THE - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/dc/IMSLP141454-PMLP267225... ·...
Transcript of THE - hz.imslp.infohz.imslp.info/files/imglnks/usimg/d/dc/IMSLP141454-PMLP267225... ·...
'oc/ii Scoffe,
Vrro in Cloth,
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From a phoTooraphbyh/ndpermissionrofA/fre/Ws. upperBakerS*M h/.
R,WOT"f^'^ HOPWOOD S CREWE? 42D°New Bond Street. W
AGENTS: WHITE-SMITH, MUSIC PUBLISHING CO., BOSTON, NEW YORK 4 6HICM30.
COPYRIGHT 1SSS. BY HOPWOOD 1 CHEW.
All performing Ritjhh w this Opera arc reserved. Single detanked numbers may be »">«/ at <tmcerts,
not more Hum two nt one. Concert, but they must he given tvithout Stage Costume or Actum. In no rate
must such performance be announced as a "Selection" from the Opera. Application for right of performing
the ahore (Jp<o-a must he, made to Mr. GEORGE EDWARDES, Duly'* Theatre, London.
THE GEISHA.A STORY OF A TEA HOUSE.
H Japanese flfousical flMa^
IN TWO ACTS
LIBRETTO BY LYRICS BY
OWEN HALL. HARRY GREENBANK.
MUSIC BY
SIDNEY JONES.Authors of " An Artist's Model" and "A Gaiety Girl."
VOCAL SCORE ... 6s. net
Do. (Bound in Cloth) ... 10s. „
PIANOFORTE SOLO ... 3s. „
LYRICS ... 6d. „
Pontoon
HOPWOOD & CREW, Ltd., 42, New Bond Street, W.Boston, New York and Chicago: The White-Smith Music Publishing Company.
Germany and Austria : Messrs. Bote & Bock.
Budapest: Bard Ferencz es Testvere.
Copyright 1896 by Hopwood & Crew.
All performing Rights in this Opera are reseri'ed. Single detached numbers may be sung at Concerts, not mot
than two at one Concert, but they must be given without Stage Costume or Action. In no case must such performance be
announced as a "Selection" from the Opera. Application for right of performing the above Opera must be made t«
Mr. GEORGE EDWARPES, Daly's Theatre, London.
Performed at Dalys Theatre, London-
Uramatts personam
O Mimosa San (Chief Geisha)
Juliette Diamant ... (A French Girl, attached to Tea House as Interpreter)
Nami (Wave of the Sea) (an Attendant)
Kiku Sax (Chrysanthemum)^
Ha>-a San (Blossom)
Kinkoto Sax (Golden Harp)
Komurasaki San (Little Yiolet)
Lady Constance Wynne (an English Visitor in Japan, travelling in her Yacht)
Miss Marie Worthtnoton ...
(Geisha)
Miss Ethel Hurst
Miss Mabel Grant
Miss Louie Plumpton...
Miss Molly Seamore...
Eeglxald Fairfax
Dick Cunningham
Arthur Cuddy ...
George Grlmstox
Tommy Stanley (Midshipman)
Captain Katana
Takemtne
WUX-HI
The Marquis Lmari ..
(English Ladies, Guests of Lady
Constance)
(Officers of H.M.S. "The Turtle")
(Captain of the Governor's Guard)
(Sergeant of the Governor's Guard)
... (a Chinaman; proprietor of Tea House)
...(Chief of Police and Governor of the Province)
Coolies, Attexdants Mousmes, Guards, &c.
Miss Marie Tempest.
Miss Juliette Nesyille.
Miss Kristixe Yudall.
Miss Emelie Herve.
Miss Mary Fawcett.
Miss Elise Cooke.
Miss Mary Collette.
Miss Maud Hobsox.
Miss Blanche Massey.
Miss Hetty Hamer.
Miss Alice Davis.
Miss Margaret Fraser.
Miss Letty Llnd.
Mr. Hayden Coffin.
Mr. Louis Bradfield
Mr. Leedham Baxtock.
Mr. Sydney Ellison.
Miss Lydia Flopp
Mr. William Philp
Mr. Fredk. Eosse,
Mr. Huntley Wright.
Mr. Harry Monkhousb
ACT I.
—
The Tea Home of Ten Tliousand Joys. ACT II.
—
A Chrysanthemum Fete in the Palace Gardent,
Time—The present.
The action of the play takes place in Japan outside the Treaty Limits.
CONTE NTS.> <
1. Opening Chobus ...
2. Entrance of Officers
3. Song
4. Song
5. Song
6. Duet
7. Concerted Piece...
8. Chorus
9. Concerted Piece...
10. Duet
11. Song
12. Eecttative...
12a. Song
13. Song
14. Finale
2lct i.
" Happy Japan "
"Here they come"
"Jack's the Boy"
"The dear little Jappy-Jap-Jappy
"
"The Amorous Goldfish" ...
"The Kissing"
..."Xf you will come to tea" ...
"Lamentation"
"We're going to pall on the Marquis"
"The Toy"
"A Geisha's Life"
" Attention, pray !
"
"Chivalry"
"ChonKina"
"Though of staying too long"
Pagb
1
14
25
28
32
35
39
48
55
60
64
68
73
77
85
15. Entr'acte ...
16. Chorus
17. Song
18. Duet
19. Concerted Piece...
20. Song
21. Song
22. Entrance of Chorus
23. Entrance of Geisha
24. Song
45. Song
26. Song
27. Song
28. Finale
29. Quartette
30. Quartette
31. Song
32. Song
33. Song & Chorus
34. Song
35. Song
&ct 51,
"Day born of Love"
"The Toy Monkey"
" Ching-a-ring-a-ree !
"
"Geisha are we"
"Star of my Soul"
"If that's not Love—what is?"
"With splendour auspicious"
... "Chin Chin Chinaman"
"Love! Love!"
'
' Hey-diddle-diddle ! when man is in love
'
, "The Interfering Parrot" ...
"Before our eyes"
SUPPLEMENTARY NUMBERS."What will the Marquis do?"
"Jolly young Jacks are we"
"The Jewel of Asia" ...
"I can't refrain from laughing "
"The Wedding"
"Molly Mine"
... "It's coming off To-day"...
107
111
120
124
128
135
138
141
143
149
155
159
165
172
176
181
185
188
193
200
203
Geisha—Vocal.
"THE GEISHA."
Words by
OWEN HALL-
(A STORY OF A TEA HOUSE.)
A JAPANFSE MUSICAL PLAY.
LYRICS BY
HARRY GREENBANK.MUS!C BY
SIDNEY JONES
X? 1. OPENING CHORUS— "HAPPY JAPAN.'
Allegro moderato.
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JV.° 2. ENTRANCE OF OFFICERS.- "HERE THEY COME.
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e i s i \ k n s i I
1f>
C ' g C g- T * g~a g •
Though your ways are queer and fun _ ny, Japs are ve . ry glad you've come.
t ,- , ,mm m#-=
—
m m mmV g-f—t* -*" f~Though your ways are queer arid fun - ny, Japs are ve _ ry glad you've come.
mim ^ i t ^ i\ Though your ways are queer and fun.ny, Japs are ve _ ry glad you've come.
28
JU ^^ £ ;fefeg I V m
Eng . lish.man has lots of mo . ney, Eng - lish.man will spare us some.
j J. J J J- I
J' J' J- } I
J'.
fe N N Iv N
Eng . lish-man has lots of mo . ney, Eng . lish.man will spare us some,
m m m+—
»
m- m fee£9-—i*—i* >" >—tr fEng . lish.man will spare us some,Eng . lish.man has lots of mo . ney.
s* v N. F=F0-*—W£ Pr f V \r
—\r ~V p" 1
Eng _ lish.man will spare us some,Eng . lish.man has lots of mo _ ney.
M.tt 0' =»
££=fc F=^v p-
Dance or song she won't re . fuse.Pret _ ty geis. ha will a . muse,
F fe k e I h h-5 a
—
m m • •—f n cm 00 m
Pret _ ty geis _ ha will a . muse, Dance or song she won't re . fuse.
iip0-1
¥I-—
^
4* V 1>> kPret _ ty geis. ha will a _ muse, Dance or song she won't re _ fuse.
P c- ^ ii zmm^u- k
Pret - ty geis -ha will a . muse, Dance or song she won't re . fuse.
24
4->
g g r- c '
J E r ip- cr j i M*
Great big Eng.lish sai .lors, please, Try our tea - pot
n fe n n .1 s K i i fv fe s =£:m^ Jap . an . ese,
m* * +
4Great big Eng-lish sai _ lors, please, Try our tea- pot Jap _ an - ese,— ! — ---. ... .-.. .im i r* '
' r* I'
'
-j 1
I —m ' — '' ' ^
g s p r. g ^?»^
Great big Eng-lish sai . lors, please, Try our tea - pot Jap . .tan „ ese,
3 r^ ri f Vr g !»
J r rr
Great big Eng-lish sai . lors, please, Try our tea- pot Jap _ an _ ese
ffl uu-au- mMtf=* * _j£ • , a
Sai _ lorspleasi oh try our tea- pot Jap|v N I N N \^=£=^ m
an . ese.
ESai . lorspleaseoh try our tea-pot Jap an _ ese.
" g g g I c t ^3EE^
Sai . lorspleaseoh try our tea-pot Jap . an
£ee£gc g ' gg J^g
Sai _ lorspleaseoh try our tea-pot Jap _ an _ ese
;ii^ 'i r r r i ffran
dim. ijrs^nffl fifff
»» TFTF Itftt I fit>Tmj
M™
ws
1^ pdim.
—•
—
•c
-
§=m-9-
JV? 3. SONG- (FAIRFAX & OFFICERS.)"JACKS THE BOY."
PIANO.
Allegro moderate*
8
COMPOSED BY
LIONEL MONCKTON.
m^
4-1i^l
# ••
^A^A-^frJiW^
l±* iJ^I J. J h >J P^ffi P5^
$MOf all the lads that be There is on . ly one form'-. And his
When Jackhasgot his pay He's the __.jjay.est of the gay- For the
JTJ»
\
i v p i" I 1
\
i" rY^fEE
SI 3=i #£^f ^^p J-^-Effrj J^AJlf g r'r^^
*
home is on the waters deepand blue:
io_neyin his pocket burnsa hole,
But a friend he'll' never lack, For the
And he's ne . ver happy quite Till he's
#9- N \ (v P^PS i * * 5 t * S^ J>TT7*^
N \ \
JEj !!! j I y ~ii~
JT
J7
I
J- J j. J.J J-JiVj.J'[ gr; i
J_ Jy^Pworld's in love with Jack—He's the smartest and thebest of fet-lows too!.
spent it Jeft andright-Like a ]0 _ vi.al and careless hearted soul.
So his
Tho" he's
m MNNf n \ g&f f
^P
T^-i-4 t ^si Jr—
^
t'upynght I89(S. by Hopwood & Crew.
26
te j. i ,
1-. j J ; :-i j S N
d t '.i ^
hand we like to grip As he goes a .board his ship. While the
ve _ ry far from shy When a pret . ty girl is by, Yet a
wm mi
m7r ' l ' T^T
^gfg
?7
r't^ F F F
S
tM>SS fc & fc ^#-*-
E P E E^H- Igirls are fit to break their pret _ ty
lad may sure . \) "kiss and ne . ver
hearts.-
tell!'.'.
.
For he
And when
;*^* 1^ mFrt*
v~v r y
^m ^^£ E*E
;
*i »
»
fel^-J-^
*ft-fr J, J, J-
J
Id// p..
l=fc= r iJ-^t*'• »
loves them by the score When he gai • _ ly comes a. shore, And they're
du _ ty calls him back. Taut and trim goes Jul - ly Jack To the
m ±—^W^PB j
rail
St** M
if" tan do rit.
^:»r (3$ P
sad when their Jack de
ship that he loves so
parts!
.
well!
$te J. 3 J. J J. 3 J. I
? f r f1 , liim.t rit-l ,
II .
1 K J J
"^^ 1^
- .f *<"• do
mm ma
27
uif a tt myo
i'
1
' 1 1 i i i I i J- 5 iN=^
crtsct tido
imm¥s P/ *"
Jack's the boy for work! Jack'sthe boy forplay! Jack's the lad.Whengirlsare sail.To
Mf' /'J' J" fP a ttmpo
a^ icitsft iido
A B J 1PW =f g?^ y=V J ^=q^?55 T
££s * N X^
£ ^*£P^P *Ei Sa -#-= F-
Mekiss tin- 1 cars a.way! Ah! Ilanl as nails- afloat;
rT\
best offriencK ashore:
fc=£=E§^ *—
•
P3S/ dun.
* t 1Z-
^ j?Jllilp^jm f
*=*=
~ir 2°
s J- >• ;: i J P
1
1 r ii Jj -
i^^Jack aJhoyJYoure jtistthebov That all our hearts adore! all onrhearts adore!m m*x^X-^4^ mtti 5 1r f T rs^ i
/
f E^ P*<j tptnt ¥ D,C.
fefetT\
4°
F
;
f g^ PP^i P
tip
ill our hearts ajlore! all our hearts a_dore!
r j r
s —m—n\
hint.
S¥^ -«=f=
^Rcptaty
28
PI ANO.
JV"4. SONG— (CUNNINGHAM.) "THE DEAR LITTLE JAPPY-JAP-JAPPY."
Moderate
^»lJcJaCUN.
1. There came
2. They walk'd
3. So Jack
to the land of Ja
in the shade of the
has de _ „ part _ _ ed in
pan —
.
trees ,
doubt
i a
To the
In the
From that
H=F S/•'
sSi J -
j! J i i ^p _ J'^^^ S K SrCUN.
=»=*sea _ port of fair Na _ ga
gar _ duos of fair Na - ga
mai . den of fair Na - ga
ki .
- _ sa . ki.
_ _ ea . ki;
From an is . land a _ far Such a
And her cheeks they were pink At the
Though he wept and he sigh'd At the
fS ±ZTt w 4 t
asgfr=s
mm i-Jr J'^'J'"J ^ ; ^ J
i -N. J J-CUN
jol . ly Jack Tar, With his horn-pipe, his grog and his baccy Now it
nau.ti- - cal wink, And the ma _ ri . time man-ners of Jac . ky !„> . . . Though the-
lose of a bride Till the cap _ tain and crew thought him crac-ky Ar.J ho
*f m § "H.m
m ±-Sz^i
Copyright 1896, by HopwooH & Crew
"#: ;n j- ; i
j-_.j-; j i ;. J- .y j
29
chanc'd that he pick'd up a fan For a dear lit -tie Ja - pan, est-
tar could-n't speak Ja . pan . ese Yet in Eng.lish he ask'd her to
vows, as he cruis . es a - . bout (Though by les _ eons and hooks as a
I wm mmw^
m.
f|^.j-j_j'j- m I r-s j j- ;i Jtj^j j j
par - ty , . . . And he turn'd her young head When he gal-lant-ly said, "You're a
mar - ry ; ... Then she crept to his side. And her fan o.pen'd wide. As she
full' bored). . That all sea - men A. P.s Should be taught Ja - pan - ese By a
m ^r^r 2*agfe ^ 2.^ V I 5
J J J' ^ V rV^s ^^GUN. —Tttrim
mur.ra _
lit - tie ves _ sel my hear.ty!" So that dear lit - tie Jap . py - Jap -
mur'd, Hail Ka _ shi - ko . But knew not a scrap - py - scrap -
ther too li _ be . ral School Board! But that dear lit _ tie Jap _ py - Jap -
*£ ^£mf7 1 m
^m fI k^ ^ J i r
r i rj
£e£aCUN
Jap .
scrap
Jap _
pypypy.
Set her smart lit - tie cap . py - cap
Of the Ian . guage of Jap _ py - Jap
She has fill'd up the gap _ py - gap
cap - py At the
Jap . py I . . . . Had she
gap _ py , . . . . And has
30
$S ^ raU: C\ a ^'"f"
p j j i j. iitf. r.f. p
CUN. sm
mjol . ly Jack Tar From the is _ land a _ far In the west of the map. py-map-told him to go— With a Ja - pan_ese "No! "-• Or with ''Yes! made him hap - py - hap -
cho. sen instead To be hap . pi . ly wed To a Ja . pan . ese chap py - chap-
j_, .
—
r
—
I
—i —a-
mssB#
lull: GS a t
iempn
m
iCEISHA.
j- m 1 1 i ^^CUN. ^map _ py
!
hap . py?chap -py
!
So that
But he
But that
dear lit _ tie Jap - py - Jap - Jap _ py .
knew not a scrap- py - scrap - MT.ip.py.
dear lit . tie Jap - py - Jap - J.<p . py ,
Set her
Of the
She has
1 1 yn | Fi
pj_j-^
CUNNINGHAM. ^CEI. Psmart lit. tie cap - py - cap - cap - py At the jol - ly Jack" Tar From the
lan-guatfe of Jap _ py - Jap - Jap _ py ! . . . . Had she told him to go— With a
fill'd up the gap. py - gap - gap . py , . . . . And has cho - sen in . stead To bemtail:
(ALL TOCETHER.)/^ a tempo.
w « m m—
%
5Em S=£CUN. PpPis . land a - far In the west of the map - py - map - map _ py!
Ja - pan- ese "No!— Or with 'Yes!"made him hap - py - h.ip - hap - py?
hap - pi - lv wed To a Ja - pan - ese chap - py - chap - chap . py !
DANCE (after third verse.) 31
PIANO.
s ££=£fr. ?
"!/'
t=ils ij p #^£am^• s^it
s.feg¥^ t^ J.1'.'
g g |p*^ h
CLr
LCir5S sac?
# !i * *flf/fJv
./ "'f
m£ClT C-l^ l
EE;n% r? p
l>, cggrfm m ^^
jfc.'rfji*A—Jt <£ A
[^u ]^u i^mt——i m
p HP J ^
^s^
•s^i
n^£=£
•PP## Jt JLm w^m&
^cirttfiyr-^i
cir^iaf
ffl: =Em^w- ee a e/ y
3?F^•-—•*-
* v r g 1 *hi^a §^ U3 ^
32
JV? 5. SONG.— "THE AMOROUS GOLDFISH.'
A n d ;t n ( •;
VOICE
PIANO
* ^ ^mF^big glass bowl, As
sun - shine bright, That
time up - set Tire
dear lit. tie gold _ fish
of _ fi . cer brave to
of _ f i . cer brave and
do,
charm,
gay.
PPf^ * #
But she
And he
And his
§^9)r r v- tr
§m ICopyright INfJfi. by Hop-wood & Crew.
1:1
h h
S F^ ^ Ir
—
p—
r " " '
—loved with the whole of her heart a^Tid soul Aji ^ of.fi.cer bravevowed she was quite a de _ light _ ful sight. So her spintswere gaysad lit. tie pet he con -trived to for. get, For with ne.ver a crumb
At ,
£ \r—from thetill hedid he
* ^m m fcefiaJjrus i
f. f fi 4=
LJ CI
f
1 f ',V
o . cean Wave, And she thought that he loved her too!
came one day With a girl on his stal .wart arm!
chance to come, So the gold-fish pined a - way!
£££} } ffllf
Herhi
Un
m^m i i=t £#*=»
i t or' i « ^^?small in . sidewhis . pers low
. til at last
he dai . ly fed With crumbs of the best di
they talked of love He begged for a rose and a
some care - less soul 'With a smash knock'd o . ver the
# *m ^gest _ ive bread.worn out glove;
big glass bowl,
Tins kind at ten . tionIJtn wh.-.i lln-y kissed a
And there on the car _ pet,
proves; 1 said she, "How exfond goo. I - bye, Thedead and cold. Lay the
34
ce^d.ing . ly fond he
poor In .IK' gold - fish
poor lit . tie fish
$te mi—u
—
j-
Ill" should
He shouldIs a
And sho thought"It's fit . fit _ fit _ ie"rT
And sho sohbed"It's bit - bit . lot _ tor..
