Summer Fine Art Auction, June 2014

F R A N K L I N B O W L E S G A L L E R I E S

S U M M E RF I N E A R T

A U C T I O N

2 0 1 4

Preview

Friday, June 27 • 10 am – 10 pmSaturday, June 28 • 11:30 am – 12:30 pm

Auction

Saturday, June 28, 2014Bidding starts at 12:30 pm

LocAtion

765 Beach Street San Francisco, CA 94109

Lot 84, Pierre Boncompain, Terrasse d’Été (detail)

S U M M E RF i n e A r t

A u c t i o n

2 0 1 4

F r A n K L i n

B o w L e S

G A L L e r i e S

2 3

Background: Lot 132, Heinrich Hartung, Cerisiers (detail)

President: Franklin Bowles

Vice President: Jean Audigier, Ph.D.

SAN FRANCISO GALLERIES

Managing Director: Pamela Walsh

Consulting Director: Michael LaPrade

Director of Special Projects: Bernard Blair

Associate Directors: Deborah Molinar, Carla Schmidt

Assistant Directors: Sam McClellan, Syed Sajid

Senior Art Consultants: Patrick Duman, Sasha Grotell, Don Keenan, Brittany Moorefield, Valarie Versace, Zeno Zimmerman

Art Consultants: Carolina Ekstrom, Sue Kim, Sharon Weston-Lewis, Alanna Rice, Dan Root, James Todd, Jennifer Wilson

Administration: Laura Anderson, Stacey Bellis, Rob Conley, Melissa Cooper, Emilee Enders, Delia Fernando, Alex Gleason, Octavio Gonzalez, Robert Grenon, Sophaun Khun, Bianca Larson, Alexandre Mandereau, Lauryn Porte, Ella Rollandi, Scott Saraceno, Lindsey Stephenson, Lauren Terrazas

NEW YORK GALLERY

Director: Phebe Carter

Assistant Director: Eric Chelman

Curator: Leslie Lund

Art Consultants: Duane Bousfield, Matthew Hannan, Michael Montanaro

Administration: Pedro Alvarado, Matthew Cortright, Zane York

CHINA BASIN DESIGN

Operations Manager: Rick Potts

Floor Manager: Ryan Mortensen

Framers: Kate Kuaimoku, Erik Pierson, Lewis Rossi, Maureen Shields

Shipper: Phil Gee

F R A N K L I N

B O W L E S

G A L L E R I E S

2 3

4 5

3

SALVADOR DALI

Divine Comedy – Heaven 3

ML 1108

from an edition of 4765

Unsigned Woodcut

16 x 13 in., 1960

Gallery price: $1,550

Illustrated: Dali, Catalogue Raisonné II 1956-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 111.

4

SALVADOR DALI


ML 1116


Unsigned Woodcut

16 x 13 in., 1960



5

SALVADOR DALI


ML 1127


Unsigned Woodcut

16 x 13 in., 1960



6

SALVADOR DALI


ML 1129


Unsigned Woodcut

16 x 13 in., 1960



3

1

25

4

6

1

LARRY HOROWItz

Sienna Shadows


Signed Etching

16 x 16 in., 1999


2

LARRY HOROWItz

Pleasant Bay


Signed Etching

15 x 31 in., 1999


6 7

10

MIHAIL CHEMIAKIN

Still Life with Fish on Board


Signed Lithograph

22 x 30 in.


11

MIHAIL CHEMIAKIN

Still Life with Fish and Bread


Signed Lithograph

22 x 30 in.


7

IGOR MEDVEDEV

Fuengirola, Spain


Signed

Hand-Embellished Serigraph

15.5 x 37 in., 2006


8

PIERRE BONCOMPAIN

Les Primèveres sur le Kilim


Signed Serigraph

28 x 22 in.


9

PIERRE BONCOMPAIN

La Ceinture Jaune


Signed Serigraph

28 x 35 in.


7

8

9

98

12

MARC CHAGALL

Bible: Oracle Over Babylon

Plate 93


Unsigned Etching

12 x 9 in., 1956


Illustrated: Chagall and the Bible, Universe Books, 1987, pg. 113.

13

MARC CHAGALL

Bible: Isaiah’s Prayer

Plate 99


Unsigned Etching

12 x 9 in., 1956



14

MARC CHAGALL

Bible: Elijah and the Widow of Sarepta

Plate 83


Unsigned Etching

12 x 9 in., 1956



15

MARC CHAGALL

Bible: Anointing of King Solomon

Plate 76


Unsigned Etching

12 x 9 in., 1956



16

MARC CHAGALL

Bible: David, Vanquisher of Goliath

Plate 63


Unsigned Etching

12 x 9 in., 1956



13

15

14

16

10 11

17

19

18

20

17

PABLO PICASSO

La Célestine

B. 1529 / Ba. 1545


Unsigned Etching

4.75 x 3.5 in., 1971


Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. VI, 1994, pg. 226.

18

PABLO PICASSO

La Célestine

B. 1625 / Ba. 1641


Unsigned Etching

2.25 x 3.25 in., 1971



19

PABLO PICASSO

La Célestine

B. 1599 / Ba. 1615


Unsigned Etching

4.5 x 2.25 in., 1971



20

PABLO PICASSO

La Célestine

B. 1628 / Ba. 1644


Unsigned Etching

2.25 x 3.75 in., 1971



21

JOAN MIRó

Passage Egyptienne 1

D. 1182


Unsigned Etching with Aquatint

25.5 x 18 in., 1985


Illustrated: Miro Engraver, Volume IV, Galerie Lelong, 2001, pg. 164.

22

JOAN MIRó


D. 1183


Signed Etching with Aquatint

25.5 x 18 in., 1985



12 13

23

JOAN MIRó


D. 1184



25.5 x 18 in., 1985



24

JOAN MIRó


D. 1185



25.5 x 18 in., 1985



25

SALVADOR DALI

Divine Comedy – Purgatory 4

ML 1076


Unsigned Woodcut

16 x 13 in., 1960



26

SALVADOR DALI


ML 1091


Unsigned Woodcut

16 x 13 in., 1960



27

SALVADOR DALI


ML 1094


Unsigned Woodcut

16 x 13 in., 1960



28

SALVADOR DALI


ML 1102


Unsigned Woodcut

16 x 13 in., 1960



25

27

26

28

1514

29

LEROY NEIMAN

Mickey Mantle


Signed Serigraph

33 x 33 in., 1999


30

LEROY NEIMAN

The DiMaggio Cut


Signed Serigraph

31 x 39 in., 1998


31

LEROY NEIMAN

Mark McGwire


Signed Serigraph

40 x 26 in., 1999


30

31

1716

32

LEROY NEIMAN

Femlin: Hand Massage

Signed Original

Mixed Media on Paper

9.5 x 13.5 in., 1992


33

JOAN MIRó

Càntic del Sol – Plate 2

D. 836



13.5 x 20 in., 1975


Illustrated: Miro Engraver, Volume III, Ediciones Poligrafa, 1992, pg. 176.

34

JOAN MIRó


D. 839



13.5 x 20 in., 1975



35

JOAN MIRó


D. 844



13.5 x 20 in., 1975



18 19

36

PIERRE MARIE BRISSON

Atmosphere


Signed Etching

20 x 40 in., 1999


37


Simplement


Signed Etching

32 x 32 in., 1999


38


La Remontée


Signed Etching

20 x 40 in., 1999


39

41

40

42

39HENRI MAtISSE

Ronsard: Florilege des Amours Plate 8

Duthuit no. 25


Unsigned Lithograph

13 x 11 in., 1948


Illustrated: Matisse Catalogue Raisonné des Ouvrages Illustres,

Duthuit, 1988, pg. 198.

40

HENRI MAtISSE


Duthuit no. 25


Unsigned Lithograph

13 x 11 in., 1948



Duthuit, 1988, pg. 206.

41

HENRI MAtISSE


Duthuit no. 25


Unsigned Lithograph

13 x 11 in., 1948



Duthuit, 1988, pg. 206.

42

HENRI MAtISSE


Duthuit no. 25


Unsigned Lithograph

13 x 11 in., 1948



Duthuit, 1988, pg. 213.

2120

43

HENRI MAtISSE


Duthuit no. 25


Unsigned Lithograph

13 x 11 in., 1948


Illustrated: Matisse Catalogue Raisonné des Ouvrages Illustres, Duthuit, 1988, pg. 207.

44

JOAN MIRó


D. 1186



25.5 x 18 in., 1985



45

JOAN MIRó


D. 1187



25.5 x 18 in., 1985



22 23

46

SALVADOR DALI

Tristan et Iseult: Le Geant Beliagog

ML 421


Signed Etching

15.75 x 10.5 in., 1970


Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pg. 185.

47

SALVADOR DALI

Les Diners de Gala

ML 1336


Signed Photolithograph

19 x 22.5 in., 1971



46

47

48

MARC CHAGALL

Le Cirque – Plate VII

M. 497


Unsigned Lithograph

16 x 12.5 in., 1967


Illustrated: Marc Chagall: The Lithographs, D.A.P., 1998, pg. 224.

49

MARC CHAGALL

Le Cirque – Plate IX

M. 502


Unsigned Lithograph

16 x 12.5 in., 1967



50

MARC CHAGALL

Le Cirque – Plate XXI

M. 509


Unsigned Lithograph

16 x 12.5 in., 1967



48

50

49

2524

51

DIANA HANSEN

Dancer I


Signed Etching

26 x 19 in.


52

tADASHI ASOMA

Autumn Rhapsody


Signed Serigraph

36.25 x 42.5 in., 1984


53

DIANA HANSEN

Deer Dance


Signed Etching

26 x 19 in.


