The Alignment Perspective
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Transcript of The Alignment Perspective
The Alignment Perspective
Part XIV:
Approaches to dialogue
Peter Kühnlein/Jens Stegmann
The Alignment Perspective
Pickering, M. & Garrod, S. (2003): Toward a Mechanistic Psychology of Dialogue, submitted to BBS, http://www.bbsonline.org/Preprints/Garrod/Referees/
The Alignment Perspective
Core Intuitions
The Alignment Perspective
Core Intuitions • Aims
The Alignment Perspective
Core Intuitions • Aims
Dialogue is the most basic and natural form of language use
The Alignment Perspective
Core Intuitions • Aims
Dialogue is the most basic and natural form of language use
People who can produce monologue usually can also produce dialogue but not vice versa
The Alignment Perspective
Core Intuitions • Aims
Dialogue is the most basic and natural form of language use
People who can produce monologue usually can also produce dialogue but not vice versaChildren learn how to speak in dialogic situations
The Alignment Perspective
Core Intuitions • Aims
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
Purported reasons for neglecting dialogue
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
Purported reasons for neglecting dialogue• Practical reasons: it is assumed to be too hard (or even impossible) to study, given the degree of experimental control necessary
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
Purported reasons for neglecting dialogue• Practical reasons: it is assumed to be too hard (or even impossible) to study, given the degree of experimental control necessary But cf. the studies by Garrod et al
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
Purported reasons for neglecting dialogue• Practical reasons: it is assumed to be too hard (or even impossible) to study, given the degree of experimental control necessary• Theoretical reasons: psycholinguists tend to develop processing theories that draw upon classical, Chomsky-style generative linguistics (and dialogue is ignored there)
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark draws a distinction between the language-as-product vs. language-as-action tradition
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-product:• integration of ideas from information-processing psychology and generative grammar
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-product:• integration of ideas from information-processing psychology and generative grammar• mechanistic accounts of how people compute different levels of representation
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-product:• integration of ideas from information-processing psychology and generative grammar• mechanistic accounts of how people compute different levels of representation• experimental paradigms: de-contextualized language
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-action:
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-action:• ideas from ordinary language philosophy and sociology
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-action:• ideas from ordinary language philosophy and sociology• mentalistic explanations (intentions, beliefs, desires, ...)
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-action:• ideas from ordinary language philosophy and sociology• mentalistic explanations (intentions, beliefs, desires, ...)• gaining ecological validity: natural tasks, language in context
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark is positioned on the language-as-action side
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark is positioned on the language-as-action side:• He counts as the (main) advocate of the experimental study of dialogue
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark is positioned on the language-as-action side:• He counts as the (main) advocate of the experimental study of dialogue• His focus is on strategies employed by interlocutors (rather than on underlying processing mechanisms)
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark is positioned on the language-as-action side:• He counts as the (main) advocate of the experimental study of dialogue• His focus is on strategies employed by interlocutors (rather than on underlying processing mechanisms)• The main explanatory notion he employs is that of coordination of agents
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark is positioned on the language-as-action side:• He counts as the (main) advocate of the experimental study of dialogue• His focus is on strategies employed by interlocutors (rather than on underlying processing mechanisms)• The main explanatory notion he employs is that of coordination of agents (something Carl doesn‘t believe in)
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue
H. Clark is positioned on the language-as-action side:• He counts as the (main) advocate of the experimental study of dialogue• His focus is on strategies employed by interlocutors (rather than on underlying processing mechanisms)• The main explanatory notion he employs is that of coordination of agents (something Carl doesn‘t believe in)
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned.
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned
Alignment differs from the classical (Lewis, Clark) kind of coordination inthat it is a psychological mechanism, not a strategy in behaviour
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned
The linguistic representations employed by the interlocutors become aligned at many levels of representation
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned
The linguistic representations employed by the interlocutors become aligned at many levels of representation
Alignment• is the result of a largely automatic process
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned
The linguistic representations employed by the interlocutors become aligned at many levels of representation
Alignment• is the result of a largely automatic process• greatly simplifies production and comprehension
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned
Aspects of processing following from IAM• simple interactive inference mechanism
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned
Aspects of processing following from IAM• simple interactive inference mechanism• development of local dialogue routines
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned
Aspects of processing following from IAM• simple interactive inference mechanism• development of local dialogue routines• explanation for self-monitoring in production
The Alignment Perspective
Core Intuitions • Aims & State-of-the-Art
Dialogue is the most basic and natural form of language use
Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue
Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned
Also addressed:• (evidence for the IAM)• implications of the IAM
The Alignment Perspective
Dialogue and Alignment
The Alignment Perspective
Dialogue and Alignment • The maze game
cooperative gametwo subjects: A and B, are located in different rooms
The Alignment Perspective
Dialogue and Alignment • The maze game
cooperative gametwo subjects: A and B, are located in different roomsthey can communicate via audio link
The Alignment Perspective
Dialogue and Alignment • The maze game
cooperative gametwo subjects: A and B, are located in different roomsthey can communicate via audio linkA and B have maps of a maze in front of them
The Alignment Perspective
Dialogue and Alignment • The maze game
cooperative gametwo subjects: A and B, are located in different roomsthey can communicate via audio linkA and B have maps of a maze in front of themA tries to describe his position (arrow) to B
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: ... Tell me where you are?
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well: right, starting from the left, you‘re one along:A: Uh-huh:B: and one up?
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well: right, starting from the left, you‘re one along:A: Uh-huh:B: and one up?A: Yeah, and I‘m trying to get to ...
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
28 utterances later
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: You are starting from the left, you‘re one along, one up? (2 sec.)
28 utterances later
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: You are starting from the left, you‘re one along, one up? (2 sec.)A: Two along: I‘m not in the first box, I‘m in the second box:B: You‘re two along:
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: You are starting from the left, you‘re one along, one up? (2 sec.)A: Two along: I‘m not in the first box, I‘m in the second box:B: You‘re two along:A: Two up (1 sec.) counting the: if you take: the first box as being one up:B: (2 sec.) Uh-huh:
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: You are starting from the left, you‘re one along, one up? (2 sec.)A: Two along: I‘m not in the first box, I‘m in the second box:B: You‘re two along:A: Two up (1 sec.) counting the: if you take: the first box as being one up:B: (2 sec.) Uh-huh:A: Well I‘m two along, two up (1,5 sec.)B: Two up?
