Tagore on Education With Reference to Freedom of Child

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TAGORE ON EDUCATION WITH REFERENCE TO FREEDOM OF CHILD Dr.Suraksha Bansal, Ph.D Sr.Lecturer College Of Education (D.I.M.S.) Meerut (U.P.) India Dr. V.K.Maheshwari, Ph.D Former Principal K.L.D.A.V. (P.G.) College Roorkee (U.A.) India Seashore - Rabindranath Tagore On the seashore of endless worlds children meet. The infinite sky is motionless overhead and the restless water is boisterous. On the seashore of endless worlds the children meet with shouts and dances. They build their houses with sand and they play with empty shells. With withered leaves they weave their boats and smilingly float them on the vast deep. Children have their play on the seashore of worlds. They know not how to swim, they know not how to cast nets. Pearl fishers dive for pearls, merchants sail in their ships, while children gather pebbles and scatter them again. They seek not for hidden treasures, they know not how to cast nets. The sea surges up with laughter and pale gleams the smile of the sea beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her baby's cradle. The sea plays with children, and pale gleams the smile of the sea beach. On the seashore of endless worlds children meet.

Transcript of Tagore on Education With Reference to Freedom of Child

Page 1: Tagore on Education With Reference to Freedom of Child

  TAGORE ON EDUCATION WITH REFERENCE TO FREEDOM OF CHILD

Dr.Suraksha Bansal, Ph.D

Sr.Lecturer

College Of Education (D.I.M.S.)

Meerut (U.P.) India

Dr. V.K.Maheshwari, Ph.D                              

Former Principal                             

K.L.D.A.V. (P.G.) College      

Roorkee (U.A.) India

Seashore - Rabindranath Tagore

On the seashore of endless worlds children meet. The infinite sky is motionless overhead and the restless water is boisterous. On the seashore of endless worlds the children meet with shouts and dances. 

They build their houses with sand and they play with empty shells. With withered leaves they weave their boats and smilingly float them on the vast deep. Children have their play on the seashore of worlds. 

They know not how to swim, they know not how to cast nets. Pearl fishers dive for pearls, merchants sail in their ships, while children gather pebbles and scatter them again. They seek not for hidden treasures, they know not how to cast nets. 

The sea surges up with laughter and pale gleams the smile of the sea beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her baby's cradle. The sea plays with children, and pale gleams the smile of the sea beach. 

On the seashore of endless worlds children meet. Tempest roams in the pathless sky, ships get wrecked in the trackless water, death is abroad and children play. On the seashore of endless worlds is the great meeting of children.

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Rabindranath Tagore was an icon of Indian culture. He was a poet, philosopher, musician,

writer, and educationist. Rabindranath Tagore became the first Asian to became Nobel laureate

when he won Nobel Prize for his collection of poems, Gitanjali, in 1913. He was popularly called

as Gurudev and his songs were popularly known as Rabindrasangeet. Two songs from his

Rabindrasangit canon are now the national anthems of India and Bangladesh: the Jana Gana

Mana and the Amar Shonar Bangla.

Rabindra Nath in general, envisioned an education that was deeply rooted in one’s immediate

surroundings He felt that a curriculum should revolve organically around nature with classes

held in the open air under the trees to provide for a spontaneous appreciation of the fluidity of

the plant and animal kingdoms, and seasonal changes. Children sat on hand-woven mats

beneath the trees, which they were allowed to climb and run beneath between classes. Nature

walks and excursions were a part of the curriculum and students were encouraged to follow the

life cycles of insects, birds and plants. Class schedules were made flexible to allow for shifts in

the weather or special attention to natural phenomena, and seasonal festivals were created for

the children by Tagore.

His experiences at his childhood provided him with a lifelong conviction concerning the

importance of freedom in education. He realized in a profound manner the necessity for an

intimate relationship with one’s cultural and natural environment. In participating in the

cosmopolitan activities of the family, he came to reject narrowness in general, and in particular,

any form of narrowness that separated human being from human being. He saw education as a

vehicle for appreciating the richest aspects of other cultures, while maintaining one’s own

cultural specificity and uniqueness.

Acquisition of experience through freedom and joy being the essence of Tagore’s conception of

an ideal education, naturally he was entirely opposed to any form of rigid and harsh discipline.

