The Bull City’s Rising Creative Class Sarah Chan Econ 145 Urban Economics Professor Charles...
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Transcript of The Bull City’s Rising Creative Class Sarah Chan Econ 145 Urban Economics Professor Charles...
New Social OrderRichard Florida’s The Rise of the Creative Class
Emergence of a new social class of workers
Locational decisions of the creative class
Implication for firms:“Keep your tax incentives and highway interchanges, we will go where the highly-skilled people are” (Hewlett-Packard CEO Carly Fiorina)
Implication for policy makers:Focus on strategies based on developing amenities to pull in human capital instead of firm targeted strategies
What is the Creative Class?Three main groups:
Creative Core Creative Professionals
Bohemians
Create new forms of knowledge that are widely useful and readily transferable
Engage in creative problem solving by applying complex knowledge in unique ways
Cultural and artistic occupations; key factor in attracting the other 2 creative class categories
Scientists, engineers, higher education, research and development related occupations
Legal professions, financial services analysts, business professionals
Writers, performing artists, creative and entertainment industries
“ Great coffee shops, crowded bookstores, a lively music scene, well-designed buildings, thriving art galleries, successful design firms, exciting museums and theatres, opportunities for arts participation - these are elements we find in the communities that drive the new economy.” (Durham Arts Council, Creative Vitality Index Presentation 2010)
Durham’s shifting paradigm: from the warehouse-oriented tobacco and textile manufacturing district, toward a high-tech creative economy
How has Durham’s infrastructure kept up with the demands of its ‘creative’ residents and workers?
Durham’s Creative Economy
Downtown Durham Master Plan
The most common activities that people came to Downtown to engage in once a week or more were: Dining (30.4%), Recreation (20.9%) Government (16.6%) and Entertainment (13%).
The most common destinations in Downtown were Restaurants (25.5%), Brightleaf Square (23.9%) and the Farmer’s Market (20%).
89% reported that more Casual Dining businesses would change the frequency with which they visit downtown. Specialty Foods (85.2%) Fine Dining (69.1%) Nightlife (67.4), and Art Galleries (66.2%) also rated highly.
With the exception of Festivals (54%), and Nightlife (38%) survey respondents indicated they largely seek entertainment and recreation options outside of Downtown Durham; Raleigh was a destination for Museums and Performing Arts.
While the Downtown tax base has increased, it is still primarily reliant upon commercial uses for revenue.
American Tobacco Campus
American Underground:Basement space for start-ups designed to house up to 70 small entrepreneurial high tech companies
Joystick Labs, Launchbox Digital and entrepreneurship organization CED, previously located in the RTP
Firms transitioning from a manufacturing and industrial framework to viewing their workers as members of the creative economy
Premium on proximity to upscale housing, entertainment, restaurants and bars
Implications for Research Triangle Park:Does ATC compete with or complement RTP? Firms locational decisions
First revision of Master Plan since 1959
Allow for high-density mixed use retail and residential development
Empirical ModelTest a simple econometric model, to identify the factors across 30 cities that may account for the presence of the creative class.
Control for sprawl and sun as “sun, skills and sprawl” are cited as the three factors that largely determine regional growth (Glaeser)
Υ=α+βiχi+βjχj+ε
Y is the dependent variable of % change in creative employment from the period 2004-08;
βi : Amenities (% change in) βj : Economic Factors
Restaurants Creative Employment
performance venues, museums Unemployment rate of college graduates
Nightlife establishments Average wage of creative class
Employment of bohemians
Sample of Metropolitan Statistical Areas
Greensboro-High Point, NC Atlanta-Sandy Springs-Marietta, GA
Greenville-Mauldin-Easley, SC Birmingham-Hoover, AL
Knoxville, TN Charlotte-Gastonia-Concord, NC-SC
Oxnard-Thousand Oaks-Ventura, CA Dallas-Fort Worth-Arlington, TX Riverside-San Bernardino-Ontario, CA Durham, NC
AnalysisHow does Durham compare with other cities?
Does the increase in Durham’s restaurants, nightlife, and arts venues have robust relationship with the increasing presence the creative core and professionals?
IMPLAN Data studyThe use of North Carolina 2007 IMPLAN data, as a proxy for Durham, to calculate regional economic benefits from the creative industries
An input-output (I-O) model to examine regional industrial structures and exploring existing and potential regional industry linkages.
Creative Industry Effects
Industry Description
Industry Size ($)
Output Multiplier
Labor Income
Multiplier
Employment Multiplier
Performing arts companies
109,604,800 1.621854 1.600741 1.162359
Spectator sports companies
1,445,611,000 1.733099 1.482970 1.455445
Promoters of performing arts and sports and agents
226,212,900 1.693592 1.665243 1.275621
Independent artists- writers- and performers
114,981,300 1.631798 1.456954 1.265995
Advertising and related services
1,614.237000 1.677224 1.516070 1.602570
Motion picture and video industries
2,552.889000 1.741640 1.616655 2.831606
Sound recording industries
662.443700 1.838782 2.416061 1.670667
Policy ConsiderationsTarget industries for expansion within creative industries
Revitalization of downtown Durham with a focus on the ‘soft’ amenities
Creating lifestyle options, in the form of entertainment, nightlife, and culture to attract talent
Creative class “vote with their feet” (Florida, et. al. 2006) choosing to locate in communities that serve their lifestyle needs
Problems of increased tax burden?
Gentrification leading to out-migration of ‘bohemians’
Durham Arts Council:Investment in the arts industries, provide support
Creative Vitality Index and Local Arts Index commissioned to strengthen rationale for arts investment
Durham Performing Arts Center (DPAC)