The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

22
The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

Transcript of The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

Page 1: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

The Liturgical Use of

SynthesizersD-28

Presented by

Rick Reed© 2003, Richard R. Reed, Jr.

Page 2: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

MIDI• Musical Instrument Digital Interface• Created in 1983 by synthesizer

manufacturers• Enabled players to control

synthesizers from another manufacturer’s models

• Sending synthesizer sends signals• Receiving synthesizer generates

sounds

Page 3: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.
Page 4: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

MIDISynthesizer connections

IN – receives information from another device

OUT – sends information to another device

THRU – passes on information by bypassing “host” device

Page 5: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

MIDISynthesizer connections

IN – information from outside sourceOUT – unit uses info, sends info to another device, info altered somewhat after useTHRU – unit uses info, also passes unchanged info to next unit

Page 6: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

MIDIMIDI

Page 7: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

MIDIMIDI

Page 8: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

Patch bays

¼”

MIDI (computer matrix)

Page 9: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

OUT 1 □ IN 1 □ IN 2 □ IN 3 □ IN 4 □ IN 5 □ IN 6 □ IN 7 □ IN 8

OUT 2 □ IN 1 □ IN 2 □ IN 3 □ IN 4 □ IN 5 □ IN 6 □ IN 7 □ IN 8

OUT 3 □ IN 1 □ IN 2 □ IN 3 □ IN 4 □ IN 5 □ IN 6 □ IN 7 □ IN 8

OUT 4 □ IN 1 □ IN 2 □ IN 3 □ IN 4 □ IN 5 □ IN 6 □ IN 7 □ IN 8

OUT 5 □ IN 1 □ IN 2 □ IN 3 □ IN 4 □ IN 5 □ IN 6 □ IN 7 □ IN 8

OUT 6 □ IN 1 □ IN 2 □ IN 3 □ IN 4 □ IN 5 □ IN 6 □ IN 7 □ IN 8

OUT 7 □ IN 1 □ IN 2 □ IN 3 □ IN 4 □ IN 5 □ IN 6 □ IN 7 □ IN 8

OUT 8 □ IN 1 □ IN 2 □ IN 3 □ IN 4 □ IN 5 □ IN 6 □ IN 7 □ IN 8

MIDIComputer-controlled

Patch Bay Matrix

Page 10: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

The General MIDI (GM) System

Page 11: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

The General MIDI (GM) System

• Set of standards

– Same patches on different synthesizers

– Standard commands

Page 12: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

What’s up here…What’s up here…

Kurzweil K2500Rs

Kurzweil K1000

Kurzweil K2500

Kurzweil K1000PX

Page 13: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

Moving Your equipment

Page 14: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

Kawai digital pianos

Page 15: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

Kurzweil digital pianos

Page 16: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

REGISTRATION OPTIONS/SUGGESTIONS

Know the instrument you are mimicking.

Page 17: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

Use sustain pedal carefully, to match instrument being “played”.

REGISTRATION OPTIONS/SUGGESTIONS

Page 18: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

REGISTRATION OPTIONS/SUGGESTIONS

Have fun with octaves (patches, pads, etc.).Check into MIDI pedals.Is less more? Is more less?Familiar sounds vs “exotic”Pads (strings, etc.) with piano and/or organ

Page 19: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

Sequencing?

Page 20: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

• How to make a synth sound like the real instrument

• Will doing so discourage young instrumentalists?

• (less than perfect sound/technique)

The Quandary

Page 21: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

To wrap it up…Is less more? Is

more less?

Familiar sounds vs “exotic”

Pads (strings, etc.) with piano and/or organ

W.W.L.P.D.?

Page 22: The Liturgical Use of Synthesizers D-28 Presented by Rick Reed © 2003, Richard R. Reed, Jr.

Thank you!(Circle dem

5s)

The Liturgical Use of

SynthesizersD-28

Presented by

Rick ReedNO ANIMALS OR

CELEBRITIES WERE

HARMED IN THE CREATION

OF THIS PRESENTATION.