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: You are starting from the left, you‘re one along, one up? (2 sec.)A: Two along: I‘m not in the first box, I‘m in the second box:B: You‘re two along:A: Two up (1 sec.) counting the: if you take: the first box as being one up:B: (2 sec.) Uh-huh:A: Well I‘m two along, two up (1,5 sec.)B: Two up? :A: Yeah (1 sec.) so I can move down one:
The Alignment Perspective
Dialogue and Alignment • A sample dialogue
B: You are starting from the left, you‘re one along, one up? (2 sec.)A: Two along: I‘m not in the first box, I‘m in the second box:B: You‘re two along:A: Two up (1 sec.) counting the: if you take: the first box as being one up:B: (2 sec.) Uh-huh:A: Well I‘m two along, two up (1,5 sec.)B: Two up? :A: Yeah (1 sec.) so I can move down one:B: Yeah I see were you are
The Alignment Perspective
Dialogue and Alignment • A sample dialogue • Analysis
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:
At first glance this dialogue looks disorganized
The Alignment Perspective
Dialogue and Alignment • A sample dialogue • Analysis
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:
At first glance this dialogue looks disorganized:Many utterances do not constitute grammatical sentences
The Alignment Perspective
Dialogue and Alignment • A sample dialogue • Analysis
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:
At first glance this dialogue looks disorganized:Many utterances do not constitute grammatical sentencesThere is shared production between speakers (7./8., 43./44.)
The Alignment Perspective
Dialogue and Alignment • A sample dialogue • Analysis
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:
At first glance this dialogue looks disorganized:Many utterances do not constitute grammatical sentencesThere is shared production between speakers (7./8., 43./44.)The speakers seemingly do not know how to say what they want to say (4. vs. 46.)
The Alignment Perspective
Dialogue and Alignment • A sample dialogue • Analysis
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:
B: You are starting from the left, you‘re one along, one up? (2 sec.)A: Two along: I‘m not in the first box, I‘m in the second box:B: You‘re two along:A: Two up (1 sec.) counting the: if you take: the first box as being one up:B: (2 sec.) Uh-huh:A: Well I‘m two along, two up (1,5 sec.)B: Two up? :A: Yeah (1 sec.) so I can move down one:B: Yeah I see were you are
The Alignment Perspective
Dialogue and Alignment • A sample dialogue • Analysis
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:
At first glance this dialogue looks disorganized:Many utterances do not constitute grammatical sentencesThere is shared production between speakers (7./8., 43./44.)The speakers seemingly do not know how to say what they want to say (4. vs. 46.)
Assumption: dialogue is a joint activity
The Alignment Perspective
Dialogue and Alignment • A sample dialogue • Analysis
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:
At first glance this dialogue looks disorganized:Many utterances do not constitute grammatical sentencesThere is shared production between speakers (7./8., 43./44.)The speakers seemingly do not know how to say what they want to say (4. vs. 46.)
Assumption: dialogue is a joint activityit involves cooperation between interlocutors in a way that allows them to sufficiently understand the meaning of the dialogue as a wholedialogue is a game of cooperation
The Alignment Perspective
Dialogue and Alignment • A sample dialogue • Analysis
Conversational analysts argue that dialogue turns are linked across interlocutors
This means that production and comprehension processes become coupled
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:
The Alignment Perspective
Dialogue and Alignment • A sample dialogue • Analysis
Conversational analysts argue that dialogue turns are linked across interlocutors
This means that production and comprehension processes become coupled
Furthermore, the meaning of what is being communicated depends on the interlocutors‘ agreement/consensus, and is hence subject to negotiation [ (4) - (11) ]
B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well: right, starting from the left, you‘re one along:A: Uh-huh:B: and one up?A: Yeah, and I‘m trying to get to ...
The Alignment Perspective
Dialogue and Alignment • Situation models
The Alignment Perspective
Dialogue and Alignment • Situation models
Situation model: a multi-dimensional representation of the situation under discussion (space, time, causality, intentionality, individuals); assumed to capture what people are thinking about while understanding a text
The Alignment Perspective
Dialogue and Alignment • Situation models
Situation model: a multi-dimensional representation of the situation under discussion (space, time, causality, intentionality, individuals); assumed to capture what people are thinking about while understanding a text
Think of mental models, Johnson-Laird style, that always have been in thediscussion concerning inference etc.
The Alignment Perspective
Dialogue and Alignment • Situation models
Situation model: a multi-dimensional representation of the situation under discussion (space, time, causality, intentionality, individuals); assumed to capture what people are thinking about while understanding a text
Assumption: in successful dialogue, interlocutors develop (approximately) aligned situation models
The Alignment Perspective
Dialogue and Alignment • Situation models
Situation model: a multi-dimensional representation of the situation under discussion (space, time, causality, intentionality, individuals); assumed to capture what people are thinking about while understanding a text
Assumption: in successful dialogue, interlocutors develop (approximately) aligned situation models
The alignment of situation models is not necessary in principle but it would be inefficient not to align (maintaining two representations of the same situation)
The Alignment Perspective
Dialogue and Alignment • Situation models
Situation model: a multi-dimensional representation of the situation under discussion (space, time, causality, intentionality, individuals); assumed to capture what people are thinking about while understanding a text
Assumption: in successful dialogue, interlocutors develop (approximately) aligned situation models
The alignment of situation models is not necessary in principle but it would be inefficient not to align (maintaining two representations of the same situation)
Under some circumstances representing differences seems to be necessary (deception, concealment)
The Alignment Perspective
Dialogue and Alignment • Situation models
Situation model: a multi-dimensional representation of the situation under discussion (space, time, causality, intentionality, individuals); assumed to capture what people are thinking about while understanding a text
Assumption: in successful dialogue, interlocutors develop (approximately) aligned situation models
The alignment of situation models is not necessary in principle but it would be inefficient not to align (maintaining two representations of the same situation)
Under some circumstances representing differences seems to be necessary (deception, concealment)
Interlocutors need not align their situation models entirely
The Alignment Perspective
Dialogue and Alignment • Situation models • How to align them
In theory, interlocutors could achieve alignment through explicit negotiation, but in practice they normally do not
The Alignment Perspective
Dialogue and Alignment • Situation models • How to align them
In theory, interlocutors could achieve alignment through explicit negotiation, but in practice they normally do not
Global alignment seems to result from local alignment at the level of the linguistic representations
The Alignment Perspective
Dialogue and Alignment • Situation models • How to align them
In theory, interlocutors could achieve alignment through explicit negotiation, but in practice they normally do not
Global alignment seems to result from local alignment at the level of the linguistic representations This works via a priming mechanism, the process is resource-free (economic) and automatic (unconscious)
The Alignment Perspective
Dialogue and Alignment • Linguistic representations
The Alignment Perspective
Dialogue and Alignment • Linguistic representations
There is evidence for alignment at various levels of linguistic representation
The Alignment Perspective
Dialogue and Alignment • Linguistic representations
There is evidence for alignment at various levels of linguistic representation:
• alignment of lexical processing during dialogue interlocutors develop the same set of referring expressions, expressions becomes shorter and more similar on repetition
The Alignment Perspective
Dialogue and Alignment • Linguistic representations
There is evidence for alignment at various levels of linguistic representation:
• alignment of lexical processing during dialogue interlocutors develop the same set of referring expressions, expressions becomes shorter and more similar on repetition
• syntactic alignment in dialogue interlocutors tend to repeat syntactic form
The Alignment Perspective
Dialogue and Alignment • Linguistic representations
There is evidence for alignment at various levels of linguistic representation:
