The Cultural Landscape of West Penwith

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‘The Cultural Landscape of West Penwith’ Abi Stocker & Will Orchard

Transcript of The Cultural Landscape of West Penwith

Page 1: The Cultural Landscape of West Penwith

‘The Cultural Landscape of West

Penwith’Abi Stocker & Will Orchard

Page 2: The Cultural Landscape of West Penwith

Our ProjectO Explore relationships between

landscape and identity by collecting oral testimonies

O Outcomes: O Touring exhibitionO Article for Cornish story magazine

O “We must understand the whole in terms of the detail and the detail in terms of the whole” (Gadamer, 2003)

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Existing researchO Strong focus on photographs O Romantic and timeless landscapes

O “Cornwall can still show fragments of the natural landscape which must have confronted early man.” (Balchin, 1954)

O Ignores local relationshipsO Although some attempts to counter this: Trevor

Burston, The Floating World: 36 Views of St Michael’s Mount (1995)

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Change in focusO Original focus:

O How have the feelings and attitudes towards the cultural landscape changed over time?

O Found this too restrictiveO Focus adjusted to concentrate on the link

between landscape and identityO Opened up more topics to discuss

O Photographs – trigger

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Research methods1) Selection process:

“...everyone has a history and can be involved whether he or she is an affluent company director or the person who stokes the boiler.”

(Howarth, 1998)

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Research methods2) Semi-quantitative

O Triangulation “can also capture a more complete, holistic, and contextual portrayal of the unit(s) under study.” (Jick, 1979)

O Widens the demographic

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Sense of BelongingO A general feeling of ‘home’ and sense of

belonging found in the interviewsO Chysauster

O “typifying, in the visitor’s mind, the ‘true’ Cornwall” (Burston, 1995)O Still in the locals’ mind too

O ‘Elective belongers’ (Hawke, 2010)O Asking students in The Compass

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Sense of timelessnessO Relating the landscape to ancestors

O “...the whole landscape is a memorial to all our ancestors, really.” (Loveday Jenkin, 18/02/2014)

O The history and collective memory of towns are “The physical expression of thousands who have contributed towards its townscape.” (Pool, 1974)

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Insider/Outside O “People choose to identify with Cornwall, even

when they’re not Cornish, um, although they don’t always understand it, obviously...” (Loveday Jenkin, 18/02/2014)

O Simon Reed – Tom Bawcock’s Eve O Not necessarily a shared view:

O Helen Musser and Cornish dance

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“They jumble names and dates…”

O Oral history criticised for its reliabilityO Collective memory less concerned with ‘factual

accuracy’O Semi-structured interview

O Yet ideas “do not proceed from an isolated individual but from a public point of view.” i.e. Collective memory (Fish, 2003)

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Power relationsO Insider vs. outsider

O Living/growing up in Cornwall “the most immediately tangible claim for having been in history.” (Portelli, 1997)

O Yvonne McKenna (2003)O The interviewer does not always feel they are in

a position of powerO Age, gender

O “Age can also make a difference in what kinds of information the interviewer thinks is important.” (Yow, 1998)

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The exhibitionO “...any copy editing... must be treated with

appropriate suspicion.” (Howarth, 1998)O Yet we need to pick out specific themes, e.g.

‘home’O Anna Green – selected ‘representative’ stories

and those deemed appealing to a contemporary audience

O Closing academic-public gapsO “Bridge the gap between representation and

reality” (Ritchie, 2003)

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Conclusion O A ‘sense of place’ is about how people

interact and use the landscape O Photographs:

O “reconstructing what it was” (Simon Reed, 21/11/2014)

O Collective memory O different examples, similar themes

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BibliographyO Balchin, W. G., The Making of the English Landscape Cornwall, (London,

1954)O Burston, T., The Floating World: 36 Views of St. Michael’s Mount (Truro,

1995)O Hannigan, D., Francis Frith’s Around Penzance (1999)O Holmes, J., Penwith in Old Photographs (1993)O Howarth, K., Oral History: A Handbook (Britain, 1998)O Hooper-Greenhill, E., Museums and the Interpretation of Visual Culture,

(Routledge, London, 2000)O Leffer, P. K., and Brent, J., Public and Academic History: A Philosophy

and Paradigm, (Florida, 1990)O McKenna, Y., ‘Sisterhood? Exploring Power Relations in the Collection of

Oral History’, The Journal of the Oral History Society, vol.31, no.1 (Spring, 2003), pp.65-73

O Perks, R. and Thomson, A. (eds.), The Oral History Reader Second Edition, (Oxon, 1998)

O Portelli, A., The Battle of Valle Giulia: Oral History and the Art of Dialogue, (University of Wisconsin Press, 1997)

O Ritchie, D. A., Oral History: A Practical Guide, (oxford University Press, 2003)

O Tregidga, G., and Milden, K., ‘Before My Time: Recreating Cornwall’s Past Through Ancestral Memory’ (2008)