The Freddie Mercury Biography

7/29/2019 The Freddie Mercury Biography

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Freddie Mercury was born Farrokh Bulsara on Thursday September 5th

1946 on the small spice island of Zanzibar. His parents, Bomi and JerBulsara, were both Persian. His father, Bomi, was a civil servant,

working as a High Court cashier for the British Government. Freddie's

sister, Kashmira, was born in 1952. In 1954, at the age of eight,Freddie was shipped to St Peter's English boarding school in

Panchgani, about fifty miles outside Bombay. It was there his friends

began to call him Freddie, a name the family also adopted.


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As St Peter's was an English school, the sports played there were typically English. Freddieloathed cricket and long-distance running, but he liked hockey, sprint and boxing. At the age of

10 he became a school champion in table tennis. Freddie was not only a good sportsman, hisartistic skills were incomparable. At the age of twelve he was awarded

the school trophy as Junior All-rounder. He loved art, and was always

sketching for friends or relatives.

He was also music mad and played records on the family's old record

player, stacking the singles to play constantly. The music he was ableto get was mostly Indian, but some Western music was available. He

would sing along to either and preferred music to school work.

The principal headmaster of St Peter's had noticed Freddie's musical

talent, and wrote to his parents suggesting that they might wish to pay a

little extra on Freddie's school fees to enable him to study music properly. They agreed, and

Freddie began to learn to play the piano. He also became a member of the school choir andtook part regularly in school theatrical productions. He loved his piano lessons and applied

himself to them with determination and skill, finally achieving Grade IV both in practical and

theory.

In 1958, five friends at St Peter's - Freddie Bulsara, Derrick Branche, Bruce Murray, Farang

Irani and Victory Rana - formed the school's rock'n roll band, the Hectics, where Freddie wasthe piano player. They would play at school parties, at annual fetes and school dances, but little

else is known about them.

In 1962, Freddie finished school, returned to Zanzibar and spent his time with friends in and

around the markets, parks and beaches. In 1964, many of the British and Indians, due to

political unrest in Zanzibar, left their country, although not under forcible pressure, and amongthose driven out were the Bulsaras who migrated to England.

Initially they lived with relatives in Feltham, Middlesex, until they were able to find their ownsmall, terraced house in the area. Freddie was seventeen, and had derided he wanted to go to art

college, but needed at least one A level to ensure he could get in. In September 1964 he

enrolled at the nearby Isleworth Polytechnic

During vacations he took a variety of jobs to earn some money; one was in the catering

department at Heathrow Airport, a stone's throw from home, and the other was on the Feltham

trading estate, where he had a job in a warehouse lifting and stacking heavy crates and boxes.

His fellow workers commented on his 'delicate' hands, certainly not suited for such work, andasked him what he did. He told them he was a musician just 'filling in time', and such was his

charm that those co-workers were soon doing the lion's share of his work.

He studied hard, although he preferred the aesthetic side of school life to the more mundaneacademic side, and easily achieved his Art A level, leaving Isleworth in the spring of 1966. His

grade A pass and his natural skill ensured that he was readily accepted by Ealing College of Art


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and, in September 1966, Freddie began a graphic illustrating course at that college.

After Jimi Hendrix exploded onto the scene in 1967, and Freddie became an ardent fan, he

spent time sketching and drawing his hero; drawings he would frame and use to decorate the

walls of his flat in Kensington, rented by his friend Chris Smith, where Freddie had moved

from the family home in Feltham. At that time Kensington was an important place to be for theart crowd - it was the base of the famous Biba boutique and the home of Kensington Market,

frequented by the then 'in' crowd.

A fellow student at Ealing College was bass

player Tim Staffell, with whom Freddie became

good friends. As Tim's and Freddie's friendshipbecame closer, Tim took him along to

rehearsals of his band called Smile, with Brian

May on the guitar and Roger Taylor on the

drums. Freddie got on famously with Brian andRoger and loved the sound that Smile had

achieved; he also had immense admiration and

respect for Brian's guitar-playing. Inspired bySmile, Freddie began to experiment with music

for the first time since leaving India.

He initially began to practice with Tim, another art student Nigel Foster, and with Chris Smith.

"The first time I heard Freddie sing I was amazed," recounts Chris. "He had a huge voice.

Although his piano style was very affected, very Mozart, he had a great touch. From a piano

player's point of view, his approach was unique."

"Freddie and I eventually got to write little bits of songs which we linked together," adds Chris."It makes sense when you consider Bohemian Rhapsody. It was an interesting way getting from

one piece in a different key signature to another. But I don't think we actually finished

anything. Freddie certainly taught me a lot at those sessions. He had great, natural sense ofmelody. I picked that up straight away. For me it was the most interesting aspect of what he

was doing."

