T&G catalogue 2011

Creating a Dialogue With Photographers

Australian-based T&G Publishing specialises in establishing a creative dialoguewith the acclaimed photographers they publish. Using the finest design and mostadvanced printing practices, T&G are committed to showcasing elite photographicart - emanating from both Australia and worldwide. As a measure of the globalrecognition of the quality of T&G’s creative publishing of photography, Australianartist Max Pam’s “Atlas Monographs” was recently awarded the Best PhotographicBook of the Year, International Category prize at the 2010 PHotoEspañaInternational Festival of Photography and Visual Arts, in Madrid, Spain. T&G haverecently entered into a creative production partnership with the innovativeQueensland Centre for Photography http://www.qcp.org.au/ to publish theirphotographic authors.All T&G photographic books reflect the close collaboration we establish with

the artist, whose body of work is presented in our books. We believe thisrelationship is vital in ensuring that whatever books we publish echo faithfullythe photographer’s vision.T&G Publishing’s catalogue of books and limited editions is highly sought after

world-wide by galleries and major institutions (libraries, museums, state andnational galleries) as well as private and corporate collectors. State-of-the-artproduction values in reproduction, book design and printing apply to all of T&G’stitles. Our special limited edition box sets, however, (marketed in a customized boxcontaining both the book and an original, archival quality print by the artist) have quickly become especially collectible.

Foreign Rights are available on most of our Titles, please contact the publisher.

Contents:

Page 4-15: Forthcoming: Australian Photographers Series

Page 16-19: Forthcoming: International Photographers Series

Page 20-22: Existing Titles

Page 25-28: Limited Editions

Page 29: Forthcoming Limited Editions

0-31: DistributionMAX PAM ATLAS MONOGRAPHS. BEST PHOTOGRAPHY BOOK OF THE YEAR, INTERNATIONAL CATEGORY AT PHOTOESPAÑA2010

© Cover: Lewis Morley, Christine Keeler 1963. Back cover: Max Pam, Eko. Opposite page: Brad Rimmer.

LEWIS MORLEY: I TO EYETHE DEFINITIVE RETROSPECTIVE ON ONE OF THE 20TH CENTURY’S OUTSTANDING PHOTOGRAPHERSIn a career that has spanned some 50 years, Morley has worked withequal ease in theatre, fashion, portraiture, magazine photography anddocumentary reportage. His body of work, particularly his portraits ofkey figures of 1960s London, is highly recognised, and with his iconic1963 photograph of Christine Keeler naked upon a chair, Morleyproduced an image that is probably one of the most memorable (andmost copied) of any photographs at any time.

Much of his work in the ‘60s was devoted to theatre photographyand studio portraits. He became friends with satirist Peter Cook, whooffered him studio space above his nightclub The Establishment.Through Cook he was introduced to London’s entertainment world.The meeting with Cook led to photographing the cast of Beyond theFringe and contributing photographs to Cook’s Private Eye; throughthese connections he also became friends with Australian satiristBarry Humphries, who often performed at The Establishment in theearly Sixties.

In addition to the Keeler portrait, Morley photographed many of the most famous faces of the ‘60s and “Swinging London”, includingSalvador Dali, Somerset Maugham, Joe Orton, Andre Previn, DavidFrost, Peter Cook, Dudley Moore, Tom Jones, Clint Eastwood, JudiDench, Peter O’Toole, Charlotte Rampling, George Melly, Michael Caine,Barry Humphries, and celebrity couples including Felicity Kendal andDrew Henley, John Cleese and Connie Booth, and David Bailey andCatherine Deneuve.

LEWIS MORLEY – I TO EYE will illuminate and crystallise this bodyof work in a career retrospective, incorporating literally hundreds ofphotographs covering all aspects of Morley’s work, from England,

France and the United States, his beginnings in fashion in the 1950sthrough to the personality portraits of the ‘60s and his work of the‘70s, ‘80s and ‘90s.

Overall I TO EYE gives a true picture of Morley’s work, his contextand his influence – a complete portrait of the artist, including manyphotographs never published before. As such, it will be a fittingtestament to an incomparable body of work.

With Essays by Phillip Prodger, Curator of Photography, Peabody EssexMuseum, Massachusetts, US. Gael Newton, Senior Curator of Australianand International Photography, National Gallery of Australia. RobertMcFarlane, Australian Photographer and Critic.

464 pages with over 300 Duotoned and colour photographs with Thumbnails and indepth text about the photographs.

Hardcover with dust jacket24 (W) x 28.6 (D) cm/9.5 x 11 in.ISBN: 978-0-9775790-8-2Photography

AUD$130.00/NZ$150.00/US$130.00/€90.00/£80.00

Available also:Special Collectors Limited Edition, numbered and signed Book and archival print by the photographer in a custom made box.

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AUGUST 2011 RELEASE.

MAX PAM: SUPERTOURISTThis new Max Pam book SUPERTOURIST combines four chapters: Bi-Fold Album V Collage, Old World v New World, Object v Artefact andIslam v Asia. The conceptual thinking behind these areas of enquiry hasproduced a completely new body of work from field trips covering the 4corners of the planet over the past decade. The photographer has usedthe same SUPERTOURIST concept to trawl through his huge archive ofunpublished work. By enfolding unseen work from the past with newproduction we are offered a whole new interpretation of why thisphotographer remains one of the most authentically original and giftedphotographers at work in the world today.

He has used a variety of media and technology – plastic cameras,saturated and overexposed colours, digital prints, colour and black &white, photocopying and apparent accidents. In the words of photocritic Robert Cook, “he has used his knowledge of what it means totake a good picture to give him the latitude to take risks. … Maxcontinually encourages the viewer to interpret objects as revelatoryfragments. Erotic, arch and ironic, SUPERTOURIST takes the viewer on a journey through related arenas of travel, sex, desire and identity.”

