI \ Tt-:, . ·• The r t>rord compan• I be at v, n ll,(\111 tht' rccordt nre In t>ooked Ira cnn·1 keep pucl! with their th e 11h ops . e 1\1 tu: \ '-f! T IU: .1 l ' t , IC

, . • , r . .. c·1n11•• ,,. \Tao,." •· AL

EI GHT hundr-ed Shoa.o Bun.­neat cc:ll'l>ntu:• hc:IJ)f!d

to ,oi,e .ce.ooo ot the annual Storr Boll-oraa11,. utd l>JI the Ston' Or-aan,_ 1101' /Or Spcutl~t Gro. crno, HOUH on Morufar,. Pictured. o{ter wlnn,nq ci bottle o/ ic 1141 at the tom. bolo table, 11 De-nn.b l.oh• u-llh Vna L.1111n !SOS chau--

nion) ond Jock Porneu.

FREE[ WREN YOU BUY 6 VOCU.TONE REEDS

Th11 le11har grained walle1 ,, FREE when you buy 6 Vocelrone reeds Ot1es and koeps reeds flat and dualprool. ThrM banaone rffdt supplied in polylht'ne rffd holder.

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ORCHESTRATIONI ORCNEllltATIONI INSTRUMENTALS TII.UMnT • CLUINET

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e Cl T l ' t ICC 11\,t. T \,, -Tbh ls lht b lllt l ht.dac:he o r •II Thr pr,- tnt Ci(I pr c- nt i.. for loo hl1h S.1IN v.ould bOOm trNllt'ndc)U~I)' If thl• ,ure cut. bi, even • h1,u For ltn bob. a ,ounu1cr could b••>· th rtt alru&lt!II tor tht' prtcr o r the prt'• 1mt t•o " 1 Set' al•o On TIit' Ueat, • vapc: 4 .1 ------

'Hearses at 8'

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THENIIW JOHN GREY

,futo,.pee BASS DlltUM PEDAL

The pro lculonll pedal even 1he bc:11l11ncr An afford. l!very drum· me r s hould try 1hls comple1cly new Dau Orum Pedal

" Ht&rAM l l 8 1 m," read~ l h l' Invitation 10 an 1111-nl_lht Bl~· IUCIUrA B311 at thc, Club c1, la Cott d 'Azur tomorrow 18atur­Cl.i1)'1 In a td o: 8un1hlnr Hornra ror Blind Chlldrt'n. It WIii Ill• elude a ~,..am)' iintt thl' e~ut * Sulk'r Action conteo1t. Udlt'd bi, Show B u•t• * Twln•l'ost neu C'cle rlt lu . * f'loellnll Foolpl•l•

RUBY IN NEW SETTIN l'tuc-r OSLY £2. 13. 3. (T,u ,-u, G \\"' ,11, /(Ir lta/ltt o/ thi, and CoollUb)' Bard hM It ll 8111plt'IOn• "'"" Jrum1t11rl a,:a11ar it1 to:

oer. Ltd . and 11 now 0l>t'ra, Un~ Crotn thr J am, 'Tatt AlrnC') JOHN GIIY I SONS (....._) LTD of JI , Acton Lane. \V 4 79/15 Paul SlrHI, London. E.C.2 ·-------------· I MELODY MAKER r1

I Vol . 33 No. 1 308 I EOITOIIAL OFFICES : 119, High Holbom, W.C.1 I I T ........... I CH.4uoc•ry >U• , • ..__ : ••T ..... .

ADVEITISEMENT omw 1 96, Long Aae, W.C.1 I I h .. ,.__ 1 TIM~ .. , MH A.4, ...__: IOHN A. o-. ...

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POUR BXrllA l'AGBS ON 'rBB £11rBB'r DIUICB C.IIAZB

rou

.can ' ■ CHA-CHA hi ••ffPln9 the countwy. Dosen1 of recoru .. IMln, releae4. New IMn•

•• 1Min1 fo....._ htaltllahecl 1Mncl1 are fr.-nticaly lnducll119 dla-cha It._, in thew repertoire. The IIC ancl ITV are feotwing it on the air oncl "•moll aaHn." Ancl dancen •• returning to die dance haU. at the coll of thb esdting rh,tlua.

The crue has caught on so qutckly that many bandJ r-----------------. have been caught unaware LEW STEVENSON and unprepared. Al a re-sult, many quesLlons have cropped up about the style. In th1s article I hope to answer some ot the.se queries.

O• of lrflll■'s f orwst Lalf1-l.,rlc11 111rc111lo1lst1 (r) uawers tu ,uest1ms l'ftrJOl8 haa NH 1stiq atlOlt cll•W. nit It ls, wllere It comes from. llow to play It allll what to plJJ ft witJt.

