THE MEANING OF TALK

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This article was downloaded by: [University of Newcastle (Australia)] On: 06 October 2014, At: 00:02 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Cultural Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rcus20 THE MEANING OF TALK Joli Jensen Published online: 30 Mar 2009. To cite this article: Joli Jensen (2009) THE MEANING OF TALK, Cultural Studies, 23:2, 215-222, DOI: 10.1080/09502380802664565 To link to this article: http://dx.doi.org/10.1080/09502380802664565 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub- licensing, systematic supply, or distribution in any form to anyone is expressly

Transcript of THE MEANING OF TALK

Page 1: THE MEANING OF TALK

This article was downloaded by: [University of Newcastle (Australia)]On: 06 October 2014, At: 00:02Publisher: RoutledgeInforma Ltd Registered in England and Wales Registered Number: 1072954Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH,UK

Cultural StudiesPublication details, including instructions for authorsand subscription information:http://www.tandfonline.com/loi/rcus20

THE MEANING OF TALKJoli JensenPublished online: 30 Mar 2009.

To cite this article: Joli Jensen (2009) THE MEANING OF TALK, Cultural Studies, 23:2,215-222, DOI: 10.1080/09502380802664565

To link to this article: http://dx.doi.org/10.1080/09502380802664565

PLEASE SCROLL DOWN FOR ARTICLE

Taylor & Francis makes every effort to ensure the accuracy of all theinformation (the “Content”) contained in the publications on our platform.However, Taylor & Francis, our agents, and our licensors make norepresentations or warranties whatsoever as to the accuracy, completeness, orsuitability for any purpose of the Content. Any opinions and views expressedin this publication are the opinions and views of the authors, and are not theviews of or endorsed by Taylor & Francis. The accuracy of the Content shouldnot be relied upon and should be independently verified with primary sourcesof information. Taylor and Francis shall not be liable for any losses, actions,claims, proceedings, demands, costs, expenses, damages, and other liabilitieswhatsoever or howsoever caused arising directly or indirectly in connectionwith, in relation to or arising out of the use of the Content.

This article may be used for research, teaching, and private study purposes.Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly

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Joli Jensen

THE MEANING OF TALK

Carey’s model of and for the university

This essay explores how Carey exemplified the best elements of academic lifebecause he cared mostly about meaning, not power; about personal, notprofessional relationships; and about questions, not disciplinary boundaries. Itsuggests that the best way to honor Carey’s legacy is to ignore the securing ofacademic turf, reputations and legacies, and instead allow the personal andprofessional to interpenetrate, while finding more and better ways to talk with oneanother.

Keywords Carey; conversation; legacy; egotism; turf; academic service

Jim Carey never made his peace with university life. To his great credit, hewas forever trying to overcome, subvert, or elide academe’s worst traits. Heput his faith in face-to-face communication, believing universities are first andforemost places for talk, rather than for building careers, staking out turf, orcreating clones. All who knew him realize that ‘‘conversation’’ was his metier,his metaphor and his model of and for university life.

As we tell stories about his legacy, Carey’s faith in conversation threatensto become so cliched that it stops telling us anything new. And that, by Carey’sreckoning, is the worst of all possible outcomes. So in this essay I connect hisfaith in � and enactment of � intellectual conversation with his faith in � andenactment of � being part of university life. I focus not on his magnificentpublic performances in classrooms and speeches (I have tried to commemoratethese elsewhere), but on his extraordinary ability to inspire, exemplify andwork toward the best possibilities in university life.

Besetting temptation

One of Carey’s favorite quotations was from Mary McCarthy (1952), who (inher novel The Groves of Academe) warned against ‘the insidious egotism of thePotter’s Hand, the desire to shape and mold the better-than-common clay and

Cultural Studies Vol. 23, No. 2 March 2009, pp. 215�222

ISSN 0950-2386 print/ISSN 1466-4348 online – 2009 Taylor & Francis

http://www.tandf.co.uk/journals DOI: 10.1080/09502380802664565

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breathe one’s own ghostly life into it � the teacher’s besetting temptation’(p. 75).

There is of course plenty of insidious egotism in academic life, andgraduate students are especially susceptible to being molded. When Carey firstquoted me this passage, I could barely get past the phrase ‘better-than-common-clay.’ But the passage is about teachers, not students, and warnsagainst trying to replicate oneself in pliable � eager to be shaped � students.Carey was adamant that this was no way to proceed. No matter how many ofus might have wanted (at that point in our lives) to be shaped into ‘Careyites,’he would have none of it.

