The Alignment Perspective

235
The Alignment Perspective Part XIV: Approaches to dialogue Peter Kühnlein/Jens Stegmann

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Approaches to dialogue. The Alignment Perspective. Part XIV:. Peter Kühnlein/Jens Stegmann. The Alignment Perspective. Pickering, M. & Garrod, S. (2003): Toward a Mechanistic Psychology of Dialogue , submitted to BBS , http://www.bbsonline.org/Preprints/Garrod/Referees/. - PowerPoint PPT Presentation

Transcript of The Alignment Perspective

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The Alignment Perspective

Part XIV:

Approaches to dialogue

Peter Kühnlein/Jens Stegmann

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The Alignment Perspective

Pickering, M. & Garrod, S. (2003): Toward a Mechanistic Psychology of Dialogue, submitted to BBS, http://www.bbsonline.org/Preprints/Garrod/Referees/

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The Alignment Perspective

Core Intuitions

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The Alignment Perspective

Core Intuitions • Aims

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The Alignment Perspective

Core Intuitions • Aims

Dialogue is the most basic and natural form of language use

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The Alignment Perspective

Core Intuitions • Aims

Dialogue is the most basic and natural form of language use

People who can produce monologue usually can also produce dialogue but not vice versa

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The Alignment Perspective

Core Intuitions • Aims

Dialogue is the most basic and natural form of language use

People who can produce monologue usually can also produce dialogue but not vice versaChildren learn how to speak in dialogic situations

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The Alignment Perspective

Core Intuitions • Aims

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

Purported reasons for neglecting dialogue

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

Purported reasons for neglecting dialogue• Practical reasons: it is assumed to be too hard (or even impossible) to study, given the degree of experimental control necessary

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

Purported reasons for neglecting dialogue• Practical reasons: it is assumed to be too hard (or even impossible) to study, given the degree of experimental control necessary But cf. the studies by Garrod et al

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

Purported reasons for neglecting dialogue• Practical reasons: it is assumed to be too hard (or even impossible) to study, given the degree of experimental control necessary• Theoretical reasons: psycholinguists tend to develop processing theories that draw upon classical, Chomsky-style generative linguistics (and dialogue is ignored there)

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark draws a distinction between the language-as-product vs. language-as-action tradition

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-product:• integration of ideas from information-processing psychology and generative grammar

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-product:• integration of ideas from information-processing psychology and generative grammar• mechanistic accounts of how people compute different levels of representation

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-product:• integration of ideas from information-processing psychology and generative grammar• mechanistic accounts of how people compute different levels of representation• experimental paradigms: de-contextualized language

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-action:

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-action:• ideas from ordinary language philosophy and sociology

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-action:• ideas from ordinary language philosophy and sociology• mentalistic explanations (intentions, beliefs, desires, ...)

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark draws a distinction between the language-as-product vs. language-as-action traditionLanguage-as-action:• ideas from ordinary language philosophy and sociology• mentalistic explanations (intentions, beliefs, desires, ...)• gaining ecological validity: natural tasks, language in context

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark is positioned on the language-as-action side

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark is positioned on the language-as-action side:• He counts as the (main) advocate of the experimental study of dialogue

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark is positioned on the language-as-action side:• He counts as the (main) advocate of the experimental study of dialogue• His focus is on strategies employed by interlocutors (rather than on underlying processing mechanisms)

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark is positioned on the language-as-action side:• He counts as the (main) advocate of the experimental study of dialogue• His focus is on strategies employed by interlocutors (rather than on underlying processing mechanisms)• The main explanatory notion he employs is that of coordination of agents

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark is positioned on the language-as-action side:• He counts as the (main) advocate of the experimental study of dialogue• His focus is on strategies employed by interlocutors (rather than on underlying processing mechanisms)• The main explanatory notion he employs is that of coordination of agents (something Carl doesn‘t believe in)

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Existing mechanistic accounts rely almost entirely on monologue, a derivativeform of language use / processingThey are therefore limited / inadequate accounts w.r.t. dialogue

H. Clark is positioned on the language-as-action side:• He counts as the (main) advocate of the experimental study of dialogue• His focus is on strategies employed by interlocutors (rather than on underlying processing mechanisms)• The main explanatory notion he employs is that of coordination of agents (something Carl doesn‘t believe in)

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned.

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned

Alignment differs from the classical (Lewis, Clark) kind of coordination inthat it is a psychological mechanism, not a strategy in behaviour

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned

The linguistic representations employed by the interlocutors become aligned at many levels of representation

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned

The linguistic representations employed by the interlocutors become aligned at many levels of representation

Alignment• is the result of a largely automatic process

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned

The linguistic representations employed by the interlocutors become aligned at many levels of representation

Alignment• is the result of a largely automatic process• greatly simplifies production and comprehension

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned

Aspects of processing following from IAM• simple interactive inference mechanism

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned

Aspects of processing following from IAM• simple interactive inference mechanism• development of local dialogue routines

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned

Aspects of processing following from IAM• simple interactive inference mechanism• development of local dialogue routines• explanation for self-monitoring in production

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The Alignment Perspective

Core Intuitions • Aims & State-of-the-Art

Dialogue is the most basic and natural form of language use

Hence, psycholinguistics should provide an account of the basic languageprocessing mechanisms in dialogue

Thesis: Dialogue is coordinated behaviour in that the representations thatunderly discourse become aligned

Also addressed:• (evidence for the IAM)• implications of the IAM

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The Alignment Perspective

Dialogue and Alignment

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The Alignment Perspective

Dialogue and Alignment • The maze game

cooperative gametwo subjects: A and B, are located in different rooms

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The Alignment Perspective

Dialogue and Alignment • The maze game

cooperative gametwo subjects: A and B, are located in different roomsthey can communicate via audio link

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The Alignment Perspective

Dialogue and Alignment • The maze game

cooperative gametwo subjects: A and B, are located in different roomsthey can communicate via audio linkA and B have maps of a maze in front of them

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The Alignment Perspective

Dialogue and Alignment • The maze game

cooperative gametwo subjects: A and B, are located in different roomsthey can communicate via audio linkA and B have maps of a maze in front of themA tries to describe his position (arrow) to B

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: ... Tell me where you are?

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well: right, starting from the left, you‘re one along:A: Uh-huh:B: and one up?

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well: right, starting from the left, you‘re one along:A: Uh-huh:B: and one up?A: Yeah, and I‘m trying to get to ...

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

28 utterances later

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: You are starting from the left, you‘re one along, one up? (2 sec.)