Let It be said right away t.hot cha-cha ls not com­pletely new here. Many or our ftnest Latln-Amerlcan orchestras, such aa Edmundo Ros, Don Carlos and Fro.n-clsco Oa.vez have been JOHNNY GREGORY broadcasting auLhenllo cha.-cbas tor years-and molclng a fine Job of at..

Popularity 11011, dtd cl1a-cha oafn Ju

popularltv In Britain,

One of our most klMlwledgnltle l-A arrangers, bas written special musJcal examples (centre pagest to m11str1te the Idiom and oa pJge Iv, lhe basic cba-cbJ dance steps are explalaed by lhe famous

The present craui la largely an Import rrom America where VICTOR SILVESTER thC' :.tsle ls currentlv cmJoyln1 •-----------------------' t.remendoUs popularity. MA ny -cb,a.-cha records arc provtna But here In Britain. the cha.· and student.s from oveneaa. hit.a and lhe "Tea Por Two cha hod alreadv become more Ma.ny of them have then ito~iz,, Cha-cha" by the Tommy DOr- and more popular In the small back to their locaJ druic.e b ahs sey Band ho.s been In lhc Hit Soho dance clubs which are and started requesUn,; cha-cha P.uadc ror eleven weeu. mostly frequented by teenagers and so "SJ>-read tbc messaae." :;;;;;;;;;;;;;;;;;;;;;;;;;;~;;~;;;;;;~;;;;:~-. TV bas also played a very •-: blg part In boostlfur cha-cha.

1; has bttn fee lurea on such large-audJence proanlmme., u NOW READY

FRANCIS & DAV'S Album of CHA• CBA • CIIA

RICO VACILON CHICA MEXICA • DANSE■O

LILY OF LAGUNA CHA-CHA MUCHACHA

(with illustrated Dance Steps}

PRICE 2/6 <•ost11e 3._ ntr1)

FRANCIS, DAY & HUNTER, LTD. 131 Charing Crou Road, London, W,C.2, TIM 9351

A Great Pop CHA CHA ONE BILLION,

~

SEVEN MILLION, THIRTY THREE

Recorded by V ALERl1E SHANE on Philips Records SONG COPlfS l/·

Hear PEGGY LEE'S Wondorful New Record On Capitol

SVVEETHEART 50,-,c COPIES 2/·

GOOD MUSIC LTD., 39 HEW IONO ST., W.1 HYO llS~ Jm

6 6 S l)eelal." 7 0!i- -Bo; ... "Cool PQr Oats." on Victor S l1vesi.u programme, •· n1e J ack Jadtlon Show .. as well as oo. " steam radio."

All this la 100d tar t.he mlalc and entc:rtainmcnL buAlne&s In ~ . of course. The new Idiom calla for bll .>rua and ~~ord , ,1gm,1'td

And the beauty or IL all ts lhat cha-cha can be played by almost any dance comblnaUon. Soon all bands no matter where they are piaytna, will be e.Eked to play Uila dance.

I hope this article will help them plav It. correctly.

What u tho Cha-cha.cha? (to give lt the full correct name,.

Origin ~

The dance. which originated in Cuba, 1s ba.slcaJJy a. mnmbo rhylhm played tn a slower tempo. 11. is featured by such ramous bands as lho.,e or Tit.a Puente. MacbltoLPerez Prado-1 Rene Touzet. Beoo Valdes, nna Tony MarUnez (seen In I.he film, " Rock Around the Clock").

When these banda are plav­lng in such places as the Pal­lRdium Ballroom=cw York lone or the dllnce c,ntres ln t.n.,, tates, and the home o( ..tmr mambo and cha­cha l the r-esult hAs to be seen to be believed. The place Ju.st rocks.

The tenn cha-clul refers to the dance Itself which la char­acterised by UU'ee quick lltlle movements-" c:ha-cha-chn."

I lh1nk lhe term was der-ived (conliniud on pogo W

\

LltW STltVltNSON

CABOV SI I S

P l! R C UeatoN 1ST WITH ENRICO AND

HIS ORCH&STRA

AT LC MKTRO CLU■ I N aoHO

Lonnie Donegan

• L,Kttieg " s~-Pakti.f

NIXA 7 N.15165 ( 45 & 78)

Cherry Wainer

·-swe~~ e/W n

''V~ NIXA 7N.ISl70 l45 &78)

r

Page U-IIEl.ODY NAJa:R Supplemant November 29, 19511

A•l•\◄t ~~LATIN AMERICAN \ \ INSTRUMENTS

* \ \ AJ Ilse,/ ir \\FAMOUS L/ A RECORDING STAR

~ i lEW s11,111so11 \ \ iad•tl-,

\\ -JAX \\ 18" CYMBAU \ i FOil THE NEW I

CAIN ~, CHA-CHA SOUND ,11c£ J l Lew h111 bun an £3.12.0 \ \ AJAX enthuti11t \ \ 101 manv year L.

