The Fine Print, Spring 2012

32
VOLUME IV, ISSUE III www.thefineprintuf.org SPRING 2012 FREE SO YOU HAD SEX...TURN TO PG.14 Where the Wild Things Were pg.24 Why are the Paynes Prairie bison being removed?

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The spring 2012 edition of The Fine Print.

Transcript of The Fine Print, Spring 2012

Page 1: The Fine Print, Spring 2012

Volume IV, Issue III www.thefineprintuf.org sPRING 2012FREE

SO YOU HAD S EX . . . TURN TO PG .14

Where the Wild Things

Were pg.24

Why are the Paynes Prairie bison being

removed?

Page 2: The Fine Print, Spring 2012

MISSION STATEMENTOur mission is to serve the Gainesville community by providing an independent outlet for political, social and arts coverage through local, in-depth reporting.

CONTACT USEmail us at [email protected].

FREELANCE SUBMISSIONSThe Fine Print accepts freelance writing, photogra-phy and illustration. Submissions should be sent to [email protected].

ADVERTISINGThe Fine Print distributes 5,000 copies of each bimonthly issue and is currently looking for advertisers. For more information, email [email protected].

LETTERSThe Fine Print accepts letters from readers. Submit letters via email to [email protected] or by snail mail to The Fine Print, 200 NE 1st St., Suite 201, Gainesville, FL 32601. The editorial board will decide which letters will be published, and writers will be notified before publication.

DISCLAIMERThe Fine Print reserves the right to deny or accept the publication of articles or advertisements ac-cording to the decisions of its editorial board. The views of our writers do not necessarily express those of The Fine Print.

Published with support from Campus Prog-ress/Center for American Progress (online at CampusProgress.org).

Administration Kelley Antoniazzi

Print Editors Lydia Fiser Chelsea Hetelson Henry Taksier Jeremiah Tattersall Lily Wan

Photo Editor Henry Taksier

Assistant Photo Ashley CraneEditors Erik Knudsen

Art Director Susan BijantLayout Director Isabel Branstrom

Creative Writing David EardleyEditor

Copy Editor Hyesu Kim

Web Editors Travis Epes Lydia Fiser Henry Taksier

Distribution Ellen McHugh

Page Designers Kelley Antoniazzi Isabel Branstrom David Eardley Ashley Hemmy Chelsea Hetelson

columns

spotlights

to sew, make & Do

(pictured above)

A new studio reminds crafters of

the empowering qualities of needle

and thread.p. 16

Cover art by Susan Bijan.

{ inthis issuecivil Disobedience(pictured right)A civil rights activist remembers Gainesville 50 years ago

p. 20

Nonprofit Center of North Central Florida, p. 07Organization provides aid to up-and-coming and existing nonprofits

City Farmer, p.08Have a cup of willow tea with your garden.

Starving the Beast, p. 12What will become of our stumbling postal service and mail(wo)men?

So You Had Sex, p. 14Local and affordable reproductive healthcare options for both men and women.

features

Forget the Bull, Find the Matador, p. 22The 99 percent is growing, and the Occupy movement is their voice

02 | T H E F I N E P R I N T | thefineprintuf.org

Page 3: The Fine Print, Spring 2012

from The fine prinT’se D i T O r i A L D e s K

Dear Fine Print lovers and activists,

While we are rightfully and universally loved and idolized for our brilliant magazine, The Fine Print has distinguished itself for another reason. Unsurprisingly, throwing era-themed parties at a big two-story corner house with a huge yard, intoxicating mystery refreshments and live music, requiring only a small donation at the door, has catapulted The Fine Print to unforeseen fame and popularity amongst the hipster youth. Word got out for our last Party Like it’s 1976 benefit show and it was certainly a party. Perhaps however, too many good words got out. Needless to say, we’ve been hesitant to throw another good time at a private residence.

Despite the rumored Gossip Girl sightings of us at swanky black tie affairs at the Hilton, or sipping high balls on tops of high rises – well, the high rise of the Seagle Building – or ordering glass after glass of wine at the Bull (okay that last one is true)... we’re actually not on top of the world floating on clouds of cash. Which brings us to our February appropriate question...

Would you pretty please be The Fine Print’s suga momma honey boo-boo child Valentine?

It’s not like we’re asking you to part with your money point blank. That would be a stick up (we need them bags of that money). We have more class than that. We’re more likely to simply invite you to a classy venue party via a bold and graphic flier invitation asking you to please dress to the theme, tell all your friends, bring all your friends and if you wouldn’t mind please pay what you can at the door on a sliding donation scale in exchange for a chance to see a live performance of... Jay-Z and Beyonce, the reigning couple of Hip Hop! Well, that would be pretty awesome of us. But if we had direct lines to Honey B, we would ourselves be divas and not need to throw parties for money.

But what we will offer you is a show featuring some of your favorite local bands at one of your favorite local bars. And to top it off, how about we make it a Sunday Funday night keeping the bar open until 2 a.m., because really, what could you possibly have to do on a Monday morning? Really. Monday morning alarms are for weenies.

Stay with us on that. We’re working on it (think springtime revival green in March).

In the meantime, drink wine (as per the usual), listen to Queen B, do your homework and be on guard. Because if there’s going to be a stick up for your money, it might be kind of sudden (CoughIt’scominginMarchCough).

Or, be civil about it and just donate money by visiting our website at www.thefineprintuf.org.

Love,The Fine Print

by Chelsea Hetelson

24 | T H E F I N E P R I N T | thefineprint

uf.org

SECTION

For the vast majority of Ameri-

cans, food is food. And corn is corn.

And a soybean is a soybean. And a

seed of either of these vegetables is,

well, a seed.

Or is it? To the corporate eye of

Monsanto, that seed looks more

like one of its transgenic creations,

and if they can fish a lawsuit out of

it, possibly millions of dollars.

Transgenic seeds are simply

Genetically Modified Organisms

(GMOs). Many crops and foods

are genetically altered nowadays.

Corn, alfalfa sprouts, soybeans,

cotton, sugar beets and rapeseed

are just a few of many GMOs be-

ing specifically engineered with

Monsanto-manipulated herbicide-

resistant DNA . Taking into ac-

count all the products derived from

GM crops, experts estimate 60 to

70 percent of all processed foods

sold in the U.S. contain at least one

GM ingredient. GMOs are omni-

present in the modern diet and life-

style. Omnipresent; however, not

omni-wanted.

Organic farmers are trying their

hardest to retain at least some por-

tion of our food in its natural state,

with DNA unmutilated. �is isn’t

the fight many are familiar with, or

at least expecting.

In a way, this is the stereotypical

“little guy vs. massive corporation”

fight. But the “little guy” here in-

cludes more than just the “crunchy

granola” organic farmers. Plaintiffs

in Organic Seed Growers & Trade

Association, et al. v. Monsanto also

include non-organic farmers who

simply don’t want to produce GM

crops.March 2011 marked the begin-

ning of a preemptive lawsuit, with

83 plaintiffs joining forces against

corporate giant, Monsanto. Florida

Organic Growers, a nonprofit or-

ganic certification and sustainable

farming outreach group based in

Gainesville, joined the fight in

July.�e 83 plaintiffs, representing

a coalition of more than 270,000

farmers, united together as the Or-

ganic Seed Growers & Trade As-

sociation (OSGATA), represented

by the Public Patent Foundation

(PUBPAT), are filing this lawsuit

against Monsanto out of fear.

Some of these farmers have for-

gone growing certain crops they

feared could have the possibility

of being cross-contaminated with

Monsanto’s seed. �ey would rather

lose money from under-production

than subject themselves to the risk

of being sued by Monsanto and po-

tentially losing their farms.

Tom Helscher, director of cor-

porate affairs, made sure to clarify

that Monsanto would, has and will

take legal action if farmers retain

or replant seed obtained from the

original seed purchased from Mon-

santo. By buying Roundup Ready

seed, farmers are entering into an

agreement with Monsanto to not

save, reproduce or redistribute pur-

chased seed.

�is agreement forces farmers

to buy new seed every planting sea-

son, guaranteeing Monsanto’s sales

by Lily Wan

Illustration by Susie Bijan

Where the GMOs Grow

Florida Organic Growers joins defensive lawsuit against biotech empire

FEATURE

24 | T H E F I N E P R I N T | thefineprin

tuf.org

Farm freshseeds!

MONSANTO

VOLUME IV, ISSUE IIwww.thefineprintuf.org

WINTER 2011FREE

MONSANTO: WHERE THE GMOs GROW, p. 24

}thefineprintuf.orgMultimedia, more stories, blogs

and a community calendar. PLUS! Comment on stories, see photos from the printed issue (and more!) IN COLOR, flip through

a digital version of the printed edition and much, much more, all

updated throughout the month.

“After I stopped eating meat and started to despise “the man,” I needed to find The Fine Print. Otherwise, I’m just fine sipping coffee and jammin’ to music.”

facebook.com/thefineprintuftwitter.com/thefineprintuf

+

Spring 2012| T H E F I N E P R I N T | 03

feATureD sTAfferEllen McHugh

Page 4: The Fine Print, Spring 2012

Supporters of UF alumnus, Eric Sanders, would say Gov. Rick Scott’s sig-nature on college diplomas is insultingly hypocritical.

Sanders was sitting in his office one characteristically warm Florida fall morn-ing, eyes perusing his wall before stopping to linger on his 1997 diploma. His diplo-ma was far from Rick Scott’s pen, but it got him thinking. He came to appreciate the fact that he didn’t have Rick Scott’s signature doodled on there, permanently displayed on his proudly earned diploma.

“I thought it’d be degrading to have his signature on there,” Sanders said. He knew he wasn’t the only one who felt it hypocritical to have a governor who

didn’t support the achievement of a lib-eral arts degree signing such diplomas, so he decided to see just how many people

felt that way.In November, Sanders started an on-

line petition on the website, SignOn. Sanders set a goal of 1,000 signatures.

