TECHNOSONICS - Bussigel€¦ · 01/07/2017  · Wilson 402 LABS Labs will start the "rst full week...

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TECHNOSONICS 1

Transcript of TECHNOSONICS - Bussigel€¦ · 01/07/2017  · Wilson 402 LABS Labs will start the "rst full week...

Page 1: TECHNOSONICS - Bussigel€¦ · 01/07/2017  · Wilson 402 LABS Labs will start the "rst full week (next week) New Cabell Hall 268. ATTENDANCE 23 Attendance is required for both the

TECHNOSONICS

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How would you describe this sound to someone who is not here?

How have hand-held computers influenced the way we experience music?

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What music might I create for this giant ensemble of “smartphones”?

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How would you describe this sound to someone who is not here?

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How would you describe this sound to someone who is not here?

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ACOUSTICS AND AUDIO

What is sound? How is it recorded? How is it synthesized?

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How have hand-held computers influenced the way we experience music?

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How have hand-held computers influenced the way we experience music?

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ELECTRONIC MUSIC HISTORY

specific technologies musical ideas

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What music could I create for this giant ensemble of smartphones?

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What music could I create for this giant ensemble of smartphones?

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COMPUTER MUSIC PRODUCTION

techniques for organizing sound using computers

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Lab Instructors

Mondays Alex Christie [email protected]

Tuesdays Ben Robertson [email protected]

Wednesdays Becky Brown [email protected]

Thursdays Kevin Davis [email protected]

Fridays Heather Mease [email protected]

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ACOUSTICS AND AUDIO

ELECTRONIC MUSIC HISTORY

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COMPUTER MUSIC PRODUCTION

What is sound? How is it recorded? How is it synthesized?

specific technologies musical ideas

techniques for organizing sound using computers

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MUSIC TECHNOLOGY

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MUSIC TECHNOLOGY

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Donna Summer & Giorgio Moroder

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Daphne Oram

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Maria Chavez

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GOALS

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To develop both critical and constructive perspectives on the interplay

of sound and technology

To experiment with various approaches to organizing sound and

composing electronic music

To build the conceptual and technical skills to better make and

appreciate electronic music

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COURSE WEBSITE

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www.technosonics.info

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LECTURES

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Mondays and Wednesdays from 11:00 - 11:50

Wilson 402

LABS

Labs will start the first full week (next week)

New Cabell Hall 268

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ATTENDANCE

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Attendance is required for both the lectures and lab/discussion sections.

exam material will be pulled primarily from the lectures.

Attendance will be taken in weekly lab sessions.

Outside of class: attend at least one concert/show/exhibition of electronic/computer music and do a short write-up.

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REQUIREMENTS

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Weekly Reading/Listening Assignments (website)

Short Concert Write Up (~1000 words)

Midterm (10.18) and Final Exam (12.04)

Lab Projects (3)

Final Project

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ASSESSMENT

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sound projects ………..……… 

final project …………………..

final exam ………………….…

midterm ……………………….

concert write-up ……………..

lab section grade …………….

30% (5, 10, 15)

20%

15%

10%

10%

15%

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MATERIALS

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Headphones (over-ear headphones, not ear buds)

USB data drive (at least 4GB)

Holmes, Thom. Electronic and Experimental Music: Technology, Music,

and Culture. Fourth Edition. Routledge Press. (recommended)

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Questions?

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Holly Herndon — Chorus