Supplemental Scores for Music 330a

CD Recordings for Listening Assignments

' C.E. (intonaticn-reciting tone-cadence)

6 1:2 SS:2 Anon., Te:cumprin.cipium &: Psalm 109 ca.BOO Antiphon&: Antiphon-Psalm- 2 Psalm Gloria Patti-

Antin hon

8 1:3 SS:3 Anon., Rodie Christus &: Magnificat ca.BOO Antiphon&: Antiphon-Canticle Canticle-Gloria

Patri--Antinhon 10 1:4 SS:4 Anon., 0 magnum m)'Steri.um ca.BOO Great Respond-

Responsory &: Repetenda-Verse-Verse R,,..,....,,.tenda

11 1:5 SS:5 Anon., Tc Dcum laudamus ca.SOD Tedeum Through-composed, recitation formula

13 1:11 SS:6 Anon., Abso1ve Domine ca.BOO Tract Thtough-composed 4

14 1:18 SS:7 Hildegard of Bingen, A >c gr:nerosa ca.1150 Hymn Modified strophic 6

17 1:19 SS:S Cannina Burana. OHmsudor Hcrculis ca.1200 Gallard song aa-Refrain-bb- 7 Refrain-cc-Refrain,

etc. 20 1:21 SS:9 Anon., A l'cntrada dd rms dar ca.1260 Troubadour Strophic, with aa'B

balada form for each verse

21 1:22 SS:IO Beatriz, Comtessa de Dia, A chantar ca. 1200 T robairitz canso Strophic

m'er

22 2:3 SS:ll Anon., Dan.st royale ca. 1200 Estampie aa'bb'cc'dd', etc. 8

23 2:4 SS:l2 Walther von der Vogelweide, Nu. ca.1200 Kreuzlied Strophic, with aab

al erst lcbe ich mir wi:rdc ("The repetitions each verse Palestine Song")

24 2:13 SS:l3 Anon., Suma-is irumm in ca.1300 Pescanon Four-voice canon over 12 two voice pes

26 2:16 SS:l4 Machaut, Rose liz.printcmps verdure: ca.1340 Rondeau ABaAabAB 13

29 2:17 SS:l5 Machaut, Gloria fsr Agnus Dei from 1360s-'70s lsorhythmic A.BA; built over the Missa Norre Dame Mass movement isorhytb.mic tenors

35 3:1 SS:l6 Binchois, Drnil angoissaa ca.1440 Ballade Strophic, with aa'bC 17 repetitions each verse

39 3:3 SS:l7 Dufay, Nuper rosarum fl ores 1436 lsorhythmic lsorhythrnic tenor; 18 motet proportioned 6:4:2:3

45 3:8 SS:IB Josquin, Scaramella ca.1480 Frottola Strophic 19

47 3:13 SS:l9 Serrnisy, Secourez;moy ca.1530 Lyrical Parisian Strophic, with 21 chanson AABCC and other

repets. in each verse

50 3:15 55:20 Encina, Oy conramos y bcbamos ca.1500 Villancico Strophic, abba repets. in each verse

52 3:17-IB SS:21 Attaingnant, Bass' dansc and bronlc ca.1530 Dances AABB, and ABCAA 22 MV

55 4:5 SS:22 Giovanni Gastoldi, Amorvittorioso ca. lSBO Ballett Strophic, with AABB 23 repetitions within

verses 59 4:11 SS:23 Lassus, La nuicr fraideet sombre 1570s Madrigalian Through-composed, 25

chanson with final repetirion 64 4:13 SS:24 Le Jeune, Revecy venir du printonps ca.1570 Measured Strophic song with

chanson refrain 80 4:14 SS:25 Morley, Fyu, Fyerl 1595 English ballett Strophic, AABB 26

within each verse 87 4:15 SS:26 Byrd, Singfoyful!y ca.1600 Full anthem Through-composed

96 4:16 SS:27 0. Gibbons, ThisistheRccordo!John ca.1600 Verse anthem Alternation of solo and full choir

Ill 4:19 SS:2B Cavalieri, Dalle pm alu sfm 15B9 Solo madrigal Through-composed 27 final varied repet.

119 5:3 SS:29 Stefano Lmdi, II Sant'Alcssio, 1632 Rotnan opera Similar music at 29 Sinfonia beginning and end

122 5:4 SS:30 Stefano Landi, II Sant'Alcssio, Duet 1632 Roman opera Strophic

123 5:6 SS:31 F. Cavalli, "O delle mie speranza," 1645 Venetian bel Built over basso from La Doriclca canto aria ostinato

125 5:8 SS:32 Barbara Strozzi, La grime mic: 1659 Solo cantata Altern. recitatives, 30 arioso, arias

133 5:10 SS:33 Claudio Monteverdi, Pulchra es 1610 Solo concerto Varied final repetition 31

137 5:13 SS:34 Pierre Guedron, Ce:ssCs mortds de 1613 Air de cour Strophic, with binary 32 soupircr form within verses

139 5:14 SS:35 lully, Overture to Armide: 1686 French overture Elements of rounded binary

142 6:6 SS:36 Buxtehude, Pradudium in E Major, ca.1680 Organ prelude Alternating rhapsodic 35 BuxWV141 and fugal sections

146 7:2 SS:37 Corelli, Concerto, Op. 6, No. I ca.1685 Concerto grosso Alternation of slow 38 an·d fast sections

149a 7:11 SS:38 Gay, Beggar's Opera, excerpts 1728 Ballad opera 42

150 7:12 SS:39 Handel, Messiah, "Comfort Ye" 1742 Oratorio aria

154 7:13 SS:40 HandeL Messiah, "All we like sheep" 1742 Oratorio chorus Through-composed

163 7:14 SS:41 JS. Bach, Durch Adams fall, BWV 637 ca.1715 Chorale prelude AAB

166 7:16 SS:42 JS. Bach, Brandenburg Concerto 1721 Concerto grosso Built around ritamelli 43 No. 5 in D Major, Mvt. I, BWV 1050

179a 7:18 SS:43 JS. Bach, KommtihrT6chtu, from 1729 Passion chorus Rltornello based, w/ 44 The St. Matthew Passion, B\V\! interpretive choruses 244 fo: chorale melody

180 7:19 SS:44 JS. Bacb, Mass in B Minor, BWV ca.1747 Cantata Mass 232, Credo excerpts movement

-~L4(•)

•' iS, ~ r Li ........ .. -

JEWISH MUSIC

(•)PSALM 8 (b) HYMN for HASHA'NA RABBA (c) Panphrac of PSALM 137

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TIANSLATION For the Leader; upon Gittith. A psalm of David

0 Lord, OW' Lard, How 1ioriou:s is Thy iumc in all the mth! Whose majesty is rchcancd aboYc the bcavc:m.

Our o{ the mouth of babes and sualinp has Thou founded str=Jth, Bean= of Thine advc:narics; Tiw Thou rnightest still the CDCUY and the avc:nrer.

( 30]

5

Antiphon Tecum j?!'lnclplum and Psalm L09: Dlxlt Domlnus (First Psalm at Second Vespers of Christmas)

1 Antiphona. I g

G

t I ·~ ~ . I • • • l • ! r· • •

I

ECTJM prin-ci- pi- um • in di- e virtU-tis

• ~ l • ! I - • • I I I . • • I

tu- ae, in splend6-ri-bus sanct6-rum, r:x 1'.l-te-ro ante lu-ci· ; .

• I I II • • • • = ·· II s fe-!1Jm ge-nu- i te_ Euouae-

Psalmus 109.

D lxit Dominus Domino meo : • Sede a dextris

meis: - Donec ponam inimicos tuos, • scabellum pedum tu6rum-

Virgam Yirtutis tuae emittet D6minus ex Sion : • dominare in medio inimic6rum tu6rum ..

Tecum principium in die vir­t!'.ltis ture in splend6ribus san­ct6rum : • ex 1'.ltero ante luci­ferum genui te.

Juradt D6minus et non pae­nitebit eum : • Tu es sacerdos in aeternum secundum &'dinem Me!chisedecb.

D6minus a dc."ttris tuis, · • confregit in die irae suae rege5.

Judiclbit in nati6nibus. im­p!ebit ruinas : • conquassAbit cl.pica in terra mult6rum.

De torrente in via bibet : • propterea exaltabit cap11t.

Gl6ria Patri.

p Rim us lfodus sic incl- pi- tur, et sic flecti- tur, t et

1 I I 1 g

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- • ~ - • " I I I • • • :-: .. -:, •• i--H-- .

sic me- di- ii- tur : • Atque sic fi-ni- tur.

A. At birth you \lere endo,,ed v!th princely gifts and resplendent In holiness. You have shone vith the dev of youth s Ince your mother bore you.

l. The Lord said to my lord, You shall slt at my right hand

2. Unt 11 I make your enemies the footstool under your feet, .

3, When the Lord from Zion hands you the sceptre, march forth through the ranks of your enemles.

4, At birth you vere endoved vlth princely gifts and resplendent In hollneas, You have shone with the dev of youth since your mother bore you,

5, The Lord has svorn and vlll not change his purpose: You are a priest for ever, In the succession of Helchl&edek,

6, The Lord at your r lg.ht: hand has broken klngs ln the day of his anger,

7, So the king In his majesty, sovereign of a mlghty land, vi 11 punish nat Ions.

8, lie vlll drlnlc from the torrent bes Ide the path and therefore vlll hold hls head·hlgh,

D, Glory be to the Father, and to the son, and to the tbly Spirit.

As It vas ln the beginning, Is nov, and ever shall be, vorld vlthout end, Amen.

A. At birth :you vere endoved vlth princely gifts and rasplendent In hollness,. You have shone vlth the dev of youth s Ince your mother bore you.

,...,

'

Antlpoon Hodle Chrlstus natus est and Canticle Masrnlflcat (Second Vas pers of Chr !stmas)

Ad Magniiicat, Antiphona. I gz

H L br:• • • ~! . ' • • • • I a I • I I ~

Odi- e • Chri- stus na-tus est : ho.di- e Salva-tor

nppa-ru- it: h{H:lj- e in terra canunt Ange-Ii, la!tan- tur AI-

c I ···~+:- 6 .• j •. ! • I I I • .,

change- Ii : h6-di- e

• e."tsul- tantjusti, di-centes: Gl6-ri-

ii • • • • • ••• II r· • • •• • • • •

• • • •

in exct!lsis De- o, alle- Ju- ia. E u 0 u a e.

Ca nticum Beata: Maria: Virginis.

Lu<. '• 16-JJ·, • .r:·

a

MAgnificat • anima. mea D6minuin:

Et e.'lsultavit spiritus meus • in Dec salut:iri meo.

F~cit potentiam in brachio sue : • dispersit supt!rbos mente cordis sui: ·

Quia respt!xit humilitatem anc1lm suiE : • ecce enim ex hoc ~tam me dicent omnes generati6nes.

Dep6suit potentes de sede, • et exaltavit Mmiles.

Esurientes implevit boiris :· • et dfrites dimisit inanes.

Quia fecit mihi magna . qui potens est : • et sanctum nomen tjus.

Susc~pit Israel puerum suum,• recordatus miseric6rdim sum.

Sicut JOCU.tus est ad patres nostros, • Abra)lam, et sCmini ejus in s:ecula. Et miseric6rdia ej us a proge­

nie in progenies • ti men ti bus cum.

Gl6ria Patti.

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Cm1ie11m Mnznflca. )!.\. GYI· nC:..T. Et ex- suit.int Qui-a. n:spCxic humilitoitem Qui-a fecit mihi E c mi· sericordi:i e j us a progeni­F e- cit potCntiam in De- po· suk poc-E- su- rir!1nes S us-cC- pie Israel :-::c- uc locitus est GIO.ri- a c:;;.j,... nt ,.~, 1n !lrinf"inio.