But her fate so bit _ bit _ bit - ter..
Ppr r ir tr i m<&* w^m h
wm
love
1 ovi-
st o _ ry
my glil . glit
this crit _ frit
fit . fit
glit - tor.
crit _ ter,
fit _ ter.
Than his
When I
For a
heart give a _ way To the
thought he would wish For a
sad lit- tie sigh And a
; fl-fr J--0 —
u
t T3 j n^ ra f£§* § ^E# A
^
i*=^ -* m—
±J^ *•^mtwit . ter. 1"
glit _ ter.."
tif . ter!"*
i?—trbut . ter.fli.-s gay. Or the birds that twit - twit
nice lit .tie fish W'nh a frock all glit . glit
tear hi the eye Than a thought -less tit tit
ga^i?
-4—j-tjP^ J *T It;*=?=?=
{-J1U./).>'
JV?6. KISSING DUET.- i MIMOSA & FAIRFAX.)
35
Moderato.
VOICE.
FAIRFAX.
PIANO.
m $pp ^=tsm a ¥ za
eharni-ing lit _ tie %-ei - s/ia
make my mfan_ing eliar_er« m
Quite the nic _ est girl in A _ sia,
You must come a lit _ tie near, rr
-£—
s
P £
nrBut I
Ilav.ini
^^ ife 4-1 i i
i m^m ^
$tmfear there's something miss.ing, O my pret - ty Jap - an _ ese! English
first dis. _ cn_ver 'd whether There is a _ ny - one a _ bout; Thenyour
£ r-£Mt^ P £^
^ it *^¥
fCnyvright 189€, bv Hujj«nar1 & Crew.
36
i 'j •
i ^mFrench and Ger_ manface half - shy _ ly
miss.es Do not ask me whatrais.ing Tillyour -yes in his a
fkiss is— They are
gaz _ ing, Place your
£ % $ m?
3S 1 4-1 *_£
MIMOSA.
Sj/;« mo.v.so
£fall cx.perl at kiss _ ins?. Will you teach me, if you please? I be _
pret _ ty lips lu . ge.ther In a dain . ty lit _ tie pout.(MIM.)lf a
m ^M i J I ^51 *f*f 1 rpf
95^i-J-* i
i ^^ p;u r/iosso
^^T=f
p I ijJ j| ^ V-fr? *£e£ ^lieve Im quick and cle _ ver, And I pro.mise 111 ensmile my cheeks should dim. pie, It's be _ cause it's all so
dea.vour In the
s i m _ p 1 e ! W h y of
B3=r
ms ztfej iihrri iin*
ir*5*
PPpii»
ii
!i I. ^=G^ ** 3*
r r g JJ
i ^task to do you ere. ilit If your pu _ pil I may be! O mysuch a tame pro.ceed _ ing Should you make so great a i fuss? Its a
37
II i ij r e
*=k
jrj-
u •
*CCr/A
sat _ lor bright and breez_y, Is it dil - fi .cult or
farce ah . surd . ly ho! . low -But per - haps t here's more to
ea _ sy?— Is it
fol . low? For in -
IS,
f
^sMf ggFAIRFAX.
ts=V: 3^or shall I dread it? On.ly wait and you shall see!
true . tion I am plead.inj£!— And I give it ^ to you— thus! (Kisses her.)
4ffTfl4.
r^Jrn j j= js W^ 35
I *f foco ;vz/7.^
#><i.
MIMOSA,rr tt)Hi)u yoco jntno mo'sso. FAIRFAX.
m mm fe^It has
half a . fraid to
charms I can't ex
try— Then the task we won't pur
plain— Which you ne _ ver knew be
t m i Pffr ^p rTfl P.rMrPr„»•
asa//.
a tempo poco mt no mosso.-*£
Iz2
I=£MIMOSA. FAIRFAX.
s^ 3 ^?=r £sue. Shall I like it by-andfore! Teach me once, just once a
b} > It's
irain! Pret
ob_ject.ed to by fev !
ty pu-pils I a dore.
J ^ ^ #^r^ #*^fs^
^^ 1? 4-/*'/J
#'
38
mp^U? | 3 k M gj gj
^m«e- g.
i 1MIMOSA. Piumesso. mr
—* mLit - tie mai . den, Won _ der
Lit . tie mai _ den, Won . der
la . den, Ev' - ry
la _ den, Ev' ± ry
FAIRFAX.
iBE i wm$=^ m
« : *
Lit - tie mai _ den. Won - der
Lit _ tie mai _ den, Won _ der
la . den, Ev' _ ry
la _ den, Ev" _ ry
-^
f f fP i n u
mPiii mosso.
i -& * 1Ul#
^s
^1r i;i
r'I iM ±
day learns some - tiling new.
day le.irns some - thing more.
jgj ^ 8
£day learns some - thin^ new.
.day learns some _ thing more. Presto
il | i j^
n
39
JV° 7. CONCERTED PIECE— "IF YOU WILL COME TO TEA.'
Allegro moderato.
PIANO.
Sfa^-" r^^ i
ilJXJ/ ^
as
r-n
Ibmsi
^^v r^
#a CEISHA.
is. Nw=£ ^ ^If you will come to tea. Sir
^=fJ J i i
^^ T=f
% *r \ m mm p-tc mm m w w
* #
One and Two and Three, We'll do our best For an
tJ r- > S=fc=6:J ~
g i Pg d -»
En? _ lish guest On an A - - si _ _ at _ _ ic spree. We'll
<\.p\ri«rht 1896, bv Hnjm.iorl Sfcr Clew.
dance and sing for you
P g»J "
i
a ig lJ
4fa ^^ N iv.
j* r i J'pthrough, And show you thea, You of . fi . cer - men, What
^ | ffuI
!
m r r r r r r
NE*jfej4*- J luf J
*ii t==Kg g f F
Vnat smart lit . tie girls can do!
il
vMk*
/T\^^ =£=£ \ K N
J' J' I J. J'J J'lJ^**
. . . For you're all so bright and bree. zy— 0! That we're sure to find it ea.sy-O! Toffl
-~ ' ™ feS rv S 1 N N N& K=S=c=c
1 ! J' J' I J. —«^-*~'
•
—
—
#
**For you're all so bright and bree.zy— 0! That we're sure to find it ea.sy-O! To
11
J-J- I j. JJi- I Ji' J J J '
i'- ffp > ^K=£*&*
For you're all so bright and bree.zy— 0! That we're sure to find it ea.sy-O! To
u
mtm&
iC\
ppi p^mm-*—»—*~
^^ m m m ^eeB=3=1
zm4 t
\ I j j g B lafesB! K—
F
irz
#tf
tease 'e 0! And please 'e 0! With our an . tics Jap. .an. . ese .y 0! .
g ft 5 M N feS ^=^ N N=£eb£em t:
*u tease 'e 0! And please 'e 0! With our an . tics Jap. .an. . ese . y 0! . .
mm E * N N k gg f } i § W m s^»—*—*——
»
tease 'e 0! And please 'e 0! With our
Tl *
3**tI
an . tics Jap . _ an . . ese _ y O! . . .
OFFICERS
Itf
We are
—r-
We aremWe
** ^P=^i
>»»» j nr3
v iwmm
i*.§PW 4^i^P
42
*Mt
k&i
To tease 'e 0! And
fefe££
*tTo tease 'e 0! And
S=Sm•
a*To tease 'e Of And
£ P't'gP^^ fe ^^^ / g V
a sai.lors bright and bree.zy 0! And we're sure to find it ea.sy 0! To tease 'e 0! And
»
T
g- r rJ
'
i rrr J,Ji rrr J
i rr rJ
i ^^sai.lors bright and bree.zy 0! And we're sure to find it ea-sy 0! To tease 'e 0! Andw i ; l :
• • p r I p r r*—
#
p f^/ V V E=Zsai-lors bright and bree.zy 0! And we're sure to find it ea - sy 0! To tease 'e O! And
** mI
t w i
* 1 I :
¥^ms jt j-] =S*S te
i^S EB ^*fe
p=sc JM-Jir^Ji r r feaPjUr EEe
t2^44
please 'e OJWithour antics Jap.an.e6e .y, With our antics Japan. esc . y 0!
—fvfr= fc \ ISB=£ hJ-J-hJ^ £££ »* * ^—
»
ia
please 'e CMWithour antics Jap.an.ese.y, With onr antics Japan . ese . y O!
H-J* JUJ'-MUp KKN J-|
J J I.I |J
4—
#
se.y. With oui
4 4 4
please 'e OlWith our antics Jap.an.ese.y.m j. | j .j^+f-r
r antics Japan . ese . y 0!
P
V g I P P p £ I p p fz=tz
**please V OlWithyour antics Jap.an.ese.y, With your antics Japan . ese . y 0!S Ss
r-gp i cp J ' J'
JJ"f f i
r r|,]-- |JM
please 'e O.'Withyour antics Jap.an.ese.y, With your antics japan . ese . y 0! .
y#iiJ:^ r.|tmif N \ N
P£prpzp4—m- VVVV 12.
please 'e OlWithyonr antics Jap.an.ese.y, With your
m ilf ': t
antics Japan . ese . y 0! .
i ffl
•g ** t ItsiP3*
E
SE
43OFFICERS.
U s N K *
1 J' J J J ^ P>—mconrse we'll come in - side, For none of us have tried How
4fet mmm*=*=* CJ g
¥=£=£: Jn J-JI Jf. f. jp •
* V Vdance and song With a fine Souchong Are ef. _fec_tive_ ly al - - lied. But
(k> j J J # 1 I
*r- I
»J
r- ¥ =?=
if youve spo _ ken true We'll quick - ly prove to yu What
p i j n ^m 'J i § J'
bB I U ' [Jfey=
44
I j J1
j'i> i * V £
3^i i i j i j i
sai-lors three Of the Queen's Na - fee For good lit.tle girls will <!•>,
4***= i ^s
p P E P P£For good lit.tle girls will do.
=**= m * * ^HJSillii
S=*i
g!j|to > JJIlT J
+ \%
%
*fe«t i Mr' f
^ ^ •—
#
i£
We are sai _ lors bright and bree - . zy 0! So of
t e p £ i. I J IBE
*—«—
We are sai _ lors bright and bree. - zy U! So of
rf^ 11 r i %ss ^g* f
AtIWe are sai - lors bright and bree - - zy 0! So of
I7\
f ¥ W PIggg|
/7\ S % *^=pB
tMJL$*fe
iS
course we find ea . _ sy 0!
£To
Stease^E ^ ^
s£And
^course we find
^m *
0! To tease Anda
m0!
^course we find ea _ . sy U! To teasem ^ i # # i
And
i. i J
a*S ^^ W rfFdW:*
ifct
For you're
*<=For you're
For you're
*wt BE J' ^ g I 1yyt
squeeze 0! Lit . tiem Mis _ . sy Jap - - anS. —fer-
?squeeze U! Lit . tie Mi« - - sy Jap . .an 0!
^^ r r 1 1 if^FP Pipsqueeze A" 0! Lit . tie Mis. . sy J,ip . .an . ese . . y 0!
all 60 bright and bree.zy 0! That we're sure to find it ea . sy 0! To
f"m i i i i ii i il i iu^ i-» j- j- j *
i***
all so bright and bree . zy 0! That we're sure to find it ea - sy O! To^S f*s £tf^F
To
W^f PTo
PPM ^W PI S J i
m n p 1 1 ^ ^ s i
i** ^^ J^ g J' iP^£ !
/•l? ac / z ri g
#tease 'e 0! And please e 0! With our an _ tics Jap _ an - _ ese _ y, With
m & j<j^' S t- S E: m N * ^our
g=E&«*• g
*»tease 'e 0! And please 'e 0! With our an _ tics Jap .an. .ese.y, With
SEEEEEEE fc S = S S m N _v v N iv. Nt , zm. * *—* m m
>se . y, Wit
•tease 'e 01 And please 'e 0! With our an _ tics Jap -an. th our
tc=*c F=PEtease 'e 01 And squeeze e ..tie- . -, ,_,. ,_,...,„ Mi6 _ sy Jap. an- .ese.y, tit.
P 1 1 1 g i j i j' jm i p p r-
1
i i i J'
tease 'e 0! And squeeze 'e 01 Lit.tle Mis . sy Jap .an. -ese.y, Lit . tie
gjgg . } £ j r- 1 I I C fit N N
19CA 'atease ^ 0! And squeeze 'e 0! Lit -tie Mis _ sy Jap - an- - ewe - y, Lit _ tie
$y n a J~n a 1 issT3 3 T1
"
¥*ff^
v * f r f f
*fem r I j n*
an _ _ tics Jap . an _ . ese
9 K ^ N sJ' J- J
47
1e
pu
an - - tics Jap . an . . ese . _ . y^ m=m
an _ . tics Jap .an - . ese _ . . y
P=P t=**4
Mis . . sy Jap . an _ . ese 0!
US d d z p ^ ^e
Mis _ . sy Jap _ an _ _ ese 0!
W \ P P P r r
DANCE.
ap i^Sf pi ^s nP,r3J73w^^^
gfe £ S *1= ^ yi i
#g H/B ffi M b L
Mm EB*w
-fr«f-1^tt^ ^ i HH i =y=
48
JV-°8. CHORUS OF LAMENTATION.
Lento.
PIANO.
CHORUS.
£3ee£r f p g i f f p=gig
Oh, will they sell our mas.ter up, Or take him off to gaol, And
eIb ; jy-j'
ij j .j j' ij-> i ^-*—
*
Oh, will .they, sell our mas-ter up, Or take him off to gaol, And
| jr'j-
i f g g p?ic c g e?if | j ji j m
^Oh, will they sell our mas-ter up, Or take him off to gaol, And
S-
¥m / V *—V— '=¥= ' V V — V V 9s?Oh, will they sell our mas-ter up, Or take him off to gaol, And
*F¥=P
rirt
Copyright 1896, by Hopwood & Crew.
49
$ r r r £ i r r f lt i r ^on the tea - house plaster op The no _ ti - ces of sale? What.
=£ i' 1 g J' I J J J J*• 0-
on the tea - house plaster up The no _ ti . ces of sale? What.
(mm m ^^ ^/ V V- Y r
on the tea-house plaster up The no, ti _ ces of sale? What.
* #• P P-
£=Pf/ / / V V
on the tea-house plaster up The no _ ti _ ces of sale? What _ e _ ver
mri r<l
P M'f J I pi J- g J J
1>
_ e - ver will be _ come of us If this should come to
$
pass?
fc N N J J J J
It's
SS fe E N—*—
*
_e _ ver will be _ come of us If this should come to pass? It's
t^^ i£ Ir- . k r mz £ PY 1
Sver will be _ come of us If this should come to pass? It's
Pip ¥=£ " p Pir~r f
—
\r
will be _ come of us If this should come to pass? It's
flfljfl m^ „^i m.m\xm
r rir r ^^
so
6 mW y ^las,
^#a _ _ las, las
,
a _ _ las!
m m ^m i ly y y y
las,
_ las,
las, a - las, a - _ las!
J > j J y y =g 3EE££=
^Ha - - las, a - las, a - - las!
V 1 £ y g :=F £ £ f S Iy y
\- las.
**
las, a _ las, a - _ las!
fflffl^I^atS
J LJ
tf »Jk
#
^ S *f
¥ m m
» t
CEISHA (sobbing.)51
* ^ [V —[<: r^=V= S K N N N
-» *
—
blow, oh, oh!
* 9Fill - ing us withHere's a dreadful woe, oh, oh!
, i i i ' o^¥Here s a dreadful blow, oh, oh!
?==E F« N \
woe, oh, oh!Fill - ing us with
^mis==^ f ^^a')
i ^^ gWa g e B^Se £U3=gea
f ? ^ ^^ ^s S 5 \m a a
How could Geisha know oh, oh!
mFate would treat them
J- } * E
so? oh, oh!
P^ ?^=*h ^^^-9 r~How could Geisha know oh, oh! Fate would treat them so? oh, oh!
Essssa
5 t 1
£==glnJr t-w
•)•t j | £ £& n .rm g^E
tor
«&*
=£=£r
J" t P rP£Pret - ty fa - ces showM Tears that fast _ er flow.
sm
iPret _ ty fa - ces show Tears that fast, er flow.
i | J V > i- J- *
Oh, oh! Oh, oh!
v n ^ ^Oh, oh! Oh, oh!
Oh, oh
!
Oh, oh!
m wk *rJ i3 g§ m^ £*
53
t Flease at pri _ ces low,mm ^
ipnDo not let us go,
j ; JOh,
£ E^=¥=
Please at pri _ ces low, Do not let us go, Oh,
^e£ £Oh, oh! Oh,
rv s. m«—
•
Oh, oh! Oh,
* p-
PZ /Oh, oh! Oh,
1M.Oh, oh£
h, oh!
#dte^ ^^ ^n^Oh,
HJL JL
* E n y Pf*—•—
#
oh! Here's a dreadful blow, oh, oh! Fill _ ing as withm jT
' j. jgpfoh!
L *Here's a dreadful blow, oh, oh! Fill _ ing us with
fe K N a iff^ {L--N N
*—
*
*—*
—
w~Fill _ ing us withoh! Here's a dreadful blow, oh, oh!
j i p rt j i rrroh! Here's a dreadful Mow, oh, oh! Fill _ ing us with
I J' IlJ J J
j I 1 J' j J
oh! Here s a dreadful
J. J J J
blow, oh, oh!
lilyFill _ ing us with
"J. J J J'^oh!
iHere's a dreadful blow, oh, oh!
m—t 1
^P dr i^ ffeS jl_4,as
f
Fill - ing as with
woe, oh,
=fc
oh!
f&n- Wk-Y- P ±
How could Gei-sha know oh, oh!
\r m IF*te would treat them
* m ^p ^=^
How could Gei-sha know oh, oh!woe, oh, oh! Fate would treat themm 2rf tef —TE
3ei - sha knoi mwoe, oh, oh! How could Gei-sha know oh, oh
mfFate would treat them
S^=£ £ ^sm_y-*—woe, oh, oh! ha knHow could Gei - sha know oh oh! Fate would treat them
*£\ ^t±=± £*
woe, oh, oh! How could Gei-sha know oh, oh!
*ri^-j i i 1 a 1 —Fate would treat them
fas t. t Ismwoe, oh, oh! How could Gei-sha know oh, oh! Fate would treat them
i^p^nf3=
w i^fs=3
^ *s^ pSsiifeSf f f f
* ^TT^-ev _ er wi'l be - come of us, If., this
[ 1 1
#so, oh, oh! What this should come to
£ N \ =£ £1^ —*
—
come to
£so, oh, oh! What
N
—
ev - er will be - come of us, If this should
* pfp tf\ t : c cji rJ' i j-
#so, oh, oh! What-ev_er will be - come of us, If., this should come to
£ \ \=fefe £p^
, Mi!so, oh
#WWhat - ev - er will be - come of us, If this should
—*come to
i=:F=» 3=£m3f
so, oh, oh! Whatg k =fep
ev _ er will be - come of us. If., this should come to
1 —0 0- P)me to
t«-
oh, oh! What - ev - er will be - come of us, If this should come
^P^P y=f
^ mf
pass? Its bound to rn _ in some of us, A - - las> a - las
,
5 359 w*
mw
±/7Sm
las!
^ -las!
-&.m£
/s\
las!
V - las!
n\
/t\mplas!
5E=-las!
J
»E
N? 9- CONCERTED PIECE—"WE'RE COINC TO CALL ON THE MARQUIS.'
Moderato.
P I ANO.
