The Making Of...Journey to the Nucleus
Transcript of The Making Of...Journey to the Nucleus
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The Making OfTHE J OURNEY TO THE NUCLEUS
Kinblob.blogspot.comAkinbiyi Babarinde Akinbiyi Babarin
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Kinblob.blogspot.comAkinbiyi Babarinde Akinbiyi Babarin
Kick-starting an Idea
Having a a blessingbeginning
choice onwant to gthe left shthought, Iideas, butwas preseparticularprospec t world
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Reinventing
so I know I want a worldwhich is inside an animal cell,and here I begin to imagine;these are my first thumbna ils,
and though they dontaccurately represent what Iwant visually in my world, atthis point I decided to have acell which is a world that hasall the organelles; they mightnot be ac curate to thepositioning or the structuralarrangement, but I wanted aworld it to be emersive
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Reinventing
Visualizing the World in this Animal Cell (speed pa inting)
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Reinventing
More Speed Painting. It may notlook like it but being free andplaying around with these SpeedPaints helped me and played a bigpart in the c reation of this world
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Reinventing
Form Follows Function
I had this in mind while designing, I still wanted to havethis trippy unrealistic look to the organelle and things inthe Cell so I tried to make use for things I drew
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My Vision
The goal of the animation is to be a short video which refreshes the memory ofstudents about the Eukaryotic C ell, and the functions of the organelles
My Artistic Vision was to have a dream like world which was almost like an Alienplanet, it was also meant to be all happening in the head of a student, and I
wanted to show this by taking the viewer out for couple seconds in theanimation; I attempted this by stopp ing the flow of the animation and drawingout text which represented the students revision, this ended up ruining theexperienc e as the viewers have no vested interest in the Student, it later felt like Iwas the only one who would be able to take something out of this featureAfter publishing the animatic, it was evident that the travel through the worldwas more important than being the mind of the student, I still was able to showthat this was all happening in the head of the student by overlaying static oversec tions, it may look like a cool effect and mean nothing to the viewer but it wasmore for my personal satisfaction
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Influences
I looked to various articolourful trippy imagevaguely imagined myas you can see form thleft I was going for a c
trippy vivid images witDark Purple was a colome through the projecwhen I imagine somet
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Storyboard
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The Nucleus Reveal
This is to be spec tacle in the animation , I wanted to create an elaboraterevea l of the of the most important part of C ellafter all it is called the
journey to the Nucleus
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The Nucleus Reveal
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The Nucleus Reveal
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The Nucleus Reveal
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The Nucleus Reveal
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The Nucleus Reveal
Understanding the reveal.this is the last unravel
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2D to 3D
I needed to look back at my Lysosome and Gogli because of their design, it seemedthat theyll be the most difficult to model, so I set out plans and made myself familiar
with the designs
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2D to 3D
The important part of my animation was the environment, here I was faced with a big challenge as it was mywith Environments in 3D. I created the Terrain using a plane with an O cean Shader applied to it, I then lifted toc ean Shader using the Height Field Utility in Maya, and played around with settings till I got a Mountain Type
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2D to 3D
My 3D Workspace
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2D to 3D
Texturing Environment
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2D to 3D
Texturing
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Ambient Occlusion
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Renders
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Beauty
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Ambient Occlusion
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Beauty
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Ambient Occlusion
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Ambient Occlusion
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Beauty
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Wire Frame
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Beauty
A bi t O l i
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Ambient Occlusion
B t
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Beauty
A bi t O l i
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Ambient Occlusion
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Beaut
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Beauty
Ambient Occlusion
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Ambient Occlusion
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Beauty
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Beauty
Renders
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Renders
Wire Frame
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Wire Frame
Beauty
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Beauty
Wire Frame
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Wire Frame
Beauty
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Beauty
Wire Frame
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Wire Frame
Filming
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Filming
The first part and end of my animation was filmedheres the set
Filming
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Filming
Filming was over, and here Im turning what footage I have into a cartoon-ish image