Sub String Bridge Score
description
Transcript of Sub String Bridge Score
-
&&
47
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45
47
47
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F . .
b
2
VII
P
...
3
F . .
b
4
V
P
...
Pedal gliss
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2 3
j# .
XII
Pedal gliss
.
F
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45
45
c
c
7
!
7
5
3
F
...b
6
P
V Pedal gliss
w
wf7
!
j# .XII
8
Pedal gliss
J
#
J
b
b
# 4
XII
FVII
9
&
&
45
45
c
c
11
11 b#ggggg
P
V
10
"
b
Pedal gliss
.F11
5Loco
3
fb
# .XII
Pedal gliss
J
b
jbPedal gliss
J
#
n #
3
#b
XII
bVII
#V
12
&
&
c
c
43
43
"15 #
15
bbb
gggggPedal gliss ......
#b
#bgggggVII
P13
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!
wwwwwwb#gggggggg
U
14
6
Loco
-1-
SubString Bridge
q = 60
Cue nr:s
Sound stop Sample start
Sample stop
for Guitar and computer interactions ke Parmerud 1999
Sounding E
Sounding A
Additive expansionfrom sounding A# Gliss sound
Granulated chord
ComputerSounds
for Mats BergstrmComissioned by Svenska Rikskonserter
Scordatura
-
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43
43
c
c
18 j# #Pedal gliss
jn
18 . rXII j# J .
VII
!p
!
J
n
b
b
J
#
n # R
J
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J
b
b b
f
bVII #V .XII bVII
15
F b
& 47 4620
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ggggggggg16
P
V"
. r!p
Loco
.f
b#Thumb slap17
......
j! n #
yF
18
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&
&
46
46
45
45
23
Pedal gliss
# #
23 b # 19
7
f
3 .
.#XII
&
&
45
45
43
43
c
c~~~~~~~~~~
24
J
#
n #Pedal gliss
J
b
n b
24
j
3
j##V bVII
j j j accell.
j j j j j .#20
8
& c 4626 b # .#
21
3
# f
b#ggggggg
9
Fn
22
#
-2-
Granulation (cont.)
Sounding A
Additive buildup
-
& 4628
F
!
#IV
10
P
V
23
.3
VII
& c30 b
2
24
2 jb
F
Vib. j 3
0
0
b4
2 2
P
Vib. 4
# # n0 b 21 VII
25
4
& 42~~~~~~~~~~~~~
32
0
b
2
0
1 b 2
6
0
3
1
22
0
0
#VII
Vib.
2
2
b nXII
26
XII
27
11
3
# b b .Fb
&
&
42
42
86
86
83
83
43
43
42
42~~~
34
"
34
"
"
# #jb .
5 0
f # .
"
.b
j JPedal gliss
j#
F b
nf
VII
FJ
XII
J
& 42 c 45~~~~~ ~~
38
# # b
f
3
6
a a b . .b
28
F f# b
w29
12
P
-3-
New sample Sounding D
Sound stop
Freely, singing...
Sample (cont.)
Granular time-stretch
New sample sounding G
Sample sounding G
Granular chord
Filter process
-
& 45 42 45 4341 j
F
r
30
P!
3
F
0
4
0
b4
b1
.f31
0 2
XIIj #
3
0
F
b 2 bVII
4
bV
32
3
&
&
43
43
42
42
c
c
44 j JPedal gliss
44
b0
3
0
0 b -
3
33
13
f
3
.0
nF
1
4
b .j
VII
P
j# #
J# XII
34
& c 8746
XII
F
poco pi mosso
b 0 n 1 4 0 b
VII
4 2
4 # 3 #4
3
VII XII j #^
2
35
f
& 87 42 c47 #
0 1 b2
F
0 VII XII
f
4 1 A2
2 0 0
bF
2
4
j .14 #
f
1 0 0 3
1 .1
3
1 4 Gliss1
& c49
36
0
f
1
P
-4-
Sample (cont.)
Sounding Bb
Granular chord process
-
&50
P
p
!3
4
Gliss
& 8551
f
!
p 3
f
Gliss
& 85 82 c52
3
3
v
.#XII
37
3
b
4
n
3
2
#
3
3
2
1
.J#15
f
3
b 1
F
62
b3
b
& c 45 42 4654
38
.#F
# .3
b
4
P
0
b1
n2
0
b v
4
3
F
6
1
#P
9
n # b
39
n r.
