The Butler's Guide to Running the Home and Other Graces by Stanley Ager and Fiona St. Aubyn

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description

Perched on an island off the shores of Cornwall, England, the soaring castle of St. Michael’s Mount has been home to the St. Aubyn family since 1647. For nearly thirty years, Stanley Ager, one of the most esteemed butlers of the twentieth century, ensured that St. Michael’s Mount was an impeccable place to live and a gracious and welcoming one for guests to visit.Revered by everyone from royalty to the estate staff, Stanley Ager considered it his calling to run a home gracefully and efficiently. Several of the men whom he trained at St. Michael’s Mount went on to serve in the Royal Household at Buckingham Palace and at British embassies throughout the world. But you don’t need a manor to benefit from Ager’s wisdom on homekeeping. This carefully detailed, charmingly illustrated, eminently useful volume offers important insights and techniques, including how to:Wipe a glass—or a chandelier—until it sparkles *** Fold napkins precisely—in six different ways *** Polish furniture—or silver—to a mirror finish *** Lay a beautiful table and serve a meal impeccably *** Brush, buff, and maintain any manner of clothes and footwear *** Fold and pack for a trip—for business or pleasure *** Select and pour wine *** Stage “impromptu” romantic picnics *** And, among other graces, open a door soundlessly, roll an umbrella perfectly, and iron a newspaperTo read more about The Butler's Guide, Stanley Ager, or Fiona St. Aubyn please visit Crown Publishing at www.crownpublishing.com.

Transcript of The Butler's Guide to Running the Home and Other Graces by Stanley Ager and Fiona St. Aubyn

Page 1: The Butler's Guide to Running the Home and Other Graces by Stanley Ager and Fiona St. Aubyn
Page 3: The Butler's Guide to Running the Home and Other Graces by Stanley Ager and Fiona St. Aubyn

in memory of bar bar a, mary and piers

Copyright © 1980 by James Wagenvoord

All rights reserved.

Published in the United States by Clarkson Potter/Publishers, an imprint of the Crown Publishing Group, a division of Random House, Inc., New York.

www.crownpublishing.comwww.clarksonpotter.com

CLARKSON POTTER is a trademark and POTTER with colophon is a registered trademark of Random House, Inc.

Originally published in hardcover in the United States by Bobbs- Merrill Co., Inc., in 1980.

Library of Congress Cataloging-in-Publication DataAger, Stanley.

The butler’s guide to running the home and other graces.Previously published as: Ager’s way to easy elegance, 1980.

1. Home economics— Handbooks, manuals, etc.I. St. Aubyn, Fiona, joint author. II. Title.

III. Title: The butler’s guide to running the home and other graces.TX159.A35 640 81-5679

ISBN 978-0- 385-34470-8eISBN 978-0- 385-34471-5

Printed in the United States of America

Book design by Stephanie HuntworkCover design by Stephanie Huntwork and Rae Ann Spitzenberger

Cover photography © Lew Robertson

1 3 5 7 9 10 8 6 4 2

First Edition

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contents

foreword by alastair bruce obe .......... 6author’s note ................................... 9acknowledgments ............................ 11ager’s way ....................................... 13running the home ........................... 27clothing care and packing .............. 53managing the table ....................... 123other graces ................................. 185index ............................................ 206

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forewordit would hav e been wonderful to meet Stanley Ager and to hear his stories fi rsthand. His witness would have been particularly illuminating to someone sharing my interest in the period when many dedicated their lives “in Service” to others. In Stanley Ager’s case, it was what he really wanted to do. You can read in these pages about the skills acquired dur-ing his career, which was a sort of “calling” dedicated, in his own words, to “the three most important qualities for running a home (which) are punctuality, organization, cleanliness. If you master these, everything else should fall into place.”

Helping to make the TV series Downton Abbey, as the historical advisor, I have found memories and insights left by men and women that lived and served in such extraordinary households to be tremendously informative. These voices from years past carry an empiric guide to a unique way of living, where everyone depended on one another while carrying out their own distinct role and function. Status and duties gave clarity of purpose and position, but no one, no matter how high or low their degree, was free from the strict expectation of standards. Perhaps, for this reason alone, the lengthy era of service and great houses was destined to end.