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spi­an­ma­e br.i.­Cn· im­p,;. ad Pa-. ec

ri- tus cil- lz gna lqui in lpro-o chi-

SU·

p6tens ge-ni­

su-t.. J' de sc-ple- vie b<>-e- I rum 5U·

p~- i : res I F" nlio-tn, 1ec 1- • nnn~ i et sem-

z.. est. es. 0.

de. nis. U"'­stros., 0.

e>er.

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Atque . sic fi-ni- tur.

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8

Today Christ ls born: Today the saviour appears: Today on earth let t.he ano:els sins:, let the archangels rejoice: Today let the just rejoice exceedingly, saying: Glory to God In the hl~hest, alleluia,

.My soul doth magnify the Lord:

And my splrlt hath rejoiced ln God my saviour.

For he hath regarded the lov estate of his handmaiden: For, beb:lld, from henceforth all generations shall call me blessed,

For he that ls mighty hath done to me great things: And holy ls hls·name.

And his mercy ls on them that fear him From generation to generation.

He hath sb:lved strength vlth his arm: He hath scattered the i:iroud In the lmaglnat Ion of tt.lr heart•.

Ha hath put dovn the mighty from their seats: And exalted them of lov degnoe.

He hath fllled the hurui;ry vlth good thlfll!ls: And the rich he hath sent empty avay,

Ha hath helped his servant Israel, Jn remembrance of his 111&rcy.

As he spake to our fathers, To Abraham, and to his seed for eftr.

Glory be to tha Fat her, and to the Son, And to ti. Holy Spirit.

As It vas In the beginning, Is nov1 and ever shall be, World vltb:lut end. ,\men,

Today Chr 1st ls born: Today the saviour appears: Today on eart'h let the angels s Ing, let the archarui;els rejoice: Today let the just rejoice exceedingly, saying: Glory to God In the highest, alleluia.

SS: l.j.

Responsory 0 ma1mum mvsterlum (Fourth Responsory for Christmas Mat Ins)

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nderent DO- minum na- twn. jacentem in pracse:

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pi- o : • Be:. a- ta Vir- go, i:Ujus vi.sce:a me-

I I ' ...... ~ ·' .; .,, .. II ,.. .... • ··.!. l\ , .. ru- e- runt pomi- re DO-mi- num Oui- stum.

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I .Pr.. ~ • Ma-ri- a, gr.i·ti- a pie- na : DO. . -

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mi-nus

f

o. ml11hty secret and ama&I~ -nderl as a child In the mansi;er,

Beasts of the field see the Lord lying

* Blissful Vlr11;ln, vmse WOlllb vas uorthy of v. May you be mnored, Mary, full of si;race: * Blissful Vlr11;ln, vmse womb vas worthy of

bearlnsi; Christ tha Lord. the Lord Is vlth you. bearlnll Christ the Lord.

10

59- Thrn rhe Prr:rr:nror br:gins:

[Chofrj

. - > =- • c. - . • • • • • . Te De - um !au - d:i. mus:_* tc Do - m1 • num con - fi mur. Te_ ae - 1er - num p, -

4 . =· • • • • • • • • =. • - . - trem om - nis _ tcr ve - nc [Ur. Ti bi om - ncs An - gc Ji, ti - bi_Cac -li "

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Sa - ba - oth.

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• • • =- - • Che - ru - him et Se - ra-phim·in-ces-sa-bi-li

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San CIUS;_ s.n ctus_ Do - mi .. nus

; • • • • •

'" ma - "jc sta - tis glo - ri ae_ IU

. ·~ Te ___ glu - ri - o - sus A- po-sto- lo - rum_ cho rus: Te ___ Pro - phc - ta - rum !au - .cl.a -

- bi - !is_ nu - me: - rus: Te ___ Mar- ()' - rum can - di - da - tus lau - da1 c:x - c:r - c:i - tus. Te_ per

or- bcm ter - ra - rum s:i.n - eta_ con - fi - le - tur Ee - de - si - a: Pa crem_ im- men-sac ma -

. ,. "' tis: Ve - nc - ran - dum tu - um vc - rum, ct u - ni - i:um_ Fi - Ji - um: San

. • ; . . • • ; e. • • Pa - ra - cli - cum_ Spi - ri - rum. glo - n - ac, _ Chri - see. Tu Pa - eris scm -

4 ·. 7' . • . . '? :::;:: . • -p1 - ter - nus cs_ Fi - li - us. Tu ad_ Ii - be - ran - dum 5tc - ptu - rus ho ml

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tu - is fa-mu-Lis sub ve ni, quos pre-ri-o-so san- gui - ne_ re - de - mi- sti. Ac

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Mi - SC - re - -,.c no - stri· Do mi nc, mi - sc - re - re_ no-sui Fi - at_ mi·

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We' praise Thee, 0 God: we acknowledge Thee to be the Lord. All the earth doth worship Thee: the Father everlasting. To Thee all Angels cry aloud: the heave1is and all the powers therein. To Thee Cherubim and Seraphim: continually do cry, Holy, Holy, Holy: Lord God of Sabaoth; Heaven and earth are full of the Majesty: ofThy glory. The glorious company of the Apostles praise Thee. The goodly fellowship of the Prophets praise Thee. The noble army of Martyrs praise Thee. The holy Church throughout all the world doth acknowledge Thee. The Father of an infinite Majesty; Thine honourable, true and only Son; Also the Holy Ghosc, the Comforter. Thou art rhe King of glory, 0 Christ. Thou art the everlasting Son of the Father. When Thou tookest upon Thee to

deliver man Thou didst nor abhor the Virgin's womb. When Thou hadst overcome the sharpness of death Thou didst open the kingdom of heaven to all believers. Thou sirtest at the right hand of God in che glory of the Father. We believe that Thou shalt come to be our Judge. We therefore pray Thee, help Thy servants, whom Thou hast redeemed with Thy precious blood. Make them to be numbered with Thy Saints in Glory everlasting. 0 Lord, save Thy people and bless Thine heritage. Govern them and lift them up for ever. Day by day we magnify Thee; And we worship Thy Name ever world without end. VoudlSafe, 0 Lord, to keep us this day without sin. 0 Lord, have mercy upon us; have mercy upon us. 0 Lord, Ice Thy mercy lighten upon us as ot1r trust is in Thec.'O Lord, in Thee have I trusted; let me never be confot1ndcd.

• --; s.

- num.

II

ABSOLVE,_ DOMINE, Tract Anonymous

Tract. ~·-----=,-----+--~•·-----~·~-•o-••-••-~•t--<•._,. 8. • •... 8

1 :'1• I • • :i-;. I

H Bsol- ve, "' D6-mi-n°e: animas omni-um

;-- • • .- I • • • !'o. •

fide- Ii- um de-funct6- rum ab omni vin-cu-

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. = ..... ~ 1·1~1 .... : II • ~ • .. lo cle-li- etc- rum. Jl. Et gra-ti- a tti- a illis

succurren- te, me-re-antur JU-I il't. • • • •••• I •

!I • : • • 0 I

di-ci- um ul ti- o- 1115. yt. Et lu-c:s aeter-

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. '. ~--------------------'-----~ nae be-a-ti-tu- di- ne • perfru- i.

Absolve, Domine, animas omnium fidelium defunctorum ab omni vinculo delictorum.

V Et gratia tua illis succurrente. mereantur evadere judicium ultionis.

Lord, absolve [or, deliver] the souls of all of the faithful departed [deceased] from every bond of [their] sins.

V And. assisted in that by your grace, may they merit escaping [or, be able to escape] the judgment of punishment. - -· - .. -~~

. ... 'fl Et lucis aeternae beatitudine pcrfru( - ·· · v,r Alld enjoy to the full the blessing of eternal light.

From LU, 1809. Reprinted by permission of ABBAYE SAINT-PIERRE de SOLESMES. FRANCE.

-'I' ,-. ' J -'- J

SS: 7. Hildegard of Bingen, Ave generosa (Hymn)

1. Ave, generosa, gloriosa, et intacta puella. Tu pupilla castitatis, tu materia sanctitatis, Que Deo plaaril:.

2 Nam hec supema infusio ... in te camem induit.

3. Tu candidum lilium ... inspexit.

4. 0 pulcherrima et dulcissima ..• de te lactatus est.

5. Venter enim tuus ... ubi castitas tua in Deo danrit.

6. Viscera tua gaudium ... o mater omnis gaudii

7. Nunc omnis ecclesia ... Dei genitricem. Amen.

Hail, noble girl, shimmering, and unpolluted. You pupil in the eye of chastity, you essence of sanctity, Which was pleasing to God.

For the heavenly potion was poured into you, in that the heavenly word received a ra1ment of flesh in you.

You are the lily that dazzles, whom God knew before all others.

0 most beautiful and delectable one; how greatly God delighted in you! In the clasp of Hi'; fire He implanted in you so that His son might be suckled by you.

Thus your womb held joy, when the harmony of all heaven chimed out from you, because, Virgin, you carried OU'ist whence your chastity blazed in God.

Your flesh has known delight, like the grassland touched by dew and immersed in :its freshness: so it was with you, mother of all joy.

Now let the sunrise of joy be over all the church and let it resound in music for the sweetest Virgin, Mary, compelling all praise, Mother of God. Amen.

,6 . ' '

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ve, gene-rosa, glovi-osa et 1.n­-" .. .,

• pu -ella._ Tu pu-pilla cit.sl:itatis -tu ,

• mn-f::eri-a sancl--i-l:a-l:is, qu.e Oe-o pl<> -

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cu.-ii.. nam hziec su-perna in-fusi-o in

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um, qu.06 Oe -us an-1:-e omnem ere-a-

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in - spexi-l:-. 0 pLLlcherrima e-l;-

,.,.,Ai 6u.lcissima_ quam val6e Oe-LLS

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I ;

;. ~ 11 J' l ·' ., • ilii

Fili-us e --.."1...LS • be -te lac-l=atu.s est-. Ven-

• ., "I Q ., .,

• ., ., I l

l:er enim +u-u.s gaubi-u:rn habu -il:, ., ., . ~ .1\---tlt Cl "\ I -o-,

., ... ., ., omnLs coe.lesl-i& sumphoni-a 6e ., ., • ., I I ., ., ., ,.._ I

'te sonu.-il-, <lui- a,Vir90, Fili-um Oe -., ., ., ,...~ ..,.. 1

I' ~I .,

i port'nsi:-i, u_-bi ca&l:ibs. l:u-a in Oe-

.,i:i., II I~ H

r • "I l"ii ., I .,.. ., o claru.-il:-. Viscera l:u. - a gau6i-uTn ., .,

"I l"'lil

bi+_ ct..Lm e-i viribil:-al:-em infu-

l.JEDER 11-rJ 39

I I b ., ., • "'I "\ ., • ..

esi:, o ffia--ter o-

• a,._ • ., .,II 3 ., "I

"I .. J

mnis gau6i-i. Tiu.nc omn.is E'.cclesi -

• "I Z>C in. Sl)rrtpho-

I II ,... A.,,.,

n't. -a son.el- propl:-er bulcissimam Vir-

gi-nem e-t lau.ba-bi-lem ma - ri - nm,

: ., ~- II lm,~ .. m 11 ... ., Oe-i Genit-ricem. a - men.

13 6e s~rrct~ maria

., lb-Ill I . ., ., .., . T'Zle Regis, quae. es in cl.,.,u.su:

Ollm sudor Harculls (Carmina Burana)

....- - .--. --'fl_t='» ___ • .._~·· .•, .'I_,__ ... ~ .__..__. • • • • •

la. 0 lb. Hy

llm 5ll • dor lier dra d:J •mno ca

cu· lis mon•stra pi. (um fa • c1::1

.... , ...... . . m==-----===--=- .... .-.. r... '!

b · 11! con lo- ru •pie

k • rcns, p@ -sin ur ·bis au Ii· or, o -mni pe ·51C' se

re · ~ns, ~( • (llf,

da • ris lun ~ gt rt-d • de • re sol·

• .--. • Ii Ii

tu· Us c:i- tum

r • ni nan po

fa· ou. pri us cc lu ·go «s • sil Ve

Y-o·I~:. il le·c~

c-e • lum ru • Iii hu ·me

•

le

"'

IU • ii: tu • II.

sed 1.:1n • dcm qucm pu ·el

• ez::. ___ ~ • = • brb

"' c~ ·cit cfau wlr, qui m.1.