51

53

52

54

56 57

55

54

IGOR MEDVEDEV

Desert Sun

Signed Original

Mixed Media on Board

39 x 26 in., 2003


55

IGOR MEDVEDEV

Nocturne XIV

Signed Original


38 x 32.5 in., 2005


56

IGOR MEDVEDEV

Red Dawn

Signed Original


40 x 38 in., 2004


57

IGOR MEDVEDEV

Magic Maze

Signed Original


40 x 60 in., 2001


2726

58

LEROY NEIMAN

April at Augusta


Signed Serigraph

29 x 38 in., 1990


59

LEROY NEIMAN

Sixteenth at Cypress

Artist’s Proof

Signed Serigraph

29 x 38 in., 1982


60 61

62

60


Femme Fleur II

Signed Original


25 x 20 in., 2013


61


Femme Fleur III

Signed Original


25 x 20 in., 2013


62


Femme Fleur IV

Signed Original


25 x 20 in., 2013


2928

66

LEROY NEIMAN

Café de Paris, Rome

Signed Original


9.25 x 6.75 in.


67

LEROY NEIMAN

Spike Lee

Signed Original


6 x 4.25 in., 1999


63

FRANCOISE DEBERDt

Les Clowns


Signed Lithograph

21 x 29 in.

Gallery price: $850

64

LEROY NEIMAN

Soccer

Signed Original


11 x 15 in., 1977


65

LEROY NEIMAN

Three Figures

Signed Original


11.5 x 15.75 in., 1985


30 31

72

68

69 70

71

68

SALVADOR DALI

Les Chevaux Daliniens: La Chimère d’Horace

ML 1270


Signed Lithograph with Embossing

26 x 20 in., 1970-72



69

SALVADOR DALI

Les Chevaux Daliniens: Le Centaure de Crete

ML 1272



26 x 20 in., 1970-72



70

SALVADOR DALI

Les Chevaux Daliniens: La Victime de la Fête

ML 1280

Epreuve d’Artiste


26 x 20 in., 1970-72



71

SALVADOR DALI

Les Chevaux Daliniens: Clauilegnio

ML 1281



26 x 20 in., 1970-72



72

SALVADOR DALI

Les Chevaux Daliniens: Le Cheval de Labeur

ML 1282

Epreuve d’Artiste


26 x 20 in., 1970-72



32 33

76

LEROY NEIMAN

Lion and Lioness


Signed Serigraph

18 x 24.5 in., 2007


77

LEROY NEIMAN

Charging Bull


Signed Serigraph

20.5 x 28 in., 2006


78

LEROY NEIMAN

Rhino


Signed Serigraph

26 x 19.5 in., 2006


73

LEV MESHBERG

Vivaldi’s Venice I


Signed Lithograph

30 x 22 in., 1986


74

LEROY NEIMAN

High Seas Sailing II


Signed Serigraph

38 x 26 in., 1995


75

LEROY NEIMAN

Café Deux Magots

Artist’s Proof

Signed Serigraph

28 x 34 in., 1976


73

74

75

76

77

78

3534

79

JOAN MIRó


D. 857



13.5 x 20 in., 1975



80

JOAN MIRó


D. 853



13.5 x 20 in., 1975



81

JOAN MIRó


D. 850



13.5 x 20 in., 1975



82

MARC CHAGALL

Odyssey: Combat Between Ulysses and Irus

M. 810


Unsigned Lithograph

17 x 13 in., 1974



83

MARC CHAGALL

Odyssey: Ulysses’ Bow

M. 818


Unsigned Lithograph

17 x 13 in., 1974



3736

84

PIERRE BONCOMPAIN

Terrasse d’Été

Signed Original

Pastel on Paper

25 x 39 in.


85

PABLO PICASSO

Tauromaquia: El Arrastre

B. 973 / Ba. 993


Unsigned Etching

11.4 x 14 in., 1957


Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. IV, 1988, pg. 320.

86

PABLO PICASSO

Tauromaquia: El Torero Sale en Hombros de los Aficionados

B. 974 / Ba. 994


Unsigned Etching

11.4 x 14 in., 1957



87

PABLO PICASSO

Tauromaquia: El Picador Obligando al Toro

B. 962 / Ba. 982


Unsigned Etching

11.4 x 14 in., 1957



38 39

88 (facing page)

LEROY NEIMAN

Steve Hegg, Cyclist

Signed Original


17.75 x 21.75 in., 1986


89 (facing page)

LEROY NEIMAN

LeRoy Neiman’s Corvette

Signed Original


16.9 x 28 in., 1984


90

LEROY NEIMAN

Nicole Miller

Signed Original


19.75 x 15 in., 1993


91

LEROY NEIMAN

Woman on a Beach

Signed Original


12.5 x 22.25 in.


88

90

9189

4140

92

93

94

92

MARC CHAGALL

Le Cirque – Plate XXVI

M. 515


Unsigned Lithograph

16 x 12.5 in., 1967



93

MARC CHAGALL

Le Cirque – Plate XVII

M. 506


Unsigned Lithograph

16 x 25 in., 1967



94

MARC CHAGALL

Le Cirque – Plate XIX

M. 510


Unsigned Lithograph

16 x 25 in., 1967



4342

98

LEROY NEIMAN

Resting Lion


Signed Serigraph

33.75 x 42 in., 2008


99

LEROY NEIMAN

Resting Tiger


Signed Serigraph

32.5 x 42 in., 2008


95

SALVADOR DALI

Twelve Tribes of Israel: Joseph

ML 622

Epreuve d’Artiste

Signed Etching with Stencil

20 x 14 in., 1973



96

SALVADOR DALI

Twelve Tribes of Israel: Zebulun

ML 623

Epreuve d’Artiste


20 x 14 in., 1973



97

SALVADOR DALI

Twelve Tribes of Israel: Issachar

ML 625

Epreuve d’Artiste


20 x 14 in., 1973



95

97

96

4544

100

LEROY NEIMAN

Femlin: Cell Phone Call

Signed Original


8 x 18 in., 1991


101

LEROY NEIMAN

Femlin: Heart-Shaped Chair

Signed Original


8.5 x 13 in., 1998


100

101

102

JOAN MIRó

Les Penalités de l’Enfer 9

M. 968


Unsigned Lithograph

10.6 x 29.3 in., 1974


Illustrated: Joan Miró Lithographs, Volume V, Maeght, 1992, pg. 101.

103

JOAN MIRó

Les Pénalites de l’Enfer 10

M. 969


Unsigned Lithograph

10.6 x 29.3 in., 1974



104

JOAN MIRó

Les Penalités de l’Enfer 13

M. 972


Unsigned Lithograph

10.6 x 29.3 in., 1974



105

JOAN MIRó

Les Pénalites de l’Enfer 22

M. 981


Unsigned Lithograph

10.6 x 29.3 in., 1974



46 47

106

SALVADOR DALI

Aliyah: Aliyah

F 68-1 A


Signed Lithograph

20 x 16 in., 1968


Illustrated: Official Catalog of the Graphic Works of Dali, Field, Albert, Dali Archives, 1996, pg. 152.

107

SALVADOR DALI

Aliyah: A Voice is Heard

F 68-1 D


Signed Lithograph

20 x 16 in., 1968


Illustrated: Official Catalog of the Graphic Works of Dali, Field, Albert, Dali Archives, 1996, pg. 153. 108

LEROY NEIMAN

Sugar on 42nd

Signed Original


13.5 x 10.5 in., 1974


4948

109

LEROY NEIMAN

Matador: Luis Miguel Dominguin

Signed Original

Oil on Canvas

30 x 40.25 in., 1960


LeRoy Neimanb. 1921, St. Paul, Minnesota; d. 2012, New York, New York

Luis Miguel González Lucas (November 9, 1926, Madrid — May 8, 1996) was a famous bullfighter

from Spain, better known as Luis Miguel Dominguín. His father was the legendary Domingo Domin-

guín; he adopted his father’s name to gain popularity.

Dominguín enjoyed wide popularity during the 1940s and 1950s as he conquered bulls all over Spain,

Portugal, Colombia and other locales. He debuted at the age of eleven, and was active in the card

where another legend, Manolete, lost his life.

Dominguín was also a socialite having friends like Pablo Picasso. He had a tempestuous romance

with the American actress, Ava Gardner, and also romanced fashion model China Machado. In 1954,

he married actress Lucia Bosé, who gave birth to his son Miguel Bosé, a Grammy-winning singer. In

1959, he and his brother-in-law, Antonio Ordóñez, engaged in a bullfighting rivalry that was chronicled

by Ernest Hemingway in his book, The Dangerous Summer. Ordóñez won.

In 1971, at the age of 44, he returned to the bullring. That year he retired again, but returned to the

ring in 1971, aged 45, when he attempted to fathom the sport’s continuing allure. His comeback was

at Las Palmas, the Canary Islands, when he wore the costume known as the “suit of lights,” which

had been designed for him by Picasso. He killed two bulls and won one ear, but was overshadowed

by younger men - although the actress Deborah Kerr, who was in the crowd, insisted, “He is still the

greatest bull-fighter.”

Dominguin’s last fight was in Barcelona on September 12, 1973.

He died of heart failure at 69 in 1996. He is buried in the cemetery San Enrique de Guadiaro, near

Sotogrande (Cadiz).