Many may say hoorah for the end of all that. Yet, in the post- deferential, post- modern and post- caring- much- about- much world, which has evolved over the years, where equality sometimes provides less happiness and fulfi ll-ment than was hoped, we still have a fascination for, and seek out, the illu-sive excellence of living; a style that was emblematic of the period. Writing with co- author Fiona St. Aubyn, the granddaughter of his last employer, the third Lord St. Levan, Stanley Ager became one of the few in his profession to actually record what he knew and how he lived. By doing this he ensured that a particular lifestyle was captured, and he writes in an accessible way

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foreword

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that any householder can comprehend. He offers a unique opportunity to grasp at parts of a world that has all but disappeared. We owe him a deep debt of gratitude, since memories of this kind are no longer passed by word of mouth. It is as though, from the grave, he still enables the three qualities of living, quoted above, to be reached through his guidance.

Known as “Ager” by his employer and “Mr. Ager” by the household staff, he served for nearly three decades at St. Michael’s Mount, a castle that mag-ically crowns a small island off En gland’s Cornish coast. During his years in service he traveled the world, married, raised two wonderful daughters, and was accepted and valued greatly as a de facto member of the Mount fam-ily. He retired following a fi fty- three year career, with his wife, Barbara, (a former head parlour maid herself) to a spotless, sparkling, mainland cottage overlooking Mount’s Bay and St. Michael’s Mount.

To Stanley Ager the gift of human “service” was no one- way loyalty. He clearly gave his all to the families he served but, though he was almost too polite to state this, his expectation of loyalty in return was implicit. And he would have expected the highest standards from the families he toiled for. Their conduct, standing and the behaviour towards their staff was as important to him as the crease on his master’s shirts, the freshness of the fl owers in the hall and the warmth of welcome all guests received at St. Michael’s Mount.

In fact, this subtle message is often the ingredient most forgotten today by those seeking to re- create that same grace in entertainment. Frequently the waiter or waitress struggling among a throng of guests, carrying a tray of canapés or a fresh bottle of champagne is ignored, brushed away or even abused. Yes, it is perfectly right for a host or hostess to expect the highest standards from those paid to deliver them. But this does not make them slaves. Mr. Ager expected courtesy from the families he served and from their guests. In most cases, this gentlemanly instinct of respect for others had been instilled by iron- willed nannies. It was understood by all classes because schools and the pulpit underscored selfl essness as a noble qual-ity but, for some reason, this human strength seems to be on the wane.

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Equally, however, Mr. Ager did not want his employer to throw an arm round his shoulder and call him “Stan”— the idea of inappropriate infor-mality would have seemed impolite and alien. Finding a balance today, which works for an evolving generation, depends on local culture and changing conventions but the enduring quality of courtesy to all should make a better world and certainly a more enjoyable party— for all.

Of course, the period of service was no perfect “Narnia.” Far from it. There were always “bad apples” above and below stairs, and Julian Fellowes writes a fi zzing reality for this in Downton Abbey. Quite what Mr. Ager might have made of the Downton story lines will never be known. But I sense he would have appreciated the efforts made by the producers to ensure that the subtle background details of behaviour, household pace and conduct are right. After all, these were the very same things that Mr. Ager dedicated his career to see crafted into perfection, for those he served.

It is this striving for perfection that is present in even the smallest de-tails and in the precise way in which he describes everything from keeping moths out of clothes, folding napkins and managing the preparation of luggage. The age of T-shirts, jeans and trainers makes limited call on such things but, if you fl y to London from New York for a meeting, and you have folded your suit using tissue paper, as Stanley Ager describes, you can simply shake it out and go straight to the meeting, without a crease. It’s a “trick” typical of the techniques and insights that people of his generation and profession learned and handed down from one generation to another.

Enjoy his life story, learn from his experience and embrace enter-taining, because he clearly did. And what would life be without the joy of friends and the challenge to try to give them the best you have? Let him help you in this venture and see how seemingly minor things, when they are done correctly, can make all the difference. Now, through Stanley Ager’s elegant book, these and other techniques, large and small, are re-corded and offered to all of us who live in a very different time and place.

— Alastair Bruce of Crionaich OBE

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author’s notei was always rather frightened of Mr. Ager when I was small; he seemed even more distant than my grandfather, and the only friendly thing about him was his black shiny shoes winking up at me from the bot-tom of his pinstripe trousers. By the time I was allowed out of the nursery we knew each other better— he was always formal towards us in uniform, but much less so when off duty in a sweater and trousers.

The castle ran like clockwork, and like a clock its work was hidden. Stanley Ager would ring the gong to announce either “Luncheon” or “Dinner is served m’lady” to my grandmother who was a stickler for punc-tuality, but somehow he always managed to delay things without upsetting her if one of us was late.