. ... --. de. no la do

• ----• •

ru • ii mu • It.

• .-.._, re: -•wr:+

u le - nt' • brlJ, lur su • pe·ri."i

.. I'

/0. . ID.

A • mar f~·rnt mt-ri·rum dt-flo • ral, ,t.man1 lt,n-p111 ptt·dl·tum nun plu ·tot.

_.......bJL-:--... ..-.. ..-. -. - ~ --.... ~ ~:I _ _.. ... ?·--·:a:::i_. II • »=--=!:: w - - ~l[---.L..L--=---9

.ud /t'-mlf·~ dif·f111 • r "" 1ub P~ • "~·rt' '4 • llo rot.

~- C;1. Cll fri - UI'\

:b. lu • p:tl C"l'I 1il

h• .. Ii · IUS ti n;in1 • 1112

nt • ll>, su • n111u •1ul rum "11 •mi le • 11 • fc · '"'

'"

b_ ..... -.__ ~ ... _ . ·--· ::::L' -----------

11 • ni • 1or CQr ·nu de

quc Sly-ii ·us., dil Cu ·pi · r.

u • IC'r • •1ur (11r· m1 lri • 11Ii • ci .3 ·1'10, Ir· o • ne do·nJi ·Ji~

n11n 1rr · ru · II. t · ni • ru -11,

,,.-. -·•::~--=.

quern ca-pd•vum Ir • nu· ii Thra•tt.1 r-quos Im· bu·il

~l,.._.-... .~ . -- -------~---~ ---------·· ---------------~I

pu ·cl Ii C"t'

la 'int · pH ci. dC' ho lJ'li Iii. .-41"1.lT tic .

h .- .. A. .. -;.. • :;Ti- .... • - • • • • ..---• • M I I • • ,....._ . , . •

3a. An • Jb. T•n

b ;I l::::::..

IC - I Ly • by • ci lu- c1:1n1 SUS· Ii lis no • ru • c • nl b • bo ·rum 11

• . ~ ... • H •

nu ·II. Ca 1us $0 • phi tu· Ill., i.tUtrn bl.Jn·dis C/U

• ~ • •

ui · ci C1I' • ra.1

lrau • d~s co - hi pu • d · b Yln

t>u • II. cu • 1is.

ca- • dt • tt dum \-t'

Et du1n lar:t. • bil o (U • ii:

scu • lis. sed qui Jic nc · clJ.t huic

it n. • • -~ • -....--::=: ~ • • •

ex· pli ·cu • II la· bc:l· lu .IJ,

• •

dum 11· bi• lur Ve • ne - re ·is

4.a. Sc.:J 4b. Dul

• •

lu·clcno·do-sos nc Vc•11c•rt· um pro-pl

• n w ~ •

l.US,

nJ.I; ...... •

Yih

vir

• •

cl· rur cl \'in so - lu • rus o

rna·gna Jo ·vis so· bo·lcs 1d Y - o · IC"S am ·pie · .. us.. la·bo·rum mc-mo·ri·am cl ,:lo·ri·arn in·cli. rul.

Al - ti· de ror • Ci • or CH t'H) -dus Ve • ne - rU

~--.L • - • •• --.. -•-- -

...;..__? ......... •

ag · ire- · di - ar cl c.ar ·«" • ris.

• • ·•

I

Amor tic.

[lll·piJm

blan · Lli .~ . ·-

con- 1r:s Ve. - ne - tern. sc: • rn re • 5!' • r11,

UI d•

SU• pe • ~m hanc, ru er • Ir· ro •d •

gi • o: Ii . OI

in hoc e • nirn dum 1r:1 • du · cor

,-. .• b •·.A .. _...._~ • ... .L • • ,,

~--::_-_-,-.::-=.:: ____ :: __ _ :::o __ ::._ __ ---- ---~~~: -~.. .. • &::;.. .. ,....._.

---··------------------··-'--··---·-·- --· --· ---·-·-prr • Ii • Cl rll • td • C'l'I • du rur • Ii • Us t'I mC' • Ii • Ul pu ·JR.I f\Jr, uu · di • a. 0 Ly· co · ri, "' - le • u el \'a • "t • .u qu1iJ \.'u vj:

~~'.~~,~~;c~:?:~g-::;:~-~=:~~:~:~t~::c:~"lf;:::~ ;] !i.k • ~1111: Ve · nu!'o Yin. d -1ur: dum Ju Ji · lur, Ju 1• rur. 111b • • n1u. tt !'>pl. ri·rum sut ·Ii c' • 1u"1 ~ mo ;_ Amorf'rc.

la. Ollm sudur Herculls mon~tra late cunteren~, pest es orb ls auferens, clarls lon2e tltulls enltult; sed tandem doflorult fama prlus celebrls cecls clausa te?nebr ls, Yoles llle?cebrls Alcide captivate.

lb. Hydra damno capltum fact a lo cup let lor, omni peste sevlor, reddere solllcltum non potult, quem puella domu!t. Iugo cesslt Venerls vlr, qui malor superls celum tullt humerls Atlar.te fatlNto.

R. Amor fame merltum deflorat, Amans tempus perdltum non plorat, sed ternere dlffluere sub. Venere laborat.

2a. Caco trlstls hal!tus et flammarum vumltus vel fuga 1'8sso dupllcl non profult; Ger yon Hes per I us lanltorque Styglus, uterque forma trlpl lei non terrult, quern captlvum tenult · rlsu puella slmpllcl.

2b. Iuizo cess It tenoro, somnu qui let I fero hortl custodem di vi tis lmpllcult,

Ro

frontls Achelole co.rnu dedlt Caple, apro, leone domltls enltult, Thraces equus lmbu!t cruentl cede hospltls.

Amor ....

Unce the s'1eat (labors) of Hercules-· crushln2 monsters far and \/Ide, removln2 the pla~ues of the =rld·­shone afar Y!th Illustrious ronoun; but finally the former celebrated fame Y!thered, cut off by dark shadovs, \/hen Alcldes (Herculos) vas captured by tho charms of Iole.

Hydra, made richer by the loss of heads and more sava~e than all other pests, could not make him anxious \/horn a girl tamed, The man yielded to the yoke of Venus vho, greater than the gods above, bore heaven on his shoulders vhen At las t Ired.

Love tarnishes the r.n:irlts of 2lory. The love:- doos not rep:ret time lost, but labors :-as hl~t to be d ls·.;olu~~ In the rc,.,rer of Venus.

For Cacus, neither foul breath nor speYln~ flames ver:e of any help, nor fllg!'-: for false l'assus. Geryun of the 1/est and the <.oorl<eeper of the Styx, both triple forms, did not terrify him vhom a girl held captlvo by an artless laugh.

To th~ tenc!er yoke he yielded vho or.tan~led ln deadly sleep the l<eeper of the precious garden; he gave the horn of plenty from tt.e brov of Achelous; by tamln~ tha boar and the lion, he \:on reno\tn. Ee s~alnod tha Thracian horses vlth the blou<iy massacre or his host.

Lovo • • •

i 0 ..;._U

4

3a, Ante! Lybycl luctam sustlnut::, Casus sophist I cl fraudes cohl bult, cadore dum vetult; sed qui sic expltcult lucte nudosos nexus, vlncttur et vlncltur dum labltur magna Jovls sobales ad Yoles amplexus.

3b, Tant ls floruerat laborum tltulls, quern blandls carcerat puella vlnculls. Et du:n lam bit os culls, nectar hulc labellul!s Venere um prop I nat; vlr solutus ot 1 ls Venere ls laborum memoriam et glorlam lncllnat,

Air.or • .. •

4a, Sed .Alcide fort lor aggredlor pugnam contra Venerem. Ut superem bane, fuglo; In hoc enlm prello fug I endo fort I us et mellus pugnatur, sl cque \le nus vlncltur: dum fugltur, fugatur,

4b. Dulces nodes Venerls et carcerls

R,

bland 1 seras resero, de cetera ad alla dum traducor studla. o lycorl, valeas et voveas quod vovl: ab amore splrltum solllcltum removf,

Amor • , •

Ho v!thstood the combat vlth Antaeus the LI bya n, He countered the trickery of a subtle fall until he could prevent tho falls; but he \lho thus unraveled ths knotty embrace of combat vas conquered, and conquered \lhen he, the great descendant of Jov0', slipped l nto the embrace of Iola.

By so many reports of his labors vas ha dlstlngulshod llhom a gl rl lmpr I soned vlth doll ghtful chal.ns; and \lhlle he embraces vlth kisses, she serves him the nectar of Venus froci her dear 11 ps. The man loosened by the Idleness of Venus abases the memory and glory of his labors,

Love .. • •

But, stri:: ~;rer than Hercules, 1 undertake the fight against Venus. That f may overcoma her, I flee; for this 'lattle ls more b~·avely

and bette,_· fought: by flight. Thus Venus ls conquered: vhen sho ls shunned, she can be eluded.

The s\leet bonds of Venus and the bars of the alluring prison I unlock. For the rest, vhlle I am dravn to other endeavors, 0 Lyccrl"s,- farm1ell, and may you vow vhat I have vouad, I have set tha troubled spirit fri:e fr-o:n lol.·u.

Lova • • •

lJ

AIDNYHJUS: A l 'entrada del tens ela!" (Balada)

! co - men - far,

~"ch.,,

-------' . i '" I ;;

a,

i I·

• : ' ' da dcl tens

Chor~

' E Solo:

i

I :S'

Vol Char; d

: e. • A la

; 1

l ,; cl:i.r,

,: ' y

• I I

la

·~ = t.•i; __

a

,, a,

c re

Chor:

I , . ';. t •

! '£ '.

Srilo: y a,

lffi 'ttt • E per i• los

• .. .. gi na mas A trar Qu .. el'

• ~ • "' a, J• • A la

... IQ§ I :;· • ;

So/a:

I ' • • • i

Por joi . a re

i .• • I.

ir . " I .! H . tar,

• I I

fl • •• Ii a - mo -

!. ~-lo~,---

I J J J I Lais .. ia:_

I II IJ.

110.1, Lai1 - 10:_ nos Bal - Jar.,_ __ _ En - '"-

l. A l 1antrada del tens clar, Eya, P•r jola recomen~-=-. rya 11

E per jelo• lrrltar, !:Ya, Yol la r•glna moscrar QU'•l' es sl amoro:a. A la vi•. A la vla, Jelos. Lalssaz n:ls, Lalssa~ nos lalar encr• nus, our;.i·• nws.

2. El' a falt per tot mandar, !ya, !Qn sla ju3qu•a la mar, £ya 11

Pucela nl bachelar. tya 1 Que tult non ven2uan daniar En la dansa joloza. A la vl'• A la vla, Jelo5, lalgsaz nos, Li.lssaz nos lalar entr• r.os, entre nos.

3. La re ls l ven d' autra part:. !ya,. Per la d•nsa destorbar, tya, Que el es en cremstar, tya 1 Que om no 11 YO!ll' eDtbhr La !."e~l.a' avrtllcza.. A 1.-. Tl', A la via, Jelos, Lat,sat r.os, l.Alssaz nos B.alur 11ntre r.cs, entr• nos.

4. Ma:• pe~ nlent lo vol tar, >:ya, Qu'•la n•a sonh de vl~llart, Eya, Hal., d•un leujller bachelar, Eya, Qui ben sapch.1 •ohyar La rJomn.a savt>roza. A. 1.1 vl 1 , A la via, Jelos, 1.al::sai nos, Ulssaz nos 8al61r entre nos., entre nos.