The petition reads, “We the under-signed, petition the Governor of Florida, Rick Scott, from signing Florida Univer-sity diplomas, because of the Governor’s repeated assaults on the Florida Educa-tion System.”

The petition was all the buzz when it first posted, then enthusiasm gradu-ally began to simmer. Signatures are still trickling in, however, with the targeted 1,000 in reach.

The comments on the petition, now more than 800 signatures strong, speak

for themselves.“Having his name on the diploma

cheapens the hard work the graduating

students have done to graduate...all the while Rick Scott tries to cheapen their education,” wrote Vance Hamilton of Lithia, Fla., in her comment.

Since the beginning of his term last January, Scott’s policies, particularly those regarding education, have been turning heads and raising eyebrows. However, one particular suggestion was a real jaw-dropper.

Rick Scott thinks Florida is spending too much money on education. And not the “right” kind of education either. An-thropology, for example, is not the “right” kind of education, Scott said in an inter-view with the Sarasota Herald-Tribune.

“Do you want to use your tax dollars to educate more people who can’t get jobs in anthropology? I don’t,” Scott said dur-ing a business group meeting in Tallahas-see in late October.

Scott advocates a shift to what he calls “STEM” disciplines, which stands for “sciences, technology, engineering and math,” implying that degrees in these

PaperCuts

Ouch! The truth stings, doesn’t it? Paper Cuts are our short, erratic and slightly painful

updates on current local and national events. See

our website for more Paper Cuts at

thefineprintuf.org

No Autograph Please

Image courtesy of the Nationaal Archief via Flickr Commons. The original image can be found at http://bit.ly/iAYOvR

Do you want to use your tax dollars to educate more people who can’t get jobs in anthropology? I don’t.

04 | T H E F I N E P R I N T | thefineprintuf.org

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Page 5: The Fine Print, Spring 2012

fields are the only ones promising of a career.

He is concerned the money Florida has been spending on education hasn’t proved worthwhile. To ameliorate this, he proposed funding cuts to those lib-eral arts programs he deems unfruitful.

Apparently, according to our Gover-nor, journalism is not a field worthy of time, effort and money. But am I going to stop writing? No.

State governors are not required by law to sign university diplomas – it’s more of a tradition than a legal issue. Even still, it’s unlikely that Scott will voluntarily cap his pen, no matter how aware he is of students’ and educators’ disapproval of him.

Sanders says he doesn’t expect the petition to change anything regard-ing the preservation and sanitation of university diplomas. He didn’t create it with those expectations in mind.

“It’s just a good place to vent some strongly worded opinions,” Sanders ex-plained.

Given the state laws, time may be the only agent to rid our diplomas of Scott’s scribble – and our state – of his governance. Movements like Sanders’, however, are valuable as an outlet for students, educators and the rest of the Floridians who are always asking them-selves, “who the hell elected this guy?”

by Lily Wan

Distancing ourselves from the faces behind the meat we (well, not me and maybe not you either, but most Ameri-cans) eat, we like to call it like it’s not. When we’re hungry, cows are beef and pigs are pork or bacon or ham. Chick-ens aren’t that cute, so we’ll just call them chickens.

Euphemisms aside, horse meat may soon be coming to a butcher near you. In November, President Obama signed a federal spending bill passed by Con-gress that included a clause lifting the ban on horse slaughterhouses.

In 2006, Congress cut all funding for horse meat inspections, therein ban-ning horses for human consumption. In 2007, the last three remaining horse slaughterhouses in the United States

were shut down.With the ban lifted, as many as

200,000 horses per year could be slaughtered. And although this bill al-lows horse slaughterhouses to once again open their doors under USDA inspection, the bill doesn’t provide any money for the USDA to conduct these inspections. Opponents are claiming that the inspection fees would then come from taxpayer’s dollars — $3 mil-lion to $5 million per year, they’re esti-mating. Otherwise, the USDA would have to find a way to muster up the money in its already shrinking budget.

Back when these slaughterhouses used to be legal in the United States, the majority of the horse meat was exported to Europe. Since the ban has been lifted, horse meat sales will most

likely continue to be export-heavy, but obviously some will also be consumed on the home front.

While the slaughterhouses were banned in the U.S. for the past five years, they were and are still legal in Mexico and Canada. Horse dealers in the U.S. often sell to slaughterhouses in neighboring countries. Dealers buy horses from auctions or even just from Craigslist, where people who can no longer afford to take care of their horses and offer them either for free or very cheap to “good homes.”

“Someone can give their horse to another thinking it is going to a good home when, in reality, it may become someone’s dinner,” Theresa Batchelor said. Batchelor is the owner of Beauty’s Haven Farm and Equine Rescue in Ocala.

Ocala’s not just “that big city south of here” or another typical retiree-clad Floridan city. It’s actually known as the Horse Capital of the World.

In addition to horse farms, ranches and training centers, Ocala is also home to horse sanctuaries. Debilitated, old or unwanted horses are taken in and cared

for in spacious and lush sanctuaries. Beauty’s Haven is just one of Ocala’s many shelters. Unfortunately, not every jaded horse makes it to rescue ranches. The horses sent for slaughter are ones that can no longer be taken care of by owners who can’t find other homes for their horses or cannot afford to pay for their euthanization. But, as Batchelor pointed out, “there’s a common mis-conception that a lot of horses that go to the slaughterhouses are old, feeble horses, but in reality, a lot of perfectly healthy horses are sent there, too.”

Horses that breeders or owners feel don’t have good enough conformation, aren’t fast enough, etc., also often end up at slaughterhouses.

“It’s about money. Horse meat is bought by the pound,” Batchelor said.

The crippled economy is the cause behind both the neglected and un-wanted horses and the slaughterhouse ban lifting. After all, the slaughterhous-es were re-legalized as part of an agricul-tural spending bill in efforts to keep the government financially afloat.

Batchelor cited over-breeding as one major problem.

“Greedy people are using the slaughterhouse avenue to make money off horses that some people can no lon-ger afford to feed any longer. People are losing their homes – the economy does not discriminate against the animals – including horses.”

“Horses are companion animals,” Batchelor said. “ They’ve been there since day one, carrying humans and goods across the United States. They fought alongside us in wars. Besides, horses are also used for therapy—horses are good for the mind, body, and soul.”

Keep horse meat on horse’s bones and out of the slaughterhouses by con-tacting your congressperson and urging them to support Senate bill S.1176 and House bill 2966.

by Lily Wan

HORSE MEAT 4 SALE

Greedy people are using the slaughterhouse avenue to make money off horses that they can no longer afford to feed. People are losing their homes -- the economy does not discriminate against the animals -- including horses.

Spring 2012 | T H E F I N E P R I N T | 05

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Page 6: The Fine Print, Spring 2012

And you thought thatSOPA was bad...

On Oct. 26, U.S. Congress-man Lamar Smith (R-TX) intro-duced the Stop Online Piracy Act (SOPA), designed to crack down on “rogue websites” that alleg-edly profit from the distribution of pirated media and counterfeit goods.

SOPA would have enabled the U.S. Department of Justice, as well as individual copyright hold-ers, to seek court orders against websites accused of “facilitating” copyright and trademark infringe-ment. “Facilitation” wasn’t clearly defined, and critics worried that it may have encompassed actions as simple as linking to other websites containing forbidden content. A court order against a particular website would have resulted in what critics bluntly referred to as “censorship” – search engines would be prohibited from linking to the website and Internet ser-vice providers would be forced to block it.

SOPA would have criminalized the streaming of copyrighted con-tent with a sentence of up to five years in jail. And it would have held social platforms like Youtube, Reddit, Flickr and Facebook legal-ly responsible for content posted by individual users. The Center for Democracy and Technology claimed its wording was so vague that a single complaint would be enough to block an entire web-site, and that the burden of proof would rest on the site.

Hundreds of thousands of In-ternet users were outraged, as were tech companies like Google, Ya-hoo, Mozilla and WordPress. The American Society of News Editors opposed SOPA as well, claiming the bill “allows individual copy-right owners to effect the most onerous restriction on speech – the prior restraint – with little evidence and virtually no due pro-

cess.”On Jan. 18, the Internet went

on strike. Wikipedia, Reddit and thousands of other sites “blacked out” in protest of SOPA. For what it’s worth, democracy took its course. SOPA and its Senate-sponsored twin, the Protect IP Act (PIPA), have been shelved indefinitely. The popular resis-tance against SOPA and PIPA was apparently impressive enough to overshadow the influence of spe-cial interests.

But what if the entire ordeal was just a distraction? On Feb. 11, hundreds of thousands of people throughout four different conti-nents took to the streets to protest the Anti-Counterfeiting Trade Agreement (ACTA). You may not have heard of ACTA, and that’s perfectly understandable. By the

time ACTA received public at-tention, Americans were already burned out from fighting SOPA.

Since 2006, ACTA has been negotiated behind closed doors, starting with the United States and Japan. President Obama signed it last year without any oversight or scrutiny from the American public, Congress or the Supreme Court. It’s also been signed by Australia, Canada, Japan, Mo-rocco, New Zealand, Singapore, South Korea, the European Union and 22 of its member states.

The International Business Times reported that ACTA “may be scarier than SOPA” and that it could be used to “crack down on Internet activity worldwide by a coordinated authority that rests outside the authority of any coun-try.” This new authority would be like the World Health Organiza-

tion, except that its job would be to “enforce intellectual property rights” throughout the world – from records and movies to seeds and pharmaceutical drugs.

Like SOPA, ACTA would hold Internet service providers legally responsible for digital copyright violations, thereby forcing them to monitor their own users. Forms of legal retribution include block-ing and disconnecting websites, as well as “imprisonment” and “mon-etary fines” for individual perpe-trators.