In terms of the specifics of his chapter Object v Artefact Pam comments:

“Today I am still THING hungry. But then so is almost everyone else.As a photographer I can amplify this obsession. Things depicted in myphotographs connect to the inner tension of an emotional backstoryspeculating on nowness and about how the world operates right in themoment and what is in it for me. I look for what understandings can bederived from working on photographing a particular object/artefact.Reducing it to its essential power to connect in a satisfying, maximum

use of its presence, its symbolism and metaphor loaded potential,scoping magic realist understandings.”

Sometimes seemingly trivial, always ironic, these are the images,the recollections of the Supertourist, the traveller, the observer.

For that is Max Pam’s definitive strength, his vision, his gift. He is an observer – he captures the moment and more importantly the senseof the moment. The isolation of travel (despite the people he meets),the little things (despite the grand boulevard surrounding it), the viewfrom the room, even his name caught in the spotlight of his camera isan observation.

With Essays by Max Pam and Robert Cook, Curator of Modern and Contemporary Photography and Design, Art Gallery of Western Australia.

336 pages with over 300 colour photographsHardcover with dust jacket24 (W) x 28.6 (D) cm/9.5 x 11 in.ISBN: 978-0-9775790-9-9Photography

AUD$100.00/NZ$120.00/US$100.00/€72.00/£62.00


MAX PAM - Atlas Monographs296 pages with 300+ colour and B/W photographs30.6 (W) x 29 (D) cm / 12 x 11.5 in.Hardcover with dust jacketISBN: 978-0-9775790-4-4See page 20 for more details.

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OCTOBER 2011 RELEASE.

LIMITED EDITION ONE: MAX PAM - ATLAS MONOGRAPHS150 limited boxed edition with silver gelatin print - See page 26 for more details.

Available now:

LIMITED EDITION TWO: MAX PAM - ATLAS MONOGRAPHS50 limited boxed edition with four Type-C prints on Fuji Crystal Archive Flex -See page 27 for more details.

BRAD RIMMER: HOW NOW MAOBrad Rimmer’s HOW NOW MAO is a new chapter in an ongoing visualnarrative informed by the cultural idiosyncrasies of place. Theseimages taken in China are undeniably coloured by a peripheralWestern vision of Eastern culture. However, when seen in context withthe parallel series of the Wheatbelt landscape of Western Australia onebegins to appreciate Rimmer’s acute awareness of his overall objectiveand thematic framework which informs the underlying conceptual linkbetween the two oeuvres.

The palpable sense of isolation so clearly articulated in theAustralian images resurfaces in the Chinese series on multiple levels.The photographer, himself an alien in a foreign land, speaking littleChinese and often relying on interpreters to interact with theenvironment, through these images documents a personal perspectiveof a country’s evolving cultural make-up.

Rimmer’s photographs have an inherent capacity to interweave andcompress multiple readings by focussing on what is excluded from theframe as much as what has been highlighted. The backgrounds areoften simple, everyday settings. The portrait’s initial focus is the sittersuspended momentarily from daily routine. Only through the processof disengaging with the central focus and re-engaging with its singleparts does further meaning evolve and intensify. Rimmer’s attention todetails of location, place, the individual and their personal thoughtsoften creates an uneasy harmony between reality and desire.

These portrayals of places and people are remarkable because ofthe exacting way they capture the essential quality, the sum andsubstance of the subjects and situations. They reveal what we may inmany cases perceive as romantic quasi-idyllic reflections of humanaspirations. The viewer cannot know if answers given to the questions“what is your dream?” and “what makes you happy?” are sincere orotherwise. We must consider that the images are illustrations of apartial reality as much as the text that accompanies them, and thatour own shortcomings in understanding the complex cultural

distinctiveness of Chinese culture adds to the void between reality and concealment.

The inevitable curiosity of the dynamics of an ongoing majorcultural transition in China and the fragments of traditions left in itswake are certainly part of Rimmer’s drive to document and interpretChina’s social landscape. The intimacy of a moment in the life of awaitress, a businessman, a bellboy or an engineer is captured throughthe marriage of image and text, of a perceived reality and a personatruth. Through this coupling these images shed some light on aspectsof modern day China and it’s quest to maintain ties to a historicaluniqueness without prejudice in its rapid evolution towards theindisputable changes that have lead to a revised and shifting identity.

The subjects maintain a reverent stillness and a sense ofimpermanence, a metaphor of human existence subsisting within aworld that is changing more rapidly than ever. Traditional dress,colours, interiors are fast becoming a façade, an iconic reference to atraditional past where China can no longer conform to strict traditionalnotions but at the same time cannot fully escape them. Paola Anselmi.

128 pages with over 100 colour and Duo-toned photographsHardcover with cloth dust jacket24 (W) x 28.6 (D) cm/9.5 x 11 in.ISBN: 978-0-9870790-0-8Photography

AUD$72.00/NZ$90.00/US$70.00/€50.00/£44.00


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OCTOBER 2011 RELEASE.

Brad Rimmer - Silence the Western Australian Wheatbelt96 pages with 51 colour photographs23 (W) x 25.7 (D) cm / 9 x 11 in.HardcoverISBN: 978-0-9775790-6-8See page 20 for more details.

Limited Edition: Brad Rimmer - Silence the Western Australian Wheatbelt50 limited boxed edition with four Type-C prints on Fuji Crystal Archive Flex See page 28 for more details.

Available now:

10

OCTOBER 2011 RELEASE

JOYCE EVANS - MY AUSTRALIAKnown internationally as the ‘doyenne’ of Australian photography,Joyce Evans started her journey in art photography by openingAustralia’s first photographic gallery and bookshop in Church Street,Melbourne in the late 70’s. It showcased the best of Australian andInternational photographers and became Australia’s most innovativegallery with an international reputation. At the gallery she exhibitedworks by Frank Hurley, Bill Henson, Henri Cartier-Bresson, David Moore,Max Dupain and many other renowned photographers.

Evans has had many solo exhibitions of both her landscapes and her portraits throughout Australia and Europe and her photographsare held in many collections. She has spent 10 years documentingAustralia for the National Library, which holds over 350 of her images.

Evans is a two time recipient of the IAPP Print of the Year Awardand has also won the Hassleblad Masters.