) ) Fo1 lull deta,h J l w111 I you, local \ \ dHle, 01 w,ile to,

\' llflfl.ttil!' J' 4 11.:i 11~1'1~·s · L 7· . fl lD( I ICh CL OU SI O M~Pl P;A:E. lO liDDII . ft 2 I ll 'AD ] 091

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EVl::RYBODY 'S

CHA GUAGLIONE (fDEZ flADO All.)

• FULL ORCK. ,,_

DANCING THE\ - CHAI SUSIE DAILING I

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Essential for

CHA-CHA

Deal wdh the Sptt1olut

PHIL PARKER olfcn everything ,n bran 1n1h1r menu , whether you play Cha-Cha-Cha, Trad,tional, Modern, Symphony, Orcheu,at, Mlhlory or Brau Band. AtSO 11 you a,e th,nk,ng of playing b,1u, contult us lor your ,nururnent end tu11ion.

·Lowest ,rices • Lowe,t Ter•s PAIIHS' IFASS STUDIOS LTO.

6 Dlllsey Plac11, W11dour Sllttt, W.1 Tel. , GIA Ht•

......... .. n.i..-, .... _ , ....... ,.

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and Astbentic Latin•A■eritan meets VIC O'BRIEN

COPPER SHELL ' Cha -Cha TIMBALES

I

ORCHESTRATIONS for CASH or H P.

See Your Dealer ., "''"• fo, f.,.1tw, drt.,fs

(td ~-.,, /• /.JJ co10l...,.J

nuuo HVM co. LTD. 17 HUNT SHUT, LONDON, W.I

By Return of Post -tr-

llAUAJB c:c~ISlRAl S(R\lCI 2S/21 O,f .,, SL, lon,,n. W.I Telephone : CCRrard 4812

Nonmbtr 29, 1958. M!tODY MAKSR Suppl ... 111- Poi:,e Ill

~I Ill 1111111111111111 ll 1111111111111111111111111111 111111111111111111111n111111mm11n1111111111; .......... ..._.. ----------------------

-------------

Chlro Anrcz. aun here 1ntll roca lb t• Allun 1h and Dolores. made his ckbut u-llh h/( llt'lf Clla•Cha Band at the .ua,cstr& Ballroom. Nr11port .\1011 la•t Fr1daJ1.. Thr bond reos plvrn a ,,ond rece,,l1011 . Said MaJr,fl(' rrstdr11t t,ad,r Alan Hurst.~ "The new orchcatra u:(11 l>c: a big lilt whrrcrer ,t appears.

--

The rhythm: instruments :

Cfrom page J)

hom th, noise or lhc fttl &har­Nhnr-sharrlng along the noor.

Wh,~ lh.e mambo I~ un· rei.Lnllned and aa1reah·e. lhe cha-cha l.s soJtu and more :.ubtlt.. But it sUII has p lenly ol rhythm, • •hlcb pleucs the ~llr'CTL

Instruments ~

So far as t.he front line ls c-unoemed. a cha-cha band can conslsL or ten brl\55 five MX<'S. dcwm to one 1rumpe L and an 0110-preferably doubling Oule nnd cl11rlne1.. This Is the abso• Ju~ minimum 1,0 play orrange­ment.s.

To gel the proper rh\'lhmlc " noise .. one musL ha,·c at least piano, baa. tumbas •conga drumsl and t lmbales. The lull rhrthm section or a cha-chn t»nd constsl.S or lhe following :

Plano. ~ 1ulta.r, tlmbales •w.lt.h t..-o or three cow.bdt• .,uached•. two or lhrtt d ifferent 'lu conga drums. bo11&os and aulro •scratcher,. A vibraphone t.tn also be used to great t'ffect

~for• .-e 10 any further perhaps 1 should explain more : ullv M>me or the5e rhythm In• trumenu. T IMBAL£S: Thrse ere t...-o

n.etal•sldcd drums or dtl'feren&. ... 1us. open at t-he bottom. The 5mallrr sized drum I!. al\ur1, on I.he nghl-hand aide or lhe ,>,ayer.

The co .. •beJIJI are filled be­. 11.een the two drums. 110 thnt .11e player has everrthlna under n1,; sticks. so 10 s~ok.

The d rums are pta,·ed wllh S!ICk..~ Hn. thick ond about. 12•:n . lo 13-ln. long 1,·011 will rmd the lt'ngth to 1-ult your• !I el f , . O!dmarr drumaucb !ihould llt'r('J' be used. u t.ht) do not produce the currect •ound.