• alignment of lexical processing during dialogue interlocutors develop the same set of referring expressions, expressions becomes shorter and more similar on repetition
• syntactic alignment in dialogue interlocutors tend to repeat syntactic form
• alignment at the level of articulation reduction, accent and speech rate
The Alignment Perspective
Dialogue and Alignment • Linguistic representations
There is evidence for alignment at various levels of linguistic representation:
• alignment of lexical processing during dialogue interlocutors develop the same set of referring expressions, expressions becomes shorter and more similar on repetition
• syntactic alignment in dialogue interlocutors tend to repeat syntactic form
• alignment at the level of articulation reduction, accent and speech rate
• alignment in comprehension question/answer – pairs with repeated forms more natural
The Alignment Perspective
Dialogue and Alignment • Linguistic representations • How to align them
Thesis: Aligned representations at one level lead to aligned representations at other levels
The Alignment Perspective
Dialogue and Alignment • Linguistic representations • How to align them
Thesis: Aligned representations at one level lead to aligned representations at other levels
Examples of influences between levels:• establishing dialogue lexicons (local interpretations)
The Alignment Perspective
Dialogue and Alignment • Linguistic representations • How to align them
Thesis: Aligned representations at one level lead to aligned representations at other levels
Examples of influences between levels:• establishing dialogue lexicons (local interpretations)• syntactic alignment is enhanced when more lexical items are shared
The Alignment Perspective
Dialogue and Alignment • Linguistic representations • How to align them
Thesis: Aligned representations at one level lead to aligned representations at other levels
Examples of influences between levels:• establishing dialogue lexicons (local interpretations)• syntactic alignment is enhanced when more lexical items are shared• semantic relations between lexical items enhance syntactic priming
The Alignment Perspective
Dialogue and Alignment • Linguistic representations • How to align them
Thesis: Aligned representations at one level lead to aligned representations at other levels
Examples of influences between levels:• establishing dialogue lexicons (local interpretations)• syntactic alignment is enhanced when more lexical items are shared• semantic relations between lexical items enhance syntactic priming
The closer the relationship at one level (e.g. semantic), the stronger the tendency to align at another (e.g. syntactic)
The Alignment Perspective
Dialogue and Alignment • Linguistic representations • How to align them
Thesis: Aligned representations at one level lead to aligned representations at other levels
Examples of influences between levels:• establishing dialogue lexicons (local interpretations)• syntactic alignment is enhanced when more lexical items are shared• semantic relations between lexical items enhance syntactic priming
The closer the relationship at one level (e.g. semantic), the stronger the tendency to align at another (e.g. syntactic)
Important consequences: Interlocutors will tend to align expressions at many different levels at the same time and repeat each other in the same way
The Alignment Perspective
Dialogue and Alignment • Linguistic representations • How to align them
Thesis: Aligned representations at one level lead to aligned representations at other levels
Examples of influences between levels:• establishing dialogue lexicons (local interpretations)• syntactic alignment is enhanced when more lexical items are shared• semantic relations between lexical items enhance syntactic priming
The closer the relationship at one level (e.g. semantic), the stronger the tendency to align at another (e.g. syntactic)
Important consequences: Interlocutors will tend to align expressions at many different levels at the same time and repeat each other in the same way
Prediction: Dialogue should be highly repetitive & should make extensive use of fixed expressions (dialogue routines)
The Alignment Perspective
Dialogue and Alignment • Failing alignment
The primitive processes of alignment are not fool-proof, interlocutors might align only superficially
The Alignment Perspective
Dialogue and Alignment • Failing alignment
The primitive processes of alignment are not fool-proof, interlocutors might align only superficially
They might need to be able to appeal to other mechanisms – repair processes - in order to maintain alignment
These mechanisms (more later) supplement the basic process of alignment
The Alignment Perspective
Dialogue and Alignment • The processing model
The Alignment Perspective
Dialogue and Alignment • The processing model • The old story
The Alignment Perspective
Dialogue and Alignment • The processing model • The old story
The prevailing psycholinguistic approach (e.g. Levelt):
• transfer of information takes place via decoupled / isolated production and comprehension processes
The Alignment Perspective
Dialogue and Alignment • The processing model • The old story
The prevailing psycholinguistic approach (e.g. Levelt):
• transfer of information takes place via decoupled / isolated production and comprehension processes
• no particular association between levels of representation used by speaker and listener
The Alignment Perspective
Dialogue and Alignment • The processing model • The old story
The prevailing psycholinguistic approach (e.g. Levelt):
• transfer of information takes place via decoupled / isolated production and comprehension processes
• no particular association between levels of representation used by speaker and listener
• production: non-linguistic idea / message is converted into a series of linguistic representations
The Alignment Perspective
Dialogue and Alignment • The processing model • The old story
The prevailing psycholinguistic approach (e.g. Levelt):
• transfer of information takes place via decoupled / isolated production and comprehension processes
• no particular association between levels of representation used by speaker and listener
• production: non-linguistic idea / message is converted into a series of linguistic representations final representation is converted into articulatory program intermediate representations serve as way-stations on the road to production
The Alignment Perspective
Dialogue and Alignment • The processing model • The old story
The prevailing psycholinguistic approach (e.g. Levelt):
• transfer of information takes place via decoupled / isolated production and comprehension processes
• no particular association between levels of representation used by speaker and listener
• production: non-linguistic idea / message is converted into a series of linguistic representations final representation is converted into articulatory program intermediate representations serve as way-stations on the road to production
• comprehension: decodes product by converting into successive levels of linguistic representation until message is (re-)constructed
The Alignment Perspective
Dialogue and Alignment • The processing model • The old story
The prevailing psycholinguistic approach (e.g. Levelt)
PhonologicalRepresentation
SyntacticRepresentation
LexicalRepresentation
SemanticRepresentation
PhoneticRepresentation
Situation Model
Message Message
Situation Model
SemanticRepresentation
SyntacticRepresentation
PhonologicalRepresentation
LexicalRepresentation
PhoneticRepresentation
The Alignment Perspective
Dialogue and Alignment • The processing model
There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension
The Alignment Perspective
Dialogue and Alignment • The processing model
There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension
• production: speaker is guided by what has just been said
The Alignment Perspective
Dialogue and Alignment • The processing model
There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension
• production: speaker is guided by what has just been said• comprehension: listener is constrained by what he has just said
The Alignment Perspective
Dialogue and Alignment • The processing model
There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension
• production: speaker is guided by what has just been said• comprehension: listener is constrained by what he has just said
Utterances are built up as joint activities• interlocutors align at many levels of representation
The Alignment Perspective
Dialogue and Alignment • The processing model
There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension
• production: speaker is guided by what has just been said• comprehension: listener is constrained by what he has just said
Utterances are built up as joint activities• interlocutors align at many levels of representation
• each level of representation is causally implicated in the process of communication
The Alignment Perspective
Dialogue and Alignment • The processing model
There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension
• production: speaker is guided by what has just been said• comprehension: listener is constrained by what he has just said
Utterances are built up as joint activities• interlocutors align at many levels of representation
• each level of representation is causally implicated in the process of communication• intermediate representations are retained implicitly