Her approach to landscape and to people is one of intense scrutiny.She has that special ability to record her subjects in a particularlyintimate way – whether a mother and child, a silent sunset or a shadowin an empty street – that lifts the image out of the passing moment andinto a realm that is unchanging. Photo edited by Helen Frajman, M.33.

156 pages with over 130 colour and Duo-toned photographsHardcover with dust jacket36 (W) x 29 (D) cm/15 x 11 in.ISBN: 978-0-9870790-2-2Photography

AUD$72.00/NZ$90.00/US$70.00/€50.00/£44.00


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COLIN BEARD - ROCK ‘N ROLL NIGHTSBritish/Australian photographer Colin Beard began his career inAustralia in the 1960's just as Rock ‘n Roll was starting to write thesound track to our lives. As a young, intuitively talented observer,Beard found himself intimately photographing the early careers ofInternational and Australian rock stars who have now attainedlegendary status - the late Jimi Hendrix, Mick Jagger, the WHO,AC/DC, the Easybeats and Sonny & Cher. Colin Beard went on toestablish a distinguished photojournalistic career in the UK andAustralia - publishing several acclaimed books exploring issues asdisparate as the lives of Australian high country horsemen in“Mountain Men”and “Sacred Places in Australia” - subtly observedvisual essays revealing the sites of hidden belief in remote outbackAustralia. ROCK ‘N ROLL NIGHTS is a photographic time capsule fromthe era when rock music and its stellar performers were both young.Colin Beard’s simple, intimate witnessing of this historic period offersa unique testament to an irresistible idea - rock n’ roll - whose timehad come.

128 pages with over 100 colour and duotoned photographsHardcover24 (W) x 28.6 (D) cm/9.5 x 11 in.ISBN: 978-0-9870790-5-3Photography

AUD$66.00/NZ$77.00/US$60.00/€44.00/£38.00


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SEPTEMBER 2011 RELEASE

10X100 - FINEPIX X100 BY 10 AUSTRALIAN PHOTOGRAPHERS

Ten of Australia's finest contemporary photographers have beeninvited to explore their creativity using Fujifilm’s recently developed,compact new generation Finepix X100 digital camera. Lewis Morley,Max Pam, Narelle Autio, Lee Grant, Heidi Smith, Jack Picone, LouiseWhelan, Marian Drew, Brad Rimmer and Tim Page have each exploredtheir personal visions using the Fujifilm Finepix X100. Theseacclaimed ten photographers provide the perfect test for Fujifilm’sinnovative, state of the art digital camera. In creating the FinepixX100, Fujifilm embraced photography's traditions while creating apicture taking instrument departing completely from today’sincreasingly predictable digital cameras. At first glance, the elegantFinepix X100 resembles the great rangefinder film cameras used by such pioneers of the art of photography in the mid 20th Centuryas Henri Cartier-Bresson, but with its unique imaging sensor, speciallycreated lens and hybrid optical/digital viewfinder the X100 isdesigned to surpass the legendary responsiveness of rangefinder film cameras, The beautifully reproduced photographs in this bookreflect Ten Australian Photographers and their visionary responses

to using a remarkable 21st Century camera that is already beinglabelled 'retro-futurist.'.

128 pages with over 100 colour PhotographsHardcover24 (W) x 28.6 (D) cm/9.5 x 11 in.ISBN: 978-0-9870790-1-5Photography

AUD$66.00/NZ$77.00/US$60.00/€44.00/£38.00


10x100=Lewis Morley: Heide Smith:Max Pam: Narelle Autio:Marian Drew: Brad Rimmer:Jack Picone: Lee Grant: Tim Page: Louise Whelan.

13© Lewis Morley, Paris Fashion 1959.

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T&G PUBLISHING/QCP (QUEENSLAND CENTRE FOR PHOTOGRAPHY)

PETER MILNE - NOTES TOWARDS A HISTORY OF AUSTRALIADr. Peter Milne is one of Australia’s most significant journalistic andfine art photographers, with a practice spanning over 25 years. Born inMelbourne, Milne has been widely exhibited and published throughoutAustralia, Japan and the United Kingdom. Milne has previouslypublished a photographic book titled Fish in a Barrel, his own personaldocumentation of Nick Cave and the Bad Seeds on tour. This wellreceived publication was distributed in Australia, the United Kingdomand North America. Milne holds a PhD, along with a Masters in VisualArts and a Bachelor of Visual Arts (Photography). He has lectured inmany Australian universities including the University of Queensland,Queensland University of Technology, and Griffith University. RecentAustralian solo exhibitions include ‘Brief Shining Moment’ (2007 -2009), ‘Running Dogs’ (2009) and ‘Beautiful Lies’ (2009).

Recently, Milne’s latest bodies of work have steered away fromdocumentation towards more subjective, personal expression. Milne’saffection for the narrative combines with his interest in Australianhistory and politics to create theatrical scenes through which theintricate stories of real Australian heroes are told. Milne’s backgroundin journalistic photography gives him a strong respect for the ‘truth’ of reality, so it is with this frame of mind that Milne meticulouslyresearches the lives of the personalities he represents. However, thishistorical ‘truth’ is sieved and reinterpreted through Milne’s vision andthe constructed nature of the photograph. Truth is simultaneouslyrepresented and warped by theatrical dramatisation, which isessentially a lie.

Edited by Maurice Ortega, QCP. Photo edited by Helen Frajman, M.33Contributors: Michael Stone-Richard, Associate Professor + InterimChair Department of Liberal Arts College for Creative Studies.Dr Darren Tofts, Professor of Media & Communications Faculty of Life & Social Sciences Swinburne University of Technology. Dr CourtneyPedersen, Study Area Coordinator, Visual Arts Art and Design, Creative Industries Faculty, Queensland University of Technology.

120 pages with over 100 colour and Duo-toned photographsHardcover30.5 (W) x 25.6 (D) cm/9.5 x 11 in.ISBN: 978-0-9775790-7-5Photography/Art

AUD$66.00/NZ$77.00/US$60.00/€44.00/£38.00

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INTERNATIONAL PHOTOGRAPHERS SERIES.