Paila ~

Ont or t.he most popular rhHhm.s lor the mambo and cna-<'h.'\ u- •hat the- Cub:in\ call the· p;nln." Thi& L"I n llri<• tock sound o roducea by 1,1r1k1na ,ht metal t-lde$ o! the t :mb:tlt'$, Po:-- a ooputar b~1c rhnhm Cor tht! cha-cha. see mm.en! c:x­omplc A

l'hr u~ or tht cov. brll 1~ ont or the m ~ t noted 1,~1u1c1 01 rhn-cha.

You wlll hcnr a " clonk " sound pln)' tng 10111·-ln•n•bnr on mnm· 1ecords. Tht.r; •ound la obtn,m'<I by st.rllung lhr mouth or the l,1: Re co....-belt M11~1cul txnmplc B Is an exnmplr or co·" !Moll nnd ~alln U)lt lht·I :

R lmtthOIJr a re U:Pd l'Xll'nlll\f'h' 1n t\11 In the odd pp, a.. thr\' oc-rnr in lhe arranrt•·utni. The,.e mll'•t. be used d..t,eu t, I)' according to Lbe .moo ur , t,e mU£lC.

Thr n r or w lar,e co11.b<-ll and larrl' drum tOt?ethrr 11 another v.· a> c, f accrnt,n1:1 p}1r3,;4-1,.

TI1MBA rcon,a dntmst :

soil lht' ht'lfht of lhe pl:1yer. -Thi')" nre aene:nlly made or _ uood nboul • In. thick. coopered to ahapc l l unden;tand they -are al~o bcin1 made In fibre- -IIA!-~. I

Thr ahap, or t.hr~ drums is = \'Cry lmportnnt so llS to get lhe r ,l(ht acoustic sound. The usual = conitn drum ls about 10 in. a&. -the top. ,v;elllng out to 12 In. a llttlr furthrr do•·n. and lhm -1nperln1 nway to the bottom, -• ·h lch 1., 5 In. In d lamrter. =

1 &hould sa,· the best lrngths for lt'l of thatt 11.ouJd be one root. two-and-a•h I! fttL and -three lert,

Then• drums nre played v.·lth the hnnd.s. nnd It. 1s amazing -whnt rhythms nnd rfJt'CL'> such plnreri1 NI Candido. Jack Cost-- :: nnvn nnd the lnlr Chano Ponzo = con Ret rrom them. Musical _ e,ftmple C IS a basic ~,cnmole of two tumbas as u.sed m cha­cha.

Fascinating ~

BOSCO. : I f hould think most pN>p!e arr prt'Uy comer- _ ~nl ,uh thl'>-e fa5elnat1ng 11u1, drums. Mose.. d rummers hll\'t n p.11r on lhe1r kn, u part or th, ul-up.

The tl'\le bonao sound C4J\ onlh\' be obtalnt'(f by pln)·mg ,. It lhe t1naen1 -

Pl11r!n(l bongo., In cha-cha Is -lllJJht)\' dllferent from playing -other LaUn•Ame1 scan music. Wherf'Ab In other dance$. such 111 the .,on. auarachn. bolero -nnd rnnmbo. Whl'rt' the bongo., nrc used In a n ex1,mponsed -ua~·. In the cha-cha the bongo -player p lnya more or n i-tnct _ rour•ln•a•bnr pauern. Musical bu.mp.le D la A 'b651C Ullmple = of the bonaos as plcn ed m cha-cha.

GUIRO <OT Scrnteht'r): Thl.s la n long dr1rd and hollo..- -ourd 01 ,·a nous length,. ,. 1th -

r ,d&t cut nc~~ 11.S lace. l t h:ui a holt cut ,n thr b:ick for 1m~rtln11 the thumb of the left -hnnd ao 11.S to hold it. -

The RUlro I, pin, ed b,· "t'fnp­lnll tht rorru,:u<'d ~urlace -,.,lh 11 Oat p,tct' 01 bamboo rant' ,nc-lrt'd \\ Ith p r1,nr;s. hke n lork. I hr.i,e 1111,ros can also be turned

11111 of wood nbc,ut a foot !on(! 11nd ~ m th ck. and thr>t are 111a \ Cd \I. Ith n I.II P('rt'd Slick.

Mui,.cnl 1•x11mplf' E u, 11 ba.qlc C''COnt1>le OI lht' IWlro rhythm as u.,oo tn chn-chl\l..

A shock

NO\\' t or n ahock l would hkr to t>nmt 0111 that c1.1v,~ -ch tiC IO!>. t·nb.1r11..• nnd t:imbouT: -Int'! •houlrt 11111 bt: u~td. " You , Ill 1mmt'CJ.Mdy say :

But Prru P:ado 11.,1·.:. n tam- -bour,nt' in h t~ I, IC.-L record. • OUAR),Onf' '.. l km,, h d -And h< .al•o ll'<11 a thume -ri , thm In I, n.-cord o f Pat­r.c.,., ..