5. QUl acne la vc1e5 d~n;,r, [ya, t son R_ont cor!!ll deportar, tya, !en po~ra dlr de vertat, £ya, Q"J'•.tl mnt non ""l:a sa par 1.a ~o~lna jolo••· A t.1 vl', A la vla, Jelo.s, Lals~az nos, Lalssaz nos ~a.tar entre nos, 'flntr• nos.

on ~he flnt day of the brl!!ht season 'J:o nnev jcy And provoke the jealous The qu&en d•Cfdas to .9h:>V

!hat •he I• ~•dly In love. Co avay

1 go avay, all ·wto are jealo11S 1

IAav• us, iee ~s t.::.-.,;.;, t; ,.:Mr, ro~ct!Mr.

She has had It proclaimed - far as t:he dlsta:ie sea 'J:o gl rlo and boy• 'J:hat all should come and dance In the joyful danco. Go away, go avay. all vb:> are jealous., Leave us, let ~s Dance together., togethar.

TN ttn~ advances To break up the dance, l'or ha toars That som.one may vant to steal from hlm The queen vho loves Aprll so much. Go .avay, ~ avay, all vho are jealous, Leave us, let us Dance together, tog•ther.

r ... t oha vlll 111>t listen, Slnce she has no care fo?" .an old m.1n Bu:: only for a pleasant boy llho knovs hov to ~e 11 ght This delicious lady. r.o avay, ~ avay, a.11 vho are jealous, Loave us, let us Da.nce toEothor, to~oth&r.

Kl ~ro r..o<: seus bur danca And 1"0Ve her ·flna body Can tnily say Th3.t she has no e~ud In the \IDrld, 'J:ha happy queen. co avay, ~o a~ay, all vRJ are jealous, Leave us, lat us D.lnco to51at~r, toR:ether.

,

BEATRIZ DE DIA (D. CA. I2I2)

Canso: A chantar @]

3 4

• ' • ;.-. 1. A chan - tar m'es

.. 2. tan!

• 3. et

.. 4.non

•

• mi

' si

• mi

•

• ran

• !'am

• val

cun

ma is

ren

• 5. ne ma bon · taz

• • • • 6. al tre sui

:r. • • .. 7. qu'e - u - sse fail

5

• al

' cele

• que

' be]

• ne

• en

' vers

A chanr.ar m'es al cor que non deurie tant mi rancun cele a qui sui anrigs, ct si l' am mais que nule ren qui sic; non mi val ren beltat ni curtesie ne ma bontaz ne men pres ne mon sen; altresi sui enganade et m.gide qu'eusse faic vers lui desa.vinence.

6

• car

a

• nu

7

ll que

.. qui

ll le

8

= • • non

-~ sui

ren

9

• deu

• a -

• qui

10 . -. . . ri e

• =; 1 • mi gs.

. -; .. si

• e:

. --. . .. ni

• .;s .. • tat

• • mon pres

• • ga nade

cur

. ; . ne

• • et

te

• mon

• tra

si e

• sen:

. -; . lui

.. de sa

• ii= s -.- .... vi nen ce.

To sing I must of what I'd rather not, so much does he of whom I am the lover embitter me; yet I love !Um more than anything in the world. To no av.ill are my beaury or politeness, my goodness, or my virtue and good sense. For I have been cheated and betrayed, as if I had been disagreeable to him.

In this strophic song, or canso, from the second half of the twelfth cenrury, four distinct melodic components are arranged in the form AB ABC DB. All lines but one end on an unaccented syllable, a circumstance emphasized

Tn.rucribed by Hendrik van derWerfin Tht .fxtanrTmu&adour lvfelodi~ {Rochester;Author, 1984), p. 13. Gmld A. Bond, <ext edimr. Used by permission.

41 '· .

.. •

I l I

·-. 1 i ~_LI

'

...---. ... ·--~·--

..

Estample (Fre.ich; Chansonn!er du Ro:r, Estample royal No. 4)

• iJ Ji

I

... .

~rtrcrir· r1r•r11J 1 :1 Ji! Jr!JJJJ1.J J1JJJ;io1.!. 1.J•:11h-a-:nu J1JDJI i.-• •

'

~j uu '; J®ur 1J 1r e-e;1.1 1 1? wt!1JJtDJ1.J JpOto1.J. 1.J 1:11iJ nn1 i w 1; ew ~ oc ~

~j 3 J 1J 1n-;1.eui2uJFt=tf'-1fjiffi=-.l1ll}J.J1:-tJ1rn#tikr.JJit'j',;'JJ£H¥Jl£ • ~tr :r 6+~ag¢=&1r u wtr1r.OD!f~ .. ~.01J.-1J1-:1.m;nwo~s-JE¥

...

'.:>), 11.

WALTHER VON Dr.R VOGEJ..llEID!::: Nu alerst lebe lch mlr verda ("Palutlne Sonio:")

1. Nu alerst leba lch mlr ...,rde Slt min sundlc OU!!:e slht Hle daz land und auch dle erde Den man vll der eren RLht. Mlrst i;:eschahan des !ch je bat: Ich bin komman an die stat Da got mennlschllchen trat.

2. Schoenlu lant rich unde here, svaz !ch der noch han i;;esehan, so bl st duz Ir all er ere: Waz !st vunders hie JZeschehenl oaz eln ma"t eln klnt JZ&bar Here uber alier enFel schar, Was daz nlht eln ~-under Rar?

t~• Hi~ lie~ et ~:~1. ~efne toufan, oaz der ·mens che >"!!Ina s I; Do llu er .~~.ch herre varkoufen, !)az vlr elFen vurden frl. Anders vaeren vlr \"Brlorn; Wol dlr, spar, krluz unde dorn, We dlr, helden, «elst dlr zorn.

4. In dlz lant hat rr gesprochen Elnen al\;!esllchen tac, oa dlu vltve vlrt 11:eruchen Und dar velsa kla"en mac Und dar anne den !!evalt Der da vlrt an !me ~estalt: \.lol Im dort, der hie v::r~alt.

S. Kristen, juden unde h3lden Jehent daz di z Ir erbe s I. Got sol uns ze rehte baschaldon Durch die sine namen drl. Al dlu velt dlu strltet her: Wlr sin an der rehten "'er, Reht !st daz er uns ~ever.

Nov my life Is elevated that my sinful eyes have seen the Holy Land and also the earth of vhlch such honor Is told. What I alvays vanted has come to pass: I ha.va come to the city vhere God ...,nt as a man.

OE pretty lands, rich and splendid, that I have seen, you hold the hL,.hast honor: vhat miracles happaned hara! That a m.r.lden Ravo birth to a child, Lord of all the anFels, vas that not a complete l!llraele?

liars HQ "'i..e': ~~:"ts::a!f ~= bz~!.~cd th\t man ~ay be purP.; hare the Master le: himself b;i sold, that • .,.e ~ ould be free. ot hervls€ ve 'lit>Uld be lost. Hall to the spaar, the cross, and tha thorn, shame to the heat hen for .his anii:er.

In this land did P.e set a day of last _ludJl:lr,ent; then Ls the vldov aven~ed, and the orphan can make complaint, vlth the poor man, about the might used against them: hall -Hlm th-!re "ho t.ere ~as paid his debt!

Christ I ar.s • Je"s and Heat hens all claim this land a3 their ovn. May c;od Five us justl.c0 In His three nam«i>s. The vrols 'WOrld ls at var over this land. lie have the ju<t claim; It ls right that r.e acl<novlodgo us.

•, r, ~0

_.[ .

-P-- S urn er Is I cum en In ( c. r 3 r o) 5.'.>: i3

.. .. .. t

.. .. :·

If ' I .&.I a .... ~ -,.. ti... - No Mk ""'na ..... _ ......

• t I I -Or.t • • • ~ I• ~ • • ~ I s..--···

~ ~ ~ i;,..--' : I : - l I. ...

~ \ • ' ' I . • ' ' '

f 6,.._,. ... ( ( ! i· . x. ' , ( ; Gl'Owdt..: ..

• ~-"I;""·." \ J ) ~ ~. : ' t • . . . .• • -~ &.. ........... I s~ng ... c. c.., ''"S" .,.e .. ... - • • I ' . ' I ' .. .

~· ; . ' . .., ! ! ( ' I· ' ( (• ... ' ! ' ··"t a..c. .. cu.,

-· S•'\'1 ·" I I. ... tr- •... .. ' . . :l!..U-oc •. • ' . . . L ' ~ ~

f I , ' SW.,··· , < 4.,,., I ( : • ' ( I' ' , ( '

• ,.,. ••• 111 ••• • .

' ' ~ I ~ ' S\Mot"· I .. i ,.\w .. a ...

~ • • I . . . ' ' '

: I I y I 1· l I !.. ' I cr1 v T , . ' •• ' s;,.ll ...

• I I I . ' I '

. . . l I I I I r ' ' ' .. I I I I f ' 1•

I l ~ L er- ~· ere-~, IUc~ .... ,, • I

-~ l ' . ' ' '

I~ : J ' I

, • , . . ,. ' . r ' r I :s;.u ....... C...e- -· C.16.C- CM. llhrl ••. I '

• ' • Z...U-!C··. I ' I ~ I • ~ I ,_ q!""c- c:i..:, c~ . . !

r ' r I r I ' r r I l I . I i r ' '

.

I ' ' ' ...... . . .. . l!wll#c •••

• I I I - . I ' I .. : •

l I I I i i' I I l· I I I I ( '

· · y· d p I 1;011 a11 d Tl1eir Modem . 13· The Foiir Co111vi1iatio1zs (If i111e a11 ro a k .

Eq11ivalc11ts

Pnfc~r rime, perfect probrion l 1 1 1 I I I I l ............ 0 • ::; • • • :::;;

. JTJmm ~ J. J = ). ). J. Perfect ~c, imperfect probrion 0 • = • • • =

~-

1 1

n 1 1

n Imperfect rime• perfect prolation l l l 1 1 l E • = • • ::ill

·mm g J. = J J. • . ~mpcrfcc: time: im~cr~ct pro;atiol 1

• J J n 1 j

n

1 1

n

Example XV!H-J: The DiPisions of Italian Notation

• ____.,- ~ Tcmuia

/• •""Sen:i.ria. Scn:i.ri:i./• • •\ .

Din aria FIRST DIVISION

SECOND

DIVISION

Qu:acrnana impcrfcct:i. . perfecta Novcn:i.n:i.

C91 111 111 (~) 111111 fB) 111111111

TlllRD DIVISION Octon:iri.a (j"J llll JUJ Duoden:i.ria

er) 111111111111

I

;---·· I

':·

t ..

; ; I'". . . : (

I .

I ' ' I (

I I i ,, ; ; •· ' I'

82

SS: I~

21 GUILLAUME DE MACHAUT (CA. 1300-1377)

Rondeau: Rose, liz, printemps, verdure

@]~

Cootruaaor

Ta•or

10 ,. ,.---, - . - -

! . . - --

\' pnn trl!lps_ ver du ... Fleur. . -bieM d• N• - tu . ... A . -. . . . t• en . a. . ta . ... Sear .

~ fi .

. •• - - •. •

"

b&u.. me ... mon

Guillaume de Machaut, °""""' complit<S, voL 5, ed. Lee Schr.ide (Monaco: Editions de l'Oiscau-1977), pp. 11-12. . •

·c,.. '":-...

{ .~.

..

1.13.. ltl -

lo.Bien

•• dont • it

Rose, liz, printemps, verdure, Fleur, baume et tres. douce odOur, Belle, passes en doucour, Et tous Jes biens de Narure, Avez dont je vow a our. Rose, liz, printemps, verdure, Fleur, baume et rrcs douce odour.

