Teaching & Examination Scheme DIPLOMA (ONE YEAR), … · Practical based on Gemmology - 5 5 4 6 70...

APPENDIX ‘A’ Teaching & Examination Scheme

DIPLOMA (ONE YEAR), ADVANCE DIPLOMA (TWO YEARS), BACHLOR OF VOCATION (B. Voc)

Designer Jewellery Making (THREE YEARS DEGREE COURSE – SEMESTER PATTERN)

B. Voc. (Semester I) A] General Education Component Credits: 12 Sr. No.

Subject Teaching Scheme Hrs / Week

Examination scheme

Theory Practical

Cre

dits

The

ory

Per

iod

Pr

Per

iod

Tot

al

Per

iods

Dur

atio

n

Hrs

Max

Th.

Max

IA

Tot

al

Min

Pas

s

Du

Hrs

Max

Mar

Pr.

Min

Pas

s

Mar

.

Tot

al M

arks

Th.

Pr.

IA

1. English and Communicative English –I

4 4 - 4 3 70 30 100 40 - - - 100

2. Soft Skill Development –I

4 4 - 4 3 70 30 100 40 - - - 100

3. Aptitude development –I

4 4 - 4 3 70 30 100 40 - - - 100

Total 12 12 - 12 - 210 90 300 120 - - - 300

B] Skill Development ComponentCredits: 18

Sr. No.

Theory Paper/ Practical

Subjects

Teaching Scheme(Hrs/Week)

Credits

Examination Scheme

Th Pr. Total Duration

(Hrs)

Max. Marks Total Marks

Min. Passing Marks

External Marks (Th)

Internal Marks

(IA) Th. Pr.

1 Paper - I Applied Jewellery Design

4 - 4 4 3 70 30 100 40 -

2 Paper - II Jewellery Workshop Techniques

4 - 4 4 3 70 30 100 40 -

3 Practical-I

Practical based on Applied Jewellery Design - I

- 5 5 4 6 70 30 100 - 40

4 Practical-II-

Practical based on Jewellery Workshop Techniques

- 5 5 4 6 70 30 100 - 40

5

Field work workshops /seminars/Project/ Report Writing / Production

- - - - 2 - - 50 50 - 20

Total 8 10 18 18 - 280 170 450 80 100

Note: 1. Th = Theory; Pr = Practical; WS=Workshops/ LB=labs/ PR=Production/FW=Field Work/INT=Internship IA = Internal Assessment.

2. Minimum marks for passing will be 40% of the total marks allotted to that paper / practical. 3 Credit Calculations One credit would mean equivalent of 15 periods of 60 minutes each, for Theory & Practical’s. For internship/ Field work, the Credit Weightege for equivalent hours shall be 50% of that for lectures.

The strength of Batch of Practical /Workshop / internship / Field visit / production for Under Graduates classes shall be 16 with an additional; of 10% with the permission of Hon’ble Vice-Chancellor.



(THREE YEARS DEGREE COURSE – SEMESTER PATTERN)

B. Voc. (Semester II) A] General Education Component Credits: 12 Sr. No.


Examination scheme

Theory Practical

Cre

dits

The

ory

Per

iod

Pr

Per

iod

Tot

al

Per

iods

Du

Hrs

Max

Th.

Max

IA

Tot

al

Min

Pas

s

Du

Hrs

Max

Mar

Pr.

Min

Pas

s

Mar

.

Tot

al M

arks

Th.

Pr.

IA

1. English and Communicative English –II

4 4 - 4 3 70 30 100

40 - - - 100

2. Soft Skill Development –II

4 4 - 4 3 70 30 100

40 - - - 100

3. Aptitude development –II

4 4 - 4 3 70 30 100

40 - - - 100

Total 12

12 - 12 - 210 90 300

120 - - - 300


Sr. No.


Subjects


Credits

Examination Scheme


(Hrs)


Min. Passing Marks

External Marks (Th)

Internal Marks

(IA) Th. Pr.

1 Paper - I Advanced Jewellery Design

4 - 4 4 3 70 30 100 40 -

2 Paper - II

Jewellery Production and Quality Assurance

4 - 4 4 3 70 30 100 40 -

3 Practical-I

Practical based on Advanced Jewellery Design - II

- 5 5 4 6 70 30 100 - 40

4 Practical-II-

Practical based on Jewellery production and quality assurance

- 5 5 4 6 70 30 100 - 40

5


- - - 2 - - 50 50 - 20

Total 8 10 18 18 - 280 170 450 80 100




APPENDIX ‘A’

Teaching & Examination Scheme DIPLOMA (ONE YEAR), ADVANCE DIPLOMA (TWO YEARS), BACHLOR OF VOCATION (B. Voc)


B. Voc. (Semester III) A] General Education Component Credits: 12 Sr. No.


Examination scheme

Theory Practical

Cre

dits

The

ory

Per

iod

Pr

Per

iod

Tot

al

Per

iods

Du

Hrs

Max

Th.