In the morning I’d see the housemaids polishing the long, red- tiled passage outside our nursery wing, using an Electrolux polisher with Mansion or Red Cardinal polish. I’d chat to Mrs. Herbert, the head housemaid, who I liked the best and was there throughout my childhood. She enjoyed seeing we children but my grandmother’s ladies’ maids were a lot more reserved. I remember two of them. The fi rst was Miss Geach whose grey hair was done up in a tight bun and whose lined face looked cross. June was much younger and much less intimidating. She was pretty with dark curly hair and had a soft voice— the ladies’ maids were also in charge of linen, and I might pass her on the stairs with a damask napkin that needed darning.

Sometimes I’d hear the whoosh of the heavy swing door from the staff quarters, then the footmen walking purposefully towards the din-ing room. When we were children we saw one another in the games room playing Ping- Pong and darts. But we really got to know the staff who had a home of their own, because at some time during our visit we’d drop in on them and spend half an hour or so catching up.

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author’snote

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Many had worked at the Mount for years. Stanley Ager, for instance, saw me arrive at the Mount in a carrycot, scramble round the castle as a child and eat in the dining room for the fi rst time when I was sixteen. Because he had watched me grow up, there was never any awkwardness between us when we started working on The Butler’s Guide following his retirement. We had a great deal of fun and I enjoyed his humour, relied on his integrity and liked him more and more as we got to know each other. Yet in spite of becoming good friends over the long hours we spent together, I was always “Miss Fiona” to him, and he was “Mr. Ager” to me.

—Fiona St. Aubyn

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In 1975 I retired, after fi fty- three years in service. Barbara and I moved out of our house on St. Michael’s Mount, where we had lived for thirty years, and into one in Marazion, the village op-

posite the castle. We left the Mount on a Friday and had a house-warming party on the Sunday. It had taken us exactly two days to establish ourselves so completely that we didn’t have to look for any-thing. Our friends were amazed. “It feels as though you’ve been here all your life!” they said. But it was simply a question of experience; we were used to moving house from having been in service. At the start of the London season, the staff were sent up in the afternoon to have the house ready for the family in the evening. We’d arrive to fi nd the house in dust sheets, but by the time the family arrived for dinner, you would never know that anyone had been away.

At fi rst I didn’t feel right being out of uniform and in casual clothes in the morning; otherwise, I was content to retire. After all, I have traveled the world, lived in some magnifi cent houses and been lucky with my employers. But I still miss the staff. They fought amongst themselves and always caused me far more trouble than the Lord and Lady— yet I miss them most of all.

ager’s way

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• • •

i was fourteen when I entered service in 1922. I began as hallboy— the lowest servant of all— in Lord Coventry’s household at Croome Court. On my fi rst day it seemed like a house full of servants; there were some forty people of all ages working there. Everyone was friendly except the housekeeper— she didn’t want anything to do with new boys. But she treated her youngest girls just the same way I was treated by the butler, and most butlers were courteous people.

I chose to work for Lord Coventry because he raced in partnership with his daughter, Lady Barbara Smith, and I have always been interested in horse racing. I come from Newmarket, a town north of London that is the home of British horse racing. My father was a head stableman and my brother an apprentice jockey. At one time I thought more about going into racing than about going into service, but after my parents died, entering service seemed the best way of supporting myself.

At the beginning I did most of my work in the servants’ quarters at the back of the house. I didn’t go to the front where the family lived, except for the dining room, until I had worked at Croome Court for six months. When I did, the fl owers in the reception rooms struck me fi rst of all. I can still remember the smell of the carnations. I had never seen carnations in such quantity before, and they were all colors— even yellow, and I haven’t seen many yellow ones since. I was awed by the general opulence— the sil-ver candlesticks and inkstands on the writing desks, the tapestries on the walls and the thick rugs, which were quite different from the stone tiles I was used to walking on.

It was not until I worked at the front of the house that I saw the family to speak to. The only time I saw them before that was at prayers, which were held in the dining room at nine o’clock after we laid the table for breakfast. At the end the lady of the house always said, “God make my servants dutiful.” Then the family left the room and we rushed like mad to get breakfast on the table.

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At fourteen, I wasn’t considered young to start work. A lad was usually hallboy until he was fi fteen and a half, then he became steward’s room boy or third footman. The hallboy and steward’s room boy learnt their trade by waiting on members of staff, and the hallboy looked after the butler’s clothes. Only the grander houses had a steward’s room boy, and few of them had as many as forty servants. Most houses had between twelve and fi fteen staff members.

