SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ... OF...Hindu deity who resides at the center of the...
Transcript of SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ... OF...Hindu deity who resides at the center of the...
SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON HINDUISM SPIRITUAL
Jacklin Rose AlP Nathan
Ijazah Sarjana Muda Sem Gunaan dengan Kepujian (Sem Halus)
2018
SYMBOLlSM OF MANDALA IN VISUAL ART FORM BASED ON HINDUISM SPIRITUAL
JACKLrN ROSE NP NATHAN
Pro)ek ini merupakan salah satu keperluan untuk
Ijaah Sa rjana Seni Gunaan dengan Kepujian
(Seni Halus)
Fakulti Seni Gunaan dan Kreati f
UNIVERSITI MALAYSIA SARAWAK
2018
I derlare th a t P rojectThesis is classlfied a s (Please tIck ( )
CONFIDE1TIAL (Contams confide nti al inform a tIOn und e r the Officia l Secret Act 1972)
RESTRICTED (Contams res trIcted Inform a tio n as s pecified by Ihegt orga niza t ion w he re r esea rch was drm(-ji
OPEl ACCESS
Validation of ProjecUThesis
I th erefore duly affirm wIth free conse nt a nd willin gly decla re tha t t hi d p oJPctrrheHb s hal l be placed offi cia lly In the Ce ntre for Academic Information Sen ices with thp a bid lne In terest and n ghts a s follows
T hIS Prol ectfIhes ls IS the sole legal proper ty of U ni ver s lty Malaysia Sa rawa k (UNliLASj T he Ce ntre for Academic InformatIOn Services has th e la wful n ghl tu ma ke copie~
for the purpose of academIc and research only and not fo r othll p urp ose Th e Centre for AcademIc InformatlOn Services has the lawful rI ght to digi ta hse the content for the Local Content Database The Ce ntre for Academic Information Services has the la wful right to ma ke cop Ies of the Pro)ecttrhesls for academic exchange betw een HIgher Learnm g In s titute No dispute or any claim shall arie from the student ItSEmiddotlf neIther third pa rty on ths ProjectiThesls once it becomes the sole property of UNnLA S This ProjectThesis or any matenal data and information rela ted to it s ha ll not be dis tnbuted published or disclosed to any party by the s tudent except w ith UNIIVLAS permlSSlOn
Supervisor signat
Curre nt Address
NO 26 J ALAN 2 TAMAN S I7NGAI JELlX 4000 KAJANG SELA1() OR D ARlJI E HSAN
Notes If the ProjectThes s is CONFIDENTIAL or RESTRICTED please attach togethe r
as a nnexurel I Iter fro m the orga nisatIOn with the pe riod a nd reasonS of confide n lJa li ty a nd res trictio n
[T he in s t rume nt is duJy prep a red by The Ce ntr e for Aca de mic Inform ation Ser vices]
UNIVERSITI MALAYSIA SARAWAK
Grade ______
PIau lid ( I
fJ Yur Pngt0lt1 Rlt= ~
)las u U Ph) 0
DECLARATION OF ORIGINAL WORK
This declaration IS made on the I ~~ )Gli
Students Declaration
I I JACKLIN ROSE AlP NATHAN(49717) from IACULT Y OF AP PLIED AND CREATIVE ARTS hereby declare that the work entIt led SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON HINDUISM S P IRITUAL is my original work I have not copled from any other students work or from any other soureiS except where due reference or acknowledgement is made expliCItly in th ( text nor has (lIlY part been wntten for me by another person
- Date Su bmI rted
Supervisors Declaration
I DR YAKUP BIN RAFEE hereby certIfIes that the work enUtled SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON HINDUISM MANDALA prepared by the above named student and was submltted to the FACULTY as a partia Ufull fulfillment for the conferment of BACHELOR OF APPLIED ARTS WITH HONOURS (FINE ARTS) and the aforementioned work to the best of my knowledge is the said students work
ReceIved f1 examinat ion by
Date 11 ~rl~ (DR YAKDP BIN MOHD
PENGAKUAN
Projek bertajuk SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON
HINDUISM SPIRITUAL telah di sediakan oleh JACKLIN ROSE AlP NATHAN dan
telah di serahkan kepad a FalnJlti Seni Gunaan dan Kreatif sebagai memenuhi syarat unru k
Ij azah Sarjana Muda Seni Gunaa n dengan Kepujian (Sen Halus)
Oi erima untuk diperiksa oleh
Tari kh
_--=-gt-flI~~-f gtOI~
PENGESAHAN
Adalah ini diakui bahawa saya JACKLIN ROSE NP NATHAN disel1ai penulisan yang
bel1ajuk SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON
HINDUIS II SPIRITUAL sebagai sebahagian daripada keperluaan untuk Ijazah Sarjana
Muda Seni Gunaan dengan Kepujian (Sen Halus)
Disahkan oleh
Penyelia
iv
ACKNOWLEDGEMENT
In thi s oppOlllmity I would like to thanks a lot to my supervi sor Dr Yakup Mo hd Rafee
because willing to help me throughout my Final Year Project All hi s help courage and
supp ort helped me very much in this project
Besides that I would like to thank my both parents Without the ir hel p I could not be here
doing my project They also he lp me by giving the co urage and financia ll y support me fo r
me to complete my Final Year Project I also do not miss to thank al l my oth er lecturer who
helped my by sharing knowledge and guidance given to me to complete Final Year project
I would al so like to thanks all my fri ends who helped me by sharing knowledge along
completing Final Year Proj ect They was al ways there to correct my mistakes a ll the time
v
T ABLE OF CONTENT
DECLARATION OF ORIGINAL WORK
BORANG PENGAK UAN
BORANG PENGESAHAN
ACKNOWLEDGEMENT
TABLE OF CONTENT
ABSTRACT
ABSTRAK
CHAPTE R I INTRODUCTION
1 0 Introduction
J Background
111 Symboli sm
112 Mandala
113 Spirit11al
J 2 Research Statement
13 Research Question
14 Obj ecti ve
1 5 Research Scope
16 Research ImpoJ1ance
CHAPTER 2 LITERATURE REVIEW
20 Introduc tion
21 Symbo li sm
2 11 The word symbol
211 I The symbol sign
21 2 How pictures become symbol signs
21 21 The process of stylization
2122 Simplification through material and tools
213 Types o f symbol
213 1 Fauna symbols
vi
PAGES
i- ii
iii
v
VI
xiii
xiv
3
3
3
4
5
6
7
7
8
9
9
9-11
I I
II
12
12
13
13
14
213 11 From multiplicity to simplicity 14
2 13 12 Life and Death T he Serpent symbol 14
213 13 Olher fauna symbols 15
2132 Plant symbols 16
213 3 The human fOlm as symbol 17
2134 Obj ects landscapes elements of nature 17
214 The symbol o f ci rcl e 18-20
2141 The symbol of the center 20-21
2 142 Geometry 21-22
2 143 The ground plan 22-24
2 2 Mandala 25middot26
22 1 What is Chakra in Mandala 26
222 Chakra shape symbol 27
22 3 Mandala in different Belief 27
2231 Tibetan Buddhism 28
2 2 3 2 Hindu Mandalas 29
2 2 33 Australia Ab iori gi nal 29
2 2 34 Navajo Indians 29
224 Sri Yantra 30-3 1
2 241 Components of Sri Yantra 3 1-33
224 2 Purpose of Sri Yantra 33
23 Spiritual 34
2 3 I What is Hinduism 34-35
23 2 Elements of Hinduism 36
2321 T he Vedas 36
2 32 11 T he Structure and Content of Vedas 37-3 8
23 22 Tantra 38
23 2 3 Yantra 39
233 Hindu Beliefs 41
233 1 Brahman 41
2 332 Multiple God 41
2333 Dharma 42
vii
2334 Samsara 43
2335 Karma 43
3 RESEARCH METHODOLY 45
Introduction 45
31 Reading materials 45
32 Online websites 45
33 Observation and Re-draw 45
34 Experimentation 45
CHAPTER 4 DATA ANALYSIS 46
40 Introduction 45
41 Reading Materials 47
411 SymbolISm 47
411 SymbOl in social 47-48
412 1andala 48-49
4121 The Sri Yantra 50-51
4122 antra Symbolism 51-54
4123 1andala and Bindhu 54
4124 Symbol of Vastu and Bindbu by Mandala 55
4125 Sri Yantra in temple architecture 55-56
42 Observation 58
421 Element of [111 58
421 I Lme 58
4212 Shape 59
422 Principles of arts 59
4221 Repetition 60
4222 Unity 60
4223 Emphasis GO
4224 Balance 60
4225 Harmony 60
43 Re-draw 60
vlli
431 The
432 The 16 lotus nng
433 8 lotus nng
434 Tnangle and full Sf Yantra
44 JXIPerln1cntElll
45 Conclusion
DTtD 5 THE PROCESS OF CREATING OWN ARTWORK
50 Introduction
51 Idea of Final Work
Fll1al Idea
53 Process orEnal anwork
54 Final Arl work
55 Conclusion
REFERENCE
61
62
62
63
63
64
65
65
65
66
67
71
74
ix
ABSTRACT
This reseach explains the Symbolism of Mandala in Visual Art Form Based on Hindui sm
Spiritual It is been carri ed out by identifying the symboli sm and implement it in personal
artwork Mandala Sri Ya ntra is Spiritual symbol whi ch originally 2 Dimensional and used
for sp iritua l hinduism purposes especaiU y devotion Sri Ya ntra also represent the temples
blueprint where it accurate the oca tion of the goddess in the center of the temple T hi s
proj ec t will be new insight for existed knowledge on mandala especiall y from visual ar1S
perspecti ve
x
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
SYMBOLlSM OF MANDALA IN VISUAL ART FORM BASED ON HINDUISM SPIRITUAL
JACKLrN ROSE NP NATHAN
Pro)ek ini merupakan salah satu keperluan untuk
Ijaah Sa rjana Seni Gunaan dengan Kepujian
(Seni Halus)
Fakulti Seni Gunaan dan Kreati f
UNIVERSITI MALAYSIA SARAWAK
2018