Max

IA

Tot

al

Min

Pas

s

Du

Hrs

Max

Mar

Pr.

Min

Pas

s

Mar

.

Tot

al M

arks

Th.

Pr.

IA

1. English and Communicative English –III

4 4 - 4 3 70 30 100 40 - - - 100

2. Soft Skill Development –III

4 4 - 4 3 70 30 100 40 - - - 100

3. Aptitude development –III

4 4 - 4 3 70 30 100 40 - - - 100

Total 12 12 - 12 - 210 90 300 120 - - - 300


Sr. No.


Subjects


Credits

Examination Scheme


(Hrs)


Min. Passing Marks

External Marks (Th)

Internal Marks

(IA) Th. Pr.

1 Paper - I Gemmology 4 - 4 4 3 70 30 100 40 -

2 Paper - II Goldsmithing 4 - 4 4 3 70 30 100 40 -

3 Practical-I- Practical based on Gemmology

- 5 5 4 6 70 30 100 - 40

4 Practical-II- Practical based on Goldsmithing

- 5 5 4 6 70 30 100 - 40

5


- - - - 2 - - 50 50 - 20

Total 8 10 18 18 - 280 170 450 80 100




APPENDIX ‘A’



B. Voc. (Semester IV) A] General Education Component Credits: 12 Sr. No.


Examination scheme

Theory Practical

Cre

dits

The

ory

Per

iod

Pr

Per

iod

Tot

al

Per

iods

Du

Hrs

Max

Th.

Max

IA

Tot

al

Min

Pas

s

Du

Hrs

Max

Mar

Pr.

Min

Pas

s

Mar

.

Tot

al M

arks

Th.

Pr.

IA

1. English and Communicative English –IV

4 4 - 4 3 70 30 100 40 - - - 100

2. Soft Skill Development –IV

4 4 - 4 3 70 30 100 40 - - - 100

3. Aptitude development –IV

4 4 - 4 3 70 30 100 40 - - - 100

Total 12 12 - 12 - 210 90 300 120 - - - 300


Sr. No.


Subjects

Teaching Scheme(Hrs/We

ek) Credit

s

Examination Scheme

Th

Pr. Total Duration (Hrs)


Min. Passing Marks

External Marks (Th)

Internal Marks

(IA) Th. Pr.

1 Paper - I Gemstone Identification and grading

4 - 4 4 3 70 30 100 40 -

2 Paper - II Metal Techniques 4 - 4 4 3 70 30 100 40 -

3 Practical-I-

Practical based Gemstone Identification and grading

- 5 5 4 6 70 30 100 - 40

4 Practical-II- Practical based on Metal Techniques

- 5 5 4 6 70 30 100 - 40

5

( Field work workshops /seminars/Project/ Report Writing / Production

- - - - 2 - - 50 50 - 20

Total 8 10 18 18 - 280 170 450 80 100




APPENDIX ‘A’



B. Voc. (Semester V) A] General Education Component Credits: 12 Sr. No.


Examination scheme

Theory Practical

Cre

dits

The

ory

Per

iod

Pr

Per

iod

Tot

al

Per

iods

Du

Hrs

Max

Th.

Max

IA

Tot

al

Min

Pas

s

Du

Hrs

Max

Mar

Pr.

Min

Pas

s

Mar

.

Tot

al M

arks

Th.

Pr.

IA

1. English and Communicative English –V

4 4 - 4 3 70 30 100 40 - - - 100

2. Soft Skill Development –V

4 4 - 4 3 70 30 100 40 - - - 100

3. Aptitude development –V

4 4 - 4 3 70 30 100 40 - - - 100

Total 12 12 - 12 - 210 90 300 120 - - - 300

B] Skill Development Component Credits: 18

Sr. No.


Subjects

Teaching Scheme(Hrs/Week

) Credit

s

Examination Scheme

Th Pr. Total Duration (Hrs)


Min. Passing Marks

External Marks (Th)

Internal Marks

(IA) Th. Pr.

