The Cask of Amontillado€¦ · The Cask of Amontillado Meet the Author: Edgar Allan Poe Born in...

634 unit Seven the dark Side

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Before You read

The Cask of Amontillado

Meet the Author: Edgar Allan PoeBorn in 1809, Edgar allan Poe was a poet, essayist, and fiction writer whose troubled life was marked by the death of his parents and wife. his work often drew on subjects from the dark side. his own life was darkened by excessive drinking and gambling and by mental illness, including a suicide attempt. Poe died in 1849, at age 39, of unknown causes. although he was considered a literary outsider for most of his life, especially in the united States, he is now widely respected. many regard him as the first to write the modern short story, and the genres of crime and detective fiction can trace their roots back to Poe.

Build Background: Rivalry and RevengeShunned by literary society in new York, Poe was the subject of insult and ridicule in print by another writer, thomas dunn English. Poe won a libel lawsuit against English in 1846. after that, English ridiculed Poe less directly, through satire and parody, especially in a novel published that same year that parodied Poe as a drunken, lying character named marmaduke hammerhead who wrote poems about black birds and lost loves. Poe’s “the cask of amontillado,” also published in 1846, is in part literary revenge against English, with references to a number of details from English’s novel.

“the cask of amontillado” is about a character determined to exact revenge for an insult. By its nature, revenge suggests “settling a score” outside of the law. it contains an element of justice, but is much darker. in fact, definitions of revenge often include the idea of hatred as a motive. Still, readers bring their own strong ideas of justice to tales of revenge and develop sympathies with the characters they regard as wronged.

as you read the story, think about these questions:

• Whose side are you on? Why?

• What other stories, books, or movies do you know that portray a character determinedto get revenge?

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french and iTalian coMedians, anonymous French painter, 1670

The Cask of AmontilladoEdGar all an PoE


636 Unit Seven The Dark Side


ThE CASK OF AMONTiLLADO 1

1 Amontillado: a light, dry sherry from the Spanish town of montilla

Edgar a l l an Poe

The thousand injuries of Fortunato2 I had borne as I best could, but

2 Fortunato: in italian, this word means “a lucky person.”

when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitively settled—but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.

precluded made impossible

impunity exemption from punishment

retribution payback; justly deserved punishment

unredressed unsettled

It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.

immolation sacrifice, especially by fire

He had a weak point—this Fortunato—although in other regards he was a man to be respected and even feared. He prided himself on his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part their enthu-siasm is adopted to suit the time and opportunity to practice imposture upon

the British and Austrian millionaires. In painting and gemmary,3 Fortunato, like his countrymen, was a quack, but in the matter of old wines he was sincere. In this respect I did not differ from him materially; I was skillful in the Italian vintages myself, and bought largely whenever I could.

3 gemmary: jewelry

It was about dusk, one evening during the supreme madness of the carnival season,4 that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done wringing his hand.

accosted greeted

4 carnival season: the season before lent, a time when catholics go to parties and celebrate before the fasting and penitence of lent


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I said to him—“My dear Fortunato, you are luckily met. How remarkably well you are looking today! But I have received a pipe5 of what passes for Amontillado, and I have my doubts.”

5 pipe: a large cask, the equivalent of 52.5 imperial gallons or about 238 liters

“How?” said he, “Amontillado? A pipe? Impossible? And in the middle of the carnival!”

“I have my doubts,” I replied; “and I was silly enough to pay the full Amontillado price without consulting you in the matter. You were not to be found, and I was fearful of losing a bargain.”

