The 2011 Golden Globe Awards: The American Television and

Entertainment Industries’ Most High Profile Continue to Underscore the Coalition’s Tenacious Resolve to

Democratize Canada and Contain China’s Unlawful Global Ambitions

When the most powerful executives, producers, directors and actors in the United States assemble for another awards broadcast one can

expect much time and effort to be expended to script a show that sends more proof just how committed the partnership is to contain China’s unlawful ambitions and fix institutionally dysfunctionalities in Canada that advance them. For the third year in a row the Golden Globes was a platform to deliver that message to those who still think they can not only hold out against a non-transparent global movement that’s been galvanized against them since 2007 but also when Stage

Two of the reform and accountability undertaking matures into a very public, very demonizing initiative.

The Golden Globe Awards and Academy Awards are two annual opportunities

for the biggest and wealthiest movers and shakers in the movie and TV

industries to state their case about how they envision the 21st century

world. This was documented in early 2009: The Golden Globe Awards: The

American Television and Entertainment Industries’ Most High Profile

Collectively Underscore the Coalition’s Tenacious Resolve to Democratize

Canada and this in early 2010: The Golden Globes: America’s Entertainment

Movers & Shakers Get Diplomatically Coercive Over Discovering Dogville’s

Hosting the Evil-ympics.

Not more than a couple minutes went by before the stage was geo-

politicized. Host Rickie Gervais began with a Blair Maneuver to set the tone

of the event and then cracked a series of jokes and everyone in the East-

West audience, both at the venue and at home, knew what he was saying

with this:

Hugh Hefner[‘s] … getting married to 24 year old beauty [X]. When

she was asked why she was marrying him she said because he lied about his age. He told me [Springsteen M.] he was 94.

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The Springsteen “Times Up” M. was red flagged with a Taylor Identifier and

immediately corroborated by when the director cued the camera on Alec

Baldwin to capture him executing a protracted Pacino M..

When Christian Bale took the stage he effected a very embellished lexiconic

gesture to service the Canadian lawyer’s international persona:

What a bunch of characters at that table right there. [X was] just [O-S M.] fantastic.

Jennifer Lopez and Alec Baldwin took the stage to present an award and the

backdrop used contains a combination coalition identifier and prison

certainty pattern to remind the almost criminally insane what their fate is:

Canada’s most recent superstar musician, Justin Beiber, presented the Best

Animated Feature Film award and producers chose two films in a row to (i)

deliver the same condemnation first articulated by late night comedy host

David Letterman – the sneezing monkey and describe the Chinada

malfeasant as so infantile they have to be educated like children:

DreamWork’s ‘How to Train Your Dragon’: The Need to Teach Chinada

Children to be Grown Ups, the Isolation-Deprivation Theme and Coalition

Confidentiality.

The first included a clip from the recent geo-ed film ‘Despicable Me’ in which

the main character, attired in prison certainty, effects a lexiconic gesture

timed to a coalition-identifying third set of items in a list of demands:

Three, you will not cry, or laugh, or giggle, or [O-S. M] sneeze…

Then comes the clip from the Spielberg-Katzenberg film which was titled to

draw attention to the difference in intellect and sophistication between the

coalition’s partners and the Chinada malfeasant at every level of and at the

top of the chain of command. The clip used was because it contains an

assurance that despite previous shortcomings and inadequacies the

coalition’s now ready to challenge the Chinada threat more aggressively:

“Yea, yea, I’m on it”.

Sylvester Stallone takes the stage to present and effects a Terminator M. to

the scripted description of a movie that’s nominated and which bears directly

on those who govern Canada’s public and private sectors and the almost

insurmountable obstacles the Canadian lawyer faced addressing his

country’s systemic corruption, criminality and human rights abuses:

Dealing with a very dysfunctional family and his own personal conflicts, [X] had the nearly impossible challenge of becoming light and welterweight champion of the world.

Al Pacino’s win for playing “Dr. Death” Jack Kevorkian provided an

opportunity to engage in coercive diplomacy and at the same time service

the Canadian lawyer’s international persona:

It’s a great honor for me to have played such an extraordinary – portrayed such an extraordinary person as [Branson M.] Jack

Kevorkian; you know [Stewart M.] sort of navigate through his life was so much fun and interesting.

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Just after the second gesture the camera’s pointed at Robert De Niro, who

upon appreciating the threatening nature of his colleague’s communiqué

effects a Clooney Maneuver to amplify it:

Steven Spielberg and Tom Hanks, two long-term

coalition partners, watching the diplomacy

When Aaron Sorkin wins for Best Screenplay for his Facebook movie ‘The

Social Network’ there was no doubt he’d take advantage of the opportunity

to fire yet another salvo at those who took direct aim at the earliest genesis

of back-channel diplomacy in January 2004.

I want to thank all the female nominees tonight for helping to demonstrate to my young daughter that ‘elite’ is not a bad word. It’s

an aspirational one. Honey, look around [R-S M.] smart girls have more fund and you’re one of them.

Matt Damon presents Robert DeNiro with the most prestigious honor of the

night: the Cecil B. DeMille Award. Before the living legend delivers his

acceptance speech a montage of his films is broadcast. Producers very

selectively chose a coalition identifying three to start from an extensive

library of hits to deliver several communiqués. The first is from ‘Godfather

II’, seeking to highlight the coalition’s “gangster government” designation

for Canada’s public and complicit private sectors.