B j j *-^sr
y y
j- g *=»=a
* ! tti=^*v y y y
i > m JiJ I jM I
(FAIRFAX.) This in _ fa_mous lord
(OFFICERS-) You'll par _ don us, pray,
Shall have his re - ward MyFor ask - ing the way, Our
* =5=5= y »
If*"9-
S y y
J J I J" J j feE^N N N-• * *—
an - ger each mo_nient in - crea _ ses! Let's qui _ et _ ly slip A -
ig _ no-rance kind-ly for - giv - ing, Bat oh! we are so Im -
t T"iff T yH *
y y y
;n_r > » ^ y yy y
£i£ £ ic—
N
^P P*i (j K
W=P-0 #_ way to our ship, And blow the old beg-gar to
- pa _ tient to know Where Mis - ter I - ma _ ri is
pie - - -ces.(CUN.)Of
liv _ _ ing.(CEI.)We'll
¥^ y y r7
ty ' T y y
S y y y y =y=5=y y
Copyright 1896, by Hopwood & Crew.
5«
I
JiJfJ Jr
coarse to bom-bardshow you the road
P^^A fel _ lows back yard Is
To reach his a - bode, De
A.
m !i i
i
jol - ly good fun, but you'll
light - ed your fa - vour at
t m j ji
j j^^rue it!
earn-ing
\
You'd bet-ter in_ stead Try punching his head.(CIRLS.)We'd
Sim _ pli - ci - ty quite, Keep well to the right, And
g » I '
I I I j i£ g y
-tX-T utir r
^^ i y f » y 1 fc y y j
if J J J J J J '^ =£
like to be there while you do it!
care-ful - ly look for a turn - ing.
A ja rja rm6-*-
¥Us
y y g¥&PP
y y
^ &
ALL.
57
ALL.!jjjjj-jij.
j j i j j j / j'jir ^ Jgo. ing (o call on the Mar. - qui.-, To pay off a nice lit ..tie score And
^mm m rn m^W i i i
—
N
f*
i3S =*=g as ^=^^=^ i* i FF
j f f.J^ f l fflJJ^ l Nf JJ-\LL
won't he be chat.ty When rat-a-tat tat.ty We knock at his dig-ni.fied duor? We've
fj- OJ OJ mZ 7 7 mm*=± ^^mim i m ^ f^# i^^=f y 8 ^^ 5—
£
j J' J J^'-tVnethine too funny to miss. For
ALL.;* r
something to say to the Mar . . quis, It's something too funny to miss,
iv P1
P~" IJ^n 1
^^1
E
"^^s
, pv
Ipy » * ZIZZE =»=*= y y r. y y p y y r.-y—»-
I rr J J^N F I p i ^
/ i7
Tft
C «* HIALL
p as Ji r
JJr-*
af.ter pooh-poohing All how-do-you-doing We're go-ing to say it lik(e this!—
mw mm^mEE y y i^*=F
I5=5=
sy y
i
i
5=5=
V"
T
-a—S-
DC
r>82'.' CHORUS.m >j. UJ'.r
J^ mm!*qc miE iP^E =F
We're go_ing to call on the Mar - quis To pay off a rice lit-tle score, And
#H^^ jrTJJi-J.-^^- 1 J ' JJMMU'i^-
u
We're go.ing to call on the Mar. quis To payoff a nice lit-tle score, And
as f_UJi^j^iJ. J J|jjjjjj
|
j. ,
|w,e're go.ing to call on the Mar . quis To pay uff a nice lit-tle score, And
ifa i j I ^ n: \r ,»p^m$/ / wWe're go.ing to call on the Mar _ quis To payoff a nice lit _tle score, And
m^g^^ g=£:• P^ P ^^TT
.//
S| ^^= :5=¥: S ^ =?=*= 33E-*-*- EE* =:
g f r.J J rir n:-|,J '
i ^f d I*
-j^-<
—
r—r—»—= r—-—•
—
- '
*-;
wont he be chat. ty When rat - a-tat-tat-ty We knock at his dig.ni-fied door. We've
S.S.IVN.S.1 F N fr > r —
E
p :m j- i ,j-
won't he be chat -ty When rat - a-tat_tat_ty We knock at his dig-ni-fied door. We've
&v
t ' c F I I P P i 1 1 P ip p p f g i r fwon't he bechat-ty When rat - a - tat_ tat- ty We knock at his dig-ni-fied door. We've
jHrrr'c % ci c c c -rjj-i"c c ggg c.
|
J Iwon't \he be chit -ty When rat - a - tat_ tat_ ty We knock at hrs dig. r*i-fied door. We've
y j j i
si)
j' J I j' Ji^-- -j ffj F=y^ P* r-
something to say to the Mar quis. It's something too fun.ny to
m S. K K K V 3K K~ fi fc Si K S K S£5something to say to the Mar _ quis, It';; something too fun.ny to Kur
$ t " t -lU-g— F g g g F 'f^ j-g-H-H-
something to say to the Mar _ qnis, It's something too fun.ny to For
i\. , p * =m 3 3 g^br^5^5 g—V / =gsomething to sav to the Mar . qnis It's something too fun.ny to miss
mmm W^J= §=M=im
For
Ig^M^f-
6V., *
?r?v fl«j fr
rj
f ig y a g g^=s= yy p r~?~fee
r=*
^ eg I . . j j-i
^ji^g 1 r
fc=3t * k ^ P=*g2 r/af-te^ pooh-poohing All how-do-you-do- ing We're go-ing (o say it like this!
^—J w J J a J l JJJ* J 1 JK—
K
i i eg p r^—Tjr-
af.ter pooh-poohing AH how-do-you-do. ing We're go.ing to say it like this!
ft m_
tttK P C I CCCC'C c i^cg I i 7r / r
af.ter pooh-poohing All how-do-you-do.ing We're go.ing to say it like thisl
m qcj> fv. K K n~rp- J i
J ]'^» trr^^m=mz * » maf.ter pooh-poohing All how-do-you-do.in,^ We're go.ing to say it like this!
frEfritr.- i fffrri frrf f-f BB k g g
^ j^ g P M I?=y: ¥=*= =5=^=f—*- S ft
> k y y T~^~~r a g i
^g g 7 *
^r f g gj^g:f
S » y i \ l 7 g I=31
60
JV.° 10. TOY DUET.— (MOLLY & FAIRFAX.
PIANO.
Allegretto.
^t
WZ* w
d» * *M .*. J.
f
%
g g—r^tot
tnp,
play
(IMOLLY.)When I was but
(FAIR.) I know I had
(MuLLY.)What jol . . ly games
%
$
ti - _ _ ny
fa - - mous
used to
m
MyA
With
* >
mm V »fes £ m fi N.
Wa love _ _ ly
that used to
a _ _ cross the
~~m
For one— a la _
A spot . ted horse
We rac'd and romp'd
dol _ lies were
paint - ed gun
lit - - tie boys
lot,
pop,
way!
dy
that
fflHh-j ; 1J^
Ip ;J' ri ip
T\
Is5fe
-•—IFf^ould shut her eyes and.
Ex . - act _ _ ly like four
I gave them backs at. .
born and bred-
boast _ ed legs
chil _ dren di> -
PPPl
muve her head. Pa .
wood _ 9a pegs; Put
leap - frog too
.
We
P^i1 t=
rT|»*
P ^"C=3
Copyright 1896, by Hopwood & Crew.
61
- P-<
though
bow I'd
mMa _ _ md!
I own'd
our hoops
±and . .
- o . the* talk'd, And
box of bricks, Andflew our kites, At
when you wuund her . .
crim _ son mon - - keys
hop _ scotch had some
=P=F= § fff I
gp£ * • •*=*=
,
1- j- iij j^ i n m mup she walk'd, But
climb _ ins sticks, Mysplen _ did fight.-.; But
ft
more than a _ _ ny. .
.
in _ _ fant joys were
life was on - lv
o - _ ther toy I
cen _ tred in Aquite rum . plcte With
IK\
HE*boy.
rin.
street.
/7\
loved a
nod - ding
Punch and
lit . . tie
Chi - nese
Ju - dy
drum - mer
Man - da
in the
(FAIR.) Of
(MOLLY.) Of
(FAIR.) How
course 1
course I
well it'
^m i P 5 5
know the
know the
va _ _ ried
wzg&
Vf*
p% ^=F i f f
mm—»—you mean-
you mean-
—9—That
That
I've
sort
.
sort.
charms I knuw
drum _ _ mer boy I've
Man _ - da . rin I've
seen that Punch and
of - - . ten seen,
of _ - _ t'-n seen.
Ju - - - dy hh iw!
i ^^1=^
'-*—f-
*
«2
^P* ^
beats a fee - _ hie rum - ti - turn- turn When he hil«
bells will tin - . kle ring- - a - ding-din?,While his head
Punch comes up with nm! - i - toot- toot, To lhe ha _
hi- lit .
he'll grave
Hy h.-'s
K
tie
drum - ti - turn -turn, And his arras
suing- a -ding -ding, And his hands
brutr - i - toot -toot; But his To _
seem ra .
to . - ge .
. by makes
s
_ ther numb-ti -turn -turn As they
_ ther bring-- a - cfing-ding Wh.'n you
him hoot - i - toot -toot, And the
63
fc*rise and dwu n _ . w.t rd
pull a pii" . of
bea - - d!r hid- him
J w a J^r»»» - ti - turn - turn.
smug - a - dint;- ding.
si-, i tit - I - tout - tout.
BOTH.
Oh.
Oh.
Oh.
w^mthe
the
the
dear
dear
dear
old
ulj
old
-J,- _ J J J' eg 3^• -^ways .
ways .
ways .
toys and the
toys, and the
games , and the
OTisim _ pli
6im - pl>'
sim _ pie
Of
Of
Of
thnxe.
those
those
* m m m^~m—
be - wor _
be - wor _
be - wor _
child _ _ ish - ver - se _ ry, Might
child . _ ish - ver - se _ ry, Might
child - _ ish - ver _ se . ry, Might
Sweet
Sweet .
Sweet .
iy
'y
iy
£ ft
cur - so _ ry
cur _ >o . ry
cur _ so _ rv
te %
\ \ t~~MNur _ se _ ry Dav6
Nur.se _ ry Days
Nur . se _ ry Days
64
A"-° IL SONG— (MIMOSA.) "A GEISHA'S LIFE."
VOICE.
PIANO.
i
Allegretto.
* fe Srm * • te%
fcrt AA gcLsha's lift" im _ a _ gin _ a.tion
And e - ver as my sum -i - sen I
/7\
^?=Eall
J | I p J;
J' J' J; J I J' l=f
tints
play
With all the ''h.irming ro _ li.ur of the rose,
Cume lo . vers at my pn't - ty feet to fall,
And
Who
i^mf^ i msI \ \ J i Jp^p
peo _ pie won't be . . lieve her when she hints
fan - - . cy — till I bid them ran a,- - way-
Its
A
Cnuyritrht 1896, by Hop-wood & Crew.
65
j juJ Jr \ J^i J- J uJ J J JlJ ija
beauties are not quite -what they sup -pose.
geishtts heart has room e_noughfor all!
Be - cause Im ra-ther quaint and pictur-
Yet Love may work his will, if so he
W^m F F r F t F
I
p^ Pesque>
please;
They think that for a but-ter-fly like meHis ma _ gic can a woman's heart un _ lock
ExAs
'
jimi-f *5
H I 1 r i
J J J Jr JU h
t f f FFPi_ is-tence is de - light - ful _ly grotesque- How ve_ry much mis- ta- ken folks maywell be-neath ki - mo - nn Jap - an - ese As un-der a - ny smart Pa - ris - ian
fefem i i f it^t *=*»
i i I > g ^ Is
Tempo di Valse.
S pbe!
frock.
?yi."i.ii j
S£ T P
a Pi
*^H
Bi
.n i I f=g= » zy^rrg: H N n
"Oh, dance, my lit- -tie get - sha gay, And sing your. . . pret-ty"We love yon, lit- -tie gei - sha gay! Oh, won't you ... love us^ mmSFf* * 2 1 * *
SSId^E S*
s v E p£|songs!" they say;
too?" they say;
But don't
But don't
you
you
see
see
It's hard
It's lost
on
on
meme
WhoWho
T~ i N i \ fjs a i *JtA
§«f*-^l* ^ i i^^
;•!<• i«it:
w ¥pp a tempo.
^m ^^sing
hear
and dance the live
the same thing day
m
tea*n
J 15*3 *-
^JO.
long day?. "Oh, dance,by day?.
and
a?
ra((:
a tempo.
^m i=£m
S r r m /9\
67
don't you see Its hard on me Who sing the live long day?.. sing the
=J= ^ 1^1^ mSBf jp
nil
Titr TfSC3*
si i *r
:
/T\
P S^
th-
4 D.C.^'
m j '
jT ir J
't? mlive long day Who sing
S# P 1
B M i§# to
s y y
1 1 j i- dS
tftt
« » » v y y y
# IJ^ ^=^ y y =£=*
1
68
N?12. RECITATIVE.— ATTENTION PRAY.
Allegretto.
VOICE.
PIANO.
a TAKAMINI.
m Mi
1 1 \ i g j ^MU.tt a
S^At-ten_tion, pray! and si-lence, if
gji4S£
^^you
:u~>
f ' rT-ftrp '
pte ^^
ai »nJfJJ
|
Jr^J|
-l ^?
please! The Tea House Reg-u _ la_tion Act de - crees
»»'j jjjiy- I s=* ^SE f^E
By Section Seven - teen, Sub - section Three
hM^ , ^ 1 J|£3 j
That if a
?^Ff PH F^*f
«i«
ii» rnr i
jjjj| ;.j;;ujj;
Mhold - er of a licence be Found guil_ty af_ter tri-al— or be- fore-
$ \ i \i=^E i^E =*=£
gij s ^^ 4^^E 5=£
Copyright 1896, by Hopwood & Crew.
69
Iil mm N ^^ i J' g J- N v £=^
Of dis_ o _ bedience to su _ pe _ ri _ or Au _ tho _ ri _ tyj
i*M =*=*If
=¥=*: pHHr-c
w*m ¥^*=*=>= ^y i
il i J I I ; Js
; 1PiH3By this en _ act - ment old, His Tea-house and its
I J j j ji^ iJ -r
j 1
1 j ihi i f
contents must be sold; And all in - - dentures of his geisha too, By
f^m * y *=?
^mpi r r
JJ'iii^ J
i r J Jr
IMARI
psssppp
public auction— un _ reservd-must go! Such is the law! It is! I
a f i; « *
j 'a^ 3E£-**-
^^ k '—^=^=^- 3EElE -*-=- 3E£
70
TAKAMINI.
m j ji
j. j-ii
dodu _ ty I must cow pro.ceed to
$a ^ryy ^3=£ 5=fcf^^
Wfe^7
ad lib. a tempo.m j ;. jj. jij. hj- Ji
J> i
) j jLot number one! Bring forth JMi'm_o _ sa San,
if—*-
m
The champion
a T I
=*=£
£geish.a , pride of all Ja
^^ /
—Opan!
P
r
9§s
mCHORUS.71
^Come forth, Mim _ o _ sa- Pride of all Ja.
mCome forth, Mim _ o _ sa- Pride of all Ja_
^^ * m
Come forth, Mim - o _ sa- Pride of all Ja.
fe£ £^p^Come forth, Mim _ o _ sa- Prtde of a'.l Ja
.
mim £ r\m—m
itltitfr &E ^
^^s I g Ml tt^«/J
J J J J J
KATANA.^^pan, Queen of the Tea-house, O Mim^a _ *u Sun.' Oh,
\—N-
5 Jii.U-pan,
I
Queen of the Tea-house, Jffim_o_ tf« Sun.'
^^^-o- ^-pan,
g*Queen of the Tea-house, Mim_n_ ta San!
1 J J J J I-pan, Queen of the Tea-house, O Mim_ n _ xa San.'
g|£
£* # -#•
i il.ii^f—f-^
te .# *#Hif tf If /i 3Efe
£fc i ^_^t^ ijsr«i*
72
help me, comrade, ere it is too late,
v v mTo save Mimo _ sa from this dreadful
Wf \ Bl y 3i g e i i iE
«i J. Ii » g? <l » «=£
31
FAIRFAX.
i i J i JJ i^ **=pF=*
fate!
I
Stop! If your country you would not dis.
^^^y i » W1
jj: j j «^=j^*_
ij i <
It*
*3jJ
I J J J J J.J- J- J l
J im.grace,
« temGive orders that this tale shall not take placet Come,
\
9w ^ SE
^J tJ f»t* If MP
fe^s» 1*^#*
' JJJ, JJ JtJJ I >r>^^ £=£ §i>——-K
* # ' • a
men,what code ofhonor doyou hold?— Willyou stand by and see a woman aold?
$m
Ms^m2:
if
JV\° 12? SONG.— (FAIRFAX & CHORUS./'CHIVALRY.",. & FAIRFAX.
73M *=£9 £ WWhile na - ture with man _ hood en.
No mat _ ter what na _ tion may
i *£:i £**
£P^ ^=^r=E*—*—
*
3S minit » ^^ /
j
r r ' r r r
#fc ^ ^¥ mT>
44
do\rs
claim
ns
us
And beau _ ty our pul _ sis can fire,
Or un . derwhat flag we par . ade,
1 i i ^^i up
There's
A
j i 1
«£ 5^r it»f
^t*
fs
4£ ^11
1 r i rne _ ver a sight
mo _ menu's in _ ac
that can
tion would
rouse us
<hame us
y J n i=^ +=±Like
When
t r r fgg j j j
db* j j j. ai
jfeH*wo _ man in dan _ ger most dire,
wo _ man has need of our aid.
uWeThe
wm^ >fi£
¥Copyright 1896. by Hopwood & Crew.
74
**:
urJ I iask
ve
SB
^^not the whyri _ est out
or
cast
the
and
where _ for",
Strang _ er
&TheA P
si i mdWt
^j- :;
'i £wron^ or the right of her cause-
-peals to our sym _ pa_thies then;
**"fsais
fr
WhenE
a £ f
i
75
U Poco mtno mosso
,
JCZZS i==m \ l V s£¥=s=f £ ppp —\r—Themen, by the hearts thatare in us, By chivalry, honour and right,
^''"n' l"V\i^i'l\
liii'i-htt-aii 5^^S=H
fEC ~Q~ IE* ?
| J JJJ> J P r.^j'Ji J
i i%wrongs of a woman must win us Till death in her ser.vice to fight!
men, by the hearts thatare in you , By chi.val.ry hon.our and
u *==& £^ *£=*m?4 d> d z^t
men, by theheartsthat are in you, By thLval.ry, hon.our and
=tf= *=* fei M vJ-J r §i iJ-i. g CE
O men, by theheartsthat are in By chi.val.ry, hon.our and
m$ m it rr f ffe
K~*«—i—t*
-M--^
men, by theheartsthat are in us By chi.val.ry, horr.our and
^ £^ ^pN^
76
#ifci ^=r#ra//.
£ miiiiright, The wrongs of a wo.manmust win you, Till death in her ser.vice to
¥ | j i i-f ;j ;;-n J JiJ m 1
right, The wrongs of a wo -manmust win ydu,Till
•i p m m m ma yi?
death in her ser.vice io
^=$Z-m *-m m F -* If'. oF-
g te g g
«right,
(2-5
The wrongs of a wo _manmust win
_/2
I err rr
us, Till death in her ser.vice to
% w ccr c-
^right,
JP-'
The wrongs of a wo_rnanmust win
m a
us, Till
*death in her ser.vice to
N v.mbEEZz
ss *N N>r\azaa:
# 2^r-TT
^ £=£ iS m /Oi
/ -
fight! fight!
.
fight!