28 utterances later

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: You are starting from the left, you‘re one along, one up? (2 sec.)A: Two along: I‘m not in the first box, I‘m in the second box:B: You‘re two along:

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: You are starting from the left, you‘re one along, one up? (2 sec.)A: Two along: I‘m not in the first box, I‘m in the second box:B: You‘re two along:A: Two up (1 sec.) counting the: if you take: the first box as being one up:B: (2 sec.) Uh-huh:

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: You are starting from the left, you‘re one along, one up? (2 sec.)A: Two along: I‘m not in the first box, I‘m in the second box:B: You‘re two along:A: Two up (1 sec.) counting the: if you take: the first box as being one up:B: (2 sec.) Uh-huh:A: Well I‘m two along, two up (1,5 sec.)B: Two up?

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: You are starting from the left, you‘re one along, one up? (2 sec.)A: Two along: I‘m not in the first box, I‘m in the second box:B: You‘re two along:A: Two up (1 sec.) counting the: if you take: the first box as being one up:B: (2 sec.) Uh-huh:A: Well I‘m two along, two up (1,5 sec.)B: Two up? :A: Yeah (1 sec.) so I can move down one:

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue

B: You are starting from the left, you‘re one along, one up? (2 sec.)A: Two along: I‘m not in the first box, I‘m in the second box:B: You‘re two along:A: Two up (1 sec.) counting the: if you take: the first box as being one up:B: (2 sec.) Uh-huh:A: Well I‘m two along, two up (1,5 sec.)B: Two up? :A: Yeah (1 sec.) so I can move down one:B: Yeah I see were you are

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue • Analysis

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:

At first glance this dialogue looks disorganized

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue • Analysis

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:

At first glance this dialogue looks disorganized:Many utterances do not constitute grammatical sentences

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue • Analysis

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:

At first glance this dialogue looks disorganized:Many utterances do not constitute grammatical sentencesThere is shared production between speakers (7./8., 43./44.)

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue • Analysis

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:

At first glance this dialogue looks disorganized:Many utterances do not constitute grammatical sentencesThere is shared production between speakers (7./8., 43./44.)The speakers seemingly do not know how to say what they want to say (4. vs. 46.)

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue • Analysis

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:

B: You are starting from the left, you‘re one along, one up? (2 sec.)A: Two along: I‘m not in the first box, I‘m in the second box:B: You‘re two along:A: Two up (1 sec.) counting the: if you take: the first box as being one up:B: (2 sec.) Uh-huh:A: Well I‘m two along, two up (1,5 sec.)B: Two up? :A: Yeah (1 sec.) so I can move down one:B: Yeah I see were you are

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue • Analysis

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:

At first glance this dialogue looks disorganized:Many utterances do not constitute grammatical sentencesThere is shared production between speakers (7./8., 43./44.)The speakers seemingly do not know how to say what they want to say (4. vs. 46.)

Assumption: dialogue is a joint activity

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue • Analysis

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:

At first glance this dialogue looks disorganized:Many utterances do not constitute grammatical sentencesThere is shared production between speakers (7./8., 43./44.)The speakers seemingly do not know how to say what they want to say (4. vs. 46.)

Assumption: dialogue is a joint activityit involves cooperation between interlocutors in a way that allows them to sufficiently understand the meaning of the dialogue as a wholedialogue is a game of cooperation

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue • Analysis

Conversational analysts argue that dialogue turns are linked across interlocutors

This means that production and comprehension processes become coupled

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well:

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The Alignment Perspective

Dialogue and Alignment • A sample dialogue • Analysis

Conversational analysts argue that dialogue turns are linked across interlocutors

This means that production and comprehension processes become coupled

Furthermore, the meaning of what is being communicated depends on the interlocutors‘ agreement/consensus, and is hence subject to negotiation [ (4) - (11) ]

B: ... Tell me where you are?A: Ehm: Oh God (laughs)B: (laughs)A: Right : two along from the bottom one up:B: Two along from the bottom, which side?A: The left: going from left to right in the second box.B: Your‘re in the second box.A: One up :(1 sec.) I take it we‘ve got identical mazes?B: Yeah well: right, starting from the left, you‘re one along:A: Uh-huh:B: and one up?A: Yeah, and I‘m trying to get to ...

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The Alignment Perspective

Dialogue and Alignment • Situation models

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The Alignment Perspective

Dialogue and Alignment • Situation models

Situation model: a multi-dimensional representation of the situation under discussion (space, time, causality, intentionality, individuals); assumed to capture what people are thinking about while understanding a text

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The Alignment Perspective

Dialogue and Alignment • Situation models

Situation model: a multi-dimensional representation of the situation under discussion (space, time, causality, intentionality, individuals); assumed to capture what people are thinking about while understanding a text

Think of mental models, Johnson-Laird style, that always have been in thediscussion concerning inference etc.

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The Alignment Perspective

Dialogue and Alignment • Situation models

Situation model: a multi-dimensional representation of the situation under discussion (space, time, causality, intentionality, individuals); assumed to capture what people are thinking about while understanding a text

Assumption: in successful dialogue, interlocutors develop (approximately) aligned situation models

Page 73: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Situation models

Situation model: a multi-dimensional representation of the situation under discussion (space, time, causality, intentionality, individuals); assumed to capture what people are thinking about while understanding a text

Assumption: in successful dialogue, interlocutors develop (approximately) aligned situation models

The alignment of situation models is not necessary in principle but it would be inefficient not to align (maintaining two representations of the same situation)

Page 74: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Situation models

Situation model: a multi-dimensional representation of the situation under discussion (space, time, causality, intentionality, individuals); assumed to capture what people are thinking about while understanding a text

Assumption: in successful dialogue, interlocutors develop (approximately) aligned situation models

The alignment of situation models is not necessary in principle but it would be inefficient not to align (maintaining two representations of the same situation)

Under some circumstances representing differences seems to be necessary (deception, concealment)

Page 75: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Situation models

Situation model: a multi-dimensional representation of the situation under discussion (space, time, causality, intentionality, individuals); assumed to capture what people are thinking about while understanding a text

Assumption: in successful dialogue, interlocutors develop (approximately) aligned situation models

The alignment of situation models is not necessary in principle but it would be inefficient not to align (maintaining two representations of the same situation)

Under some circumstances representing differences seems to be necessary (deception, concealment)

Interlocutors need not align their situation models entirely

Page 76: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Situation models • How to align them

In theory, interlocutors could achieve alignment through explicit negotiation, but in practice they normally do not

Page 77: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Situation models • How to align them

In theory, interlocutors could achieve alignment through explicit negotiation, but in practice they normally do not

Global alignment seems to result from local alignment at the level of the linguistic representations

Page 78: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Situation models • How to align them

In theory, interlocutors could achieve alignment through explicit negotiation, but in practice they normally do not

Global alignment seems to result from local alignment at the level of the linguistic representations This works via a priming mechanism, the process is resource-free (economic) and automatic (unconscious)

Page 79: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations

Page 80: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations

There is evidence for alignment at various levels of linguistic representation

Page 81: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations

There is evidence for alignment at various levels of linguistic representation:

• alignment of lexical processing during dialogue interlocutors develop the same set of referring expressions, expressions becomes shorter and more similar on repetition

Page 82: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations

There is evidence for alignment at various levels of linguistic representation:

• alignment of lexical processing during dialogue interlocutors develop the same set of referring expressions, expressions becomes shorter and more similar on repetition

• syntactic alignment in dialogue interlocutors tend to repeat syntactic form

Page 83: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations

There is evidence for alignment at various levels of linguistic representation:

• alignment of lexical processing during dialogue interlocutors develop the same set of referring expressions, expressions becomes shorter and more similar on repetition

• syntactic alignment in dialogue interlocutors tend to repeat syntactic form

• alignment at the level of articulation reduction, accent and speech rate

Page 84: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations

There is evidence for alignment at various levels of linguistic representation:

• alignment of lexical processing during dialogue interlocutors develop the same set of referring expressions, expressions becomes shorter and more similar on repetition

• syntactic alignment in dialogue interlocutors tend to repeat syntactic form

• alignment at the level of articulation reduction, accent and speech rate

• alignment in comprehension question/answer – pairs with repeated forms more natural

Page 85: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations • How to align them

Thesis: Aligned representations at one level lead to aligned representations at other levels

Page 86: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations • How to align them

Thesis: Aligned representations at one level lead to aligned representations at other levels

Examples of influences between levels:• establishing dialogue lexicons (local interpretations)

Page 87: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations • How to align them

Thesis: Aligned representations at one level lead to aligned representations at other levels

Examples of influences between levels:• establishing dialogue lexicons (local interpretations)• syntactic alignment is enhanced when more lexical items are shared

Page 88: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations • How to align them

Thesis: Aligned representations at one level lead to aligned representations at other levels

Examples of influences between levels:• establishing dialogue lexicons (local interpretations)• syntactic alignment is enhanced when more lexical items are shared• semantic relations between lexical items enhance syntactic priming

Page 89: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations • How to align them

Thesis: Aligned representations at one level lead to aligned representations at other levels

Examples of influences between levels:• establishing dialogue lexicons (local interpretations)• syntactic alignment is enhanced when more lexical items are shared• semantic relations between lexical items enhance syntactic priming

The closer the relationship at one level (e.g. semantic), the stronger the tendency to align at another (e.g. syntactic)

Page 90: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations • How to align them

Thesis: Aligned representations at one level lead to aligned representations at other levels

Examples of influences between levels:• establishing dialogue lexicons (local interpretations)• syntactic alignment is enhanced when more lexical items are shared• semantic relations between lexical items enhance syntactic priming

The closer the relationship at one level (e.g. semantic), the stronger the tendency to align at another (e.g. syntactic)

Important consequences: Interlocutors will tend to align expressions at many different levels at the same time and repeat each other in the same way

Page 91: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Linguistic representations • How to align them

Thesis: Aligned representations at one level lead to aligned representations at other levels

Examples of influences between levels:• establishing dialogue lexicons (local interpretations)• syntactic alignment is enhanced when more lexical items are shared• semantic relations between lexical items enhance syntactic priming

The closer the relationship at one level (e.g. semantic), the stronger the tendency to align at another (e.g. syntactic)

Important consequences: Interlocutors will tend to align expressions at many different levels at the same time and repeat each other in the same way

Prediction: Dialogue should be highly repetitive & should make extensive use of fixed expressions (dialogue routines)

Page 92: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Failing alignment

The primitive processes of alignment are not fool-proof, interlocutors might align only superficially

Page 93: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Failing alignment

The primitive processes of alignment are not fool-proof, interlocutors might align only superficially

They might need to be able to appeal to other mechanisms – repair processes - in order to maintain alignment

These mechanisms (more later) supplement the basic process of alignment

Page 94: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model

Page 95: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The old story

Page 96: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The old story

The prevailing psycholinguistic approach (e.g. Levelt):

• transfer of information takes place via decoupled / isolated production and comprehension processes

Page 97: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The old story

The prevailing psycholinguistic approach (e.g. Levelt):

• transfer of information takes place via decoupled / isolated production and comprehension processes

• no particular association between levels of representation used by speaker and listener

Page 98: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The old story

The prevailing psycholinguistic approach (e.g. Levelt):

• transfer of information takes place via decoupled / isolated production and comprehension processes

• no particular association between levels of representation used by speaker and listener

• production: non-linguistic idea / message is converted into a series of linguistic representations

Page 99: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The old story

The prevailing psycholinguistic approach (e.g. Levelt):

• transfer of information takes place via decoupled / isolated production and comprehension processes

• no particular association between levels of representation used by speaker and listener

• production: non-linguistic idea / message is converted into a series of linguistic representations final representation is converted into articulatory program intermediate representations serve as way-stations on the road to production

Page 100: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The old story

The prevailing psycholinguistic approach (e.g. Levelt):

• transfer of information takes place via decoupled / isolated production and comprehension processes

• no particular association between levels of representation used by speaker and listener

• production: non-linguistic idea / message is converted into a series of linguistic representations final representation is converted into articulatory program intermediate representations serve as way-stations on the road to production

• comprehension: decodes product by converting into successive levels of linguistic representation until message is (re-)constructed

Page 101: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The old story

The prevailing psycholinguistic approach (e.g. Levelt)

PhonologicalRepresentation

SyntacticRepresentation

LexicalRepresentation

SemanticRepresentation

PhoneticRepresentation

Situation Model

Message Message

Situation Model

SemanticRepresentation

SyntacticRepresentation

PhonologicalRepresentation

LexicalRepresentation

PhoneticRepresentation

Page 102: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model

There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension

Page 103: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model

There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension

• production: speaker is guided by what has just been said

Page 104: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model

There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension

• production: speaker is guided by what has just been said• comprehension: listener is constrained by what he has just said

Page 105: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model

There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension

• production: speaker is guided by what has just been said• comprehension: listener is constrained by what he has just said

Utterances are built up as joint activities• interlocutors align at many levels of representation

Page 106: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model

There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension

• production: speaker is guided by what has just been said• comprehension: listener is constrained by what he has just said

Utterances are built up as joint activities• interlocutors align at many levels of representation

• each level of representation is causally implicated in the process of communication

Page 107: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model

There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension

• production: speaker is guided by what has just been said• comprehension: listener is constrained by what he has just said

Utterances are built up as joint activities• interlocutors align at many levels of representation

• each level of representation is causally implicated in the process of communication• intermediate representations are retained implicitly

Page 108: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model

There is evidence that in dialogue production and comprehension processesare coupled (Garrod 1999) with tight interleaving of production and comprehension

• production: speaker is guided by what has just been said• comprehension: listener is constrained by what he has just said

Utterances are built up as joint activities• interlocutors align at many levels of representation

• each level of representation is causally implicated in the process of communication• intermediate representations are retained implicitly