Nonetheless, some of us were perceived by those around us as ‘Careystudents,’ and therefore politically suspect. I was dismayed when I discovered Iwas being labeled by some students in the Institute of CommunicationsResearch as a Carey student and therefore a non-Marxist ‘liberal humanist’ andtherefore (in one awful discussion) a ‘fascist.’ When I heard that epithet, I wasdevastated, and made an appointment with him. Tearfully, I asked him to helpme understand how my perspective � whatever it was � could be called‘fascist’, and to give me advice on how to explain myself and fix whatever hadgone wrong.

He was angry at the incident but not surprised � at the time the politics inthe PhD program were far more brackish than I knew. He told me to ignorethe whole thing. My job was to read who I wanted, ask the questions I caredabout, and never worry about how I was labeled. Name-calling from otherswas unavoidable. Just keep reading and writing and taking courses. It would allwork out. It was good advice. But I never forgot that university life does notautomatically foster lively, engaging ‘conversation.’ In fact, academic talk canturn unexpectedly ugly, and cause pain.

It would have been so easy for Carey to have ‘breathed his own life’ intomany of us at Illinois. His work opened many scholarly paths, he wascharismatic, and he was influential � we all could have used more of hiscoattails. But that was not how he operated. He did not want acolytes, and hedid not think in terms of placing his students at top programs, or presidingover a burgeoning ‘American Cultural Studies’ even though such an approachwould have enhanced each of our professional trajectories. His model ofacademe was more idiosyncratic and democratic � foraging and exploration inthe company of interesting minds wherever they could be found. That is, Inow realize, how he himself ‘became Carey.’ It is also to his credit that heexpected the same process to turn us into ourselves, not him.

So even though one of his essays convinced me to throw over sciencewriting and get a PhD in communication, and I almost went to Iowa to studywith him, and at Illinois I was both his teaching and his research assistant, andhe directed my dissertation, he never introduced me as his student. I wasalways an Institute student, or someone who he had ‘worked with’ at Illinois.

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This was sometimes confusing for me. When I was a graduate student, Idid not know what to say at conferences or during job interviews, when asked‘whose student are you?’ As a new faculty member at the University ofVirginia, and then at the University of Texas, I was indignant when I wasexpected, as a ‘Carey student,’ to represent his perspective in the department.I resisted the implication � I was myself, I insisted, my own intellectualcreation. I got over it � these days being a ‘Carey student’ not only honors hisstrong influence on me and my work, but also locates me in a coherentintellectual lineage. But no one who studied with Carey was expected to definethemselves as ‘his.’ He considered us to be students who asked interesting orsimilar questions, but he never succumbed to the besetting temptation ofturning us into replicas of himself.

Question, not positions

This open, fluid attitude toward ideas meant that I was angrier than he everwas when others took credit for his insights. Several figures in the field drewheavily on his work without (to my mind) sufficient acknowledgment, and Ifound this reprehensible. He did not share my outrage. He pointed out that noone really owns ideas, and that the goal is to have perspectives circulating � itdoes not really matter whose name is attached. Just as he did not seek to shapethe clay of students, he did not seek to mark a corner of the field with hisname. The conversation metaphor presumes that, through talk, we are clearingspace or making actions possible, rather than building reputations or claimingturf. When that metaphor is applied to intellectual property, it assumes thatideas are participatory and collaborative, not separate and individual � ours,not mine.

Which does not mean that he ignored distortions of his arguments. As histesty comments about ‘speed readers’ suggest, he made repeated efforts tocorrect misrepresentations of his thought. There have been, and will continueto be, many who invoke Carey with too much zeal and not enoughunderstanding. His response was to say what he wanted to say again, inanother essay, from another angle � hoping that this time he would be morefully understood. He never wrote to clarify a Carey doctrine or ideology orvantage. He wrote to be sure that people grasped what he was trying to say.

Carey was always impatient with static categories, academic jargon, anddisciplinary demarcations. He knew that fields, textbooks and student papersare built through categories � ritual versus transmission, qualitative versusquantitative, Marxist versus non-marxist, critical versus cultural � but he didnot teach or write that way. Even in his most quoted essay ‘A CulturalApproach to Communication’ he explores both the transmission and ritualperspectives for what they have to tell us. For him, perspectives illuminate,

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crystallize, and clarify, they do not conquer, fix or triumph. Carey resistedwhen people tried to organize the field and locate him in it. He understood theimpulse, but did not support the motive. He saw dichotomies and labels asshutting down rather than opening up opportunities to grasp things aright.What drove him were questions, not positions.

He believed, and lived as if, academic life is about finding better ways toanswer better questions. As long as I knew him he avoided being pinned downto sides, stances or doctrines. This made him frustrating to those who longedto enlist him in their camp. By refusing to develop or declare allegiance toparticular ideologies, he eluded those who wanted to claim him for their own.And he frequently baffled readers, trained to locate and define particulartheorists in fixed compartments. Of the left but not Marxist, pluralist but notrelativist, progressive but restive with race, class and gender as categories �where, exactly, did he stand?