. .... i• •••

••

- k,

paia

oaee a ..... ttt' .....

--

Rose, lily. spring, greenery, flower, balm, and the sweetest fragrance, beautiful lady, you surpass in sweetness . And all the gifts of nature you possess, for which I adore you. Rose, lily, spring. greenery, flower, balm, and the sweetest fragrance.

84 21 MACHA UT Rose, !iz, printemps. vmi"re

Et quant touce creature Seurmonte vostre valour, Bien puis dire et par honour: Rose, liz, printemps, verdure, Aeur, baume et cres deuce odour, Belle, passes en doucour.

And, since beyond any creature's your virtue excels, I cm honestly say: Rose, lily, spring, greenery, flower, balm, and very sweet fragrance, beautiful lady, you surpass in sweomess.

The rondeau is a form in which the full refrain, heard at the beginning and the end, contains all the music. In Rose, liz the first part of the refrain has two lines and closes without finality on D, while the second part has one line and closes on the keytone C. The first couplet, of two lines, is set to the music of the first part of the refrain; the second couplet, of thtee lines, uses all the music. The musical form for the 13 lines is ABaAabAB (capital let­ters indicate that both the music and the text of the refrain are sung):

Line: 1 ·. 2 3 4 s .. 6(1) . 7(2) 8 9 10 11(1) 12(2) . 13(3)

Rhyme:

Music:

A and B are linked by having similar final rhymes and musical phrases (com­pare measures 20-25 and 32-36).

As in Machaut's secular songs in general, the music is constructed around a two-voice framework in which the tenor serves as a slower-moving sup­port to the cantus, the only voice provided with a text (although all of the voices may have been sung). The contratenor, in the same range as the tenor, reinforces or complements it, while the triplum shares the upper octave and exchanges motives with the cantus. A diatonic descending-fourth figure dominates the tenor part and at one point is taken up by the triplum (com­pare tenor, measures 11-12, and triplum, measures 15-16). Thirds and sixths sweeten the harmony along the way but are suppressed at the final note of poetic lines and caesuras, where Machaut preferred the octave and fifth. What may sound like syncopations are really the effect of herniola, parts simultaneously organized in duple and triple divisions (~ and ! in the tran­scription).

Characteristic of French fourteenth-century secular music is the long melisrna at the beginning of lines and sometimes also in the middle. These melismas, occupying as much as four measures, do not fall on important words, nor even necessarily on accented syllables. They have a formal and decorative function and help convey the mood of the text.

' ..

ss: IS

" f{\<'l.C\'\Clu. + I fY"'\ i ~.Sa.. (')o+-r11. t>a.me, Gb,.;o..

4. ·r .• , ~---) :\tJ

''GI · · -itxce.\s rs t:>.to " o..ri o.. _, .n

Triplum.

" • Motetus

c:traten9 Tener

_bus

_bus

_bll!

Ad_o - ra -

Ad-• • ra -

Et in

Et in

Et in

bo-nevo

bo-ncvo

bo-nevo

bo - .ne vo . • I ~,,

te.

te.

mus te.

mus te.

t.r ra

r:---i

ter - I'&

ter - ra

lun_ta.tis.La.u_ da _Ib.us

lun_ta._tis.Lau. da.mus

lun.ta..tis.La.u_ da.mus

lun.ta..tis.La.u. da._mus

Glo ri _ fi . ea.mu'j te.

Glo ri .fi . ea.mus te. ,.---,

Glo ri.fi • camu:i te.

r---, I

Glo ri. fi - camus to.

I\

•

pu

pax

pax

pu:

te.

te.

te.

'" 10

---·

5

ho - mi ni ,-;--1

ho - mi ni

ho - mi ni

·ho - mi ni

ti

Be - ne_di _ci_mus te.

Be-_ ne_di_ ci_mus te.

Gra _ ti • as

Gra ti _ as

;---,

Gra ' - ti ., as ,..-., -

Gra - ti _ as

. 5

,f I.

ts

1-

:~

., ~;.

S5:. 15

GUILLAUME DE MACHA UT 22 Mass: Agnus Dei

111 • ~~ '~ ,J , I e .

Pu,. - ..,. ... !1 jl • ,. I r ,

A. ., -- ..i,- -

. -#-

. .... • •

. v ' ,. ~ .... "". - ....

• , . • ii' ,

[•] fl [~·

. A. - I - :....

" ,.. "'·

- fl' ... .~

'\ .... ,~ ... -

; ,.. ... ID

&1 ,... ... •

u, ,... ... .. ,... .... ·0

... • Edited by Eliz:1bcth Keitel for "Emy MU>ical Manorworks." For translation of text, see p. 17.

-d<-

J, I oL­

----c<

;;

..

)I

J i' I

i J !

1 i i I

I !

l

I I

15

--

• • • " -e-~ •

~

• .i •

_21 GUILLAUME DE MACHAUT AgnusDei 87

-- dJ. ... .. -~ .. ... '" - ... "

.... ,._ ,._ .. ..;_ ·- ...

0 <iJ> .. "" ~- .... ... -b;, Ai· ""' ·-

<>' Ii, [;11- ""'

..,_

{,;, Ai- nus ... -

"' ~

I'" • ' .......

ol - •• '

-e-• 'I"'

,,._ •• [t,

'

' '!'" •L. r--

~

1~ oL- ' " :!

l 88 21 . GUILLAUME DE MAC HAUT AgnusDei

T

I • - JS . • . ... . . ,.. . <A• .. - --• '

" ~ ~ - .

,,.. . " --• '

'{ lu ,... .. . " • r .

.i ' • ,... "'" t..

.. .....-r .. . . • ti ' ~ '

di ... K•

• • u .

~ ~· u .. ... ... ... .... A

~ ' ' ..... "' -· ... "" " • ,-;---

oJ -· • di ml· ... ....

" M• ~.

-· ..,_ ~

... i.;,

N• &;,

21 GUILLAUME DE MACHAUT AgnusOei 89

J i I PI

.... .. .

...

..

90 21 GUILLAUME DE MACHAUT AgnusDei

......

-- .i;

' -· ;; .,_ .. .,_

..... .. "'- ""

.. !""

J"•

,._

"'-

"' ...

.. .. -­""'

-

Machaut's Messe de Notre Dame was one of the earliest polyphonic settings of the Ordinary. At least four more or less complete anonymous cycles preceded it, but Machaut's stands out for its spacious dimensions, its control of consonance and dis­sonance in a four-part texture, and its carefully planned isorhythmic structureS. Although it is not unified, as some later Masses, by a single cantus firmus---<!ach movement is based on a different one-there is a unity of approach and style and a tonal focus on D and F that hold the movements together.

The Kyrie, Sanctus, Agnus Dei, and lte, missa est are organized by means of isorhythm, a manner of construction Machaut used in his motets. The Agnus Dei is typical of the isorhythmic movements. The tenor melody is taken from the setting of that text in the plainchant Mass numbered XVII in modern chant books (Liber usuali.s, p. 61), though in a slightly different version. The isorhythmic structure be­gins at the words "qui tollis" -that is, after the intonation of each Agnus (Agnus ill repeats Agnus I). Since the "qui tollis" section of the chant is identical in Agnus I and II, the two statements of this constitute the two colores. The first color (Agnus I) has two taleae, each of twelve notes; the. second color (Agnus II) has six taleae, each of four notes. The more frequent cadences at the end of the short taleae of Agnus II

l"1 i

.~- -_:.----

,

CoattU.11aor cogcardans .llftl1111.0ti

Coi:r.uauDGr cam:ard'lJCJ

. .-----. <) •• • • -.

' oJ . . -'l

"'.::""

17 . .

.

. v '

• rir.

FOR { \'OI CES

Dueil an Lan ·gar

rcis ..... u~as,

fin

••

C1.. coac • -----Ct..ca.11.c • .s•qa.

~

Grief des-es pcir Plai • nt 4c -- p!cu:r

~

.----, ,.__,

•

.----.

• • •

T

""' m•

plain de fer d~.ui • gcis·s~et

, .. -

'

• , ~ ~ •

r

••• leu

Ct • (ne) de - u::ir

" ,,

,.....__, -· • -

- -

.

11. ·'2""--.. --

m.trni,--

. .

Coeur do- lo-n:ux

..--.. ....--...

I

-qui ~·i1 ub scu • re men:, T1:: .ne · • bn~ux corps sur Iii: __ ?01n1 par ~ir

"

JO . ,-.---,

•

.. •

..,

• 'I "

or

' -"Y-- sans-- ce:s · ser

,..---,

- rir •• mo . . rir.

~

'

-: con - t1

~~

nu

-

m111:n1, " :i.e puis f' .

~--.., 21......:-.....

, •

--. - ----------"~ ... t:. .. - - -.,,. 4•

:!. Ficrti:. JurtC Jc- joye si:p:.irer:. Trtstc pc:-nser. p:.irtOnt gr:nllssen1i:nt,

. \ngo1ssi: gr.int en las cuc-r i::nsi:rri:e.

Courroux :.in1l!r port~ couver~n1c:nr.

;\torni:: n11intit::'n sanz resjoOssemi:nt.

Espoir Joli:nt qui cous bieru f;iic tJ.rir.

Si :iong i::n 1noy, ).1I1Z partir nulli:menc:

Er si ..

3. Souss.i . .inuy qui cous JOUrs .l dur~'!.

.\spre \"eillit::"r. rmsaillir c:-n dorn1enr .

L...Lbour -::"n v:11n . .i cluC"n! .ilani;our~~­En gr1l!f tt"JYJ.1l 1ruOrruni:n1enr.

Ee tout le n1J.L qu'on puc:c entieren1enc Dirt' i:c penscr ~Jnz ::spo1r de g-.ir:r.

:..le:- courn1c:nt.::nc Jc::in1c:-suri!n1C"nt: Er :ii.

-L Princes, prii::z l Di!!u qui bien brir:ttnenc

~le doint b. mort. s"Jucrcmi:nc sC"courir

Ne .. -eult li: mal au languis durc-mc-nc:

Et si . _ .

35

TR.\NSL.l.TTCNS

11. Du Fay, Rt.5vt:llitJ vor.1.J

_-\,v:ike Jnd be merry, ill lovers \Vho love nobility:

enjoy yourselves. tie:: mel:i.ncholy:

do not tire oi serVing \veil.

tCr todly , ... ill be the \Vedding,

with gre-:it honor lnd noble ..:omplny: it is necessary for e:ich ol you to celebr.ue

J.nd join the lu.ppy comp:my.

Noble Chu-ies. \Vho is n2med M:ibtesc.

He has chosen i bd}~ be:iutiful 10d good. by whom he , ... ill be gre:;idy honored. bec:i.use she comes from :i. \'er:y noble line ofbuons \vho lre much renowned: her O\•."n n:imc: is V"ictori:i.. :ind she is the otfspring of the Colonn:i.: it is right. then. th:i.t he re~ucsts to h:i.ve J good litC "vith this b.d~:

!'ioble Ch;irles. \Vho is named \'1lbtesc:i..

12. Du fay, .-i.Jiii:u, m '.;rm.our

fJrc:\vell. my love, fire,vell my J~: t°lre'sell.. the iolace th:it l had,

r:ire\\-ell. my loyal miscrcss. S.iying: 6.re,veil so Jeeply '""ounds me that It ~cems to me: th:i.c l must die.

From ~rici 1 \Veep i:xce~dingly.

The:e is no ~om.fort that l see. when 1 iel.\'C you, my princess.

Fare\vell. my love:-..

1 pr:i.y to God. thlt He may go \Vith me.

and gnnt ch::i.t 1 soon ;;i.g:iin see you.

my m::asurc. my love, md my goddess. For ic seems to me. about v.·bat I leave,

thlt ;;i.ftcr my p;i.in I should h:i.vc joy.

F:1.re\\·ell. my love ...