But the implications of ACTA stretch beyond the scope of the Internet: “If passed, ACTA will enforce a global standard for seed patenting,” RT reported on Jan. 24, “which would wipe out inde-pendent, local farmers and make the world completely depen-

dent on the patent owners (read: big corporations) for supplies.” ACTA’s multinational corporate sponsors include the Motion Pic-ture Association of America, Glax-oSmithKline, Pfizer, Sanofi-Aven-tis, Time Warner, Sony, Verizon, Walt Disney, News Corp, Viacom and Monsanto.

“[ACTA] is objectionable be-cause of the process it has followed – secret negotiations, conducted without democratic oversight, a process so underhanded it led to official criticism from the Euro-pean Parliament,” says Loz Kaye, leader of the U.K. Pirate Party. “It’s yet another example of the power of corporate lobby groups, who buy influence starting with the laughably corrupt U.S. politi-cal body, and then foist extremist laws on the rest of the world.”

by Henry Taksier

“[ACTA] is objectionable because of the process it has followed—secret negotiations, conducted without democratic oversight...”

06 | T H E F I N E P R I N T | thefineprintuf.org

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Page 7: The Fine Print, Spring 2012

By Kari Brill and Christopher Johnson

The Nonprofit Cen-ter of North Central Florida (NCNCF) is North Central Florida’s first and only non-profit resource center. NCNCF, founded in 2010 by Kari Brill and Christopher Johnson, is a registered 501(c)3 nonprofit or-ganization whose mission is to “cultivate support, growth and community awareness for non-profit organizations.” NCNCF provides nonprofits and pro-spective nonprofits with the re-sources they need to help fulfill their mission and, as a result, improve the lives of our com-munity.

For-profit start-up organiza-tions often have the benefit of re-lying on chambers of commerce or particular trade organizations for professional assistance and continuing education, yet non-profits are often left to find their own way. To fill that need, non-profit resource centers across the country have developed locally. However, North Central Florida had no organization or resources for nonprofits to turn to before NCNCF’s founding in 2010.

Now, in 2011, NCNCF has assisted over 135 nonprofit or-ganizations and has provided training to approximately 500 nonprofit staff and board mem-bers. We’ve been able to accom-plish this by providing work-shops, seminars and networking opportunities for nonprofit staff and board members, prospective nonprofits and anyone interest-

ed in learning and contributing to the nonprofit sector. These workshops have included grant writing, creating online market-ing plans, accounting and hu-man resource help. These work-shops are conducted by local professionals in each respective field. For example, the online marketing plan workshop held Jan. 31 was led by a marketing professional of Gainesville’s own 352 Media Group.

We also offer a course called Nonprofit Startup 101, which

teaches the basic functions of es-tablishing a 501c3 organization and is held on a bimonthly ba-sis. This course is for newcom-ers to the world of nonprofit and for those who have recently contacted NCNCF for assis-tance and more information. But the true highlight of our ed-ucational calendar is the annual Nonprofit Summit. This is our community’s largest educational conference for nonprofit pro-fessionals and board members and includes keynote speakers, roundtable discussions, as well as educational sessions. This year’s summit will be held May 24 at the UF Hilton.

In addition to offering direct aid in the form of workshops, summits and networking, the Nonprofit Center also focuses on generating awareness for nonprofit organizations. The

City of Gainesville and Alachua County proclaimed Jan. 11, 2012 as “Nonprofit Awareness Day” to encourage all citizens to recognize the positive impact nonprofit organizations have on the quality of life for the resi-dents of Gainesville, Florida and Alachua County. On the same day, the Nonprofit Center and Vystar Credit Union presented the area’s first Nonprofit Expo. Forty five nonprofit organiza-tions exhibited their services to over 200 community members

in attendance.The Nonprofit Center offers

memberships at no cost and is open to nonprofits and anyone else interested in becoming part of the nonprofit community, whether it be interested individ-uals, students or organizations in the nonprofit process. Mem-bers receive exclusive benefits, such as discounted workshop fees of only $10, newsletters and updates on useful nonprofit tips.

Ultimately, the Nonprofit Center believes in building a stronger community by enhanc-ing professional development, fostering collaborative relation-ships between nonprofits and established businesses of the community and by connecting nonprofit organizations with the resources they need to suc-ceed.

Nonprofit Center of North Central Florida

NCNCF provides nonprofits with the resources they need to help fulfill their mission and, as a result, im-prove the lives of our community.

Spring 2012 | T H E F I N E P R I N T | 07

COLUMN / MONTHLY MANIFESTO

Page 8: The Fine Print, Spring 2012

feature

08 | T H E F I N E P R I N T | thefineprintuf.org

the

{City Farmer

tHe WILLOW tree’S SeCretSaND PLaNt PrOPaGatION

text and Illusration by Krissy abdullah

Growing up in Florida, I spent ample time climbing willow trees. Their long, flowing branch-es are the perfect place for a child to take cover during a game of hide and seek, or to enshroud herself in as a blanket of comfort and security.

Many times, while perched in a willow, my grandfather would yell up to me, “Don’t tell this here willow any secrets! As soon as the wind blows, the leaves will reveal ‘em to everyone.” Little did I know, willows have many secrets of their own.

There are a number of willow species that call Florida home, such as the coastal plain willow (Salix caroliniana), the black willow (Salix nigra) and even the endangered Florida willow tree (Sa-lix floridana). The familiar and picturesque weep-ing willow (Salix babylonica) is actually a native of tropical parts of Asia and northern Africa, yet is commonly seen in urban and suburban land-scapes.

Willows offer a variety of uses. High in salicin, the bark of willow trees has long been chewed as a pain reliever, and infusions of willow bark are common home remedies for colds and fevers. Willow bark was even used in the development of modern-day aspirin (which today contains the ac-

tive ingredient acetylsalicylic acid, derived from salicin).

Willow has also been used for biomass and biofuel production, riparian buffers (natural bar-riers that prevent chemicals from seeping into waterways), phytoremediation (the soaking up of toxic chemicals from the soil and turning it into something biodegradable), biofiltration (natural wastewater treatment systems), erosion control and soil stabilization.

Willow wood is a great material for furniture, tool handles and wood veneers, and the branches have long been used in weaving wicker baskets and making fish traps. The fibers in the wood can even be used for making rope, string and paper. And artists’ charcoal is almost exclusively made from willow trees.

But some of the willow tree’s most magical features are its auxins, or natural plant growth hormones. Indolebutyric acid (IBA) and salicylic acid (SA) are highly concentrated in the tips of willow branches. When applied to newly propa-gated plants, transferred plants or young seedlings, IBA and SA can stimulate root growth and strengthen the overall health of the bud-ding plant.

Page 9: The Fine Print, Spring 2012

column / cITY FARmER

Spring 2012 | T H E F I N E P R I N T | 09

{WilloW tea recipe

Rooting hormones are commonly sold in a powder form at gardening supply stores (like Ala-chua Feed and Seed), and can include both natural and synthetic ingredients.

Commercial rooting hormone manufacturers generally throw in a fungicide or two as well.

This is all well and good, but being the cheap, DIY (and somewhat skeptical) gal that I am, I prefer to make a quick batch of willow tea for my new plants. I like it because I know I cannot hurt the plants by adding too much, and I know exactly what ingredients I’m adding to my soil. Not to mention it’s local, sustainable, free and any other buzz word I can think of.

ThE sTEps

1. Collect a handful of willow branch twigs, prefer-ably the tips of branches where the highest concen-trations of IBA and SA are found. Also, don’t use dead branches (most of the IBA has likely leached out).

2. Remove all leaves from the twigs, and cut the twigs into short pieces (if you feel like it).

3. Boil a gallon of water.

4. Put the twigs into a one-gallon jar and pour the hot water into the jar. Seal the jar. You have just made a gallon of willow twig tea.

5. Let the tea cool to room temperature. Make sure to label the jar and write down the brewing date. The tea should be used within two months of brew-ing.

6. To use for propagated plants (see note on propa-gation), pour the willow water into a vase or jar and place fresh plant cuttings in it, like flowers in a vase. Or, pour the water directly onto the soil of a potted plant or in your garden bed. Watering cuttings or young plants a couple of times should be sufficient; within a couple weeks, you should notice substan-tial root growth.

{A quIck noTE

AbouT pRopAgATIonPlant propagation is the process of growing a

new plant from a part of an older plant. This could be as simple as allowing a plant to flower and pro-duce seeds (sexual propagation). Or it could mean cutting off a piece of the parent plant and allowing the cutting to produce new roots, stems or both in either a soil or water medium (asexual propaga-tion). Bromeliads (air plants like Spanish moss) and succulents (like aloe or cactus plants) are very good asexual propagators, while garden veggies (broccoli, carrots, and any others that flower) generally propa-gate sexually.

Can’t get enough of The city Farmer?

check out past city Farmer installments at thefineprintuf.org, including: DIY sourdough starters, how to ferment wild mulberries into

wine, DIY planters from old newspapers...and more!

Just search “city Farmer.”

Page 10: The Fine Print, Spring 2012

By Jeremiah TattersallThe U.S. Postal Service (USPS) is

set to cut $20 billion from its operat-ing budget by 2015 due to an increas-ing deficit. In order to accomplish this goal, USPS, a public entity that receives no tax dollars, plans to close more than 3,600 facilities, 252 postal sorting locations and to eliminate Sat-urday service and first-class mail.

Gainesville already shut down its downtown post office in September, and its sorting facility is currently on the chopping block. USPS will make a final decision on May 15, and if the currently proposed plan goes through, mail will be shipped to Jacksonville to

be sorted and then shipped back to Gainesville to be delivered.

Gainesville is set to lose 232 good, local jobs. But because the national American Postal Workers Union (APWU) reached a new four-year employment agreement last May, the majority of these employees cannot be laid off or transferred more than 50 miles away. Those currently under this contract would be sent to other cit-ies to work, most likely Jacksonville. Of these employees, though, about 30 are non-union workers, so they will be laid off.

“I live 50 miles from work now. If I get transferred another 50 miles,

StarvingBeast

Will Congress Further Gut the Post Officeor Save Its Service and Its Workers?