I assume that, if he were here to speak for himself, he would lean in, graban arm, and connect the desire to fix his stance with the historical role of printin codifying and organizing claims. He might suggest that in oral cultures thegoal is to get the questions right, and to keep the discussion going. Labels andcategories are something that print makes possible, and they are a mixedblessing. The desire of an oral culture is, he might say (implying that of courseyou could not help but agree, once you heard his take on things) is to join withothers to tackle the most engaging and intractable problems with as muchinsight as possible. He might then step back, let go of your arm, and waitexpectantly for a rejoinder. And the whole idea of figuring out his ‘position’would seem beside the point.

Vexing one another

He loved to talk, and talk flowed from him. He spoke with such eloquence,warmth and energy that his conversational partners mostly listened as if (as Ihave said elsewhere) he were a jazz musician. But my sense is that he longedfor the give and take of argument, and rarely got it. He cherished the studentor colleague who brazenly argued back. A conversation is not a monologue,and for all his eloquence, he was not in love with the sound of his own voice. Itwas the sound of voices that he believed in.

He has a line in one of his essays about increasing the precision with whichwe vex one other. Carey did not seek, or value, constant agreement. Vexationis a form of engagement, and Carey delighted in recreational rather thanaggressive intellectual encounters. His favorite forms of academic discussionwere direct, intense, passionate but without animus. Alas, as he would say,such forms are far from common in academic life.

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It is easy to sentimentalize those who have died, and thereby diminish whatwe can learn from the depth and richness of their character. Carey was acomplex and private man, and his quest to make academic life better often lefthim frustrated and angry. He was Irish in many senses, including dark moods,brooding and ‘the good man’s failing’ � a penchant for drink. He sought tominimize the damage these aspects of his temperament might inflict on others,but it was a lifelong effort. Much of what he brooded about, at least with me,was connected with what he saw as unnecessary impediments to intellectualdiscussion and academic community.

Duplicity and cupidity infuriated him. He could not forgive people whoclaimed selfless motives in order to do selfish things. It was difficult for him tolet things go, even as he understood the need to do so. He took thingspersonally � not in the sense that it was ‘all about him,’ but in the sense that hefelt responsible when things went wrong. He thought it was up to him to makethe university work, for all of us.

Because he believed in the power of face-to-face communication, hebelieved, perhaps overmuch, in his own powers of persuasion. When he couldnot persuade people to do what he believed was right for the department,college or university, he would see it as his failure. Surely he could musteradditional arguments or devise different approaches. Rather than chronicallydemonize colleagues or institutions, he kept hoping that his own energiescould convince others to act with more decency and generosity of spirit.

Something was always at stake, for Carey, in academic life. Detachingfrom all that can go wrong in departments and colleges was not in his nature. Itpained him to watch people squander opportunities to build goodwill, establishtrust, make space and time for ideas. He was forever trying to get people todraw from the best parts of themselves. The genteel violence of departmentalpolitics � the mistrust, backstabbing, and resentments � distressed him invisceral ways. He had his own share of resentments and mistrust, of course,but the ones I heard about were always mixed with regret � why did theseparticular people have to behave so badly?

Every academic act mattered to him, large or small. This meant that hesaid yes to a never-ending stream of requests for his time and energy. He wasalways behind with book chapters and letters of recommendation, as hejuggled them with site visits, committee reports and panel participation. Evenduring his self-described ‘age of plaques’ (when he was repeatedly honored forhis influence) and as his health failed, he kept commitments that most juniorfaculty gunning for tenure would be wise to refuse. He did this � as best I cantell � out of conviction. He was not trying so show off, or prove something, or‘get ahead.’ He was doing what he thought needed to be done � what all of uscould and should be doing.

Carey never mastered the salutary tricks of feeling superior to, orprotected from, any academic responsibility. In this he was egalitarian to the

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core � assuming that every member of the academic community has aresponsibility to contribute, every day. We all, he believed, have an equalstake in our common wellbeing. Those who choose NOT to participate andsupport the enterprise � in a phrase he loved from F. Scott Fitzgerald � aremerely ‘warming a seat at the common table.’ This was, to his way of thinking,shameful.

Legacy

Once I left Illinois, Carey and I fell into a pattern of having dinner togetherwhenever we were in the same town. Our conversations also fell into a pattern� he would tell me what Bette and each of his sons were doing, and then askme about my husband and children. I would ask him what he was working on,and he would describe deadlines hanging over his head, and essays promisedthat were not materializing, and then switch almost immediately into adiscussion of what was troubling him most � departmental issues.

