Tales of Contemporary Somnambulism

18
XV CENTURY

Transcript of Tales of Contemporary Somnambulism

XV CENTURY

NON- CONVENTIONAL PAINTING

(?) TRADITIONAL REPRESENTATION

XV CENTURY

NON- CONVENTIONAL PAINTING

(?) TRADITIONAL REPRESENTATIONSYMBOLISM

XV CENTURY

NON- CONVENTIONAL PAINTING

(?) TRADITIONAL REPRESENTATIONSYMBOLISM

HUMAN EMOTIONAL BEHAVIORS

XV CENTURY

NON- CONVENTIONAL PAINTING… WE COULD BE TALKING ABOUT AN INSTALLATION

(?) TRADITIONAL REPRESENTATIONSYMBOLISM

HUMAN EMOTIONAL BEHAVIORS

XXI CENTURY?

TALES OF CONTEMPORARY SOMNAMBULISMA cartographical exploration of dreamscapes and the seas of sleep

An interactive mural installation in which the audience views anillustrative narrative on canvas that is also re-experienced online

How I could combiningelectronicand virtual media with traditional art

techniques and portrait fictional contemporary stories?

MOTIVATIONS

The physical. The muralThe virtual. Metanarrrational

Connection path

METODOLOGHY

Worked with specialists to develop symbology that supports some of my thoughts /imagination.

I got inspiration Bosh’s painting

Image reproduction on canvas tryptic/

The physical. The mural

Electronics as part of the color Palette/Creates a Circuit that feeds back to the canvas

METODOLOGHY The physical. The mural

METODOLOGHY

Image reproduction virtual/as3 Non-linear fictional story

The virtual. Metanarrrational

METODOLOGHY

Qr Codes Footsteps

Connection path

CONCLUSIONS

-NEW AESTHETIC POSSIBILITIES OF EXPRESSION.

-RE-EXPERIENCE( REAL AND VIRTUAL INTERACTION )BRING NEWSINTERPRETATIONS AND TIGGERS IMAGINATION.

-POSSIBILITIES TO EXPLORE NEW INTERACTIONS

FUTURE DIRECTIONS

-EXPERIMENT WITH THERMACOLOR COLOR INKS AND INCORPORATE ELECTRONICS INTO TRADITIONAL MEDIA OF REPRESENTATION SUCH AS WATERCOLOR PAPER OR CANVAS. EXPLORE HOW TO DO A NEW PALETTE OF COLORS INTERACTION IN THE DRAWING WITH INKS.

-START TO WRITE MY DISSERTATION TO SUPPORT MY THOUGHTS AND STUDIES RELATED TO THIS INVESTIGATION . FOCUS THE STUDIES ON THE EXPERIMENTATION WITH TRADITIONAL FINE ARTS MATERIALS AND THE DIFFERENT POSSIBILITIES OF INCORPORING ELECTRONICS AND VIRTUAL MEDIA TO CHANGE THE PERCEPTION OF COLOR IN REPRESENTATION.

Katherine Morawaki , Louisa Campbell, Don Pocaro ,Mark Stafford, Karl Fotovat ,Laura Garcia-Barrio, Jason Corace, Cecilia Elguero, Antoninus , Igor, Nick, my family, Colleague and faculty from Parsons for always being open to help, and Pedro Barrié de la Maza Foundation

SPECIAL THANKS