^^ r7\
~CT~
fight!
fight!
sag r
3BE m t-
fight!
fight!
-o-
fight!
BS=
P*#£*:
VSwmr^ -ft BR—
DC.
i I j
5^
^M
~n~
•Af-° 13- SONG— (MOLLY & CHORUS.) "CHON KINA."
77
PIANO.
m./
as
%
t i g
m:: f- a:PP*
f? ff
PP ^H™m £ # i£^ ^i j 1 / l j n J=£ >—
*
£E=T P^P*1. I'm the emart-est lit - tie gfi- "ha in Ja - pan,S.Plea.iu to. no .tire how cor- rect and high _ ly bred .
3. I'm con - si.der'J 4U1U' an - ri - en - tal belle,
i JJH
And the
Is the
And they
mf r^f r * *
g j n ^^ « 1 ^^ 1 j te—
E
P™fM, *peo . pie call me Ro .
hair e. . rect - ed (.tiff
tell me I per . form
li Po . li Sun—ly on my head
,
ex . treme _ ly well . .
Lost in
All se .
On - the
Copyright 1896, by Hopwood & Crew.
78
M. m j j- j i jad - - mi - ra _ tion ut _ ter At the va - _ ri' 1 - %& - ted flut . ter Of myere _ _ ly coil'd and braid - ed. While my cheeks are pink - ly sha . ded, And mysa . . mi _ sen or k<> . tn -While my ve . . ry la - test pho _ to Is an
1 wm ^wmr r r
m m m m •n m rm mm m pn ^^M.
cle _ . ver - ly ma . ni _ pu - la - ted fan
.
lips are tint - ed e . _ le - gant _ ly red I
ar . - ti - cle that's al - ways sure tu sell.
4s pi
I canI'm a
When they«or lJljpip P
r
| | j- j>i £^^ ^M. msm
$
- ny mea - sure that Is g>y
,
of fa _ shion a6 it flios ,
- ver dain - - ty cups of tea— .
To and
And myThe at .m
*~ # *^a ^
79
jO'-i.J' J- Jl^^ff^S sstiil my art pa _ . li_ _ces Then— at ex . . tra spe . cial pri - cee — I can
charms of Ru . - li Po _ _h Will not cap- - ti . vate you whol _ ly Till youliaut;h - ty, poor and low . ly Call for pret - . ty Ro - - li Po . li--= Ev' - ry
&J3-W^ 9 SE^ m 3E2I=P
i EW5r L-T
aep 1-^
S S iJ j B p -i^^febg ^dance for you in t/uitt- an _ _ o - - ther way.gaze in - to her li - quid al _ mond eyes,
cus _ _ to _ mer is sure to or - der m^!
3- mm uit J*:
m^
is + s- iNPN P £P^ifM.
CAu fri - nu
,
fAoi? fri _ nu, Chun chmi
,
ki - tut ki _ na
,
m I-U4fS
*
^3=^ ^=3= » •
"T
P £ ii^=r=#
-V,i . _ £d _ _su_ _ ki. Yn _ Avi _ h I - //!.( . H.i . frn . rf.< . f<: *oi.'
j 1 i -^
j «i
fr
m$=± ~t —r
80 CHORUS.Is;1 SOPRANO.
fei j mj J m £p p^pCTinn Art . na, cnon2".rf SOPRANO.
Ari - net, Chon chon, ki - na ki -
J i J J r £J J J'i JJ'JCnon Art - na, cnon
TKNOR.*! - na, Chnn chon, ki . na ki - na,
(p. J J r-r^r jl_j-iJ
r ^^ ^ pChun ki - nu, chon
BASS.let _ na, Chun vhun,
^^ki _ n« A- / . na.
i» m-
V / / / / f / rChun ki . nu, chon ki - nu, Chun chnn
, A-/ - na A-i . na,M^* *
£ 3 1r T r r
m m mp-r
P J' j' JA*i . - £-a _ su _ Ari, Vo . Aro _ na - ma, Ha _ Aro _ rfu _ £t\ no?'.'
It J. J J BE3 IJji'JJ .FPlA*u. _ £•« - fa - An, Ko - Aro _ k - ma, Ha . ku . Hu - te hni!
J J I J" I J IP=FPpAu . . ga . «a . Ari, >*o - A-o _ Au . ma, fla . Aro - rfa - t^ fcoi.'
gj r J J iJ fl: ' ^ ffF
JBT
(After third verse.)
81
r r p : t
Ki - it _ gi _ ri
3
su hoi!
p g r p pA*i - n" - #i - /•/
3
£11 Adj.'
p^p
as
A"i - ri _ £» _ n" - - su foil/
rru fKi - ri - gi - ri - _ su hni
mts^t m £ * * J=i
^F# £fP
-A ^^^Ki _ r* _ #'* - Ao//
1f
#ri _ su /ioi.'
1P I P g
a^
fO _ ri _ g"i _ ri' _ in
l=P=#hoi!
I~JO _ ri _ gv . ri _ su Aoi'.'
^^ m ^ p
i? *
i fap ^#^
82
DANCE. nmm
mmtWtVj n ^=^=3 1 d |
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p gg^ #f
i 3=p: —m-
& 3~iT- aF F
Bi i « irza^ §=§ §Ea=a:
^FB f ^^ 3E ^FT f rr ls r 2_r t?
g ^ r3 gsjg^5 ' g 'CJ TJ TJC
S=iSn^^-f—LJ-f^o fir r
v v—
#
m Pi? aisg m ,
lj %
tJ tJ ^
ppJ— J J-
1
J J JI
J
4
Chon ki _ not, chon ki - na , Chon chon,
83
P mki - na ki . na,
j_J
I
J ^^i J J ' i ^^Chon ki _ nor, Cnon A< _ na, Chon chon,
Mi J J- I J J-^=t
Ari . na Arr" - na.
£P P=^PChnn
^mki chon ki . na , Chon chon
,
ki . na ki - na,
mm^ / / / k ¥ ¥Chnn ki chon ki _ na, Chon chon
, fri _ na A" r _ na,
^^i J J- 3- W!>!>
g j i "J J J=£=9= i /
rfu
F- gJ JlJjr^-jrlJJ J'J
l J
M'a - - ga . sa . ki
,
Yo - A-o - ha . ma, fla . Avi _ rfu . («>' ko>/
i i >±I p 1 1 p i pgp
A"u . . ga _ sa . A-j, Yo . Ao _ na . ma, flu _ Avi . rfa _ it
> i- m j1 K
l=f=S
^-J > J I J ^e£e££*k _ $a - ki . r« - *o . a«
^j~
^ r
^v ^
n«i7
^^^^^^Aa - - gu - i'a . ki
,
Yo . Ao _ ha _ ma, fla _ Ao . rfa - te hoi!
Hn - kn ^ da - te hoi!
84fti
:
J J
£
J J J- i J
C/7»n A"! . _ na, vhon A-i - na, Chun ;-h,
^ki - na ki - na.
j i m^ v *=N£ g p J- ' ^3T-|OAon ki - - na, c/hi;i ki . nu, C/?on than,
m J t-1
j ^ ^A"! - na Ari - na
,
£P^?as
C/ion ki - - na, cnon ki . na, Chan vhon, ki - na k 1 - na,
V V r W W Vki - na ki - na,Chnn ki . - na, chon ki - na, Chan chon,
m * * *
s i± ^ * ~g* w T T
m \ K ^p =f=F#A"a - . ^u _ su - ki, Yo _ Arrj _ hu - ma, Ha _ ko _ rfa . £f hoi!
I J- J J IJ- I j I J J- pp^A"a . . gu - so . A-i, Ko - A-u _ /in _ ma, Ha _ ko . rfa - te hoi!
m JC= J J J^ .h
J
Ip =E=F=£Aa . _ ga - so - A-!, Ko _ A-o . na - ma, Ha . ko . da . te' hoi!
m i1-
'-i
l<r J J J|J J J J| r i I
A*a - - g-a - *a _ ki, Yo „ A-r< _ ha - ma, Hit - ko _ rfu . te hoi!
SB
N? 14*. FINALE. ACT I— "THOUGH OF STAYING TOO LONG.'
Allegro moderato. CUNNINGHAM.
VOICE.
PIANO.
m i -\ i y \
E£mm%£ C * *
5f=£
=*m ^x^^=^
mThough of
=9= %
•/T\
5 5 g f
pnis J^ju-j'J.j'ji
j-j-j^ i *•N. E
CUN.« I «
staying too long youre ac - cusing ns, Yel Ja - pan has such-wonders to show, Andyouve
(£* ii J* » jjj* g > I
]•i > J'v
jI
J
vg »
J'* i I r i i j> »
a | j *
^ ^^ I Iy g i ^^ y yI g £ » y
Iy E :r=^
f
i N »J
g g fif *J J^ hNk N Sr
PPfc *CUN *->
all been so good in a - musing us, That no wonder were sorry to go. While the
^p -
1
i 5 r ? y hQP f* y sy -y— K ?T
s^l 3**3 i^="=5=^ y » i I
y^gfgg 'gcUW^-^H i-J'^jy ^ ^=£=5=CUN. ^freest of fun is per _ ims-si-ble, And such ex_cellent tea we ob - tain, And the
s 9-=-
**
mm m. ^^ ^P=*=?: ^s=^*—*- =?=*1
PCopyright 1896, by Hopwdpd & Crew.
86
CUN.%UiirttJ'J-^ i f
Ji
>i ii j'
i K i ,! ^girls are so quaint and so kiss-a-ble, We shall cer_tain_ly come here a _ gain .' . . : . .mo
ih ^ii'i f*fm P?i£ ** *
# $-
m J' 8 j h y y k E=j ^ K==g
P =?=¥= P y y s y ^ ££#OFFICERS.
j'l J- IJ J S^Fp i
r7 r
p f ' eCUN.
efc*g=tt
For to pass the most pleasant of days Vou should always contrive when you
i »fj J I E J E E E N,J y g J" S l. JT > J" J" J^g
For to pass the most pleasant oi days You should always contrive when you^ 'ti'—*+p-gc g g c i
rJ,
c P m : MFor to pass the most pleasant of days You should always contrive when you
j-ryri
To at - ten-tively study tlie ways Of the dear lit-tle girls of Ja
-
E M \ —S—ICmm,\ fr fy fc K k
rj% \
~c *mm I as g i
To at - ten-tively study the ways Of the dear lit-tle girls of Ja-
mr
T'p P ' P
•
P r- r r P i
r' •
g r^g g g g- g gTo at- ten-tively study the ways Of the dear lit-tle girls of Ja-
CHORUS.W- sop.
87
| j, tf±
r * fe^£¥=0-& ryy
E f t r\r *=+W=^r- V^Y-
Yes to pass, the most pleasant of days You should always contrivewhenyou tan To at _2".' 1 SOP.
frh ff d Z '^^ ,j j j J j| ^ '
f j jl J.J J-y J ^ 1 J ' d
_ pail. Yesto passthemostpleasantof days Youshouldalwayscontrivewhenyoucan To at
TKXOR.
USlltttftr,} Mj-j-| ^J!
J-J'j'r
i r *J J^=npan. Yesto passthemostpleasantof days You should ahvayscontrive.wh'-nvnu ran To at _
BASS0—0^^m i'
im rft ii
r
7'f f^fH-H-r^f
_pan. Yes lo pass the most pleasant of days You should always contrive when you can 7u at
£=*. f-e#f## *
i f.-fffff iMf^^i^f
s «g%&£E^t [ffijf v.
V gc nWrci rJ cr -gciJ m i^t=tt*.tentively study the ways Of thedear littleKirlsof Ja.pan.
H};}m}-\) >^i^^V \tnL.tentively study the ways Of the deai little girls of Ja.pan.
wj;miJ> 'r^pipgfegf f i *=* I.tentively study the ways Of the dear little girls of Ja.pan.
^Tggffg i ^'rg'gggg'ffg * »
-tentively study the ways Of the dear little girls of Ja.pan.
* * P ^ *
88CHORUS.
cres - _ cen
*if
j j jJ
i-Pcr mmm j- j -
i
j *mNight ap.proaches clear and star-ry— Silver shadows soft_ly fall, Bring - ing rest to
cres - _ cen _
h£ m t,J j: j, IJ^M* • * \
-d—d*t»——Tr*—"-^
—
j v.—^-#
Night ap.proaches clear and star-ry— Silver shadows soft_ly fall) Bring- ing rest tocres - - cen -
^n pj;r f i
r g£f firJ|J j-uj J' j , I ih^N^
Night ap.proaches clear and star-ry— Silver shadows soft_ly fall, Bring _ ing rest to
cres - _ cenn tres _ - cen -
y'"r I r g
'
r ft p T;r g'
r f r >r g||J ^
Night ap.proaches clear and star-ry— Silver shadows soft_ly fall, Bring - ing rest to
sj,»ii;AjjJnf
[S;in^ isgreat I-ma.ri, Wel_come rest to one and all.
*rfo
ffi-S 3£p a <iJ J t|J J i
qm=x-a-*
great I- ma _ ri, Wel-come rest to one and all.
Ppp J'f p r r
'
Jc"f ^
great I_ma_ri, Wel-come rest to one and all.
ag Jr g p^great I-ma.ri, Wei -come rest to one and all.
89KATANA.
m ^ £MPm P m
P PPearl of the ra-diant Eastern sea, Light of a sol-dier's life.
#ni jj i I it i ^tapppPP r pf
Si =fe 3^i ^^ ^^.: ' i » r r r T
fe P g e r M=£ lispPP^PPTime in its course will set thee free
—
Free to be-come my wife!
i y
i m i mmi m j t^ 3:
s ^ ^^ ii £ IP*=P"T r r r Sa>.
i ^fe£K. Pf £"7 1?-7~
All that my heart de _ sires to say Would that my lips could tell;
?
mn
1 jj 1 4^ >il>4 ^3=e pp ?
sm mp—
*
: r \ z-*tj J p
Fairest of for_tune bless thy way— Light of my life, fare- well!
fe p r iii lX3
fgff
90
ffc
I g r pir n.i
j-.jg J-
i
j. JF
J.
Rose of my fan-cy's gar _ den fair, Fortune foretells Joy that ex-cels-
It=
^ P m m
*^ i i 3
^siH Pm IA > ^4 j- ^4 j> >4 ^
J 1 I J, J I! J¥ pK.
*Al-mond-eyed maid of beau - ty rare
,
Fondest of fond fare - wells
!
m
m
is:
P/Oi
ISfc
P ' J<_i si
Efc
S > j «fr
/a
H y. i
*=£l
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3b
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MIMOSA.Poco pin viyo.
91
m j;
j- J J-i r m i P i
s.MIM.e=^
Soi ry and sad I go from thee, Lord of my lov - ing heart!
# 1 fiiiil •**-\—\T-\ 1-*rl 111-r v -w-w-9 F
*
v v s. I NJ Jir P i
^ JJ^ ^^MIM. ^S fit-^-
Ever and ev_er think of me, Though for a time ve part. Saved by a friend from
fSIa
fif««» ^y iy1* ** ¥ ¥ *
% PEEEE^=i!f: **
r gJ- i^J =£££ p iMIM. IZZ
hap_less fate, Whither she goes go Ij So till I come, my soLdier, wait!
I yj *J SWW ra W- If mm m T r
i *r-
f^-
^ ^r-9
^=3 ^ I^ ^ ^MIM.:T
So till I come— good - bye!
J.. iJ J
So till I come— good - bye!
##PPPCiJ r C2JU/m
fr
tt
92
MINI.WLj-r.rr p J J. u^pj. I j^j^
p• p pmmm r.
m*
Son of thesword,-whosegIeamingbladeGuardingitsprize Danger defies, Truestof knights to trusting maid,
£ ^*£:
/C\
,i- ' i. ^* i ^=^ i
^ia
^ jg3: £
MIM.
I J. J. Ii . J
.
1.1. I i„l. I J » 1 H II I.'SP^ JjJ
.
I
iiJ .JJ •
[
t|J • ___^_1 J 3
o, afe£ m"'T y £ y
r
^.Ti
m-m-V v I p g y
P
IPl SEE =y^=
£=£
g
93
#Z=3Ea ^
MOLLY.
Allegro vivo.
SOh,
m ~ mm mm ^=t.r
b=s= t^m
b s fc^ S \ ^^^=—^^sIY1.
what will they do with Mol _ ly, With poor lit_tle mad-cap me? Ive
f\S P.)}S K £=!£ PfPfM. mgot in a mess In a Jap-an-ese dress, And what will the consequence be? No
F=*¥£3
m m Jbl ^~£e^S
/ J t\j ?m? \ j^ r wmdoubt with a girl like Mol - ly They'd try to take li-ber-ties free, Bnt
94
M. ^Ps N > > J" i i e— —#
—
— — j j-J j'jjii
^^afe
if they ve (he fol_ly To take them -with Molly, They'll have to be sharper than she!
¥t ^gi
Now
ir
ii'' 1
Now
=j| ||^
Now
^ssNow
#tafct* 3*a—
g
S ^Si * i
/
iwmi ^
fT
g i g g e i- e i r7
r^* / ' vwho is this Ro - li Po - li, And what is her lit - tie game? We're
fcj i'JJ Ji I J
j mt ^ J'i J^;A>« is this Ro - li Po - li, And what is her lit - tie game? We're
l^p-mn; £r i r g g "g : mr /
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yet were suspicious, And rather am-bitious Of finding a thing or two out. And
yet we're suspicious, And rather am-bitious Of finding a thing or two out. And
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yet we're suspicious. And rather am-bitious Of finding a thing or two out. And
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yet we're suspicious, And rather am_bitious Of finding a thing or two out. And
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yet we're sus-picious And rather am-bitious Of find-ing a thing or tw# out.
97JULI-
Piicn pi& mosso
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from you. Laugh a _ way! But dont make sure
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my lord. In Eng - lish hands is
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gly the way Of sai - lors gay> Yet it
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seems Dn_common-ly rude to say That if truth be told To a
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seems un-common_ly rude to say That if truth be told To a
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ins un_common_ly rude to say That if truth be told To a
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not the girl, who's just been sold!
IMARI.
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Mar _ quis old, It's , not the g^rl, whos just been sold!
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Mar _ quis old, Its , not the girl, whos just been sold!
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con - - - ver _ _ sa - tion we will not pro -long
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Due res-pect to cus_tom show; Or- ders you're for _ get - ting.
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Due res - pect to cus-tom show; Or - ders you're for - get - ting.
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Due res-pect to cus-tom show; Or - ders you're for _ get - ting.
Due res-pect to cus _ torn show; Or - ders you're for - get -ting.
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102
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Please to go! Plf-ase to go! Seek the ci _ ty's shel - ter;
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Time is press - ing— Swift progress _ ing, Hur-ry hel-ter— skel_ter, hel-ter
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Fast the sun is set - ting,
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r \ rcus -.torn show;
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Or _ ders you re for9
-get - ting. Please to go!
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cus - torn show; Or _ ders youre for _ _ get - ting.
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cus -torn show;
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END OF ACT 1.
ACT II10 7
N? 15. ENTR'ACTE.
Andante
PIANO
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109
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N?16. OPENING CHORUS. ACT II— "DAY BORN OF LOVE
SOPRANO.
ALTO.
TENOR.
BASS.
PIA NO.
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Day born of love, Of gladness and de - light, Your
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mo.ments soon in - vite To mys . tic
-T3 Omar.riage rite!
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mo . ments soon in . vite To mys . tic
J J .NYl. J I hJ J ^mar.riage rite!.
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mo.ments soon in - vite To mys - tic mar.riage rite!.
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mo.ments soon in . vite Tu mys . tic mar.riage rite!.
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Copyright 1896, by Hnpwood & Crew.