I derlare th a t P rojectThesis is classlfied a s (Please tIck ( )
CONFIDE1TIAL (Contams confide nti al inform a tIOn und e r the Officia l Secret Act 1972)
RESTRICTED (Contams res trIcted Inform a tio n as s pecified by Ihegt orga niza t ion w he re r esea rch was drm(-ji
OPEl ACCESS
Validation of ProjecUThesis
I th erefore duly affirm wIth free conse nt a nd willin gly decla re tha t t hi d p oJPctrrheHb s hal l be placed offi cia lly In the Ce ntre for Academic Information Sen ices with thp a bid lne In terest and n ghts a s follows
T hIS Prol ectfIhes ls IS the sole legal proper ty of U ni ver s lty Malaysia Sa rawa k (UNliLASj T he Ce ntre for Academic InformatIOn Services has th e la wful n ghl tu ma ke copie~
for the purpose of academIc and research only and not fo r othll p urp ose Th e Centre for AcademIc InformatlOn Services has the lawful rI ght to digi ta hse the content for the Local Content Database The Ce ntre for Academic Information Services has the la wful right to ma ke cop Ies of the Pro)ecttrhesls for academic exchange betw een HIgher Learnm g In s titute No dispute or any claim shall arie from the student ItSEmiddotlf neIther third pa rty on ths ProjectiThesls once it becomes the sole property of UNnLA S This ProjectThesis or any matenal data and information rela ted to it s ha ll not be dis tnbuted published or disclosed to any party by the s tudent except w ith UNIIVLAS permlSSlOn
Supervisor signat
Curre nt Address
NO 26 J ALAN 2 TAMAN S I7NGAI JELlX 4000 KAJANG SELA1() OR D ARlJI E HSAN
Notes If the ProjectThes s is CONFIDENTIAL or RESTRICTED please attach togethe r
as a nnexurel I Iter fro m the orga nisatIOn with the pe riod a nd reasonS of confide n lJa li ty a nd res trictio n
[T he in s t rume nt is duJy prep a red by The Ce ntr e for Aca de mic Inform ation Ser vices]
UNIVERSITI MALAYSIA SARAWAK
Grade ______
PIau lid ( I
fJ Yur Pngt0lt1 Rlt= ~
)las u U Ph) 0
DECLARATION OF ORIGINAL WORK
This declaration IS made on the I ~~ )Gli
Students Declaration
I I JACKLIN ROSE AlP NATHAN(49717) from IACULT Y OF AP PLIED AND CREATIVE ARTS hereby declare that the work entIt led SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON HINDUISM S P IRITUAL is my original work I have not copled from any other students work or from any other soureiS except where due reference or acknowledgement is made expliCItly in th ( text nor has (lIlY part been wntten for me by another person
- Date Su bmI rted
Supervisors Declaration
I DR YAKUP BIN RAFEE hereby certIfIes that the work enUtled SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON HINDUISM MANDALA prepared by the above named student and was submltted to the FACULTY as a partia Ufull fulfillment for the conferment of BACHELOR OF APPLIED ARTS WITH HONOURS (FINE ARTS) and the aforementioned work to the best of my knowledge is the said students work
ReceIved f1 examinat ion by
Date 11 ~rl~ (DR YAKDP BIN MOHD
PENGAKUAN
Projek bertajuk SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON
HINDUISM SPIRITUAL telah di sediakan oleh JACKLIN ROSE AlP NATHAN dan
telah di serahkan kepad a FalnJlti Seni Gunaan dan Kreatif sebagai memenuhi syarat unru k
Ij azah Sarjana Muda Seni Gunaa n dengan Kepujian (Sen Halus)
Oi erima untuk diperiksa oleh
Tari kh
_--=-gt-flI~~-f gtOI~
PENGESAHAN
Adalah ini diakui bahawa saya JACKLIN ROSE NP NATHAN disel1ai penulisan yang
bel1ajuk SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON
HINDUIS II SPIRITUAL sebagai sebahagian daripada keperluaan untuk Ijazah Sarjana
Muda Seni Gunaan dengan Kepujian (Sen Halus)
Disahkan oleh
Penyelia
iv
ACKNOWLEDGEMENT
In thi s oppOlllmity I would like to thanks a lot to my supervi sor Dr Yakup Mo hd Rafee
because willing to help me throughout my Final Year Project All hi s help courage and
supp ort helped me very much in this project
Besides that I would like to thank my both parents Without the ir hel p I could not be here
doing my project They also he lp me by giving the co urage and financia ll y support me fo r
me to complete my Final Year Project I also do not miss to thank al l my oth er lecturer who
helped my by sharing knowledge and guidance given to me to complete Final Year project
I would al so like to thanks all my fri ends who helped me by sharing knowledge along
completing Final Year Proj ect They was al ways there to correct my mistakes a ll the time
v
T ABLE OF CONTENT
DECLARATION OF ORIGINAL WORK
BORANG PENGAK UAN
BORANG PENGESAHAN
ACKNOWLEDGEMENT
TABLE OF CONTENT
ABSTRACT
ABSTRAK
CHAPTE R I INTRODUCTION
1 0 Introduction
J Background
111 Symboli sm
112 Mandala
113 Spirit11al
J 2 Research Statement
13 Research Question
14 Obj ecti ve
1 5 Research Scope
16 Research ImpoJ1ance
CHAPTER 2 LITERATURE REVIEW
20 Introduc tion
21 Symbo li sm
2 11 The word symbol
211 I The symbol sign
21 2 How pictures become symbol signs
21 21 The process of stylization
2122 Simplification through material and tools
213 Types o f symbol
213 1 Fauna symbols
vi
PAGES
i- ii
iii
v
VI
xiii
xiv
3
3
3
4
5
6
7
7
8
9
9
9-11
I I
II
12
12
13
13
14
213 11 From multiplicity to simplicity 14
2 13 12 Life and Death T he Serpent symbol 14
213 13 Olher fauna symbols 15
2132 Plant symbols 16
213 3 The human fOlm as symbol 17
2134 Obj ects landscapes elements of nature 17
214 The symbol o f ci rcl e 18-20
2141 The symbol of the center 20-21
2 142 Geometry 21-22
2 143 The ground plan 22-24
2 2 Mandala 25middot26
22 1 What is Chakra in Mandala 26
222 Chakra shape symbol 27
22 3 Mandala in different Belief 27
2231 Tibetan Buddhism 28
2 2 3 2 Hindu Mandalas 29
2 2 33 Australia Ab iori gi nal 29
2 2 34 Navajo Indians 29
224 Sri Yantra 30-3 1
2 241 Components of Sri Yantra 3 1-33
224 2 Purpose of Sri Yantra 33
23 Spiritual 34
2 3 I What is Hinduism 34-35
23 2 Elements of Hinduism 36
2321 T he Vedas 36
2 32 11 T he Structure and Content of Vedas 37-3 8
23 22 Tantra 38
23 2 3 Yantra 39
233 Hindu Beliefs 41
233 1 Brahman 41
2 332 Multiple God 41
2333 Dharma 42
vii
2334 Samsara 43
2335 Karma 43
3 RESEARCH METHODOLY 45
Introduction 45
31 Reading materials 45
32 Online websites 45
33 Observation and Re-draw 45
34 Experimentation 45
CHAPTER 4 DATA ANALYSIS 46
40 Introduction 45
41 Reading Materials 47
411 SymbolISm 47
411 SymbOl in social 47-48
412 1andala 48-49
4121 The Sri Yantra 50-51
4122 antra Symbolism 51-54
4123 1andala and Bindhu 54
4124 Symbol of Vastu and Bindbu by Mandala 55
4125 Sri Yantra in temple architecture 55-56
42 Observation 58
421 Element of [111 58
421 I Lme 58
4212 Shape 59
422 Principles of arts 59
4221 Repetition 60
4222 Unity 60
4223 Emphasis GO
4224 Balance 60
4225 Harmony 60
43 Re-draw 60
vlli
431 The
432 The 16 lotus nng
433 8 lotus nng
434 Tnangle and full Sf Yantra
44 JXIPerln1cntElll
45 Conclusion
DTtD 5 THE PROCESS OF CREATING OWN ARTWORK
50 Introduction
51 Idea of Final Work
Fll1al Idea
53 Process orEnal anwork
54 Final Arl work
55 Conclusion
REFERENCE
61
62
62
63
63
64
65
65
65
66
67
71
74
ix
ABSTRACT
This reseach explains the Symbolism of Mandala in Visual Art Form Based on Hindui sm
Spiritual It is been carri ed out by identifying the symboli sm and implement it in personal
artwork Mandala Sri Ya ntra is Spiritual symbol whi ch originally 2 Dimensional and used
for sp iritua l hinduism purposes especaiU y devotion Sri Ya ntra also represent the temples
blueprint where it accurate the oca tion of the goddess in the center of the temple T hi s
proj ec t will be new insight for existed knowledge on mandala especiall y from visual ar1S
perspecti ve
x
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
I derlare th a t P rojectThesis is classlfied a s (Please tIck ( )
CONFIDE1TIAL (Contams confide nti al inform a tIOn und e r the Officia l Secret Act 1972)
RESTRICTED (Contams res trIcted Inform a tio n as s pecified by Ihegt orga niza t ion w he re r esea rch was drm(-ji
OPEl ACCESS
Validation of ProjecUThesis
I th erefore duly affirm wIth free conse nt a nd willin gly decla re tha t t hi d p oJPctrrheHb s hal l be placed offi cia lly In the Ce ntre for Academic Information Sen ices with thp a bid lne In terest and n ghts a s follows
T hIS Prol ectfIhes ls IS the sole legal proper ty of U ni ver s lty Malaysia Sa rawa k (UNliLASj T he Ce ntre for Academic InformatIOn Services has th e la wful n ghl tu ma ke copie~