Because alignment at one level leads to alignment at others, the interlocutors can understand each other (alignment at the level of situation models)

Page 109: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

Page 110: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

Core assumptions:

Successful dialogue involves the development of aligned representations by the interlocutors

Page 111: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

Core assumptions:

Successful dialogue involves the development of aligned representations by the interlocutors

These are brought about by• priming mechanisms at each level of linguistic representation

Page 112: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

Core assumptions:

Successful dialogue involves the development of aligned representations by the interlocutors

These are brought about by• priming mechanisms at each level of linguistic representation• percolation between the levels: alignment at one level enhances alignment at other levels

Page 113: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

Core assumptions:

Successful dialogue involves the development of aligned representations by the interlocutors

These are brought about by• priming mechanisms at each level of linguistic representation• percolation between the levels: alignment at one level enhances alignment at other levels• repair mechanisms, for cases of misalignment

Page 114: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

PhonologicalRepresentation

SyntacticRepresentation

LexicalRepresentation

SemanticRepresentation

PhoneticRepresentation

Situation Model

Message Message

Situation Model

SemanticRepresentation

SyntacticRepresentation

PhonologicalRepresentation

LexicalRepresentation

PhoneticRepresentation

: Channel of alignment

Page 115: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

Channels of alignment• are bi-directional, direct and automatic: unconscious

Page 116: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

Channels of alignment• are bi-directional, direct and automatic: unconscious• linguistic information conveyed is encoded in sound

Page 117: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

Channels of alignment• are bi-directional, direct and automatic: unconscious• linguistic information conveyed is encoded in sound

The communicative mechanism exploited is priming• lexical priming• syntactic priming etc.

Page 118: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

Channels of alignment• are bi-directional, direct and automatic: unconscious• linguistic information conveyed is encoded in sound

The communicative mechanism exploited is priming• lexical priming• syntactic priming etc.

Things are different with monologue• the goal of monologue is not to get aligned representations

Page 119: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

Channels of alignment• are bi-directional, direct and automatic: unconscious• linguistic information conveyed is encoded in sound

The communicative mechanism exploited is priming• lexical priming• syntactic priming etc.

Things are different with monologue• the goal of monologue is not to get aligned representations• representations can rapidly diverge

Page 120: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

Channels of alignment• are bi-directional, direct and automatic: unconscious• linguistic information conveyed is encoded in sound

The communicative mechanism exploited is priming• lexical priming• syntactic priming etc.

Things are different with monologue• the goal of monologue is not to get aligned representations• representations can rapidly diverge• priming in monologue can be thought of as an epiphenomenal effect

Page 121: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

The IAM assumes that production and comprehension draw upon the same linguistic representations parity between comprehension and production

Page 122: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

The IAM assumes that production and comprehension draw upon the same linguistic representations parity between comprehension and production

A representation that has just been constructed (in comprehension) can be used for production or vice versa

Page 123: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

The IAM assumes that production and comprehension draw upon the same linguistic representations parity between comprehension and production

A representation that has just been constructed (in comprehension) can be used for production or vice versa

Parity• requires the representations to be the same, but the processes need not be related (e.g. reversed)

Page 124: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

The IAM assumes that production and comprehension draw upon the same linguistic representations parity between comprehension and production

A representation that has just been constructed (in comprehension) can be used for production or vice versa

Parity• requires the representations to be the same, but the processes need not be related (e.g. reversed)• of representation is somewhat controversial among psycholinguists

Page 125: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • The processing model • The new story

The IAM assumes that production and comprehension draw upon the same linguistic representations parity between comprehension and production

A representation that has just been constructed (in comprehension) can be used for production or vice versa

Parity• requires the representations to be the same, but the processes need not be related (e.g. reversed)• of representation is somewhat controversial among psycholinguists• might be a means of explaining nonlinguistic perception/action links

Page 126: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Page 127: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Common Ground (CG) is one of the key conceptual notions in current research on dialogue:

• critical pre-condition for successful communication

Page 128: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Common Ground (CG) is one of the key conceptual notions in current research on dialogue:

• critical pre-condition for successful communication• reflects the pool of background knowledge that one can reasonably assume to be shared by the interlocutors on the basis of the (linguistic and non-linguistic) evidence at hand

Page 129: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Common Ground (CG) is one of the key conceptual notions in current research on dialogue:

• critical pre-condition for successful communication• reflects the pool of background knowledge that one can reasonably assume to be shared by the interlocutors on the basis of the (linguistic and non-linguistic) evidence at hand• related notions: common -, mutual - & joint knowledge

Page 130: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Common Ground (CG) is one of the key conceptual notions in current research on dialogue:

• critical pre-condition for successful communication• reflects the pool of background knowledge that one can reasonably assume to be shared by the interlocutors on the basis of the (linguistic and non-linguistic) evidence at hand• related notions: common -, mutual - & joint knowledge

Clark‘s (1996) notion of CG (shared basis)

Page 131: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Common Ground (CG) is one of the key conceptual notions in current research on dialogue:

• critical pre-condition for successful communication• reflects the pool of background knowledge that one can reasonably assume to be shared by the interlocutors on the basis of the (linguistic and non-linguistic) evidence at hand• related notions: common -, mutual - & joint knowledge

Clark‘s (1996) notion of CG (shared basis): p is common ground for members of C iff

• every member of C has information that basis b holds

Page 132: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Common Ground (CG) is one of the key conceptual notions in current research on dialogue:

• critical pre-condition for successful communication• reflects the pool of background knowledge that one can reasonably assume to be shared by the interlocutors on the basis of the (linguistic and non-linguistic) evidence at hand• related notions: common -, mutual - & joint knowledge

Clark‘s (1996) notion of CG (shared basis): p is common ground for members of C iff

• every member of C has information that basis b holds,• b indicates to every member of C that every member of C has information that basis b holds

Page 133: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Common Ground (CG) is one of the key conceptual notions in current research on dialogue:

• critical pre-condition for successful communication• reflects the pool of background knowledge that one can reasonably assume to be shared by the interlocutors on the basis of the (linguistic and non-linguistic) evidence at hand• related notions: common -, mutual - & joint knowledge

Clark‘s (1996) notion of CG (shared basis): p is common ground for members of C iff

• every member of C has information that basis b holds,• b indicates to every member of C that every member of C has information that basis b holds, • b indicates to every member of C that p.