The Alignment Perspective
Dialogue and Alignment • The processing model
There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension
• production: speaker is guided by what has just been said• comprehension: listener is constrained by what he has just said
Utterances are built up as joint activities• interlocutors align at many levels of representation
• each level of representation is causally implicated in the process of communication• intermediate representations are retained implicitly
Because alignment at one level leads to alignment at others, the interlocutors can understand each other (alignment at the level of situation models)
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
Core assumptions:
Successful dialogue involves the development of aligned representations by the interlocutors
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
Core assumptions:
Successful dialogue involves the development of aligned representations by the interlocutors
These are brought about by• priming mechanisms at each level of linguistic representation
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
Core assumptions:
Successful dialogue involves the development of aligned representations by the interlocutors
These are brought about by• priming mechanisms at each level of linguistic representation• percolation between the levels: alignment at one level enhances alignment at other levels
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
Core assumptions:
Successful dialogue involves the development of aligned representations by the interlocutors
These are brought about by• priming mechanisms at each level of linguistic representation• percolation between the levels: alignment at one level enhances alignment at other levels• repair mechanisms, for cases of misalignment
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
PhonologicalRepresentation
SyntacticRepresentation
LexicalRepresentation
SemanticRepresentation
PhoneticRepresentation
Situation Model
Message Message
Situation Model
SemanticRepresentation
SyntacticRepresentation
PhonologicalRepresentation
LexicalRepresentation
PhoneticRepresentation
: Channel of alignment
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
Channels of alignment• are bi-directional, direct and automatic: unconscious
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
Channels of alignment• are bi-directional, direct and automatic: unconscious• linguistic information conveyed is encoded in sound
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
Channels of alignment• are bi-directional, direct and automatic: unconscious• linguistic information conveyed is encoded in sound
The communicative mechanism exploited is priming• lexical priming• syntactic priming etc.
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
Channels of alignment• are bi-directional, direct and automatic: unconscious• linguistic information conveyed is encoded in sound
The communicative mechanism exploited is priming• lexical priming• syntactic priming etc.
Things are different with monologue• the goal of monologue is not to get aligned representations
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
Channels of alignment• are bi-directional, direct and automatic: unconscious• linguistic information conveyed is encoded in sound
The communicative mechanism exploited is priming• lexical priming• syntactic priming etc.
Things are different with monologue• the goal of monologue is not to get aligned representations• representations can rapidly diverge
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
Channels of alignment• are bi-directional, direct and automatic: unconscious• linguistic information conveyed is encoded in sound
The communicative mechanism exploited is priming• lexical priming• syntactic priming etc.
Things are different with monologue• the goal of monologue is not to get aligned representations• representations can rapidly diverge• priming in monologue can be thought of as an epiphenomenal effect
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
The IAM assumes that production and comprehension draw upon the same linguistic representations parity between comprehension and production
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
The IAM assumes that production and comprehension draw upon the same linguistic representations parity between comprehension and production
A representation that has just been constructed (in comprehension) can be used for production or vice versa
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
The IAM assumes that production and comprehension draw upon the same linguistic representations parity between comprehension and production
A representation that has just been constructed (in comprehension) can be used for production or vice versa
Parity• requires the representations to be the same, but the processes need not be related (e.g. reversed)
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
The IAM assumes that production and comprehension draw upon the same linguistic representations parity between comprehension and production
A representation that has just been constructed (in comprehension) can be used for production or vice versa
Parity• requires the representations to be the same, but the processes need not be related (e.g. reversed)• of representation is somewhat controversial among psycholinguists
The Alignment Perspective
Dialogue and Alignment • The processing model • The new story
The IAM assumes that production and comprehension draw upon the same linguistic representations parity between comprehension and production
A representation that has just been constructed (in comprehension) can be used for production or vice versa
Parity• requires the representations to be the same, but the processes need not be related (e.g. reversed)• of representation is somewhat controversial among psycholinguists• might be a means of explaining nonlinguistic perception/action links
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Common Ground (CG) is one of the key conceptual notions in current research on dialogue:
• critical pre-condition for successful communication
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Common Ground (CG) is one of the key conceptual notions in current research on dialogue:
• critical pre-condition for successful communication• reflects the pool of background knowledge that one can reasonably assume to be shared by the interlocutors on the basis of the (linguistic and non-linguistic) evidence at hand
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Common Ground (CG) is one of the key conceptual notions in current research on dialogue:
• critical pre-condition for successful communication• reflects the pool of background knowledge that one can reasonably assume to be shared by the interlocutors on the basis of the (linguistic and non-linguistic) evidence at hand• related notions: common -, mutual - & joint knowledge
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Common Ground (CG) is one of the key conceptual notions in current research on dialogue:
• critical pre-condition for successful communication• reflects the pool of background knowledge that one can reasonably assume to be shared by the interlocutors on the basis of the (linguistic and non-linguistic) evidence at hand• related notions: common -, mutual - & joint knowledge
Clark‘s (1996) notion of CG (shared basis)
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Common Ground (CG) is one of the key conceptual notions in current research on dialogue:
• critical pre-condition for successful communication• reflects the pool of background knowledge that one can reasonably assume to be shared by the interlocutors on the basis of the (linguistic and non-linguistic) evidence at hand• related notions: common -, mutual - & joint knowledge
Clark‘s (1996) notion of CG (shared basis): p is common ground for members of C iff
• every member of C has information that basis b holds
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Common Ground (CG) is one of the key conceptual notions in current research on dialogue:
• critical pre-condition for successful communication• reflects the pool of background knowledge that one can reasonably assume to be shared by the interlocutors on the basis of the (linguistic and non-linguistic) evidence at hand• related notions: common -, mutual - & joint knowledge
Clark‘s (1996) notion of CG (shared basis): p is common ground for members of C iff
• every member of C has information that basis b holds,• b indicates to every member of C that every member of C has information that basis b holds
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Common Ground (CG) is one of the key conceptual notions in current research on dialogue:
• critical pre-condition for successful communication• reflects the pool of background knowledge that one can reasonably assume to be shared by the interlocutors on the basis of the (linguistic and non-linguistic) evidence at hand• related notions: common -, mutual - & joint knowledge
Clark‘s (1996) notion of CG (shared basis): p is common ground for members of C iff
• every member of C has information that basis b holds,• b indicates to every member of C that every member of C has information that basis b holds, • b indicates to every member of C that p.