I "lm 11io much or an odmil «<r -Of

1 f' .idn to <'rll.rt~f' n il Lhe

MUSICAL AMPLES By LEW VENSON

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.... ~ .......... """"'"·. ' ' .. &..I U-l

By JOHNNl GREGORY 0 1 C11't Giv1 Y11 A■ylh il Bat Leve" 1rra1gt■Nt

(Printed b)/ courtel)I OJ U: .1 • U'rlgl1t Murie Co •• Ltd.)

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-- Eeo&EI Amor -- Joh 111111 Orrgar11. 1crll­

k11ow11 At D n11d arra11qrr . has rccordrd lrA matrnal undc-r 11amr1 of Nlfltl R1c.-o

and Chaqullo. He 11 33.

, Pert';; Prado. on(' oJ lhc top lrA bondlt'adrr$. llr IA ro oe featured on a Pl11l1p., LP colhd " Bread, Lotc Alld

Cbo,Cha."

Key man is = tl,e drummer -

--(b/w "ENCHILADAS")

ce 1467 * 45/78 rpm

* NINO RICO* AND HIS ORCHESTlfA

Rico Vaoilon

<Jrom /acing page>

else? All I con &AV ls, the beal = 01 luck to hlm. - B ut don't fall Into the tmp

We now have two tor the pn ce o r one, ao to speak.

We can now bring In the co~bell or C>mbaJ and tel u., Stt • hat happens ln mualcal example 0.

"lets Dance the CIIA·U·CIII' lhat has causht many band&.

_ When uked to play Laun­American t110rs. they p ick up

I n this example. the lrf\ hand 111111:~ the bell the rlahL hanrt plays palJL A little prac• Lise .. 11J get all lh~ sounds ,orl,ln1 properly.

FEATURINO - every .. wy" In aJght ond ban1 _ them wllhouL any kno1,led1e

of .-bat i t Is all about.. Tempo la very lmpo:-t.anL

The cha-cha m\.16&. noL be - played tOo faaL

We cnn nov.• utilise the .snare drum tsnares offl 111d the: head

-8oufl, AmsrlG8s greahl9f CHA-CHA-CHA On:INl5f,wg --

I su11est. t.haL 28 to 38 bara - to lhe mlnui.e. accordlna to the - tune Is about rlabt. This la _ roughly the 11low foxLroL tempo.

- tra!~ ~~,~~~~c~ r~~~·1J:'~~~! warda and forwards In terrible confusion.

NOi\' Jet me try to txplnln l he I d I o m s ot the m usic. The general Idea Ls rathrr prtttse

- and played •t.accato tbut not - corny) • ·IUt a bent.

In eas~ whrre there Bre eight q_uavera In a bar. they

- should be played a.s e11hl evtn quavers. and not as dolled

- quavers and aeml-gun,•era as Is u su a I .,.. hen playln1 ,,,1n1 = arrangemen&&.

The only ml •·a,· to 1et the right feel Is to listen to aome

- authentic records, a lilt. or .-h1ch I • ·Ill 11ve further on.

- IL ts pracurall>• lml'0Ulble to - describe In words. or even In - mw;!cnl examples, tht real

authenUc bent or the chn-chn or. for lhal matter, any Lalin-

- American music I t ls like Jau. lnasmurh as. If

you hM•rn'l 1101. lltr f<'el , you _ ne,·er r~ully gr~ With It. -

Your band -

v! lhe large tom-tom ror our rim shot and ftll•lu beat.a. Only by listening to records will f~U grt. an Idea where th~e oeat.s should occur. You may have 10 dnmpen the head or the -t.om-Lom slightly according to lhe tension or the head.

There are many more \'Brir• lions and Idea., that. can !,c wed. nnd you' ll probably Ll'mk up one or t.wo yoursdf.

MG 20022/3

Flute Jimmy Tote pn:•nt.s-~

U your band ha.s a ,·ocallst, perhaps he or she could phi\ the 11ulro. as ln lhe musical example E.

U you ha\'e a br&M section. I would suggest. the use o r Harmon or - straight .. mutes tn the b~ ftaures to 1el the r11hl 10und. And 11 any or the saxophone pta1·era double Clute. bO much the better. since t.hc Oute ib very wldeJv used In lrA music. , 1 L her pta,•lna lhe me I o d ~ or extemporising oround th1: tune.

CBA • CH JI MAM.aO • uuno • -...u.aoo• IO colowed Night Club Bonda

1-11 p.a. EVERY SATURDAY ~------

KEW PALAIS .... .. ,: ...... , .......... .... , ........... b, C.- . , .. , .

- ond 01 -

IOYAL FOIEST HOTR ( Htt,GIOIO IV$ 1111111 ...