for the purpose of academIc and research only and not fo r othll p urp ose Th e Centre for AcademIc InformatlOn Services has the lawful rI ght to digi ta hse the content for the Local Content Database The Ce ntre for Academic Information Services has the la wful right to ma ke cop Ies of the Pro)ecttrhesls for academic exchange betw een HIgher Learnm g In s titute No dispute or any claim shall arie from the student ItSEmiddotlf neIther third pa rty on ths ProjectiThesls once it becomes the sole property of UNnLA S This ProjectThesis or any matenal data and information rela ted to it s ha ll not be dis tnbuted published or disclosed to any party by the s tudent except w ith UNIIVLAS permlSSlOn
Supervisor signat
Curre nt Address
NO 26 J ALAN 2 TAMAN S I7NGAI JELlX 4000 KAJANG SELA1() OR D ARlJI E HSAN
Notes If the ProjectThes s is CONFIDENTIAL or RESTRICTED please attach togethe r
as a nnexurel I Iter fro m the orga nisatIOn with the pe riod a nd reasonS of confide n lJa li ty a nd res trictio n
[T he in s t rume nt is duJy prep a red by The Ce ntr e for Aca de mic Inform ation Ser vices]
UNIVERSITI MALAYSIA SARAWAK
Grade ______
PIau lid ( I
fJ Yur Pngt0lt1 Rlt= ~
)las u U Ph) 0
DECLARATION OF ORIGINAL WORK
This declaration IS made on the I ~~ )Gli
Students Declaration
I I JACKLIN ROSE AlP NATHAN(49717) from IACULT Y OF AP PLIED AND CREATIVE ARTS hereby declare that the work entIt led SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON HINDUISM S P IRITUAL is my original work I have not copled from any other students work or from any other soureiS except where due reference or acknowledgement is made expliCItly in th ( text nor has (lIlY part been wntten for me by another person
- Date Su bmI rted
Supervisors Declaration
I DR YAKUP BIN RAFEE hereby certIfIes that the work enUtled SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON HINDUISM MANDALA prepared by the above named student and was submltted to the FACULTY as a partia Ufull fulfillment for the conferment of BACHELOR OF APPLIED ARTS WITH HONOURS (FINE ARTS) and the aforementioned work to the best of my knowledge is the said students work
ReceIved f1 examinat ion by
Date 11 ~rl~ (DR YAKDP BIN MOHD
PENGAKUAN
Projek bertajuk SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON
HINDUISM SPIRITUAL telah di sediakan oleh JACKLIN ROSE AlP NATHAN dan
telah di serahkan kepad a FalnJlti Seni Gunaan dan Kreatif sebagai memenuhi syarat unru k
Ij azah Sarjana Muda Seni Gunaa n dengan Kepujian (Sen Halus)
Oi erima untuk diperiksa oleh
Tari kh
_--=-gt-flI~~-f gtOI~
PENGESAHAN
Adalah ini diakui bahawa saya JACKLIN ROSE NP NATHAN disel1ai penulisan yang
bel1ajuk SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON
HINDUIS II SPIRITUAL sebagai sebahagian daripada keperluaan untuk Ijazah Sarjana
Muda Seni Gunaan dengan Kepujian (Sen Halus)
Disahkan oleh
Penyelia
iv
ACKNOWLEDGEMENT
In thi s oppOlllmity I would like to thanks a lot to my supervi sor Dr Yakup Mo hd Rafee
because willing to help me throughout my Final Year Project All hi s help courage and
supp ort helped me very much in this project
Besides that I would like to thank my both parents Without the ir hel p I could not be here
doing my project They also he lp me by giving the co urage and financia ll y support me fo r
me to complete my Final Year Project I also do not miss to thank al l my oth er lecturer who
helped my by sharing knowledge and guidance given to me to complete Final Year project
I would al so like to thanks all my fri ends who helped me by sharing knowledge along
completing Final Year Proj ect They was al ways there to correct my mistakes a ll the time
v
T ABLE OF CONTENT
DECLARATION OF ORIGINAL WORK
BORANG PENGAK UAN
BORANG PENGESAHAN
ACKNOWLEDGEMENT
TABLE OF CONTENT
ABSTRACT
ABSTRAK
CHAPTE R I INTRODUCTION
1 0 Introduction
J Background
111 Symboli sm
112 Mandala
113 Spirit11al
J 2 Research Statement
13 Research Question
14 Obj ecti ve
1 5 Research Scope
16 Research ImpoJ1ance
CHAPTER 2 LITERATURE REVIEW
20 Introduc tion
21 Symbo li sm
2 11 The word symbol
211 I The symbol sign
21 2 How pictures become symbol signs
21 21 The process of stylization
2122 Simplification through material and tools
213 Types o f symbol
213 1 Fauna symbols
vi
PAGES
i- ii
iii
v
VI
xiii
xiv
3
3
3
4
5
6
7
7
8
9
9
9-11
I I
II
12
12
13
13
14
213 11 From multiplicity to simplicity 14
2 13 12 Life and Death T he Serpent symbol 14
213 13 Olher fauna symbols 15
2132 Plant symbols 16
213 3 The human fOlm as symbol 17
2134 Obj ects landscapes elements of nature 17
214 The symbol o f ci rcl e 18-20
2141 The symbol of the center 20-21
2 142 Geometry 21-22
2 143 The ground plan 22-24
2 2 Mandala 25middot26
22 1 What is Chakra in Mandala 26
222 Chakra shape symbol 27
22 3 Mandala in different Belief 27
2231 Tibetan Buddhism 28
2 2 3 2 Hindu Mandalas 29
2 2 33 Australia Ab iori gi nal 29
2 2 34 Navajo Indians 29
224 Sri Yantra 30-3 1
2 241 Components of Sri Yantra 3 1-33
224 2 Purpose of Sri Yantra 33
23 Spiritual 34
2 3 I What is Hinduism 34-35
23 2 Elements of Hinduism 36
2321 T he Vedas 36
2 32 11 T he Structure and Content of Vedas 37-3 8
23 22 Tantra 38
23 2 3 Yantra 39
233 Hindu Beliefs 41
233 1 Brahman 41
2 332 Multiple God 41
2333 Dharma 42
vii
2334 Samsara 43
2335 Karma 43
3 RESEARCH METHODOLY 45
Introduction 45
31 Reading materials 45
32 Online websites 45
33 Observation and Re-draw 45
34 Experimentation 45
CHAPTER 4 DATA ANALYSIS 46
40 Introduction 45
41 Reading Materials 47
411 SymbolISm 47
411 SymbOl in social 47-48
412 1andala 48-49
4121 The Sri Yantra 50-51
4122 antra Symbolism 51-54
4123 1andala and Bindhu 54
4124 Symbol of Vastu and Bindbu by Mandala 55
4125 Sri Yantra in temple architecture 55-56
42 Observation 58
421 Element of [111 58
421 I Lme 58
4212 Shape 59
422 Principles of arts 59
4221 Repetition 60
4222 Unity 60
4223 Emphasis GO
4224 Balance 60
4225 Harmony 60
43 Re-draw 60
vlli
431 The
432 The 16 lotus nng
433 8 lotus nng
434 Tnangle and full Sf Yantra
44 JXIPerln1cntElll
45 Conclusion
DTtD 5 THE PROCESS OF CREATING OWN ARTWORK
50 Introduction
51 Idea of Final Work
Fll1al Idea
53 Process orEnal anwork
54 Final Arl work
55 Conclusion
REFERENCE
61
62
62
63
63
64
65
65
65
66
67
71
74
ix
ABSTRACT
This reseach explains the Symbolism of Mandala in Visual Art Form Based on Hindui sm
Spiritual It is been carri ed out by identifying the symboli sm and implement it in personal
artwork Mandala Sri Ya ntra is Spiritual symbol whi ch originally 2 Dimensional and used
for sp iritua l hinduism purposes especaiU y devotion Sri Ya ntra also represent the temples
blueprint where it accurate the oca tion of the goddess in the center of the temple T hi s
proj ec t will be new insight for existed knowledge on mandala especiall y from visual ar1S
perspecti ve
x
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
UNIVERSITI MALAYSIA SARAWAK
Grade ______
PIau lid ( I
fJ Yur Pngt0lt1 Rlt= ~
)las u U Ph) 0
DECLARATION OF ORIGINAL WORK
This declaration IS made on the I ~~ )Gli
Students Declaration
I I JACKLIN ROSE AlP NATHAN(49717) from IACULT Y OF AP PLIED AND CREATIVE ARTS hereby declare that the work entIt led SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON HINDUISM S P IRITUAL is my original work I have not copled from any other students work or from any other soureiS except where due reference or acknowledgement is made expliCItly in th ( text nor has (lIlY part been wntten for me by another person
- Date Su bmI rted
Supervisors Declaration
I DR YAKUP BIN RAFEE hereby certIfIes that the work enUtled SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON HINDUISM MANDALA prepared by the above named student and was submltted to the FACULTY as a partia Ufull fulfillment for the conferment of BACHELOR OF APPLIED ARTS WITH HONOURS (FINE ARTS) and the aforementioned work to the best of my knowledge is the said students work
ReceIved f1 examinat ion by
Date 11 ~rl~ (DR YAKDP BIN MOHD
PENGAKUAN
Projek bertajuk SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON
HINDUISM SPIRITUAL telah di sediakan oleh JACKLIN ROSE AlP NATHAN dan
telah di serahkan kepad a FalnJlti Seni Gunaan dan Kreatif sebagai memenuhi syarat unru k
Ij azah Sarjana Muda Seni Gunaa n dengan Kepujian (Sen Halus)
Oi erima untuk diperiksa oleh
Tari kh
_--=-gt-flI~~-f gtOI~
PENGESAHAN
Adalah ini diakui bahawa saya JACKLIN ROSE NP NATHAN disel1ai penulisan yang
bel1ajuk SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON
HINDUIS II SPIRITUAL sebagai sebahagian daripada keperluaan untuk Ijazah Sarjana
Muda Seni Gunaan dengan Kepujian (Sen Halus)
Disahkan oleh
Penyelia
iv
ACKNOWLEDGEMENT
In thi s oppOlllmity I would like to thanks a lot to my supervi sor Dr Yakup Mo hd Rafee