“Amontillado!” “I have my doubts.” “Amontillado!” “And I must satisfy them.” “Amontillado!” “As you are engaged, I am on my way to Luchresi. If any one has a critical

turn, it is he. He will tell me”— “Luchresi cannot tell Amontillado from Sherry.”6

6 Sherry: a Spanish wine

“And yet some fools will have it that his taste is a match for your own.” “Come, let us go.” “Whither?” “To your vaults.” “My friend, no; I will not impose upon your good nature. I perceive you

have an engagement. Luchresi”—“I have no engagement; come.” “My friend, no. It is not the engagement, but the severe cold with which I

perceive you are afflicted. The vaults are insufferably damp. They are encrusted with nitre.”7

7 nitre: the mineral form of potassium nitrate, also known as saltpeter; a critical component of gunpowder and explosives and also used in embalming

“Let us go, nevertheless. The cold is merely nothing. Amontillado! You have been imposed upon. And as for Luchresi, he cannot distinguish Sherry from Amontillado.”

Thus speaking, Fortunato possessed himself of my arm; and putting on a mask of black silk and drawing a roquelaire8 closely about my person, I suffered

8 roquelaire: a knee-length cloak, buttoned in front

the cask of amontillado




him to hurry me to my palazzo.9

9 palazzo: an italian palace or townhouse

There were no attendants at home; they had absconded to make merry in honor of the time. I had told them that I should not return until the morning and had given them explicit orders not to stir from the house. These orders were sufficient, I well knew, to insure their immediate disappearance, one and all, as soon as my back was turned.

absconded left

I took from their sconces two flambeaux,10 and giving one to Fortunato, bowed him through several suites of rooms to the archway that led into the vaults. I passed down a long and winding staircase, requesting him to be cau-tious as he followed. We came at length to the foot of the descent, and stood together upon the damp ground of the catacombs of the Montresors. catacombs

network of caves, grottos, or underground passages; originally, a burial district in rome said to be used by early christians

10 flambeaux: candelabras

The gait of my friend was unsteady, and the bells upon his cap jingled as he strode.

“The pipe,” he said. “It is farther on,” said I; “but observe the white webwork which gleams

from these cavern walls.” He turned towards me and looked into my eyes with two filmy orbs that

distilled the rheum of intoxication.

rheum watery or thin mucus discharge, as one gets when one has a cold

“Nitre?” he asked, at length. “Nitre,” I replied. “How long have you had that cough!” “Ugh! ugh! ugh! —ugh! ugh! ugh! —ugh! ugh! ugh! —ugh! ugh! ugh!

—ugh! ugh! ugh! My poor friend found it impossible to reply for many minutes. “It is nothing,” he said, at last. “Come,” I said, with decision, “we will go back; your health is precious.

You are rich, respected, admired, beloved; you are happy as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill and I cannot be responsible. Besides, there is Luchresi” —

“Enough,” he said; “the cough is a mere nothing; it will not kill me. I shall not die of a cough.”

“True—true,” I replied; “and, indeed, I had no intention of alarming you unnecessarily—but you should use all proper caution. A draught of this Medoc11 will defend us from the damps.”

11 Medoc: a prestigious wine from southwestern France


Here I knocked off the neck of a bottle which I drew from a long row of its fellows that lay upon the mold.

“Drink,” I said, presenting him the wine. He raised it to his lips with a leer. He paused and nodded to me familiarly,

while his bells jingled. “I drink,” he said, “to the buried that repose around us.” “And I to your long life.” He again took my arm, and

we proceeded. “These vaults,” he said, “are

extensive.” “The Montresors,” I replied,

“were a great and numerous fam-ily.”

“I forget your arms.”12

12 arms: coat of arms; family crest

“A huge human foot d’or,13

in a field azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel.”

13 foot d’or: foot of gold

“And the motto?” “Nemo me impune lacessit.”14

14 nemo me impune lacessit: latin for “no one provokes me with impunity”

“Good!” he said.