If the U.S. Postal Service follows through with its current plan by May 15, all mail will be delayed by 2-3 days and Gainesville will loose 232 good, local jobs. “Their gain in savings from consolidation is my loss,” said Brian O’Neill, president of the North Central Florida Chapter of American Postal Workers Union. Photo by Ashley Crane.

the

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SPOTLIGHT

Page 11: The Fine Print, Spring 2012

I’d have a 100-mile commute. Their gain in savings from consolidation is my loss,” said Brian O’Neill, presi-dent of the North Central Florida Chapter of APWU.

But O’Neill will go wherever they tell him to. After 17 years of work-ing toward his retirement and little hope of a private-sector job, he’d be foolish not to.

This story has been playing out across the country for the past 20 years. According to O’Neill, the APWU went from 300,000 work-ers in its heyday down to 177,000 now. In Gainesville, it went from 400 in its peak down to 275. And if the sorting facility is closed, it’s going to go down to 130 unionized workers.

O’Neill believes this is part of the reason why Congress won’t help.

“Some people don’t like any government; they see 200,000 gov-ernment workers and they want them gone,” he said. To him, Con-gress isn’t acting to save USPS be-cause it wants to “starve the beast.”

“No one is feeling sorry for postal workers,” O’Neill said. He believes that the perception of a wealthy postal worker is false but pervasive.

“I make $55,000 a year. Big freak-ing deal. I’m not saying I’m wealthy, but it’s a decent salary.”

Closing the sorting facility would also mean no more overnight local mail. All mail would take two to three days minimum.

According to plant managers, closing this sorting center would lead to a net $5.8 million in savings. But there will also be an increase of $2.3 million for transportation costs. Many have pointed out that the price of fuel is expected to in-crease, meaning the savings will be

lost in the coming years. There is also the unnecessary environmental toll from driving mail out of town and back.

Fiscal irresponsibility or manufactured crisis?

USPS’ yearly operating budget of $75 billion has been met (or nearly met) by an almost identical revenue until 2008. Because of falling vol-ume, revenue has been declining since 2008. In 2011, USPS hit an

operating deficit of $5.1 billion.But this crisis traces its roots not

only to falling demand but also to the 2006 passage of H.R. 6407: Postal Accountability and Enhance-ment Act. This law forced the postal service to pre-fund payments for fu-ture retirees’ health care benefits for the next 75 years. The pre-funding of retiree benefits for workers who have not even been hired yet is something unknown in any government or pri-vate industry.

Without this bill, the postal ser-vice would have a $1.5 billion sur-plus today.

Postal workers at a December town hall forum speculated as to why the bill was passed. Some ex-pressed concerns about “bleeding USPS into privatization by FedEx lobbyists.”

Regardless of the reasons for this crisis, Congress has begun to move

on legislation that will dramatically affect USPS.

The passage of H.R. 1351: Unit-ed States Postal Service Pension Ob-ligation Recalculation and Restora-tion Act of 2011 would allow USPS to use money that it overpaid into the retirement systems toward its deficit. This bill currently has 228 cosponsors, does not use any taxpay-er money and would save more than 28,000 jobs nationwide. But this bill has been stuck in the Subcommittee

on Federal Workforce, U.S. Postal Service, and Labor Policy since last April.

Meanwhile, H.R. 2309: The Postal Reform Act of 2011 has been moving forward. This piece of legislation was written by Rep. Darrell Issa, the wealthiest man in Congress, and has only one co-sponsor, Rep. Dennis Ross, chair of the Subcommittee on Federal

Workforce, U.S. Postal Service, and Labor Policy. Aside from not addressing any of the financial un-derpinnings of this crisis, it is also a major attack on union rights. The “solvency authority” clause would give a group of unelected individu-als the right to entirely seize control of all aspects of USPS. This includes nullifying existing union contracts.

The outpouring of public sup-port last September for the post office affected Congress enough to postpone the closing of any sorting facilities across the country. The de-cision was supposed to be made by mid-February, but the actions of 15 senators have pushed it to May 15. This agreement was reached in order to have time to come up with a comprehensive reform – a reform that could either further cripple the already-weakened post office or res-cue this public service.

Some people don’t like government; they see 200,000 govern-

ment workers and they want them gone.

Spring 2012 | T H E F I N E P R I N T | 11

SPOTLIGHT

Page 12: The Fine Print, Spring 2012

“Sustainability,” “recyclable” and “going green” are more than just the buzz words of hip water bottle commercials or fast food napkins. They are the focus of this year’s Cinema Verde Environmental Film and Arts Festival.

From Feb. 24 to March 2, environmental activists, filmmakers, artists and students will showcase environmental issues and solutions from all over the world in the third annual Cinema Verde Environmental Film and Arts Festival.

Unlike festivals of the past, Cinema Verde has consolidated all of its events this year to a single location, making it easier for attendees to locate and enjoy the many different components the festival has to offer. Over the 10-day span of Cinema Verde, the Villa East event space on Main Street will be the home and headquarters of about 25 environmental films, a variety of environmentally themed art and several eco-friendly organizations.

Tickets for each film will be $7 for general admission and $5 for students, children and seniors.

CINEMA VERDERETURNS FOR THIRD YEAR OF ENVIRONMENTALISM

Environmental journalist and author Trish Riley started Cinema Verde in hopes of inspiring others the same way environmental film screenings across the nation have inspired her.

She said she hopes the festival will bring Gainesville’s community together to work toward solutions rather than simply focusing on the problems them-selves.

“I don’t want people to just come and watch a film and walk away,” Riley said. “I want them to become part of a core group of people that can fix the world.”

The first two years of the festival brought close to 3,000 attendees. Riley said she is grateful for the opportunity to help educate so many people about such critical world issues.

“Our environmental problems are of great concern to our survival,” she said. “If people don’t understand, they won’t address and solve these problems, and if we don’t solve these problems, we’re sunk. It’s over.”

Inspiring Gainesville One Film At a Time

On the last Friday of every month, art galleries around town showcase the work of local artists in an event called Art Walk Gainesville. For the month of February, Cinema Verde will put a new twist on the monthly art show with its Eco-Art Walk at Villa East.

The free event will be held Feb. 24 from 8 p.m. to 10 p.m. and will feature a gallery setting where visitors can view the environmentally themed work of artists from Gainesville and beyond.

The environmental artwork will consist of paintings and photos featuring subjects such as Florida springs and other natural resources, Riley said. Some pieces will be available for purchase.

Attendees can also view trailers of some of the films featured at Cinema Verde, as well as short student film submissions from high school students throughout the country and college students from around the world. Audience members will be asked to participate in judging the student films to determine the winning submissions.

The food at the event will also be eco-friendly, Riley said. Local, sustainable organically grown food and drinks will be provided by Celebrations Catering.

Environmental organizations and businesses will join the festival during the opening weekend as a part of two themed eco-fairs. Feb. 25 will focus on celebrating the beauty of nature, while Feb. 26 will focus on sustainable solutions. Both will be held in Villa East’s outdoor area.

Eco-Art Walk and Eco-Fairs

BY KELSEY GRENTZERPHOTOS BY BILL RANKIN

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SPOTLIGHT

Page 13: The Fine Print, Spring 2012

For filmmaker Peter Brown, fighting whale hunters is just another day on the job. He spent the past 30 years of his life living out at sea among the determined “animal saviors” of the Sea Shepherd Conservation Society, a nonprofit organization based in Washington state.

He spent much of that time behind a camera.

Brown’s film, “Confessions of an Eco-Terrorist,” will be one of the first films played at this year’s Cinema Verde festival. The film will be screened Saturday, Feb. 25 at 8 p.m.

The documentary provides an inside look at life aboard the Sea Shepherd Conservation Society ships, following Captain Paul Watson and the rest of the crew in their perilous endeavors to police international waters against illegal fishing activities, whaling and seal hunting.

However, Brown explains this is not your typical environmental film.

Many environmental films depress and overwhelm viewers with the problems of the world, he said, but “this one actually makes you feel good, that maybe you can make a difference.”

He said he hopes the documentary will encourage viewers to get out from behind the television and go do something positive for the world.

“The point is that it’s up to all of us to make a difference, and I think that we have to all realize that we all have a footprint on the planet,” Brown said. “It’s up to every one of us.”

Confessionsof an Eco-Terrorist

Peter Brown, film documentarian, onboard the Sea Shepherd Conservation Society ship.

Feb. 24: Opening night VIP Reception, 5 – 8 p.m. (free by invitation or public access tickets $25) Eco-ArtWalk ‘til 10 p.m. (free). Feb. 25 – 26: Outdoor “Celebrate Nature” Fair on Feb. 25, and “Sustainable Solutions” fair on Feb. 26 Films will be shown at 2, 4, 6, and 8 p.m. on Sat. and Sunday. Feb. 27 – March 2: Films will be shown at 4, 6 and 8 p.m. through the week. March 2: Cinema Verde will co-host the Superfund Art Project Reception at Thomas Center, 5 – 7 p.m. Cinema Verde Awards Night and Wrap Party at Villa East, 8 p.m.

SCHEDULE OFEVENTS

Spring 2012 | T H E F I N E P R I N T | 13

Page 14: The Fine Print, Spring 2012

{

youhadSEX

here are some ways you can stay safe

it happens.to the best and the worst. with the best and the worst.

STDs & PREGNANCYPREGNANCYagainst against

how to protect how to protect

CONTROLbirth

uh-oh

nopeeverything went

according to plan

go wrong?

vaginal ring >>

diaphragmor cap

the pill >>

(Nuva Ring) Deliv-ers low dose of combined hor-mones and is placed directly in the uterus where it stays for three weeks until your next period. Up to 99.7% effective.

shot >> (Depo-provera) A shot of hormone every 12 weeks. Has side effects such as weight gain, depression increased body hair and bone thinning. However, does help prevent cancer of the lining of the uterus. 97 to 99.7% effective.

patch >> (Ortho Evra) A thin plastic patch that releases combined hor-mones is placed on the skin once a week for three weeks in a row. Up to 99.7% effective.