Freddie left Ealing College in June 1969, with a diploma in graphic art and design, and a few

commissions for adverts in local newspapers. He moved into Roger Taylor's flat, and that

summer opened a stall with Roger at Kensington Market, initially selling artwork by himself

and fellow Ealing students, and later Victorian or whatever clothes, new and secondhand, he

could lay his hands on.

In the summer of 1969 Freddie was introduced to a Liverpool band called Ibex, who had cometo London to try to make a name for themselves. Ibex were a three-piece, with guitarist Mike

Bersin, John 'Tupp' Taylor on bass and Mick 'Miffer' Smith on drums. They also brought with

them their apprentice manager, roadie and general dogsbody Ken Testi; part-time bass playerGeoff Higgins used to travel down for occasional gigs. Geoff would play bass when Tupp, a


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great Jethro Tull fan, wanted to play flute.

Freddie first met Ibex on 13th August 1969. Such was his enthusiasm, that just ten days later,

he'd learned the band's set, brought in a few new songs, and had traveled to Bolton, Lancashire,

for a gig with them - his debut public performance. The first date was 23rd August, and the

occasion was one of Bolton's regular afternoon 'Bluesology' sessions, held at the town'sOctagon Theatre. On the 25th August, Ibex appeared in the first 'Bluesology pop-in', an open-

air event on the bandstand in Bolton's Queen Park, and the proceedings were covered in

Bolton's 'Evening News'. This even featured an uncredited photograph of Freddie.

While Freddie's trip to Bolton with Ibex was photographed, Ibex's appearance at the Sink was

recorded. This recording was made by Geoff Higgins; as he says, tape is chronic quality, but itdemonstrates Ibex's love of Cream, Jimi Hendrix, as well as Freddie's favourite of the day, Led

Zeppelin.

Somewhere between 9th September and the end of October 1969 Ibex underwent a mini

upheaval - at Freddie's instigation. "I recall him canvassing the idea of calling the band

Wreckage, but nobody was very enthusiastic," reveals Mike Bersin. "Then he phoned me onenight and said, 'The others don't mind. How do you feel?' I said, 'If they agree, then fine'. When

I spoke to the others about it, Freddie had phoned them all up and had the same conversation."

The name-change went hand-in-hand with the departure of drummer Mike 'Miffer' Smith. He

was replaced by Richard Thompson, the former drummer in Brian May's 1984. Despite flashes

of true potential, the end of the 1960s also marked the end of Wreckage. Gigs were few and far

between, and while John Taylor, Richard Thompson and Freddie remained in London, MikeBersin was committed to his college course in Liverpool, as he promised to his parents.

Inevitably, the band petered out.

Freddie started to search for another band for himself. He found Sour Milk Sea after seeing a

"Vocalist Wanted" advert in the 'Melody Maker'. The pomp and ceremony were impressive,

and the band he was auditioning for knew he was the right man, especially when he got aroundto singing. Freddie had a great voice, with terrific range. But there was not only his voice that

made his performances so attractive to people. "He knew how to front a show," - Ken Testi

recalls. "It was his way of expressing that side of his personality. Everything he did on stagelater in Queen, he was doing with Ibex at his first gig." It wasn't

anything that could be developed. It was his charisma, his pure natural

gift that was in perfect harmony with his voice, his appearance, his

delicate taste and his musicianship in the wide sense of the word. The

fact that he realized it himself made him absolutely fascinating!

They offered him the job, and in late 1969 Freddie became the leadsinger with Sour Milk Sea. The other members of the band were Chris

Chesney on vocals and guitar, bass player Paul Milan, Jeremy 'Rubber'

Gallop on rhythm guitar and Rob Tyrell on drums. They did a few


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rehearsals, and then a few gigs in Oxford (Chris's home town).

Freddie and Chris, who was about seventeen at the time, became close friends and Chris moved

into the house that Freddie shared with Smile in Ferry Road, Barnes. The other members of

Sour Milk Sea were more than a little peeved Chris and Freddie spent so much time together,

and felt rather insecure about the future of the band. After just two months Jeremy, who ownednearly all the equipment, derided to take it back and break up the band.

In April 1970 Tim Staffell decided to leave Smile, and Freddie join them as lead singer.

Freddie decided to change the name of the band to Queen, he also changed his last name to

Mercury.

The further biography of Freddie Mercury is to considerable degree a story ofQueen.

In 1970 Freddie met Mary Austin. They lived together for seven years and remained good

friends until his death.

