SURABAYA THE WORN-OUT DANCING SHOES AND …repository.unair.ac.id/29818/1/HALAMAN DEPAN.pdf ·...

THE SENSIBLE SISTER F O R E S E E S EVERYTHING:

A H Y P E R T E X T U A L STUDY IN GRIMM BROTHERS'

THE WORN-OUT DANCING SHOES AND J U L I E T

M A R I L L I E R ' S WILD WOOD DANCING

A THESIS

By Alberta Natasia Adji

NIM: 121211231005

ENGLISH DEPARTMENT F A C U L T Y OF HUMANITIES

UNIVERSITAS AIRLANGGA

SURABAYA

2016

ADLN-PERPUSTAKAAN UNIVERSITAS AIRLANGGA

SKRIPSI THE SENSIBLE SISTER ... ALBERTA NATASIA ADJI

THE SENSIBLE SISTER FORESEES EVERYTHING:

A HYPERTEXTUAL STUDY IN GRIMM BROTHERS'

THE WORN-OUT DANCING SHOES AND JULIET r

MARILLIER'S WILDWOOD DANCING

A THESIS


NI~: 121211231005

ENGLISH DEPARTMENT FACULTY OF HUMANITIES


SURABAYA

2016

w T H E SENSIBLE SISTER F O R E S E E S EVERYTHING:

A H Y P E R T E X T U A L STUDY IN GRIMM BROTHERS'

THE WORN-OUTDANCING SHOES AND J U L I E T

M A R I L L I E R ' S WILD WOOD DANCING

A THESIS

- • ; SB?

;


NIM: 121211231005

ENGLISH DEPARTMENT F A C U L T Y O F HUMANITIES


SURABAYA

2016

:

•

. . . .



THE SENSIBLE SISTER FORESEES EVERYTHING: - -.

A HYPERTEXTUAL STUDY- IN GRIMM BROTHERS'

THE WORN-OUT DANCING SHOES AND JULIET

MARILLIER'S WILDWOOD -DANCING r

A THESIS

By Alberta N atasis· Adji

- NIM: 121211231005


\ UNIVERSITAS AIRLANGGA

SURABAYA

2016

ii

THE SENSIBLE SISTER FORESEES EVERYTHING:

A HYPERTEXTUAL STUDY IN GRIMM BROTHERS’ THE WORN-OUT

DANCING SHOES AND JULIET MARILLIER’S WILDWOOD DANCING

A THESIS

Submitted as Partial Fulfilment of the Requirements for the Sarjana Degree

of English Department FACULTY OF HUMANITIES Universitas Airlangga

Surabaya

By:

Alberta Natasia Adji

NIM: 121211231005



SURABAYA

2016



DECLARATION

This thesis is submitted as a partial fulfilment of the degree Sarjana Humaniora

S.Hum.) o f the English Department, Faculty o f Humanities, Universitas

Airlangga. Hereby, I confirm the following points:

1. This thesis is entirely my own work.

2. It is not copied from any other person's work (published or unpublished)

5. I do not use the services of any professional agencies to produce this thesis.

4. It has not been previously submitted for assessment either at Universitas

Airlangga or elsewhere.

5. Any text, tables, figure, data or other material copied from other sources

(including, but not limited to, books, papers, and the internet) have been

clearly acknowledged and referenced in the text. These details are also

confirmed by a fuller reference in the references at the end of the text.

I understand that breaching any or all the above points w i l l result in the

withdrawal of the awarded degree and disciplinary action in accordance with the

regulations at Universitas Airlangga.

Surabaya, January 4 2016



DECLARATION

This thesis is submitted as a partial fulfilment of the degree Sarjana Humaniora

S.Hum.) of the English Department, Faculty of Humanities, Universitas

_ . langga. Hereby, I confirm the follo~ing points:

This thesis is entirely my own work.

It is not copied from any other person's work (published 'or unpublished)

I do not use the services of any professional agencies to produce this thesis.

""to It has not been previously submitted for assessment either at Universitas

Airlangga or elsewhere.

5. Any text, tables, figure, data or other material copied from other sources

(including, but not limited to, books, papers, and the internet) have been

clearly acknowledged and referenced in the text. These details are also

confirmed by a fuller reference in the references at the end of the text.

I understand that breaching any or all the above points will result in the

withdrawal of the awarded degree and discipl~ary action in accordance with the _ J

regulations at Universitas Airlangga.

Surabaya, January 4th 2016

iii

iv

This thesis is dedicated to my family;

Dra. Wan Wan Tjitrodjojo

Dr. Drs. Adji Prayitno, M.S., Apt.

Antonia Vania Adji.

Thank you for staying with me

until the end.