Following that is a clip from 1983’s ‘The King of Comedy’, chosen because of

the triple use of the number 6 to engage in Satanic condemnation:

Don’t ask me to do six weeks. I can’t take over the show for six weeks. I can’t even take over my own life for six weeks. You’re asking me to do something that’s important. [to someone off-screen] What!?

Next is from the 1977 ‘New York, New York’. He’s sitting at a table in a

nightclub getting an adverse reaction from a woman who he’s seeking to

date. The dialogue is relevant to what the coalition’s demanded of those in

high political and corporate office about vacating their positions or being

forced out and held to full account for their egregiously unlawful conduct:

Him: I can take a hint. Her: Can you take a walk? Him: Do you want me to leave? I’ll leave right now. Her: Bye.

The montage concludes with a reminder where the almost insane are

headed:

The section of his prepared acceptance speech that was written especially

for the Chinada High Command threatens what the Reform Coalition of

Canada said would happen upon regime change in America’s northern

neighbor:

And the important thing is that we are all in this together – the filmmakers who make the movies and the Hollywood Foreign Press Association members who in turn pose for pictures with the movie stars. [audience laughter] [CBS M.x2] I’m sorry more members of the Foreign Press aren’t with us tonight, but many of them were deported right before the show, along with most of the waiters.

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Aaron Sorkin’s director David Fincher takes the stage and he and the

producer engage in a back-and-forth gesture-athon.

[Cl.M.] When Scott and Amy [Colbert M.] first called me about Aaron’s amazing [Cl.M.] script, I thought this [Colbert M.] was so strange

‘cause I normally make these pitch black studies [Colbert M.] about misanthropes or the occasional movie about serial killers.

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Not only is Aaron effecting a protracted Erin M., but also immediately behind

him an attendee is employing the ‘gun to the temple’ Richie-Santelli M.:

Alicia Keys takes the stage to preview one of the five films nominated in the

Best category and executes a Powell M.:

Paul Giamatti most astonishingly beat out Johnny Depp and the beyond-

extraordinary ‘Alice in Wonderland’. Paul became relevant to coalition,

Reform Coalition and A7AI objectives when his HBO miniseries ‘John Adams’

was rented on DVD. An hour a day of the seven-hour program was

watched with great interest because of the historical parallels the colonists

faced with the British and Canadians face with the Chinese. This e-mail was

sent to an RCC invitee:

I joked to [a friend] early this week I had enrolled in a course: ‘Early American History 101’. I paused to let her ponder this development. I then added “...at the University of Rogers Video”. I rented the critically acclaimed mini-series ‘John Adams’ - the seven-part production that

comprehensively recounts the 18th century genesis of the United States. The attention to detail on all levels is extraordinary. There’s some measure of relevance to what I’ve been working on: seeking to expel a foreign government’s unlawful and unconstitutional interests from Canadian soil and create a democracy out of the ashes of imperialistic domination.

And the script is chalk full from beginning to end of stimulating content giving me the opportunity to employ that which I obtained from my BA

in political philosophy.

After being handed the award by Halle Berry Paul’s acceptance speech

begins with Satanic condemnation – a coalition-identifying three references

to Christ. He adds another coalition identifier and juxtaposes it with a

quantum ratifier when joking about how many free chocolates he ingested.

Then another coalition identifier is used to add another entry in to isolation-

deprivation (romance, love, family) category of diplomacy.

Jesus Christ, Halle Berry. [Eva M.] [audience laughter] Jesus Christ, Jesus Christ, Halle Berry.

I’m a little jacked up ‘cause I age five boxes of the free Godiva chocolates. [audience laughter] I just saw Godiva chocolates. I’ve

never seen [Eva M.] so many Godiva chocolates. [audience laughter]

[…]

Great producer [X] [Eva M.]. Amazing actors to work with. […] I had three wives in this movie [Powell M., Colbert M.] Yea, three wives. […] A trifecta of hotties. [audience laughter]

After also servicing the Canadian lawyer’s international persona Paul ends

with more diplomatic content that’s swiftly taken advantage of by producers.

When he mentions the Canadian city his movie was filmed in by name the

camera’s instructed to pan in on Nicole Kidman to draw attention to her

spring 2004 ‘Dogville’, which constitutes another warning that serious

consequences follow a failure to capitulate to what international law

demands:

And an incredible crew, every single one of the, up in an incredible, beautiful city, Montreal, which I dream about. An incredible place in a great nation [cut to Nicole; attendee: Erin M.] – Canada; and I salute the great nation of Canada and thank you to the Hollywood Foreign

Press.

When the nominations for the Best Female Actor are read out the malfeasant

were so angered by how Nicole was high profiled given that her 2004 film

was a conduit through which the earliest members of the coalition

threatened to militarily execute the Chinada High Command and which was

employed literally thousands of times over the years to remind its

membership of their fate it didn’t stand down its unlawfulness, they engaged

in trademark psycho-pubescence and cut the television feed for a few

seconds.

Like at all the previous award shows, the red carpet is a time when the

lexicon and the communiqués its use generates is paraded in front of the

cameras for the benefit of members of the democracy, rule of law, human

rights and free market community who are watching from home and in-

your-face remind the malfeasant what they’re up against and what they did

is going to cost them everything when the reform and accountability

undertaking crystallizes into meaningful repercussions.

Cameron Diaz

[Canadian prison certainty]

Angelina Jolie

[quantum]

Catherine Zeta-Jones

[quantum]

Sigourney Weaver [quantum]

Amy Adams

[quantum]

Jane Lynch [quantum]

Sandra Bullock [justice]

Fergie

[justice]

Lauren Graham [condemnation]