16
p . .
& 46 45 4257
F
0
2
1
b0
Gliss
4
3
b3
3
0
#4
#1
n4
3
0
0
#
0 b#,gggggggg
XII
40
VII
f#
XIIVII XII #VII XII VII XII 3 #
VII V .#III
41
-5-
q = 96
Granular process (cont.)
Sample (cont.)
Granular time-stretch Gliss to sounding G#
Sounding F
-
& 42 45 46~~~~ ~~~~~59
3
#5
wb
42
17
F f #
.b
b
F
f
5
& 4662
#
5
jb
4
j Sim.
j j j j F
j j j j 3
f
& 85 c63
bSim.
P
3
b ! 3
b 3
f
3
3
& c 86 4265
#18
b
Sim.
p
3
b 3
3
f
b 3
3
3
bF!
& 42 85 c 4267 b# .
Rasg.
43
3
b 6
b J
b#.
Rasg.
XII
6
b b ! 6
# b .#XII
44
19
F.
-6-
Stop sampleSounding A#
Sample (cont.) Sample sounding D
-
& 42 c 42 c70 VII
6
bXII
4
.V
45
6
! rb
f
3
Gliss
46
XII
#F
VII
b
bXII
& c 8674
3V
6
JVII
5
47
6
f
1
b
4
1
Gliss.
1
3
#
48
0
#XII
F
5
VII6
bXII
4 V VII
XII #VII
49
P
& 86 85 c76 J
jb#ggggggggg
50
20
F#
.#XII
VII .b
XII
#
V bGliss. VII XII j# # V
m.d.
# XII
& 45 c
"
79 # VII XII
b#gggggggg
VII
f
#bggggggggg
V
6
1
#4
5
0
2
b0
0
......
ggggggg
XII
51
21
b
# 52
& c 4681
VII
F b
3
2 # 1 0 2
1 0 4 # 3
3
2 1 2
Gliss
2 2 4
Gliss
4 b4 2
0 0XII
2
bV
4
nVII XII #VII V
53
P
-7-
Modulation process
Fx 1Sample sounding D
q = 60
Sounding D
-
& 46 c 45 4283
!22
accel.
f54
XII3
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U
& 42 c86 XII
55f
2 jb 3 XII
F#
# .jP
w56
!
& 43 c90
57
3
Faccel.
23
XII
bVII
b Sim.
"
0
0
b0
& 42 4693
b F
Poco rit.
$
!
& 46 43 c95
58
24 JXII
fj JGliss
2
0
b jF
3 0 3f
b XII 4
P
0
#3
F Jb n n
VII
P
XII ....
59
-8-
Continious development ->
Fx 3
Fx 2
Fx 3
Modulation time-stretch
Granulation sounding G
Fx2
Fx4
-
& c 4597
accel.f
25
XII3
!
U
60
& 45 4399
XII
0
2
0
b3
Fjn #
2
Gliss
4
P
VII
Poco rit.
J
&
&
43
43
45
45
47
47
46
46
101
"
101
#F j
"
a tempo
61
26
Pb
Poco rit.
J
Pedal gliss
j .
.XII
a tempoF
JVII
p
& 46 43 47104
P
bXII
p
62
F
jb 2
F
27 j XII VII
Gliss
& 47 c106
.u
4
0
0
4
Sim.
63
#
-9-
Mixed process
Granular modulation
Fx3
-
&&
c
c
43
43
47
47
c
c
107
!
107
!
Pedal gliss
XII
f28
jb 2 3 #F
j #P
. .w F64
. .wb"
& c111
65
3
2 4 b2
F
p
F
&112 b
p
b b
F
P
f
& 43113
P0
0
0
& 43 46114
#
& 46 c115 b #
......wwwwwwbp
66
accel.
f67
29
XII3
#
U
-10-
Fx 2
Granulated chord Granulation sounding G
Resynthesized chord
Granulation (cont..)
Fx 5
Granulation
Granulation sounding C
-
&118
b#VII
68
f
3 1
p
& 45119
bV
69
6
f 2
1
6
6
6
!
"
& 47 46121
b#gggggg
VII
P70
XII
71
30 p
bVII
XII bV XII VII
.
XII VII
!
P
& 46124
p
gggg. .
ggg www
-11-
Additive chord mirror
Resynthesized chord
Mixed process
Fx 7
Fx 8
Fx6