Casks in an Italian wineryThe wine sparkled in his eyes

and the bells jingled. My own fancy grew warm with the Medoc. We had passed through long walls of piledskeletons, with casks and puncheons intermingling, into the inmost recessesof the catacombs. I paused again, and this time I made bold to seize Fortunatoby an arm above the elbow.

puncheons casks containing 84 or 120 gallons

“The nitre!” I said; “see, it increases. It hangs like moss upon the vaults. We are below the river’s bed. The drops of moisture trickle among the bones. Come, we will go back ere it is too late. Your cough—”

“It is nothing” he said; “let us go on. But first, another draught of the Medoc.”

the cask of amontillado 639


640 unit Seven the dark Side


I broke and reached him a flagon of De Grâve.15 He emptied it at a breath. His eyes flashed with a fierce light. He laughed and threw the bottle upwards with a gesticulation I did not understand.

flagon cruet; ceramic, or metal beaker, such as the pitcher used in the christian Eucharist

gesticulation set of gestures

15 De Grâve: wine from Point de Grâve, the northernmost tip of the medoc Peninsula

I looked at him in surprise. He repeated the movement—a grotesque one. “You do not comprehend?” he said. “Not I,” I replied. “Then you are not of the brotherhood.” “How?”

“You are not of the Masons.”16

16 Masons: or Freemasons; a worldwide fraternity (which has included George Washington, Benjamin Franklin, and Paul revere) for personal wisdom, self-improvement, and the better-ment of humankind. Pope Clement XII, in 1738, condemned Freemasonry as a pagan religion and a threat to the church.

“Yes, yes,” I said, “yes! yes.” “You? Impossible! A Mason?” “A Mason,” I replied. “A sign,” he said, "a sign." “It is this,” I answered, producing from beneath the folds of my roquelaire a

trowel. “You jest,” he exclaimed, recoiling a few paces. “But let us proceed to the

Amontillado.”“Be it so,” I said, replacing the tool beneath the cloak, and again offering

him my arm. He leaned upon it heavily. We continued our route in search of the Amontillado. We passed through a range of low arches, descended, passed on, and descending again, arrived at a deep crypt, in which the foulness of the air caused our flambeaux rather to glow than flame.

At the most remote end of the crypt there appeared another less spacious. Its walls had been lined with human remains piled to the vault overhead, in the fash-ion of the great catacombs of Paris. Three sides of this interior crypt were still orna-mented in this manner. From the fourth side the bones had been thrown down, and lay promiscuously upon the earth, forming at one point a mound of some size. Within the wall thus exposed by the displacing of the bones, we perceived a still interior crypt or recess, in depth about four feet, in width three, in height six or seven. It seemed to have been constructed for no especial use within itself, but formed merely the interval between two of the colossal supports of the roof of the catacombs, and was backed by one of their circumscribing walls of solid granite.

promiscuously in a disordered way; haphazardly

circumscribing enclosing and limiting



It was in vain that Fortunato, uplifting his dull torch, endeavored to pry into the depth of the recess. Its termination the feeble light did not enable us to see.

“Proceed,” I said; “herein is the Amontillado. As for Luchresi” —“He is an ignoramus,” interrupted my friend, as he stepped unsteadily for-

ward, while I followed immediately at his heels. In an instant he had reached the extremity of the niche, and finding his progress arrested by the rock, stood stupidly bewildered. A moment more and I had fettered him to the granite. In its surface were two iron staples, distant from each other about two feet, horizontally. From one of these depended a short chain, from the other a padlock. Throwing the links about his waist, it was but the work of a few seconds to secure it. He was too much astounded to resist. Withdrawing the key I stepped back from the recess.

fettered bound by chains

“Pass your hand,” I said, “over the wall; you cannot help feeling the nitre. Indeed it is very damp. Once more let me implore you to return. No? Then I must positively leave you. But I must first render you all the little attentions in my power.”

“The Amontillado!” ejaculated my friend, not yet recovered from his aston-ishment.

“True,” I replied; “the Amontillado.” As I said these words I busied myself among the pile of bones of which

I have before spoken. Throwing them aside, I soon uncovered a quantity of building stone and mortar. With these materials and with the aid of my trowel, I began vigorously to wall up the entrance of the niche.