112
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Thron'd high a . bove, O Ten - to Sa ma shines. And laughing he di .
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.
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.
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lov . er's sweet de . signs.
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lov . er's sweet de _ signs.
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113
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s£-^-j--j--lMuoo b)" night and bMi by day
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O . ha.yo! Watch and ward o'er lovers keep! Day to drink of pleasure deep,
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Night for rest and gen - tie sleep Night for rest and sleep.
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Day born of love.
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118
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JV*.°Z7. SONG— (MOLLY.) "THE TOY MONKEY.'
COMPOSED BY LIONEL NIONCKTON.
Allegro moderate
PIANO.
MOLLY. ^l.Poor lit . tie maid . en, who
2. No . bo . dy doubts that this
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^fe^ H fc is^S d. * d
loves a bit of fun,
hor . rid Ja - pan - ese
Learns her pro-pen _ si. ty to rne!
Wives— o . ri. en - tal- ly— has got;
Pmm i m'^'r f i'h £ f_JL...f
Copyright 1896, by Hopwood & Crew.
M. #HJust
One,
fe I
g J ^look at me! what
two or three, or
121
I J* | I J.
prtt _ ty thin« I've done!
ma _ ny as you please -
P^f mms $
k
s—frJ. J J- M JmM. *
. d .
—
#
Here's a de _ light _ful how -de - do! A pre _ cious pic _ kle I'm in!
/ won't be ad . ded to the lot! He thinks I can't re . sist hiin:
S m r»S 1 \ K> P^«= J, E<*
mtV i Ij B » ' hr
I J-- nJ4
J: J ^N=? *
Fool-ish lit .tie Mol - ly,
Kull . ing in his rich . es,
Punish'd for your fol _ ly.
Fan-cies he be-witch _ es
-
A wood _ en
Bat round my
fc=*ttj .njs, .cm >;i
s re
te M 1 J g I >=» g -r *E? i^^M-lg 'fi E
j: iJ J: j j J i Ismon _ key climb - in'
thumb I'll twist him
„ ,k g g i
I s _ n't on .< stick like
Whe.thei he's a -ware or
SgJZJ j- ,j-
^f=
^r^= 5 •,
you!
not.'
- poio ri>:
=* I ij J T
122
^CHORUS.
n T y K mm *=^=* * i^Click!
Click!
click! I'm a
click! He's a
mon-key on a stick!
mon-key on a stick,
A - ny one with me can
Bound to let me have my
;i i 1 -/" =£ EC J-^ r?rrffi ^=£ SE
3 1
4^=F^E^ S§ P±=:±
# S§^ J--N J'Jli^J.^^^Fplay,
way
!
And my an. tics he'll en -joy Till he finds a nrw-er toy.When he'll
So I'll keep him all a- live Till my English friends arrive-When I'll
123
A J g J mza
mm I
5SM- -*-
Sfe
1
£
fc*:
iy l*- yr y# f
^^ ^^ gjj,k££SP
y i yJn: HE^ ^
/ K
^vt^Tf m =£i? J^fyf^=w g E g r » :
ifCf.f-o .
^ J^ ^HE £2 ££ ^^^ Jn= TOpoco rit.
BJ i"r Fr ry £ ^^5=s» pW H
i S3 .i. - a Ms mE ^P^ T ^rr r^r5 te* *=£
^ <&.
i j-j]sS prgqgnjg gUl ^^r
ie At=t u istS—
*
f- J^ ife^i ^FTT^r.* -pr^-^iP r^-Vy^*=*-=? i I
/
124
N?18. DUET— (JULIETTE &WUN-HI.) "CHINC-A-RING-A-REE!"
Allegretto
PI ANO.
^mP^ ^mJULI. When /
WUN-HI.When me
^g I
want
want get
ny
tie
thing
my
dune,
way,
I
Keep
f f P ij^ I
nn m4 *
m 3=E 7 9
#n i LJ J'
|J
try my fd _ vour . ite plan —much ee o _ . _ . pen eyes;
I wh>'e . die and co.ix, AndFor Chi - na - man mild Him
Copyright 1896, by Hopwood & Crew.
125
P £g g g
flat . ter the folks As on - ly
well . ee sharp child— Tell pl>n . ty
£e£ i£a French girl can!
Mg whop . _ per lies!
If
JULl.To
$ pin~£~&
^m ^^ t*—*- ^^=F
^ m ^e _ ver I chance on one
ge - ther we'll work tu - day -
Who won't
You're juot
be coax'd by
the man for
mF
i : r rrt
j
i p g I r ^me,
me!
I peep and I
A girl ne - ver
pry, And I work on the sly— Cum.jibs At a few lit - tie fib»— Cum .
'm nr iWJW H^? P^Pfm Z3i=*h ^=r J! i ; g ^T^ m w
WUN-HI JULIETTE.
LjV- P f
'|i'TJ # ^ J i
WUN-HI.
s. prrn - ez - vuus <«?
f»ren - r z - vuus ca?
lire' ft',,-'
Hee! Wee!CamCum
*T W^pren . ez - rows cu I H 'ret
pn n _ ez - rous cci? Hen/no is:
±
s£=^ g y gg N- » ~^~ =?^
126
4BOTH.
3P^s ^^ I* J' } £ E ^chi - kee hi - kee ching - a - ring - a - ree! The
^^ £ te i is K I K A# P*»
smart French girl and the cute Chi . -nee! Mon - sieur, mam'- se'.le Suit
IFf i~-^h^r mm £=
*
JJ^ Jfr fc tt fe
r I i f f Ht i E "g E52 fc=fe
ve . ry ve - ry well, So sing Ching-a-ring Ching-a - ring- a - ring - a - ree!
^n W i I
as
^ee£PThe smart French girl and th.i
m ^m §^p m
127
ft J; j; iijrn i »gEgFC g i r ^c J/
%^ ^=aring - a - ring - a - reel DANCE (after second verso.)
tf^ i**T »/
^i ipsD.C.
. £ £ lff-ff :;HH^P§H=g
BJSi ^^-^^ P **
128
JV.°79. CONCERTED PIECE— "GEISHA ARE WE."
ustPIANO.
fat4 GEISHA.
& mk mmkP^P¥ P^Pf
*A
Gei.sha are we, Bid-den to be Present to-day at the ce - re.mo _ nee ;
Hi Hji @ J J ^*W ^ £ 5y
P
wm i==iip^ P p^p
aP* nj .1 i j i;-N jjuiJjkj, WP -Si-
Each in her best, Dain.ti.ly dress'd Brings en-ter.tainment for ev _ e . ry guest.
j «n„j.j . JS..J j
Copyright 1896, by Hopwood & Crew.
129
4C. f?t} j;,jij m i j ;jt gf. 1 g gr r
Smart lit.tle maid. Versed in her trade, Knows what will please when ex.pressivt _ly play'd,
ai i
fjf ^=p£ innl p*^
# *=p£^ ^pp n££ fe=fV ij^i j e j+ c
Guess.es what dance All will en-trance, Aid.ed by sau.cy and mis.chie-vous glance.
n i j .
jhj jjn^o „ ja j .a
m ^ j.i ijwp PPi4C.
*ia
Gei-sha are we, Bidden to be Present to-day at the ce. re-mo - nee,
MM ftj j a tow ^ 3E
r
asi i===ip^ p^^p
u.& 5i£i ^ j m i in+ c P^Pp *=3=
Iaa
Each in her best, Dain.ti - ly dress'd Brings entertainment for ev.e.ry guest.
^ J flj j j £UJ2±MT i *i£ «l
3e
ate p i
Pi nr *f r f
F^_* * <2_
a
ft
130OFFICERS.
*fepc gF J j-J-i JJ-J jj-J-rJ
i
^OFF
evl ry-thing you know. For our spirits ra.ther low your words may hap. pen ease. Will the
LLU '
I I
T ^M m
m j fj
p ^#ta£
j j' g p i g ^m \ K \ ££i*E £OFF ^—
*
wedding be a treat? Are there lots of things to eat? Is the bride extremely sweet and ve.ry
#** S f'f' W>p—f»
^—
g
7•y«ii" j g j^ I I f
**=4 GEISHA.
e£eta±a=s I*
r^/iJM fei*—
»
OFF P JL / tr
Jap.an.ese? Is the bride extremely sweet and very Japan. ese? Oh you
*£#fsf*f | i J i
i It it
*St
te
131
4C ^ \ V. m K. E §£=£/ ' V F r- fr r I ^
mus_nt ask us ques.tiuns and de . tain us all the day, For you're
^F^ sit: j j -^+J-i^ -^—^-g *j g1C.
naugh . ty Eng - lish sai - lors, and we don't know what you'll say! Yes, the
p r / j ji-
a*
3f r
«=j i i^ ^ ^
J-C
+ c.# J iJ- J 'rj
-r ^.CUNNINCHAM
i1
1 1 J- g J -$^H 1&*
please to let us go, and ohl we won . der how you dare! If th<
Hi i J -Jfi n ^
ta i
ii
**
132
c. p* ;jj; -^ •- ^^^ J J- £i
Mar - quis should de . tect This flir - _ ta _ tion in . cor _ reel , His au
**= m I j | ji > n
i
•Mi 11
f j E > g j j j 8 1 ! j g I
*t V \ V N s j* ^^ N \3E «^ g
_ tho . ri - ty un . check'd He will as _ _ sert with us. But you're
iu *^
jgjg I7 I £ J , f =F =§!=^
#y j i i- j ^ r- f 8
P^P^P E^all so ve , ry nice That with . . out re . fleet . ing twice, We in
^#f I \ I J » V I : ? iv g i
i
$*£ J J f J r .£ ^#c. ^ g d
- tend to break the ice. And make you flirt with us'.
*fei i^mi i s
*fc
ENGLISH CIRLS-133
j J' J i;mJlJ ;[^J J ^1Now yuu mustn't go and leave us for the geisha, if you please,Forwe
**= mj j]jj, jlt§ j ji
*^4Kip £ ^
3ao ^4=^ • j j j
N E N
J-J J' ^ I J'i
N v Nr-y ^gi^ s N
PP ff£•—
#
3IP
cannot have you flirt-ing with these pretty Jap.an-ese! They are charming lit -tie creature>.but it
n 11n * ji
r r r^ ^ ^4 GEISHA.
v k 1a „ „{1j^^N^J-
l iynyJi^ l
.^-VJ^iiE.G.
real - ly is - n't fair, So you'll please to let them go, and oh! we won. der how you dare! Yes we
5J -sfeb* J"l
P=P lESS arif^^^ *tPgi§===^ Jit
¥N^tOFFICERS.
=£c r rarer '
'J PPPJG.
*Ae
won.der how they dare! Yes we wonder how we dare I
t * * " ' *s
^^^
4K-BH-4
f34
4**
CEISHA.& ^ ^ ^,r
e c ri *j ^
**el
Gei . sha are we, Bid-den to bt
Hi ,
I'n .sent to - day at the
iSJJ. £ i i a£ P^P
Bi i r
.B.
e=§PP P
nF^ ^^ ^^^ce . re - mo . nee;
ifeP^—±Each in her best
pt i i
Dain-ti - ly dress'dn j j%mm
^m &$=*
J
=1P
^m m ^m N V-
P r c c rBrings en.ter-tain_nient lor ev.e.ry guest.
pip 7'I i <r—
?
Brings en.ter-tain- nient for
Ii iif » F f=r
mfc=M JL i m
s«3 I#=F
dbSs
ev _ e - ry guest.
^* §
Bi r rf
*i ^
dim:
/> Lf F"
_*
P^
186
N\° ,20.SONG— (FAIRFAX.) "STAR OF MY SOUL.
PIANO.
Andante.
^ ulb'rr
mmnj3 ;.
:
¥
m7 f
ssei—
I
*r— r r
* J S E J1
-Irp
1f g d
Friend - less and fair.
O . ver my path
my help may sorely need?
the joy.ous sunlight falls;
How can I wait, and
Yet is my dear, whose
pJr~^PPi in iWW *f?*#
=@E=s= ^3:
^opyritrhtr 1896, by Hopwonr! & Crt-w
136
* \ \ N ^ I^^ m N N I
leave her sad and lone . ly, Count _ ing the hours that all too slow . ly speed?
charms so fasthave bound me, .Caged like a bird with -in those gild _ ed walls.
* FW ' J71^r^r^F TCr^— _ 4-5-4-TT 7T
^ P IB ¥K F i j j J hs ^Nfe£ ^^—*—• *-
Earth has no grace that does not cling a.bout- her:
—
Would I could break the cru-el bonds that hold her.
Life has no charm, if mine she
Snap ev _'ry chain that ketjis us
# J g u J. J i J-JJUUIm
may not be;
two a - P.art!
P"JL~
Star of my soul!— I can_not live with_out her;
Star of my soul!— the half I have not told her
9 i*ll 'w?#j
Jgin ffy j3
:ar F
=£=£ ^~* *O grant this day may give her
Of all the love that fills myback to
beat . ing
me
!
heart
!
'im——f=BW 3=
f r
^
137
t J ,u £ 5 h Kf J" I l =f r- rJl^Dream, my dear - ebt, till we meet once more. Day-dreams of hap_pi_ness a -
f 1^m j J^ J *=£#
f f^^ 2^ 5^r r r r
j j -i J j | r r jy i
j j j
gain in ntore. Dreams of a fu-ture that our fates may hold,
-CT>d J z
5s*. * 5ai>.
1st time
' Off / J' j jjJ=H=*mPassd in the wonder-land of love un-told!
^ ^^i i%
f^i» • i*"**
r
d»» * iwT j i .n».'/
-j—j- i ^=p ^ r
-Uj.
2nd time ,
rQ^UM=^=£O!
' DC.
r^
iPass'd in the wou^der _ land of love un.told!
I n\#PP^ OBMB n\m*r^rr
*-
: ^i j r * i =zz
p%a W
138
N?21. SONG— (JULIETTE.) "iF THAT'S NOT LOVE- WHAT IS?"
PIANO.
umAllegro moderate
5f
JEflfiEr
3Sp
I
sm
mm*=4^^
EE £Fint
IV
2EE
*ia 3==£PP ^~mr * *~
who's won my heart There's no . thing that I
if he were rich— Still fur - ther I'd con
l.To win the man
2. To win his heart-
*sm m «=¥= ^ bIZgg
P
^te
* * w
jWff ^*- **-
**« J J- I J Ip r r-i M lt p^Pi *
would. n't do! I'd wear a frock that was. n't smart— An un. -be.com ing
-sent to go! I'd catch his eye by con . duct which Would not be vo . .ted
fcg m nn m«==^=1 »«f TT
siss ^ i I J y r g 2 if r ^m** * (• * *
mm n\
J Jj JPj.
f5 f531 -» »~
cha-peau too. If square-cut shoes should please his taste,, Then - no more point . ed
cumme il faut. I'd prove to him in tete . a - tete That girls are not so
r?\
**fes J^-f^ S ^#f**
—
T
ait^
!J^j' U gr g » J ^==f=F:— - y
:
Copyright 1896, by Hopwood & Crew.
$139AP ^ mm ? life
toes for me, And thir . ty in _ ches round tho waist I'd cheer, ful _ Iy..
prim and chill, And then if he should he. . si . tate— I'd go a lit .
con
.tie
fe^ 3e£ l»S3^w*3?r p r p
*—»—*—&*
N iil^ I yp | | toP^
Ha jJ ; j T T J~f\
l J' J =J.
sent to be.
fur - ther still!
And if that's not love— what
And if that's not love— what
#'i i
'i nj i J mi ^ * * * #.5"ftf7i ^
^^^y £ 7 y
/-1
py
I J y g
4d TC-fg ^^ S^-N: ^J. ±=*is?
is?
For I
For I
feel my heart go
feel my heart go
pop,
pop,
And my 6en . ses whirl and
And my sen - ses whirl and
m n 3E±Z** * * ¥ 4 t * P- * *
agfe ^t^ 3S =F^: P 1 y SM^E ^^^
*fe * i
fizz
fizz
Till I don't know where to stop!
Till I don't know where to stop!
140
yfc -P 0-
/ / / :m -#-«-
i
i
i y m iCar c'est oi'n . it, m?s a - mic> Que fan aime en tons pays
^m m jt]
^te a!=^I
#A"~">.¥1 l-Jij j^r^^-tr?^ PCur I'a - mour, t'a-moar, t'a - mour, t'a.mour, L'u-mour ne rai-.ion.ne
P rTL Mi ^ta EXT [if
fjj j||Sfc
1«* •*^ £a =£3
«A=F ^-t^-^- ^^pil.9 .' Cdi' t\< - mour, t'a _ mour, I'a _ _ mour, I'a - muur, L'a
i^fe a j j in^5Bgjff^g H*^^Mi
^ i Sfel . 2'.' ^./TS
^^J.
?uiiur ne ra/san - lit pas'
mmour ne raison ,. «t
-,Pas; •'
* /TV O, %
LircrLLf LU 5*^^ r
i,r-r r;j
ai 7 i i
-M^ 0\rt\
$ +=£D.C.toSyni. DC to Syro.
141
X?21. JAPANESE MARCH. (ENTRANCE OF CHORUS.)
p IANO.
> i I s n
^m. £he • ta » K3=<= JL^l^¥ ^Ko _ i _ wa se_ni sumu, Ton _ wa ki_ni tomaru,Hi_to_wa na_sa_ke _ no
3=F v s.
f g I Ir if ??2=5
Ko _ i - wa se.ni sumu, Ton _ wa ki.m tomaru,Hi_ to.wa na_sa_ke _ no
^^33=^F ^fv4£3E£^/Ko - i wa se.ni sumu, Tori _ wa ki_ni tomaru.Hi_ to.wa na_sa_ke _ no
Copyright 1896, b\ Hnpwui.d & Crew.
142
=£ ' •—k '
" r NT Jt£ r
j t.»2=Z * ' /
Ka.ge.
*E5Ko _ i _ wa se.ni sumu, Tor.i . wa ki.ni toinaru, Hi. to. .a
/> r
p m$Ka.ge. Ko _ i _ wa se.ni sumu, Tor_i _ wa ki.ni tomaru, Hi . to.wa
^'Fr ictfi^i^=§ir ^fKa.ge. Ko _ i _ wa se_ni sumu, Tor_i _ wa ki.ni tomaru, Hi _ to_wa
w£ =M*p if 'ir c:
i r
c
J'e r j y-y
Ka_ge. Ko _ i _ wa se.ni sumu, Tor.i _ wa ki.ni tomaru, Hi
mmm ±to.wa
&E2_3E_H.
*&=* # i»
«^- _S PCJfe
31 i ~cr
IsSe£^na.sa.ke_ no Ka.ge, Ka.ge, Ka.ge Ka.ge
^ 1
m .
1^na.sa.ke . no Ka.ge, Ka.ge, Ka.ge Ka.ge
fe£ ^PPni
.
3na.sa.ke . no Ka.ge,
^:
» r- r-r-
;
Ka.ge,
MKa.ge Ka_ge
mw w"CT~
na.sa.ke _ no Ka.ge, Ka.ge, Ka.ge, Ka.ge
;•fe*E£ I P W
IT Mfm l ^ tc2: v y V g ^& V s y^: E
*Vi/
14 3
N? 23. ENTRANCE OF GEISHA-'WITH SPLENDOUR AUSPICIOUS.'*
PIANO.