5150

110

LEV MESHBERG

Flowers for You


Signed Lithograph

30 x 22 in., 1989


111

IGOR MEDVEDEV

Golden Bough

Signed Original


40 x 34 in., 2009


112

IGOR MEDVEDEV

White Lace

Signed Original


40 x 60 in., 2008


113

IGOR MEDVEDEV

Fields

Signed Original


40 x 60 in., 2009


114

IGOR MEDVEDEV

Nest

Signed Original


40 x 60 in., 2008


52 53

115

MARC CHAGALL

Le Square de Paris

M. 573


Signed Lithograph

20.9 x 15.1 in., 1969



116

MARC CHAGALL

Decouverte de Daphnis par Lamon

M. 309


Signed Lithograph

21.25 x 15 in., 1961



Marc Chagallb. 1887, Vitebsk, Russia; d. 1985, Saint Paul de Vence, France

Marc Chagall was born on July 7, 1887, in Vitebsk, Russia. From 1907 to 1910 he studied in Saint Petersburg, at the

Imperial Society for the Protection of the Arts, and later with Léon Bakst. In 1910, he moved to Paris, where he

associated with Guillaume Apollinaire and Robert Delaunay and encountered Fauvism and Cubism. He partici-

pated in the Salon des Indépendants and the Salon d’Automne in 1912. His first solo show was held in 1914 at Der

Sturm gallery in Berlin.

Chagall visited Russia in 1914 and was prevented from returning to Paris by the outbreak of war. He settled in

Vitebsk, where he was appointed Commissar for Art in 1918. He founded the Vitebsk Popular Art School and

directed it until disagreements with the Suprematists resulted in his resignation in 1920. He moved to Moscow

and executed his first stage designs for the State Jewish Chamber Theater there. After a sojourn in Berlin, Chagall

returned to Paris in 1923 and met Ambroise Vollard. His first retrospective took place in 1924 at the Galerie

Barbazanges-Hodebert, Paris. During the 1930s he traveled to Palestine, the Netherlands, Spain, Poland and Italy.

In 1933, the Kunsthalle Basel held a major retrospective of his work.

During World War II, Chagall fled to the United States. The Museum of Modern Art, New York, gave him a retro-

spective in 1946. He settled permanently in France in 1948, and exhibited in Paris, Amsterdam and London. In

1951, he visited Israel and executed his first sculptures. The following year, the artist travelled in Greece and Italy.

During the 1960s, Chagall continued to travel widely, often in association with large-scale commissions he re-

ceived. Among these were: windows for the synagogue of the Hadassah University Medical Center, Jerusalem

(installed in 1962); a ceiling for the Paris Opéra (installed in 1964); a window for the United Nations building, New

York (installed in 1964); murals for the Metropolitan Opera House, New York (installed in 1967); and windows for

the cathedral in Metz, France (installed in 1968). An exhibition of the artist’s work from 1967 to 1977 was held at

the Musée du Louvre, Paris, in 1977–78, and a major retrospective was held at the Philadelphia Museum of Art in

1985. Chagall died on March 28, 1985, in Saint-Paul-de-Vence, France.

54 55

117

PABLO PICASSO

Femme Nue à la Source

B. 1093 / Ba. 1326


Signed Linocut

24.5 x 29.5 in., 1962


Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. V, 1989, pg. 481.

118

PABLO PICASSO

Portrait de Jacqueline à la Fraise

B. 1147 / Ba. 1321


Signed Linocut

24.5 x 17.25 in., 1962


Illustrated: Baer, Brigitte, Picasso Peintre-Gravure, Editions Kornfeld, Vol. V, 1989, pg. 468.

56 57

Ludovic Piette French, 1826-1877

Ludovic Piette was a pupil of Thomas Couture and Isidore Pils. At the Académie Suisse he became friends with both Edouard Manet and Antoine Chintreuil. Later, Camille Pissarro stayed as a guest at his house in the country and it was Pissarro who convinced him to paint in the open air and abandon the use of black. He spent time in Le Mans and St-Léonard-des-Bois between 1865 and 1876. He exhibited at the Paris Salon for the first time in 1875. His work was varied and included landscapes and genre scenes as well as historical or literary paintings. His painting Appearance of the Witches to Macbeth was purchased by William I, and is now at the Palace of Sans-Souci in Berlin. He was affiliated with the Impressionists during the early days when the “Impressionist Revolution” was underway. In 2001, Piette’s work was included in the exhibition Les Peintres et la Sarthe (Painters and the Sarthe Region) held in Le Mans at the Musée de la Reine Bérengère and at Epau Abbey.

His works can be found in the following collections: Musée de la Reine Bérengère, Le Mans, France; Louvre, Paris, France; Schloss Sans-Souci, Potsdam, Germany.

119

LuDOVIC PIEttE

Les Enfants au bord du Ruisseau

Signed Original

Gouache on Cardboard

8.25 x 11.6 in., 1871


120

LOuIS GABRIEL EuGèNE ISABEY (AttRIButED tO)

Pêcheurs près de la Falaise d’Étretat

Unsigned Original

Oil on Canvas on Cardboard

15.7 x 24.8 in.


Louis Gabriel Eugène Isabey French, 1803-1886

Born in Paris, the son of the portrait painter Jean Baptiste Isabey, Eugene Isabey practically grew up in the Louvre. He began paint-ing, and painting well, at a young age. In 1820, he visited the Normandy coast leading him to paint seascapes that would solidify his position as a leading French romantic painter. Isabey also made drawings of other scenic areas in France to illustrate travel volumes and made many landscape drawings and watercolors throughout his life. He also traveled with Eugène Delacroix to England where he became acquainted with, and influenced by, British painters J. M. W. Turner and Richard Parkes Bonington.

He made his debut at the Salon in 1824 with seascapes and landscapes and received a first-class medal in the category of genre and marine painting. In 1827, he won another first-class medal and in 1832 was made Chvalier of the Légion d’Honneur. He had a long career receiving a first prize at the Exposition Universelle of 1855 and continuing to take part in the Paris exhibitions until 1878. He taught Eugène Boudin and Johan Barthold Jongkind, two prominent precursors of Impressionism. In 1997, the Louvre acquired a collection of Isabey’s sketchbooks, including work from the artist’s sojourns to Normandy and Brittany between 1843 and 1855, and in London between 1870 and 1871.

His works are in many important collections including: the Musée du Louvre, Paris; the Hermitage Museum, St. Petersburg, Russia; National Gallery, London; Musée d’Orsay, Paris; Metropolitan Museum of Art, New York; Wallace Collection, London; Museum of Fine Arts, Boston; Fine Arts Museums of San Francisco; J. Paul Getty Museum, Los Angeles; and the Los Angeles County Museum of Art.

58 59

121

GEORGES MICHEL (AttRIButED tO)

Retour à la Tombée de la Nuit

Unsigned Original

Oil on Canvas

19.6 x 23.6 in.


Georges Michel French, 1763 – 1843

Georges Michel was apprenticed in 1775 to a landscape painter called Leduc. He soon became disenchanted with the fantastic and mannered landscapes of the 18th century, and turned to the idea of taking inspiration entirely from nature as did the great 17th century Dutch landscape artists, such as Salomon van Ruysdael. He exhibited at the Salon from 1796 to 1814; he did not sign or date his paintings, arguing that the artists of antiquity did not sign theirs.

Lazare Bruandet, before his death in 1804, taught Michel in the woods around Paris, in Boulogne and Meudon, where he learned to depict the nostalgic character of these rural sites. He was the earliest of the Montmartre painters. His skies, while painted using the traditional methods that often played on the contrast of leaden clouds with areas of strong light, herald the skies of Eugène Boudin. It is with good reason that he has been called the father of modern landscape. After 1843 his influence on several painters, especially Charles Emile Jacque and Jules Dupré, was of particular importance. Although he achieved little fame during his lifetime, Michel is now considered a major precursor to the Barbizon School painters.

Michel’s work is in many museum collections including the following: Musée du Louvre, Paris; Hermitage Museum, St. Petersburg, Russia; Museum of Fine Arts, Boston; Metropolitan Museum of Art, New York; Musée des Beaux-Arts, Lyon, France; Thyssen-Bornemisza Museum, Madrid, Spain.

122

HENRI SAINtIN

Bergère et son Troupeau à l’Orée de la Forêt

Signed Original

Oil on Canvas

63.4 x 98 in., 1873


Louis Henri Saintin French, 1845 - 1899

Henri Saintin was born in Paris and studied under Isidore Pils, Alexandre Ségé, and Charles Edme Saint-Marcel. He was consid-ered an excellent landscape painter, particularly of forests, river banks, and ponds. In 1873, he discovered Brittany and executed many paintings, particularly watercolors in the area. He also travelled to Venice and painted there.

His work can be found in the Musée de Montpellier, the Musée de Rennes, and museums in Auxerre, Bayonne, Besançon, Tarbes, and Tourcoing, all in France.

60 61

123

WILLEM CLAESz HEDA (AFtER)

Still Life with Lemon Rind

Unsigned Original

Oil on Canvas

31.3 x 41.5 in.


Willem Claesz HEDA Dutch, 1594 – 1680/2

Willem Claesz Heda occupied an important place among the painters of Haarlem. He was ignored for a long time by art-lovers: while painters of the same school such as David de Heem, Jan Fyt or Kalf, attracted high prices at public auctions, the paintings signed by Willem Heda were left unpurchased. Today, however, his merit as a painter is recognized and appreciated. His works are included in the big museums and the most famous private collections; Peter Paul Rubens possessed two of his paint-ings during his lifetime!

Heda specialized in still-life and the exceptional precision of his execution never suffered from the technical dryness or preciosity of lesser paint-ing. His color was sober, intentionally remaining within a similar range of tones, yet with a brilliant quality of light. The composition of his rich still-lifes, the sobriety of his use of color, the smooth richness of his paint, all of these contribute to Heda being one of those 17th-century Dutch painters whose works were considered part of a Golden Age of art. In short, he was a magnificent painter whose standing was finally recognized in the 19th century.