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it
• gets built up automatically,
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it
• gets built up automatically, • is used in basic repair mechanisms
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it
• gets built up automatically, • is used in basic repair mechanisms• is effective, because with (nearly) aligned situation models, both interlocutors foreground the same information
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it
• gets built up automatically, • is used in basic repair mechanisms• is effective, because with (nearly) aligned situation models, both interlocutors foreground the same information• gets extended as the conversation proceeds
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it
• gets built up automatically, • is used in basic repair mechanisms• is effective, because with (nearly) aligned situation models, both interlocutors foreground the same information• gets extended as the conversation proceeds
ICG vs. CG:Establishing full CG involves modelling one‘s interlocutors mental state(s): this is unnecessary & costly
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it
• gets built up automatically, • is used in basic repair mechanisms• is effective, because with (nearly) aligned situation models, both interlocutors foreground the same information• gets extended as the conversation proceeds
ICG vs. CG:Establishing full CG involves modelling one‘s interlocutors mental state(s): this is unnecessary & costlyInterlocutors go to full CG only when necessary in repairing misalignment when more basic means fail
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it
• gets built up automatically, • is used in basic repair mechanisms• is effective, because with (nearly) aligned situation models, both interlocutors foreground the same information• gets extended as the conversation proceeds
ICG vs. CG:Establishing full CG involves modelling one‘s interlocutors mental state(s): this is unnecessary & costlyInterlocutors go to full CG only when necessary in repairing misalignment when more basic means failThe processes involved when building full CG are specialized & non-automatic
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
The use of CG is limited
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
The use of CG is limited:
There is evidence that in situations without direct interaction language users do not always take into account full CG during production / comprehension
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
The use of CG is limited:
There is evidence that in situations without direct interaction language users do not always take into account full CG during production / comprehension
These findings (and/or alternative explanations) seem to extend to fully interactive dialogue
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
The use of CG is limited:
There is evidence that in situations without direct interaction language users do not always take into account full CG during production / comprehension
These findings (and/or alternative explanations) seem to extend to fully interactive dialogue
However, there is evidence that – under certain circumstances – interlocutors do engage in strategic inference based on full CG
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
The use of CG is limited:
There is evidence that in situations without direct interaction language users do not always take into account full CG during production / comprehension
These findings (and/or alternative explanations) seem to extend to fully interactive dialogue
However, there is evidence that – under certain circumstances – interlocutors do engage in strategic inference based on full CG
So performing inferences on full CG• is an optional strategy
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
The use of CG is limited:
There is evidence that in situations without direct interaction language users do not always take into account full CG during production / comprehension
These findings (and/or alternative explanations) seem to extend to fully interactive dialogue
However, there is evidence that – under certain circumstances – interlocutors do engage in strategic inference based on full CG
So performing inferences on full CG• is an optional strategy• is employed only when resources allow
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
The use of CG is limited:
There is evidence that in situations without direct interaction language users do not always take into account full CG during production / comprehension
These findings (and/or alternative explanations) seem to extend to fully interactive dialogue
However, there is evidence that – under certain circumstances – interlocutors do engage in strategic inference based on full CG
So performing inferences on full CG• is an optional strategy• is employed only when resources allow• most simple conversation works without it
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG; the mechanism relies on two processes:
• checking whether one can interpret the input in relation to one‘s own representation
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG; the mechanism relies on two processes:
• checking whether one can interpret the input in relation to one‘s own representation• in case of fail: reformulating the utterance in a way that hopefully leads to establishing ICG
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG; the mechanism relies on two processes:
• checking whether one can interpret the input in relation to one‘s own representation• in case of fail: reformulating the utterance in a way that hopefully leads to establishing ICG
Possibilities for reformulation :• repetition with rising intonation
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG; the mechanism relies on two processes:
• checking whether one can interpret the input in relation to one‘s own representation• in case of fail: reformulating the utterance in a way that hopefully leads to establishing ICG
Possibilities for reformulation :• repetition with rising intonation • repetition with additional query
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG; the mechanism relies on two processes:
• checking whether one can interpret the input in relation to one‘s own representation• in case of fail: reformulating the utterance in a way that hopefully leads to establishing ICG
Possibilities for reformulation :• repetition with rising intonation • repetition with additional query• radical restatement
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG; the mechanism relies on two processes:
• checking whether one can interpret the input in relation to one‘s own representation• in case of fail: reformulating the utterance in a way that hopefully leads to establishing ICG
Possibilities for reformulation :• repetition with rising intonation • repetition with additional query• radical restatement
This can be regarded as involving a kind of externalized inferencebecause of it‘s dependence on interaction between interlocutors
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Situations, where full CG is necessary e.g. • cases of deception
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Situations, where full CG is necessary e.g. • cases of deception,
• concealment of information
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Situations, where full CG is necessary e.g. • cases of deception,
• concealment of information or • agreeing not to align at some level (situation model)
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Situations, where full CG is necessary e.g. • cases of deception,
• concealment of information or • agreeing not to align at some level (situation model)
Maintaining CG may involve complex internalized reasoning that is probably conscious & costly in terms of processing resources
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Situations, where full CG is necessary e.g. • cases of deception,
• concealment of information or • agreeing not to align at some level (situation model)
Maintaining CG may involve complex internalized reasoning that is probably conscious & costly in terms of processing resourcesThere may be great differences between people‘s abilitiesHowever: explicit negotiation remains a possibility
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Situations, where full CG is necessary e.g. • cases of deception,
• concealment of information or • agreeing not to align at some level (situation model)
Maintaining CG may involve complex internalized reasoning that is probably conscious & costly in terms of processing resourcesThere may be great differences between people‘s abilitiesHowever: explicit negotiation remains a possibility
Claim: such strategic inferences are overlaid on the basic interactive alignment mechanism
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Situations, where full CG is necessary e.g. • cases of deception,
• concealment of information or • agreeing not to align at some level (situation model)
Maintaining CG may involve complex internalized reasoning that is probably conscious & costly in terms of processing resourcesThere may be great differences between people‘s abilitiesHowever: explicit negotiation remains a possibility
Claim: such strategic inferences are overlaid on the basic interactive alignment mechanism
Alignment is viewed as a primitive mechanism, not a replacement for more complicated strategies that may be employed
The Alignment Perspective
Dialogue and Alignment • Common ground, misalignment & interactive repair
Situations, where full CG is necessary e.g. • cases of deception,
• concealment of information or • agreeing not to align at some level (situation model)
Maintaining CG may involve complex internalized reasoning that is probably conscious & costly in terms of processing resourcesThere may be great differences between people‘s abilitiesHowever: explicit negotiation remains a possibility
Claim: such strategic inferences are overlaid on the basic interactive alignment mechanism