Take one pill every day. You and your clinician will decide which one is the right pill for you. 92 to 99.7% effective.

did something

condoms

>> The easiest to find and most user-friendly, male condoms, are a common preventative choice. 85 to 98% effective.

A latex cup prescribed by a clinician that is inserted

into the vagina with spermicide. 84 to 94%

effective.

>> Female condoms, which look like long deflated balloons, work similarly to male condoms and are inserted deep inside the vagina. 79 to 95% effective.

sexually transmittedD I S E A S E SCommon STDs like chlamydia and gonorrhea, are easily treated and cured with antibiotics. But if left un-treated, both can potentially cause ir-reversible damage such as infertility in both men and women, chronic pelvic pain or potentially fatal ectopic preg-nancy (pregnancy outside the uterus). Chlamydia and gonorrhea typically present mild or no symptoms at all, so regular testing is the only way to prevent the damaging effects and the further spreading of STDs. If you do have symptoms, such as bumps, sores, burning or itching it could be some-thing more serious and should get checked right away.

rock on, friends.

y a y !

emergencycontraception>>(Plan B) Emergency contra-ception can be taken within 120 hours after unprotected sex. If taken within the first

72 hours, the risk of pregnan-cy can be reduced by 75 to

89%. EC is available over the counter to men and women over 18 and by prescription

to women under 18.

Text by Chelsea HetelsonIllustrations by

Susie Bijan

so

14 | T H E F I N E P R I N T | thefineprintuf.org

SPOTLIGHT

Page 15: The Fine Print, Spring 2012

G YN

e x a m sWhy do you need to get a

gynecology exam? The short an-swer is regular GYN exams are the best way to detect breast can-cer, cervical cancer and an easy way to get regularly checked for STDs.

The main event of every GYN exam is the Pap smear. If you’ve never had one, let me tell you, they’re about as painful as a big shot and as uncomfortable as talking about sex with your par-ents. But -- it only lasts a few seconds. The clinician will have you spread your legs, she’ll check for visual abnormalities, like bumps or sores, and then -- take a deep breath -- she’ll stick her finger in you, feel around, and then scrape some cells around the walls of your vagina. Think of it as getting tested for strep -- but in your vagina.

It’s recommended that wom-en have their first Pap smear three years after they first have vaginal intercourse or when they turn 21, whichever comes first. Previously, the recommended age was 18.

Along with Pap smears, a typical GYN exam can include a pelvic exam, breast exam and lab tests for screening of STDs. All of these together, when done on a regular basis, can lead to early detection of breast cancer, pre-cancerous growths in the cervix when they may still be curable, as well as prevent illnesses.

Planned Parenthood914 NW 13th Street

Gainesville, FL 32601(352) 377-0881

Health Services

Abortion Services

Alachua County Public Health Unit224 SE 24th StreetGainesville, FL 32641(352) 334-7910

Bread and Roses1233 NW 10th AvenueGainesville, FL 32609

(352) 372-1664

Offers wide variety of health services for both women and men at a low cost. Women can receive annual gynecology

exams, STD screenings, UTI testing, preg-nancy tests, birth control and emergency contraceptives. Men can receive sexual

health check-ups, STD screenings, UTI testing, testicular cancer test and vasec-

tomies. Full exams for men and women cost between $60 and $80 and various

sexual health tests such as UTI, pregnancy, STD and Pap smears can be given a la

carte ranging in price from $10 to $25.

>> Performs walk-in STD testing on a sliding fee scale on Tuesdays and Thursdays from 12:30pm to 3:00pm HIV testing is also avail-able anytime by walk-in or appoint-ment for a $20 optional fee. Birth control and pregnancy testing also available on a sliding fee scale.

>> Early detection pregnancy tests for

$10. Abortion services for the student price ranging from $400 to $495 depending

on medical or surgical procedure.

Pride Community Centerof North Central Florida3131 NW 13th St., Suite 62

Gainesville, FL 32609(352) 377-8915

F r e e S T D & H I V t e s t i n g

Body Tech Tattoo Parlor806 W University Ave.Gainesville, FL 32601

(352) 376-4090

>> Chlamydia, gonorrhea and HIV swab testing on the first and third Thursday of the month from 4:00pm to 6:00pm.

>> Chlamydia, gonorrhea and HIV swab testing on the first and third Thursday of the month from 8:00pm to 11:00pm.

get tested!

need more sex health information?

Spring 2012 | T H E F I N E P R I N T | 15

SPOTLIGHT

Page 16: The Fine Print, Spring 2012

By Caitlin LuedkeSix sewing machines are each

perched on their own white and orange IKEA table. There’s just enough room at the tables for small sewing projects like pin cushions and aprons, examples of which peek from around the room. The six tables are lined in a horseshoe within the white brick and wood walls of Sew Make Do, Gainesville’s sewing studio that held its official grand opening Jan. 21.

Here, people can take a shot at sewing for the first time with-out having to break their bank, or they can continue to expand their skills. Between open-studio nights and a multitude of classes, Sew Make Do is working to cre-ate a space in the community for crafters of all levels. The 600 square-foot studio is moderately decorated with handmade cre-ations. Pillowcase dresses for girls, a game-day dress, wallets and aprons are displayed under the soft lights of the studio.

The eclectic space is Kim

Kruse’s labor of love. Kruse has wanted to open a studio for years, and that finally became a reality when a space on the northeast side of town opened up.

“Sewing allows people to make their own choices,” she said. “It’s so great to make some-thing with your own two hands.”

‘Empowering’ is the word Kruse uses when she talks about sewing. Every part of a sewing creation is up to the maker – from the pattern, the cut to the thread color – something Kruse found rewarding since she started sewing back in middle school.

Kruse says sewing allows peo-ple to take what they like out of the fashion world and tailor it to their needs. Mimicking ideas from runways or recreating a street-wear ensemble lets women create whatever image is in their heads and also learn a traditional art form.

Some of Kruse’s first endeav-ors in the craft were a black poo-dle skirt and a corset. She became involved in costume construc-tion during her high school years

and carried her growing love for handmade creations through col-lege. She created clothing and accessories, a fun hobby and a way to conserve money. Friends would express interest in sew-ing, and the idea of teaching and opening a studio always sat high on her list of ventures to try.

Over the years, Kruse col-lected more sewing machines and held onto that idea. She taught classes at the UF Leisure Course Program for knitting and sewing in addition to working as a teach-ing assistant for an introductory class in the College of Journalism and Communication.

After studio space became available, Kruse gathered her machines, enlisted the help of her husband and put Sew Make Do together. They transformed the space together and have since done a soft, or unannounced, opening to gauge how the com-munity reacts with the new space.

With the studio, Kruse wants to take some of the negative con-notations away from sewing. Sewing carries baggage from pre-

to sew, make & doAbove: Kim Kruse works on her favorite sewing machine. “I paid for it with my hard-earned, waitress money. I’ve had it since ’94.” Photo by Erik Knudsen.

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SPOTLIGHT

Page 17: The Fine Print, Spring 2012

women’s rights, but Sew Make Do strives to show just how cre-ative and personal the activity can be, some of its many empowering qualities. The classes she has de-signed are meant to take people with little to no experience and have them fabricating something within three hours.

Instead of asking for two-week commitments of weekly meet-ings, Kruse aims to show people how easy and fun sewing can be with simple projects, such as pin cushions, to start them off. That way, they can leave accomplished by their own hand.

“Seeing their face light up once they finally see what they’ve made is great,” she said.

Kruse keeps the class size at six people to maximize the help she can offer everyone. The stu-dio is equipped with a large table in the center for demonstrations and tutorials, and students can work at their own sewing station. Kruse’s advice and encourage-ment are another plus.

Each sewing machine is dif-ferent with its own quirks, so students can try different models. Kruse liked the idea of allowing people to try the craft first. Sew-ing machines can run up a decent bill; here at the studio, people can try sewing without having to ful-ly commit to buying one without really exploring the craft first.

Classes range from the abso-lute basics of sewing to more ad-vanced techniques, like adding in zippers to clothing. Kruse offers her basic class twice a month and has a plethora of other classes for anyone interested.

Some classes on both her cal-endar and idea list include: A cus-tom A-line skirt to fit your body, putting zippers into a skirt, a pillow-case dress or top, a roll up crayon case (for kids) or makeup case (for the ladies), working with patterns and the basics.

One of Kruse’s new additions to the studio is $5 Fridays. Five dollars gets you a quick and easy

project. A fabric fortune cookie is one of her first of these quirky projects.

Open-studio nights are an-other one of the studio’s high-lights. Kruse opens her doors on Thursday evenings to anyone who doesn’t own a machine or is looking for someone to bounce ideas off of or encourage them on a project. For $15, anyone can claim a machine for a three-hour block.

“I’ll be their cheerleader,” she said with a laugh.

As the studio gains its footing in the community, Kruse hopes to create a place where sewers can communicate and connect with one another – the local sewing spot. A tea and coffee station and more decorations to match the 50-esque décor are on her list.

Selling fabric is off her to-do list; she’s joined up with other local shops to further immerse people in the sewing community. Chickadee Quilt Shop opened recently near the Oaks Mall and specializes in fabrics. Anyone who signs up for Sew Make Do’s beginner class is offered discounts on fabric purchases from Chicka-dee. Those connections are piv-otal to further link the sewing community together, explained Kruse.

Something she hopes to start

in the future is selling sewing ma-chines. Until then, she says she’s fine running on her six machines.

Kruse recently took on two new staff members to include more variety in her classes. Now Sew Make Do will offer classes in knitting and expand on their sew-ing classes. With the addition of more staff, Kruse can incorporate a variety of crafts into her studio. She welcomes anyone interested in teaching to contact her.