GILLES PERRIN: WORLDS IN TRANSITIONFor more than thirty years, Gilles has been taking portraits of men,women and children whose culture and traditions will soon disappear.He is only a witness. Through the eyes of the people he photographs, his work is based on a relationship he establishes with the person. Hebelieves in an honest approach. Certain of nothing, he watches theworld with great curiosity and seriousness and he records with hiscamera. Photography allows one to go beyond appearances. That isone of its peculiarities.

When taking a photgraph he explains what he is doing to thesubject and what he will achieve. The subject must be fully consciousof the photographic act which he is about to perform and of therelationship he wants to establish, in order to have an emblematicimage of who they are. He does not steal an instant; he wants to shareit. Dignity is the word. For the last 20 years he has been using instantPolaroid film with a positive and a negative. This technology allowedhim to instantaneously give his subject an original image to keep forthemselves. It is at the very heart of his philosophy. It is impossible tocheat. This gift of the picture is part of the verbal contract betweenthe subject and himself; it is the memory of their meeting and theirtime together.

Gilles works in black and white for aesthetic reasons, the absenceof colour prevents the eye from fragmenting the image. Transcribingthe colourful elements into shades of grey brings a certain drama tothe scene, a luminous intensity which helps with the theatrical aspectof the event he photographs.

Perrin likes to take photographs, to have people pose in theirordinary lives and environment “I want to retain traces of simplethings. Between the Peuls of Niger, the Peruvian peasants, the Surmasof the Omo valley and the fishermen of Ireland or the Finnish farmers,I find no differences , Instead I find common features: their culturesand their traditional ways which are sure to disappear. They will soon

be absorbed by a new developing society based on the need forabsolute and immediate profit and by creating their portraits I canthink of no better way to let them live forever.”

Gilles Perrin positions himself as a documentary photographer, thismeans he finds his place in our society in the way he looks at societyand his photographs are the reflection of a socio-economic realitywhich he visualises with a critical look. The paradoxes, thecontradictions and the ideology of our capitalistic world do not foolhim, and neither does its suicidal logic. He is also a craftsman, anauthor who endeavours to seize the intimate nature of people andtells a story about them, about the world which surrounds him.

136 pagesOver 100 Duotoned single, diptych and triptych photographsClothbound hardcover24 (W) x 23.6 (D) cm/9.5 x 9 in.Languages: English/FrenchISBN: 978-0-9870790-4-6Photography

AUD$66.00/NZ$77.00/US$60.00/€44.00/£38.00


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NOVEMBER 2011 RELEASE.LANGUAGES: FRENCH AND ENGLISH.

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INTERNATIONAL PHOTOGRAPHERS SERIES.

PHILIPPE SALAÜN: THE NEXT MOVEPhilippe Salaün has been a photographer for almost 40 years,alongside his other activity as an independent black and whitephotographic printer. For a long time he principally favoured images ofdaily life, sometimes with a humorous tone, but in recent years he hasbecome increasingly inspired by travel photography, particularlyportraits. He has made several series of photographs in Peru, Bolivia,Mali and Vietnam.

Philippe launched his own workshop on April 1st 1979 specialising inhigh quality black and white printing. He was given a scholarship fromthe National Photographic Foundation of France and went to perfecthis skills in the USA with Ansel Adams, Jerry Uelsmann and at theUniversity of Tucson, Arizona.

Paris determines the focus of much of the work edited into thisbook. In this body of production we witness Philippe introducing us tohis own particular sense of PLACE/MOMENT/SATIRE. Thesesensibilities are of course calibrated by his long and rich relationshipwith the city. The calibration also has a long half-life, as he carries itwith him everywhere he travels and photographs.

His style is made easily accessible to the viewer through itsrecycling consistency. Reflected in the subject matter we also receivethe sense of the photographer, how he may be led astray, how he looksfor love, the moment of grace we all wait for. Philippe is a committedhumanist on a road trip. The walk from his home to the metro, a merefive minutes of movement, is a road trip.

Philippe’s global vision of Paris is that formed by the constantlywalking photographer. He does not sentimentalise its grandeur or mindits toxic elegance. He understands perfectly that Paris is vulnerable tohis sense of satire.

Not all of Philippe’s photos of people flying occur in Paris. HerePhilippe is collaborating with people who feel they cannot remain stillbefore the viewfinder. The compulsion to test the theory of gravityproves too much for them as they wait in his viewfinder. He capturesthem the moment they fly away.

In the journey photographs we get a preview of another huge body ofwork Philippe has accumulated during his various travels over the pasteighteen years.

The photographs of the bulls – often tragic – are a well resolvedcritique of the capricious craziness attending the choreographedhorror of man’s cruelty to animals.

Even as I write this introduction in the depths of a southernhemisphere. I imagine Philippe in Paris as he is walking down RueBeaurepaire in the direction of République, towards his atelier. Asalways, he is amped for the photo, his camera is close at hand. He isnever seeking the illusion of the decisive moment. Rather he waits ashe walks for that moment of grace when the planets of PLACE/MOMENT/SATIRE align. Max Pam.

Book text and photo edit by Max Pam.

160 pagesOver 100 Duotoned photographsSoftcover with dust jacket23 (W) x 23 (D) cm/9 x 9 in.Languages: English/FrenchISBN: 978-0-9870790-3-9Photography

AUD$66.00/NZ$77.00/US$60.00/€44.00/£38.00


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NOVEMBER 2011 RELEASE.LANGUAGES: FRENCH AND ENGLISH.

MAX PAM: ATLAS MONOGRAPHSBEST PHOTOGRAPHY BOOK OF THE YEAR

INTERNATIONAL CATEGORY, PHOTOESPAÑA 2010

Atlas Monographs is a compression of eighttravel journals, beginning with Pam’s most recentwork (Karakoram 2006) and shifting backthrough the decades to his first journals begunin 1970. The journals map, through text, photoand marks on paper his engagement with thecultures he has travelled through. Just asimportantly, the journals provided the engineroom for his development as a photographer, awriter and an artist.