Page 134: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment

Page 135: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it

• gets built up automatically,

Page 136: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it

• gets built up automatically, • is used in basic repair mechanisms

Page 137: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it

• gets built up automatically, • is used in basic repair mechanisms• is effective, because with (nearly) aligned situation models, both interlocutors foreground the same information

Page 138: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it

• gets built up automatically, • is used in basic repair mechanisms• is effective, because with (nearly) aligned situation models, both interlocutors foreground the same information• gets extended as the conversation proceeds

Page 139: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it

• gets built up automatically, • is used in basic repair mechanisms• is effective, because with (nearly) aligned situation models, both interlocutors foreground the same information• gets extended as the conversation proceeds

ICG vs. CG:Establishing full CG involves modelling one‘s interlocutors mental state(s): this is unnecessary & costly

Page 140: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it

• gets built up automatically, • is used in basic repair mechanisms• is effective, because with (nearly) aligned situation models, both interlocutors foreground the same information• gets extended as the conversation proceeds

ICG vs. CG:Establishing full CG involves modelling one‘s interlocutors mental state(s): this is unnecessary & costlyInterlocutors go to full CG only when necessary in repairing misalignment when more basic means fail

Page 141: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Implicit common ground (ICG) is information that is shared by the interlocutors due to alignment; it

• gets built up automatically, • is used in basic repair mechanisms• is effective, because with (nearly) aligned situation models, both interlocutors foreground the same information• gets extended as the conversation proceeds

ICG vs. CG:Establishing full CG involves modelling one‘s interlocutors mental state(s): this is unnecessary & costlyInterlocutors go to full CG only when necessary in repairing misalignment when more basic means failThe processes involved when building full CG are specialized & non-automatic

Page 142: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

The use of CG is limited

Page 143: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

The use of CG is limited:

There is evidence that in situations without direct interaction language users do not always take into account full CG during production / comprehension

Page 144: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

The use of CG is limited:

There is evidence that in situations without direct interaction language users do not always take into account full CG during production / comprehension

These findings (and/or alternative explanations) seem to extend to fully interactive dialogue

Page 145: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

The use of CG is limited:

There is evidence that in situations without direct interaction language users do not always take into account full CG during production / comprehension

These findings (and/or alternative explanations) seem to extend to fully interactive dialogue

However, there is evidence that – under certain circumstances – interlocutors do engage in strategic inference based on full CG

Page 146: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

The use of CG is limited:

There is evidence that in situations without direct interaction language users do not always take into account full CG during production / comprehension

These findings (and/or alternative explanations) seem to extend to fully interactive dialogue

However, there is evidence that – under certain circumstances – interlocutors do engage in strategic inference based on full CG

So performing inferences on full CG• is an optional strategy

Page 147: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

The use of CG is limited:

There is evidence that in situations without direct interaction language users do not always take into account full CG during production / comprehension

These findings (and/or alternative explanations) seem to extend to fully interactive dialogue

However, there is evidence that – under certain circumstances – interlocutors do engage in strategic inference based on full CG

So performing inferences on full CG• is an optional strategy• is employed only when resources allow

Page 148: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

The use of CG is limited:

There is evidence that in situations without direct interaction language users do not always take into account full CG during production / comprehension

These findings (and/or alternative explanations) seem to extend to fully interactive dialogue

However, there is evidence that – under certain circumstances – interlocutors do engage in strategic inference based on full CG

So performing inferences on full CG• is an optional strategy• is employed only when resources allow• most simple conversation works without it

Page 149: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG

Page 150: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG; the mechanism relies on two processes:

• checking whether one can interpret the input in relation to one‘s own representation

Page 151: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG; the mechanism relies on two processes:

• checking whether one can interpret the input in relation to one‘s own representation• in case of fail: reformulating the utterance in a way that hopefully leads to establishing ICG

Page 152: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG; the mechanism relies on two processes:

• checking whether one can interpret the input in relation to one‘s own representation• in case of fail: reformulating the utterance in a way that hopefully leads to establishing ICG

Possibilities for reformulation :• repetition with rising intonation

Page 153: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG; the mechanism relies on two processes:

• checking whether one can interpret the input in relation to one‘s own representation• in case of fail: reformulating the utterance in a way that hopefully leads to establishing ICG

Possibilities for reformulation :• repetition with rising intonation • repetition with additional query

Page 154: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG; the mechanism relies on two processes:

• checking whether one can interpret the input in relation to one‘s own representation• in case of fail: reformulating the utterance in a way that hopefully leads to establishing ICG

Possibilities for reformulation :• repetition with rising intonation • repetition with additional query• radical restatement

Page 155: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Improper alignment leads to faulty ICG – a (basic) interactive repair mechanism helps to maintain ICG; the mechanism relies on two processes:

• checking whether one can interpret the input in relation to one‘s own representation• in case of fail: reformulating the utterance in a way that hopefully leads to establishing ICG

Possibilities for reformulation :• repetition with rising intonation • repetition with additional query• radical restatement

This can be regarded as involving a kind of externalized inferencebecause of it‘s dependence on interaction between interlocutors

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The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Situations, where full CG is necessary e.g. • cases of deception

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The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Situations, where full CG is necessary e.g. • cases of deception,

• concealment of information

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The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Situations, where full CG is necessary e.g. • cases of deception,

• concealment of information or • agreeing not to align at some level (situation model)

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The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Situations, where full CG is necessary e.g. • cases of deception,

• concealment of information or • agreeing not to align at some level (situation model)

Maintaining CG may involve complex internalized reasoning that is probably conscious & costly in terms of processing resources

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The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Situations, where full CG is necessary e.g. • cases of deception,

• concealment of information or • agreeing not to align at some level (situation model)

Maintaining CG may involve complex internalized reasoning that is probably conscious & costly in terms of processing resourcesThere may be great differences between people‘s abilitiesHowever: explicit negotiation remains a possibility

Page 161: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Situations, where full CG is necessary e.g. • cases of deception,

• concealment of information or • agreeing not to align at some level (situation model)

Maintaining CG may involve complex internalized reasoning that is probably conscious & costly in terms of processing resourcesThere may be great differences between people‘s abilitiesHowever: explicit negotiation remains a possibility

Claim: such strategic inferences are overlaid on the basic interactive alignment mechanism

Page 162: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Situations, where full CG is necessary e.g. • cases of deception,

• concealment of information or • agreeing not to align at some level (situation model)

Maintaining CG may involve complex internalized reasoning that is probably conscious & costly in terms of processing resourcesThere may be great differences between people‘s abilitiesHowever: explicit negotiation remains a possibility

Claim: such strategic inferences are overlaid on the basic interactive alignment mechanism

Alignment is viewed as a primitive mechanism, not a replacement for more complicated strategies that may be employed

Page 163: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Common ground, misalignment & interactive repair

Situations, where full CG is necessary e.g. • cases of deception,

• concealment of information or • agreeing not to align at some level (situation model)

Maintaining CG may involve complex internalized reasoning that is probably conscious & costly in terms of processing resourcesThere may be great differences between people‘s abilitiesHowever: explicit negotiation remains a possibility

Claim: such strategic inferences are overlaid on the basic interactive alignment mechanism

Alignment is viewed as a primitive mechanism, not a replacement for more complicated strategies that may be employeddialogues may serve more complicated functions than alignment of representations