Alignment is viewed as a primitive mechanism, not a replacement for more complicated strategies that may be employeddialogues may serve more complicated functions than alignment of representations
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
Interlocutors draw upon representations that have been developed during dialogue
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
Interlocutors draw upon representations that have been developed during dialogue
Advantage: it is not necessary to construct representations from scratch
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
Interlocutors draw upon representations that have been developed during dialogue
Advantage: it is not necessary to construct representations from scratch
Prediction: interlocutors develop and use routines during a particular interaction
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
Levelt describes stages involved (conceptualization, formulating the utterance through a series of representations, finally articulation) in language production
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
Levelt describes stages involved (conceptualization, formulating the utterance through a series of representations, finally articulation) in language production
His core assumption: the speaker has to go through all the stages; he quotes experimental research to back up this assumption
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
Levelt describes stages involved (conceptualization, formulating the utterance through a series of representations, finally articulation) in language production
His core assumption: the speaker has to go through all the stages; he quotes experimental research to back up this assumption
But it seems to be possible to take short-cuts, to avoid levels of representation in production (as well as in comprehension), e.g. in repeating a whole phrase
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
Levelt describes stages involved (conceptualization, formulating the utterance through a series of representations, finally articulation) in language production
His core assumption: the speaker has to go through all the stages; he quotes experimental research to back up this assumption
But it seems to be possible to take short-cuts, to avoid levels of representation in production (as well as in comprehension), e.g. in repeating a whole phraseEvidence: natural dialogue – unlike monologue – is highly repetitive (example dialogue 82% vs. paragraph in paper 25% of the words)
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
Levelt describes stages involved (conceptualization, formulating the utterance through a series of representations, finally articulation) in language production
His core assumption: the speaker has to go through all the stages; he quotes experimental research to back up this assumption
But it seems to be possible to take short-cuts, to avoid levels of representation in production (as well as in comprehension), e.g. in repeating a whole phraseEvidence: natural dialogue – unlike monologue – is highly repetitive (example dialogue 82% vs. paragraph in paper 25% of the words)
Hence, the assumption that repetitions are unusual is a bias
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
A „routine“ is an expression that is „fixed“ to some extent
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
A „routine“ is an expression that is „fixed“ to some extent• it has a higher frequency than the frequency of its component words would lead to expect
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
A „routine“ is an expression that is „fixed“ to some extent• it has a higher frequency than the frequency of its component words would lead to expect• it has a particular analysis at each level of linguistic representation
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
A „routine“ is an expression that is „fixed“ to some extent• it has a higher frequency than the frequency of its component words would lead to expect• it has a particular analysis at each level of linguistic representation• highly frequent in dialogue
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
A „routine“ is an expression that is „fixed“ to some extent• it has a higher frequency than the frequency of its component words would lead to expect• it has a particular analysis at each level of linguistic representation• highly frequent in dialogue
„Routinization“ establishes routines on the fly:if an interlocutor uses an expression in a particular way, it may become a routine for the purpose of the conversation
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
A „routine“ can occur because most stretches of dialogue are about restricted topics and therefore have a limited vocabulary
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
A „routine“ can occur because most stretches of dialogue are about restricted topics and therefore have a limited vocabulary
Besides this, routinization is implied by interactive alignment
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
A „routine“ can occur because most stretches of dialogue are about restricted topics and therefore have a limited vocabulary
Besides this, routinization is implied by interactive alignmentA repeated expression (with same analysis and interpretation) is aligned at many levels of representation (lexical, syntactic, semantic)
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
A „routine“ can occur because most stretches of dialogue are about restricted topics and therefore have a limited vocabulary
Besides this, routinization is implied by interactive alignmentA repeated expression (with same analysis and interpretation) is aligned at many levels of representation (lexical, syntactic, semantic)Hence, interlocutors are likely to use the same expressions in the same way, to refer to the same things
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
A „routine“ can occur because most stretches of dialogue are about restricted topics and therefore have a limited vocabulary
Besides this, routinization is implied by interactive alignmentA repeated expression (with same analysis and interpretation) is aligned at many levels of representation (lexical, syntactic, semantic)Hence, interlocutors are likely to use the same expressions in the same way, to refer to the same things
Use of routines contributes to the fluency of dialogue; smaller set of alternatives guarantees fast access to particular units
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization
A „routine“ can occur because most stretches of dialogue are about restricted topics and therefore have a limited vocabulary
Besides this, routinization is implied by interactive alignmentA repeated expression (with same analysis and interpretation) is aligned at many levels of representation (lexical, syntactic, semantic)Hence, interlocutors are likely to use the same expressions in the same way, to refer to the same things
Use of routines contributes to the fluency of dialogue; smaller set of alternatives guarantees fast access to particular units
Routines seem to be easier to produce than non-routines
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization • Production
Most models of word production assume that the apparent fluency of productionhides a number of stages
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization • Production
Most models of word production assume that the apparent fluency of productionhides a number of stages
Evidence for the sequential nature of activation seem to be, e.g., • time-course data
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization • Production
Most models of word production assume that the apparent fluency of productionhides a number of stages
Evidence for the sequential nature of activation seem to be, e.g., • time-course data• tip-of-the-tongue data
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization • Production
Most models of word production assume that the apparent fluency of productionhides a number of stages
Evidence for the sequential nature of activation seem to be, e.g., • time-course data• tip-of-the-tongue data
The dialogical perspective does not lead to a radically different view of word production – however, contextual activation is likely to have some effects on the time-course of production
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization • Production
Most models of word production assume that the apparent fluency of productionhides a number of stages
Evidence for the sequential nature of activation seem to be, e.g., • time-course data• tip-of-the-tongue data
The dialogical perspective does not lead to a radically different view of word production – however, contextual activation is likely to have some effects on the time-course of production
Contrary to models of isolated sentence production, it seems to be possible to break the assumed order (message-> syntactic->phonological->sound) by building a sentence around a particular phrase that has been focused in dialogue
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization • Production
Most models of word production assume that the apparent fluency of productionhides a number of stages
Evidence for the sequential nature of activation seem to be, e.g., • time-course data• tip-of-the-tongue data
The dialogical perspective does not lead to a radically different view of word production – however, contextual activation is likely to have some effects on the time-course of production
Contrary to models of isolated sentence production, it seems to be possible to break the assumed order (message-> syntactic->phonological->sound) by building a sentence around a particular phrase that has been focused in dialogue
Effects of strong context, in dialogue or monologue, may be to change the process of production
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization • Comprehension
IAM suggests that lexical comprehension in dialogue is different from monologue
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization • Comprehension
IAM suggests that lexical comprehension in dialogue is different from monologue