(Dem~\. ~ndel ... Ouily the Rcldcr.M Srwdio in rhr HiJt"')' 1Jf.\lwK. vol I: .\lusic.i11J ~1111wgt [NewYDrlc Broudc Bros .• \98.JJ: 42-J.3}

13. Binchois, Dutil ongoinru.s

Anguished grief. immodente Nry, grievous despair. full of mad­

ness, endless languor and a life of mUfornme, full of ccm, :inguish, ;;i.nd torrncnt, doleful he:irt, living in duk.ncss, waith­like body on the point of de:t.th, are mine conrinw.lly without

cc;ue; ,nd thus I "n neither be cured nor die. Harsh discbin, bereft of joy, S>d thoughts, deep sighs, groat anguish locked in> \\·e1ry he:irt. bitter discteSJ endured in secret. mournful deme::inor ,,,·ithout gl:idness, foreboding which dries up a.ll hope,

:;re in me 1nd never lelve me; :i.nd thus ... Worry and annoy

everb.sring. bitter \V:;k.ing. troubled sleep. b.bor in vain, with lan­gu1d e.:trrc:ssion, destined CO griC"\'OUS torment, lnd .ill the ill chat one could C'';er s:;iy or think. v.·ithcut hope of n::lief. torment me immodentely: .lnd. thus ... Prince. pr:i.y to God that vccy soon

Hi: mly grant me Jc:lth. if Hr:: does not \Vish by in;; other meJru co ~meci.y ~he ill :n ,vh1ch I ?linri.lllv llngo..iis.h; md thus ...

(Tc;uulloon b,· Stephen H.:i ... -ne$.. in ~i:ord note5 ii:it L::.ruiophcr Pl!_lC. Tiit C.u1lr -:,if.Ji, U(r'~11mt. H'fpmon .-\06194 [!9861. R(:praduced ~

i:ouncs°!'· oiH~1'cr1on !lcconh. L1>n.(jon.I

14. Du Fay, Nuprr rosarumflart.s

1. The harsh winter [of the Hebr:ilc LJv.'] h:i. .. i.ng p3St. to!CS. 1 n:cent p:ipal gift. pcrperu;i.lly :i.dorn the Temple ot" the gr.i.ndest

structure piously :i.nd de\'oucly ded.icJted to you. hr:a,-enly'v"irgln.

.2. Today the "i.clr of Jesus Christ Jnd successor of Peter.

Eugenius. chis same most enormous Temple ,..,ich S.lc~d tunds ;ind holy oils. h:is deigned to consecnce.

3. TheretOre, s"i.·ect p:ircnc .md dl.ughter of ~"Our son, God. vir­gin of \irgins. co :O"OU y-our de\'occ:d popubce of Florence peti­

tions th.:it \vhoe\-er beg; rOr somec.."iing \vich pure spirit 3nJ body,

4. Through your inte~ess1on lnd :he me:-its .Jfyour son, :heir

lord. o'ving to hti .:JrnJi ~orment. 1t m.1.y be \\·or:-hy to rci:e!\'e gni:ious b.:nc:Ii.ts JnJ cOrgi\'en.:ss -ui iins .. ~inen.

1i:nt1n 1-ll: .~\\'C'Somi:: is tliis pllc::.

,_Cn1g \\"n'!-·iu ... Ouil.,,·'; ·'·"'·~·, "''!•'"'"' ,i."'f'!. fun!!-'. Soionton5 TcmFlc. :.nd thcVc:ie:.:iaon oi!hc\.·ir;i:i.:'jo.1un1.ii •:r'!fr~

.~mm;.·,:m .\l1"10.•i1~1€.1i .S.xi,ry ~7 il'J':il-']: 3~'1 .• \ll r:ghts mer.·eJ.l

15. Du Fay,~"""~ regina catlaraun (Ill)

{The: lines in iulics arc Du F:av~ trot:'es.)

H:r.il, queen of heai.-en. h:;i.il. mis.cress .:>i the J.ngc:ls. H.il'C mt·t•y "" your JyinJ Di!lay, Jt; ~ .1 lillncr, 111: :1-,ll be i;12s1 ,fou>n 1nlrJ :1"· ;ires "}.

l1dl. H:iil, holy source. l?om 'vhom che light of chc: \Vorld i:omes

forth. Ha11t 111my, .\lotl1cr ofG.,d,;o d1ar d11:·ga1t •?fl1eavrn. is rJptn co ll11.· un:ak. Rejoice. glorious one:. be:i.uriful above .ill. Hai•r: merry. on your swpplic.:nt D•y::Y. Jnil may J'OU srt bca111y in l1is dtaJ/1. Fue,vell, in your perfection. :ind pny co Christ for us fcre.,-er. Have mtny Qn ns, ui rl1a1 we art not .la111ntd "" liigl1;and l1rlp us .zz du l1our of d"2rl1, J"O dial wt _l'i:cf peace in !.1Ur litarl!.

18a. Du Fay, St la fact ay pal<

tf my face is p:ilc::, lo\-e is che c:iuse: ch:r.c is the princip:i.l rc:ison. And co love is so bitter for me due I could dw.vn myself in the

se:i. No\v, she knows '\Veil. that bdy whom l serve, thJ.t I cm

have no h:t.ppiness or Lii."C without her.

Ifl carry i heavy burden ofsom:»v, it is ~c:;i.use this love is hard

for me to be:i.r. because she will not ce:ise being cruel to :i.nyone who does noc obey her: md such is her po"'·er. th.ii I canno1 live wichouc her.

She is che most rc:g;il \\"Olll3n th;at :m.yone could ever sec. l can­not resist loving her l~r. though I .un J. fool to look upon her

and wish not to find lo"i: elsewhere. l bclie\"C ch;ir., even without

wishing to sutTer. I 1,,"lnnoc live without her.

20. Binchois, Jlagnijicat rtrrii roni

i\o\y soul doth magnify che lord, .llld my spirit tuch rejoiced in God my Sa"iot. For He h:ith rcglrt!ed che lo"' escce of His h::and-

3 (' 0

:f. .. ~~.·-~~.;.:-· "\;.~ •. :"; J . lJ·f.' CHAPTER 15 •MUSIC AT THE CATHEDRAL OF FLORENCE

-~ -,. .. :·,:~:

ss:11

I 170

tur. A men.

tur. A men.

men.

A

l::>v..fo..'/J Nu..pe.r rosa..•u«1 +loceS men.

Nuper rosarum flores Ex dona pontificis Hieme Heer horrida Ttbi, virgo celica, Pie et sancte deditum Grandis templum rnachinae Condecorarunt perpetim.

Hodie vicarius Jesu Christi et Petri Successor Eugeniw Hoc idem amplissimum Sacris templum rnanibus Sanctisque liquoribus Consecrare dignatus est.

lgitur, alma parens Nati tui et filia 1/irgo decus virginum, T uus te Florentiae Devotus orat populus It qui mente et corpore Mundo quicquam exorarir,

Oratione rua Cruciarus et rneritis T ui secundum earn.em Nati do mini sui Grata beneficia Veniamque reatum Accipere mereatur. Amen.

Recently roses given by the pope Have not ceased to adorn, Cruel Winter having passed, The Temple, Majestic in its engineering, Dedicated to the Virgin In plety and holiness.

Today the vicar Of Jesus Christ and successor Of Peter, Eugenius, This same most enormous Temple With sacred hands And holy oils Has deigned to consecrate.

Therefore, sweet parent And daughter of your son, God, virgin of virgins1

To you your devoted Populace of Florence petitions So that whoever begs for something With pure spirit and body1

May, by your prayers P....nd the merits Owing to His carnal torment, Of your son, their lord, Be worthy to receive Gracious benefits and Forgiveness of sins. Amen.

5 s I 1'1

14 GUILLAUME DU FAY Nuper rosarum }lores

TripJ.um

1. Nu res

Mot4lus

1. Nu res

Terribilis est locus iste

Tenor

Terribilis est locus iste 2 3

10

ti fi - e- me li - cet

Ex do •no pan ti fi cis ID. - - e- me

,

4 5 ' 7

15 20

Ti bi, vir

' Ti bi, vir

10 11

25 30

.. .. tum Gran -dis tem -

di -

,

12 13 14 15

30 © 1966American Institure of Musicology I H.ar..stler-Verlag, Neuhauscn Sruttgart: Dufay, .\l:.iper rosarwmjlores. Dufay, OpeT!I' 011rnia.Vol. 1. Ed. Be:ssdc:r. In Corpus Meruun.bilis Musicae 1, pp. 70-75.

14 Gr...;JLL>\.L"ME Du FAY l'luper rosarumjlores 31

35

plum ma-chi- nae Can-de - ca ra runt per pe - tim. 2. Ho- di- e

Gran - dis temphun ma - chi - no:! Con- de -

16 17 lB 19

40 45 . ' . '

I Je-su "<I' ... + ' jsuc - ces I- ~or I EU - I vi-<:a-r}... us Chri-sti et Pe - - tri

. -" ~ - ces-t 2. Ho • di-e vi - ca-rl-us Je - su Christi et Pe - fri sor EU -.

~ ~

•

20 21 22

. b 50

' " u

I j Sac.ris tem.plurnma-ci. -ge - nl - u' Roe i - dem am - plis - si - mum . .

.., ' .. - nl - ua Roe i - dei:n a.m - plis-simum. Sa-Cris templum mani-btls San - -.

~ . '

~-

24 25 26

. ' 55 ' I ' . • ' -I bus n bue San - ctis - que li - quo - ri

.

' ctis -que li - - quo - ri - hue

.

, . ..., ' 27 28

Con - se-c:ra di gna tus est.

Se gns tus est,

Il,l 2 3 4

32

,

5

. " .

" • .

• '

9

.

'" .

" ' . -­'

13

.

" .

" , .

-';;

'

21

-

-

•e

Flo

14 GUILLAUME Du fAY Nuper rosarumflores

-1 'ti - ti

go I ' de

75

tu

10

'

tu -

-

ous

-

go de ous

90

l De - -

- ren - ti - ~

18

22

I i i

vir

-

7

. v

et fi - : _, ..

et

\vir-gi

'

"

11

8.5

- num,

gi - num,

15

~

- VO

De - VO -

19

100

Ut

v

- li - ••

Tu u•

- ,., I o -rat

- tus o - rat

~

qui

Ut

I I

rens

rens Na

' 80 -

Vir - - - I Vir - - -~

12

• •

te Flo ren -ti-

.. '" -Tu - us te

16

95

~ po - pu lus, -

' po - - pu-lus,

20

24

14 GUILLAUME Dr..; FAY Nuper rosarumflores 33

t10 105 ' • ' ' ' •

~ " " ' rit Mun~ do quic - - - - qu= ex - - D - ra -.

" . , ' ' et oor - po - re Mun - do quic - quam ex - D - ra - rit

. ,_

" ' - -2S 21 23

120 115 - - --

" -,-1 ' 4. 0-I

- ' - -

• ' ' ,_ 0-

.

" '

m.1 2 3 4 5 6 7 B 9

. 125 I.JO

ffi ~ ' ra-ti - o - ne tu a Cru - ci -a -.

* " ' ' • ra ti - 0 ne tu - a Cru -.

-, '

10 11 12 13 14 15 16 17 18

. 135 " 140

" ,

- I ~

' tus et me - ri- tis Tu - - i " - o= - dum car ~nem . -·

" se-cun-1 dum car ' • ci - a . tus et me-ri - tis Tu - i nem I . ' -

" • - - - -

19 20 21 22 23 24 25 25 27 28

. 14.j ..-----, .

