The Experience of Sitting to have my Portrait Painted; Small Autoethnography Amia Lieblich...
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The Experience of The Experience of Sitting to have my Sitting to have my Portrait Painted; Portrait Painted; Small Autoethnography Small Autoethnography Amia Lieblich Department of Psychology The Hebrew University of Jerusalem and the Academic College of Tel Aviv-Yaffo Israel
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Transcript of The Experience of Sitting to have my Portrait Painted; Small Autoethnography Amia Lieblich...
The Experience of Sitting The Experience of Sitting to have my Portrait to have my Portrait
Painted;Painted;Small AutoethnographySmall Autoethnography
Amia LieblichDepartment of Psychology
The Hebrew University of Jerusalem and the Academic College of Tel Aviv-Yaffo
Israel
The context, weather and locationThe context, weather and location
The context, weather and locationThe context, weather and location
The context, weather and locationThe context, weather and location
The gaze, or narcissismThe gaze, or narcissism
A trusting relationshipA trusting relationship
Impermanence and agingImpermanence and aging
And the outcomeAnd the outcome
And the outcomeAnd the outcome
ReferencesReferences
Gayford, Martin, (2010). Man with a blue scarf. On sitting for a portrait by Lucian Freud. New York: Thames and Hudson
Josselson, Ruthellen (1996). The space between us:
Exploring the dimensions of human relationships. Ca: Sage Ouellette, Suzanne, (2003). Painting Lessons. In: Ruthellen
Josselson, Amia Lieblich and Dan McAdams: Up close and personal: The teaching and learning of Narrative Research. Washington DC: APA Press. pp. 13-28
Wilde, Oscar (1981/2000). The Picture of Dorian Gray.
London: Penguin Classics
