The CDCE and the digital era Antonios Vlassis, CEFIR-Université de Liège Universidad Carlos III de...

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The CDCE and the digital era Antonios Vlassis, CEFIR-Université de Liège Universidad Carlos III de Madrid, 6 November 2014.

Transcript of The CDCE and the digital era Antonios Vlassis, CEFIR-Université de Liège Universidad Carlos III de...

Page 1: The CDCE and the digital era Antonios Vlassis, CEFIR-Université de Liège Universidad Carlos III de Madrid, 6 November 2014.

The CDCE and the digital eraAntonios Vlassis, CEFIR-Université de Liège

Universidad Carlos III de Madrid, 6 November 2014.

Page 2: The CDCE and the digital era Antonios Vlassis, CEFIR-Université de Liège Universidad Carlos III de Madrid, 6 November 2014.

Three main points The recent trade agreements and the treatment of cultural

goods and services.

The international cultural cooperation and the International Fund for Cultural Diversity.

The participation of civil society within the Conference of Parties and the Intergovernmental Committee.

Page 3: The CDCE and the digital era Antonios Vlassis, CEFIR-Université de Liège Universidad Carlos III de Madrid, 6 November 2014.

Trade agreements 1990s: GATS-WTO, NAFTA, MAI-OECD and the cultural exception 2000s: bilateral agreements of US, Protocol of cultural cooperation by EU. 2013: the new approach of cultural exception (EU-Canada)

Four strategies The inclusion of audiovisual and cultural services. The total exclusion of cultural industries (typical cultural exception) The chapter by chapter exception. The Protocol of cultural cooperation.

Recent trade negotiations (TPP, TTIP) and digital audiovisual services (video on demand, catch-up television).

Towards a new strategy beyond the zero-sum approach? Towards a separate chapter “Culture and Trade”

Page 4: The CDCE and the digital era Antonios Vlassis, CEFIR-Université de Liège Universidad Carlos III de Madrid, 6 November 2014.

International cultural cooperation and the IFCD The IFCD is one of the main tools of the CDCE for promoting the development of cultural

industries in developing countries. 71 projects from 43 developing countries with US$ 4.3 million in funding. Total received contributions $US 6.6 million (asymmetry and irregularity).

Three main issues of the IFCD implementation

Major identity problem of the CDCE: Confusion and misunderstanding about scope and objectives of the CDCE.

Identification of the programs dedicated to the cultural development.

Ex. Aides aux cinemas du monde, Euromed Audiovisual, Media Mundus, ACPCultures+, Francophone Fund, IBERMEDIA. Better synergy and coherence among the multilateral funds (prevent the overlapping).

Inclusion of the culture in the post-2015 development agenda? Unlikely.

Page 5: The CDCE and the digital era Antonios Vlassis, CEFIR-Université de Liège Universidad Carlos III de Madrid, 6 November 2014.

Civil society and CDCE The CDEC recognizes the fundamental role of the civil society,

BUT who participates in the multilateral debate? 13 meetings of CDCE Conference and of Committee: in total

42 NGOs ; only 3 NGOs participated in all the meetings ; 31 NGOs participated four times or less (irregularity); monolithic participation (developed countries and culture NGOs).

Three issues:

Geographical diversification of the CDCE civil society

Thematic diversification of the CDCE civil society

Make the CDCE implementation more vital and dynamic.