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

Interlocutors draw upon representations that have been developed during dialogue

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

Interlocutors draw upon representations that have been developed during dialogue

Advantage: it is not necessary to construct representations from scratch

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

Interlocutors draw upon representations that have been developed during dialogue

Advantage: it is not necessary to construct representations from scratch

Prediction: interlocutors develop and use routines during a particular interaction

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

Levelt describes stages involved (conceptualization, formulating the utterance through a series of representations, finally articulation) in language production

Page 169: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

Levelt describes stages involved (conceptualization, formulating the utterance through a series of representations, finally articulation) in language production

His core assumption: the speaker has to go through all the stages; he quotes experimental research to back up this assumption

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

Levelt describes stages involved (conceptualization, formulating the utterance through a series of representations, finally articulation) in language production

His core assumption: the speaker has to go through all the stages; he quotes experimental research to back up this assumption

But it seems to be possible to take short-cuts, to avoid levels of representation in production (as well as in comprehension), e.g. in repeating a whole phrase

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

Levelt describes stages involved (conceptualization, formulating the utterance through a series of representations, finally articulation) in language production

His core assumption: the speaker has to go through all the stages; he quotes experimental research to back up this assumption

But it seems to be possible to take short-cuts, to avoid levels of representation in production (as well as in comprehension), e.g. in repeating a whole phraseEvidence: natural dialogue – unlike monologue – is highly repetitive (example dialogue 82% vs. paragraph in paper 25% of the words)

Page 172: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

Levelt describes stages involved (conceptualization, formulating the utterance through a series of representations, finally articulation) in language production

His core assumption: the speaker has to go through all the stages; he quotes experimental research to back up this assumption

But it seems to be possible to take short-cuts, to avoid levels of representation in production (as well as in comprehension), e.g. in repeating a whole phraseEvidence: natural dialogue – unlike monologue – is highly repetitive (example dialogue 82% vs. paragraph in paper 25% of the words)

Hence, the assumption that repetitions are unusual is a bias

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

A „routine“ is an expression that is „fixed“ to some extent

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

A „routine“ is an expression that is „fixed“ to some extent• it has a higher frequency than the frequency of its component words would lead to expect

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

A „routine“ is an expression that is „fixed“ to some extent• it has a higher frequency than the frequency of its component words would lead to expect• it has a particular analysis at each level of linguistic representation

Page 176: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

A „routine“ is an expression that is „fixed“ to some extent• it has a higher frequency than the frequency of its component words would lead to expect• it has a particular analysis at each level of linguistic representation• highly frequent in dialogue

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

A „routine“ is an expression that is „fixed“ to some extent• it has a higher frequency than the frequency of its component words would lead to expect• it has a particular analysis at each level of linguistic representation• highly frequent in dialogue

„Routinization“ establishes routines on the fly:if an interlocutor uses an expression in a particular way, it may become a routine for the purpose of the conversation

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

A „routine“ can occur because most stretches of dialogue are about restricted topics and therefore have a limited vocabulary

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

A „routine“ can occur because most stretches of dialogue are about restricted topics and therefore have a limited vocabulary

Besides this, routinization is implied by interactive alignment

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

A „routine“ can occur because most stretches of dialogue are about restricted topics and therefore have a limited vocabulary

Besides this, routinization is implied by interactive alignmentA repeated expression (with same analysis and interpretation) is aligned at many levels of representation (lexical, syntactic, semantic)

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

A „routine“ can occur because most stretches of dialogue are about restricted topics and therefore have a limited vocabulary

Besides this, routinization is implied by interactive alignmentA repeated expression (with same analysis and interpretation) is aligned at many levels of representation (lexical, syntactic, semantic)Hence, interlocutors are likely to use the same expressions in the same way, to refer to the same things

Page 182: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

A „routine“ can occur because most stretches of dialogue are about restricted topics and therefore have a limited vocabulary

Besides this, routinization is implied by interactive alignmentA repeated expression (with same analysis and interpretation) is aligned at many levels of representation (lexical, syntactic, semantic)Hence, interlocutors are likely to use the same expressions in the same way, to refer to the same things

Use of routines contributes to the fluency of dialogue; smaller set of alternatives guarantees fast access to particular units

Page 183: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization

A „routine“ can occur because most stretches of dialogue are about restricted topics and therefore have a limited vocabulary

Besides this, routinization is implied by interactive alignmentA repeated expression (with same analysis and interpretation) is aligned at many levels of representation (lexical, syntactic, semantic)Hence, interlocutors are likely to use the same expressions in the same way, to refer to the same things

Use of routines contributes to the fluency of dialogue; smaller set of alternatives guarantees fast access to particular units

Routines seem to be easier to produce than non-routines

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization • Production

Most models of word production assume that the apparent fluency of productionhides a number of stages

Page 185: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization • Production

Most models of word production assume that the apparent fluency of productionhides a number of stages

Evidence for the sequential nature of activation seem to be, e.g., • time-course data

Page 186: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization • Production

Most models of word production assume that the apparent fluency of productionhides a number of stages

Evidence for the sequential nature of activation seem to be, e.g., • time-course data• tip-of-the-tongue data

Page 187: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization • Production

Most models of word production assume that the apparent fluency of productionhides a number of stages

Evidence for the sequential nature of activation seem to be, e.g., • time-course data• tip-of-the-tongue data

The dialogical perspective does not lead to a radically different view of word production – however, contextual activation is likely to have some effects on the time-course of production

Page 188: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization • Production

Most models of word production assume that the apparent fluency of productionhides a number of stages

Evidence for the sequential nature of activation seem to be, e.g., • time-course data• tip-of-the-tongue data

The dialogical perspective does not lead to a radically different view of word production – however, contextual activation is likely to have some effects on the time-course of production

Contrary to models of isolated sentence production, it seems to be possible to break the assumed order (message-> syntactic->phonological->sound) by building a sentence around a particular phrase that has been focused in dialogue

Page 189: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization • Production

Most models of word production assume that the apparent fluency of productionhides a number of stages

Evidence for the sequential nature of activation seem to be, e.g., • time-course data• tip-of-the-tongue data

The dialogical perspective does not lead to a radically different view of word production – however, contextual activation is likely to have some effects on the time-course of production

Contrary to models of isolated sentence production, it seems to be possible to break the assumed order (message-> syntactic->phonological->sound) by building a sentence around a particular phrase that has been focused in dialogue

Effects of strong context, in dialogue or monologue, may be to change the process of production

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization • Comprehension

IAM suggests that lexical comprehension in dialogue is different from monologue

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The Alignment Perspective

Dialogue and Alignment • Alignment and routinization • Comprehension

IAM suggests that lexical comprehension in dialogue is different from monologue

The local context becomes central as a consequence of alignment at the lexical level („dialogue lexicon“)

Page 192: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization • Comprehension

IAM suggests that lexical comprehension in dialogue is different from monologue

The local context becomes central as a consequence of alignment at the lexical level („dialogue lexicon“)