Anyone interested in taking classes can purchase a ticket on-line at www.sewmakedo.com and can check back as more classes are listed. Open studio nights are for everyone; you can swing by the studio at 706 NW 23rd Ave., and maybe have a nice cup of coffee and chat while you work.

Above: Kim Kruse poses in front of her newly opened craft studio, Sew, Make, Do.Left: Photo of inside Sew, Make, Do.Photos by Erik Knudsen.

Spring 2012 | T H E F I N E P R I N T | 17

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Page 18: The Fine Print, Spring 2012

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Page 20: The Fine Print, Spring 2012

Civil Disobedience

by Aleksandra Bacewicz

In the 1960s, African Americans weren’t allowed west of 13th Street after dark, the one exception being UF students. The uni-versity gave the Gainesville police pictures of its black students so police officers could check that those who crossed 13th Street were in fact enrolled at UF.

“It was that bad. There was that kind of extreme discrimination right here,” said Dan Harmeling, one of the many white UF stu-dents who were active in the civil rights strug-gle alongside their African American friends.

Dan remembers one evening when a police officer shined a flashlight in his friend Jesse Dean’s face as the officer browsed through a collection of photos to ensure that Jesse was allowed to be there.

Black History Month pushes us to re-

examine the deep-seated discrimination that daily confronted community members like Jesse and those who fought within their com-munities for a more just society.

Before Dan moved to Gainesville for school in the early 1960s, the minister at his church in Winter Park showed him how to fight for equality through his actions as a member of the NAACP and state civil rights

groups. Dan quickly began to follow his ex-ample.

When Dan and his twin brother, Jim, moved to Gainesville to study psychology, Dan settled in the “student ghetto,” an area behind University Avenue that was one of the cheapest places to find housing. It was here that he met many black students who soon became his close friends.

“At the time, Gainesville was completely segregated. The blacks weren’t allowed in any of the restaurants along University,” he said. “They were treated as sub-par citizens.”

Dan joined his friend and fellow activist, Chester Chestnut III, and protested these res-taurants and other local businesses.

In 1963, Dan and other activists blocked the entrance of The Florida Theater because the theater wouldn’t let African Americans buy tickets to shows. A white mob quickly gathered to counter the growing crowd, but

“At the time, Gainesville was completely segregated. The blacks weren’t allowed in any of the restaurants along Univer-sity,” he said. “They were treated as sub-par citizens.”

Former UF student, Dan Harmeling, fought to change a town built on discrimination

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Page 21: The Fine Print, Spring 2012

Dan and others did not falter.The movement continued to grow from

there, amassing more activists with each pro-test. With the efforts of the NAACP and the Student Group for Equal Rights, Dan and his peers continued to push against discrimina-

tory practices in Gainesville by holding pro-tests and sit-ins.

“Very few businesses gave in to our de-mands and almost none changed their prac-tices voluntarily. They changed when the law forced them to change,” Dan said.

The same year he helped block the en-trance to The Florida Theater, Dan and fellow UF student, Judith Brown, joined Florida A&M protesters and picketed a Tallahassee movie theater. Dan was arrested, the first of four arrests for “civil disobedience.”

UF administrators, including then UF President J. Wayne Reitz, wanted Dan and Judith expelled for misconduct. Although they were ultimately allowed to remain at the university, Brown had her Graduate Assis-tantship in English withdrawn and Dan lost his job at the library.

“The administrators at UF were some of the most prominent segregationists. Dean Grinter would cross our picket lines to go into segregated restaurants, and Stephen O’Connell once had 50 students arrested for sitting in his office,” Dan said. “They were what we had to fight against.”

Dan, still fighting in 1964, protested against the segregation of public spaces in St. Augustine. The event drew national atten-tion, with Martin Luther King Jr.’s presence and the Ku Klux Klan’s violent backlash. Lat-er that year, the Civil Rights Act of 1964 was passed, ending racial segregation in schools and other public facilities. But merely passing this act did not end racism, which was still pervasive in society. And Dan and others kept fighting. The following year, he and a group of at least 15 from Gainesville took part in the historic march from Selma, Alabama to Montgomery to push for equal voting rights.

“The vestiges of racism are still here,” Dan said. “It may not be as apparent, but this town was built on discrimination.”

Dan Harmeling, former UF student civils rights activist, poses in his yard next to the mug shots of him and his twin brother taken in1964. They were arrested for peacefully protesting outside a segregated restaurant in St. Augustine, Fl. Photo by Erik Knudsen.

“The administrators at UF were some of the most prominent segregationists. Dean Grinter would cross our picket lines to go into segregated restaurants, and Stephen O’Connell once had 50 students arrested for sitting in his office,” Dan said. “They were what we had to fight against.”

Dan currently lives in Gainesville, teach-ing and tutoring part-time and is still engaged in political activism. He sees remnants of in-equality in subsidized housing and the efforts to close schools in east Gainesville. The fight for equal rights is not yet over, but he does ad-

mit that the situation is a huge improvement from the 1960s.

“There are African Americans in leader-ship positions. Our police chief is an African American. We couldn’t have imagined that back then.”

Dan gently insists that he is only a small part of the civil rights story here in Gaines-ville and that there are still many personal histories left to tell.

“I remember people thinking we were idealists…and yeah, I guess we were. We just knew things could be better.”

Even now, 50 years later, Dan knows that things can improve and he continues to strive for that: something better.

Spring 2012 | T H E F I N E P R I N T | 21

FEATURE

Page 22: The Fine Print, Spring 2012

CHECKING IN WITH OCCUPY GAINESVILLE

by Cody BondIllustration by Susie Bijan

The plaza is cold tonight. Beneath the street lights and Spanish moss, the homeless are laying out their blankets. Some are already asleep; others sit on benches, pulling on half-smoked cigarettes. The circle of protest-ers is all coats and hats as it gath-ers behind the big canopy tent. Strung between two of its posts is a tattered sheet. “OCCUPY GVILLE,” it reads. Someone yells, “Mic check!” The others answer, “MIC CHECK!” and the meeting is called to order.

Another General Assembly in Bo Diddley Plaza – another night practicing the radical di-rect democracy occupiers hope will change the country and,

just maybe, the world. It’s been four months since the occupa-tion began. Tonight, the group is small – 11 in all – but each one will tell you that despite what the media says, despite the cold and the cops and the city’s ambivalence, they’re not going anywhere.

“There are so many things to do, it’s kind of like ‘Where do we start?’” That’s Karin Light-stone, grinning as we talk about the future of the movement. “I have a vision in my head of this just, sustainable world.”

It became clear early on that the Occupy movement wasn’t going to be about just one thing. What began on Wall Street as a demonstration against corporate greed and favoritism quickly became a national movement against everything you ever hat-ed about the government: The Patriot Act, privatized health care, nuclear power, campaign

finance laws, the War on Drugs, censorship, and the list goes on.

The anti-consumerist maga-zine Adbusters – based out of Vancouver, BC – is widely cred-ited for starting the whole thing with their now-famous ballerina poster. The text, if you haven’t seen it, reads:

WHAT IS OUR ONE DEMAND?#OCCUPYWALLSTREETSEPTEMBER 17TH.BRING TENT.

There’s a certain irony to a Canadian organization starting one of the largest protests the United States has ever seen, but the movement quickly proved that it would not be stopped by any border. In a matter of weeks, and with the help of a ferocious social media campaign, Occupy camps started popping up in cit-

Forget the bull.Find the matador.

22 | T H E F I N E P R I N T | thefineprintuf.org

FEATURE

Page 23: The Fine Print, Spring 2012

ies across the U.S., in the Carib-bean, South and Central Amer-ica, Europe, Asia, the Middle East, Australia and even Africa. And suddenly, as one blogger put it on Adbusters’ website, “the tent has become a symbol of resistance.”

“I always knew this day would come,” says Ed Speanburgh. “I’m glad it happened now.”

Ed is a Gainesville resident of 12 years and a former painting contractor who’s been hit hard by the limping economy. He’s a professed anarchist who puts little stock in the government’s promises of change.

Karin agrees with him. “I’d rather create examples of solu-tions than try to reform a system that’s broken,” she says.

Occupy’s reassessment of the status quo has brought on a lot of bad sentiment, and a lot of bad press. Occupiers have been called anti-American, traitors, even terrorists. The corporate media has been happy to report these slights. They have been somewhat less happy to report the heap of nasty police action – mass arrests, barricades, rally smashing – that has come down on the protesters’ heads, includ-ing the infamous episode at UC Davis, where Lt. John Pike casu-ally emptied a canister of police-grade pepper spray on a line of seated demonstrators.

This is not to say that every encounter with law enforcement has been so odious and brutal. The cops, for their part, have a huge disadvantage in facing a movement full of smart phones. Any time they have to crack a few skulls or drag a woman out by her hair, it’s there, in an in-stant, on countless blogs and threads, for the world to see.

The Gainesville camp has not been without incident. The physical occupation of Bo Did-dley Plaza has dwindled as GPD

has stepped up enforcement of the plaza’s 11:30 p.m. clos-ing time. What occupiers call peaceably assembling, police call trespassing, and the past four months have been peppered with late-night arrests.

Still, occupiers insist the pla-za belongs to them, as it belongs to everyone. The tent may come down every night, but the occu-pation is never really over.

“The Occupy movement doesn’t exist, in a way. It’s only within people.” That’s Tommy Baker, contributing writer for The Fine Print and, more re-cently, die-hard occupier. Work-ing in solidarity with Move to Amend (a national initiative to deny corporate personhood), Tommy and his friends helped organize the Occupy the Courts demonstration in Bo Diddley Plaza on Jan. 20. Dr. Cornell West gave the keynote speech

and a led a march to the Fed-eral court house, a couple blocks away. A single suit guarded the front door while demonstrators chanted and waved signs and eventually broke up. I walked over to him as the crowd was thinning.

“So, did you draw the short straw?” I asked.

He barely laughed. “Unfortu-nately,” he said.