Andant« con moto.
mm'U- I £ i^rn
as
mmj r A r^
m pr+ i-
h ^P
§1I v i pi^p"With splen - - door aus . - pi - cious , . . O
t \ |s mi * t
*
With splen - - dour au.- . - pi - ciou& , . .
l * P P3=^ 3=*=
m i £A J- l tJ f U J-
^^ ^ f* p
m t P g ^ J- J J| r f f^
sun-beamsil - lu - mine Ihe day! With per - - fnme de - - li _cioiiB>
»fa h h N jg fs I
s- \ ist— == -— -— -— <
—
» i i 4 4 ' i 8 Psun-beamsil - lu - mine the day! With per - - fume de . . li . cious,
i P f Iifc feI£E£ =t==yff
S Ji J J^ J^ i: j /i ^ >j J:
^ f ^ rCojjyriifht 1896, by Hopwood 8: Crew-
144
l*r^TT^P ^ 5S£+ l^ppflowers make fragrant the way' zc _ - phyrs, go car-ry. Our
j m j- 1 J'^=?=? iflowers make fragrant the waj
!
O ze - - phyrs, go car- ry . Our
S I if iif j f^fe 5^
a^ «ti i j-M-J^ > .m j- t^Ufc^ ^J. J J i J ^
P 8 I P t ^so.ag to the Mas— ter of Might, Who com - eth to
sjEpI J'
J J—J- J ^5song to the Mas— ter of Might , Who com eth to
#4^4 % IS/ y
15J^ jl j £ j ^ j_.r ^ /
fe^ ^ fl»-l-
i s S J I |J
|
J ^jfeWmar - ry The Rose of his fan - cy's de - - -light! Sing
k JJ J ^#$g K K ^ K zzc# U"TTmar - ry The Rose of his fan - cy's de - - - light!. . •» . Sing
pinn f\
\j j ijr
' ^.^^2
(^ £P P IE
115
\ J-.r J-r r i f p ^^ p ^
sweet - ly and shril - ly :twit-ter - ing birds of the
S k —Sr-
T' I r i f1=^1 p £
sweet, ly and ehril -ly» twit - ter - ing- birds of the
£ f^ P U »
L
=?===?
m f=fe
;i j\n r
Ji
^ j;j'^p^p t»—
^
*Than li - lac or li - ly The bride is more dain-ti - ly
i ifefe^ ji
j^ j- j- j- j ip^Than li _ lac or li - ly The bride is more dain-ti - ly
i PH d )'nmd
V*-*
¥y i>
b mm =$m
fair
f.iir
From hill and from val - ley Th.
P p£p^
^From hill and from val - lev
^#4 * P j* y- • y- mTh.
^
146
$ rt* i J -M ' '
r H J rnt
!
—|
r.
-choes are greet- ing the day. With soft fal - lal-Ial- ly, And
jtI
j- j- | hm j._ j jij. | r|ii
t| | |
e - choes are greet- ing the day With soft fal- lal-lal-ly, . . . And
Meno mosso
\ K K. HHM JiftttgMJ-_J J
ten - der fal - lal - lal - lal - lay ! And ten -der fal - lal - lal - lal - lay! And
jji„r H ,J-iV iJ._ J Ji^.Jjj^U
ten -der fal - lal - lal - lal - lay I ... . And ten -der fal- lal -lal- lal - lay! . And
m mw l€f Rf
m m mr^r TT-
r^^ra tempo
J-i
.J. J J el•
p c e p
#
ten _ der fal - lal - lal - lal - lay
fe- N K
Ah
*£ ^=£=
With
Ji
.J. i J ift*ten - der fal - lal - lal - lal - lay I
i
Ah ! . .
a tempo
.
£ i
With
^ @|«-=-
I*
3©
#
w ^ *fO£ S
147
£ m jj j-^u..^per- - - fume de- - li - cious, . . O flow-ers make fragrant the way
Nn— ^
fP3^m i
per- - - fume de - - li _ cious, . . flow - ere make fragrant the way !
J. J Jp—r r'f \ ^^/ I v
ze - . - phyrs, go car- ry Our oong to the Mas-ter of Alight, Who
^ fe.N V k—
k
s 1 K ^= fc=iw
Ze - - - phyrs, go car - ry Our song to the Mas-ter of Might, Who
#^i§E w IPS^P IIF 1*
£i
148
* Pe£
g d I Ji-J^f £eth to mar - ry The Rose of his fancys de - light , . . . . The
( mmmeth to mar - ry The Rose of his fancy's de - light. The
&mj= Bfa m pfe
ss Ii r i r ^'tt~r i : ' g^
i^ j^j-j'j^fj, j ji^.j jj^Rose of his fancys de— light, .... The Rose of his fancys de- light!
#P^ m ^^ tt \S hg
Zt£=
Rose of his fancy's de - -light, The Rose of his fancy's de - light
!
149
N?24<. SONG— (WUN-HI& CHORUS.) "CHIN CHIN CHINAMAN."
Moderato.
PIANO.
* mis-*Pm % \ ##^%
HTc^[£fwmpi'ti state:
il*
i*
j' H f H 1
J J JI
g e £ f rI
J J J^^W-H
1. Chi_na_man no mo - ney ma.kee Al - lo li - fee Ions,'!
3.When me get. tee catchee cheatee Play-ing pie.cee card,
Washee - washee once irn' ta-kee —
Chi _na. man they al . lo beat.^e —
f^ P P P= *P P
fe fe £ m N
—
s sfc=fc^c=c t=5^=£g P m r
W-H.
Washee - washee wron?! When me thinkee sl'sal.ee col.lars
Kickee wellee hard! When me ta _ ki.-e ni . cee pla . cee
P'licee - man . ee come;
Ma-kee plen.ty tea,
7
f 'n&n^ P P PCopyright 1896, by Hopwoud & Cn-w.
150
W-H.
i* \ \ \ H \ \ P JM-p»
—
V p—p
—
p- y—
rt~
Me get fi _ nee fi . vee dol.lars— Plen.ty muchee sum!
Get.tee me in more dis .gra.cee — Up they sell.ee me!
t
^
$ >J J J* ^ d dW-H P^FP d *
Chin chin Chi . na . man
Chin chin Chi . na . man
Muchee muchee sad!
Muchee muchee sad!
Me a . fraid Al - lo trade
Me a _ fraid Al - lo trade
U UJ prr-mT f
m WP=H yj,J'J M I Ph h t I
**^Well . ee well _ ee bad!
Well . ee well _ ee bad!
No.ee joke— Bro.kee broke— Ma - kee shut _ tee shop!
No.ee joke— Bro.kee broke— Ma - kee shut - tee 6hop!
M W g' I
'
r
mwm m#mW-H.
i§
CHORUS.„ lit SOPKAXO.8 a I £ J J*
151
I g EChin
2n«t SOPRANO.*
chin Chi . na . man Much - ee much . ee «ad!
m i £ I 5 fe § 5
Chin chin Chi - na - man Much . ee much _ ee sad!
TKKOR.
¥ g f f g rChin chin Ch i . na _ man Much _ ee much - ee sad!
mmBASS.
I i i i r
Chi . na . man uch - ee much - ee sad!
J* J" J* | J-—*AlHe a _ _ fraid lo trade Well . ee well - ee bad!
m w i i! J !< s
~9
Al
~m r~lo trade
1Well - ee well - ee bad
!
He a - _ fraid
He a . . fraid Al _ _ lo trade
m J J*
Well _ ee well - ee bad!
He a _ . fraid Al - - lo trade Well - ee well _ ee bad!
V
wm
158
No . ee joke— Bro . kee broke- Ma . kee shut . tee shop!
y* ;- g f g gp e ig
No . ee joke— Bro . kee broke-
% % g £Ma _ kee shut _ tee shop!
153
*DANCE.
S mmPIANCK P +
3S
:« wrf1
mm^
» #•- -" 3 "
^^ JrJgfC m £ * , »fs s^
^piigtfflLJ'ul p*J* mi
J-' >J*=£3
=«£*H U=BJ# , **Tf p§icoa i
S*M-k
& f
Piu
1»4
mmE mmmjj^jjJf
m-0- "^SLJ a
IU m
B ,ffn nii
/mi J^ j-n I
"U Lj igi tagiWW^a jTi
i
m f iglr^^3* it
i P^ ^•
I f *£M^Mz4m= ^p*~^?
/
^ 5 #j £Si
J'ffffif i ff f f f
y* LJfa g £
^ Hi
is:
N? 25. SONG.-(FAIRFAX & CHORUS.) LOVE! LOVEl
% Andante.
VOICE.
PIANO.
pmito&E
i~iu 2
^^isFF^= £
§^-^f-
*
37:
T
Oh,When
IT\
WWr*JE
to ^ S (5 \ N?=?=} w ^ s=m a i r«, *
of Love, Inlit - tie laugh-ing god of Love, Tn kind -ly mood you seem to be, Though
lov- ers woo in ac-cents soft, You laugh at hopes that prom - ise fair, And
te i i: c a ff p ?s tKLli
££ iiI
r' * r
»
3
ji^ tr
r ^^ :£=s \
/Oi
ij-I g J ^
EM.
sea- ted on your perch a-bove You smile at lov -ers' mis - er - y! Forstill you sit and laugh a -loft When love is hate_and hope des pair! As
m i wmm ^rm *%
&sm j : : :£ s*= S^ £
¥—y- *
—
Vman to you is but a toy, And yet you some- times deign to hear; Toclay with - in your hands are we, And yet you've eas'd my... heart's a-larms, For
U III:w e e **3
w I^ ^fcj o ;>
Copyright 1896. by Hopwood & Crew.
156
day you fill my heart with joy*
she who's all the world to meTo - day you give me back my dearl
Will soon be safe with - in my arms!
Tempo di Valse.
fe I T~ i J i
pin It'llto ^^g£ wAh!
te i JI ^J J.
Love! love! soft- ly you
Pf5
^Pf^
/a/a?
i
&£poco piu mnssn
i £pcall; Love! love! laughing at all! Mis - chiev-ous Cu -pid with
h\ i Jg-J § JfJ I
it JspJ jj ^^£ * 1
SfflSHMJ- ==*
HE z:3:
!±*rutt.
g^F^ ^**Pam - or - ous dart, Mans at your mer-cy for you rule his heart!
^=^ 5 3ft «—r^ ^-
* j J
Tiir
ggp^ f5 ?5C
I
*—0-S ^ J-Ldt^L3D
157
& u tempo di valse-
g=PE 1 ^ s=^=3 #-h^n
Love! love! soft -ly you call; Love! love! laughing at all!
1 r iJ- iuJm=f e r j i
j f^ggLove! love! soft-ly you call; Love! love! laughing at all!
iM<S^ ^^f • d.
Love! love! soft-ly you call; Love! love! laughing ai all!
*t^F^ ^^ ^^ f p -?*-*—»^
=fc±:
Love! love! soft-ly you call; Love! love! laughing at al
^Wt r ~Tf ^^ ^= q:ISQ • •' +
^Love! love! soft-ly you call;
H=& £ i
Love! . love! laughing at all!
i JMIf^ ^S a^ .*
iS frVHj-HI Iil =§§ H imi
^ j. t,J"r
i r rr
i
r r r i r~ 1 « f 'J- gg
piMis - chiev-ous Cu-pul with am-or-ous dart Man's at your mer-cy for you rule his heart!
m'i
J rn rr ^aMis- chiev-ous Cu-pid with am-or-ous dart,.
p£ m mmas*33*=*Mis-chiev-ous Cu-pid with am-or-ous dart,.
p& J.J l;J J^ F
J »Jf
s=:Mis-chiev-ous Cu-pid with am-or-ous dart,.
ss T *f-n»Ay j. j J irrrfea &=*==
Mis- chiev-ous Cu-pid with am-or-ous dart,.
^^ =p=*
si ^ i i «
f==
as^ =«=*: gEr
1f1^ ^s
168m dim.
mer - cy for you
i)K i J J-PK
=g=
rule, for you
feS| «g
rr\
rule his^1
jjJ g *=Man's at your
p£mer - cy for you
mrule his
J J g ' J J PMan's at your mer - cy for you
^te °| J Jd I
rule his
Man's at your mer - cy for you
ss mrule his^^ £M * is.
Man's at your mer - cy for you
P*^nrule his
mmP-
a r-
:e
«•
H9
—
~az
l.VJ
X" 26. SONG— "HEY-DIDDLE DIDDLE: WHEN MAN IS IN LOVE.
VOICE.
PIANO.
9 i^m
# p
gg^*#PP£*=£ ^ r
mN#-^f ^
^fe£
*=*=
f=£
CUNNINCHAIV.
^yy-j- jg
-1 ^L^^j-L^^^u
He's long-tag to mar.ry a dear lit . tie bride. So beau ti l\jl, ( hannjng- and
So come where the ban.quet is lav . lsli . ly laid — Our wel-Come is sure to be
mm£ m j j^=^ i—LUl
E- ; 1
- J " -'..-1^ s ^i;un.* d
sup . .pie That peu - pie will say, as he walks at her side, By
hear _ ty; We'll learn from the lips of some quaint lit - tie maid The
nirn j J-f J
r / f ji g
£
n ~w~ p
J' I J
Copyright 1896, by Hnuwnort & Crew.
160
CUN.j j j j- j^V
i c r~f I \*mp^m &£Jove! what a <rouil look, insr i'ou _ pie!
joys of a Ja - pan _ ese, par- ty!.^But wont he be wild when he
For dash _ ing young sai - lors there's
" a •T^T ^m $ ^^g
fi J J- s J =£J: I ICUN.
knows that we dure To
al - ways a charm In
laugh at hi« am _ or - ous ful _ ly,
flirt - ing with short or with tall ones;
H^ %
Be
I
r Ijp-- rm £f f ^ f
I* j- f i J j-i> i ^*P^Pp;un.
P. cause we in.tend to take jol . ly good care He does _ n't get mur_ried to
know I can do with a girl on each arm, And two on my knees if they're
m mm &\"
w^r
^=3am mf fi i IIPJUN.
Mol . ty!
small ones!
^f
161
CUN.
ForFor
£ P % \
1- I > r
hey - did _ die - did - die! whenhey - did . die - did - die! when
manman
is
is
in love
in loveHeHe
i F F=>=* £ I f
J-^K rV-^
% r r C P ^CUIM.-V ^^ fthinks that he's luck.y all
thinks that he's luck.y all
o _ thers a . bove Too . thers a - bove To
wed such a squeeze a . ble,
wed an em. brace, a _ ble,
jl|lrn
|
^ i
f
m i
i uj m^m M J £^^ i- p i
i=£ j j^ I 3PiipJUN.
Sit - on - your - knees - a - ble,
Pat - on - the - face .a ble,
Dear lit _ tie du _ ti . ful
Dear lit . tie du . ti . ful
I*
m m £ ^
^ i' J' J'i j. j i F=NCUN. P^
duck of a dove, su< h aduck of a dove, such a
dear lit . tie duck of adear lit - tie duck of a
dove!
.
dove!
162CHORUS
J-j£=* J- | J m
thinks
thinks
that he's
that he's
mluck
lucky
y
all
all
thers a
thers a
bovebove
mToTo
3sthinks
thinks
that he's
that he 's
luck
luck
all
alli^thers
thers
bovebove
ToTo
¥ ¥^P P^Pthinks
thinks
that
that
he's
he's
luck
luckyy
all
all
thers
thers
buvebove
ToTo
J' J J J"
thinks
thinks
luck
luck
all
all
thers
thers
bovebove
iT1 J
P
ToTo
£
zm m m ^
j
163
f F I'' I- P^Pwedwed
such a squecz - aan em _ brace
> | J J
ble,ble'
:fc
^E=iSitPat
onon
Pyour - kneesthe face .^^
aa
ble,ble,
wedwed
such a squeezan em - brace
ble,ble,
SitI 'at
onon
yourthe
knees _ aface _ a
ble,ble,
c c i : f f- F P^wedwed
suchan
squjezbra( e
ble,ble,
SitPat
onon
yourthe
knees . aface _ a
ble,ble,
3 ^m $wed such a squeez _ a ble, Sit - on - your - knees - a . ble,
wed an em . brace . a ble, Pat - on - the face _ a ble,
i
m ^ m m
j I I j £ni £Pdudu
ti
ti
ful
ful
duck ofduck of
dove, such adove, such a
m J x Jdudu
ti
ti
fulful
duck ofduck of
dove, such adove, such a
P^P Prdu
ti
ti
ful
ful
duck ofduck of
dove, suchdove, such
m
ap
dudu
ti
ti
ful
ful
dove, such a
dove, such a
ff- r r
f fr=r
m m 3
p
JV\° 27. SONG.- (MOLLY & CHORUS.) "THE INTERFERING PARROT.
165
Moderato.
PIANO.
$*.:P-Rl>
".yyr:j 1 I
1 3_^ • •
^Mi
# MO LLY. ^=£*f J. J. J
;
J-
A par. rot once
He left the poor
Ca . na . ry's yel
Of course there is
re _ si _ ded in a
ca.na _ ry -with her
low coun _ten_ance with
pret-ty gild _ ed cage,
spi.rits ra _ ther low,
jea.lous . y wasgreen.
mo ral, and of courseit's at the end —
Sar .
But
AndThose
£BS=fefe^feWT
cas . tic waswhen she got
when he met
fool _ ish young
his tern . per, and
her hus _ band homehis wife they had
ca _ na _ ries had
un _ cer . tain
her tongue be
a nice do_mesa mon _ key for
wasgan
his age,
to go.
tic scene—a friend,
HeIn
Till-
And
ssm
F^^^ 3^ mmm^mrn ^=iknew that two canaries had a - partments overhead Who'd on _ ly ve_ry re.cent.ly been
vain hetried cares_ses,and at.temptedto deny— The sil . ly lit.tle bird be.gan to
she withpockethandkerchiefand ht with sul-lenscowl, They hurried off (o 51T Jus.tice
as to all the troubleeach in turn was givingvent. They put the cunning monkey on the
3E
1± ± ±-
^m It . I A ,
Copyright I8')fi. by Hopwood & Crew.
166 CHORUS-1^! *.^'.><J SOPRANOS. MOLLY.
infe J i J. } J: J ]-.=53=3=*
•wed! They'd recent, ly been wed!cry! The bird be.gan to cry!
Owl! To Mf Jus.tice Owl!scent! They put him on the scent!
TKX.
pJ-^-JU
He kept an eye on all that they wereShe told him that sheknewhelov'd a _
He grant _ ed a ju_ di . cial se . par-He called up. on the par.rot in the
g i i
^^They'd re.cent.ly been wed!Thebird be.gan to cry!
To Mf Jus.tice Owl!They put him on the scent!
BASS.
i*-*—i %
They'd re.cent.ly been wed!Thebird be.gan to
To MT Jus.tice
They put him on the
cry!
Owl!scent!
CHORUS
mMOLLY.
£M:UnV£Jlli I
do . ing— An in . ter-Ter-ing parrot in a nas.ty frameof mind ! Andno . ther— A , shocking ac . cu . sajtion for a lit -tie bird tomake! And
_ a tion— And all because of Polly's un.sub . stan. ti . at .ed words! Andmorn . ing— No doubt the par.rot wonder'dwhaton earth he had to say! And
'" i i p *
N E Km N—'X S fr N S
An in . ter.fer. ing parrot in a nas.ty state of mind!
A shocking ac. cu.sa.tion for a lit.tle bird tomake!And all because of Polly's un.sub. stan.ti . at . ed words!
No doubtthe par.rot wonder'dwhaton earth he had to sav!
g| - * ||J
)l:* J. J
;
AnAAndNo
in . ter.fer- ing parrot in a nas ty state of mind!shuckingac . cu,. sa.tion for a lit.tle, bird tomake!all because of Polly's un.sub- stan-ti . at . edwords!
doubt the par. rot wonder'dwhaton earth he had to say!
i
r
m
r
^ m
T
i
i J. J
*
vow'il he'd stop their bill . ing and their coo - ing.
said she mean) to go an(' see her mo _ ther.
now they live in i . cy i _ so - la . tion.