I would listen carefully, try to sort out the people and issues in play, andthen launch into advice � some version of ‘ignore that person, that program,that battle.’ Let it all go! Focus on teaching and writing, leave all theseintractable, insoluble worries alone! He would give me a pained smile, tell mehe knew I was right, say that Bette agreed with me, and that he knew thesewere unwinnable battles but . . . and then he would offer yet another anglethat might, this time, unlock the knot, calm the waters, move things forward.And we would have the exact same exchange the next time we met, and thetime after that.

Why did we keep having the same conversation, year after year? I nowrealize that I was engaged in my own unwinnable battle � to get him tobecome someone who marshaled his energies and detached from departmentalpolitics and thereby had far more time to write. What I then took to bedistractions were for him, I now realize, essential work. His work in the worldwas not just writing and teaching, but the creation, maintenance, repair andtransformation of university life. And it was through talk (in classrooms,hallways, committee meetings, site visits, cafes and bars) not just in sittingalone writing, that such work was to be accomplished.

He gave us many wonderful essays, I know, but I wanted him to writemany, many more. I suppose I wanted to ensure he would leave us a vastlegacy of print, swaths of words that would continue to speak � so I couldcontinue to hear him � across time and space. One of the joys of academe isthat we converse, sort of, with people like William James, John Dewey, C.Wright Mills and Hannah Arendt. His essays will let readers converse withJames W. Carey, sort of, for years to come. But never have the limits of print

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seemed more poignant to me than now, when there are no more Carey essaysbeing written.

We are left with Carey’s written words, our memories, and our ownforms of commemoration. When my father died a few years ago, I foundmyself eating the foods he loved: an unexpected way to honor him, butsomehow it was comforting. In the months since Jim Carey’s death, I have hadthe chance to write and present several essays of remembrance, and I’veworked on a chapter for a book in his honor on American cultural studies(Jensen 2007a, 2007b, 2007c, in preparation. But these acts do not honor himfully, at least for me.

Since Carey’s death I have also found myself reading more widely andfiercely � recreating the voracious pace that fueled my years at the Illinois. Ashe did with me, I am using favorite literary allusions, and encouraging studentsto seek out and read particular novels, plays, poems. I am once again using afountain pen, and trying to answer my e-mails with more thought andeloquence. I am also saying yes to more things; I suppose I want to show (him?myself?) that I am doing more than simply ‘warming a seat at the commontable.’ These may not be wise choices in the long run, because I do not haveanything close to his talents or energy. But for now they feel like appropriatecommemorative acts.

For me, Carey’s legacy is both personal and institutional, partly because hedid not protect that distinction in his work or his life. Recently, a journal senta call for papers for an issue in honor of Carey that stated emphatically thatmemoirs were not appropriate. The issue was to focus on Carey’s contributionsto the field of communication, not to those who knew him. That is fine, andthere is much institutional legacy to honor. But Carey taught me that thepersonal and institutional always interpenetrate. As he taught, we do not liveonly in a world of print, concepts and fields � we live in a world of sight,sound, taste, touch . . . and each other. Death robs us of that connection. Themedia of print and photography give us attenuated and distorted access to whatwas for Carey the most engaging form of communication � face-to-face.

So it seems to me that if we want to honor Carey’s legacy, we do so not bysecuring turf or reputations or legacies. We honor him by listening hard, sothat we can catch the stories that are being told, and then tell them again, evenbetter, to each other. We do not need to defend a turf, but to contribute to aconversation. That conversation, Carey reminded us (quoting Kenneth Burke)began before we were born, and will go on long after we are dead.

James W. Carey embodied a way of life based in talk � the least coerciveand most engaging form of human relationship. He showed us all how to bepart of academic life through choosing, in small ways and large, to make spaceand time for talking together about ideas. His work centered on meaning, notpower, on personal not professional relationships, and on loyalty to questions,

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not disciplines. He imagined universities as humane, civil and generous places.How intoxicating that possibility remains.

References

Jensen, J. (2007a) ‘Something finer and better: in honor of James Carey’, PopularCommunication, vol. 5, no. 1, pp. 5�6.

Jensen, J. (2007b) ‘Casting spells: Carey as teacher’, Critical Studies in MediaCommunication, vol. 24, no. 2, June, pp. 172�176.

Jensen, J. (2007c) ‘Only connect: Carey and the art of teaching with quotations’,paper presented at memorial conference at Columbia University, October.

Jensen, J. (In preparation) ‘Popular culture: asking the right questions’, in KeyConcepts in Critical and Cultural Studies, eds. Clifford Christians & LindaSteiner, Champaign, IL, University of Illinois Press.

McCarthy, M. (1952) The Groves of Academe, Orlando, FL, Harcourt Brace, p. 75.

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