I had scarcely laid the first tier of the masonry when I discovered that the intoxication of Fortunato had in a great measure worn off. The earliest indication I had of this was a low moaning cry from the depth of the recess. It was not the cry of a drunken man. There was then a long and obstinate silence. I laid the second tier, and the third, and the fourth; and then I heard the furious vibrations of the chain. The noise lasted for several minutes, during which, that I might hearken to it with the more satisfaction, I ceased my labors and sat down upon the bones. When at last the clanking subsided, I resumed the trowel, and finished without interruption the fifth, the sixth, and the seventh tier. The wall was now nearly upon a level with my breast. I again paused, and holding the flambeaux over the mason-work, threw a few feeble rays upon the figure within.

A succession of loud and shrill screams, bursting suddenly from the throat of the chained form, seemed to thrust me violently back. For a brief moment I hesitated, I trembled. Unsheathing my rapier, I began to grope with it about

rapier a slender sword

641the cask of amontillado




the recess; but the thought of an instant reassured me. I placed my hand upon the solid fabric of the catacombs, and felt satisfied. I reapproached the wall. I replied to the yells of him who clamored. I re-echoed—I aided—I surpassed them in volume and in strength. I did this, and the clamorer grew still.

clamored shouted; roared

It was now midnight, and my task was drawing to a close. I had completed the eighth, the ninth, and the tenth tier. I had finished a portion of the last and the eleventh; there remained but a single stone to be fitted and plastered in. I struggled with its weight; I placed it partially in its destined position. But now there came from out the niche a low laugh that erected the hairs upon my head. It was succeeded by a sad voice, which I had difficulty in recognizing as that of the noble Fortunato. The voice said—

“Ha! ha! ha!—he! he! he!—a very good joke, indeed—an excellent jest. We will have many a rich laugh about it at the palazzo—he! he! he!—over our wine—he! he! he!”

“The Amontillado!” I said. “He! he! he!—he! he! he!—yes, the Amontillado. But is it not getting late?

Will not they be awaiting us at the palazzo, the Lady Fortunato and the rest? Let us be gone.”

“Yes,” I said, “let us be gone.” “For the love of God, Montresor!” “Yes,” I said, “for the love of God!” But to these words I hearkened in vain for a reply. I grew impatient. I

called aloud— hearkened listened

“Fortunato!” No answer. I called again— “Fortunato!”

No answer still. I thrust a torch through the remaining aperture17 and let it fall within. There came forth in return only a jingling of the bells. My heart grew sick; it was the dampness of the catacombs that made it so. I hastened to make an end of my labor. I forced the last stone into its position; I plastered it up. Against the new masonry I re-erected the old rampart of bones. For the half of a century no mortal has disturbed them. In pace requiescat!18

rampart hill

17 aperture: opening

18 In pace requiescat: latin for “may he rest in peace!”


the cask of amontillado 643


after You read

The Cask of Amontillado

Think and Discuss

1. does montresor succeed in getting revenge “with impunity”? Explain.

2. What parts of the story tell you how montresor feels about what he has done?

3. Why do you think Fortunato becomes silent at the end except for the ringing of the bells on his fool’s hat?

4. this story features a first-person narrator. a reliable narrator says and believes things the reader feels are true. an unreliable narrator says and believes things that the reader doubts or disbelieves completely. is montresor a reliable or unreliable narrator? use examples from the story to support your answer.

5. through what technique does Poe move along the plot of this story?

6. in your Writer’s notebook, make a cluster diagram like the one below to compare and contrast montresor and Fortunato.

Write to Understand: Casting CallSuppose you wanted to dramatize this story. in your Writer’s notebook, write a description of the characters and what you would look for in an actor for each part. refer to your graphic organizer for ideas.


The Cask of Amontillado€¦ · The Cask of Amontillado Meet the Author: Edgar Allan Poe Born in...

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