1 Paper - I Contemporary Jewellery manufacturing I

4 - 4 4 3 70 30 100 40 -

2 Paper - II RhinoCAD 4 - 4 4 3 70 30 100 40 -

3 Practical-I-

Practical based on Paper I Contermporary Jewellery manufacturing

- 5 5 4 6 70 30 100 - 40

4 Practical-II- Practical based on Paper II RhinoCAD

- 5 5 4 6 70 30 100 - 40

5


- - - - 2 - - 50 50 - 20

Total 8 10 18 18 - 280 170 450 80 100







B. Voc. (Semester VI) A] General Education Component Credits: 12 Sr. No.


Examination scheme

Theory Practical

Cre

dits

The

ory

Per

iod

Pr

Per

iod

Tot

al

Per

iods

Du

Hrs

Max

Th.

Max

IA

Tot

al

Min

Pas

s

Du

Hrs

Max

Mar

Pr.

Min

Pas

s

Mar

.

Tot

al M

arks

Th.

Pr.

IA

1. Applied Computer Skills- I

4 4 - 4 3 70 30 100 40 - - - 100

2. Applied Computer Skills- II

4 4 - 4 3 70 30 100 40 - - - 100

3. Applied Computer Skills- III

4 4 - 4 3 70 30 100 40 - - - 100

Total 12 12 - 12 - 210 90 300 120 - - - 300


* Industry Based Project

Sr. No.

Subjects

Examination Scheme

Duration (Months)

Max. Marks Total Marks Min. Passing Marks

External Marks Internal Marks

1 Internship 6 200 100 300 120

2 Manufacturing Theme Based Jewellery

100 50 150 60

Total - 300 150 450 180




Bachelor of Vocation (B.Voc.)

Syllabus for

Skill Development Component

DESIGNER JEWELLERY MAKING

(Faculty of Science& Technology)

Bachelor of Vocation (B.Voc.) Skill Development Component

Designer Jewellery Making (Faculty of Science& Technology)

(Semester- I)

Paper – I Applied Jewllery Design

Unit – I Basics of Designing

Elements of design : Line, form, texture, shape, color, pattern, space, light

Principles of Desing : Balance, harmony, proportion, emphasis, movement,

Color theory : Prang color theory, Color schemes and their application in jewellery

design

Unit – II Methodical designing

Basic hand-eye control, Pen control, Finger exercises

Drawing different curves, shapes, sizes, textures, values

Lignt directions

Unit – IIITheory of design

Analytical and methodical approach in motif development, Types of motifs

Design theory : Types of designs and their development

Structural, decorative, naturalistic, stylized, traditional, geometric

2-D and 3-D object drawing – Still life and perspective view

Perspective views of jewellery pieces and their presentation

Unit – IVDesign rendering techniques

Theory of rendering techniques – Direction of light, shadows, Shading

Handling of rotering pen

Rendering in various metals – silver, gold, brass, Pearl colors etc.

Rendering in various textures of metal.

Rendering in different shapes sizes and Cuts of gemstones

Practicals

Studying and designing client customised jewellery

Designing for Indian and International Market

Port folio Making : Theme based designs 5, Bridal Jewellery 5, kids jewellery 5 ,Male

jewellery 5

Reference books :

Jewellery Basic Techniques and Design, By Sprintzen, Alice (Chilton Booc Co.)

Body Jewellery : International Perspectivs, By Willcox, Donald J.

Jewellery : contemporary design and technique, By Evans, Chuck (Davis Publications



(Semester- I)

Paper – II

Jewellery workshop techniques

Unit I – Fundamentals of jewellery manufacturing

Lathe work

Working principle of lathe machine glass

Working lathe essential machining skills types of

Lathe machine lathe operations common operations performed on lathe machine

Unit II – Conceptual development and contemporary applied Arts issues

Matacoloring

Different types of metal patinas

Photocopying on metal surfaces

Enamelling

Unit III Eco friendly jewellery

Terracotta jewellery

Jute jewellery

Bamboo jewellery

Vegetable origin jewellery

Unit IV Applications of specific skills

Relative to aesthetic form, imagery and or particular function within the process of small

scale work

Practicals :

1) Making ecofriendly jewellery

2) Visit to lathe workshop

Reference Books

1) Fundamental of metal smithing – A&C Black

2) Jewellery concepts and technology – NAG Press

3) Jewellery Basic Techniques and Design, By Sprintzen, Alice (Chilton Booc Co.)