How quickly a lad was promoted depended on his ability rather than on his age. Most third and second footmen were very young footmen. Their duties included serving at table, cleaning silver and caring for clothes. The fi rst footman was usually in his mid- twenties and acted as an assistant to the butler. Very few footmen became butlers until they were in their thir-ties. Before that a footman might valet the gentleman of the house. Then when he became butler, his most important duty was to see that the house ran smoothly.

Most young servants moved to a different house after about a year or so to gain promotion and to experience how various houses were run. A servant who was looking for another job became very snobbish about the family; we wanted someone who had several houses so we could travel round the country. Two houses weren’t really enough. And they had to go to London in the London season— if they didn’t have a house in London, we wouldn’t look at that job either. We wanted London because of the lovely parties and because in town we could get out more and spend all the money we had saved in the country. This wasn’t very much, as salaries were small— from fi fteen to twenty pounds a year, which the hallboy re-ceived, to a butler’s ninety pounds a year.

I left Lord Coventry to work for Lady Barbara Smith as steward’s room boy. I stayed there a year before becoming third footman to the Pikes. The fi rst guest I looked after for the Pikes was television pioneer John Logie Baird. He arrived with two scruffy suitcases and preferred a cheap brand of cigarettes to some excellent cigars after dinner. I didn’t think my tip

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The three most important qualities for running a home are punctuality, organization and cleanliness. If you master these, everything else should fall into place. For me the fi rst step in

running a house is to get up early and leisurely in the morning, as I believe in letting the day come to me rather than rushing about with the day. My way I start out with a contented mind, rather than one that is in a state of confusion and unable to plan ahead.

plans and schedules ........................ 28cleaning and polishing ................... 32

running the home

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cleaningand

polishing

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picking up silverSilver will need less frequent cleaning if you avoid leaving fi ngermarks on it. The trick is to pick up a piece of silver by an edge and then support it from underneath, never touching the face or major surfaces.

Pick up bowls and candlesticks as gingerly as you can. I pick up a candle-stick by its rim or its shoulder, the section between the rim and the middle. If a bowl has no handles, I tip it forwards so that I can slip my fi ngers under-neath and pull the base onto the palm of my hand. I support a small bowl by resting my thumb on the rim. I avoid marking a bowl when putting it down by placing it the same way I place a dish or plate (see pages 160 and 161).

how to polish silverBefore you start, cover the cleaning surface to protect it. We put baize over our wooden tables to keep the rouge from getting on our tabletops. The baize also prevented the scouring powder, with which the table had been cleaned, from getting on our silver. This was particularly important because scouring powder is an abrasive. Make sure your silver is properly washed and free from grease (see page 171).

I put only a small amount of polish on my fi rst cloth, then I rub it in briskly until it disappears. The friction will rub out stains and produce a shine that will make any scratches appear less obvious. There’s no hard and fast rule, but I generally work with the fi rst two fi ngers of my right hand against the cloth, unless I’m cleaning a large piece, when I use my fi rst three fi ngers. I keep on rubbing until the silver becomes quite warm. In the old days when we removed scratches by furiously rubbing rouge into them, my fi ngers and the silver became so hot that if I touched someone with a piece I was cleaning they would think they had been burnt.

You must hold the piece so that you are comfortable and you can see

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what you are doing. Take the fi rst cloth in both hands with the piece rest-ing on top of it; hold the piece steady in one hand and work the polish in with the other. Take care when rubbing polish into knife handles; I always hold the knife at the shoulder (between the blade and the handle) to avoid cutting myself.

If a piece is awkward to hold, I use the table for support. I do all my smaller trays, fl at dishes and bowls this way. I steady the piece with my left hand and rub in the polish with my right hand. I tilt the piece towards the light so I know when I have rubbed in enough polish. I always clean and polish the inside of a bowl before I apply polish to the outside. To clean the outside, I hold the rim between my forefi nger and thumb and tip the bowl backwards. Keeping it tilted, I push it round on its upturned base with my forefi nger and thumb and rub in the polish with my free hand. Then I pick the piece up to polish and chamois.

After I’ve rubbed polish into a piece, I work on the embossing with my two brushes. Either I continue using the table for support or I pick up

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1 > Lay the shirt face down.

2 > Fold one side in a third of the way towards the back.

3 > Fold the sleeve down from the shoulder. The cuff should come to the shirttails. Never fold sleeves across the back of a shirt, because that makes for a bump at the sides and in the middle.

4 > Fold the second side in a third of the way toward the back so it lies partly over the fi rst.