Y ou will find thal the bil !III plnyer will be called upon to •Do-••11-l,u,c,b;.-,;;;.., ~ piny qui te Intricate rh, thms

GOLDUIS G•E•N

I: Ota)"," , -B ut l .,,ould suggest thnl he drummer keeps a st.net rh,·thrn '10lnlt and does not.. gel h ,o C

Nov.• ho.a; can you ndapt 11our Can you adapt exisllng

(1t• LP'e)

QI/ti. CONa•rs . DANCES Cd u,l,l1 ii I S torr bootin.:

CHA-CHA BANDS f'lr1t-cla.. Nearo, 8rltla1' and

Co11tt11ent.al Grouoa I or u-11, not

ROCK-A-CHA-CHA! lu"'"11 , ,._ • ,to .. • •-• J V ........... ...,.,, ..... .., .... ) -· .... . . ........ .... ,N ., • • 4. • tH .4t Ar&lln, .,_ fl.a.I ri te •t M •U "I•·• IMJU 0.IIIU o...i Jou c,._.,, •h• •••J•-le Write to: MALCOLM A. ROSC. t 1113 Baker SI • London, w . 1

,tr ,.,..,,u, NUll ... 11111' , .. ,1 VAt...1i.. >••l h~ I

CHA-CHA CHA = band to play cha-cha? arrnnaements? Whate,·er your ca mblnrulon. Th, nnsv.er L'. No. You ~11•

- the onus. I am afraid, will fBII nnl play down-to-earth Jau 01 un th, poor old dru111mrr. II pop music wilh a cha-cha beat. he doc.; not hik\C a '.\Ir ol What ~OU can do L"- aftt'I umbales f•hlch are the main plfl~ rn1 n re11,· authentic cha· ~cus.sh·e ft'Bturc nnd ll rha., Cftkt' any tune J·ou think

HACHA IAZZ CLU■ FUN TO D~NCE

Beatna Wcdncadav 7 30.10.30 EASY TO LEARN Benmoro HallALco111modallonAd. AT THE

- • m usl · In all L·A ba11d!1t. he would bf' suu .. able an 1eph~e _ mll5\.. adapt. hts dance k1l it aa:ordtng to the 1d1om

........ ,__,..,. .. c ....... c.. ..... CI. SYDNEY ;:=·=•=M=ll=SIOM===3=,=·==M=l=MIJ==•=SH=IP=='=' ·=:::: I

accordlngl). ln cha-cha. c,•erylh•l'lg mu• l This can be done prn\'ldNI be p)a,ra - on the no~ ... so

- he has at lel.'ll one Cll\\'bl'll 10 l!ptnk. 11 \ 'OU haH•n't nn _ and n targ, tom-10111 on !<11, arrangrr in thi bond. lhc btl'•

u he has no CO\\bell car-od nn, ,, ay is to contact mwlc pub

KINGS OF OfA-OIA I ~!~~!:!! Q • ,. ..-i.uoo111. 1111 u,uco• - a re difficult to ob·aln • thl'r l' Lo;hprs and w,1m· th,m tor nil ~~ OUl .. l PAIUIC lfl/111& U.IIAM

... -,, ~ IUDOIIClllllAl . 11.W f NIO I DAO \ • ll - on- special lB•ln. .. rhtl-<'ht\ the chn-cht\ mu.,Jc tht,· hn,·e . c,·m-,ars ·• on llll' 11uu·l:t't ,, h rh, At. 1 hn,·e snld, mony oopuhir

- i~~~l q~::~; O~!,ntJttso~~:!j ~~~:j lur~n~~nrt~fc::cr~~~tch lllllt'5 o• - ,,hlch can nl110 be llM•cl ns R " Thnt Chn • Chn Prrling.''

·· r id," cymbRI fnr Jnn.. " K11r r11 Up :\1olher Br-uwn.'' - Far the be11t sound noel "~I> Bonm· Llt-s O\'er TIit

,..,~~~ (OJf l 1a.1 MIN ttll (O,.. lt• 1 I AI H M

XXXXXlClCXXlClCXXXX)(lClCXXX )( X

ff lml> 1 11tl ka rnhlch Orean." .. Lil" or Lnaunn - ~~ctli.,. t ma:t' fro~ urchnan " Mnklng Whoopee " and " Oh.