because willing to help me throughout my Final Year Project All hi s help courage and
supp ort helped me very much in this project
Besides that I would like to thank my both parents Without the ir hel p I could not be here
doing my project They also he lp me by giving the co urage and financia ll y support me fo r
me to complete my Final Year Project I also do not miss to thank al l my oth er lecturer who
helped my by sharing knowledge and guidance given to me to complete Final Year project
I would al so like to thanks all my fri ends who helped me by sharing knowledge along
completing Final Year Proj ect They was al ways there to correct my mistakes a ll the time
v
T ABLE OF CONTENT
DECLARATION OF ORIGINAL WORK
BORANG PENGAK UAN
BORANG PENGESAHAN
ACKNOWLEDGEMENT
TABLE OF CONTENT
ABSTRACT
ABSTRAK
CHAPTE R I INTRODUCTION
1 0 Introduction
J Background
111 Symboli sm
112 Mandala
113 Spirit11al
J 2 Research Statement
13 Research Question
14 Obj ecti ve
1 5 Research Scope
16 Research ImpoJ1ance
CHAPTER 2 LITERATURE REVIEW
20 Introduc tion
21 Symbo li sm
2 11 The word symbol
211 I The symbol sign
21 2 How pictures become symbol signs
21 21 The process of stylization
2122 Simplification through material and tools
213 Types o f symbol
213 1 Fauna symbols
vi
PAGES
i- ii
iii
v
VI
xiii
xiv
3
3
3
4
5
6
7
7
8
9
9
9-11
I I
II
12
12
13
13
14
213 11 From multiplicity to simplicity 14
2 13 12 Life and Death T he Serpent symbol 14
213 13 Olher fauna symbols 15
2132 Plant symbols 16
213 3 The human fOlm as symbol 17
2134 Obj ects landscapes elements of nature 17
214 The symbol o f ci rcl e 18-20
2141 The symbol of the center 20-21
2 142 Geometry 21-22
2 143 The ground plan 22-24
2 2 Mandala 25middot26
22 1 What is Chakra in Mandala 26
222 Chakra shape symbol 27
22 3 Mandala in different Belief 27
2231 Tibetan Buddhism 28
2 2 3 2 Hindu Mandalas 29
2 2 33 Australia Ab iori gi nal 29
2 2 34 Navajo Indians 29
224 Sri Yantra 30-3 1
2 241 Components of Sri Yantra 3 1-33
224 2 Purpose of Sri Yantra 33
23 Spiritual 34
2 3 I What is Hinduism 34-35
23 2 Elements of Hinduism 36
2321 T he Vedas 36
2 32 11 T he Structure and Content of Vedas 37-3 8
23 22 Tantra 38
23 2 3 Yantra 39
233 Hindu Beliefs 41
233 1 Brahman 41
2 332 Multiple God 41
2333 Dharma 42
vii
2334 Samsara 43
2335 Karma 43
3 RESEARCH METHODOLY 45
Introduction 45
31 Reading materials 45
32 Online websites 45
33 Observation and Re-draw 45
34 Experimentation 45
CHAPTER 4 DATA ANALYSIS 46
40 Introduction 45
41 Reading Materials 47
411 SymbolISm 47
411 SymbOl in social 47-48
412 1andala 48-49
4121 The Sri Yantra 50-51
4122 antra Symbolism 51-54
4123 1andala and Bindhu 54
4124 Symbol of Vastu and Bindbu by Mandala 55
4125 Sri Yantra in temple architecture 55-56
42 Observation 58
421 Element of [111 58
421 I Lme 58
4212 Shape 59
422 Principles of arts 59
4221 Repetition 60
4222 Unity 60
4223 Emphasis GO
4224 Balance 60
4225 Harmony 60
43 Re-draw 60
vlli
431 The
432 The 16 lotus nng
433 8 lotus nng
434 Tnangle and full Sf Yantra
44 JXIPerln1cntElll
45 Conclusion
DTtD 5 THE PROCESS OF CREATING OWN ARTWORK
50 Introduction
51 Idea of Final Work
Fll1al Idea
53 Process orEnal anwork
54 Final Arl work
55 Conclusion
REFERENCE
61
62
62
63
63
64
65
65
65
66
67
71
74
ix
ABSTRACT
This reseach explains the Symbolism of Mandala in Visual Art Form Based on Hindui sm
Spiritual It is been carri ed out by identifying the symboli sm and implement it in personal
artwork Mandala Sri Ya ntra is Spiritual symbol whi ch originally 2 Dimensional and used
for sp iritua l hinduism purposes especaiU y devotion Sri Ya ntra also represent the temples
blueprint where it accurate the oca tion of the goddess in the center of the temple T hi s
proj ec t will be new insight for existed knowledge on mandala especiall y from visual ar1S
perspecti ve
x
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
PENGAKUAN
Projek bertajuk SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON
HINDUISM SPIRITUAL telah di sediakan oleh JACKLIN ROSE AlP NATHAN dan
telah di serahkan kepad a FalnJlti Seni Gunaan dan Kreatif sebagai memenuhi syarat unru k
Ij azah Sarjana Muda Seni Gunaa n dengan Kepujian (Sen Halus)
Oi erima untuk diperiksa oleh
Tari kh
_--=-gt-flI~~-f gtOI~
PENGESAHAN
Adalah ini diakui bahawa saya JACKLIN ROSE NP NATHAN disel1ai penulisan yang
bel1ajuk SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON
HINDUIS II SPIRITUAL sebagai sebahagian daripada keperluaan untuk Ijazah Sarjana
Muda Seni Gunaan dengan Kepujian (Sen Halus)
Disahkan oleh
Penyelia
iv
ACKNOWLEDGEMENT
In thi s oppOlllmity I would like to thanks a lot to my supervi sor Dr Yakup Mo hd Rafee
because willing to help me throughout my Final Year Project All hi s help courage and
supp ort helped me very much in this project
Besides that I would like to thank my both parents Without the ir hel p I could not be here
doing my project They also he lp me by giving the co urage and financia ll y support me fo r
me to complete my Final Year Project I also do not miss to thank al l my oth er lecturer who
helped my by sharing knowledge and guidance given to me to complete Final Year project
I would al so like to thanks all my fri ends who helped me by sharing knowledge along
completing Final Year Proj ect They was al ways there to correct my mistakes a ll the time
v
T ABLE OF CONTENT
DECLARATION OF ORIGINAL WORK
BORANG PENGAK UAN
BORANG PENGESAHAN
ACKNOWLEDGEMENT
TABLE OF CONTENT
ABSTRACT
ABSTRAK
CHAPTE R I INTRODUCTION
1 0 Introduction
J Background
111 Symboli sm
112 Mandala
113 Spirit11al
J 2 Research Statement
13 Research Question
14 Obj ecti ve
1 5 Research Scope
16 Research ImpoJ1ance
CHAPTER 2 LITERATURE REVIEW
20 Introduc tion
21 Symbo li sm
2 11 The word symbol
211 I The symbol sign
21 2 How pictures become symbol signs
21 21 The process of stylization
2122 Simplification through material and tools
213 Types o f symbol
213 1 Fauna symbols
vi
PAGES
i- ii
iii
v
VI
xiii
xiv
3
3
3
4
5
6
7
7
8
9
9
9-11
I I
II
12
12
13
13
14
213 11 From multiplicity to simplicity 14
2 13 12 Life and Death T he Serpent symbol 14
213 13 Olher fauna symbols 15
2132 Plant symbols 16
213 3 The human fOlm as symbol 17
2134 Obj ects landscapes elements of nature 17
214 The symbol o f ci rcl e 18-20
2141 The symbol of the center 20-21
2 142 Geometry 21-22
2 143 The ground plan 22-24
2 2 Mandala 25middot26
22 1 What is Chakra in Mandala 26
222 Chakra shape symbol 27
22 3 Mandala in different Belief 27
2231 Tibetan Buddhism 28
2 2 3 2 Hindu Mandalas 29
2 2 33 Australia Ab iori gi nal 29
2 2 34 Navajo Indians 29
224 Sri Yantra 30-3 1
2 241 Components of Sri Yantra 3 1-33
224 2 Purpose of Sri Yantra 33
23 Spiritual 34
2 3 I What is Hinduism 34-35
23 2 Elements of Hinduism 36
2321 T he Vedas 36
2 32 11 T he Structure and Content of Vedas 37-3 8
23 22 Tantra 38
23 2 3 Yantra 39
233 Hindu Beliefs 41
233 1 Brahman 41
2 332 Multiple God 41
2333 Dharma 42
vii
2334 Samsara 43
2335 Karma 43
3 RESEARCH METHODOLY 45
Introduction 45
31 Reading materials 45
32 Online websites 45
33 Observation and Re-draw 45
34 Experimentation 45
CHAPTER 4 DATA ANALYSIS 46
40 Introduction 45
41 Reading Materials 47
411 SymbolISm 47
411 SymbOl in social 47-48
412 1andala 48-49
4121 The Sri Yantra 50-51
4122 antra Symbolism 51-54
4123 1andala and Bindhu 54
4124 Symbol of Vastu and Bindbu by Mandala 55
4125 Sri Yantra in temple architecture 55-56
42 Observation 58
421 Element of [111 58
421 I Lme 58
4212 Shape 59
422 Principles of arts 59
4221 Repetition 60
4222 Unity 60
4223 Emphasis GO
4224 Balance 60
4225 Harmony 60
43 Re-draw 60
vlli
431 The
432 The 16 lotus nng
433 8 lotus nng
434 Tnangle and full Sf Yantra
44 JXIPerln1cntElll
45 Conclusion
DTtD 5 THE PROCESS OF CREATING OWN ARTWORK
50 Introduction
51 Idea of Final Work
Fll1al Idea
53 Process orEnal anwork
54 Final Arl work
55 Conclusion
REFERENCE
61
62
62
63
63
64
65
65
65
66
67
71
74
ix
ABSTRACT
This reseach explains the Symbolism of Mandala in Visual Art Form Based on Hindui sm
Spiritual It is been carri ed out by identifying the symboli sm and implement it in personal
artwork Mandala Sri Ya ntra is Spiritual symbol whi ch originally 2 Dimensional and used
for sp iritua l hinduism purposes especaiU y devotion Sri Ya ntra also represent the temples
blueprint where it accurate the oca tion of the goddess in the center of the temple T hi s
proj ec t will be new insight for existed knowledge on mandala especiall y from visual ar1S
perspecti ve
x
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
PENGESAHAN