I can imagine that conversa-tion, in some musty, windowless room smelling of burnt coffee, not an hour earlier: Now, Steve, stop complaining. The fact is you pulled the short straw, so you’re going to have to be our front

man on this one…No, we don’t know how many there are, but intel says they seem reasonable...No, nothing like Oakland…Lis-ten, you don’t even have to talk to anyone. Just stand out there and look tough...Not like that, Steve. Try crossing your arms…That’s good. And for God’s sake stop smiling. Look mean, damn it…Right. Here’s your roll of U.S. Marshals official yellow tape. Make sure to tape up that front door good. Now get out there and show those freeloaders exactly what we think of them.

Which I guess he did, stand-ing there impassively as demon-strators took over the sidewalk, lips tight under his shiny mus-tache. What he was thinking behind that official scowl I can’t say; nor can I say whether or not his name was actually Steve. The point is, while Steve was busy pulling down his carefully

strung yellow tape, the front door opened and reinforcements finally arrived.

Few people were left to see the Marshals come out and shake hands with the demonstrators still hanging around the court-house. More than one snapped a photo – their blue windbreak-ers clashing with the occupier’s black T-shirts as they squeezed into frame. For a moment there, the uniforms didn’t matter. They were all the 99 percent.

“I always knew this day would come. I’m glad it happened now.”

Spring 2012 | T H E F I N E P R I N T | 23

FEATURE

Page 24: The Fine Print, Spring 2012

feature

24 | T H E F I N E P R I N T | thefineprintuf.org

by Lydia fiserIllustration by Susie Bijan

This spring, the bison that live at Paynes Prairie Preserve State Park will begin to see cracked corn, molasses and sugar appear on the prairie, twice a day, every day, for a month.

Then at the end of the month, unfamiliar men will appear along with their daily treats. And sud-denly the treats will become lures, leading the bison into wooden holding pens, built so they can’t see out of them. The contractor leading this project hopes the lack of visibility will keep them calm.

If the bison don’t go quietly, they’ll hear the beating of a he-licopter’s blades overhead. The growl of 4-wheeler engines will crescendo over the prairie. The plan is to force the bison, run-ning as fast as most 4-wheelers can drive, into the holding pens where handlers will separate the males and ship them to ranches across the country.

Gainesville citizens have been fighting to stop this day since Paynes Prairie officials an-nounced a plan in 2010 to, as the park puts it, “stabilize the bi-son population.” An online poll yielded more than 400 responses from concerned citizens, and the one public meeting held on the issue was filled to capacity with about 100 people voicing oppo-sition.

Despite what may seem like the age-old conflict of animal rights advocates vs. The Man, the issue is more complicated than that. Paynes Prairie’s dilemma goes back, not just to 1975 when American bison were reintro-duced to the state park, but to the late 1800s.

Back then, an animal that once boasted numbers as high as 20 to 30 million was whittled down to about 500 across the en-tire continent, explained Walter Munsterman, a biologist and bi-son expert at the Wichita Moun-tains Wildlife Refuge – the sec-ond largest bison refuge after

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Roughly 30 million American bison roam

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Page 25: The Fine Print, Spring 2012

feature

Spring 2012 | T H E F I N E P R I N T | 25

Yellowstone National Park.In 1899, the New York Wild-

life Conservation Society’s first initiative was to gather, shield and begin reproductive efforts with what was left of the American bi-son. But while hunters were slash-ing through millions of bison, ranchers were experimenting with the “super cow” – a bison, cattle hybrid. So when the society began its efforts, not only were there very few bison for them to work with, but many of the remaining bison had already lost their genetic pu-rity.

No one knew it at the time. Only in recent years with new DNA testing technology has it become clear that herds previ-ously thought to be genetically pure American bison actually have traces of cattle DNA.

“But just because it has that minute amount doesn’t mean it’s not still a buffalo,” Munsterman said. “They all still look, act and smell like a buffalo.”

To Munsterman, this new in-formation gives all the more rea-son to preserve bison. Before the technology was so precise, if a small amount of cattle DNA was found in a bison, it likely would have been removed from the herd. With this new information, most bison are being kept in the herds – the focus now on fostering genetic diversity within the species rather than maintaining genetic purity.

Since almost all of the Ameri-can bison alive today, including the Paynes Prairie bison, at some point originated from those initially rounded up off the Great Plains by the Wildlife Conservation Society, they all hail from a very close-knit, somewhat impure family tree. To-day, increasing genetic diversity within the species is key to their long-term survival, according to the 2010 IUCN American Bison Status Survey and Conservation Guidelines.

At Paynes Prairie, this issue is compounded by the fact that the herd began with a donation of just 10 bison from the Wichita Moun-tains Wildlife Refuge. The family tree was whittled down even more in 1985 when all but 6 of 35 bison

tested positive for brucellosis. Left with six females, the park intro-duced one new male. But because of the small population size, in-breeding quickly became a con-cern, and in the late 1990s all the male bison were removed.

Friends of Paynes Prairie bought a new male bison in 2001

to introduce to the all-female herd. And now, each one of the 70 bison in the park are related to one an-other, and concerns of inbreeding have resurfaced.

Here and GoneAmerican bison called the Ala-

chua Savanna home before hikers trampled paths and the Hawthorn Trail was paved. So it only seems fair to give them a sanctuary in North Central Florida – the tail-

end of their natural habitat. But that’s not exactly why park officials re-introduced the bison to Paynes Prairie in 1975.

“They were brought here to [show] folks that bison really did exist this far south, that Florida was really this open, this wild,” said David Jowers, the director

>>>>>>>>>

>>> If the bison don’t go quietly, they’ll hear the beating of a helicopter’s blades overhead. The growl of 4-wheeler engines will crescendo over the prairie.

of Paynes Prairie Preserve State Park.

When the original 10 bison crossed the Florida state line, es-corted by park officials, their fate and the fate of their offspring suddenly changed. No longer would they wander 59,020 acres of protected land in Oklahoma. Their home shrank to 6,000 acres – though still plenty of room for a small herd, according to Jonathan Proctor, a bison expert with De-

fenders of Wildlife in Montana.Now, instead of wildlife to be

preserved, the bison were classified as livestock to be numbered and accounted for, a result of Florida Statue 588.13, which categorizes all bovine animals as livestock.

When they arrived in their new home, the bison were given a new job title. They were now educators. Their purpose: to be a piece of the puzzle showing what the Alachua Savanna would have looked like when settlers first laid eyes on it in the late 1700s.

To citizens and visitors, their ar-rival was simply a new attraction to the park. To the bison, this meant that the same obstacles they had been facing as a struggling species – genetic instability and limited re-sources – would now be overcome differently.

If the Paynes Prairie bison were a conservation herd, the Livestock Management Plan that laid out the guidelines on how to “stabilize the bison population” likely would have looked very different. But as an educational herd, the point was to not allow inbreeding while keep-ing the bison at the park for their educational value with as little long-term stress to the herd and cost to the state as possible.

“Even the national parks have no choice but to remove some bison from time to time,” Proctor said.

A bison herd needs at least 1,000 members to be genetically stable, Proctor explained. And Paynes Prairie does not have the room or the resources to maintain a herd of this size, nor are Florida laws set up to allow for this type of conserva-tion effort even if the park wanted to shift its strategy from education to conservation.

With all this in mind, Jowers said, “it would be irresponsible not to do anything. It was just a matter of when.”

Park officials decided on a one-time roundup this spring. All the adult males will be separated and taken to ranches that are looking for males for various reasons. The young males will be neutered and released back into the park along with all the females. And in the fu

Continued on next page

Page 26: The Fine Print, Spring 2012

Bronx Zoo sends 15 bison to the Wichita Mountains Wildlife

Refuge in Cache, Oklahoma

American bison are considered safe from

extinction

About 30,000 bison roam North America

Time Magazine pub-lishes an article called “Have a Slice of Roast

Beefalo” and jump starts a rising meat

industry based on a bison/cattle hybrid

The Wichita refuge donates 10 bison to

Paynes Prairie Preserve State Park

7 bison at Paynes Prai-rie – Friends of Paynes

Prairie buy two new bison for the park, one

male and one female

35 bison at Paynes Prairie – all test posi-

tive for brucellosis, except six females.

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an unrelated bull is introduced to the all-

female herd

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-ture when the herd begins to shrink, Jow-ers said the park plans to introduce new females and neutered yearlings here and there. In short, it will be a non-reproduc-ing herd, and this will be the third and hopefully last time Paynes Prairie rounds up the bison.

The stress of rounding up bison can sometimes kill them, according to the IUCN bison guidelines. There’s also the difficulty of dealing with a herd of 70 animals that can run as fast as 35 mph and weigh up to 2,000 pounds. The Florida Department of Environmental Protection doesn’t have experts on staff who know how to round up animals of this size, so the project was put up for auction.

Four companies applied. State officials made their choice based on a combina-tion of cost, experience and quality of the sanctuaries that each company listed as re-cipients of the male bison, Jowers said.

The bid could have been awarded to Holcomb Buffalo Ranch in South Da-kota, part of the bison’s historic range. If it had, the male bison would have joined a herd of about 85 others in a rural, protect-ed area, according to the ranch’s proposal. But Holcomb Buffalo Ranch quoted the state $11,200 per bison. With a herd of about 70, that adds up to $784,000, not including undetermined medical costs.

Gateway Farms offered to do the same job for $324 per bison. Gateway Farms, a High Springs-based company, has 10 years of experience with buffalo compared to Holcomb Buffalo Ranch’s 18 years of experience with bison. The main differ-ence lies in the details of the sanctuaries specified in each proposal. Holcomb Buf-falo Ranch would have given the male bi-son a definite lifelong sanctuary in South Dakota, a goal laid out in the Livestock Management Plan. Gateway Farms, on the other hand, will send them to a hand-ful of ranches with varying purposes.

The final projected cost has yet to be

released for the project, but it is enough that the state park doesn’t want to have to do it again in the future.