In dialogue, the frequency of an expression should become less important and replaced by accessibility with respect to the local context

Page 193: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization • Comprehension

IAM suggests that lexical comprehension in dialogue is different from monologue

The local context becomes central as a consequence of alignment at the lexical level („dialogue lexicon“)

In dialogue, the frequency of an expression should become less important and replaced by accessibility with respect to the local contextPeople fall back on frequency in monologue because they have no strong context

Page 194: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Alignment and routinization • Comprehension

IAM suggests that lexical comprehension in dialogue is different from monologue

The local context becomes central as a consequence of alignment at the lexical level („dialogue lexicon“)

In dialogue, the frequency of an expression should become less important and replaced by accessibility with respect to the local contextPeople fall back on frequency in monologue because they have no strong context

With respect to lexical ambiguity, it is predicted that effects of meaning frequency can be overridden by context comprehension of routines is like lexical comprehension: frequency and interpretation set by dialogue

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The Alignment Perspective

Dialogue and Alignment • Self-monitoring

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The Alignment Perspective

Dialogue and Alignment • Self-monitoring

Self-monitoring exploits the usual mechanisms of alignment, but „within the speaker“

Page 197: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Self-monitoring

Self-monitoring exploits the usual mechanisms of alignment, but „within the speaker“

All models assume that speakers monitor their own output, (e.g. Levelt)There is an outer loop: monitoring production by using the comprehension system, monitoring actual outputs; compatible with both ATA and IAM

Page 198: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Self-monitoring

Self-monitoring exploits the usual mechanisms of alignment, but „within the speaker“

All models assume that speakers monitor their own output, (e.g. Levelt)There is an outer loop: monitoring production by using the comprehension system, monitoring actual outputs; compatible with both ATA and IAM

Inner loops proposed at the level of phonological and conceptual representation fit with IAM but not with ATA

Page 199: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Self-monitoring

Self-monitoring exploits the usual mechanisms of alignment, but „within the speaker“

All models assume that speakers monitor their own output, (e.g. Levelt)There is an outer loop: monitoring production by using the comprehension system, monitoring actual outputs; compatible with both ATA and IAM

Inner loops proposed at the level of phonological and conceptual representation fit with IAM but not with ATAProposal: speaker performs monitoring at different levels in a way that leads to self-alignment

Page 200: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Self-monitoring

Self-monitoring exploits the usual mechanisms of alignment, but „within the speaker“

All models assume that speakers monitor their own output, (e.g. Levelt)There is an outer loop: monitoring production by using the comprehension system, monitoring actual outputs; compatible with both ATA and IAM

Inner loops proposed at the level of phonological and conceptual representation fit with IAM but not with ATAProposal: speaker performs monitoring at different levels in a way that leads to self-alignmentSelf-correction is similar to repair processes in interaction

Page 201: The Alignment Perspective

The Alignment Perspective

Dialogue and Alignment • Self-monitoring

Self-monitoring exploits the usual mechanisms of alignment, but „within the speaker“

All models assume that speakers monitor their own output, (e.g. Levelt)There is an outer loop: monitoring production by using the comprehension system, monitoring actual outputs; compatible with both ATA and IAM

Inner loops proposed at the level of phonological and conceptual representation fit with IAM but not with ATAProposal: speaker performs monitoring at different levels in a way that leads to self-alignmentSelf-correction is similar to repair processes in interaction

Prediction: monitoring can occur at any level of representation that can be aligned (e.g. syntactic monitoring)

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The Alignment Perspective

Dialogue and Alignment • Self-monitoring

Self-monitoring appears to be a consequence of dialogue – as a by-product of a language processing system that is sufficiently flexible to allow comprehension and production to occur to some extent simultaneously

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The Alignment Perspective

Dialogue and Alignment • Self-monitoring

Self-monitoring appears to be a consequence of dialogue – as a by-product of a language processing system that is sufficiently flexible to allow comprehension and production to occur to some extent simultaneously

Prediction: monitoring should be hard during periods of overlapping speech

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The Alignment Perspective

Dialogue and Alignment • Linguistics

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The Alignment Perspective

Dialogue and Alignment • Linguistics

Formal linguistics has mainly failed to address dialogue

A sketch of how linguistic theory could support dialogue raises two issues:

• the analysis of linked utterances

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The Alignment Perspective

Dialogue and Alignment • Linguistics

Formal linguistics has mainly failed to address dialogue

A sketch of how linguistic theory could support dialogue raises two issues:

• the analysis of linked utterances• the architecture of the language system

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The Alignment Perspective

Dialogue and Alignment • Linguistics • Linked utterances

Chomsky-style grammar treats the contribution of a single speaker as the relevant unit of analysis

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The Alignment Perspective

Chomsky-style grammar treats the contribution of a single speaker as the relevant unit of analysis; this cannot account for:

• syntactic restrictions on well-formed exchanges

Dialogue and Alignment • Linguistics • Linked utterances

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The Alignment Perspective

Chomsky-style grammar treats the contribution of a single speaker as the relevant unit of analysis; this cannot account for:

• syntactic restrictions on well-formed exchanges• syntactic parallelism constraint between turns (elliptical utterances)

Dialogue and Alignment • Linguistics • Linked utterances

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The Alignment Perspective

Chomsky-style grammar treats the contribution of a single speaker as the relevant unit of analysis; this cannot account for:

• syntactic restrictions on well-formed exchanges• syntactic parallelism constraint between turns (elliptical utterances)

IAM predicts parallelism as a general phenomenon, makes use of narrowly linguistic mechanisms in order to explain production and comprehension of linked contributions – no need for complicated mechanisms (e.g. bridging inferences)

Dialogue and Alignment • Linguistics • Linked utterances

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The Alignment Perspective

Chomsky-style grammar treats the contribution of a single speaker as the relevant unit of analysis; this cannot account for:

• syntactic restrictions on well-formed exchanges• syntactic parallelism constraint between turns (elliptical utterances)

IAM predicts parallelism as a general phenomenon, makes use of narrowly linguistic mechanisms in order to explain production and comprehension of linked contributions – no need for complicated mechanisms (e.g. bridging inferences)

Any appropriate grammatical account should be able to deal with non-sentential fragments and allow their interpretation to be integrated into the dialogue contextrequires a flexible notion of constituency

Dialogue and Alignment • Linguistics • Linked utterances

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The Alignment Perspective

IAM assumes independent, but linked representations for syntax, semantics and phonology (at least)

Dialogue and Alignment • Linguistics • Language system

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The Alignment Perspective

IAM assumes independent, but linked representations for syntax, semantics and phonology (at least)

This sits ill with Chomskyan theory, posing a central generative syntactic component, peripheral semantic and phonological systems

Dialogue and Alignment • Linguistics • Language system

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The Alignment Perspective

IAM assumes independent, but linked representations for syntax, semantics and phonology (at least)