Adalah ini diakui bahawa saya JACKLIN ROSE NP NATHAN disel1ai penulisan yang
bel1ajuk SYMBOLISM OF MANDALA IN VISUAL ART FORM BASED ON
HINDUIS II SPIRITUAL sebagai sebahagian daripada keperluaan untuk Ijazah Sarjana
Muda Seni Gunaan dengan Kepujian (Sen Halus)
Disahkan oleh
Penyelia
iv
ACKNOWLEDGEMENT
In thi s oppOlllmity I would like to thanks a lot to my supervi sor Dr Yakup Mo hd Rafee
because willing to help me throughout my Final Year Project All hi s help courage and
supp ort helped me very much in this project
Besides that I would like to thank my both parents Without the ir hel p I could not be here
doing my project They also he lp me by giving the co urage and financia ll y support me fo r
me to complete my Final Year Project I also do not miss to thank al l my oth er lecturer who
helped my by sharing knowledge and guidance given to me to complete Final Year project
I would al so like to thanks all my fri ends who helped me by sharing knowledge along
completing Final Year Proj ect They was al ways there to correct my mistakes a ll the time
v
T ABLE OF CONTENT
DECLARATION OF ORIGINAL WORK
BORANG PENGAK UAN
BORANG PENGESAHAN
ACKNOWLEDGEMENT
TABLE OF CONTENT
ABSTRACT
ABSTRAK
CHAPTE R I INTRODUCTION
1 0 Introduction
J Background
111 Symboli sm
112 Mandala
113 Spirit11al
J 2 Research Statement
13 Research Question
14 Obj ecti ve
1 5 Research Scope
16 Research ImpoJ1ance
CHAPTER 2 LITERATURE REVIEW
20 Introduc tion
21 Symbo li sm
2 11 The word symbol
211 I The symbol sign
21 2 How pictures become symbol signs
21 21 The process of stylization
2122 Simplification through material and tools
213 Types o f symbol
213 1 Fauna symbols
vi
PAGES
i- ii
iii
v
VI
xiii
xiv
3
3
3
4
5
6
7
7
8
9
9
9-11
I I
II
12
12
13
13
14
213 11 From multiplicity to simplicity 14
2 13 12 Life and Death T he Serpent symbol 14
213 13 Olher fauna symbols 15
2132 Plant symbols 16
213 3 The human fOlm as symbol 17
2134 Obj ects landscapes elements of nature 17
214 The symbol o f ci rcl e 18-20
2141 The symbol of the center 20-21
2 142 Geometry 21-22
2 143 The ground plan 22-24
2 2 Mandala 25middot26
22 1 What is Chakra in Mandala 26
222 Chakra shape symbol 27
22 3 Mandala in different Belief 27
2231 Tibetan Buddhism 28
2 2 3 2 Hindu Mandalas 29
2 2 33 Australia Ab iori gi nal 29
2 2 34 Navajo Indians 29
224 Sri Yantra 30-3 1
2 241 Components of Sri Yantra 3 1-33
224 2 Purpose of Sri Yantra 33
23 Spiritual 34
2 3 I What is Hinduism 34-35
23 2 Elements of Hinduism 36
2321 T he Vedas 36
2 32 11 T he Structure and Content of Vedas 37-3 8
23 22 Tantra 38
23 2 3 Yantra 39
233 Hindu Beliefs 41
233 1 Brahman 41
2 332 Multiple God 41
2333 Dharma 42
vii
2334 Samsara 43
2335 Karma 43
3 RESEARCH METHODOLY 45
Introduction 45
31 Reading materials 45
32 Online websites 45
33 Observation and Re-draw 45
34 Experimentation 45
CHAPTER 4 DATA ANALYSIS 46
40 Introduction 45
41 Reading Materials 47
411 SymbolISm 47
411 SymbOl in social 47-48
412 1andala 48-49
4121 The Sri Yantra 50-51
4122 antra Symbolism 51-54
4123 1andala and Bindhu 54
4124 Symbol of Vastu and Bindbu by Mandala 55
4125 Sri Yantra in temple architecture 55-56
42 Observation 58
421 Element of [111 58
421 I Lme 58
4212 Shape 59
422 Principles of arts 59
4221 Repetition 60
4222 Unity 60
4223 Emphasis GO
4224 Balance 60
4225 Harmony 60
43 Re-draw 60
vlli
431 The
432 The 16 lotus nng
433 8 lotus nng
434 Tnangle and full Sf Yantra
44 JXIPerln1cntElll
45 Conclusion
DTtD 5 THE PROCESS OF CREATING OWN ARTWORK
50 Introduction
51 Idea of Final Work
Fll1al Idea
53 Process orEnal anwork
54 Final Arl work
55 Conclusion
REFERENCE
61
62
62
63
63
64
65
65
65
66
67
71
74
ix
ABSTRACT
This reseach explains the Symbolism of Mandala in Visual Art Form Based on Hindui sm
Spiritual It is been carri ed out by identifying the symboli sm and implement it in personal
artwork Mandala Sri Ya ntra is Spiritual symbol whi ch originally 2 Dimensional and used
for sp iritua l hinduism purposes especaiU y devotion Sri Ya ntra also represent the temples
blueprint where it accurate the oca tion of the goddess in the center of the temple T hi s
proj ec t will be new insight for existed knowledge on mandala especiall y from visual ar1S
perspecti ve
x
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
ACKNOWLEDGEMENT
In thi s oppOlllmity I would like to thanks a lot to my supervi sor Dr Yakup Mo hd Rafee
because willing to help me throughout my Final Year Project All hi s help courage and
supp ort helped me very much in this project
Besides that I would like to thank my both parents Without the ir hel p I could not be here
doing my project They also he lp me by giving the co urage and financia ll y support me fo r
me to complete my Final Year Project I also do not miss to thank al l my oth er lecturer who
helped my by sharing knowledge and guidance given to me to complete Final Year project
I would al so like to thanks all my fri ends who helped me by sharing knowledge along
completing Final Year Proj ect They was al ways there to correct my mistakes a ll the time
v
T ABLE OF CONTENT
DECLARATION OF ORIGINAL WORK
BORANG PENGAK UAN
BORANG PENGESAHAN
ACKNOWLEDGEMENT
TABLE OF CONTENT
ABSTRACT
ABSTRAK
CHAPTE R I INTRODUCTION
1 0 Introduction
J Background
111 Symboli sm
112 Mandala
113 Spirit11al
J 2 Research Statement
13 Research Question
14 Obj ecti ve
1 5 Research Scope
16 Research ImpoJ1ance
CHAPTER 2 LITERATURE REVIEW
20 Introduc tion
21 Symbo li sm
2 11 The word symbol
211 I The symbol sign
21 2 How pictures become symbol signs
21 21 The process of stylization
2122 Simplification through material and tools
213 Types o f symbol
213 1 Fauna symbols
vi
PAGES
i- ii
iii
v
VI
xiii
xiv
3
3
3
4
5
6
7
7
8
9
9
9-11
I I
II
12
12
13
13
14
213 11 From multiplicity to simplicity 14
2 13 12 Life and Death T he Serpent symbol 14
213 13 Olher fauna symbols 15
2132 Plant symbols 16
213 3 The human fOlm as symbol 17
2134 Obj ects landscapes elements of nature 17
214 The symbol o f ci rcl e 18-20
2141 The symbol of the center 20-21
2 142 Geometry 21-22
2 143 The ground plan 22-24
2 2 Mandala 25middot26
22 1 What is Chakra in Mandala 26
222 Chakra shape symbol 27
22 3 Mandala in different Belief 27
2231 Tibetan Buddhism 28
2 2 3 2 Hindu Mandalas 29
2 2 33 Australia Ab iori gi nal 29
2 2 34 Navajo Indians 29
224 Sri Yantra 30-3 1
2 241 Components of Sri Yantra 3 1-33
224 2 Purpose of Sri Yantra 33
23 Spiritual 34
2 3 I What is Hinduism 34-35
23 2 Elements of Hinduism 36
2321 T he Vedas 36
2 32 11 T he Structure and Content of Vedas 37-3 8
23 22 Tantra 38
23 2 3 Yantra 39
233 Hindu Beliefs 41
233 1 Brahman 41
2 332 Multiple God 41
2333 Dharma 42
vii
2334 Samsara 43
2335 Karma 43
3 RESEARCH METHODOLY 45
Introduction 45
31 Reading materials 45
32 Online websites 45
33 Observation and Re-draw 45
34 Experimentation 45
CHAPTER 4 DATA ANALYSIS 46
40 Introduction 45
41 Reading Materials 47
411 SymbolISm 47
411 SymbOl in social 47-48
412 1andala 48-49
4121 The Sri Yantra 50-51
4122 antra Symbolism 51-54
4123 1andala and Bindhu 54
4124 Symbol of Vastu and Bindbu by Mandala 55
4125 Sri Yantra in temple architecture 55-56
42 Observation 58
421 Element of [111 58
421 I Lme 58
4212 Shape 59
422 Principles of arts 59
4221 Repetition 60
4222 Unity 60
4223 Emphasis GO
4224 Balance 60
4225 Harmony 60
43 Re-draw 60
vlli
431 The
432 The 16 lotus nng
433 8 lotus nng
434 Tnangle and full Sf Yantra
44 JXIPerln1cntElll
45 Conclusion
DTtD 5 THE PROCESS OF CREATING OWN ARTWORK
50 Introduction
51 Idea of Final Work
Fll1al Idea
53 Process orEnal anwork
54 Final Arl work
55 Conclusion
REFERENCE
61
62
62
63
63
64
65
65
65
66
67
71
74
ix
ABSTRACT
This reseach explains the Symbolism of Mandala in Visual Art Form Based on Hindui sm
Spiritual It is been carri ed out by identifying the symboli sm and implement it in personal
artwork Mandala Sri Ya ntra is Spiritual symbol whi ch originally 2 Dimensional and used
for sp iritua l hinduism purposes especaiU y devotion Sri Ya ntra also represent the temples
blueprint where it accurate the oca tion of the goddess in the center of the temple T hi s
proj ec t will be new insight for existed knowledge on mandala especiall y from visual ar1S
perspecti ve
x
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
T ABLE OF CONTENT
DECLARATION OF ORIGINAL WORK
BORANG PENGAK UAN
BORANG PENGESAHAN
ACKNOWLEDGEMENT
TABLE OF CONTENT
ABSTRACT
ABSTRAK
CHAPTE R I INTRODUCTION
1 0 Introduction
J Background
111 Symboli sm
112 Mandala
113 Spirit11al
J 2 Research Statement
13 Research Question
