The Fight. Andy Warhol, Knives, ca 1981-82, acrilico e serigrafia su tela, 51x41, Corcoran Gallery...
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Transcript of The Fight. Andy Warhol, Knives, ca 1981-82, acrilico e serigrafia su tela, 51x41, Corcoran Gallery...
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The Fight
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Andy Warhol, Knives, ca 1981-82, acrilico e serigrafia su tela, 51x41, Corcoran Gallery of Art, Washington D.C.
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http://www.mymovies.it/dizionario/recensione.asp?id=46991
gomorra
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Eva Marisaldi, s t., 1993.
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Marina Abramovic, Double Edge, h 400, 1995.
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Francisco de Goya y Lucientes, Il 3 maggio 1808, 1814, Prado, Madrid
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Edouard Manet, L'esecuzione di Massimiliano, 1868, Kunsthalle, Mannheim
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Francisco Goya, Grande hazana! Con muertos! - da Los desastres de la guerra, 1810
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Eugéne Delacroix, La libertà che guida il popolo, 1830, cm 260x325, Louvre, Parigi.
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Gustave Courbet, Gli spaccapietre, 1849, Gemäldegalerie di Dresda, distrutto durante la seconda Guerra Mondiale; Jean François Millet, L'Angelus, 1859, Musée d'Orsay, Parigi; Honoré Daumier, Il vagone di terza classe, 1862, National Gallery of Canada, Ottawa.
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Georges Eugéne Haussmann, i principali assi viari creati o trasformati tra il 1850 e il 1870 nel centro di Parigi; il Boulevard Haussmann;Pierre Auguste Renoir, Il Gran Boulevard, 1875, coll. H. P. Mcllhenny, Philadelphia
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Carlo Carrà, Funerali dell'anarchico Galli, 1911, MoMA, New York; Antonio Sant’Elia, Progetto per grattacielo, 1914; Giuseppe Terragni,
Casa del Fascio, Como 1932-36.
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El Lissitky, Beat the Whites with the Red Wedge, 1919. Vladimir Tatlin, Monumento alla Terza Internazionale, 1920, modello.Kazimir Malevich, Composizione suprematista - Volo di aereoplano, 1915, MoMA, New York; Kazimir Malevic, Quadrato nero suprematista,
1923-29 (prima versione 1913, State Russian Museum, San Pietroburgo).
Ernst Ludwig Kirchner, Self-Portrait as a Soldier, 1915, Allen Memorial Art Museum, Oberlin; George Grosz, Metropolis, 1917, MoMA, New York; Ftitz Lang, Metropolis, 1926; Wassily Kandinsky, Composition, 1923, Solomon R. Guggenheim Museum, New York.
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Pablo Picasso, Guernica, 1937, Museo Reina Sofia, Madrid.
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Fabio Mauri, Sedia in pelle ebrea, Norimberga 1941, 1971.
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Claire Fontaine, Arbeit macht Kapital, 2004
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Leonid, Tutta la Germania ascolta il Führer alla radio, 1936; Frame del film di Michael Radford, Orwell 1984, GB 1984.
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Roy Lichtenstein, Whaam, 1963, Tate Gallery, Londra; James Rosenquist, F-111, 1964-5, olio su tela, m 3x26, MoMA, New York
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Paolo Canevari, Bouncing Skull, 2007, frame da video.
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Pavel Wolberg, Jenin, 2002.
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Oliviero Toscani, Marinko Gagro, 1994.
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Gabriele Basilico, Beirut 1991.
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Chéri Samba, Aprés le 11 Septembre 2001, 2002, intero 200x250 cm e particolare, foto elf.
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Nedko Solakov, Discussion (Property), 2007 (fucile d-assalto AK-47 e MP-44; installazione Biennale Venezia 2007.
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Zhou Xiaohu, Crowd of Bystanders, 2003-06, foto elf.
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Mimmo Rotella, Terror, 2001
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Marina Abramovic, Lips of Thomas, 1975-97.
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Fabio Mauri, Ebrea, 1993, performance alla Biennale di Venezia.
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Marina Abramovic, Balcan Baroque, 1997, Biennale di Venezia 1997.
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Jake and Dinos Chapman, Zygotic acceleration, biogenetic, esposta in Sensation, Londra 2xxx.
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Andres Serrano, Morgue, Knifed to Death II, 1992.
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Lara Favaretto, I poveri son matti, 2005, carrozzone sospeso, luci elettriche e suoni, foto elf
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Morrinho Project, Morrinho Model, 2007 modello originale riconosciuto ricco intellettuale naturale humiltade oficial
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Mauro Folci, L'ameno almeno in tempo, Fondazione Baruchello, 2003.