His work can be found at museums in: Antwerp, Belgium; Berlin, Germany; Besançon, France; Budapest, Hungary; Châteauroux, France; Cologne, Germany; Darmstadt, Germany; Douai, France; Dublin, Ireland; Frankfurt, Germany; Hamburg, Germany; Leipzsig, Germany; London, United Kingdom; Mainz, Germany; Munich, Germany; Oslo, Norway; Madrid, Spain; Paris, France; St. Étienne, France; Stockholm, Sweden; The Hague, Netherlands; and Toledo, Ohio, United States, among others.

62 63

125

JOAN MIRó

Le Rebelle

D. 439


Signed Etching with Aquatint and Carborundum

41 x 28.75 in., 1967


Illustrated: Miró Engraver, Volume II, Daniel Lelong, 1989, pg. 100.

126 (facing page)

JOAN MIRó

Le Matador

D. 510


Signed Etching, Aquatint, Drypoint and Carborundum

53.8 x 36.6 in., 1969



124

125 126

124

JOAN MIRó

Règne Végétal

D. 462


Signed Aquatint and Carborundum

29 x 22.5 in., 1968



64 65

127

PABLO PICASSO

Untitled Collage

Signed Original

Collage with Crayons and Pencil

19.5 x 15.75 in.


128

PABLO PICASSO

Jacqueline de Profil à Droite

B. 854


Signed Lithograph

21.9 x 17.3 in., 1958


Illustrated: Bloch, Georges, Catalogue de l’Oeuvre Grave et Lithographie, Editions Kornfeld, Vol. I, 1971, pg. 188.

66 67

129

PABLO PICASSO

Françoise

B. 401


Signed Lithograph

25.5 x 19.5 in., 1946


Illustrated: Bloch, Georges, Catalogue de l’Oeuvre Grave et Lithographie,

Editions Kornfeld, Vol. I, 1971, pg. 113.

Pablo Picassob. 1881, Málaga, Spain; d. 1973, Mougins, France

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz

Blasco, he began to draw at an early age. In 1895, the family moved to Barcelona, and Picasso studied there

at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with

the group at the café Els Quatre Gats in about 1899, were crucial to his early artistic development. Picasso’s

first exhibition took place in Barcelona in 1900, and that fall he went to Paris for the first of several stays

during the early years of the century. Picasso settled in Paris in April 1904, and his circle of friends soon

included Guillaume Apollinaire, Max Jacob, Gertrude and Leo Stein, as well as two dealers, Ambroise Vollard

and Berthe Weill.

His style developed from the Blue Period (1901–04) to the Rose Period (1905) to the pivotal work Les Demoi-

selles d’Avignon (1907), and the subsequent evolution of Cubism from an Analytic phase (ca. 1908–11) to its

Synthetic phase (beginning in 1912–13). Picasso’s collaboration on ballet and theatrical productions began

in 1916. Soon thereafter, his work was characterized by neoclassicism and a renewed interest in drawing and

figural representation. In the 1920s, the artist and his wife, Olga (whom he had married in 1918), continued to

live in Paris, to travel frequently and to spend their summers at the beach. From 1925 to the 1930s, Picasso

was involved to a certain degree with the Surrealists, and from the fall of 1931 he was especially interested

in making sculpture. In 1932, with large exhibitions at the Galeries Georges Petit, Paris, and the Kunsthaus

Zürich, and the publication of the first volume of Christian Zervos’s catalogue raisonné, Picasso’s fame

increased markedly.

By 1936, the Spanish Civil War had profoundly affected Picasso, the expression of which culminated in his

painting Guernica (1937, Museo Nacional Centro de Arte Reina Sofía, Madrid). Picasso’s association with

the Communist Party began in 1944. From the late 1940s, he lived in the south of France. Among the enor-

mous number of exhibitions that were held during the artist’s lifetime, those at the Museum of Modern Art,

New York, in 1939 and the Musée des Arts Décoratifs, Paris, in 1955 were most significant. In 1961, the artist

married Jacqueline Roque, and they moved to Mougins. There Picasso continued his prolific work in painting,

drawing, prints, ceramics, and sculpture until his death on April 8, 1973.

68 6968 69

Joan Mirób. 1893, Barcelona; d. 1983, Palma de Mallorca

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona

and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon complet-

ing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned

business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró

received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in

Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time be-

tween Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan

Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne

in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo

show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist

exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings

inspired by Dutch masters. That year he also executed his first papiers collés (pasted papers) and collages. In

1929, he started his experiments in lithography, and his first etchings date from 1933. During the early 1930s he

made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of

the civil war; he returned in 1941. Also in 1936 Miró was included in the exhibitions Cubism and Abstract Art and

Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year he was commissioned

to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. In 1944, Miró

began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958

he worked almost exclusively in these two mediums. He received the Grand Prize for Graphic Work at the Venice

Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958,

Miró was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year

he resumed painting, initiating a series of mural-sized canvases. During the 1960s he began to work intensively

in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand

Palais, Paris, in 1974. In 1978, the Musée National d’Art Moderne exhibited over five hundred works in a major

retrospective of his drawings. Miró died on December 25, 1983, in Palma de Mallorca, Spain.

130

JOAN MIRó

Le Somnambule

D. 656



55.5 x 37.25 in., 1974



70 71

131

MARINuS ADRIANuS KOEKKOEK

La Rivière en fin d’Après-Midi

Signed Original

Oil on Panel

9 x 13.5 in.


Marinus Adrianus Koekkoek Dutch, 1807 – 1868 or 1870

Marinus Adrianus Koekkoek was born in Middelburg in 1807 and lived most of his life in Hilversum where he died. He was the son and pupil of Johannes Hermanus Koekkoek and came from a long line of well respected Dutch landscape painters. He often included figures in his landscapes and, like many of his kin, enjoyed painting winter scenes.

His work can be found in the Coutrai Museum in Belgium.

132

HEINRICH HARtuNG

Cerisiers

Signed Original

Oil on Canvas on Board

10.8 x 14.2 in.


Heinrich Hartung German, 1851 – 1919

Heinrich Hartung painted genre scenes, landscapes, water and mountain-scapes. He received a commendation in Berlin in 1889 and was awarded a medal in 1890.

His work can be found in the Düsseldorf Museum in Germany.

72 73

133

HENDRIK BAREND KOEKKOEK

Pauses d’un Chasseur dans la Forêt

Signed Original

Oil on Canvas

18 x 13.8 in.


Hendrik Barend Koekkoek Dutch, 1849 – before 1909

Henrik Barend Koekkoek is a descendant of several generations of painters specializing in Dutch landscapes, including Johannes and Hermanus Koekkoek the Elder.

134 (facing page)

PAuLE GOBILLARD

La Leçon de Piano

Signed Original

Oil on Panel

9.5 x 13 in.


Paule Gobillard French, 1867/1869-1946

Paule Gobillard was a painter, watercolorist, and pastellist who specialized in portraying portraits, figures, genre scenes, land-scapes, still-lifes, and flowers. She was the niece and pupil of Berthe Morisot, and she grew up surrounded by the Impressionists. When Gobillard’s parents, Yves (Berthe’s sister) and Théodore Gobillard passed away, she went to live with her aunt and uncle, Morisot and Eugène Manet (brother of Edouard). The young artist learned to master the disciplines of oil and pastel from Morisot, but she excelled in the use of pastel. Even Degas, who was very hard to please, praised her pastel works. Gobillard also studied under the figure painter Henri Gervex, copied Old Masters in the Louvre, and spent time with Morisot and Manet at their country home in Mézy, painting en plein air in the garden with her aunt.

Both Morisot’s and Renoir’s influence are apparent in Gobillard’s artworks. She worked in the Impressionist style, exhibiting a soft tenderness juxtaposed by confident lines. She acquired Morisot’s soft palette and Renoir’s delicacy of brushstroke. She was inspired by their method of painting en plein air, and she continued to paint from life throughout her artistic career. Gobillard exhibited regularly in Paris at all the major Salons. She also exhibited in prominent Parisian galleries such as Durand-Ruel, Petit Druet, and Galerie Bernbeim Jeune. During Gobillard’s lifetime, she not only exhibited in France, but also in Japan, the United States, and Denmark.

Paule Gobillard’s work can be found at the Musée du Petit Palais in Paris.

74 7574 75

135

ECOLE FRANçAISE

Pêche près de la Cõte

Signed Original

Oil on Paper on Wood

14.3 x 26 in.


Ecole Française French, 19th Century

This umbrella term, meaning “French School,” refers to works of art characterized by a classical French academic style.

136

LéON VICtOR DuPRé

L’Étang près du Village

Signed Original

Oil on Panel

4.7 x 12.8 in.


Léon Victor Dupré French, 1816-1879

Léon Victor Dupré was taught by his older brother, the painter Jules Dupré. He also worked in his father’s porcelain factory, learning the exacting skills necessary in the painting of porcelain. These talents greatly increased his technique in rendering minute detail. His canvases are seldom very large and the human and animal figures are usually quite small in relation to the grand, luminous skies of which he was fond. Like his brother, he often painted river banks under stormy skies. He won a third-class medal in 1849. His best works include Village in the Berry, Banks of the Oise and Pool in the Landes.

His works can be found in the Metropolitan Museum of Art in New York, the Fine Arts Museums of San Francisco, the Minneapolis Institute of Art, the Museum of Fine Arts in Boston and the Rijksmuseum in Amsterdam among others.

76 77

137

DOMINIquE ROzIER

Petit Déjeuner

Signed Original

Oil on Canvas

13.8 x 10.6 in.


Dominique Rozier French, 1840-1901

Dominique Hubert Rozier was a painter of landscapes and of still-life scenes. He specialized in the latter, creating representations of copious arrangements that included flowers, fruit, game, and fish. Rozier was a student of Antoine Vallon. He exhibited regularly at the Paris Salon from 1869 until his death in 1901, and he also exhibited at the Salon des Artistes Français. Rozier won several medals, including bronze medals at the Exposition Universelle of 1889 and of 1900.