14 Obj ecti ve
1 5 Research Scope
16 Research ImpoJ1ance
CHAPTER 2 LITERATURE REVIEW
20 Introduc tion
21 Symbo li sm
2 11 The word symbol
211 I The symbol sign
21 2 How pictures become symbol signs
21 21 The process of stylization
2122 Simplification through material and tools
213 Types o f symbol
213 1 Fauna symbols
vi
PAGES
i- ii
iii
v
VI
xiii
xiv
3
3
3
4
5
6
7
7
8
9
9
9-11
I I
II
12
12
13
13
14
213 11 From multiplicity to simplicity 14
2 13 12 Life and Death T he Serpent symbol 14
213 13 Olher fauna symbols 15
2132 Plant symbols 16
213 3 The human fOlm as symbol 17
2134 Obj ects landscapes elements of nature 17
214 The symbol o f ci rcl e 18-20
2141 The symbol of the center 20-21
2 142 Geometry 21-22
2 143 The ground plan 22-24
2 2 Mandala 25middot26
22 1 What is Chakra in Mandala 26
222 Chakra shape symbol 27
22 3 Mandala in different Belief 27
2231 Tibetan Buddhism 28
2 2 3 2 Hindu Mandalas 29
2 2 33 Australia Ab iori gi nal 29
2 2 34 Navajo Indians 29
224 Sri Yantra 30-3 1
2 241 Components of Sri Yantra 3 1-33
224 2 Purpose of Sri Yantra 33
23 Spiritual 34
2 3 I What is Hinduism 34-35
23 2 Elements of Hinduism 36
2321 T he Vedas 36
2 32 11 T he Structure and Content of Vedas 37-3 8
23 22 Tantra 38
23 2 3 Yantra 39
233 Hindu Beliefs 41
233 1 Brahman 41
2 332 Multiple God 41
2333 Dharma 42
vii
2334 Samsara 43
2335 Karma 43
3 RESEARCH METHODOLY 45
Introduction 45
31 Reading materials 45
32 Online websites 45
33 Observation and Re-draw 45
34 Experimentation 45
CHAPTER 4 DATA ANALYSIS 46
40 Introduction 45
41 Reading Materials 47
411 SymbolISm 47
411 SymbOl in social 47-48
412 1andala 48-49
4121 The Sri Yantra 50-51
4122 antra Symbolism 51-54
4123 1andala and Bindhu 54
4124 Symbol of Vastu and Bindbu by Mandala 55
4125 Sri Yantra in temple architecture 55-56
42 Observation 58
421 Element of [111 58
421 I Lme 58
4212 Shape 59
422 Principles of arts 59
4221 Repetition 60
4222 Unity 60
4223 Emphasis GO
4224 Balance 60
4225 Harmony 60
43 Re-draw 60
vlli
431 The
432 The 16 lotus nng
433 8 lotus nng
434 Tnangle and full Sf Yantra
44 JXIPerln1cntElll
45 Conclusion
DTtD 5 THE PROCESS OF CREATING OWN ARTWORK
50 Introduction
51 Idea of Final Work
Fll1al Idea
53 Process orEnal anwork
54 Final Arl work
55 Conclusion
REFERENCE
61
62
62
63
63
64
65
65
65
66
67
71
74
ix
ABSTRACT
This reseach explains the Symbolism of Mandala in Visual Art Form Based on Hindui sm
Spiritual It is been carri ed out by identifying the symboli sm and implement it in personal
artwork Mandala Sri Ya ntra is Spiritual symbol whi ch originally 2 Dimensional and used
for sp iritua l hinduism purposes especaiU y devotion Sri Ya ntra also represent the temples
blueprint where it accurate the oca tion of the goddess in the center of the temple T hi s
proj ec t will be new insight for existed knowledge on mandala especiall y from visual ar1S
perspecti ve
x
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
213 11 From multiplicity to simplicity 14
2 13 12 Life and Death T he Serpent symbol 14
213 13 Olher fauna symbols 15
2132 Plant symbols 16
213 3 The human fOlm as symbol 17
2134 Obj ects landscapes elements of nature 17
214 The symbol o f ci rcl e 18-20
2141 The symbol of the center 20-21
2 142 Geometry 21-22
2 143 The ground plan 22-24
2 2 Mandala 25middot26
22 1 What is Chakra in Mandala 26
222 Chakra shape symbol 27
22 3 Mandala in different Belief 27
2231 Tibetan Buddhism 28
2 2 3 2 Hindu Mandalas 29
2 2 33 Australia Ab iori gi nal 29
2 2 34 Navajo Indians 29
224 Sri Yantra 30-3 1
2 241 Components of Sri Yantra 3 1-33
224 2 Purpose of Sri Yantra 33
23 Spiritual 34
2 3 I What is Hinduism 34-35
23 2 Elements of Hinduism 36
2321 T he Vedas 36
2 32 11 T he Structure and Content of Vedas 37-3 8
23 22 Tantra 38
23 2 3 Yantra 39
233 Hindu Beliefs 41
233 1 Brahman 41
2 332 Multiple God 41
2333 Dharma 42
vii
2334 Samsara 43
2335 Karma 43
3 RESEARCH METHODOLY 45
Introduction 45
31 Reading materials 45
32 Online websites 45
33 Observation and Re-draw 45
34 Experimentation 45
CHAPTER 4 DATA ANALYSIS 46
40 Introduction 45
41 Reading Materials 47
411 SymbolISm 47
411 SymbOl in social 47-48
412 1andala 48-49
4121 The Sri Yantra 50-51
4122 antra Symbolism 51-54
4123 1andala and Bindhu 54
4124 Symbol of Vastu and Bindbu by Mandala 55
4125 Sri Yantra in temple architecture 55-56
42 Observation 58
421 Element of [111 58
421 I Lme 58
4212 Shape 59
422 Principles of arts 59
4221 Repetition 60
4222 Unity 60
4223 Emphasis GO
4224 Balance 60
4225 Harmony 60
43 Re-draw 60
vlli
431 The
432 The 16 lotus nng
433 8 lotus nng
434 Tnangle and full Sf Yantra
44 JXIPerln1cntElll
45 Conclusion
DTtD 5 THE PROCESS OF CREATING OWN ARTWORK
50 Introduction
51 Idea of Final Work
Fll1al Idea
53 Process orEnal anwork
54 Final Arl work
55 Conclusion
REFERENCE
61
62
62
63
63
64
65
65
65
66
67
71
74
ix
ABSTRACT
This reseach explains the Symbolism of Mandala in Visual Art Form Based on Hindui sm
Spiritual It is been carri ed out by identifying the symboli sm and implement it in personal
artwork Mandala Sri Ya ntra is Spiritual symbol whi ch originally 2 Dimensional and used
for sp iritua l hinduism purposes especaiU y devotion Sri Ya ntra also represent the temples
blueprint where it accurate the oca tion of the goddess in the center of the temple T hi s
proj ec t will be new insight for existed knowledge on mandala especiall y from visual ar1S
perspecti ve
x
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
2334 Samsara 43
2335 Karma 43
3 RESEARCH METHODOLY 45
Introduction 45
31 Reading materials 45
32 Online websites 45
33 Observation and Re-draw 45
34 Experimentation 45
CHAPTER 4 DATA ANALYSIS 46
40 Introduction 45
41 Reading Materials 47
411 SymbolISm 47
411 SymbOl in social 47-48
412 1andala 48-49
4121 The Sri Yantra 50-51
4122 antra Symbolism 51-54
4123 1andala and Bindhu 54
4124 Symbol of Vastu and Bindbu by Mandala 55
4125 Sri Yantra in temple architecture 55-56
42 Observation 58
421 Element of [111 58
421 I Lme 58
4212 Shape 59
422 Principles of arts 59
4221 Repetition 60
4222 Unity 60
4223 Emphasis GO
4224 Balance 60
4225 Harmony 60
43 Re-draw 60
vlli
431 The
432 The 16 lotus nng
433 8 lotus nng
434 Tnangle and full Sf Yantra
44 JXIPerln1cntElll
45 Conclusion
DTtD 5 THE PROCESS OF CREATING OWN ARTWORK
50 Introduction
51 Idea of Final Work
Fll1al Idea
53 Process orEnal anwork
54 Final Arl work
55 Conclusion
REFERENCE
61
62
62
63
63
64
65
65
65
66
67
71
74
ix
ABSTRACT
This reseach explains the Symbolism of Mandala in Visual Art Form Based on Hindui sm
Spiritual It is been carri ed out by identifying the symboli sm and implement it in personal
artwork Mandala Sri Ya ntra is Spiritual symbol whi ch originally 2 Dimensional and used
for sp iritua l hinduism purposes especaiU y devotion Sri Ya ntra also represent the temples
blueprint where it accurate the oca tion of the goddess in the center of the temple T hi s
proj ec t will be new insight for existed knowledge on mandala especiall y from visual ar1S
perspecti ve
x
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
431 The
432 The 16 lotus nng
433 8 lotus nng
434 Tnangle and full Sf Yantra
44 JXIPerln1cntElll
45 Conclusion
DTtD 5 THE PROCESS OF CREATING OWN ARTWORK
50 Introduction
51 Idea of Final Work
Fll1al Idea
53 Process orEnal anwork
54 Final Arl work
55 Conclusion
REFERENCE
61
62
62
63
63
64
65
65
65
66
67
71
74
ix
ABSTRACT
This reseach explains the Symbolism of Mandala in Visual Art Form Based on Hindui sm
Spiritual It is been carri ed out by identifying the symboli sm and implement it in personal
artwork Mandala Sri Ya ntra is Spiritual symbol whi ch originally 2 Dimensional and used
for sp iritua l hinduism purposes especaiU y devotion Sri Ya ntra also represent the temples
blueprint where it accurate the oca tion of the goddess in the center of the temple T hi s
proj ec t will be new insight for existed knowledge on mandala especiall y from visual ar1S
perspecti ve
x
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
ABSTRACT
This reseach explains the Symbolism of Mandala in Visual Art Form Based on Hindui sm
Spiritual It is been carri ed out by identifying the symboli sm and implement it in personal
artwork Mandala Sri Ya ntra is Spiritual symbol whi ch originally 2 Dimensional and used
for sp iritua l hinduism purposes especaiU y devotion Sri Ya ntra also represent the temples
blueprint where it accurate the oca tion of the goddess in the center of the temple T hi s
proj ec t will be new insight for existed knowledge on mandala especiall y from visual ar1S