He firmly believe that, the unrealistic curriculum and formalistic teaching methods rendered the

prevailing system of education lifeless, the heartless and even brutal, and repulsive. Harsh

discipline, Tagore pointed out, betrays a lack of insight on the part of the teacher into the

delicate the intricate mechanism of the human mind. It is especially true in dealing with

adolescence, which, being a transition period in the life of man, is marked by acute

sensitiveness and self-consciousness. The atmosphere of rigid order and strict obedience

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enforces “a cruel slavery” and is “demoralizing” for children. “It exacts perfect obedience at the

cost of individual responsibly and initiative of mind.” It kills “that sprit of liberty” “the spirit of

adventure” which are essential for new experiences and fresh achievements. The suppression

of the child’s natural impulses for physical activity and emotional experience leads to “all kinds

of aberration and real wickedness”. Tagore stoutly proclaimed his utter distrust in external

imposition of order and good behavior and stated that the discipline of the army or the prison

had no place in an educational institution. Rough discipline, Tagore contented, is not only

demoralizing for children; it degrades the teacher also. The mute subjection of his pupils adds to

his autocratic propensities. Moreover, their passive, silent contempt, which he himself provokes,

hurts him secretly; and “none can discharge his duties in an atmosphere of contempt.” Tagore

had very strong words to use for teachers who are addicted to repressive methods of dealing

with children. They should better be jail-wardens or drill-sergeants, he said, rather than take the

charge of bringing up students. He criticized “the inherent love of power” and “the lust for

tyranny” of these “born tyrants” and stated emphatically that their misguided conduct “cause the

greatest mischief possible in the human world.”

Tagore believes that “compulsion is not indeed the final appeal to man, but joy is. Any joy is

everywhere; it is in the earth's green covering of grass; in the blue serenity of the sky; in the

reckless exuberance of spring; in the severe abstinence of grey winter; in the living flesh that

animates our bodily frame; in the perfect poise of the human figure, noble and upright; in living;

in the exercise of all our powers; in the acquisition of knowledge; in fighting evils; in dying for

gains we never can share. Joy is there everywhere; it is superfluous, unnecessary; nay, it very

often contradicts the most peremptory behests of necessity. It exists to show that the bonds of

law can only be explained by love; they are like body and soul. Joy is the realization of the truth

of oneness, the oneness of our soul with the world and of the world-soul with the supreme

lover.”

Tagore’s faith in the principles of freedom and joy as the fundamental principles of life naturally

inspired him to apply them as much to the problem of discipline as to other educational

problems. The negation of freedom was, to his mind, the negation of life and growth. It obstructs

the child’s natural urge for self-expression through body and mind, which is of vital significance

for his physical and mental development.

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Freedom of thought and expression, according to Tagore, is necessary for the children not only

for their intellectual development and training of character, but also for a free and happy

relationship with their teachers and other inmates of the institution, which cannot be achieved in

an atmosphere of artificial restraint and unnatural reserve.

The degree of freedom that Tagore personally allowed in these respects, either in or outside

the class or in the general life at the institution, is at times incredible. Instances are on record as

to how he freely tolerated-nay, encouraged-even impertinent utterance in his classes which

should very much annoy an average teacher. He even went to the extent of allowing his

students openly and publicly to criticize the cherished fundamental ideals of the institution and

proudly congratulating then as well as himself on their demonstration of courage and candors..

“This Santiniketan will fail” he declared on one such occasion, “if it fetters your minds or makes

you fear….Today is the day of my victory, because my students have said today freely and

bravely that I am hopelessly in the wrong. I do not admit that I am wrong, but I want you to have

the courage to say so, if that is your conviction. May Santiniketan always give you that freedom

and courage.” 

Tagore’s fervent, almost passionate, advocacy of the principle of freedom should not lead to the

assumption that he was disposed to encourage unbridled license or attached little importance to

disciplinary virtues. On the contrary, his writings are interspersed with numerous utterances

upholding various ideals associated with a disciplined and well-integrated personality.

Acccording to him” The human soul is on its journey from the law to love, from discipline to

liberation, from the moral plane to the spiritual. Buddha preached the discipline of self-restraint

and moral life; it is a complete acceptance of law. But this bondage of law cannot be an end by

itself; by mastering it thoroughly we acquire the means of getting beyond it. It is going back to

Brahma, to the infinite love, which is manifesting itself through the finite forms of law.”.

“From the solemn gloom of the temple children run out to sit in the dust , God watches them and

forget the priest” - R.N.Tagore

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REFRENCES

Mohit Chakrabarti, Rabindranath Tagore

Dutta, Krishna & Andrew Robinson (1995) Rabindranath Tagore: The    Myriad-Minded

Man, London: Bloomsbury.

Tagore, Rabindranath (1961) The Religion of Man. Boston: Beacon Press.

Tagore, Rabindranath (1929) Ideals of Education.

The Visva-Bharti Quarterly (April-July) p-73-74.

Tagore, Rabindranath (1922) Creative Unity. London: Macmillan & Co.

Tagore, Rabindranath (1917) Personality. London: Macmillan & Co.