The Madwoman comes out of the attic
Transcript of The Madwoman comes out of the attic
-
8/3/2019 The Madwoman comes out of the attic
1/27
The Madwoman Comes Out
of the Attic
Prof. Ma. Cristina Llorente
2011
-
8/3/2019 The Madwoman comes out of the attic
2/27
The Mad Woman Comes out of theAttic
Two film adaptations/transpositions
Cultural Instrumentality (Kuhn,1989)
Film discourse: iconic,acoustic and verbalsignifiers
Editing and Mise-en-Scne
-
8/3/2019 The Madwoman comes out of the attic
3/27
Editing
Spectatorial identification (Orpen,2003)
Recognition
Alignment
Allegiance
Suture
-
8/3/2019 The Madwoman comes out of the attic
4/27
-
8/3/2019 The Madwoman comes out of the attic
5/27
-
8/3/2019 The Madwoman comes out of the attic
6/27
-
8/3/2019 The Madwoman comes out of the attic
7/27
-
8/3/2019 The Madwoman comes out of the attic
8/27
-
8/3/2019 The Madwoman comes out of the attic
9/27
-
8/3/2019 The Madwoman comes out of the attic
10/27
-
8/3/2019 The Madwoman comes out of the attic
11/27
Blind Space( Bonitzer,1980)
Specular space
Blind space
Bertha as a fluid entity (inhabits blind space)
Interplay between these two spaces: the basis ofthe Thriller
-
8/3/2019 The Madwoman comes out of the attic
12/27
-
8/3/2019 The Madwoman comes out of the attic
13/27
-
8/3/2019 The Madwoman comes out of the attic
14/27
-
8/3/2019 The Madwoman comes out of the attic
15/27
-
8/3/2019 The Madwoman comes out of the attic
16/27
The 2006 Adaptation
Suturing the spectator
Point of view
Fracturing the text
Berthas point of view
-
8/3/2019 The Madwoman comes out of the attic
17/27
-
8/3/2019 The Madwoman comes out of the attic
18/27
-
8/3/2019 The Madwoman comes out of the attic
19/27
-
8/3/2019 The Madwoman comes out of the attic
20/27
-
8/3/2019 The Madwoman comes out of the attic
21/27
-
8/3/2019 The Madwoman comes out of the attic
22/27
-
8/3/2019 The Madwoman comes out of the attic
23/27
-
8/3/2019 The Madwoman comes out of the attic
24/27
-
8/3/2019 The Madwoman comes out of the attic
25/27
-
8/3/2019 The Madwoman comes out of the attic
26/27
The Noir male voice over narration
Male discourse entrenched within theSymbolic Order
The potency of Mise-en-Scene subvertsmale verbal narrative efforts
Female unrestrained desire expressedthrough the Gaze and the Voice(Silverman,1989)
-
8/3/2019 The Madwoman comes out of the attic
27/27