The Art of Storyboarding

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THE ART OF STORYBOARDING IRIS AMELIA FEBRES M.A., EMERSON COLLEGE DIRECTOR, SOLUTIONS ARCHITECTURE, APTARA

Transcript of The Art of Storyboarding

THE ART OF STORYBOARDINGIRIS AMELIA FEBRES M.A., EMERSON COLLEGE DIRECTOR, SOLUTIONS ARCHITECTURE, APTARA

THE BOOK: WHAT’S IN IT?

COVER FRONT MATTER

INTERIOR BACK MATTER

COVER FRONT MATTER

INTERIOR BACK MATTER

LINEARITY

WE LIKE LINEARITY — ESPECIALLY IN EBOOKS.

EBOOKS NEED LINEARITY ✓ GROUNDING THE READER

FROM HOW TO COOK EVERYTHING FAST (HOUGHTON MIFFLIN HARCOURT)

• MAINTAINED HIERARCHY DESPITE INCREASED FONT SIZE

• HEADERS FOR HIERARCHY • INDENTS • RULES

WHAT ABOUT FIXED-LAYOUT?

FIXED-LAYOUT EBOOKS ARE COMPLICATED. ✓ DRIVEN BY PRINT DESIGN ✓ HEAVY USE TEXT/IMAGE ELEMENTS ✓ INCLUSION OF NON-TEXT/IMAGE ELEMENTS !WHILE SEGMENTS ARE NOW STATIC, LINEARITY IS STILL REQUIRED.

COVER FRONT MATTER

INTERIOR BACK MATTER

LINEARITY

FROM I’M JUST HERE FOR THE FOOD — AMAZON SITB PREVIEW (STEWART, TABORI AND CHANG)

• HEAVY DESIGN ELEMENTS

• POTENTIALLY UNNECESSARY DESIGN ELEMENTS (FOR ELECTRONIC) — RETRO “SIDEBAR” DESIGNS

A PLAIN JANE EBOOK TRANSITION. GOOD — BUT NOT GREAT.

NOTE THAT THIS LIST IS LIKELY NOT SEMANTIC. (CANNOT CONFIRM DUE TO DRM)

LET’S SWITCH GEARS: FXL (CUE TO BOOK + DESKTOP) DESIGNING BRAND IDENTITY

SOLUTION TO THE HEADACHE: STORYBOARDING

A STORYBOARD IS A GRAPHIC ORGANIZER IN THE FORM OF ILLUSTRATIONS OR IMAGES DISPLAYED IN SEQUENCE FOR THE PURPOSE OF PRE-VISUALIZING A MOTION PICTURE, ANIMATION, MOTION GRAPHIC OR INTERACTIVE MEDIA SEQUENCE. (WIKIPEDIA)

A STORYBOARD IS A GRAPHIC ORGANIZER IN THE FORM OF ILLUSTRATIONS OR IMAGES DISPLAYED IN SEQUENCE FOR THE PURPOSE OF PRE-VISUALIZING A MOTION PICTURE, ANIMATION, MOTION GRAPHIC OR INTERACTIVE MEDIA SEQUENCE. (WIKIPEDIA)

✓ COMICS

Image taken from http://home.earthlink.net/~copaceticcomicsco/MakingComics.html

Image taken from http://austinkleon.com/wp-content/uploads/2006/06/016.gif

5 STEPS FOR STORYBOARDING (WILL VARY BY DESIGNER*)

*YOU

1. ASSESS YOUR CONTENT (DEEP BREATH — TAKE IT ALL IN)

2. ATTACK YOUR CONTENT (EXHALE — DEEP DIVE)

3. “CHUNK” THE ELEMENTS (SIFT & FIND PATTERNS)

4. ORGANIZE YOUR FINDINGS (ESTABLISH LINEARITY)

5. SKETCH IT OUT (VISUALIZE YOUR WORK)

SAMPLE STORYBOARD EXHIBIT A

ASSESS YOUR CONTENT

ATTACK YOUR CONTENT

✓ COLORFUL, ENGAGING TO READER ✓ STRUCTURE ✓ OPPORTUNITIES FOR INTERACTIVITY

✓ SPREADS INTERFERE WITH HIERARCHY ✓ INCREDIBLY COMPLEX ✓ MULTIPLE LAYERS/LEVELS OF CONTENT

AN EXAMPLE: ~300 PAGES

EXTREMELY PRINT-CENTRIC REFERENCES TO SPECIFIC PAGES

COMPANION WEBSITE !

FIND PATTERNS

CHAPTERS CONTAIN • OPENING SPREADS WITH COLOR SCHEMES • EXERCISES • KEYS & LEGENDS • DEFINITIONS • TABLES & CHARTS • ILLUSTRATED LISTS & STEPS • ELEMENTS CROSSING THE GUTTER

SKETCH

SAMPLE STORYBOARD EXHIBIT B*

*YOUR TURN

PICK A COMPLEX PRINT BOOK AND FOLLOW THE STEPS.

ANNOTATE. SKETCH. IMAGINE.

STORYBOARDING TIPS

WORK FAST — DON’T OVERTHINK!

DON’T BE AFRAID TO START OVER.

TRY DIFFERENT MEDIUMS.

GET A SECOND PAIR OF EYES.

STEP AWAY FROM YOUR STORYBOARD.

ADJUST YOUR LAYOUT AS NEEDED.

CONTACT !

WEB IRISAMELIA.COM IRISDOODLES.COM !

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SOCIAL TWITTER LINKEDIN

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EMAIL IRIS_FEBRES @EMERSON.EDU

THANKS!