perspecti ve
x
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
ABSTRAK
Projek ini adalah hasil kajian terhadap symbolism yang digunakan dalarn Mandala
bercirikan keagamaan Hinduismc Kajian dilaksanakan rnelalui rnengenal pasli ciri-ciri
simbolisme Mandala Hinduism dan mengaplikasikannya dalam karya peribadi Mandala
Sri Chakra merupakan simbo l spiritual Hinduisme yang seeara trad is inya merupakan seni 2
Dimensi yang dihasilkan menggunakan pasi r berwarna untuk upacara pernujaan dan
rneditasi Sri Chakra juga mewakili pelan kedudukan dewa Hindu di pusat struktur
sesebuah kuil yang mempunyai unsur-unsur indi vidu dimana menyumbang kepada po la
geornetrik keseluruhan yang membentuk dan masing-rnasing rnewakili komponen tenaga
dunia Projek ini ada lah untuk menghasilkan input baru dalam pengetahuan sedia ada
mandala terutama dari sudut seni visual
xi
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
Chapter I
Introduction
LO Introduction
The main purpose of the research is about symbolism of Mandala in visual art form in context
of Hinduism spiritual According Alembik L (2011) which says traditional Mandai a a twoshy
dimensional circular painting drawn with colour sand represents a temple blueprint for a
Hindu deity who resides at the center of the structure It shows there are symboiism in
Mandala based on Hinduism spiritual plllposes Researcher will C01)me Sri Yantra mandala
as the choosen mandala for ths research [0 study of symbolism
it lmportant for researcher to identify the bi~grap)llcal research on mandala The Sri
iuura mandala be focused Violai C (201 stated the word randalia is a Sanskrit
term that means circle or discoid object Mandalas are ODICClS m
Hindu A mandala Can be defined in two ways externally as a visual
rerJreselawtlCm of the universe and internally as a DIde for several psychophyslcal
that place in many Asian traditions includmg meditation It is to make sure reearcI1er
know the history and background of 1andala well
will also will identify what is symbolism and its element of it In the process
researcher will identify the symbols used in Si Yantra Hinduism spiritual Mandala BeSllJes
that understanding the common or needs in mandala has to be research by ca~jjq III
order to Jl Me the basic knowledge such as medium and tools used Then the collected
data which converted 10 idea which ill be implemented to own final al1work
1
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
Researcher will be implementing qualitative method and ex ploratory type of research The
identifying of symbolism of mandala based on spiritual in context of Hinduism process will
be done by using primary and secondary data collection which is reading materia ls online
journals and theses in order to get the accurate fact data Then the analyse process will take
place by analyse symbolism in MandaJa with elements and principles of art by observation
and re-draw The observation will take place by defining the e lements and principl es in
Ma ndala whil e the process ofre draw w here resea rcher re draw the Ma ndala uses the origi nal
procedures and elements It is important so that researcher ex perience the process of
Mandala
The researcher s scope is about symbolism in Mandala The researcher specific it into
Hinduism spiritual Mandala Hereb y only Hinduism spiritual inOuenced Manda la will be
used in this research The Sri Yantra mandala is the choosen one on in this research It is
where after the identification of symbolism of Mandala in spiritual based on Hinduism
researcher will analyse the symbolism based on findings with elements and principle of arts
By this il will help researcher come out on what idea to use in final contemporary own
artwork based on the symbolism findings
Researcher thinks its important to do this research because by thi s research th e symboli sm
in Sri Yantra Mandala based on spiritual in Hinduism contex t can be iden tify It may not a
new knowledge but it will be a new input for existing knowledge It also will help
researcher artist and others to understand Mandala more Aida A (20 10) You cant get
there by bus only by hard work risking and by not quite knowing you re doing What
youll d iscover wi ll be wonderful yourself
2
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
11 Background
Based on the introduction above the key points of the research have to be briefed specifically
as below
11 1 Symbolism
Symbolism is the use of symbols to signify ideas and qualities by giving them symbolic
meanings that are different from their literal sense Symbolism can take diCte rent fonus
Generally it is an object representing another to give an entirely different meaning that is
much deeper and more significant Sometimes however an action an event Or a word
spoken by someone ma y ha ve a symbolic value
Symbols do shift their meanings depending on the context they are used in Thus symbolic
meaning of an object or an action is understood by when where and how It is used It also
depends on who reads the work
112 Mandala
Mandala is a Sanskrit term which simpl y means circle A Sanskrit thesaurus defines various
meanings hiding behind the ternl Mandala It defines that the term Mandala is synonym with
the word Chakravala meaning a cosmic disc Or wheel Chakra is manifested in Ali Yoga
and Tantrik tradition as one of the central symbols of the oriental civili zation
Etymologically the term Chakra is derived from the root Kra- meaning to create which
implies the idea of movement
3
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
Thus it denotes to circular object potential of motion and velocity just like a disc or a wheel
Chakra lit erall y means so lar disc which is regarded as a symbol of Time sca le since the
ancient period In the vedic mythology the Sun is interpreted as a celestia l wheel
113 Hinduism
Spirituality involves the recognition of a feeling or sense or belief that there is something
greater than myself somethin g mOre to being human than sensory ex perience and that the
greater whole of which we are part is cosmic or divine in natu re
Hinduism is an ancient reli gion whose origins predate recorded hi story It has no single
human founder and it has developed over thousands of years Its most sacred scri ptures are
the Vedas which means knowledge in Sanskrit the ritu al language of Hinduism
The Vedas began as an ora l tradition and modem scholars have specul ated that they date
back as far as 6500 BCE Historians believe that the Vedas were written down around 1000
BCE or earlier Other elements of Hinduism-such as sacred symbols and the worship of
certain Gods-can also be traced back to the seventh century BCE The wo rd Hindu was first
used by the ancient Persians to desc ribe the practices and beliefs of peo ple who lived east of
the river Sindhu or the lndus River Hindus ca ll their religion Ved ic Dharma (1he religion
of knowledge)
4
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
12 Problem statement
Based on the literature review that calTied out there were few statements had arose the
inspiration of the resea rc her on symbo li sm of Mandala in visua l al1 form based o n Hinduism
Spiritual
V io latti C (2013) The wo rd mandala is a Sanskrit term that means circle or di sco id
object A mandala can be defmed in two ways extern all y as a schematic vi sual
representation of the uni verse and internally as a guide fo r several psychophysical prac tices
She added al so that mandalas ma y be based o n o r include a va ri e ty of geo metric shapes
using patterns that have evo lved from different symbo ls
In other side by Thorp C L (2017) said that where each mandala represents the entire
universe with Mount Meru a sacred mountain with fi ve peaks manifesting physica lly
metaphysically and spiritu al ly in Buddhist Hindu and Jain cosmologies in the centre
There are three realms inside th e mandala Arupyadhatu - the fo rmless realm Rupudh atu shy
the rea lm of form and Kamadhatu - the desire realm that take place in many As ian
traditions including meditation
To support above statement Vi olatti C (2013) al so mentioned the methods used in crea ting
mandalas are very precise and merged with different ritu als including the chantings of sacred
fOlmulas Mandalas may be based On or include a variety o f geometric shapes using patterns
that ha ve evolved from different symbols
It shows that Mandala hi ghly connected to spiritual and have their own symbolisms To show