Max Pam is one of Australia's most importantcontemporary photographers. Working as aprofessional since the early 1970s he is among ahandful of Australians to make a substantialimpact on the intensely competitive internationalphotographic scene.

His success is based on a body of provocativeand compellingly intimate images of people fromall over the world. Over the last 30 or so years,he has not swayed with the vagaries of artisticfashion but has retained his commitment to thepower of photography to produce a space ofexchange between subject, viewer andphotographer. By staying true to himself, he hasdeveloped one of the most coherent andstimulating bodies of work in world photographytoday.

In many ways, the book represents a traveldiary, or as Pam describes it, “The book makesthe journey with me and has an immediacy andfreshness that only the intensity of travellingalone can create.”

Overall, this substantial publication with notesgives an emotional, sometimes lyrical, sometimes provocative, always intimate portraitof the artist as much as the people and places hehas witnessed.

Foreword by Max Pam. Essay by noted critic/academic Stephen Muecke, Professor of CulturalStudies at the University of Technology, Sydney,and a Fellow of the Australian Academy of theHumanities.

296 pages with 300+ colour and B/W photographswith fold-out spreads30.6 (W) x 29 (D) cm /12 x 11.5 in.Hardcover with dust jacketAUD$120.00/NZ$120.00/US$90.00/€65.00/£55.00ISBN: 978-0-9775790-4-4Photography/First Edition

SILENCE, THE WESTERN AUSTRALIAN WHEATBELT:BRAD RIMMER“I was worried about revisiting my old home and going inside the house, but I had no realconnection at all. Everything that was in mymind had gone and I felt a strange relief. On myway out of town that evening I thought of howmany people had left and never returned, justleft for good. I’d never thought about thatbefore,” Brad Rimmer.

Silence is Brad Rimmer’s intensely personaland sometimes painful monograph of life in theonce-thriving wheatbelt towns of WesternAustralia. Born in Wyalkatchem in 1962 Rimmerchose at nineteen to escape what he saw then as a bleak future. In Silence, he presents imagesthat capture the region’s permeating dust, heatand isolation negotiating a delicate balancebetween hope and despair in his frank portraitsof those who remain.

Brad Rimmer has won the City of Perth PhotoImage Award three times and in 1997 tooksecond place in the Santa Fe Assignment EarthPrize for Photography in the USA. His work hasbeen shown in international solo exhibitionsincluding the 2005 UWA Perth International ArtsFestival, the 2004, 2005 and 2008 Pingyao andthe 2006 Lianzhou International Photo Festivalsin China, the 2006 Brighton Photo Biennial inthe UK, Kaunas Photo 08 in Lithuania, andPhotoforum PasquArt in Biel/Bienne,Switzerland. In 2009 he was awarded a Mid-Career Fellowship from the Western AustralianDepartment of Culture and the Arts to publishSilence. Rimmer is currently based in Perth.

Edited by Fiona Upward. Essays by Susan Bright and Paola Anselmi.

96 pages with 51 colour photographs 23 (W) x 25.7 (D) cm /9 x 11 in.HardcoverAUD$55.00/NZ$60.00/US$50.00/€36.00/£35.00ISBN: 978-0-9775790-6-8Photography/First Edition

WAR: A Degree South Collection #1°SOUTH also called ‘Degree South’, is a photo-graphic collective of Australia’s most creative andaward-winning documentary photographers whohave covered conflicts from Vietnam to presentday Afghanistan.

The collection of images in War – A DegreeSouth Collection #1 truly illustrates that war isthe disease of humanity. There has never been atime that it didn’t exist. Once the battlefield wasthe place of devastation. Now it is streets, alley-ways, schools and places of worship. People andplaces are no longer protected or sacred.

The photographs share a defining messagetaking us on a haunting journey through thehuman scars of war to shine a light on thetragedy that occurs when ordinary folk arecaught up in situations in which they can affectno change. Capturing these images in the midstof war and conflict is by no means a task for thefaint hearted.

These photographers live a very uniquelifestyle and often perform at great risk to them-selves to tell the story. The premise of °SOUTH isto record ‘evidence’ in a fair, truthful and informa-tive way, following in the great Australian tradi-tion of Frank Hurley, Hubert Wilkins, George Silk,Max Dupain and Damien Parer.

These remarkable photojournalists came to-gether under the name of °SOUTH to collaborateand share their experiences rather than compete.They have all worked independently, free fromcommercial influences, all are acclaimed and allhave dedicated their careers to recording whatthey see in a fair, truthful and informative way.Their stories of struggle, hope, aspirations andtraditions is how they have “gathered evidence”that will hopefully influence public opinion, be ofhistorical significance and create social change.

The Photographers are as follows:Tim Page, David Dare Parker, Ben Bohane,Stephen Dupont, Jack Picone, Michael Coyne,Ashley Gilbertson and Sean Flynn (HonoraryMember & Absent Friend)

Contributors: Shaune Lakin and Tim Page

132 pages with 64 colour and B/W photographs 30.7 (W) x 29.4 (D) cm /12 x 11.5 in.Hardcover with dust jacketAUD$70.00/NZ$100.00/US$69.00/€51.00/£43.00ISBN: 978-0-9775790-5-1Photography/First Edition

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VOLCANO: Photographs by Peter EllistonVolcano is a stunning collection of photographsby Peter Elliston that capture the lives of the peo-ple who live in the shadows of the planet’s volca-noes as well as the breathtaking landscapes ofboth extinct and active volcanoes in Chile, Hawaii,Indonesia, India, Italy, Japan, PNG, Tanzania andVanuatu. The book also includes remarkable im-ages from an ascent of the active volcano OlDoinyo Lengai in Tanzania.

Peter Elliston has climbed many volcanoesto add to his portfolio of photographs, some-times at great personal risk. The photographs are not just about the beauty and majesty of volcanoes but also refer to the presence of mod-ern visitors and ancient worshipers like the Incasin South America.