The local context becomes central as a consequence of alignment at the lexical level („dialogue lexicon“)
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization • Comprehension
IAM suggests that lexical comprehension in dialogue is different from monologue
The local context becomes central as a consequence of alignment at the lexical level („dialogue lexicon“)
In dialogue, the frequency of an expression should become less important and replaced by accessibility with respect to the local context
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization • Comprehension
IAM suggests that lexical comprehension in dialogue is different from monologue
The local context becomes central as a consequence of alignment at the lexical level („dialogue lexicon“)
In dialogue, the frequency of an expression should become less important and replaced by accessibility with respect to the local contextPeople fall back on frequency in monologue because they have no strong context
The Alignment Perspective
Dialogue and Alignment • Alignment and routinization • Comprehension
IAM suggests that lexical comprehension in dialogue is different from monologue
The local context becomes central as a consequence of alignment at the lexical level („dialogue lexicon“)
In dialogue, the frequency of an expression should become less important and replaced by accessibility with respect to the local contextPeople fall back on frequency in monologue because they have no strong context
With respect to lexical ambiguity, it is predicted that effects of meaning frequency can be overridden by context comprehension of routines is like lexical comprehension: frequency and interpretation set by dialogue
The Alignment Perspective
Dialogue and Alignment • Self-monitoring
The Alignment Perspective
Dialogue and Alignment • Self-monitoring
Self-monitoring exploits the usual mechanisms of alignment, but „within the speaker“
The Alignment Perspective
Dialogue and Alignment • Self-monitoring
Self-monitoring exploits the usual mechanisms of alignment, but „within the speaker“
All models assume that speakers monitor their own output, (e.g. Levelt)There is an outer loop: monitoring production by using the comprehension system, monitoring actual outputs; compatible with both ATA and IAM
The Alignment Perspective
Dialogue and Alignment • Self-monitoring
Self-monitoring exploits the usual mechanisms of alignment, but „within the speaker“
All models assume that speakers monitor their own output, (e.g. Levelt)There is an outer loop: monitoring production by using the comprehension system, monitoring actual outputs; compatible with both ATA and IAM
Inner loops proposed at the level of phonological and conceptual representation fit with IAM but not with ATA
The Alignment Perspective
Dialogue and Alignment • Self-monitoring
Self-monitoring exploits the usual mechanisms of alignment, but „within the speaker“
All models assume that speakers monitor their own output, (e.g. Levelt)There is an outer loop: monitoring production by using the comprehension system, monitoring actual outputs; compatible with both ATA and IAM
Inner loops proposed at the level of phonological and conceptual representation fit with IAM but not with ATAProposal: speaker performs monitoring at different levels in a way that leads to self-alignment
The Alignment Perspective
Dialogue and Alignment • Self-monitoring
Self-monitoring exploits the usual mechanisms of alignment, but „within the speaker“
All models assume that speakers monitor their own output, (e.g. Levelt)There is an outer loop: monitoring production by using the comprehension system, monitoring actual outputs; compatible with both ATA and IAM
Inner loops proposed at the level of phonological and conceptual representation fit with IAM but not with ATAProposal: speaker performs monitoring at different levels in a way that leads to self-alignmentSelf-correction is similar to repair processes in interaction
The Alignment Perspective
Dialogue and Alignment • Self-monitoring
Self-monitoring exploits the usual mechanisms of alignment, but „within the speaker“
All models assume that speakers monitor their own output, (e.g. Levelt)There is an outer loop: monitoring production by using the comprehension system, monitoring actual outputs; compatible with both ATA and IAM
Inner loops proposed at the level of phonological and conceptual representation fit with IAM but not with ATAProposal: speaker performs monitoring at different levels in a way that leads to self-alignmentSelf-correction is similar to repair processes in interaction
Prediction: monitoring can occur at any level of representation that can be aligned (e.g. syntactic monitoring)
The Alignment Perspective
Dialogue and Alignment • Self-monitoring
Self-monitoring appears to be a consequence of dialogue – as a by-product of a language processing system that is sufficiently flexible to allow comprehension and production to occur to some extent simultaneously
The Alignment Perspective
Dialogue and Alignment • Self-monitoring
Self-monitoring appears to be a consequence of dialogue – as a by-product of a language processing system that is sufficiently flexible to allow comprehension and production to occur to some extent simultaneously
Prediction: monitoring should be hard during periods of overlapping speech
The Alignment Perspective
Dialogue and Alignment • Linguistics
The Alignment Perspective
Dialogue and Alignment • Linguistics
Formal linguistics has mainly failed to address dialogue
A sketch of how linguistic theory could support dialogue raises two issues:
• the analysis of linked utterances
The Alignment Perspective
Dialogue and Alignment • Linguistics
Formal linguistics has mainly failed to address dialogue
A sketch of how linguistic theory could support dialogue raises two issues:
• the analysis of linked utterances• the architecture of the language system
The Alignment Perspective
Dialogue and Alignment • Linguistics • Linked utterances
Chomsky-style grammar treats the contribution of a single speaker as the relevant unit of analysis
The Alignment Perspective
Chomsky-style grammar treats the contribution of a single speaker as the relevant unit of analysis; this cannot account for:
• syntactic restrictions on well-formed exchanges
Dialogue and Alignment • Linguistics • Linked utterances
The Alignment Perspective
Chomsky-style grammar treats the contribution of a single speaker as the relevant unit of analysis; this cannot account for:
• syntactic restrictions on well-formed exchanges• syntactic parallelism constraint between turns (elliptical utterances)
Dialogue and Alignment • Linguistics • Linked utterances
The Alignment Perspective
Chomsky-style grammar treats the contribution of a single speaker as the relevant unit of analysis; this cannot account for:
• syntactic restrictions on well-formed exchanges• syntactic parallelism constraint between turns (elliptical utterances)
IAM predicts parallelism as a general phenomenon, makes use of narrowly linguistic mechanisms in order to explain production and comprehension of linked contributions – no need for complicated mechanisms (e.g. bridging inferences)
Dialogue and Alignment • Linguistics • Linked utterances
The Alignment Perspective
Chomsky-style grammar treats the contribution of a single speaker as the relevant unit of analysis; this cannot account for:
• syntactic restrictions on well-formed exchanges• syntactic parallelism constraint between turns (elliptical utterances)
IAM predicts parallelism as a general phenomenon, makes use of narrowly linguistic mechanisms in order to explain production and comprehension of linked contributions – no need for complicated mechanisms (e.g. bridging inferences)
Any appropriate grammatical account should be able to deal with non-sentential fragments and allow their interpretation to be integrated into the dialogue contextrequires a flexible notion of constituency
Dialogue and Alignment • Linguistics • Linked utterances
The Alignment Perspective
IAM assumes independent, but linked representations for syntax, semantics and phonology (at least)
Dialogue and Alignment • Linguistics • Language system
The Alignment Perspective
IAM assumes independent, but linked representations for syntax, semantics and phonology (at least)
This sits ill with Chomskyan theory, posing a central generative syntactic component, peripheral semantic and phonological systems
Dialogue and Alignment • Linguistics • Language system
The Alignment Perspective
IAM assumes independent, but linked representations for syntax, semantics and phonology (at least)
This sits ill with Chomskyan theory, posing a central generative syntactic component, peripheral semantic and phonological systems
IAM is compatible with constraint-based approaches, e.g. HPSG, where syntax, semantics and phonology form parts of a multi-dimensional sign
Dialogue and Alignment • Linguistics • Language system
The Alignment Perspective
IAM assumes independent, but linked representations for syntax, semantics and phonology (at least)
This sits ill with Chomskyan theory, posing a central generative syntactic component, peripheral semantic and phonological systems
IAM is compatible with constraint-based approaches, e.g. HPSG, where syntax, semantics and phonology form parts of a multi-dimensional sign
Jackendoff‘s framework seems like a perfect fit with IAMThe linguistic basis for a psycholinguistic account of dialogue is the integration of a framework that incorporates multiple generative components with a grammar that follows a flexible approach to constituency
Dialogue and Alignment • Linguistics • Language system
The Alignment Perspective
Dialogue and Monologue
The Alignment Perspective
Dialogue is seen as the primary setting for language use,dialogic processing as the basic form of language processing
Dialogue and Monologue
The Alignment Perspective
Dialogue is seen as the primary setting for language use,dialogic processing as the basic form of language processing
Dialogue and monologue have been treated as distinct kinds of language useBut is there a clear-cut distinction or do they range along a dialogic continuum?