AND HIS ORCHESTRA ' : H·l·C·H·T LY B R I G H l L Y : )( )( - dowelllns:> nre recnmmc nded \I, Darlin![ Clemt'llllnl' " o, 1c:1, r

- 1 hn,·e nl r,ach de,r r hc:d tht• ch:i-<."hns. Jusl to menllun n DIHHT IOTCI 1Ntrn••NMINts \·ar1ot1S elTttls w h.rh ill I' frw. su111 2 ,n coc.t.a1HG c1ou 10.t.o. obUUnl'd on thr au•htlll t' Ill• fto JJO'I<' irl l0NDOOI WC-2 , ._~ UM 906 strumtnt.11; So111r. I am r-trrr. ,------------•"'-----------____, can bf' made o n the 11rcllno1, dmm kit. = m~e' og• i~, :1,\~1h~;5 t t;c:' 'f ..r~~ tom-tom A mt:al ,,lat e , I copper or brus all,irhttl 11

- lhf' ,;1d~ or thP IOIIHl•lll \\011111 hrlp. and would .,bn IUt'\U1t damage lo thr drum,

- And thl' ba..-.s dtlllll c-on bf'

* * * CHA-CHA! * * * Al • ••?t _,. -.-,.• ... .a r t f • •• , ._.,., • t•◄ • o ._.,,. , ... f•••• , ..._.~ .-9 ._.. r► .,,,..._ n ,." .. "'C ,a. ce-•••t • • • ►• ,.14, • ,.,.,--. .. • w 11• • .. .- O.....-., • ....... t.-t••~ • Tn •- .... . . ,

* NEVILLE JACKSON BAND * • •ti ...... ,~ .............. c .1 ...... ~. • "41 •••"' .... . CUA CUA Cto, ......... , ~ .. , butt

s Cn,1 -C/Ja -Cha S )(

)( X X X )( )( )(

leJ'So11s S N.20

)( )C )( )(

a SCHOOL OF DANCING ~ )C

~ GAUMONT BALLROOM : A )( X aAtHtT IIJ• X Tht tt> ~ lonr ~Ingle· hradrd

drums, mount.td on a 1.tand w "II rnm11 k~ •• ht m rht UN' If -hi li 111:tk n~· llltnH OI dollars t.hi.5 IA ,1) "ho are .-e lo cnt1- ~ 11111111111111111111111111111111111111111111111111 111 1111111 1111111111111111111111111111111111111111 m u~ to 8",. lhP 1:111\Ra tlru111

beut.. &•, CliOlllple F . Plum, :- AU>USHOT 111a let "otollo """ •-•"' ... , .. I )( )( XXlCXlCXXlCXXlCXXlClC lCXXlCXX

Pa~ Iv-MELODY MA1CER Supplemezrt. Nonmber 21, 1958

Cha~Cha on

Lew Stevenson recommends .. .. CIIAQUITO Swlofin.c Cha-Cha (EPs) Fontana TFE 1'7045 and

17049 BEBO VALDES l'tluslc For The Girl Friend

(LPJ (She Adores The Latln­

T11>el Brunswick LAT8231 CANDIDO The Volcanic

(LP) UMV DLP11&2 MACHJTO Kenp (Afro-Cuban

'(LP) Calumbla 33SXllt3 REN£ TOUZET Mambos aDd

(LPJ MGM D13.2 PUPI CAMPQ Mam!l'e !Jnerlcana (LP) Vope..coral LYOHIH

ARRANGING ◄ f,- pa9e II

H ls all In the hands or the arranger to adapt. them, and Ir you look at m U6lcal example H you·u see how this can be done.

How do you arrange cba~ha music?

Fll'st of all, I am no arrangu. But for this subJecL I have con­sulted one o! the finest com­posers and arrangers or mambos and cha~haa lri the country. J ohnny Gregory. He gave me some excellent. advice which t would like to pass on.

There is ln some tunes n doubling up process whereb\' the bas.'I &ticks to Lhe tour-In • a-bar Idiom while the brass and rhn hm RO into a 2/ 4 exacUy double the Ume.

I n auLhemlc cba-chas, you ha ve whaL Is called the •· mam bo·• and " montuno." The latter is used for extem­porising on the tun11 and the mambo can be doubled. Again. records are the only answer tor a rrangers.

Johnny O res or y apecl.ally wrote musical e.<arnple I as an JJJustratlon .

Happy 0:ha-cha-lng I

record mm.N'ANDO HOPKIN~ Rad.ipb Tbe lted-NORd ~ln-

deu Cba--Cba/ Nolre Dame Victory Much Cha-Cb.a H&IV POP566 .JOHNSTON BROTHERS OtemaaUne O~ha DeeeaFU083 BASIL KmOIIJN Ob.a-Claa ~U./ Ob Dear, What

Can The Cba-Cba Be Parleplutne R45U JOE LOSS C~b.a-Cba HIIV f'OP562 KEN MAClUNTOSB That Old ObA-Oba ••ee.11na RMV POP5t3 RALPH MARTERIE Pretend Ob.a·Cba Merear, AMT1ot9 IDO MARTIN ldo Manin Cha-Cha !LP: Sap STMGOU MARTINEZ Cha-Oba Momma Brown / 1\lv