Approved to be examined

Surabaya, January 4 2016

Thesis Advisor

Dra. Christinawati, M.Si. NIP 195712251985032002

Head of English Department,

Deny Arnos Kwary. S.S.. M.Hum., Ph.D. NIP 197501011999031001


UNTVERSITAS AIRLANGGA

SURABAYA

2016



Approved to be examined

Surabaya, January 4tb 2016

, Thesis Advisor

Dra. Christinawati, M.Si. NIP 195712251985032002

Deny Amos Kw8'ry, S.S., M.Hum., Ph.D. NIP 197501011999031001

ENGLISH DEP ARTMENT FACULTY OF HUMANITIES


SURABAYA

2016

v

This thesis has been approved and accepted by the Board of Examiners,

English Department, Faculty of Humanities,

Universitas Airlangga on January 22 n d 2016

i

The Board of Examiners are:

1.

Rina Saraswati, S.S., M.Hum. NIP 197805182007012002

Dra. Christinawati, M.SL NIP 195712251985032002

3.

Drs. Amir Fatah, M.Hum. NIP 195501191986011001

vi



1.

2.

3.

This thesis has been approved and accepted by the Board of Examiners,

English Department, Faculty of Humanities,

Universitas Airlangga on January 220d 2016

The Board of Examiners are:

%f:. RiDa Saraswati, S.S., M.Hum.

NIP 197805182007012002

Ora. Christinawati, M.Si. NIP 195712251985032002

Drs. Amir Fatab, M.Hum. NIP 195501191986011001

vi

vii

ACKNOWLEDGEMENTS

Once upon a time, I was looking for a place to study English Literature

when my father casually mentioned that his alma mater university might have

one. Indeed, he was right. So I registered and was desperate for months when they

finally accepted me to be one of their students. To this day, I am eternally grateful

to the Good Lord for answered prayers, an affectionate family, a brave new world

of peers, friends, teachers and lecturers, and above all, the strength to make it all

through in these three and a half years. I have been truly blessed that a lot of

people have painted my life, making it so colourful as well as beautifully shaped.

Dra. Christinawati, M.Si., who took me under her wing as my thesis

advisor and as my academic councillor before that. Thank you, Ma’am, for

showing me that being kind and patient is the most important trait for someone to

possess. Your careful guidance has helped me through some rough spots in my

thesis, and I am truly grateful for that.

Dra. Wan Wan Tjitrodjojo: the outspoken and intelligent woman who gave

me life. I have done myriad things I am not proud of, and yet you never give up

on me. You are the most motivated person I have ever encountered, and I am still

bewildered how you always know what I need before I do. Dr. Antonius Adji

Prayitno, Drs., M.S., Apt, the leading man of our family. Thank you for all the

hardships you have encountered to keep us well and cared for. You have the

largest heart, and I hope I will soon grow into someone as capable as you. Antonia

Vania Adji, my only sister and confidante. I am glad that we both share many

similar preferences in life. Best of luck to you, Peke. Ce Vonny, my super-brave



viii

aunt who takes care of my nieces (Evelyn, Ellen, Ellisia, and Doronthy) after the

death of my uncle. I can never thank you enough for constantly helping us with

small things in our day-to-day problems. And to our rabbits, Gimli and Balin.

Lastiko Endi, S.S., M.Hum., Dra. S.E. Widjajati, M.S., Rina Saraswati,

S.S., M.Hum., mgr. Puguh Budi Susetiyo, S.Hum., for their endless supports and

teachings over the years I spent in English Department, FIB. Thanks to my

seniors, Kak Anggit ‘Angie’ Pangastuti and Mbak Donna Iskandar, my friends

from English Department (Azmi, Sandy, Sasa, Aya, Maria, Gama, Ibeth, Vino)

and from Brotherhood (Beswan Djarum 30): Icha, Izza, Tika, Linda, Dudin, Dini,

Delina, Mia, Ozha, Onny, Yuda and the rest. My KKN folk of Bancelok (Aisya,

Zharfan, Astri, Ochi, Fai, Rahma, Fajar, Mujahid, Mia, Danas) and from PSUA.

Of course, I have to thank some special friends whom I have always admired

for their uniqueness and boldness in living their life to the fullest: Meutia

Shabrina, who has helped me a lot while being singing group coaches at PUKM

PSUA 2014 & 2015. Vinda Puspita Valandini, who has befriended me from the

time we were chosen as Komting for PKBU classes. Muhtadin ‘Adi’ Mustafa, the

best friend who sticks around even though I only have disturbing things as our

discussion, mostly. May your dreams soar up to the sky, someday.

Desember 30th

, 2015

Alberta Natasia Adji



ix

“It may be that your sole purpose in

life is simply to serve as a warning

to others.”

