THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

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THE HISTORY OF MASKS

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Page 1: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

THE HISTORY OF MASKS

Page 2: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

GREEK MASKS

Greek masks of

Dionysus and of Pan

Page 3: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

ROMAN MASKS

Masks have been used for thousands and thousands of years in cultures around the world. Early masks were probably made from local materials

Page 4: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

TRADITIONAL COMEDY AND TRAGEDY MASKS

Page 5: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

MARDIS GRAS MASKS

Page 6: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

History of MasksWhile early masks were made from common local materials. Harder-to-find or more precious materials would probably have been used to embellish more important masks in ancient times, as they are now.

Page 7: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

ITALIAN RENAISSANCE MASKS: THE VENETIAN MASKS

Venetian masks depicted a variety of

characters in the theatre.

Theses masks are the basis of many

“classic” masks we see today.

The Bauta character had a shinning

white face worn with a black silk cape

by either men or women.

The Moreta or Murata was a black

velvet oval shaped mask worn by ladies.

Page 8: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

THE BAUTA MASK

The Bauta is a White shiny mask- with decoration.

Page 9: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

THEMORETTA

MASK

The Moretta is a Black Velvet, Oval shaped mask with decorations.

Page 10: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

TODAY THE BAUTA AND THE MORETTA STYLES HAVE

BLENDED

http://www.google.com/imgres?imgurl=http://farm1.static.flickr.com/83/238340128_b1d25fdbef_z.jpg%3Fzz%3D1&imgrefurl=http://www.smashingcenter.com/2010/07/20-beautiful-and-luxury-mask-designs.html&usg=__GdTORny9Xk7QFurbhy8IqekdXhU=&h=640&w=640&sz=276&hl=en&start=15&zoom=1&itbs=1&tbnid=FOZFegTFDN1YhM:&tbnh=137&tbnw=137&prev=/images%3Fq%3Dbeautiful%2Bmasks%2Bdesigns%26hl%3Den%26safe%3Dactive%26rls%3Dcom.microsoft:en-us%26tbs%3Disch:1&ei=84d2TfjNKYO6sAPvpqW0BA
Page 11: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

MASKS COME FROM ALL CULTURES AND ARE DEVELOPED FROM MANY

STYLES

http://www.google.com/imgres?imgurl=http://us.123rf.com/400wm/400/400/kkzoli/kkzoli0903/kkzoli090300015/4408619-professional-masks-i-ve-seen-during-the-carnival-held-in-venice-in-italy-february-2009.jpg&imgrefurl=http://www.123rf.com/photo_4408619_professional-masks-i-ve-seen-during-the-carnival-held-in-venice-in-italy-february-2009.html&usg=__JwpvX4T3sRVln63cbMHjqWOFhYM=&h=1200&w=801&sz=144&hl=en&start=13&zoom=1&itbs=1&tbnid=jXlhP3trr6o5hM:&tbnh=150&tbnw=100&prev=/images%3Fq%3Dprofessional%2Bmasks%26hl%3Den%26safe%3Dactive%26sa%3DG%26rls%3Dcom.microsoft:en-us%26tbs%3Disch:1&ei=bYh2TczRA5LWtQOItLm0BA
Page 12: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

VILLAINS

Page 13: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

“NOH” MASKS

Japanese

theatre also

developed

masks for

their

characters

Page 14: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

NOH

The Noh

mask was

designed to

show

different

emotions

based on

which angel

it is viewed

from.

Page 15: THE HISTORY OF MASKS. GREEK MASKS Greek masks of Dionysus and of Pan.

NOH MASKS

In Japan masks belong to a highly developed

theatrical tradition that was originally religious.

Of all the Japanese masks the Noh mask is said to

be the most artistic one.

Originated in the 1200. At that time a very popular

performance was 'Dengaku no Noh' which translates

as 'Field-music Performance'

Its root were rustic acrobatic and juggling

exhibitions.

1300s, Noh had become a kind of opera in which

the performers recited while sitting next to each

other and then danced.

1400s another type of Noh, Sarugaku, which used

a lot of buffoonery, developed into a serious dramatic

performance.


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