Peter Elliston has been involved with photog-raphy since the age of twelve. His work is in vari-ous major collections, including the NationalGallery of Australia, the Art Gallery of New SouthWales, the Bibliotheque Nationale in Paris, theVictoria and Albert Museum London, and theUCR California Museum of Photography. His workhas been shown extensively, with many solo exhi-bitions. He is the author of Stones and Marks(Lodima Press, 2004), a journey in photographsand text to ancient monuments around the world.An earlier collection of his work was published byHeinemann in 1979.

Born near Melbourne, he lives in Sydney withhis wife Jane. Elliston holds a PhD in Physicsfrom Monash University and for 25 years wassenior lecturer in Physics at the University ofNew South Wales.

Text by Peter Elliston.

88 pages with 82 colour photographs with fold-out spreads28 (W) x 24 (D) cm /11 x 9.5 in.SoftcoverAUD$30.00/NZ$35.00/US$30.00/€22.00/£20.00ISBN: 978-09775790-1-3Photography/First Edition

THE WINDMILL COLLECTION:Photographs by Rose & Emma Windmill.The Windmill Sisters’ collection comprises approximately 1000 images depicting scenes and people in Victoria from 1913 to around1940,an interesting and important historical collectionmade particularly valuable by Emma Windmill’sdocumentation of individual images.

These rare photographs, never publishedbefore, present a charming portrait of timesgone by, an Australian ambience that no longerexists. The Collection comprises vignettes offamily and social life in the years between thefirst and second world wars in Victoria. Thephotographs also provide the viewer with anopportunity to see what life was like at that time,the emotional landscapes of cities and townsthat are today dramatically altered by themodernisation of life.

Looking over this vast repository of images is like clearing the mist over the people whoinhabit them, watching as they go on holidays,picnics, or pose in gardens with friends. We canbe grateful to the Windmill sisters for revealing a glimpse of their lives and sharing their love ofphotography.

Based on interviews with descendants of theWindmill family, Peter has garnered familymementos and anecdotes about the Windmillphotographers to provide a fascinating insightinto the lives and attitudes of this period inAustralia’s history. The book also discusses thephotographic techniques used at the time.

Emma and Rose Windmill were two sisters(out of six children) with a love of photographywho took countless photographs between 1913and the 1940s. Born into a typical early 19th Century family, the sisters who never married enjoyed a full life living at their parents’ house inGeelong, west of Melbourne Photography wasan everyday part of their lives. Theirphotography was not political, but the work oftwo women who enjoyed using a camera withoutpretence to art or social comment,unencumbered by formalist notions.

Author Peter Elliston. Edited by Diane Jardine and Clare Vane-Tempest

120 page with 114 photographs printed in Duotone30.5 (W) x 29.4 (D) cm /12 x 11.5 in.Cloth bound hardcover with French fold dust jacketAUD$45.00/NZ$48.00/US$50.00/€36.00/£30.00ISBN: 978-09775790-3-7Photography/First Edition

DISTRIBUTED BY T&G FORWHITE RABBIT AND M.33

NOTES FROM THE MISSISSIPPI DELTA:NATHAN MILLERNathan Miller travelled to the Mississippi Delta insearch of the cradle of the Blues and describeshis project as the “visual notes of a traveller witha camera passing through”. In these evocativeblack and white photographs he builds a broadcultural landscape taking in legendary bluesmenBig Jack Johnson, T-Model Ford and drummerSam Carr relaxing and playing in juke joints andclubs such as “Ground Zero” and “Reds” inClarksdale, as well as barbershops, Sundaychurch gatherings, roadside memorials and thesurrounding countryside with its landscape atonce redolent of the past and marked by theexcesses of the twenty first century.

“Perhaps what is so striking about theseimages is their freshness. This is what he cameto see and it is almost as though he is surprisedto have found it. So surprised – and delightedeven that he documented his experience as avalidation of sorts. Almost a “aha” moment of“Yes, the blues is real”.

Introduction by Shelley Ritter, Director of the Delta Blues Museum, Mississippi. Photo edited by Helen Frajman, M.33.

132 pages, 60 quadtone photographs250 x 250 mm /10 x 10 in.ISBN: 978-06464855-9-1

Softcover:AUD$35.00/NZ$46.00/US$35.00/€26.00/£22.00

Hardcover with dust jacket:AUD$55.00/NZ$72.00/US$55.00/€42.00/£35.00

Limited Edition:Cloth bound hardcover housed in cloth bound slip case. Edition signed and numbered, Edition of 100.

AUD$90.00/NZ$90.00US$90.00/€66.00/£55.00Photography/First Edition

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RAY COOK PHOTOGRAPHS:Diary of a Fortunate ManRay Cook is one of Australia's most influentialand significant photo-media artists. His practicespans twenty years, and is characterised by hisinnovative experimentation with photographictableaux and hand-toned prints.

This publication is the first monograph of RayCook's work, presenting his practice from earlyexplorations to his later serial works. It containstexts by Alasdair Foster, David Broker, TimothyMorrell and the artist himself, with a foreword by QCP's director Maurice Ortega.

72 pages, 60 colour photographs350 x 350 mm/14 x 14 in. HardcoverAUD$55.00/NZ$60.00/US$49.00/€37.00/£32.00ISBN: 978-09757720-3-4Photography/Art/First Edition

JOACHIM FROESE: Photographs/Fotografien 1999–2008Joachim Froese photographs 1999–2008 is thefirst monograph of Froese’s work, presenting fiveof his still-life photographic series. This 100-pagehardcover bilingual (English/German) book con-tains essays by Timothy Morrell, Andrea Domesleand a conversation between Ian Friend and theartist, and a foreword by Gordon Craig.

Over the last 10 years Froese’s work has concentrated on the photographic still life and he has developed a unique way to create photo-graphic tableaux. These laboriously assembledconstructs are inspired by art history as well ashis personal story of migration. They seeminglydefy reality and question the inherent nature of the photographic image as a reflection of the real.