~ ' ' Na ti do - mi- ni SU

. -

c c ._, ti do - mi-ni SU

" I Na

. " •

!V,l 2 3 4 5

34 14 GUILLAUME Du FAY 1'.Ju.per rosarumjlores

•

7 9

' • r--r' 0

. " ' ' -·

Gra - - -

f • ' - ' . r ·-·

. '

11 12 14 15

• #

ta be - ne - fi-ci a

Gra ta be ne fi - ci-a

16 17 18 19 20

. 165

. - ' ' -· I Ve - ni - am - que re - a - tum Ae -. - -·

' Ve ni-am - que ' tum Ac ci I - re - a - - - pe -. 1 I -·

21 22 23 24 25

' . "' 170

. -ci pe - re me-re a tur. A men . . "' ' ro me re a tur. A men . . ~ ""

.,..----,

A men. -. ~ - - - - "' " 27 28 A men,

- -..1<:.!<J . .,;n l)e!>f''"' '"' n~ .... , )

::i4. Scaramella S$:f8

Superill.!i -~

" .._ c.- ! Scaramella Sea - " - m<i - la Ya_.al - la gucr - ra col • la i -Alru.

" • ! Sc.a.ra me.Ila • Sea - ra - m<i - la va al - la 9ucr - ra col - la ·II I

Teller - -" i Scanimdla • Sea - ra - . mel - la va_aJ. - la

I I Bassus

' Scaramella Sea - ra - .mel - la .. .al ra col

A 10

" ~ ' ~

I

!11 lao - da_et la ro - tel - -11a. la %Om - be - re be - ro I

" -,

• lac - da_ct la ro - tel - - - la, la zom - be - ro be -1 .· " ' ' ' • guu - ra eel - la 1.,, - out la ro - tel - la, la zom - be-ro be - ro I

" . ' ' ' la laa - da et La ro - - t<i - la. la :om be ro bo - ro

'A IS #

" ~

be - rom - bet - ... la be - ro be - rom - be, I\

I~ 0

• re be - rom. la . ... - be - re bo - rom - be. I\ ' .

" I • ' • bo - rom - bet - za. la :om - be· ro be - ro ho- rem - be.

" ' • ' be rem - bet - ta. la ho - ro bo - rcc:a be. Sea ra -

' I\ 21) 25

~ Sea - " - m.I - la la la ga - - la cbol - la

• ' " ' ' • Sca - ra - me! - la la la ga - la chol - la I\ .

l~ la -• Sea - ra - md - la la ga - la

" I ' ' - ·-~1

m.I la fa la ga • la chol - la sc:har

-. • - ~

ad\af rt 1. sri . - pa r -=

; 'ur . P'..,!l la lti . •• '· • -• • .

c:hol . I• 1c:h1r - pa JI 1. .,,

" I• '" ,,

I

-• - . • bo .

~ rom - b<r . ... 1. .. .,, . b<

c • bo . rem - bo. la :om . b.

r,

~ -• bo . .... - .,., - ... la .... -

.zom ... be ro bo .. rc:am .. bet - ta .

-· ·-"

Scaramalla va alla guerra Colla lancia et la rotella, La zombero boro borombetta, La zombero boro borombo.

Scaramella fa la gala Colla scarpa et la stivala, La zombero boro borombetta, La zombero boro borombo.

.. -· ,~ .. ----·-::> - • .. ~· .. . YI . 1 •. 1. I Om . b< . re be . re

- -. 1 •. 1. JCll'l:I - b< . "' be - re

-. •• - 1 •. 1. , . .,, . be-ra be - ro

- --.. - -la.

35 • -- -... .. ... - .. -· . ro bo - ro bo . rem . bo.

- ~

bo bo - rom bo. - ro

bt-ro

. ro -

-· bo . ro bo - tom. . bo.

bor bo- rom bo.

Scaramouche goes to war With his lance and his shield, With a rum-tum and a rum-tum-tum, A rum-tum rum-tum-tum.

Scaramouche plays the gallant With his shoe and his boot, With a rum-tum and a rum-tum-tum, A rum-tum rum-tum-tum.

Stcouris may Claudin de Sermisy (ca. 1490-1562)

Help me, madame, with. love, else my heart will die. No other than you can give succor to my poor he.art, which is going to die.

Alas, alas, come and quickly aid the: one who lives for you in great sadness, For, i1l hls heart, ypu are the mistress.

Your harshness caused me much angujsh,. \\•hen i.t first J caine to beseech you; But a warm reception has given me a good tum by allowing me to conquer your

hands with kisses. Henceforth yo\Jr kis!-es "'ill not onJy he.a) me, but will increase the ardent fire whicll presses ""'·ithin me: Pleasure is my special

medjcine.

Soprano soloist, Elizabeth Lorenzo Lute, William Heam

With Leonard Scoggin, Bill Wolfe, & Timothy Woods

2 Pavanes and Galliards 3 Bransles de Champaigne Basse danse "L.a Bresse"

The Collegium Viols and Recorders

Anonyrrous

JV. Reformation and Renaissance: The Final Decades of Valois Rule (1547-89)

Herbes et fleurs qu 'on voit renaisfre Guillaume Costeley (ca. 1531-1600)

Plants and flowers that we see reborn, You r~mble the beautiful springtime of 1he king.

Who our eyes see growing in beauty, grandeur, and re.ason: Lovely gro'ft"th, in time you will produce gracious fruit.

Lord, live, for during your reign you render France indomitable.

Elizabeth Lorenzo, Leonard Scoggin, Helen Thoenes. Timothy Woods

Du malin /es fails vicieuz (Ps. 36)

The trangression of the wi1:ked iells r God before his eyes: For he so flatt

that he holds in hate and horror those th restrained. His speech is noxjous and c·

from whic:h no good c:an c:ome. H he sets himself on the wrong way: J

0 Lord, your blessedness is in the he.a"' to the skies. Your judgments reSE

an abyss are your great deeds, you

0, that your noble graces are to mf in the shadow of your viings! Your 5i: and in the flood of your ple.asures th•

For the fount.Un of Hie resjdes in you, anc we ourselves have. Continue, 0 God a 11

that knows you, your customary goodr.es! may not approach me, and that his hand

lt is done, the sjnner.s fall and are c:.:

The Collegiur

Revecy z.1enir du printan.s

Here again comes the spring. th The sun shines brightly

The shadow of the cloud vanishes from hi Forests and fields. and slopes hun

And the prairie unv Here again comes the spring. ·th

Cupid, the son of Venus, seeding With his flame he will rekindle

Animals that crawl in the fields, c Even those that feel not in lo

Here again c:omes the sprins,. tt Let us, too, laugh, and let us seek t

E\'erything smiles ""ith pleasure: le: Here again comes the spring. :l"

The Co!legium Singers '

38

IJ~

SS:\ CJ ~ '"''"/ ( < 1<l~c - 1.si. z.)

'

" .., . - • 5,. ,;ou r<Z llll)~. 111:1 dJ. me PJr J

' .... ...- ~·

.. - +' .. ... .. - -Se ..:uu r<t jrnuy. mo da . . me plr J

.. ;

se •• ..:11u r<l n1uy . mo do me p>r a

. ' n1u~. mJi da • me par a • n1uurs.

' ,

~ ~ ., . ... . . ... ... • . - ... 111l1Ur5.. Ou :.iul • Ire · menl. uu Ju] ·tre ·n1~nt la Iman me \·i~nt 4ue

! .. ! ... ,,

lo .... ... ... ;

11111urs. Ou aul • 1~e • 1nent lo mo rt Ille \·i~n1 <!l que . rir.

1111.>urs. ou au] • ire -n1~n1 la 111ur1 me ~ienr .• que . , • ;

. ' ' ' Ou aul • 1 re • n1tnt. uu ::iul • tre • n1en1 la man me \'Jen I que

• 10

~ ., ~ Au1 • - • . rir. Ir< 4ut \"UUS •• peuh Jun • ner SC' • ~ours

!. ~ ... - . _.---.......... - ...

' ,\ul ·Ire que \'OUS ne p<uh don ner .. . cnurs

;

i-ir. Aul . Ir< ~\I(' \"UUS •• "'ul1 dun· ner se · cours

' ' ., -rir. ..\uf • trie \o"OUS ne re'uh Jun-n<tr St • 'ours

' ;

~ .., . ... . . - ,. • . . A mun 1:.is ,;11eur. le · 4uel pour vous sen \'J mo-rr--:

lo .. .... ! ... ... ... ! '

I A ITI\Jn las CC'h!'Uf. I< quel pour \"OUS ·&r VJ 1nou •

I A llHJn '" i:o~ur. le . quel pour \'OUS s"cn va

A 1non !:is i.:ot:ur. re . qilel p¢ur \."OUS s·cn va

'· -· . <J_ ..: ...

. -

rir:

mou.

mou

' .,

rir

rir

rir

-

• ., . ~

I ... -iris

!CS

'

' ..,

tr cs .... ma is

la

?TC'S

20 .

" I - _f . rtr. l lo - !:JS. hel • !as. " nez tos.t SC CCU ,.-',. £. _,,_ .. .. - -... .. • ..

Hel las. h<i. ias. ,.e nu tost " cou .,,

rir: . Hel - la<. hel las. ve nei IOS.t SC cou

' ' . ' ' nr; Hcl - las. ho! \J.s. ve . ncz 1ost se - cou · nr

25

- .. . • . ... 2g~

... -Ce! luy qui vit pour \"OUS~ en tris . 1CS •

I -· ~ ... ... Col lny llUi

·. __..,/ grand "' pllur \IOUS en lll -c,1 . luy qui \"ii pour \'OUS en grand tris .

I • ' ' ' Cel • luy qui "' pour vous en grand tns • "'

• 30

... - . . - ... . . . SC. Car de son coeur vous " . te.s • la ma.is-- ... .

"' se. r'ar de son C•"tCur vous es. '" la

~ .. . Se.

. .... • •

- - . - ... . I ... ... • - ... -

ires Ill . -

n1ais lrC'S

.

Si par Jyn1er e1 )OulYrir nuict.£ ct _iours. L'an1y dessert .:e qu'il vicnl rcqufrir. Diet es pourquo~ iaii:tcs si lon~s. ~i\•11T~ :\ nie donner ce que 1an11,eulx ct1e11r.' O !1l)ble cueur. lais!>C'tC'L ,·aus pcrir \'ostrc serV"anl p3r fauhe de- !ies~·.•

car

Clr

35 I

-SC •

... ,._

• SC.

Jc croy qu·cn \OUS n·a pcin1 n1nt de rudesse.

de son cocur vous

de . ts · \CS son COC'Uf VOUS

2

I . se:-.

Car . .,._

:

I • 5C'.

. "' . Voslre ri~ueur 1ne f:ai1 plusieurs destours. 0uJn1 OJU prcn1ier je \"Ous vim requerir;

--

.'.tais Bel .~ccueil 1n·a faic1 d"as~z hons 1ours C:n n1e laissant n1aintz. baiscr~ con1.1uerir. Las. voz baiscrs ne 1~ s.<;aiven1 t-uerir.

cs • tcs

la ma is

\1aiS \'QTII croissant )"arJant fe-u 4ui nie f'Tess.e: 4 • JC'lys.SJncc eq n1:i niedecine C''.\.prcs.se l

.

I I

I

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,

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,

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l

r. 1oi~·10~ ~~

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Tenor

1. Contra.

.h~

2~• Contra

le - mo• ' y .dos ' oy I J109

te - mos I y . dos oy I 1109

I

le _ ' mos I y dos oy I nos

le _ mos y dos oy ·nos

.1 A ":t:. VJ VUJ.lJC'...J..lJJ.V.:J J uc;;ua.11.1.vu

].

_,A

ti a·y ' - ba. co - 1 ma_ mos y be - 1 moo Que ' tum-br1es : de ' 1:e - jo cos -1 COD-1

A ~

ti Oy ma_ mos b~ - I ba _mos 5 co -' y

Que tum-br'es de I

~· - Jo cos ... COD-1

~ Oy co -1 ma_ mos ; y be ' ba - mos - I Que cos_, tum-br1e! 1 de COil - ' 1:e - Jo .