'went for'' hiiii with -out the slight- est warn - ing.
i167
CHORUS.
fWhich
ATwoThe
Se
WhichATwoThe
m
,p yj vJy-M mWhich
ATwoThe
^ it
K-^-
T W
mm. ¥m5 ~n~
real - ly was ex-Ceed . ing . ly un . kind!
ve . ry sil . ly step for her to take!real.ly ve _ ry wretched lit _ tie birds!par_rot had a ve - ry hap.py day!
Ex.ceed_ing.ly un_kind!A sil _ ly step to take!
Two wretched lit _ tie birds!A ve - ry hap.py day!
£ i.J. J J. J fc=k m "nc
s
real . ly wasve . ry sil .
real . ly ve .
par _ rot had
e___.ceed_ ing-ly un _ kind!
ly step for her to take!ry wretched lit . tie birds!a ve _ ry hap.py day!
£ U trt J. J
Ex.ceed-ing _ly un_kind!A sil - ly step 'to take!
Two wretched lit - tie birds!
A ve - ry hap _ py day!MM¥ 12=1=3 ~TI~
~0~
real _ ly wasve . ry sil .
real - ly ve .
par _ rot had
exxeed _ ing.ly unly step for her to
ry wretched lit _ tie
a ve _ ry hap_ py
kind!
take!birds!
day!
J
Ex-ceed-in /:_ ly un.kind!A sil . ly step to take!
Two wretched lit - tie birds!
A ve . ry hap.py day!
«
—
• A.
w !!-£ w
as ^^ ^^r T
168 MOLLY.
9^-~m—andandandandPo l . ly
Pol_ly winked his eye,
Pol _ ly winked his eye,
Pol _ ly winked his eye,
Pol _ ly piped his eye,
Pol.ly gavePol.ly gave
Pol.ly gavePol.ly gave
sigh,
sigh,
sigh,
sigh,
AndAndAndAnd
i * t ' i * ia^ i tatai
11/ n vs. ^ I
PL W \ » • J
"
JfflS c v r » a)WJ a j « • a^ Pol . Iv
Pol . ly
Pol . ly
Pol . ly
Jf i> J r
tooktookboughtused
ft
his best hathis best hat
a Spe _ cial
a naugh _ ty
down;down;Sun.word.
I- g
HeHeHeThe
im i I ±=P= J f a ? f» *1
j 41:1
1, » .—i 1t a —J—1\J V m * *
i.
~1 :
J. *
£^£ ^IT!
called on Mrs C.
knew there'd be a fuss,
read the full re _ portmon _ key- when he'd done-
-*
—
andsoof
of
tea, Whenbus, He
what oc.curr'd in Court, Andfea . thers hard . ly one Had
took a cup of
jump . ing on a
iw ^
3^£_!L
i £m ¥
i
Mr C.
calU-il on Mr.chuc _ kled at
left up . on
had gone to
C. in
the mis . chief
the bad old^town;town;done;bird,
=T=
Then wise . ly wagg'd his
Then wise _ ly wagg'd his
Then go . ing off
He scratch'd his ach
to
ing
^ §f
i*=*head,
headbed,head,
m ^And se . ri . ous
And se . n _ ousCon .tent _ ej - ly
And rue _ ful _ ly
m'y
he
he
said:
said:
said:
said:
(Spoken.) 169
m"Well, hus _ bands are a
"A pret . ty wife you've'Thank good _ ness that's >all
"Oh, Sa . rah, ain't it
^=£ ST T
ggi —
* m m m mlot! A pret _ ty one youve got!
got! I see you've had it hot,
rii;ht! I'll get some sleep to - night-prime? I ve h;ul a beast _ ly time!^
Such tales I ne _ ver
And bless your heart, it's
A thing I can - not
Poor Pol . ly's feel _ ing
±
Ti m ^pheard! So dis _ so. lute a bird
true She's just as bad as you!
du When lo . vers bill and coo.
bad— Oh, what a day I've had!
fr—I ne . ver met be
.
Di . rect . ly you are
They won't an.noy a
I'm sor . ry on the
=f
SE
gSfc ^^- fore! What go . ings on! Oh, lor!"
gone — Oh, don't she car . ry on!"soul! Poor Pol _ ly! scratch a poll!"
whole— Poor Pol - ly! scratch a poll!"
534 EZ
i
170 CHORUS.
fw i^ *m^Pol.lyPol_lyPol.lyPol.ly
*
winkedwinkedwinkedpiped
his eye,
his eye,
his eye,
his eye,
and
andand
and
Pol - ly
Pol - ly
Pol . ly
Pol. ly
gave
gave
gavegave
a sigh,
a sigh ,
a sigh,
a sigh,
AndAndAndAnd
'J
- j i I i p i p ^Xz
Pol.ly
Pol.lyPol.ly
Pol.ly
winked
winkedwinked
piped
his eye,
his eye,
his eye,
his eye,
as
and
and
and
and
—fc
Pol . ly
Pol . ly
Pol . ly
Pol . ly
gave
gave
gave
gave
a sigh,
a sigh,
a sigh,
a sigh,
AndAndAndAnd
^2=
Pol. ly
Pol . ly
Pol. ly
Pol. ly
P
winked
winkedwinkedpiped
his eye,
his eye,
his eye,
his eye,
P=f
and
and
and
and
\
Pol . ly
Pol . ly
Pol . ly
Pol . ly
Pgave
gave
gave
gave
a sigh,
a sigh
,
a sigh,
a sigh,
I! I I
AndAndAndAnd
^ ./
i it
rf^fl LV
IS
jf \p [> •l R^ b \ x a _P(fo
" -L
—
j -. a
—
»~
• 7
^J2—
Pol .
—
•
•-f#— • •
—
r took his best
• ' #i —hat down; He
Pol . i-s< took his best hat down; HePol . Ij' bought a Spe cial Sun. He
I
Pol . 1} used a naugh ty word. The
yi
r>
i?_ b m a m . m ' *ffh
™ r r r r * ' , i rw) U L" r•J P k k y
Pol . 1} ' took his best hat down; HePol . h' took his best hat down; HePol - i> bought a Spe cial Sun. He
*):11>
Pol - iy use
s,
J a naugh ty wo rd. Tr e
\—J-Pol .
i
took his bt'Sti
h
i
at
<2-= «*
down; HePol . i> took his best hat down; HePol . '> bought a Spe cial Sun. He
a ,],
Pol . i* us>_*d a naugh
I^1f
t
i
f word. The
*
HK=F==k=z ^ P f. 1—
£
s n i i 1
UD r^ -!-*J «
r r 4
it .1 ^4V , I, uI" * w' b* V J 1 i
9M
41f
j
^fc±p m
called on Mrsknew there'd be a
read the full re _
mon _ key when he'd
K
C.
fuss,
port
done
andso
of
of
j, jjj .i. mtook a cupjump _ ing on
what oc - curr'd
fea_ thers hard .
S fc-
of teaa bus,
in Court,ly one
WhenMeAndHad
m*=called on Mrs C.
knew there'dbe a fuss,
read the full re _ port
mon _ key when he'd done
snd took a cup of tea Whenso jump _ ing in a 'bus, Heof what oc _ curr'd in Court, Andof fea . thers hard.ly one Had
m g J-. $ J!
J'. m\ called on Mrs C.
knew there'd be a fuss,
read the full re _ port
mon . key when he'd done
and took a cup of tea Whenso jump _ ing in a 'bus, Heof what oc _ curr'd in Court, Andof fea _ thers hard- ly one Had
IS ^T f ^r rs
m^l". 27 3'. 8 Last.
Szl:-0
Mr. — C. had gone to town-called on Mr C. in town.chuckled at the mis - chief done,
left up. on the bad old bird.
$ i ].}].}]3=f=£ Iat ^
Mr. _ C. had gone to town.called on Mr C. m town.chuckled at the mis - chief done,
left up.on the bad old
IV N.
biru.
*m i.ti.*' mv
— * *Mr. C. had gone to town.
called on Mr. C. in town.chuckled at the mis _ chief done.left up.on the bad old bird.
172
N?28. FINALE— "BEFORE OUR EYES-
SOPRANO.
ALTO-
TENOR.
BASS-
PIANO
$Mm
Bae
*—#
r i r g r
^Be _ fore our eyes The pros.pect hes Of
m • i m « m
^=g
Be - fore our eyes The pros, pent lies Of
m N . .
Be _ fore our eyes The pros_pt;ct lies Of
4-j. ; i j i
j- ^Be _ fore our eyes The pros.pect lies Of
m&jm
m^^i^
r=r
^ i
u^J ji
J- n J. iiJ J Ji i £#^Mrich and fes.tive fare, With cups of su _ /Ire' rare To toast the hap . py
EsSg ' * » «•
rich and fes.tive fare, With cups of ,?u . kr rare To toast the hap _ py
rg r r u" P-t^r r p r^F ^
—
p-
rich and fes.tive fare, With cups of sa . ke rare
aTo toast the hap _ py
#E5feii rr j j M" j ir p a a r
rich and fes.tive fare. With c/up^ of sa . ke rare
+$++ 1 ite
To toast the hap . py
, ,f-ffgfe -g-
1=1 » 9 9~±-
n pf j f #f# jip— =M IPCopyright 1896, by Hopwood' & Crew.
iP 1 I it:
/ I
^pair. No won. der then That maids and men D _ nite in Hy.men's praise,
173
And
¥ £zzz
pair. No won.der then That maids and men - nite in Hy. men's praise
till ^J * IZ ^H- r I
^ And
1 #-=—1»
aipair. No won. der then That maids and men D - nite in Hy.menV. praise,
ifr-^j j i
J- Wu-;r r
And
pair. No
9^
won. d*r then That maids and men U . nite in Hy.men's praise,
•—r»g±1=4 9-=-
AnJ
is r
a # A-
r=F=* f r 1jTiiiis^
Tempo di Va.lse-
m*~.—
K
f # mm m
sing their joy _ ous lays, their joy. ous lays!.
^m iHnn=^m I
sing their joy. ous lays, their. joy.-_ous lays!
fftf'
sing their joy lays, their, joy - ous lays!.
m msing their joy ous lays, their joy _ ous lays!
Tempo di Valse.
£ f # 4
174
fe -jS-r-
Hap - py Ja - pan,
f
i
j Jr
J - '
i
Gar- den of glit- ter! Flow, er and fan
a m mHap - py Ja - pan,
^Gar . den of glit - ter
!
Flow _ er and fan
P P P 1*
r r mHap . py Ja - pan
,
mGar- don of glit - ter! Flow, er and fan
iP r
jir
'
i r
^
Hap . py Ja . pan,
Gar-den of glit- ter! Flow.er and fan
i£
an-i-J. ^a .l^ j-j. ^j- u.
p p^ M ^ ^ r f
i J J . i J J ^^Pp
Flut . ter and flit -ter; Land of bam _ boo, (Ju - ve.nile whacker!)
1P P a m
Flut _ ter and flit . terj
Land of bam . boo,
^(Ju . ve - nile whacker!
p m p P—1»
r r r i r rFlut _ ter and flit, ter; Land of bam - boo,
m(Ju - ve . nile whacker!)
J J llj f• r '
^ i r ^ ¥Flut . ter and flit -ter; Land of bam . boo,
" £ a.-
Ee
h§ i-i^
t- <gL
J-4.
±
(Jn . ve _ nile whacker!)
#
PJ=4 I J -i-J. J-J-
£ T i"
175
m j j j i ji» m«
Por - ce _ lain too, Tea-tray and lac . quer! Hap_py Ja . pan,
&=m -•—•- J J J i - i .
Por - ce _ lain too, Tea-tray and lac - quer! Hap _ py Ja - pan,
fe J r Ji
J -i P^Pfr^r ' nrPor - ce . lain too, Tea-tray and lac _ quer! Hap.py Ja _ pan,
Si #^r^ * M Jg
P• * *
Pbr . ce - lain too Tea-tray and lac _ qner! H.ip_py Ja - pan,
176
K? 29- QUARTETTE— "WHAT WILL THE MARQUIS DO?'(MIMOSA, FAIRFAX, CUNNINGHAM & WUN-HI.)
PIANO.
J* l J" t ? IP=P^f
(FAIRFAX.)When he finds that his dear lit . tie love - bird's gone, Oh,
(MIMOSA. (When he finds that his dear lit . tie bride has fled, Oh,
P=*=^ f ^ f^Pm PP
« J I J J^ i J- J J J' l s£u-/iur will the Mar - quis do?
uhitt will the Mar - quis do?-
i P™f ^^Will he fly in - to a ratfe, Or
If he is _ n't tuo up - set He'll
*E
r lj- r r
^ p^pt-j
fjj-jj- i «i*J J«J ! J f-v s
fill the emp.ty cage With an - o . ther lit . tie bird- or two? ......"... (CUN.) He'll
mar.ry Ju_li_ette. And a . dore her fur a month— or two! (WUNHi.)M''
;#^ ^ #SP3 f^FT r
^ ^E ^ smm
177
>» f^W j ^ r m\ i i t
vow that the ce . re . mo _ ny must go on— With sump lit . tie girl or
think that he'll break.ee break.ee Wun - Hi's head Some b.id luck.ee day or
4 i r~r r¥m «*^X^3
fc g » * it *And I fan . cy he'll ad - mit
If no heat . ee me with stick,
m
That he
Then he
~w
^ ^==£ a j' j1
j' j ^m*«does - n't mind a bit
;
For
giv - ee me a kick— But
one of them is ve _ _ ry like an
one of them is well . ee like an
9 £ >—-B^ " H
£ ^ 4*
#H^ £ i i i I $$
i^ther!
ther!
Fur one of them is ve _ _ ry like an
But one of them is well _ ee like an
fc
o _ ther!
o - ther!
Jfc
178MIMOSA.
I=Pm m JJ^rg r
JOh, what will he do, and what will he say?— Will his lan.guage be' im_proper In a
WUN-HI.
i/ ' / p P 1/ / I K3PPP K l fc ft iH^mrlw^
Oh, what will he do, and what will he say?— Will his lan.cuage he im.proper In a
FAIRFAX.
| AJ> | | I , |EEg § \ 1l* J'r r r IP
sOh, ii-Aiif will he do, and what will he say?— Will his lan-guage be im.proper In a
CUNNINGHAM.m m m m zm
\ % g p f r F f i 1 1
1
rP
I [f BEEOh, it'/iut will he do, and u.-Aut will he say?— Will his lan-guage be im.proper In a
fees jPh P i f Jgp ^S i=^ P ^# £ E—
N
i b j g Js=* ^Mf> fJa -pan _ e - sey way? He may do what he likes; he may say what he thinks; But we'll
I k m : M i f^ iHH t 5=?/ F y
Ja _ pan - e .sey way? He may do what he likes; he may say what he thinks; But we'll
dlJJtt* I g 1 1 f j* j> J J Ji
J J J n-r- J ^Ja-pan.e - sey way? He may do what he likes; he may say what he thinks; But we'll
!f* f f f £ g g H p j ^
s k M ^ f=?I / £=-&=£ V V
Ja.pan.e . sey way? He may do what he likes; he may say what he thinks; But we'll
m w w 1 d« E
at £
179
j MM j*J ^ j*i
j* j* j* j*
pop a lit .tie stop-per On his jol_ ly, jol-ly jinks! Oh
i * e e i p iF ^ JJ j<5=? g fr g
: = f g g I g PVfz rrri£=3
pop a lit . tie stop.per On his jol-ly, jol-ly jinks! He may do what he likes; he may
m ar 1— 1
\ g T F g P g |l * ' ' J '^ P E P g
pop a lit . tie stop-per On his jol-ly, jol-ly jinks! He may do what he likes; he may
»M-Hg gg m hwj I jjij- g'K gpop a lit - tie htop.per On hi6 jol-ly, jol-ly jinks! He may do what he likes; he may
S ^P K V.
5—
J
^ i ^fct P^¥
what will he do, and what will he
f= f,;/ ; j.jU'J'g i
f g^^
i VfiJ'J' J psay what he thinks; But we'll pop a lit.tle stop.per On his jol.ly, jcl-ly jinks! He may
j tJ'* I J j lJ' Jg»
|S g J'J^
|
'
l
f g,J^^
say what he thinks; But we'll pop a lit-tle stop.per On his jol.ly, jol-ly jinks! He may
g p tJ ^ J j p i
J1m l J'J^tr*^ J ff
say what he thinks; But we'll pop a lit-tle stop-per On his jol-ly, jol-ly jinks! He may
i a np« a^b mi^3 ^
180
say
.
fe3he may say what he think.-.: But we'll pop a lit.tle stopper On his jol.ly, joLly jinks!
L Oi
f*£ £ P E HE EEEfEE ! ??? ?£? ? £ I fffffff I
do what he likes; he may say what he thinks; But we'll pup a lit-tle stopper On his jol.Iy, joLly jinks!
wm m^mmmmmmmdo what he likes; he may say what he thinks; But we'll pop a lit-tle stopper On his joLly, joUly jinks!
. - - - fc S *frm i m 'ffif }*&}}\ttt&&*m?iat*
do what he likes; he may say what hethinks;Bnt we'll pop j lit-tle stopper On hi- joLlv, jol-ly jinks!
m ^5 %
^to f /=i S gSDC.
DANCE.
181
JV.° 30. QUARTTETTE- "JOLLY YOUNG JACKS ARE WE.
#Allium vivo.
PIANO.
3t=z
P?
^mmm
p n*»;
FAIRFAX.
m *
$^ Half - round
We've seen
the world we ve
all *orto and
boys. Onloo— Some
Smm r
w^i ^g^p
plea - - sure
ra - - ther
i
anil on du _ _ tv —qaair.t - ly dre.--t>'d ones;
At
But
Jl^£
ev' _ _ _ ry port we've
give me eyes ofmw
^m wmr
m m t j iCUNNINCHAM.
known the
Eng . lish
joys
blue-
Of same be _ witch - icg beau _ ty!
Be _ _ . lieve me, they're the best ones!
ft ^ SThe
That
* S:^ ft i
182
$ mChi .
. pie maid from
nese girl I
6un .
could
¥
I I 1 1 j iny France, Who blush'd and
n't stand With feet of
seem'd
small
to
' di
H i i If
^E t=t ^mfe i i j. i ^
fal . . ter-
_ men - sions,
The
Or
Span . . ish girl weGret . . chen from the
met by chance WhenFa . .ther- - land, Who
i f S: i m^IE &
£ ^ CUDDY.
stroll
ask/d
ing
us
through Gib
our in .
ral _ _ tar.
ten- -tions.
Give me a girl from
Well, a _ - ny you don't
t M=WCE * H1
l@ j-s=S
P^^ i
j^f
ALL.
time! I
out! y
m jN J MJol-lv young Jacks are we,
rfr
Mer_ ry of heart and gay!
^P PS ?Ml!Ill?? y * ** ^
V :
li |gj yy i i3C^C yy i 5-y-y- =F=^
S 3 J I V ^ =£p^PP ? PSons of the roll _ iag sea Homage to Beau.ty pay. What if her eyes are
m ir=f r=r CfEf* o # V * *
to ; 7 ^^y y M-r- *| yy :sr¥ t=2=^£-«=rj* 5^
i ^ j j nJJF^3dark?- What if her eyes are blue?- Beau-ty is fuir Ev'_ - ry- where If
PSl » SiS3£^ aP*^ =7=?=
4r r
s i f^ffy ! E y !:^y==y=y:
y y _ =?=? £ EO I? i
iH
* * */"
^3
lOi
^ 3^r^*' w 2V
PP ^Bcau.ty's the girl for
feyou!
IV
Beau.ty's the girl fur you!