Dialogue and Monologue
The Alignment Perspective
Claim: Interactive activities vary according to the degree of coupling between the agents
Dialogue and Monologue • Degrees of coupling
The Alignment Perspective
Claim: Interactive activities vary according to the degree of coupling between the agents
Different styles of communication vary in the degree of coupling between communicators (e.g. one-to-one intimate conversation vs. giving a lecture)
Dialogue and Monologue • Degrees of coupling
The Alignment Perspective
Claim: Interactive activities vary according to the degree of coupling between the agents
Different styles of communication vary in the degree of coupling between communicators (e.g. one-to-one intimate conversation vs. giving a lecture)
IAM is developed to account for tightly coupled processing in face-to-face spontaneous dyadic conversation between equals with short contributions
Dialogue and Monologue • Degrees of coupling
The Alignment Perspective
Claim: Interactive activities vary according to the degree of coupling between the agents
Different styles of communication vary in the degree of coupling between communicators (e.g. one-to-one intimate conversation vs. giving a lecture)
IAM is developed to account for tightly coupled processing in face-to-face spontaneous dyadic conversation between equals with short contributionsAs the conversational setting deviates, alignment becomes less automatic and important
Dialogue and Monologue • Degrees of coupling
The Alignment Perspective
Claim: Interactive activities vary according to the degree of coupling between the agents
Different styles of communication vary in the degree of coupling between communicators (e.g. one-to-one intimate conversation vs. giving a lecture)
IAM is developed to account for tightly coupled processing in face-to-face spontaneous dyadic conversation between equals with short contributionsAs the conversational setting deviates, alignment becomes less automatic and important
True monologue (no feedback) processing – production, as well as comprehension – is difficult
Dialogue and Monologue • Degrees of coupling
The Alignment Perspective
Claim: Interactive activities vary according to the degree of coupling between the agents
Different styles of communication vary in the degree of coupling between communicators (e.g. one-to-one intimate conversation vs. giving a lecture)
IAM is developed to account for tightly coupled processing in face-to-face spontaneous dyadic conversation between equals with short contributionsAs the conversational setting deviates, alignment becomes less automatic and important
True monologue (no feedback) processing – production, as well as comprehension – is difficult
Language users need to develop a range of elaborate strategies (planning, routines; making inferences) to become competent
Dialogue and Monologue • Degrees of coupling
The Alignment Perspective
Relevance of the IAM for a range of issues beyond dialogue
Implications
The Alignment Perspective
Relevance of the IAM for a range of issues beyond dialogue:
IAM might serve as the basis for accounts of predominantly automatic social interaction more generally (alignment is presumably not purely linguistic): automatic perception-behavior link postulated by social psychologists
Implications
The Alignment Perspective
Relevance of the IAM for a range of issues beyond dialogue:
IAM might serve as the basis for accounts of predominantly automatic social interaction more generally (alignment is presumably not purely linguistic): automatic perception-behavior link postulated by social psychologists
IAM fits well with recent proposals about the central role of imitation within psychological and neuroscientific theory
Implications
The Alignment Perspective
Relevance of the IAM for a range of issues beyond dialogue:
IAM might serve as the basis for accounts of predominantly automatic social interaction more generally (alignment is presumably not purely linguistic): automatic perception-behavior link postulated by social psychologists
IAM fits well with recent proposals about the central role of imitation within psychological and neuroscientific theory
IAM might find application to language acquisition, because alignment underlies occuring imitative processes
Implications
The Alignment Perspective
Dialogue example & situation
(A)Inst: So, jetzt nimmst du
Well, now you takeCnst: eine Schraube
a screw.Inst: eine <-> orangene mit einem
Schlitz.an <-> orange one with a slit
Cnst: Ja. Yes
The Alignment Perspective
Dialogue example & situation
(A)Inst: So, jetzt nimmst du
Well, now you takeCnst: eine Schraube
a screw.Inst: eine <-> orangene mit einem
Schlitz.an <-> orange one with a slit
Cnst: Ja. Yes
Available Bolts
The Alignment Perspective
Dialogue example & situation
Previous step : highest coordination peak point
The Alignment Perspective
Dialogue example & situation
(B)
Inst: Und steckst sie dadurch, also
And you put it through there,
let’s see
Cnst: Von oben.
From the top.
Inst: Von oben, daß also die drei festgeschraubt werden dann.
From the top, so that the three bars get fixed.
Cnst: Ja.
Yes.
Intended Junction
Intended Result
The Alignment Perspective
Dialogue example & situation
(A)Inst: Well, now you takeCnst: a screw.Inst: an <-> orange one with a slitCnst: Yes.
(B)Inst: And you put it through there, let’s seeCnst: From the top.Inst: From the top, so that the three bars get fixed.Cnst: Yes.
The Alignment Perspective
Dialogue example & situation
The Alignment Perspective
PhonologicalRepresentation
SyntacticRepresentation
LexicalRepresentation
SemanticRepresentation
PhoneticRepresentation
Situation Model
Message Message
Situation Model
SemanticRepresentation
SyntacticRepresentation
PhonologicalRepresentation
LexicalRepresentation
PhoneticRepresentation
: Channel of alignment
Dialogue example & situation