Dominique Rozier’s work can be found in: Muzeul National de Arta al României, Bucharest; and museums in Bergues, La Roche-sur-Yon, Lille, Lyon, Montpellier, Pontoise, and Tourcoing, all in France.

138

ELISABEtH LéONIE LACOStE

Les Élégantes dans la Forêt

Signed Original

Oil on Canvas

14.8 x 18 in., 1845


Elisabeth Léonie Lacoste French, 1821-unknown

Elisabeth Lacoste was a painter of landscapes. Her maiden name was Cholet, and she exhibited under that name from 1839 to 1849. Since she was a female artist during a time in which women had very little independence, there is little biographical informa-tion about her.

Elisabeth Lacoste’s work can be found in the museum housed in Château Boulogne-sur-Mer in France.

78 79

Salvador Dali ALICE IN WONDERLAND

139

SALVADOR DALI

Alice in Wonderland – Complete Portfolio

ML 321-333


Unsigned 12 Heliogravures and 1 Etching 17 x 11.75 in., 1969


Illustrated: Dali, Catalogue Raisonné I 1924-80, R. Michler and L. Lopsinger, Prestel, 1994, pp. 171-172.

80 81

Salvador Dalíb. 1904, Figueras, Spain; d. 1989, Figueras, Spain

Salvador Dalí was born Salvador Felipe Jacinto Dalí y Domenech in the Catalan town of

Figueras, Spain, on May 11, 1904. In 1921, he enrolled in the Real Academia de Bellas Artes

de San Fernando in Madrid, where he became a friend of Federico García Lorca and Luis

Buñuel. His first solo show was held in 1925 at the Galeries Dalmau in Barcelona. In 1926,

Dalí was expelled from the Academia and, the following year, he visited Paris and met Pablo

Picasso. He collaborated with Buñuel on the film Un Chien andalou in 1928. At the end of

the year, he returned to Paris and met Tristan Tzara and Paul Eluard. About this time Dalí

produced his first Surrealist publications and illustrated the works of Surrealist writers

and poets. His first solo show in the United States took place at the Julien Levy Gallery in

New York in 1933.

Dalí was censured by the Surrealists in 1934. Toward the end of the decade, he made

several trips to Italy to study the art of the sixteenth and seventeenth centuries. In 1940, Dalí

fled to the United States, where he worked on theatrical productions, wrote and illustrated

books, and painted. A major retrospective of his work opened in 1941 at the Museum of

Modern Art in New York and traveled throughout the United States. In 1942, Dalí published

his autobiography and began exhibiting at M. Knoedler and Co. in New York. He returned to

Europe in 1948, settling in Port Lligat, Spain. His first paintings with religious subjects date

from 1948–49. In 1954, a Dalí retrospective was held at the Palazzo Pallavicini in Rome and,

in 1964, an important retrospective of his work was shown in Tokyo, Nagoya, and Kyoto. He

continued painting, writing, and illustrating during the 1960s. The Salvador Dalí Museum

in Cleveland was inaugurated in 1971, and the Dalinian Holographic Room opened at

M. Knoedler and Co., New York, in 1973. In 1980, a major Dalí retrospective was held at

the Musée National d’Art Moderne, Centre Georges Pompidou, in Paris, and his work was

exhibited at the Tate Gallery, London. The artist died on January 23, 1989, in Figueras.

140

SALVADOR DALI

Anteater

Signed Original


14 x 12 in., 1963


82 83

141

SALVADOR DALI

Etude de Nu

Signed Original


14 x 11 in.,1950


142

LEROY NEIMAN

Jockey

Signed Original

Acrylic and Enamel on Board

32 x 11.75 in., 1959


84 85

143

LEROY NEIMAN

Polo

Signed Original


22 x 30 in., 1965


144

MICHELANGELO MEuCCI

Les Fruits de l’Été

Signed Original

Oil on Canvas

35.4 x 25 in., 1893


Michelangelo Meucci Italian, 1840 – 1900

Meucci was an Italian painter who specialized in paintings of animals, birds and still lifes, including flowers, fruit, and game. He was also known for his trompe-l’oeil paintings. He lived and worked in Florence.

8786

145

CONStANtIN LEROux

Deux Cygnes

Signed Original

Oil on Canvas

34.5 x 46 in.


Constantin Leroux French, 1850 – 1909

Little is known about the background of the artist Constantin Leroux. He painted landscape and genre paintings.

146

EMILE LOuIS MAtHON

Les Rochers dans la Sous-Bois

Signed Original

Oil on Canvas

39.4 x 32.7 in.


Emile Louis Mathon French, 1855 – unknown

Emile Mathon was born in Paris and was a student of Charles Daubigny. He exhibited at the Paris Salon from 1868 to 1887. He often used a thick paste with fresh colors in his landscapes.

His work can be found in museums in Dieppe and Le Havre, France.

8988

147

PIERRE EMMANuEL EuGèNE DAMOYE

La Maison d’Artiste

Signed Original

Oil on Canvas

26.25 x 43.25 in., 1891


Pierre Emmanuel Eugène Damoye French, 1847 – 1916

Pierre Emmanuel Damoye had the privilege, and perhaps luck, of studying under the great leaders of the Barbizon School, Charles François Daubigny and Camille Corot, at the École des Beaux-Arts in Paris. In 1875, the year of Corot’s death, Damoye debuted at his first Salon with a winter landscape. He went on to have a decorated career in the circles of Parisian Salons. He was awarded a third-class medal in 1879, a second-class in 1884, and a gold medal at the Exposition Universelle in 1889. When a new Salon was formed in 1890, the Salon de la Société Nationale, Damoye became one of its founding and most respected members. As part of this important artistic group, Damoye gained his reputation as a true student of the Barbizon masters. In 1893, he was inducted into the Legion of Honor and, in 1900, became part of the Paris Salon jury. Some of his finest paintings were done late in his career, in particular, those of the Pas-de-Calais region between Paris and the English Channel. He is considered among the best followers of the tradition of his teachers Corot and Daubigny.

His works can be seen in the Musée du Louvre, Paris; Musée d’Orsay, Paris; Musée des Beaux-Arts, Bordeaux; Musée des Beaux-Arts, Troyes, France; and the National Museum of Art, Bucharest, Romania. His works can also be seen in museums in the following cities: Antwerp, Belgium; Helsinki, Finland; and Montreal, Canada.

148

NARCISSE DIAz DE LA PEñA

Les Voyageurs du Soir

Signed Original

Oil on Panel

9.5 x 13 in.


Narcisse Virgile Diaz de la Peña French, 1807 – 1876

Born to Spanish political refugees in Bordeaux, France, Narcisse Diaz de la Peña taught himself composition and color by study-ing the great works in the Louvre. In 1836, he met Théodore Rousseau and the two became friends, neighbors, and fellow artists in the village of Barbizon. Rousseau had a strong influence on Diaz, even giving him lessons on how to paint trees. Diaz went regularly to the forest of Fontainebleau to paint; he composed minutely detailed studies, reminiscent of Dutch painting, on the spot, and then used these studies to compose finished pictures in the studio. Although he is considered a leading member of the Barbizon School, Diaz never confined himself to landscape painting. He followed his own instinct—sometimes creating Orientalist compositions and figurative works in his studio, sometimes painting nature en plein air. Although Diaz never settled permanently in Barbizon, he spent most summers there and visited often throughout the year. His first Salon success was in 1844 when he exhibited four paintings and won a third-class medal. The noted critic, Théophile Thoré, praised Diaz’s work for his use of light and found him to be an important colorist. By 1845, Diaz had active followers and was creating works for private patrons; some well-known aristocrats asked him to paint their portraits. His second Salon medal, a second-class award, was received in 1846. Diaz remained popular throughout his career. Diaz reached the height of his fame in 1855 and was regarded as a master landscapist.

His works are in many important collections including: the Musée du Louvre, Paris; Metropolitan Museum of Art, New York; Hermitage Museum, St. Petersburg, Russia; Musée d’Orsay, Paris; National Gallery, London; Wallace Collection, UK; Fine Arts Museums of San Francisco; and the Museum of Fine Arts, Boston.

90 91

149

NARCISSE DIAz DE LA PEñA

Les Fleurs d’Été

Signed Original

Oil on Canvas

15.7 x 11.6 in.


150

EuGèNE ANtOINE SAMuEL LAVIELLE

Fontainebleau, Vaches en Forêt

Signed Original

Oil on Canvas

24.8 x 36.2 in.


Eugène Antoine Samuel Lavieille French, 1820-1889

Eugène Antoine Samuel Lavieille was the younger brother of Jacques Adrien Lavieille and studied under Camille Corot and Justin Lequien. After living in Barbizon, he moved to La Ferté-Milon and then to Montmartre. Lavieille and his close friend Antoine Chintreuil were among Corot’s finest pupils. He is said to have preferred painting nature in a spirit of mourning and sadness; however, this is not representative of many of his paintings. He is best known for having sought, like Charles François Daubigny, to convey the mysterious charm of evening, often with great success. Lavieille was a three-time medal winner in the Paris Salon: in 1849, 1864, and 1870. He exhibited in the first Salon des Refusés in 1863 and was elected Chevalier de la Légion d’Honneur in 1878.

His works are in the collections of the Musée du Louvre, Paris; Musée des Beaux-Arts, Lille; Musée Magnin, Dijon; Musée des Beaux-Arts, Troyes; Musée des Beaux-Arts, Rouen; Musée des Beaux-Arts, Marseille; Musée Condé, Chantilly; and the Musée Ingres, Montauban. In addition, his works can be found in museums in the following French cities: Alençon, Barbizon, Le Mans, Lille, Marseilles, Montpellier, Moulins, Nantes, Narbonne, Rouen and Tourcoing.