“The expense of rounding these ani-mals up is phenomenal,” Jowers said. “This is not something we can do in-house. So for us to maintain the animals [for educa-tional purposes], we feel the need to go to a non-reproducing herd.”

Jowers trusts Gateway Farms’ propos-al, which states all five possible recipients of the bison will provide a sanctuary for them and allow them to live out their lives.

Jere Herrington, an active member of local conservation groups, has been work-ing to protect the bison for almost two years and is skeptical.

“There is no provision for enforce-ment or follow-up,” she pointed out.

But, “At some point, you have to trust the vendor,” Jowers said, adding that he doesn’t know the individual recipients, only what Gateway presented to the state park.

The Paynes Prairie bison exemplify the obstacles that the conservation movement faces across the country due to varying le-gal classifications and human-determined purposes for bison.

Only 10 states classify bison as wild-life. The rest, including Florida, classify them as livestock. That has led commer-cial herds, often selectively bred for do-mestic traits rather than genetic diversity, to outnumber conservation herds – about 400,000 animals to 20,500, according to the IUCN guidelines.

“If any major progress is to be made in re-establishing free-ranging bison on their native range,” these guidelines suggest that “a paradigm shift is required whereby the public recognizes bison as wildlife, and that there is a social tolerance, especially in the agricultural community.”

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feature, CONt’D

26 | T H E F I N E P R I N T | thefineprintuf.org

Page 27: The Fine Print, Spring 2012

WHERE>>>>>>the Bison will Roam

Until all the Paynes Prairie bison are rounded up, the number of adult males remains unknown. These are the loca-tions that Gateway Farms’ proposal stated as possible recipients. None of these ranches have been guaranteed any bison. It is all dependent on how many adult males there are.

>>> Gateway FarmsGateway Farms is in High Springs,

just up Highway 441 from Gainesville. Gateway is primarily a tree farm with an eclectic collection of animal ambassa-dors. It won the contract to round up all the Paynes Prairie bison and relocate the adult males.

The owner, David Hajos, said after Gateway is done dividing the males among the other ranches listed on the proposal, he may keep one if there are any left.

David Hajos has about 20 years of experience working with domestic and exotic livestock, according to Gateway’s proposal. For 10 years, he owned and maintained the second largest herd of Asian Water Buffalo in Florida – not ex-actly American bison, but at least from the same family.

If David Hajos does decide to keep one bull for himself, its bunkmates at Gateway Farms will be everything from a zebra and a kangaroo to painted camels and Cotton-Top Tamarin monkeys. They’ll share 40 acres of pastures and pens with straight lines of evergreens and palms.

>>> Bellfield FarmsGateway’s proposal states that Bellfield

Farms has two locations, one in Micanopy and one in Maryland. However, Bellfield Farms isn’t listed in either location. The Micanopy Zoological Preserve is located at the Florida address, a preserve that the stated owner of Bellfield Farms, Jerry Holly, established for his son, Rhudy Holly, in 2000 – a childhood dream come

true. The Maryland address is registered to three businesses: Jerry Holly Property Management, Frontier Stall Tent Rental and Brandywine Tent Rentals.

The Hollys aren’t strangers to obtain-ing exotic animals from Florida state parks. In 2004, Jerry Holly bought 53 ani-mals – zebras, ostriches, impalas, giraffes, antelopes – from Silver Springs Nature’s Theme Park to add to Rhudy’s 600-acre, fenced preserve. The preserve’s main pur-pose is to breed exotic and endangered animals. In the proposal, Bellfield Farm’s states its focus is on capture, immobiliza-tion, transportation and nutrition of rare species.

David Hajos knows the Hollys well. He helps care for and round up “surplus animals” throughout the year.

>>> Marvin HajosMarvin Hajos appeared as a bison re-

cipient on both Gateway’s and Diamond D. Ranch’s proposals. Though his address-es on the two proposals don’t match – one is in Hollywood, the other in Lake City – the other details are fairly similar: 30 years experience with bison and something be-tween 66 and 72 acres for 30 “different” or “exotic” animals.

Marvin and David Hajos have various business connections – they own D & M Farms together, for example – and some have said they are father and son, though I was unable to confirm this.

Marvin Hajos refused to discuss his plans for the Paynes Prairie bison if he were to receive any. He even refused to state the main purpose of his farm.

>>> Gap Creek RanchGap Creek Ranch is located in Bra-

denton. It’s the ranching portion of a two-part business, the other part being Gap Creek Buffalo Meat Sales.

Bob Cambell, one of the ranch’s own-ers, said their main purpose is to raise and

sell bison meat. They tried beefalo, “but that confused people so we decided to go straight buffalo.”

Cambell is hoping to receive one or two male bison because his herd is cur-rently down to 18 individuals, and he’s without a breeding bull. His bull died a few years back. He tried buying a new bull last year, but he’s not breeding. Too young, Cambell said.

“These guys won’t be eaten,” he said, referring to the male Paynes Prairie bison he’s hoping for. “We requested a fertile bull, and if we get it, it’ll be just what we need.”

>>> Rodney PicklerRodney Pickler’s farm, located in

North Carolina, is a 103-acre farm with 25 acres dedicated to a herd of 12 bison, according to Gateway’s proposal. The proposal also states that the farm, known as Southern Copper Buffalo Farm, has its own deep-water well for the bison and makes its own hay.

An article written last June in The Pilot, a local newspaper in North Caro-lina, stated that Southern Copper Buffalo Farm’s herd is actually up to 26 members. I called the farm, and though one of the owners was very open to speaking with me, I agreed not to publish our conver-sation since they haven’t even been guar-anteed one Paynes Prairie bison yet. The impression I got, though, was very simi-lar to that expressed by The Pilot. It’s a small, family-owned place. The owners, husband and wife, love their animals and their trade. They pride themselves on sell-ing grass-fed, healthy meat and try to sell as locally as possible.

The Pilot article explained that they breed their bison and sell the younger ones once they reach about three years of age. They keep the mamas of the herd, as the couple calls them, and their bulls.

feature, CONt’D

Spring 2012 | T H E F I N E P R I N T | 27

Page 28: The Fine Print, Spring 2012

28 | T H E F I N E P R I N T | thefineprintuf.org

Poetry

III

in you everything coalesced likeice—battered dreams floated sun-ward, ringingwith damp smoke and reeling from love-bronze strikesof callous lightning—but you laughed stingingmemories to feeble sleep—in you mysins were naked as rain—they basked spring-clear,lighted like glass beacons below a skygrotesque and brazen by bliss—with you herewas jubilance—frothy moon-drowned nightsof singing for eggshell-love, for Helenwho brought fire to mankind in a swan-whitehurricane—in you there was no thirst—whenI call, decimated, you answer insilent riddles, your heart shrill in the wind.

Dallin Kelson

POETRY+PROSE

Page 29: The Fine Print, Spring 2012

IV

some fires you cannot put out (deep wateror oceanic breathing): they burn stronglike a boy fishing with his grim father.my heart aches blood. my eyes linger over longclouds. you were soul to me, function and act,structure, dressing, and woodwork. the lights laugh.I stand embered by your ruins, distract-ed (ritual and art, staff and distaff):some buildings were meant to burn to the ground.this fated conflagration the heavens’immutable decision. without soundthe burnt heart-strings droop with desire: leavenedis my bread; levelled, my lovely towers;branded absent, my heart’s need; blank, my hours.

V

imponderable the storm snarls, sand-greycoyote, wicked whispering secrets,dark streak on the sink of the sky. stiff hayburnt by praying lightning, searing white jets—through glass I watch it stifle and near hell.damp the grass and damp my mind with sorrow.worlds may pass unknown—our love cracked—white bellborn from desperate clay, stretched like a bowto breaking—the calm night ambivalentand dark, still, and still rain, colder than dark—you harped by indecision to intent.laughs of thunder drove you mad with rough starkechoes. the form of you shivers blindedin the cold stars. your heart’s need left mine dead.

Illustrations by Fabiola Lara

Spring 2012 | T H E F I N E P R I N T | 29

POETRY+PROSE

Page 30: The Fine Print, Spring 2012

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by Lily Wan

Illustration by Susie Bijan

Although it is o�cially called the

Gainesville Renewable Energy Center

(GREC), protesters are calling the coun-

ty’s planned biomass facility an “incinera-

tor in disguise.”

American Renewables, a private bio-

mass developer based in Massachusetts,

is partnering with Gainesville Regional

Utilities (GRU) to construct a biomass

power plant at GRU’s Deerhaven Station,

just eight miles northwest of Downtown

Gainesville.GRU and city o�cials agreed that

Gainesville needs an additional source of

energy to meet the demands of its con-

sumers by 2023. �e 100-megawatt facil-

ity, capable of providing enough electricity

to power 100,000 homes, will be primar-

ily fueled by residual wood chips collected

from forest and wood processing opera-

tions within a 75-mile radius.

According to Josh Levine, the project

manager of American Renewables, bio-

mass uses the leftover wood from trees

that are initially harvested by logging com-

panies, which mainly use the trunk of the

tree, discarding the treetops and branches.

“In most cases, this wood is piled up

and burned,” Levine said. “�ere are no

emissions controls, no bene�ts from the

burning of that material -- just burned.”

�e biomass plant was chosen as an

alternative to a 220-MW coal facility that

THE BIOMASS

CONTROVERSY

Is Gainesville’s planned biomass plant

the answer to our energy woes

or an incinerator in disguise?

FEATURE

20 | T H E F I N E P R I N T |

VOLUME III ISSUE VSUMMER 2011

FREE

www.thefineprintUF.org

THE BIOMASS CONTROVERSY, P. 20

Five easyways to

EAT LOCAL

}{p. 10

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Page 31: The Fine Print, Spring 2012

yello/blu by Travis Epes

Spring 2012 | T H E F I N E P R I N T | 31

COMIC

Page 32: The Fine Print, Spring 2012

You just might be our type.