Oy ' be b• -mos co - ma_ mos y Que cos - tum-br1es decon-~•-jo

' .. ' -hol -

1 gue - mos,

1 ' har Quena-' na naa - I yu _ na

- 1 te - mos, 1 I I I I

hal - 1 gue _mas, I I I I Que ma.-' iia har -: te _mos, - naa. _1 yu _ na ' I '

I ' hol - ; gue _ mos, I Qae ma-: ii.a_ na.a I ha.r _ 1 te _ mos, 1 - '

yu -

hol ... gue .. mosJ bar te _ mo!I, Que ma. - na

- -

aaa - ya _ na

dot Ensz·na

' y ""'"-' Que to-:

y C:LD-'

Que lo-:

Y c:in_; Que to-'

y can-Que to_

.Fin

I ,..,.

I rem.as. - '

I

- I remos • I

I

na - I remos. •

.o. c.

...... Par on '1 rra de 'Sant An 1 trne Jo 1 Pa._ni -' mo - nos I oy bien : anchos

1 I -. - I R~e .. Cal~

I En-bu_, la. - mos 1 es .. tos 1 pau_chas, 1 , el pe

1- , llejo,

: -

For OD _1 rra de En...bu ... : ta _mos

Par OD_; rra de En.bu _, tiil. _mos

' Par OD _ rra. de Ee-bu_ la-mos

1SantAn -'true-to 1 I I I

1 es ... tcs 1 pan....c as, ,

,Sant An _, trne - Jo ' I , es_tos 1 pan....cbos,1

-Sa.at An _ tn.e - JO es - tos Fan_cho!!1

qa.e .. mos

p • I a_re ... 1

ma .. nos Rre-cal .., que - mos

Pa-· re - I mo_ nos Rre.. cal_, que..mos

Pa-re_ mo _ nos Rre..""'1-q ue - mos

I oy bien ' anchoo, I I

I el pe -, llej.o,

:

I OY I el.

bien ; anchos, pe ~ llejo,

:

oy bien d po

aa.chos1 llejo,

Honrremo3 a tan buen !anto1

Perque en hambre no! acorra; Co mamas a. calca p orra1

Beve, Bra:;; mis tti, Beneyto, Beva Pidruelo y Llorente; 8eve hi primeramente, Quit;;.rnos has deste preito. En beber bien me deleyto; Daca, daca, beberemos, Que maiiana ayunaremos.

Tomemo• oy gasaja.do, Que ma.Ea.na vie:ae la ma.erte; Bebamas, camam.0:1 haertej Vamoa.cs para el ganado. No perderemos boc:i.do,

Que maiia.oa ay graD qaebranto. Coma.mos, bebamos la.nto, Hasla que nos rrebentemos, -~ue maOa.na. ayu:aaremos.

Que comiendo nos iremos, Que ma~ana ayunaremos.

55'.20

42

PROGRAM llpp!Jzust is IZf'Propriat< ot <1u:h pau5'

L Music for Ouistopher Columbus

Oy comamos y bebamos Juan de! Encina

Toby ~r m1 •nd drinJ:. $inf awl 1n.U lftaT)', frr toMcim:rmi 11:11! fost! In Mnar of St. CC"ftmcr.L st stop aw:r wori CNtright, Coint, fill wp 1ni1r bdlicr ad. stMff aia skin. Tiir autmn. DI '""' cilliogc is fvr 1111 to ~ t.lu:ir Jill, far tomarrmr mt fast. ToMy we m1 •Ni drink, sirtJ 1utd !l'lah:: mt:rry, fer lomat'70Sll lllf Jut!

Wt 1icrun" tills good •int !Jccn.isc hvnacr ~im 11:5

We ~t dnuiutid:a: b«.IKU fOMOrTlftll tllat: is • rrat. bTa.t.. Wt mt mil i:iriM: so mW 11nti m arr fvll, far toftlarrou:r tft fut!

Drink, Brit!, Mart yov, Btncyto, drink Pid.rwdo "1111 Uarart.r; Ya1t, drink 1'i.m, IC't.'' lam Uiir i111nud'mdy. l 111in Jlr=Di by drinlVii "!'t:ll; Wt' 1DiU drillk., frrr tOlftOTrow we fut!

Tolltl.y "'' :ill urt gladly, for dath tames tamtn'T'OW; WI!' d.rinJ:., • ut JturtUy; In 'J U it with psto!

(1468-1529)

We t11ill not lou • mov:.hfvl, bu.111All!' toll!' owruJC'IS ere gaing mm:, far tO!ftOm1rO arr fast!

Riu, r{u, chiu Aronym:rus (pub!. 1556)

Rfw:. riw, clitw, fMMd. aw:r ;lioma in mfd.y; God .laAs 1qt. !Aiir Wad: tMO// frrnn' our laMb, oau Udy. F.4fing nW' ta l::ilt 11.a. tllac tltc col./ d.i.d stazl; BKI Oll1' GOii almi1Jr.ty lll:fmdtil lta .ori&li: :rul. Pv.n He uishi::d ~ .k~ Mr xi ~' tm&ld ~ sin; Tlvzl Jim ain .af ntm1 v·a 1'nolChe:t th.is ADM r1irgin. R.fw, rlu, di:iM. •• He •ho's l'ID1ll krc:ittct ii ma ini.Jllly mcrurdl; Orist OKI" Holy F•thCI' in .lnnnmi 1~ =bad.id. He }uu br:rwgltt 11.~onm.: l1y bcinz bonl .so ftMmblt.; Tiunlgh ht iii inunon.l. a manal mu Cl'•Utl. .R.lw, rlw, dalu ••• May ntiott ,,,-opftcts fDrr:aUi t.lurt Ht. W011l4 come; Nlllif1 wi!Ji.in 1110' wm lirnc en ham tlr.is A.ls '°"'' tnt'- God in Wpc of mm atll!' 1u Ol'I

t.arllt 's do"'4in; Man i11 llt.ittl'm rrips. HI!' did it Lit.KS Lo 11.itl us.

Pause

Nunca fui pena major

In te Domine speravi

ln Thu, ~ril, .riid [ pwl my hf11K, lo find pity farm~; But iri 11. I.Ad. .tnd. d.tr.I: Mil IP4' 1, llrul !t:ll./fcrtd in wirt. Brcikm and [suUcrull to !.he wind /isl wry hapt:; I su Jit.ftl'cn and wup. Siglu. lt.11.n rauilt to "'' of "'Y 5llli liiap~. lone.cl so rrut . I llCS Ju1.r1; Jiowmrr in "'Y sonvw 1 "11111 to nu. In nu. l.Drd. did 1 pi.ii my lu1pt, to 1iNI. pily fur~.

Helen Thoenes, Contralto

Johannes Urrede (fl. c. 1476)

Josquin Desprez Cc. 1440-1521)

Eso rigor e repente

Play 1.ht liHit dnnfl, .dur BIG Jf!Jln. Jti-tr lm:rthc ulbtmt gvita. Tanighi we all WU be -.ii.:. lftgftt.a St. Tilomu! L.a'!i go, Gwin~ BUd:s, ArtgDIM BW:.l:s to ga, for IAey ar all ugly BZ.d:= Juindsomc Blac.i:s .s.uda 11.f arr a&.1r '1rolhcn, mho 1

Joiil nrd. lei's tJ..nu Nrp,ily. l't't •rrioe /brinfirt! ma11ti1ll' •rid littlt slulwl, tiny C#,rui.lcs, drVd fnJ.1 Mlllit gf wool, littllf c.aM pipe a( tol»car. Oh FD bratli.u!

Elizabeth Lorenzo. Leonard Scoggin, Helen TI

El Fuego

Rwn, "'"· .sinnrn! Do not dO.y to brinr ra".zr ~ This &.trning firt. is &lu wid:.m sin, =hie.ls is •luioir_ Any wlta erpea Mlmtian of Cod. frri11r =irfD' !..o Co1IU lfuidrJy, si11110"S, 1o Ja11 !Mt frrt.; r~pad of ~ nose btlb all within yrrw.r li.arU, ·n.ruUn. d.i:i

Jlf:OJ'l t:. Tiuw- bell$ uU toAAin yavr liurts, • ~:

dtl•y! Hdp ws ta hll !Ais firt. Do nai dd.ly t11 bring ir.

tliawYrad lmd.1 tr{ pmitmu. far "' tMI '=l.J r yw.r fq mmiia: will flu.

Oii, liovi W _,14 bwm.s M'f'• not ltll!t>ing fmr of /tit.ha alaMys l=ir11 OW wftit.11 Ille tJ.wil CDnCD< F11r my vJ1.11 lr"JllW Ult' comnumdmimts of Goe; ·oaru1o11:. d.4n.dole, • Alwi:ys J.1ying: U.q :rill bl!' d.atrrtyttl. in HU catds, in His rmrti­nu world where we toa1U: IS a sudtinf f"'l'· 'tt'i

• 11.ri lite. Oh, lii01P flit' blaw OU.r.JfiDts KTJ in th1: Wr:n'ld ll7Sll : F~ my 1innm Lbt Cod does not tdl, ~ will

Ju:iplrssly: ·tooi Nm, frrms. Tarpcy11., i11 Ri:nr. ...... , ...... ,..y.-Da Pll!f bt $llllif1! Brin,r imta now! AM ytN. Ott 5

brustr li,rlldy! A.bat yawrKIPGI T1i1m, Dani: wi1'1.01d red.emption/

T1m1 'vic:.tly, th.ft grjtlii 11111!' =:kl' OM1' ptllSian wi AM so, uri&h good rw;m, puplt. vn1l "Y· '"\\.?i< Pl.y. Jmn, wii.11 yo111 ffute, /~ I.ht." weight Ms ct. I atill sing • mm1 wnws.W sa11.r. fr" yoMI' &Maza'!

'"Froni. &Iii! Virfin without stain Ms Jlawr.d 1JJ.ll!' ;r. And it is for lliil rcuan tbt Mi! W Pat lrir..h : 1Alt He wovld pe ,tc'DO"ft'mod fO I.lie -Id th.: AU 11. Virgin me bi1'1Ji to Him, a tw .bPDJ, !o H~iru:ss,, zmdmm.! TJuit llit i:;irmc tows cm. !>i: urftai Hcl y Mary pPll!' lrirt.1!: to dit: 51u:pltad t1f :..· Alld ii is 1ftis birth, of sweet 11.J'ld good uw:.er, llW;;

11Ml'I i:m.dd "5 t11 undo-stand LUI Utt t.li.irs~y "'M.!

Cwarding Jltt ai•1u1111.ftdmni&s Oud Cad obli.!a ~ ·He ~iio drinks of this w11ia, :&rill nol Ulirsl fOT~

43

46

208

ss:21

PIERRE ATTAINGN.~NT (CA.

Danseries a 4 Parties, Second Livre

a) Basse danse (No. 1)

[I] <§>

: '

..

'

,

• •

. •

Note values reduced by h:tlf. Barlines through the entire brace mark the qua<'1nions of the choreography; triple-rime me;uures are set off by barlini:s through the suff; Uter ~very seventh minim of a quartrniori a broken line •ppears. Danseries d 4 parties, Seco11d liure !Paris, 1547), ed. Raymond M~ylan (P:i.ris; Heugel & Cie .. l: 1969). pp. 1. 38-39. Used by permission of the publisher, Theodore Presser Company, sole repre­si:nrarive U.S.;i..

44

I ·, .;

- -, ) ' -

Jr~ognphy; .ft11lce·rnion ii

Heugel Ii -.,re ..

b

b) Branle gay: Q11eje chato11/le tafossette (No. 36)

.A I 9 / 4}>

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Attaingnant was not a composer but an editor and printer who issued many collections of chansons and of dance music. The b,u,;e danse reached the height of popularity in the fifteenth century. Bv the time Attaingnanr's col­lection was published in 1547, it had almost disappeared. ln the basse danse

;1 ·" .L ._)