9392

151

FRANçOIS MILLEt

Les Glaneuses

Unsigned Original

Oil on Canvas

31.5 x 45 in.


François Millet French, 1851 – 1917

François Millet was the son and student of the renowned artist, Jean-François Millet. He made his debut at the Salon in 1870.

His work can be found in museums in Darmstadt, Germany and Guéret, France.

152

JuLES SCALBERt

Promenade en Barque

Signed Original

Oil on Canvas

51.2 x 80.7 in.


Jules Scalbert French, 1851 – 1928

Jules Scalbert was a student of Isidor Pils and Henri Lehmann. He exhibited at the Salon de Paris from 1876. He also exhibited at the Salon des Artistes Français of which he became a member in 1883. He was awarded an honorable mention in 1889 and third-class medals in both 1891 and 1901.

94 95

153


Les Belles Nostalgies II

Signed Original

Mixed Media on Canvas

25 x 21 in., 2012


154


Miroir I

Signed Original

Mixed Media on Canvas

39 x 31 in., 2011


155

MANEL ALVAREz

Bird Spirit

Signed Original

Marble Sculpture

10 x 26.5 x 10 in., 1979


96 97

156

LEROY NEIMAN

LeMans Grand Prix d’Endurance


Signed Serigraph

28 x 38 in., 2004


157

LEROY NEIMAN

1970 America’s Cup


Signed Serigraph

19 x 30.5 in., 2007


158

LEROY NEIMAN

Leaving the Paddock


Signed Serigraph

18.75 x 38 in., 2008


160

REMBRANDt

Self-Portrait in a Flat Cap and Embroidered Dress

B. 26

Unsigned Etching

4 x 3 in.


Illustrated: Schwartz, Gary, The Complete Etchings of Rembrandt,

Dover Publications, 1988.

159

REMBRANDt

Beggar Man and Beggar Woman Conversing

B. 164

Unsigned Etching

3.9 x 3.5 in.


Illustrated: Schwartz, Gary, The Complete Etchings of Rembrandt,

Dover Publications, 1988.

98 99

161

MANEL ALVAREz

Torso

Signed Original

Marble Sculpture

39 x 9.5 x 4 in., 2006


162

JOAN MIRó

Cahiers d’Art (Red)

D. 14

Unsigned Pochoir

13 x 9.5 in., 1934


Illustrated: Miró Engravings, Volume I, Rizzoli, 1989, pg. 36.

100 101

163

JOAN MIRó

Oda a Joan Miró 5

M. 907


Signed Lithograph

34.5 x 24 in., 1973



164

JOAN MIRó

Valentine’s Day Drawing

Signed Original


11 x 15 in., 1954


103102

165

LEROY NEIMAN

Chez Francis


Signed Serigraph

21 x 28 in., 1997


166

LEROY NEIMAN

International Auction


Signed Serigraph

28 x 38 in., 2005


167

LEROY NEIMAN

Ryder Cup – Medinah


Signed Serigraph

22 x 33 in., 2011


168

LEROY NEIMAN

Jazz Horns


Signed Serigraph

28 x 21 in., 2004


165 166

167

168

169

SALVADOR DALI

Twelve Tribes of Israel: Asher

ML 626

Epreuve d’Artiste


20 x 14 in., 1973



170

SALVADOR DALI

Twelve Tribes of Israel: Dan

ML 627

Epreuve d’Artiste


20 x 14 in., 1973



105104

171

PABLO PICASSO

Tauromaquia: Citando a Banderillas

B. 963 / Ba. 983


Unsigned Etching

11.4 x 14 in., 1957



172

PABLO PICASSO

Tauromaquia: Citando al Toro a Banderillas Sentado

B. 965 / Ba. 985


Unsigned Etching

11.4 x 14 in., 1957



173

PABLO PICASSO

Tauromaquia: El Matador Brinda la Muerte del Toro

B. 966 / Ba. 986


Unsigned Etching

11.4 x 14 in., 1957



174

SALVADOR DALI

Tauromachie Surrèaliste: Les Moulins

ML 155


Signed Heliogravure with Drypoint and Stencil

12.5 x 16.5 in. 1966-67



107106

175

LEROY NEIMAN

Portrait of the Elephant


Signed Serigraph

28 x 21.75 in., 2003


176

LEROY NEIMAN

Zebra Family


Signed Serigraph

28 x 38 in., 1978


177

LEROY NEIMAN

Portrait of the Leopard


Signed Serigraph

24 x 29 in., 1997


175

176

177

109108

178

PIERRE BONCOMPAIN

Terrasse au Melon

Signed Original

Pastel on Paper

25 x 19 in.


179

PIERRE BONCOMPAIN

La Ceinture Jaune

Signed Original

Pastel on Paper

19.5 x 26 in.


180

LEROY NEIMAN

Hunt Rendezvous in Charcoal

Signed Original


21 x 30 in., 1961


111110

181 (facing page)

PABLO PICASSO

Femme au Fauteuil no 1

B. 587


Signed Lithograph

29 x 22 in., 1948


Illustrated: Bloch, Georges, Catalogue de l’Oeuvre Grave et Lithographie, Editions Kornfeld, Vol. I, 1971, pg. 144.

182

PABLO PICASSO

Góngora: Femme de Profil Couronée de Fleurs

Ba. 741


Unsigned Etching

15 x 11 in., 1947



183

PABLO PICASSO

Góngora: Femme Blonde de Profil

Ba. 743


Unsigned Etching

15 x 11 in., 1947



182

181

183

112 113

184

SALVADOR DALI

Aliyah: The Wailing Wall

F 68-1 E


Signed Lithograph

20 x 16 in., 1968



185

SALVADOR DALI

Aliyah: We Shall Go Up at Once

F 68-1 J


Signed Lithograph

20 x 16 in., 1968



186

SALVADOR DALI

Aliyah: On the Shores of Freedom

F 68-1 K


Signed Lithograph

20 x 16 in., 1968



184 185

186

187

JOAN MIRó


D. 856



13.5 x 20 in., 1975



188

JOAN MIRó


D. 860



13.5 x 20 in., 1975



189

JOAN MIRó


D. 861



13.5 x 20 in., 1975



115114

190

LEROY NEIMAN

Union Square Café

Signed Original


10.75 x 13.75 in., 2002


191

LEROY NEIMAN

View from Kathy’s Roof on 9/11

Signed Original


13.5 x 11.25 in., 2001


194

MIHAIL CHEMIAKIN

Shadow with Mirror

Remarque 5


Signed Serigraph on Canvas

36 x 36 in.


193

MIHAIL CHEMIAKIN

Dancing with Fruits

Remarque 5



36 x 36 in.


192

MIHAIL CHEMIAKIN

Iguana

Remarque 2

from an editon of 50


36 x 36 in.