it accurate there is anoth er supporting statem ent by A lembik L (2011) which says
5
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
traditional Mandala a two-dimensional circular painting drawn with co lored sand
represents a temple blueprint for a Buddhist or Hindu deity who re sides at the center of the
structure This work is used as an aid in meditation acting as a guide in one s search for
enlighterunent
The pal1 researcher take more interest is the stalement of Khanna M (2003) abo ut Sri Yantra
mandala The Sri Yantra is a tool to give a vision of the totality of existence so thai the
adept may internalize its symbols for the ultimate realization of his unity with the cosmos
The goal of contemplating the Sri Yantra is that the adept can redi scover hi s primordial
sources The circuits symbolically indicate the successive phases in the process of becoming
It gives the researcher the urges to reveal more on the symbolism used in it
By this research the researcher wants to apply the symbolism used in Hinduism spiritual
mandala in own contemporary fOlm of artwork It is important for the researcher to do this
research to understand the symbolism better To make sure the process of making artwork
based on symbolism data collected must be accurate To achieve that this research has to
be done This research also need to be done to show how far the app lica ti on of the data
analysed used in contemporary own artwork
As a result the problem statement of the research is symboli sm in Mandala in visual art fonn
based on Hinduism spiritual
13 Research Questions
a) What are the symboli sm of Ma ndala in visual art form based on Hinduism Spiritual
b) How to analyse (he symboli sm in Ma ndala based on elements and principles research
c) How to implement the outcome of the research on personal al1work
6
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
14 Objectives
a) Identify the symbolism of Mandala in visual art form based on Hinduism Splfltual
b) Analyse the sYlnbohsm in Mandala based on dements and principles research
c) To implement the outcome of the research on personal artwork
1S Research Scope
The researchers scope is about symbolism of Mandala tn visual art foon It been more
narrowed Mandala in context of Spiritual based in Hinduism and the choosen mandala is
Sri Yantra
According to Alembik L 20 11) which says traditional vIandala a twodimensional circular
painting drawn with colored sand represents a temple blueprint for a Hindu deity who
resides at the center of the structure This work is used as an aid in ~cdilation acting as a
guide in ones search for enlightenment It shows there are symbolism in lviandala based on
spiritual purposes
It will be done hy the reading materials to findlllg the hi(HYranh study on mandala It
is Important for researcher to understand the history and background of the clanciaia well
Then the symbolism used in mandala based only Hinduism spiritual will be focused which
is Sri Yantra mandala The symbol includes all the element related to mandala
By lhal researcher will analyse lhe s)1nbolism used based on elements and principles of
arts The symbols used in mandala will be explored based on elements and principal of aJ1S
which includes 11Oe form balance compOSItion It will help researcher
come out on what idea to llSC in final contemporary own artwork based on the symbolrsm
findings The analyse process will took place by reading material and observation
7
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
By thi s researcher will collect data on finding and implement it own cont emporary artwo rk
16 Research Importance
Researcher thinks its impol1ant to do this research because by this research th e symb oli sm
in Si Yanlra Ma nda la in visua l aJ1 fOim based on spi ritua l in Hinduism cont ex t can be
identi fy It may no t a new knowledge but it will be a new in put for existin g know ledge It
also will he lp researcher a rtis t and others to und ers tand Mand ala more Aida A (20 I 0) You
can t get there by bus onl y by hard work ri sking and by not quite knowing you re do ing
What you ll di scove r will be wonderful yourse lf
8
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
Chapter 2
Literature Review
20 Introduction
The purpose researcher do thi s research is to find and collect sources that trusted so that
it is used as accurate ev idence to support in resea rchers researchB y thi s literature revi ew
researcher will get to identi fy the key words and theories which influences the research of
the researcher Resea rch er a lso will find and co ll ect the important data by books articles
j oumal documents from intem et and many more By this research starts with identifying
and und erstanding symboli sm Mandala in spiriwal Hinduism context and Sri Yantra
21 Symbolism
Frutiger A (1989) in hi s book of Signs and Symbols stated its often undeti nab le capacity of
a representatio n to make a statement is also denoted by the telm symboli c content This
symbolic e lement in pic tures is an implied val ue a mediator between recogni zable reality
and th e mystical invisible rea lm of religion phil oso phy and magic extending from the
consciously understandable into the field of the unconsc ious
In other side symbolism is the argument that nati ve exegesi s-its presence absence or
content-is fundamentally irre levant to the naWre and power of ritual symbols as vehicles
of communica tion has been advanced by a number of theorists Gell Alfred (1975) Ritual
symbols it is argued carry messages that are by their naWre radica ll y different from the
messages ex pressed in language and thus are no t onl y large ly hidden from consc iousness
but translat able into language if at all only in partial or di st0l1ed ways
9
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
Symbolism means in tenm of spiritual by Pagea u J (201 2) in his journal The Recovery of
Symbolism is that Symbolism has been progressively reduced from underlying our very
cosmological world v iew to now be ing a form of s ignifyi ng like the littl e man on the door
of the lavatory or a tra ffic sign with its shapes and colour There is an ex te riority a nonshy
participation between the symbol and the si gnified meanin g Looking at the word
symbol one can already gather what the ori ginal understanding was
Figure I Painting o f an Egyptian coffin
He added the Greek word symbol means a meeting gatherin g We call a symbo of faith
that which is a bringing together of the essential elements of what we believe A symbol in
the tme sense of th e word is not a substituti on for something a slgn merely pointing to
something else thJough resemblance or through an arb itrary consensus A symbol properly
understood is only a s ign pointing to something a principle in the sense that it concentrates
that princ iple in a direct way makes it manifest And a symbol being a concentration and
manifestation is a lso a parti cipation in the thing it symbolizes It gives a lot point of view on
10
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11
symboli sm for researcher To more deeper understanding on symboli sm and elements
content in it researcher foc used main all review on Frutiger A (1989) book of Signs Gnd
Symbols The review from the book was as below
211 The word Symbol
The term symbol is often inconectly used today fo r example to describe newl y invented
signs that are different from the nOlmal - alphabe t and numera ls Admittedl y it may well
be difficult to alter this practice in the future A scientist will always wish to make use of a
new sign unit for a newly di scovered fOlm ula by findi ng or inventing a so-called new
symbol which fundamentall y belongs to the ca tegory of purely scientific s igns and in no
wa y justifies the use of the name of symbol On th e other hand J is diffi cult to achi eve
any certai nty about the symbolic expression co ntent of any given figure in the class of non
alphabet ica l graphic expression in our envirorunent
2111 The Symbol Sign
Maximum fonnal reduction from symbolic image O symbolic sign In contrast to this
elevation of the symbolic picture to perfect beauty we al so find the tendency to
simplifi cation where the pic toria l is reduced O the sign like through the representation of
the object in a basic fonn An example of this is provided by the symbol picture o f the
crucified Christ which cannot be regarded by an ybody in the Western world as an anecdotal
illustration but only as an absolute obj ect of worship a symbol o f the CIuistian fai th
11