»- >
$ 7' 9
i
_ #i y ^ EE 1 y ljL 1 ^ ;^=Fg=^
^ y y =7^DC. I
184
m m j J J M u^^pfJol . ly young Jacks are we, Mer.ry of heart and gay!-
- ^ -T # *•
Sons of the roll-ing
• 9-•9-5-
//
^^1 zMdkjJ cJtf# ^*
*^* *»^t=*
>j j i j ^N=£^ ? 5s
Homage to Beau _ ty pay. What if her eyes are dark?—
^ ^m9-±- ±=m 3=E
^mm#=4* Bg!t3 ta-^ £3
P ^ ^J- I JJJ s£rt>w* J 0 0-
What if her eyes are blue?— Beauty is fair Ev'_ ry -where If Beauty's the girl for
g » * •i 1 f iti
^ ii>i» » I =y=yfc
BE
EE
II?V '
l» fi
toT=^
185
N?3I. SONG— "THE JEWEL OF ASIA.
WRITTEN BY HARRY CREENBANK.
Andante e ben marcato.
COMPOSED BY JAMES PHILP.
PIANO. ^ §
E
fai j r j g
Ml
N^P^ *Ee£ £P3r ease1. A small Jap_an_ese Once sat at hei
«.But when he came back (A - las! and a _ lack!)
%
£3 i £
In a gar _ den cool and
To that gar _ den cool and
=5^ zz:
"!/
S ^ i IS v i=£ =£Wl mm m m
Whensha
sha dy,
a fo_ reign _er gay Who wasThe fo _ reign _ er bold Was de _
in j] j mj ij ^^pp -ti
/=
* fc*1pri^ &y=^ V—v-
1^p —'—r*pass_ing that way Said, "May I come in, young la
_ci_ded_ly cold, And talk'd of an Eng _ lish la
dy?" So sh"
dy. With his
m m m¥ W * mf
m fit $ m&
By arranifeineiit with Messr.
s Willcncks 8c C? Ltd.Copyright 1896, bv Hopwood 8c Crew.
186
M J Jr r r Hr^'r c r
|J- i =»B
o .. pen'd her gate, And I blush to re_late That he taught Ja_pans fair
heart in a whirl For the lit_tle white girl,, He de _ clared how much' he
ii—sn-A] ,W r l j
m j j Mvj < i is i^^ =^r
inni 4k£Wjtj j
j i ,
:i,j j rf i. j;u
r
r.r o^-^dauj;h _ ter
missd her,
To flirt and to kiss Like the lit _ tie white Miss WhoAnd for _ got, if you please, His poor Japan., esc- For he
p &£jL ?
bLTXi tpd;s u n a-
Hilli
i -W ^ IHI3jj35 ^;•«//.
iEES? £^ Dt'licatu.a tempo. m
lives o'er the west _
ne _ _ _ ver. .
.
e _ _
#_ ern wa . _ ter!
_ven kiss'd her!
r> *
He call'd her the jew_el of
But she was the jew_el of
m inmrail:
m Q-A*life! inpi
# ^ isia,
sia,
of
of
AA.
sia,
. sia,
of
of A_ _
sia,
sia,
But
The
jrtfH* ijwf i
sf ^^
187
*=3E ^^^ i=n9 r * i
m •
she was the Queen of the Gei_sha,
beau_ti _ _ ful Qu.en of the Gei _ sha,
the Gei _ sha,
the Gei _ sha,
# W ¥
the Gei _ _ sha; So she
the Gei _ _ sha, And she
' 4ZS±m^^r=r=r wm 4
^
gp 1 i J f jg-!Mw
J J^J jJ'^K J jji=^iF£$laugh'd, 'Though you're rea-dy to - day, 6ir,
laugh'd It is just as they say, sir-
To flirt when I flut-ter my fan To -
You love for as long as you can ! . . . . A
|e4 H flf=p= ifc=*=£ Pi ^frg
c~zqK
fcilll£ If
Jef £
J J r g-#
ad lib:
J J r J J fmor _
month,
row you'll go
or a week
,
1
on your way, sir,
or a day, 6ir,
For_ _ get _ ting the girl of Ja
Will do for a girl of Ja
jji JIJJ
a fag j mi
^rT|
// colla voce.
^ -4i i*^
_pan!'
_pan!
'
WW i** i
fc
l^i
ft ft*Sa. D„c.
188
N? 32. SONG-"l CAN'T REFRAIN FROM LAUGHING."
MUSIC BY NAPOLEON LAMPELET.
Allegro ginsto.
PIANO.
2fc
/
mmoito riten: a tempo-
*=*
C-J ^mm c i g m i
oi—
g
?=4=r=£^jp£ MM r , l
ibWP iFine.
fModerato (laughing.)
^ J J J J [J J J J f f J^J-IJ 3'/ d * -
fc
-M if JU.
4 ' £ # •
—
v—m m m • j
I can't re_frain from laugh _ ing for I'm tickled by their plan Ila! Ha! Ha! Ha! Ha!
Now marriage is a mat _ ter far too se_ri_ousfor chaff Ha! Ha! Ha! Ha! Ha!
idbc
p fr3
p£f^
3=r
Ha!Ha!
**
IW9
* ^^ mHa! Ha! Ha! Ha! Ha!Ha! Ha! Ha! Ha! Ha!
Ha!Ha!
A Gei _ sha's much too
And yet it's so a _
S J=
# fe fc fc fc5 g :S £ rr g
g
i
f M; g '-• gcle _ ver for a no _ ble of Ja _ _ panmus _ ing that it on _ ly makes me laugh
And if they are sue
I'm long _ ing to be
i—p ~0tL- ¥rail:s *
r. g j i J; j n
J 5 i
\cess_ful, they'll be a
mar_ried in the
ble then to
ent _ al
boastmode
*if.
#
ma tempo.
* m £With par _ don _ a _ ble gleeYet when I stand be _ _ side
P^ | fa fae*
^^ i j|
190
S fc fe
V- ^ *.
Wher _ e _ v£r (hey may beMy charm _ing lit _ tie bride
How neat _ ly they haveOf course I shall be
~9 9 9 9 9 * 9~
got this haugh _ ty gen _ tie _ man on toast!hap _ py, but I know I shall ex _ plode
Ha! Ha! Ha! Ha! Ha!Ha! Ha! Ha! Ha! Ha!
%Me S $P%Ha!Ha!
Ha! Ha! Ha! Ha! Ha! Ha! Ha!Ha! Ha! Ha! Ha! Ha! Ha! Ha!
Ha!Ha!
REFRAIN.
V feg
^^^ = fr * ^NiHa! I'm tickled by a • tri _ fie it is
>4 mH M m r r '
m
191
m ^^=^ e *^=^-
I can _ not see a joke that o _ thers
J'j J Ji=i3^E w i§=^==^^=^
do, do, do, And of - _ ten laugh at some _ thing I should
PP^ J § J1
riten:
te-
^m t y i ^ .not
.
mHa! Ha! Ha! Ha! Ha! Ha! H.,! Ha! Ha!
.J i t
a tempo.
E^ ^
192
*=*=
Ha! Ha! Ha!
1
And, of _ ten laugh at some, thing I. should
3^E P^f
in } i i_r, r^r ,
\ % £ £ i | £ £
does _ n't mat _ ter what? Ha! Ha! Ha! Ha! Ha! Ha! Ha!
r rJl
r ril g
*&f=£ zt
*±% * V ^ £=£Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha!
jMi_m m
rati:
mm
1
E
f
a tempo.
D.C.
N?33. SONG—"THE WEDDING.
WORDS BY ADRIAN ROSS.
Allegretto.
193
MUSIC BY SIDNEY JONES.
VO ICE.
PIANO.
dfc
\ j j I
*= Hig:
J^r^l§3
l.Then2.Per_3. For^
giP*
»r r r sB^m^PmP^
j j i- j K~
K
E= c
r r r g t=? m—m-
dk
come and join the beau _ ti _ ful feast It is_n't a time to tar _ ry. .
.
_ haps you Bri _ tish think me a brute, In your man _ _ ner phil _ an_thro_ pic
why should a daiu_ty Eng.lish girl A sil_ly young Bri _ tish tar kissIs.
1 SOPRANO-* m s
TVIn your
A2n.d SOPRANO.
j ! r §
uIn your
A
#iTEXORS.
j i3 j
BASSES-In yourA
ai g^E iuIn your
A
=*=*= S V j $ ^=^= ^=H= WJU T~r<—*—
•
i
—
2—
«
91 PCopyright 18T)7, by Hopwood 4- Crew.
194
a- jl
IS
mansilm
*_ _ n't
iy
a
_ ner
young
time
phil
Bri .
to
. an _
tish
tar
thro
tar
ry. .
pic.
kiss
.
PFor
At
When
mIS
mansil
_ _ n't
iy
a
_ ner
young
time
phil
Bri .
to
an _
tish
tar
thro
tar
ry •
pic.
kiss
q I P—b"
—
a
_ ner
young
is
man_ _ n't
msil iy
time
phil
Bri
to
an -
tish
tar
thro
tar
pic.
kiss
mIS _
mansil
n't
iy
_ ner
young
time
phil
Bri
to
an .
tish
tar
thro
tar
ry
pic .
kiss
gp£
¥ *
i¥
j i
JrVl rL/ J
' ^^all the best of West and of Eastpre_sent I must de _ cline.. dis _ pute
she can mar_ry a belt _ _ _ ed Earl
Is spread on the day
On the mar _ _ riage pro _
Or a most meg- ni _ fi _
I
blemcent
mmWM m ^ m
ginmar. ry..
to _ pic.
Jnur- kiss- m^=£
19&
1SoI
She^ P ^^Is spread for the day
The mar _ riage pro
A most mag _ ni _ fi
I mar_ry....blem to - pic
cent ' Mar-kiss'.'.
,
i I I m mit..
$
Is spread for the day
The mar _ riage pro
A most mag _ ni _ fi
I mar. ry. . .,
blem to - pic.cent "Mar-k ties.
'.'
m : i J i^ W f^=£Is spread for the day
The mar _ riage pro
A most mag - ni _ fi
I mar _ ryblem to _ pic..
.
cent "Mar-kits'!.
;>» i m 1 \if I J mIs spread for the day
The mar _ riage pro
A most mag _ ni _ fi
I mar_ ry.
.
blem to _ pic.
cent "Mar— kits'.
tmy y
m»* * ^P
t m Mfol _ low me in
grant ex _ pe _ ri
may be skit_tish
and lift the latch, And drink
ence may have shown, That tak
and make a scene, But I
good health
ing one
shall smile
to the
wife and
in a
SZl mf fr r
m i m r ' ' t
196
pre _ _ sent match, And clear the board with a hap - py des_patch, Thatone a _ lone Is ve _ _ _ ry well in the tern _ pe _ rate zone, Butstyle se _ rene, And she will be as the rest have been, As
S'l i I Ie£^ ^§f T r
$* ji / ^ gP P
_ i _ kar_i . . .
fie tro_pic . .
ny Barkis . .
I
is. nt
I amwilling
a
as
har _
tri _
a _
ThenFromFor
—9~
That
But
As
i _ kar_ i . .
fie tro_pic .
ny Barkis. .
$ I 9 j
is _ n't
he is
willing
K~
a har
a tri
as a
—W~That
But
As
is _ n't
he is
willing
a har
a tri .
as a
i _ kar_i . .
fie tro_pic .
ny Barkis. .
it 1 I
^That is _ n't
But he is
As willing
a har
a tri -
i _ kar_i. .
fie tro_pic .
ny Barkis. .
tttt mi 1 i
f ^That is _ n't
But he is
As willing
r
m m m0m,
a har _
a tri _
as a _
i _ kar. i ,
fie tro_pic
ny Barkis.
1,1l] £53
i fc
w t 1 1
1 g j » :
i97
* =£ mmer_ ri _ ly pour a glass uf champagne, I've tried it be_fore, I'll try it a _ gain
iI'll
hav_ing one more why should I re_frain, I've done it be_fore, I'll do it a_gain,I'll
when I a _ dore- it is not in vain, I've been there be_fore, I'm go_ing a _ gain, I'm
Smiig s iM 9 9 9
i i
mi m i ! i
as di _et,
go thro' it,
so knowing,
3=9= p^ppHe'll try it
He'll do it
He's go_ing
as di _ et he's tried it be_ fore, And hell try it again and hell
go thro' it he's done it be_ fore, And he'll do it again and he'll
so knowing he's been there be_fore, And he's go_ing again and he's
N—fcs=9=9= f Ytz=F V V V
He'll try it
Hi'll do it
He's go_ing
as di _ et
go thro' it
so knowing
he's tried it
he's done it
he's been there
be_ fore, And he'll try it
be_ fore, And he'll do it
be_ fore, And he's go_ing
again and he'll
again and he'll
again and he's
J J J J J hyiUUi=9=?= 3=9=
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He'll do it
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as di _ et
go thro' it
so knowing
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he's done it
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be_ fore, And he'll try it
be_fore, And he'll do it
be_fore, And he's go.ing
again and he'll
again and he'll
again and he's
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be_ fore, And he'll do it
be_ fore, And he's go_ing
again and he'll
again and he'll
again and he's
198
S^ m/^1**~& 2".d
I'll try it
I'll do it
I'm go _ ing
—9 9 9~
I'll try it a _ gain.
I'll do it a _ gain .
I'm go _ ing a _ gain.
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3.
Per.
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s^fe Ptry it
do it
go, ing
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He'll do it
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do it
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do it
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do it
go _ ing
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He'll do it
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3rd tim.-.
DANCE.
199
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200
N?34. SONG— "MOLLY MINE.
W'OKDS BY
ADRIAN ROSS.
Music by
SIDNEY JONES
Andante.
PIANO .
Hvvi- > J-
J
1
1 1 J- i r ^Here a.mong the flow.ers,
You dis- trust, ed me girl,
Mol . ly
Mol _ ly
mine,
mine,
fefes m ppi» ^ I
he=£ ^=^=S£
*Kb ^s^ ^^-#-^
Mm . utes go like hours.
Turned a mim.ic - ted girl,
shade
Fair
or
and
shine;
fine:
^^ ri
Copyright 1897, by Hopwood & Crew
f ' ' *f
^=^
201
By the golden gra - ting
Now, too late the dan _ ger
£WhereYou
you
di
pine,
vine,
m rail.
1i iSEI _ die I am wait . ing
Cap _ tured by a stran _ ger
Mol . ly
Mol . ly
minemine .
m a tempo
=F=^ J. | j 1 1 n ifMol - ly,
Mol . ly,
Mol _ ly
Mol . ly
1I have strayed in fol . ly,
playcl with like a dol _ ly.
ta^-^-e—
»
t>—£&*.i.
J / y #=p=eifefc
n. \,
i^—
^
t i t^ ' £ 3m ^ g
3-- 1 p»
« a ^^Far from you my dar-ling true and left you wnit-iug here;
Just a toy to be the joy of one you hate and fear-.
202
feppP ^ V y j-rs. hrmAh for. get and par _ don, Make my heart the gar . den,That you shall be nev . er, Mine you are for ev _ er
,
Where there blows my Eng.lish rose, my Molly Molly dear.
True and tried my Eng.lish bride, my
fej -m i J5 m IPmwm
a tempo
$mF
fcS£
OT3 n. in
^*
Mol.ly Mol . ly
0\
dear.
Sp
!^rtfW
ygtf.
id
f ; M * i j
o»
T" J'hFt-./.
F:/w.
*
203
VOICE .
PIANO.
%
N?35- SONG— (IMARI & CHORUS.) "IT'S COMING OFF TO-DAY.
Allegro moderato.
I i;
1 \ 1 | ^^Oh, Im long - ing to be mar- ried, ForWhen the te - re _ mo - ny's end _ ed, The at
I am go _ ing to the mar-riage In a
*E^EiEE^EE$=5E ^=^*=*^
ba_che-lor Ive tar-ried Ra_therIrat-tions will be splen-did For the
new- ly- paint -ed car-riage, And the
long- the !a - dies say; Ve - ry
folks who rare to stay; Quite re.
band of course 'will P'ayj The de -
Copyright 1897, by Hnpwond & Crew.
204
of- ten they've re _gret_ted That I wias_n't to be net-ted-of_ ten they've re _gret_ted That I w5s_n't to be net- ted— But at
-gardless of the prices, There'llbe straw-ber_ries and i - ces From the-mandso ve - ry large is That they're put-ting up the charges For the
P^ilast they've got theirshop a _ cross thewin-do%vs on the
$r \'
\ Q\\\ tnwiuiit mway!way!way.
Yet I shan't re-gret my ac-tion If the bride gives sa-tis_ faction, And if
But if a-ny-bo-dy present Ut-ters a - ny-thing un_ pleasant Of theIve some tenants in pos- session On the route of the pro-cession But a
i 5 £ PiUii i I } i- ipg p^not— she need-nt stay;
bride and bridegroom gay,week-ly rent they pay;
But she's dain - ty and de - li -cious, So theI may just as well re-mind him That heSo in spile of all their shin -dies, As I
y m * } i m \ m EJ' I
J -J^^wedding seems aus-pi _cious, And its
leaves his head behind him— For it's
want to let their windies, They are
coming off to - daycoming off to - daycoming out to - day
To - day!To - day!To - day!
ToToTo
205
_ mo - ni - a'l en-deavour Will be bet-ter late than ne_ver, And it's comlaiiyh at me he chooses, Then his head at once he lo-ses, For it's complace of ob- ser _ vatiim At my jol - ly ju - bi _ la-tion,Which is com
ing off to
ing off to
ing off to
- day!-day!
/ q sop. i&a.
ToToTo
day!day!day
!
to
to
to
day!day!day!
In spite of long rie - lay,The pe - nal-ty he'll pay,111 make the peo-ple pay
m 3sk
Ma-triIf to
For a
£3E ?^f ESToTo
TENOR . To
dayjday!day!
to
to
to
day!day
!
day!
iIn spite of long de - lay, Ma-tri .
The pe - nal-ty he'll pay, If to
111 make the peo-ple pa,v F"or a£^ i=P^f mBASS,
ToToTo
day!day!day!
^s\-
£to
to
to
day! In spite of long de -
day! The pe - nal-ty he'll
day! Ill make the peo_ple-m m—
lay,
pay,pay
Ma-trj .
If to
'For a
PP^ ^mToToTo
day!day!day!
to
to
to
A.
day!day!day!
In spite of long de -
The pe - nal-ty he'll
1 1J make the peo_ple
lay,
ray>pay
Ma-triIf to
For a
206' 1st fc 2iid. I#fe s. (S N
, K _ „ k, - K\ '1st & 2ndJ£
-mo-ni-al endeavour Will be bet-ter late than never, And it's
laugh at him hechooses,Thenhishead at once he loses, For it's
place of ob_servation At my jol-ly ju -bi _ lation Which is
comingcomingcoming
off to- day!off to- day!off to - day!T*
_ mo _ ni
laugh at
place of
- al endeavour Will be bet-ter late than never, And itshim he chooses,Thenhis head at once he loses, For it's
ob_ servation At his jol - ly ju - bi _ lationWhich is
/comingcomingcoming
PPPP
off to - day!off to - day!off to - day!
P=p£p^£_mo-ni-al endeavour Will be bet-ter late thanlaugh at him he chooses,Tlien his head at once heplace of ob_servation At his jol_ly jn_bi_
-P—P—P-
F g'
i i
never, And its coming off to- day!loses, For it's coming off to - day!lationWhich is coming off to - day!m ¥m m?=?e=£
_mo-ni_al endeavour Will be bet-ter late than never, And it's
laugh at him he chooses,Thenhishead at once he loses, For it's
place of ob_servation At his jol-ly ju _ bi _ lationWhich is
comingcomingcoming
Jt
off to - day!off to - day!off to - day!
I 3rd time.DA>i'CE. (after last verse
•» D.C.
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