In 1971 John Deacon joined the band and Queen were complete. Freddie designed the band's

logo using their birth signs: two fairies for him (Virgin), two lions for Roger and John (Leo)

and a crab for Brian (Cancer). Freddie was the author of the first Queen song that entered theBritish charts (Seven Seas Of Rhye), the first big hit (Killer Queen) and the most famous

Queen song that was on the top of charts for 9 weeks (Bohemian Rhapsody). Freddie has

always been considered the front-man of the band.

In 1975 Queen toured Japan. A crowd of screaming fans followed them everywhere. They were

taken by surprise at the strength of their reception. Freddie fell in love with Japan and soon

became a fanatical collector of Japanese art and antiquities.

On October 7th, 1979 Freddie performed with the Royal Ballet. He had neverdone any ballet before, but it was something he had always wanted to try.

The songs he had chosen to perform to wereBohemian RhapsodyandCrazy

Little Thing Called Love. Songs were played by the orchestra with Freddie

doing live vocals. Freddie's first dance was Bohemian Rhapsody, and heperformed with skill in front of a packed house of enthusiastic balletomanes,

who loved him, and he received a standing ovation for both his cameo

performances.

In 1980 Freddie changed his image. He cut his hair and grew a moustache.

His fans began to send him gifts of nail polish and razor blades.

At the end of 1982 Queen all agreed they wanted to take break from each other. They

announced they wouldn't be touring throughout 1983. Freddie had been thinking of making asolo album for some time, and at last he had time to do something about it. He booked studio

time at Musicland in Munich and began work in early 1983. During that time he was

introduced to Georgio Moroder, who was working on a re-release of the 1926 Fritz Lang silent
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science fiction filmMetropolis. He wanted to put a contemporary musical score to the film. Heasked Freddie to consider collaborating on a track for the film to which Freddie agreed. He had

never before co-written with anyone outside Queen, and had not recorded anyone else'scompositions, apart fromLarry Lurex. The result of this co-operation was the songLove Kills.

In 1983 Freddie attended a performance of Verdi's Un Ballo In Maschera at the Royal OperaHouse sometime in May. It was the first time when he saw Spanish opera diva Montserrat

Caball, and the sheer power and beauty of her voice mesmerized him.

On September 10, 1984 Freddie's first solo single was released. It was the track he had co-

written with Georgio Moroder forMetropolis, Love Kills.

The first single from his forthcoming solo album wasI Was Born To Love You. It was released

on April 9, 1985. Three weeks later Freddie's first solo albumMr. Bad Guywas released on

CBS Records.

July 13, 1985 was a special day for Queen and Freddie. It was the day of their memorable

performance at Live Aid, a tremendous show at Wembley Stadium in front of 72,000 people.Live Aid was also broadcast to over one billion people worldwide. Queen secured their place in

history, as every media person, journalist, fan and critic unanimously agreed: Queen stole the

show.

The early part of 1987 was very quiet for Queen, so Freddie took the opportunity to go into

Townhouse Studios to do some solo work. It resulted in a remake of the classic Platters' songThe Great Pretender. The single was released on February 23rd.

In March 1987 Freddie flew to Barcelona to meet Montserrat Caball. He gave her a cassettewith two or four songs. The Spanish opera diva liked these songs and even performed one of

them at London's Covent Garden. Freddie was delighted. In early April, Freddie began work on

the album he agreed to record with Montserrat Caball.

At the end of May the island of Ibiza staged a huge festival at the outrageous Ku Club. Freddie

agreed to be a guest of honour and closed the event with Montserrat Caball singing the songhe had written for her and her home city,Barcelona.

On October 8th, 1988 Freddie and Montserrat appeared at the huge open air La Nit festival in

Barcelona. They performed three tracks from their forthcoming album -How Can I Go On,The

Golden BoyandBarcelona, accompanied by Mike Moran on piano. The long-awaited album,

Barcelona, finally come out on October 10th.

October 8th was the last time Freddie Mercury performed on stage. At the time, he was terribly

ill with AIDS, although he didn't want people to know about it. He announced that fact the daybefore he died. Being ill he continued to compose and record songs and even took part in

making videos. In my opinion,I'm Going Slightly Madvideo is his masterpiece.
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On November 24th, 1991 Freddie died peacefully at his home in London of AIDS-relatedbronchial pneumonia.

On April 20th, 1992 a tribute concert in Freddie's memory was held at Wembley Stadium, and

many famous rock stars took part in it. But the best tribute to Freddie was the albumMade In

Heaven, released on November 6th, 1995 by the three remaining members of Queen. We canhear the last songs that Freddie composed and recorded.

Thank you Freddie. We love you.

Jacky Gunn & Jim Jenkins. As It Began.

Record Collector #199
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The Freddie Mercury Biography

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