Bonnie Llea Onr The Ocean Colambia D84223 TONY OSBORNE I Want To Be Happy Cha-Cha HMV POP554 JOHNNY OTIS WWle Did The Cha-oba Capitol U-CLH!MJ J4.CK PARNELL Oba-Cha Rock Parlopbone RtSOO JANICE PETERS Km Oba.-Cu Colambla D84222 NINO RICO Plan Oba-Cha-Cha (LP) Oriole MOH016 Rico Vadlon/ Cha-Cha-Cb.a Oriole 081463

by Victor Silvester ► TBE cha-cha-ch& (often called cha-cha fol'

short) ls Plf'.asa.nt to watch and to dance as It has an eueJlen& Jh.Ythm.

n Is now becoming popular all over the world and, al though Jt can be danced to varying aJ>eeds. I thfnt the speed wblcb swt.s nearly everyone- ls about the saIPe as tbe foxtrot.-t>etween 30 to 32 ban per mmute.

There 13 one simple basic fta'ure or the cba-clla which 15 danced everywhere and wh1ch I will gtve hen. When

.you have learned the figure practise rt until you can do It without thinking.

Then ,you can lenm an sorts or varlatlons because U1e basic rhythm remalns consistent throughout.

The following steps o! Lhe basic flguN! are ror the gentlemen. Laclles' steps a re ex.acLly the opposite.

Start with the feet together. I . Fo""',u-d left root (one but--crotnbet). 2. S tep back on to rleht root (one bea~ochet). 3. Short riep to aide \\ilb left foot (half beat...quavul. 4. Half cloee rlcht foot to left foot (balf-beat.­

qwavu). 5. VU? abort step to side apln wilb left foot (oae

l>Uklrocbet). An eaaler way to count the above Is one, two. cha.

cha-cha. Now you dance the above figure again but lhls tlme

with the man starting backwards. 1. &ck rich& foot (one bcat-<:rotchell . 2. Step forward on to ldt root (one but-crochet). 3. Short ttep to side with richt root (half bCJlt­

qaayer). •~ ll&lf d-.e left to r~bt foot (half beat1uavu). S. Ver:,- short at.t:p te ar.te a&aln with rlcbl fool (one

bu&-e.rochet). This ftprt' can be repeated as oft.ea u you wish.

Baffl / Nanca Oriole OB1''14 EDMUNDO llOS Oba-Oha-Cha Wltla Ros CEPI Decca DFE65~

So easy to pick up TONY SCOTI' l'oa Go To M:, Bead/ Cha-Cha

Pop Pop Parlopune &Ult VALEBlE SHANE One BWloo Se.en

ThlrtJ·Three PhlllPt PB8'19 VICTOR SIL VESTER C~(EPl Cohaml,ia SBGffl1

◄ says JOE LOSS I N au my 30 years ln the dancing

profesmon I have never known any dance that baa creat.ed such Interest to the dancer 85 Ute cha,, cha.

I think the following a.re tbe reasons for t.b.1a colourful and Interesting daw:e becomlna eo popular:

L Whereas tbc standard dances. like the qwcltstep. waltz and fOJ:-

Swinglnt Cha-Cn" TFL SOJ8 (LP)

Swinf Ing Ch9-Cha No. I TA 17041 (EP) Swlngin1Cha-Cho No.2TFE lf~t(EP)

trot take a tong period of tuttkm and pract.lce to develop l.Jlto a pas.uble performance, the baalo st.eps of the cha~ha can be danced with a satisfactory reaui, even after one lesson.

2. It ha.a a heavy marlted rb,ytlun and the dancer feels tbat he or sbe ls iettlng complete enloyment. ,

3. It can be danced by a lon.r line or dancers facln& each otber and repeaUJll the basfo st.eps wit.b­out any boredom settin& In.

Chaqulto / Me Voy Pa'/ Pueblo N ·- (45/78) Caravon/"Cha'' for three NIN (45/78)

Philips EIKtt/cal Umlted, Gramophone ftec4nfs DMslon, Stanhope Houie, Stanhope Ploc~, LMdon. w .l

CHA-CHA-CHA CAVALCADE

OF CHA-CHA-CHA· CONTENTS:

• EL CANGURO • CHA-CHA-CHA-DIABLO • LA CABEZA DE JOSE • PAELLA

• PEQUENO PABLO • EL BOBO • ESTA NOCHE BAILAMOS

Plano Album 2/6d.

Now ready In Famoua CAVALCADE SERIES

EL CANGURO (CHA-QIA.OfA) aa recorded by CHAQUITO on Fontan•

Orchestrations 4/• each

ROBBINS MUSIC CORP. LTD., 23 DENMARK STREIT. LONDON, W.C.2