116 117

195

JOAN MIRó


D. 1188



25.5 x 18 in., 1985



196

JOAN MIRó


D. 1189



25.5 x 18 in., 1985



197

JOAN MIRó


D. 1190



25.5 x 18 in., 1985



195 196

197

198

SALVADOR DALI

Carmen: Parody on Micaela

ML 1305


Signed Lithograph

21 x 17 in., 1969



199

SALVADOR DALI

Carmen: Mountain Scene

ML 1317


Signed Lithograph

21 x 17 in., 1969



200

SALVADOR DALI

Carmen: Smugglers’ Meeting

ML 1319


Signed Lithograph

21 x 17 in., 1969



198 199

200

118 119

201

LEROY NEIMAN

Russian Cossack Over Moscow

Signed Original


30 x 24 in., 1968


202 203

204 205

202

PABLO PICASSO

La Célestine

B. 1605 / Ba. 1621


Unsigned Etching

4.5 x 2.25 in., 1971



203

PABLO PICASSO

La Célestine

B. 1616 / Ba. 1632


Unsigned Etching

3.25 x 2.25 in., 1971



204

PABLO PICASSO

La Célestine

B. 1630 / Ba. 1646


Unsigned Etching

2.25 x 3.25 in., 1971



205

PABLO PICASSO

La Célestine

B. 1636 / Ba. 1652


Unsigned Etching

2.25 x 3.25 in., 1971



120 121

206

PABLO PICASSO

Tauromaquia: La Cogida

B. 968 / Ba. 988


Unsigned Etching

11.4 x 14 in., 1957



207

PABLO PICASSO

Tauromaquia: Citando a Matar

B. 969 / Ba. 989


Unsigned Etching

11.4 x 14 in., 1957



208

PABLO PICASSO

Tauromaquia: Despues de la Estocada

B. 971 / Ba. 991


Unsigned Etching

11.4 x 14 in., 1957



209

LEROY NEIMAN

Mark McGwire – Homerun Record II

Signed Original

Oil on Board

12 x 9 in., 1999


123122

210

LEROY NEIMAN

Mark McGwire – Homerun Record VIII

Signed Original

Oil on Board

7.25 x 8.75 in., 1999


211

JOAN MIRó


D. 1187



25.5 x 18 in., 1985



212

JOAN MIRó


D. 1192



25.5 x 18 in., 1985



213

JOAN MIRó


D. 1193



25.5 x 18 in., 1985



214

JOAN MIRó


D. 1194



25.5 x 18 in., 1985



211 212

213 214

124 125

215

217

216

218

219

215

MARC CHAGALL

Bible: End of Abasalom

Plate 72


Unsigned Etching

12 x 9 in., 1956



216

MARC CHAGALL

Bible: Lot and His Daughters

Plate 9


Unsigned Etching

12 x 9 in., 1956



217

MARC CHAGALL

Bible: Mantle of Noah

Plate 5


Unsigned Etching

12 x 9 in., 1956



218

MARC CHAGALL

Bible: The Circumcision

Plate 6


Unsigned Etching

12 x 9 in., 1956



219

MARC CHAGALL

Bible: Death of Saul

Plate 65


Unsigned Etching

12 x 9 in., 1956



126 127

220

PIERRE BONCOMPAIN

Le Lilas du Jardin


Signed Serigraph

35 x 28 in., 1999


221

LEROY NEIMAN

Family Portrait


Signed Serigraph

25 x 24 in., 2005


222

SALVADOR DALI

Divine Comedy – Hell 8

ML 1046


Unsigned Woodcut

16 x 13 in. , 1960



223

SALVADOR DALI


ML 1050


Unsigned Woodcut

16 x 13 in. , 1960



224

SALVADOR DALI


ML 1054


Unsigned Woodcut

16 x 13 in. , 1960



225

SALVADOR DALI


ML 1065


Unsigned Woodcut

16 x 13 in. , 1960



222

224

223

225

129128

226

LEROY NEIMAN

Femlin: Pulling the Shade

Signed Original


12 x 18 in., 1987


227

LEROY NEIMAN

Femlin: At the Computer

Signed Original


11.75 x 20.25 in., 1984


228

LEROY NEIMAN

Femlin: Cell Phone Femlin

Signed Original


16 x 9.25 in., 1999


226

227

228

130 131

229

MARC CHAGALL

Le Cirque – Plate XXV

M. 514


Unsigned Lithograph

16 x 12.5 in., 1967



230

MARC CHAGALL

Le Cirque – Plate XXXIII

M. 520


Unsigned Lithograph

16 x 12.5 in., 1967



231

MARC CHAGALL

Le Cirque – Plate XXXVII

M. 526


Unsigned Lithograph

16 x 12.5 in., 1967



229 230

231

232

233

232

SALVADOR DALI

Carmen: Whoever Carries off Carmen

ML 1320


Signed Lithograph

21 x 17 in., 1969



233

IGOR MEDVEDEV

Gold of Autumn

Signed Original


20 x 60 in., 2008


132 133

234

MANEL ALVAREz

Silla

Signed Original

Marble Sculpture

11 x 28 x 6 in., 2005


235

LEROY NEIMAN

Filly Legs

Signed Original


15.25 x 19.5 in., 1978


236

LEROY NEIMAN

Gerry Mulligan

Signed Original


16 x 12 in.


134 135

237

LEROY NEIMAN

Eamonn McCoughlan, The Great Irish Miler

Signed Original


28 x 22.5 in., 1986


238

LEROY NEIMAN

Jesse Orosco

Signed Original


24 x 18 in., 1984


136 137

239

MIHAIL CHEMIAKIN

Paris Years: Metamorphosis


Signed Lithograph

29 x 20 in.


240

MIHAIL CHEMIAKIN

Homage to Nureyev I


Signed Lithograph

30 x 21 in.


241

MIHAIL CHEMIAKIN

Gendarme et Rebekka


Signed Lithograph

24 x 21 in.


239 240

241

242 243

244 245

242

JOAN MIRó


D. 840



13.5 x 20 in., 1975



243

JOAN MIRó


D. 838



13.5 x 20 in., 1975



244

JOAN MIRó


D. 845



13.5 x 20 in., 1975



245

JOAN MIRó

Le Lezard aux Plumes d’Or 13

M. 821


Signed Lithograph

14 x 20 in., 1971


Illustrated: Joan Miró Lithographs, Volume IV, Maeght, 1981, pg. 167.

138 139

246

StEPHEN HALL

The Choice


Signed Serigraph

22 x 20 in., 1986


247

LEROY NEIMAN

Champagne, New Year’s Eve


Signed Serigraph

24 x 17.75 in., 2006


141140

Appendices:

142

The following, as amended by any posted notices or oral announcements during the sale, constitute the entire terms and conditions on which property listed in the catalogue shall be offered for sale or sold by Franklin Bowles Galleries:

1) As used here, the term bid price means the price at which a lot is hammered down to the purchaser by the auctioneer. The term “purchase price“is defined as the aggregate of (a) the bid price, and (b) a premium of nineteen percent (19%) of the bid price payable by the purchaser, and (c) any applicable shipping charges. Applicable sales tax will be calculated on the “purchase price”, unless the purchaser is exempt by law from the payment any California state or local sales tax (or compensating use tax of another state) and other applicable taxes. Unless exemption from such taxes is established to our satisfaction, any purchasers claiming an exemption will be required to pay the tax to us and seek a refund from the State of California.

2) The auction is open to you at no charge and you may enter or leave at any time during the auction. To bid in person, you must raise your numbered bid card to signify bids. Only one bid is required to make an auction.Franklin Bowles Galleries guarantees that all art sold will be in comparable condition to that shown at previews or at the auction. Articles are sold as-is at the time of the sale. Any reframing will be done at additional cost to the buyer. A bid by any person shall be deemed conclusive proof that the bidder has made himself/herself acquainted with the conditions of sale and agrees to be bound by them.

3) On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot in accordance with all of the conditions set forth herein and thereupon (a) assumes full risk and responsibility, therefore (b) will sign a confirmation of purchase thereof, and (c) will pay the purchase price in full or such part as we may require for all lots purchased. If the purchase price is not paid or the article not removed from the premises by the winning bidder, the auctioneer holds the purchaser responsible for the cost of the article, plus all associated costs of sale and warehousing. The gallery does not provide separate letter of value for the items purchased at auction. Your invoice serves as your letter of value. To prevent missed deliveries and inconvenience in settlement of a purchase, no lot may be transferred. Because many of the artworks sold are fine art limited-edition prints, the auctioneer reserves the right to sell more than one of each lot during the auction. In the case when there is more than one image sold, the auctioneer will decide which bidder takes the art from the auction. The bidder awarded the art will take the art upon departure. All additional pieces sold at auction will be ready for pickup or shipment to the address noted on your auction invoice within six to eight weeks. Shipment of all items purchased will be made to any point designated by the successful bidder pursuant to, and as part of, the contract of sale. Shipping, packing and insurance are at the buyer’s expense. A charge will be incurred for each lot shipped by Franklin Bowles Galleries. $350.00 will be charged for each lot shipped within the United States, and $500.00 will be charged for each lot shipped outside the United States. All shipping charges are due and payable at the conclusion of the auction.

If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to us by law, including, but without limitation to, the right to hold the purchaser liable for the purchase price, we at our option, may cancel the sale, retaining as liquidated damages all payments made by the purchaser, either publicly or privately, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs and expenses of both sales, all other charges due hereunder and incidental damages.

4) We reserve the right to withdraw any property at any time before the actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalogue and no lot shall be divided at sale.

5) We reserve the right to reject a bid from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects.

6) If we are prevented by fire, theft or for any other reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid therefore by the purchaser.

7) Most lots are sold subject to a reserve; a confidential minimum amount for which the seller is willing to sell a work of art. In no case does the reserve exceed the listed gallery price.

8) Franklin Bowles Galleries may bid and assign bid numbers for its own account at any auction (even though it may be required to pay a buyer’s premium or other charges that other bidders may be required to pay) and may have access to information concerning the lots and items contained therein that is not otherwise available to the public. Any conflict of interest or claim of competitive advantage resulting there from is expressly waived by all participants in the sale.

9) Payment terms: All items are to be paid for immediately by (a) Cash, (b) Personal check and approved credit, and/or (c) VISA, MasterCard, American Express, Diners Club or Discover Card. ALL ITEMS ARE SOLD AS IS and ALL SALES ARE FINAL.

ABSENTEE BIDS

If you are unable to attend, and wish to place bids, we will accept absentee bids in advance of sale by telephone, or in writing, on bidding forms available in this catalog or from Franklin Bowles Galleries’ Art Consultants. Buy bids will be accepted. All bids must state the highest bid price the bidder is willing to pay. As noted above, a 19% premium payable by the purchaser will be added to the bid price together with applicable sales tax, packing and insurance. In the event identical bids are submitted, the earliest will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve and bids from the audience. Sale results and selling prices for any lot may be obtained by calling your Art Consultant during normal business hours.

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PL

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Conditions of Sale:

144 145

MANEL ALVAREZ

155 Bird Spirit161 Torso234 Silla

TADASHI ASOMA

52 Autumn Rhapsody

PIERRE BONCOMPAIN

8 Les Primèveres sur le Kilim9 La Ceinture Jaune84 Terrasse d’Été178 Terrasse au Melon179 La Ceinture Jaune220 Le Lilas du Jardin


36 Atmosphere37 Simplement38 La Remontée60 Femme Fleur II61 Femme Fleur III62 Femme Fleur IV153 Les Belles Nostalgies II154 Miroir I

MARC CHAGALL

12 Bible: Oracle Over Babylon13 Bible: Isaiah’s Prayer14 Bible: Elijah and the Widow of Sarepta15 Bible: Anointing of King Solomon16 Bible: David, Vanquisher of Goliath48 Le Cirque – Plate VII49 Le Cirque – Plate IX 50 Le Cirque – Plate XXI82 Odyssey: Combat Between Ulysses and Irus83 Odyssey: Ulysses’ Bow92 Le Cirque – Plate XXVI 93 Le Cirque – Plate XVII

94 Le Cirque – Plate XIX115 Le Square de Paris116 Decouverte de Daphnis par Lamon215 Bible: End of Abasalom216 Bible: Lot and His Daughters217 Bible: Mantle of Noah218 Bible: The Circumcision219 Bible: Death of Saul229 Le Cirque – Plate XXV 230 Le Cirque – Plate XXXIII 231 Le Cirque – Plate XXXVII