This sits ill with Chomskyan theory, posing a central generative syntactic component, peripheral semantic and phonological systems

IAM is compatible with constraint-based approaches, e.g. HPSG, where syntax, semantics and phonology form parts of a multi-dimensional sign

Dialogue and Alignment • Linguistics • Language system

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The Alignment Perspective

IAM assumes independent, but linked representations for syntax, semantics and phonology (at least)

This sits ill with Chomskyan theory, posing a central generative syntactic component, peripheral semantic and phonological systems

IAM is compatible with constraint-based approaches, e.g. HPSG, where syntax, semantics and phonology form parts of a multi-dimensional sign

Jackendoff‘s framework seems like a perfect fit with IAMThe linguistic basis for a psycholinguistic account of dialogue is the integration of a framework that incorporates multiple generative components with a grammar that follows a flexible approach to constituency

Dialogue and Alignment • Linguistics • Language system

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The Alignment Perspective

Dialogue and Monologue

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The Alignment Perspective

Dialogue is seen as the primary setting for language use,dialogic processing as the basic form of language processing

Dialogue and Monologue

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The Alignment Perspective

Dialogue is seen as the primary setting for language use,dialogic processing as the basic form of language processing

Dialogue and monologue have been treated as distinct kinds of language useBut is there a clear-cut distinction or do they range along a dialogic continuum?

Dialogue and Monologue

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The Alignment Perspective

Claim: Interactive activities vary according to the degree of coupling between the agents

Dialogue and Monologue • Degrees of coupling

Page 220: The Alignment Perspective

The Alignment Perspective

Claim: Interactive activities vary according to the degree of coupling between the agents

Different styles of communication vary in the degree of coupling between communicators (e.g. one-to-one intimate conversation vs. giving a lecture)

Dialogue and Monologue • Degrees of coupling

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The Alignment Perspective

Claim: Interactive activities vary according to the degree of coupling between the agents

Different styles of communication vary in the degree of coupling between communicators (e.g. one-to-one intimate conversation vs. giving a lecture)

IAM is developed to account for tightly coupled processing in face-to-face spontaneous dyadic conversation between equals with short contributions

Dialogue and Monologue • Degrees of coupling

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The Alignment Perspective

Claim: Interactive activities vary according to the degree of coupling between the agents

Different styles of communication vary in the degree of coupling between communicators (e.g. one-to-one intimate conversation vs. giving a lecture)

IAM is developed to account for tightly coupled processing in face-to-face spontaneous dyadic conversation between equals with short contributionsAs the conversational setting deviates, alignment becomes less automatic and important

Dialogue and Monologue • Degrees of coupling

Page 223: The Alignment Perspective

The Alignment Perspective

Claim: Interactive activities vary according to the degree of coupling between the agents

Different styles of communication vary in the degree of coupling between communicators (e.g. one-to-one intimate conversation vs. giving a lecture)

IAM is developed to account for tightly coupled processing in face-to-face spontaneous dyadic conversation between equals with short contributionsAs the conversational setting deviates, alignment becomes less automatic and important

True monologue (no feedback) processing – production, as well as comprehension – is difficult

Dialogue and Monologue • Degrees of coupling

Page 224: The Alignment Perspective

The Alignment Perspective

Claim: Interactive activities vary according to the degree of coupling between the agents

Different styles of communication vary in the degree of coupling between communicators (e.g. one-to-one intimate conversation vs. giving a lecture)

IAM is developed to account for tightly coupled processing in face-to-face spontaneous dyadic conversation between equals with short contributionsAs the conversational setting deviates, alignment becomes less automatic and important

True monologue (no feedback) processing – production, as well as comprehension – is difficult

Language users need to develop a range of elaborate strategies (planning, routines; making inferences) to become competent

Dialogue and Monologue • Degrees of coupling

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The Alignment Perspective

Relevance of the IAM for a range of issues beyond dialogue

Implications

Page 226: The Alignment Perspective

The Alignment Perspective

Relevance of the IAM for a range of issues beyond dialogue:

IAM might serve as the basis for accounts of predominantly automatic social interaction more generally (alignment is presumably not purely linguistic): automatic perception-behavior link postulated by social psychologists

Implications

Page 227: The Alignment Perspective

The Alignment Perspective

Relevance of the IAM for a range of issues beyond dialogue:

IAM might serve as the basis for accounts of predominantly automatic social interaction more generally (alignment is presumably not purely linguistic): automatic perception-behavior link postulated by social psychologists

IAM fits well with recent proposals about the central role of imitation within psychological and neuroscientific theory

Implications

Page 228: The Alignment Perspective

The Alignment Perspective

Relevance of the IAM for a range of issues beyond dialogue:

IAM might serve as the basis for accounts of predominantly automatic social interaction more generally (alignment is presumably not purely linguistic): automatic perception-behavior link postulated by social psychologists

IAM fits well with recent proposals about the central role of imitation within psychological and neuroscientific theory

IAM might find application to language acquisition, because alignment underlies occuring imitative processes

Implications

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The Alignment Perspective

Dialogue example & situation

Page 230: The Alignment Perspective

(A)Inst: So, jetzt nimmst du

Well, now you takeCnst: eine Schraube

a screw.Inst: eine <-> orangene mit einem

Schlitz.an <-> orange one with a slit

Cnst: Ja. Yes

The Alignment Perspective

Dialogue example & situation

Page 231: The Alignment Perspective

(A)Inst: So, jetzt nimmst du

Well, now you takeCnst: eine Schraube

a screw.Inst: eine <-> orangene mit einem

Schlitz.an <-> orange one with a slit

Cnst: Ja. Yes

Available Bolts

The Alignment Perspective

Dialogue example & situation

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Previous step : highest coordination peak point

The Alignment Perspective

Dialogue example & situation

Page 233: The Alignment Perspective

(B)

Inst: Und steckst sie dadurch, also

And you put it through there,

let’s see

Cnst: Von oben.

From the top.

Inst: Von oben, daß also die drei festgeschraubt werden dann.

From the top, so that the three bars get fixed.

Cnst: Ja.

Yes.

Intended Junction

Intended Result

The Alignment Perspective

Dialogue example & situation

Page 234: The Alignment Perspective

(A)Inst: Well, now you takeCnst: a screw.Inst: an <-> orange one with a slitCnst: Yes.

(B)Inst: And you put it through there, let’s seeCnst: From the top.Inst: From the top, so that the three bars get fixed.Cnst: Yes.

The Alignment Perspective

Dialogue example & situation

Page 235: The Alignment Perspective

The Alignment Perspective

PhonologicalRepresentation

SyntacticRepresentation

LexicalRepresentation

SemanticRepresentation

PhoneticRepresentation

Situation Model

Message Message

Situation Model

SemanticRepresentation

SyntacticRepresentation

PhonologicalRepresentation

LexicalRepresentation

PhoneticRepresentation

: Channel of alignment

Dialogue example & situation