(Semester- II)

Paper – I Advanced jewellery design

Unit I jewellery components

What are different types of jewellery components ?

o Findings of pendants, earrings, bracelets, necklaces, brooches

o Fittings

o Different types Locks

Types of raw materials used for jewellery making and their sources.

o Metals, beads, gemstones (Natural and manmade), wood, shells, acrylic, glass

plastic

Their special qualities and properties. Detail theory.

Practical knowledge and handling of all kinds of jewellery raw material and jewellery

components.

Unit II – Costume jewellery making (handmade)

Introduction To Beading Process

Making Thread Jewellery - Single Stranded And Multiple Stranded

Knitting Jewellery : Chokers As Well As Long Designs (Modern And Traditional)

Wire Loop Jewellery

How To Insert Pendants In The Necklace

Different types of Bracelets

Different types of earrings : tops, studs, rings, danglers

Unit III Acquiring workshop techniques

Knowledge and handling of different types of jewellery pliers : Flat, Round, crimp, nylon

Knowledge and handling of different types of metal cutters, saw frame and various saw

blades.

Jewellery soldering : Working with jewellery torches and different types of soldering

material.

Knowledge and handling of different types of drilling equipments and tools.

Jewellery Finishing : Practical knowledge of hand finishing and machine finishing

Process, different techniques, and handling of files and polishing machine.

Unit IV Introduction to traditional jewellery making

Making silk thread jewellery

Making of some traditional Indian jewelley pieces 1) MaharashtrianThushi, 2) Rajasthani

nose pin 3) Rani haar 4) kundan jewellery making 5) meenawork beads jewellery

Internship in jewellery making unit for one month.

Practicals :

1) Practice on making handmade costume jewellery

2) Making ecofriendly jewellery

Reference Books

Jewellery Basic Techniques and Design, By Sprintzen, Alice (Chilton Booc Co.)

Body Jewellery : International Perspectivs, By Willcox, Donald J.

Jewellery : contemporary design and technique, By Evans, Chuck (Davis Publications


Designer Jewellery Making (Faculty of Science& technology)

(Semester- II)

Paper – II

Jewellery Production and quality assurance

Unit – I Hallmarking

Definition, Jewellery hallmarking system, current

Hallmarking system, current hallmarking requirements

Hallmarking centres recognized by BIS

Unit – II History of hallmarking, Ramification of hallmarking

Guidelines for hallmarking, methods of hallmarking

Their importance and limitations

Unit – III Jewellery quality assurance management

Quality control, waxing, polishing, soldering/assembling

Setting, finising, avoid stone loss with quality assurance

Benchmarks, stone placements and setting

Unit – IV Jewellery product quality requirements

Marking requirements

Placement and location of marks, Hallmarks for items with

Combined metals, incorrect and correct mark, colored gold- red gold,

White gold, measuring of colored gold.

Practicals :

Visit to any BIS authorized hallmarking center in Vidarbha

Practice on Quality control, waxing, polishing, soldering/assembling

Referance Books

1. Jewellery making : An illustrated guide to technique, By Di Pasquale, Dominic (Prentice

– hall)

2. Jewellery Technology Processes of Production. Methods, tools, instruments – Pinton D



(Semester- III)

Paper – I

Gemmology

Unit I : Nature of gemstones

Formation of minerals and rocks

Types of Natural gems; Oragnic Gems and Inorganic Gems

Special qualities of natural Gem material (beauty, rarity, durability)

Crystalline and amorphous material

Basic families of minerals

Types of minerals used as gemstones : Beryl, chrysoberyl, corundum etc.

Unit II :Crystallography

Crystals

Crystal symmetry

Crystal systems

Crystal forms

Crystal habits

Crystal growth patterns

Crystal twinning

Cryptocrystalline state of crystals

Massive and metamic states of crystals

Isomorphism and polymorphism

Cleavage : Definition, description, importance in gemology and lapidary work

Unit III : Physical properties

Hardness

Definition

Moh’s scale

Selection of reference minerals

Application of gemology

Specific gravity, Definition, Determination,

Construction and use of hydrostatic balance, two pan and single pan balance

Heavy liquids : Bromoform, methylene iodide, and clerici solotion

Floatation and pycnometer method

Unit IV : Other properties

Magnetic properties of gemstones

Electrical properties of gemstones

Thermal conductivity and thermal conductivity meter

Units of measurement

Metric carat, pearl grain

Micrometer, Nanometer, Angstrom

Practical :

Study of Crystal forms, habits, and growth features of various gemstones

Learn to handle 10X lense, microscope, and other lab equipments

Drawings of various types of gemstones cuts and colors.

