Syncopated Progression
Transcript of Syncopated Progression
Syncopated Progression
MATERIALPRODUCTTRADENAMEMODELNUMBER
MATERIAL PRODUCT TRADENAME MODELNUMBER
MATERIALPRODUCTTRADENAMEMODELNUMBER
MATERIAL PRODUCT TRADENAME MODELNUMBER
MATERIALPRODUCTTRADENAMEMODELNUMBER
MATERIAL PRODUCT TRADENAME MODELNUMBER
Circ
ulat
ion
& S
ervi
ces
Artists In-Residence
Offices
KilnRoom
Handbuilding
Clay Reclamation
Wheel Throwing
Glazing
Ceramics Retail
Cafe
1060 sq ft
1000 sq ft
800 sq ft
1420 sq ft1350 sq ft
1250 sq ft
600 sq ft
460 sq ft
2320 sq ft
Program Diagram 12,770 sq ft total
Erik WadmanFall 2014
Peter Keyes StudioArch 681
Second Floor 1/8 in = 1 ft Fourth Floor 1/8 in = 1 ft
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MATERIAL PRODUCT TRADENAME MODELNUMBER
First Floor 1/8 in = 1 ft Third Floor 1/8 in = 1 ft
Heavy Timber Frame Load-bearing Brick Wall
The rhythm of the beams and columns falls in and out of alignment.
Wheel-Throwing
Hand-Building
Artists-In-Residence
Offi ces
Glazing
GasKiln
Electric Kilns
Cafe Retail
Open to Below
Open to Below
Open to Below
Open to Below
NW Lovejoy
St
W Burnside St
SE Belmont St
E Burnside St
NE Sandy Blvd
SE Division St
SE 1
2th
Ave
SE G
rand
Ave
Inte
rsta
te 5
Inte
rsta
te
405
Makerspace Site
Tile Shops, Pottery Sellers, and Gallery Spaces
The existing market for ceramics in Portland is thriving,
but The Progression would be a unique and welcome addition.
Exterior View SE Division and SE 12th Ave
Section AA 1/8 in = 1 ft Section BB 1/8 in = 1 ft
Facade Detail
Interior View South Stairwell
Design IntentThe Progression is a Makerspace in SE Portland with a focus on ce-
ramics. With the goal of community engagement in mind, there will be a cafe and spaces for pottery classes. The fourth fl oor is mostly re-served for artists-in-residence who will have plenty of retail space on the fi rst fl oor to sell their artisanal goods. Although there are other makerspaces in Portland, as well as many ceramics related stores, The Progression is a unique addition to the arts community. The design is based on a progression of three atriums which serve to organize the space and draw people through the building. The structure follows a rhythm of six feet between beams on one side and eight feet on the other which offers an interesting kinaesthetic experience to walk through the circulation corridor. The facade is a combination of a tex-tured brick pattern and a screen system formed from molded clay. The issue of moving dusty pottery continually between fl oors for fi ring ne-cessitated two elevators in the building. This provides a back-up in case one breaks down, as well as being more ADA-friendly.
Eastern Facade