100 pages, 77 colour and B/W photographs250 x 350 mm/10 x 14 in. Hardcover with dust jacketLanguages: English/GermanAUD$55.00/NZ$60.00/US$49.00/€37.00/£32.00ISBN: 978-09757720-5-8Photography/Art/First Edition

MARTIN SMITH: Photographs - in response to...Martin Smith is one of Australia's most promisingphoto-media artists. He has exhibited extensivelyin Australia and his work has been featured atPhoto Los Angeles the past two years.

This publication is the first monograph of Martin Smith's work, presenting his series In response to... in context of his earlier works. Essays by Karra Rees (curator, Centre for Contemporary Photography), Charles Robb, and the artist himself, with a foreword by David MacCormack.

56 pages, 40 colour photographs320 x 320mm/12.6 x 12.6 in. Hardcover with dust jacketAUD$55.00/NZ$60.00/US$49.00/€37.00/£32.00ISBN: 978-09757720-4-1Photography/Art/First Edition

RENATA BUZIAK: AfterimageFeaturing the highly innovative and experimentalwork of Renata Buziak, the first in a series ofsmaller monographs. This 48-page bilingual(English/Polish) book includes all of Buziak’ Afterimage series, as well as a comprehensiveessay by Dr Victoria Garnons-Williams and a fore-word by renowned American author Lyle Rexer.

Dr. Victoria Garnons-Williams lectures atQueensland University of Technology in the Creative industries Faculty. She was the recipientof a QUT Vice-Chancellor’s Performance Award in2009 for her outstanding work in the FacultyCore unit, Photomedia and Artistic Practice.

Lyle Rexer is an independent scholar, criticand curator based in Brooklyn, New York. He isthe author of several books, including "The Edgeof Vision: The Rise of Abstraction in Photogra-phy". He writes for many magazines in the UnitedStates and internationally and is a contributingcolumnist to Photograph Magazine. He teaches atthe School of Visual Arts in New York.

48 pages, 38 colour photographs210 x 210 mm/8 x 8 in. HardcoverLanguages: English/PolishAUD$35.00/NZ$46.00/US$34.00/€26.00/£21.00ISBN: 978-09757720-6-5Photography/Art/First Edition

MARIAN DREW: Photography + Video WorksMarian Drew is one of Australia's most influentialand significant photo-media artists. Her practicehas spanned more than twenty years, and ischaracterised by innovative photo-media explo-rations.

This publication is the first monograph of Marian Drew's work, presenting a survey of herpractice from 1983-2006. It contains texts by DrCaroline Jordan, Anne Kirker, Dr Brigitta Olubas,Russell Storer and the artist, with a foreword byinternationally renowned art theoritician Geof-frey Batchen. The publication includes a DVDwith a selection of Drew's video works, two docu-mentaries by Alex Chomicz and an interview withthe artist by Kris Carlon.

The writers have examined Drew's practicethrough her exploration of landscape, perform-ance, time, collaboration and the still-life, whilethe artist discusses her relationship to drawingand video.

Foreword by Geoffrey Batchen

100 pages, 89 colour and B/W photographs247 x 288 mm/10 x 11 in. HardcoverAUD$55.00/NZ$60.00/US$49.00/€37.00/£32.00ISBN: 978-09757720-1-0Photography/Art/Video/First Edition

DISTRIBUTED BY T&G FOR QCP Queensland Centre for Photography

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Award-winning fine photography book publisher T&G Publishing (Sydney, Australia) has established

a global reputation for publishing high-quality photography art books and Limited Edition Collector’s editions.

T&G's books are the result of a close collaboration with the artist and the publisher and are designed to showcase the

talent of Australian and International photographers to a global audience.

SPECIAL EDITIONS

1.EDITION ONE: MAX PAM - ATLAS MONOGRAPHS150 LIMITED BOXED EDITION WITH SILVER GELATIN PRINT

PAGE 26

2.EDITION TWO: MAX PAM - ATLAS MONOGRAPHS50 LIMITED BOXED EDITION WITH FOUR TYPE-C PRINTS

PAGE 27

3.BRAD RIMMER - SILENCE: THE WESTERN AUSTRALIAN WHEATBELT

50 LIMITED BOXED EDITION WITH TWO TYPE-C PRINTS

PAGE 28

FORTHCOMING EDITIONSPAGE 29

©Max Pam, Jack and Lusitania, London 1991.

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1.EDITION ONE:MAX PAM - ATLAS MONOGRAPHS150 LIMITED BOXED EDITION WITH SILVER GELATIN PRINT

BEST PHOTOGRAPHY BOOK OF THE YEAR


Atlas Monographs, with foreword by Max Pam and essay by criticand academic Professor Stephen Muecke, compresses eight traveljournals, beginning with Pam’s recent work (Karakoram 2006) andshifting back through the decades to his first journals begun in1970. The journals map, through text, photo and marks on paper,nearly forty years of engagement with the cultures Max Pam hastravelled through. The result is a revealing and intimate explorationof the life of this world-acclaimed Australian photographer.

The limited edition of Atlas Monographs includes:• Atlas Monographs, T&G Publishing, Sydney. 2009. Hardcover bookwith dust jacket. 30.5 x 29.5 cm /12 x 11.6 in. Over 300 colour and monotone photographs, 50 pages of illustration, 15,000 words of text, including index. Numbered and signed by the photographer.

• A Certificate of Authenticity, signed and numbered with edition.• Custom-made box case (47 x 37 x 6.5 cm/18 x 14 x 3 in).• One hand-printed silver gelatin print (40.6 x 30.5cm/12 x 16 in) numbered and signed by the photographer, in polyester sleeve, contained in a purpose-designed case-bound portfolio.

• Cotton gloves to safeguard print while handling.

This black and white silver gelatin print of Waterfront, Dar-es-Salaam, 1996 is hand printed, signed and numbered by Max Pam. It is presented in an archive-quality stable, inert 75-micron polyester sleeve that is guaranteed not to reactchemically with contents.