: References books

Gemstones – Cally oldershaw

Gemmology – Peter G. Read

Gestores of the world – Revised edition walter schumann

Gem indentification made easy – Matlins and Bananno



(Semester- III)

Paper – II

Goldsmithing

Unit –I Fundamentals of Goldsmithing

Gold smithingvs silver smithing

Metalsmithing – meaning

Contemporary gold smithing

Anatomy of a jewellery workshop

A bench jeweller – Qualities of bench jeweller

Unit – II Basic handskills of goldsmithing

Practice on Basic Goldsmithing and Jewellery making skills

Filling

Cutting

Drilling

Forging

Wire drawing

Sheet rolling

Red Rolling

Extruding

Forging

Blanking

Stamping

Striking

Spinning

Chain making

Bending raising

Unit – III Soldering

Practice on joining by using – Blow pipe techniques,

preparation of solder

Use of torch guns

Construction of torch guns

Types of solders

Unit – IV Polymer metal clay (PMC3)jewellery

What is PMC3 jwellery

Silver clay jewellery

Precious metal clay - ingredients – water an organic binder

Reuse of metal – leftovers filings etc.

Practicals

1) Practice on Basic Goldsmithing and Jewellery making skills

2) Pure metal practices of silver and gold,

3) Role model, pierce, stamp engrave, cut, tear, assembled

4) Texture & fire –

Reference Books

1) The jewelers Directory of shape and forum (jewellery) Elizabeth Olver

2) Hot & Cold Connections for jewelers – Tim McCreight

3) The Jeweller’s directory of Decorative finishes – Jinks McCrath

4) The design & creation of jewellery (Jewellery Crafts) – Robert Von Nenmanu

5) Jewellery concepts and Technology – Oppi Untracts

6) Theory and practice of Gold Smithing – Charls Lewton Brain

7) Jewellery Technology Processes of Production, Methods, tools, instruments – Pinton D

8) Jewellery manufacturing Encuclopedia - Book 1

From 2014-2015



(Semester- IV)

Paper – I

Gemstone Identification and Grading

Unit –I : Internal features of gemstones

Types of natural inclusion

Types of manmade inclusions and signs of enhancement treatments on gemstones

Types of blemishes, surface irregularities of gemstones

Color zoning

Unit – II Optical properties

Nature of light : the electromagnetic spectrum

Reflection : Laws of reflection, importance in gemology

Refraction : Laws of refraction, refractive index

Total internal reflection

Polarized light : nature and production of polarized light

Luster, gheen, chatoyancy and asterism in gemstones

Isotropism and Anisotropism in gemstones

Anomalous double refraction

Optic axes of gemstones

Unit – III Equipments based on optical properties of gemstones and their use

Refractometer

Design and construction of refract meter

Measurement of R.I.

Birefringence by refractometer

Polariscope

Design and construction of polariscope

Application of polariscope in gemology

Dichroscope : construction and use

Spectroscope :construction and use

Microscope : construction and use

Ultra violet light and x-rays and their application in gemmology Luminescence

Use of chelas filter

10x lens

Unit – IV : Nature of color

Absorbtion of light, differential absorption of light

Allochromatism, idiochromatism in gemstones

Plechorism

Absorbtion spectra

Interference and differaction

Play of colors : dispersion, metamerism

Practicals :

1) Identification of real gemstones and artificial one

2) Study of various treatments done on gemstones and their testing using lab equipments

3) Grading of gemstones

Reference Book :

Gemstones – Cally oldershaw

Gemmology – Peter G. Read

Gestores of the world – Revised edition walter schumann

Gem indentification made easy – Matlins and Bananno



(Semester- IV)

Paper – II

Metal Techniques

Unit - I

Refining of gold and alloying conversion from 24 kt to 23 kt and other varieties

Refining gold and alloys/scraps using Aqua Regea Process

Practice on Recovery of Gold to 999 Fineness with minimum losses

Recovery of precious metal from dust

Chemical refining process

Unit – II Finishing polishing and repairing

Cutting, pre-polishing, poetizing

Hand polishing and Burnishing

Motor polishing and buffing

Use of different Brushes, Felt laps, Cotton buffs, Grinding wheels etc.