MIHAIL CHEMIAKIN

10 Still Life with Fish on Board11 Still Life with Fish and Bread192 Iguana193 Dancing with Fruits194 Shadow with Mirror239 Paris Years: Metamorphosis240 Homage to Nureyev I241 Gendarme et Rebekka

SALVADOR DALI

3 Divine Comedy – Heaven 3 4 Divine Comedy – Heaven 115 Divine Comedy – Heaven 226 Divine Comedy – Heaven 2425 Divine Comedy – Purgatory 4 26 Divine Comedy – Purgatory 1927 Divine Comedy – Purgatory 2228 Divine Comedy – Purgatory 3046 Tristan et Iseult: Le Geant Beliagog47 Les Diners de Gala68 Les Chevaux Daliniens: La Chimère d’Horace69 Les Chevaux Daliniens: Le Centaure de Crete70 Les Chevaux Daliniens: La Victime de la Fête71 Les Chevaux Daliniens: Clauilegnio72 Les Chevaux Daliniens: Le Cheval de Labeur95 Twelve Tribes of Israel: Joseph96 Twelve Tribes of Israel: Zebulun97 Twelve Tribes of Israel: Issachar

106 Aliyah: Aliyah107 Aliyah: A Voice is Heard139 Alice in Wonderland - Complete Portfolio140 Anteater141 Etude de Nu169 Twelve Tribes of Israel: Asher170 Twelve Tribes of Israel: Dan174 Tauromachie Surrèaliste: Les Moulins184 Aliyah: The Wailing Wall185 Aliyah: We Shall Go Up at Once186 Aliyah: On the Shores of Freedom198 Carmen: Parody on Micaela199 Carmen: Mountain Scene200 Carmen: Smugglers’ Meeting222 Divine Comedy – Hell 8223 Divine Comedy – Hell 12224 Divine Comedy – Hell 16225 Divine Comedy – Hell 27232 Carmen: Whoever Carries off Carmen

PIERRE EMMANUEL EUGèNE DAMOYE

147 La Maison d’Artiste

FRANCOISE DEBERDT

63 Les Clowns

NARCISSE DIAZ DE LA PEñA

148 Les Voyageurs du Soir149 Les Fleurs d’Été

LÉON VICTOR DUPRÉ

136 L’Étang près du Village

ECOLE FRANçAISE

135 Pêche près de la Cõte

PAULE GOBILLARD

134 La Leçon de Piano

STEPHEN HALL

246 The Choice

DIANA HANSEN

51 Dancer I53 Deer Dance

HEINRICH HARTUNG

132 Cerisiers

WILLEM CLAESZ HEDA (AFTER)

123 Still Life with Lemon Rind

LARRY HOROWITZ

1 Sienna Shadows2 Pleasant Bay

LOUIS GABRIEL EUGèNE ISABEY (ATTRIBUTED TO)

120 Pêcheurs près de la Falaise d’Étretat

MARINUS ADRIANUS KOEKKOEK

131 La Rivière en fin d’Après-Midi

HENDRIK BAREND KOEKKOEK

133 Pauses d’un Chasseur dans la Forêt

ELISABETH LÉONIE LACOSTE

138 Les Élégantes dans la Forêt

EUGèNE ANTOINE SAMUEL LAVIELLE

150 Fontainebleau, Vaches en Forêt

IndexARTIST • LOT NUMBER • TITLE

146 147

CONSTANTIN LEROUX

145 Deux Cygnes

EMILE LOUIS MATHON

146 Les Rochers dans la Sous-Bois

HENRI MATISSE

39 Ronsard: Florilege des Amours Plate 840 Ronsard: Florilege des Amours Plate 4141 Ronsard: Florilege des Amours Plate 3942 Ronsard: Florilege des Amours Plate 6443 Ronsard: Florilege des Amours Plate 42

IGOR MEDVEDEV

7 Fuengirola, Spain54 Desert Sun55 Nocturne XIV56 Red Dawn57 Magic Maze111 Golden Bough112 White Lace113 Fields114 Nest233 Gold of Autumn

LEV MESHBERG

73 Vivaldi’s Venice I110 Flowers for You

MICHELANGELO MEUCCI

144 Les Fruits de l’Été

GEORGES MICHEL (ATTRIBUTED TO)

121 Retour à la Tombée de la Nuit

FRANçOIS MILLET

151 Les Glaneuses

JOAN MIRó

21 Passage Egyptienne 122 Passage Egyptienne 223 Passage Egyptienne 324 Passage Egyptienne 433 Càntic del Sol - Plate 234 Càntic del Sol - Plate 635 Càntic del Sol - Plate 7 44 Passage Egyptienne 545 Passage Egyptienne 679 Càntic del Sol – Plate 2180 Càntic del Sol – Plate 2381 Càntic del Sol – Plate 14102 Les Penalités de l’Enfer 9103 Les Pénalites de l’Enfer 10104 Les Penalités de l’Enfer 13105 Les Pénalites de l’Enfer 22124 Règne Végétal125 Le Rebelle126 Le Matador130 Le Somnambule162 Cahiers d’Art (Red)163 Oda a Joan Miró 5164 Valentine’s Day Drawing187 Càntic del Sol – Plate 19188 Càntic del Sol – Plate 24189 Càntic del Sol – Plate 25195 Passage Egyptienne 7196 Passage Egyptienne 8197 Passage Egyptienne 9211 Passage Egyptienne 10212 Passage Egyptienne 11213 Passage Egyptienne 12214 Passage Egyptienne 13242 Càntic del Sol – Plate 3243 Càntic del Sol – Plate 5244 Càntic del Sol – Plate 9 245 Le Lezard aux Plumes d’Or 13

LEROY NEIMAN

29 Mickey Mantle30 The DiMaggio Cut31 Mark McGwire32 Femlin: Hand Massage58 April at Augusta59 Sixteenth at Cypress64 Soccer65 Three Figures66 Café de Paris, Rome67 Spike Lee74 High Seas Sailing II75 Café Deux Magots76 Lion and Lioness77 Charging Bull78 Rhino88 Steve Hegg, Cyclist89 LeRoy Neiman’s Corvette90 Nicole Miller91 Woman on a Beach98 Resting Lion99 Resting Tiger100 Femlin: Cell Phone Call101 Femlin: Heart-Shaped Chair108 Sugar on 42nd109 Matador: Luis Miguel Dominguin142 Jockey143 Polo156 LeMans Grand Prix d’Endurance157 1970 America’s Cup158 Leaving the Paddock165 Chez Francis166 International Auction167 Ryder Cup - Medinah168 Jazz Horns175 Portrait of the Elephant176 Zebra Family177 Portrait of the Leopard180 Hunt Rendezvous in Charcoal190 Union Square Café191 View from Kathy’s Roof on 9/11201 Russian Cossack Over Moscow209 Mark McGwire – Homerun Record II

210 Mark McGwire – Homerun Record VIII221 Family Portrait226 Femlin: Pulling the Shade227 Femlin: At the Computer228 Femlin: Cell Phone Femlin235 Filly Legs236 Gerry Mulligan237 Eamonn McCoughlan, The Great Irish Miler238 Jesse Orosco247 Champagne, New Year’s Eve

PABLO PICASSO

17 La Célestine18 La Célestine19 La Célestine20 La Célestine85 Tauromaquia: El Arrastre86 Tauromaquia: El Torero Sale en Hombros de los Aficionados87 Tauromaquia: El Picador Obligando al Toro117 Femme Nue à la Source118 Portrait de Jacqueline à la Fraise127 Untitled Collage128 Jacqueline de Profil à Droite129 Françoise171 Tauromaquia: Citando a Banderillas172 Tauromaquia: Citando al Toro a Banderillas Sentado173 Tauromaquia: El Matador Brinda la Muerte del Toro181 Femme au Fauteuil no 1182 Góngora: Femme de Profil Couronée de Fleurs183 Góngora: Femme Blonde de Profil202 La Célestine203 La Célestine204 La Célestine205 La Célestine206 Tauromaquia: La Cogida207 Tauromaquia: Citando a Matar208 Tauromaquia: Despues de la Estocada


148


Project Managers: Emilee Enders, Alex GleasonPhotography: Scott SaracenoCatalog Design: Susan Tsuchiya

Front cover: Lot 96, Salvador Dali, Twelve Tribes of Israel: Zebulun

Pages 140-141: Lot 143, LeRoy Neiman, Polo (detail)

Pages 144-145: Lot 124, Joan Miró, Règne Végétal (detail)

Pages 146-147: Lot 189, Joan Miró, Càntic del Sol – Plate 25 (detail)

Page 148: Lot 104, Joan Miró, Les Penalités de l’Enfer 13 (detail)

Back cover: Lot 130, Joan Miró, Le Somnambule

LUDOvIC PIETTE

119 Les Enfants au bord du Ruisseau

DOMINIqUE ROzIER

137 Petit Déjeuner

HENRI SAINTIN

122 Bergère et son Troupeau à l’Orée de la Forêt

JULES SCALBERT

152 Promenade en Barque

REMBRANDT

159 Beggar Man and Beggar Woman Conversing160 Self-Portrait in a Flat Cap and Embroidered Dress

F R A N K L I N

B O W L E S

G A L L E R I E S

SAN FRANCISCO

765/799 Beach StreetSan Francisco CA 94109

349 Geary StreetSan Francisco CA 94102

415.441.8008 / 800.926.9535

NEW YORK

431 West BroadwayNew York NY 10012

212.226.1616 / 800.926.9537

www.franklinbowlesgallery.com

$40

Summer Fine Art Auction, June 2014

Documents

Transcript of Summer Fine Art Auction, June 2014