Unknown



x

TABLE OF CONTENTS

Inside cover page …………………………………………………………………. i

Inside title page …………………………………………………………………… ii

Declaration page …………………………………………………………………. iii

Dedication page …………………………………………………………………... iv

Advisor’s approval page ………………………………………………………….. v

Examiner approval page ………………………………………………………….. vi

Acknowledgements ……………………………………………………………….. vii

Epigraph ………………………………………………………………………….. ix

Table of Contents …………………………………………………………….…… x

Abstract ……………………………………………………………….................... xiii

List of Figure ……………………………………………………………………... xiv

List of Table ………………………………………………………………………. xv

CHAPTER I: INTRODUCTION

1.1 Background of the Study …………………………………………………….. 1

1.2 Statement of the Problem ……………………………………………………. 7

1.3 Objectives of the Study ……………………………………………………… 7

1.4 Significance of the Study ……………………………………………………. 8

1.5 Scope and Limitations ……………………………………………………….. 9

1.6 Theoretical Background ……………………………………………………... 9

1.7 Method of the Study ………………………………………………………... 11

1.7.1 Data Sources ……………………………………………………………... 11



xi

1.7.2 Technique of data collection ……………………………………………... 12

1.7.3 Technique of data analysis ……………………………………………….. 13

1.8 Definition of Key Terms …………………………………………………… 14

CHAPTER II: LITERATURE REVIEW

2.1 Theoretical Framework …………………………………………………….. 15

2.1.1 Hypertextuality …………………………………………………………… 15

2.1.2 Allusion …………………………………………………………………... 19

2.1.2.1 Intrinsic Elements ………………………………………………………. 19

2.1.3 Re-vision …………………………………………………………………. 21

2.2 Related Studies ……………………………………………………………... 22

CHAPTER III: ANALYSIS

3.1 The Similarities between Grimm Brothers’ The Worn-Out Dancing Shoes

and Juliet Marillier’s Wildwood Dancing …………………………………. 29

3.1.1 Having a remarkable sister ……………………………………………….. 31

3.1.2 Viewed as an ordinary girl ……………………………………………….. 37

3.1.3 Having a keen sense or intuition on danger ……………………………… 42

3.1.4 The different sister ……………………………………………………….. 48

3.2 The Differences between Grimm Brothers’ The Worn-Out Dancing Shoes

and Juliet Marillier’s Wildwood Dancing ..................................................... 52

3.2.1 Maintaining sisterhood …………………………………………………… 63

3.2.2 Keeping secret for dancing ……………………………………………….. 73

3.2.3 Opinions challenged ……………………………………………………… 82



xii

3.2.4 Predictions answered ……………………………………………………... 88

3.3 The Allusion between Grimm Brothers’ The Worn-Out Dancing Shoes

and Juliet Marillier’s Wildwood Dancing …………………………………. 94

3.3.1 The sensible heroines …………………………………………………….. 95

3.3.2 The social settings as the foundation of both stories ……………………. 110

3.4 The Re-vision between Grimm Brothers’ The Worn-Out Dancing Shoes

and Juliet Marillier’s Wildwood Dancing ………………………………… 118

3.4.1 Re-vision of the Characters ……………………………………………... 121

3.4.2 Re-vision of the Pattern …………………………………………………. 130

3.4.3 Re-vision of the Socio-Cultural Aspects ………………………………... 136

CHAPTER IV: CONCLUSION

Conclusion …………………………………………………………………….. 143

Works Cited …………………………………………………………………... 145

Synopsis of Grimm Brothers’ The Worn-Out Dancing Shoes ………………... 148

Synopsis of Juliet Marillier’s Wildwood Dancing ……………………………. 150



xiii

ABSTRACT

This study strives to investigate two points respectively, the sensibility trait of the

Youngest/Twelfth Princess from Grimm Brothers’ The Worn-Out Dancing Shoes

and Jena from Juliet Marillier’s Wildwood Dancing, and the socio-cultural

settings which link both texts. Through applying Gerard Genette’s Hypertextuality

theory, the descriptive qualitative analysis is conducted to explain the two issues

above. Based on the analysis, the study results show that socio-cultural settings

significantly affect the two main protagonists of the interlinking texts using two

preferred elements of hypertextuality, namely Allusion and Re-vision. Correlating

to both elements, Wildwood Dancing offers elongated details and reasons to fill

the missing gaps of the original fairy tale. Furthermore, sensibility is later proven

to be a significant counterpoint in defending women against patriarchal values.

Keywords

Allusion, hypertextuality, re-vision, sensibility



xiv

LIST OF FIGURE

Figure 1: Sequences of narrative events …...…………………………………… 53



xv

LIST OF TABLE

Table 1: Similarities of the Protagonists in Grimm Brothers’ The Worn-

Out Dancing Shoes and Juliet Marillier’s Wildwood Dancing ………... 30

Table 2: Differences in Grimm Brothers’ The Worn-Out Dancing Shoes and

Juliet Marillier’s Wildwood Dancing ……………………………..….... 53



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