Unit – IIIEnamelling -

1) Design & making

Characteristics of vitreous enamels, Application of enamel,

How to enamel on flat, curved and domed metal surfaces for enamelling

Enamelling techniques for fusing colored glass to metal decoration

Use of feldspar, soda, borax, flint, sand

How to obtain colors by adding metallic oxides

Units – IV Enamelling finishing

Ideas for using enamelling in jewellery making

Finishing – Polishing to burnish by hand

Mechanical polishing, colouring

Firing – kilns and firing techniques to model

Sculpt texture, pierce, stamp, engrave, cut or tear or assemble

Practicals

1) Refining of gold and alloying, conversion from 24Kt to 23Kt a nd other varieties

2) Aqua Regea Process

3) Practice on Recovery of Gold to 999 Fineness with minimum losses

4) Practice on finishing, polishing & Repairing

Books Recommended

1) Hot & Cold connections for jewellers – Tim McCreight

2) The jeweller’s directory of Decorative finishes – Jinks McCrath

3) The design and creation of Jewellery (Jewellery Crafts ) – Robert Von Nenmanu

4) Jewellery concepts & Technology _ OppiUntracts

5) Theory and practice of Gold Smithing – Charles lewton Brain

6) Jewellery Technology Processes of Production. Methods, tools, instruments –

Pinton D



(Semester- V)

Paper – I

Contemporary Jewellery Manufacturing Unit I

Introduction to CAD CAM process

Computers in design – manual geometric models

Steps in CAM activity – model interfacing CAPP – NC programms – inspection

Assembly

CAD design, Analysis, visualization, CAD/CAM history

Laser 3D printing, Laser technology and its applications in jewellery manufacturing

Master making techniques

Making master of modern jewellery – getting inspired and creating new designs

Unit II

Mold production, Types of molding, Blow molding

Compression and sintering, compression molding, expandable bead molding

Moldings laminating, mold preparation, functions of media

Media types, abrasive grains, carrier or bonding agents

Grains – Silicon carbide, rubber molds

Aluminium oxides

Moderate aggressive , Silica etc.

Unit III

Introduction to casting process

Vaccume casting process

Centrifugal casting process

Wax tree making

Alloy melting and adding to casting machine

Theory of stone setting : types – Bezal, Pave, prong, channel, flux, invisible, pressure

Unit IV

Jewellery finishing processes

Mass finishing techniques – Rotary barrel or tumbler, vibratory barrel, centrifugal

planetary barrel, magnetic barrel

Finishing process – smoothing against orange effect traces of flasher burry

Solder smears finishing media and equipment cutting, burnishing

Practicals

1) Practice on casting machine

2) Practice on mass finishing process Tumbling rotating vibrating

3) Practice of mold productin

Reference Books :

1) The New Jewellery Contemporary materials and techniques – Lark Books

2) Fundamental of metal smithing – A&B Black

3) Jewellery concepts and technology – NAG Press



(Semester- V)

Paper – II

RhinoCAD

Unit – I

Introduction to Rhino CAD

File and view toolbar

Working with Database

Inserting object from the database

Learn to select object

Transform toolbar

Copy toolbar

Grid settings and measurements

o Cut-paste tool

o Vertical mirror copy

o Horizontal mirror copy

o Revolve 180 copy

o Cycle copy

o Extend copy

o Revolve copy

Unit –II

Deform toolbar

Bend tool

Bend two sizes

Taper – taper two sizes, scaled taper

Scaled taper (two sides)

Duplicate – Object color

Skew – skew two sides

Curve toolbar

Unit – III

Extend – vertical Revolve Surface

Horizontal

Loft surface, Pipe surface

Deform toolbar

Boolean internet, Boolean – Dis Boolean

Cv Select CV Edit

Rail Options – Rail scale, rail shape rail vertical, horizontal, rail loopworld, rail

loopcenter, rail rings,

Unit – IV

Deform toolbar

Loop

Prong

Skoop

Socket

Supty

Stone settings

o Prong

o Pave

o Channel

o Bezel

o Invisible

o Flush setting

o Pressure

o nick

Practicals based on theory

Referance Books

1) Jewellery Basic Techniques and Design, By Sprintzen, Alice (Chilton Booc Co.)

2) Body Jewellery : International Perspectivs, By Willcox, Donald J.



(Semester- VI)

Jewellery manufacturing Industry Based Project

Project Work : Making theme based jewellery set

Internship in jewellery showroom/manufacturing

unit for 6 months

Teaching & Examination Scheme DIPLOMA (ONE YEAR), … · Practical based on Gemmology - 5 5 4 6 70...

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Transcript of Teaching & Examination Scheme DIPLOMA (ONE YEAR), … · Practical based on Gemmology - 5 5 4 6 70...