5 > Fold the sleeve down from the shoulder.Fold the tails of a man’s shirt up over the

cuffs to keep them clean. The tails of most women’s shirts are not long enough to make this fold.

6 > Fold the shirt crosswise at the waist.

How Stanley

Ager Folds

a Shirt

New shirts or those just back from the laundry are folded tighter than I could ever fold them, so I leave them as they are. To avoid having all that paper in my drawer, however, I take the shirts out of their laundry wrapping.

There’s no need to button up a shirt before folding it; you will only waste time unbuttoning it to put it on. Simply button the middle button to keep the sides in position when the shirt is laid face down.

1

2

34

5 6

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I believe that conversation is the essence of a party, what you eat and drink is the spice of it and a well- laid table hints of what is to come, like the wrapping on a present.

If you are going to arrange a special dinner, you must pay atten-tion to detail. As far as we staff were concerned it didn’t matter if it was one for dinner or twenty for dinner or four hundred to a party. The same attention to detail was expected, and everything was done the same way.

wine and spirits ............................. 124laying the table ............................ 136folding napkins ............................. 149serving well .................................. 158washing up .................................... 168storing tableware ......................... 179

managing the table

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place settingsIt doesn’t matter how much a table is altered during a meal; what counts is the effect it creates the fi rst time you see it. There is a way of laying a table well. It must be balanced, and the place settings must be in line with the centerpiece and candlesticks. Footmen had to learn this. A new footman could never arrange a place setting accurately the fi rst time, but would have to stand back and look at it from a better perspective, then alter it. I have seen a footman measure with a tape measure to lay the settings cor-rectly. But a person like me, who has laid tables so often and for so long, can rely on the eye to match everything up with the centerpiece.

In my day the lady of the house would not interfere with how we laid the table; she wouldn’t dream of it. Once I did have to take a young lady to task because she tried it. I had laid the table and gone home for tea. When I came back, I saw that things on the table had been moved, and I asked her if she had done it. “I thought I’d rearrange things, and then I tried to put them back,” she replied.

I was an experienced servant and she was a young lady of twenty- four or twenty- fi ve, and I wasn’t going to have it. So I said, “If you want to lay the table, you lay the table. But don’t you ever alter my table. If you want something moved, ask me to move it.”

layingthe

table

145

A, side plate; B, large fork; C, dessert fork; D, napkin; E, cheese knife; F, dessertspoon; G, dinner knife; H, soupspoon; I, water goblet; J, wineglass (white); K, wineglass (red)

I

J

H

GF

ED

CB

K

A

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1 > Lay the plainly folded napkin on the table.

2 > Open the last fold, but this time make sure the center crease is face up.

3 > Bring the lower right- hand corner to the center in an angled fold.

4 > Repeat on the left side.

5 > Turn the napkin over. The point of the triangle should be at the top and the base facing towards you.

6 > Pick up the napkin and slip the right end of the base into the corner of the left end.

7 > The two ends of the base should be fi rmly tucked into each other.

8 > Instead of standing the napkin on its base, stand it on its back to form the fox’s nose. Pull back the two fl aps above it to give the fox some ears.

The Fox’s Mask

1

2

5

3 4

876

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to iron a newspaperWhen the newspapers arrived in the morning, we clipped the top and bottom of the center pages with special newspaper clips, rather like large paper clips, so that none of the pages would fall out of place. Because they were full- size papers, not tabloid size, we folded them in three horizon-tally, from the bottom to the middle to the top. Then we laid them out in neat rows on the drawing room table, arranging them so only the names of the papers and the headlines were visible.

We had to keep them looking fresh and crisp, so we ironed them as soon as they became crumpled, which might mean three or four times during the day. Some people screwed the paper up in a ball and then threw it down in disgust if they read something they disagreed with, whereas others managed to crumple a paper simply by handling it. (We always knew who these people were, but then we knew everybody’s bad habits.) We ironed the papers on the pantry table. It took only a couple of minutes to press each one.

To iron a newspaper, you need a warm iron (hand- hot is usually hot enough). Press the back and front pages with it, starting at the top of the page and working downwards. There’s no need to iron the rest of the paper; the heat and pressure of the iron will fl atten the intervening pages. Nowadays you must clean your iron afterwards, in case the soleplate is marked by the newsprint.

Only the better newspapers, such as the Times and the Financial Times, were read in the drawing room. I certainly wouldn’t bother to iron the cheaper ones— they are not worth the trouble, and the print is very likely to come off.

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