Edition One: of 150 collectors box editions:Australia: $1,760.00 includes GSTUnited States: $1,600.00 (NR)Europe: €1,200.00United Kingdom: £1,000.00

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2.EDITION TWO:MAX PAM - ATLAS MONOGRAPHSLIMITED BOXED EDITION WITH FOUR TYPE-C PRINTS

BEST PHOTOGRAPHY BOOK OF THE YEAR


Atlas Monographs, with foreword by Max Pam and essay by criticand academic Professor Stephen Muecke, compresses eight traveljournals, beginning with Pam’s recent work (Karakoram 2006) andshifting back through the decades to his first journals begun in1970. The journals map, through text, photo and marks on paper,nearly forty years of engagement with the cultures Max Pam hastravelled through. The result is a revealing and intimate explorationof the life of this world-acclaimed Australian photographer.

The limited edition of Atlas Monographs includes:• Atlas Monographs, T&G Publishing, Sydney. 2009. Hardcover bookwith dust jacket. 30.5 x 29.5 cm /12 x 11.6 in. Over 300 colour and monotone photographs, 50 pages of illustration, 15,000 words of text, including index. Numbered and signed by the photographer.

• A Certificate of Authenticity, signed and numbered with edition.• Custom-made box case (47 x 37 x 6.5 cm/18 x 14 x 3 in).Four Type-C prints on Fuji Crystal Archive Flex (40.6 x 30.5 cm / 12 x 16 in) numbered and signed by the photographer, in polyester sleeves, contained in a purpose-designed case-bound portfolio.


Type-C prints on Fuji Crystal Archive Flex of the Opera singer,Manila, 1982. The neckline of Ping, Manila, 1981. Ping, Manila, 1981.Two Chinese boys, Xian, 1986. Selected for both its exceptional ability to faithfully reproduce rich and intense colours and its highresistance to fading and yellowing. It is presented in an archive-quality stable, inert 75-micron polyester sleeve that is guaranteed not to react chemically with contents.

Edition TWO: of 50 collectors box editions (+5 APs, on request):Australia: $2,200.00 includes GSTUnited States: $2,000.00 (NR)Europe: €1,500.00United kingdom: £1,200.00

Proudly sponsored by: www.fujifilm.com.au

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BRAD RIMMER - SILENCE: THE WESTERN AUSTRALIAN WHEATBELTLIMITED BOXED EDITION WITH TWO TYPE-C PRINTS

After more than two decades of international exhibition in the US, Europe and China, Brad Rimmer explores where he camefrom in Silence: the Western Australian wheatbelt. Born inWyalkatchem in 1962, Rimmer chose at nineteen to escape whathe saw then as a bleak future in the once-thriving wheatbeltregion of Western Australia. Silence, with essays by Susan Brightand Paola Anselmi, is an intensely personal and sometimespainful monograph. Rimmer presents images that capture theregion’s permeating dust, heat and isolation and negotiates adelicate balance between hope and despair in his frank portraitsof those who remain.

The limited edition of 50 boxed sets of Silence: The Western Australian Wheatbelt includes:• Silence: the Western Australian wheatbelt, T&G Publishing,

Sydney. 2010. Hardcover book 23 x 25.6 cm / 9 x 10 in. 96 pages, 51 colour photographs. Introduction by Brad Rimmer. Essays by Susan Bright and Paola Anselmi. Numbered and signed by the photographer.

• A Certificate of Authenticity, signed and numbered with edition.

• Custom-made box case (30 x 38.5 x 6.5 cm /12 x 15 x 2.5 in).• Two Type-C prints on Fuji Crystal Archive Flex

(28 x 35.6 cm /11 x 14 in) numbered and signed by the photographer, in polyester sleeves.


Type-C prints on Fuji Crystal Archive Flex of Jess, Wyalkatchem,Summer 2005/06. Dowerin, Autumn 2005. Selected for both itsexceptional ability to faithfully reproduce rich and intense coloursand its high resistance to fading and yellowing. It is presented inan archive-quality stable, inert 75-micron polyester sleeve that isguaranteed not to react chemically with contents.

Edition of 50 collectors box editions (+6 APs, on request):Australia: $825.00 includes GSTUnited States: $750.00 (NR)Europe: €550.00United Kingdom: £460.00

Proudly sponsored by: www.fujifilm.com.au

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29

FORTHCOMING - LIMITED EDITIONS:

LEWIS MORLEY - I TO EYE150 LIMITED BOXED EDITION WITH ONE TYPE-C PRINTS 40.6 x 30.5 cm / 12 x 16 in.

MAX PAM - SUPERTOURIST50 LIMITED BOXED EDITION WITH FOUR TYPE-C PRINTS 40.6 x 30.5 cm / 12 x 16 in.

BRAD RIMMER - HOW NOW MAO50 LIMITED BOXED EDITION WITH FOUR TYPE-C PRINTS 28 x 35.6 cm / 11 x 14 in.

JOYCE EVANS - MY AUSTRALIA50 LIMITED BOXED EDITION WITH FOUR TYPE-C PRINTS 40.6 x 30.5 cm / 12 x 16 in.

COLIN BEARD - ROCK ‘N ROLL NIGHTS50 LIMITED BOXED EDITION WITH TWO TYPE-C PRINTS 28 x 35.6 cm / 11 x 14 in.

10X100 - FINEPIX X100 BY 10 AUSTRALIA PHOTOGRAPHERS

20 EDITION BY ONE PRINT OF EACH OF THE 10 PHOTOGRAPHERS

LIMITED BOXED EDITION WITH ONE TYPE-C PRINTS 40.6 x 30.5 cm / 12 x 16 in.

10 EDITION BY ONE OF EACH OF THE 10 PHOTOGRAPHERS

LIMITED BOXED EDITION WITH ONE TYPE-C PRINTS 40.6 x 30.5 cm / 12 x 16 in.

INTERNATIONAL PHOTOGRAPHERS SERIES:

GILLES PERRIN: WORLDS IN TRANSITION30 LIMITED BOXED EDITION WITH TWO SILVER GELATIN PRINTS 28 x 35.6 cm / 11 x 14 in.

PHILIPPE SALAÜN: THE NEXT MOVE30 LIMITED BOXED EDITION WITH TWO SILVER GELATIN PRINTS 28 x 35.6 cm / 11 x 14 in.

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T&G catalogue 2011

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