Stylus Phantasticus ((((2012)

KATHRYN SALFELDER

Kon Brio Music (ASCAP)

www.kathrynsalfelder.com

Program Note:

Stylus Phantasticus is inspired by Buxtehude's Toccata in D minor, BuxWV 155. Composer and organist Dietrich

Buxtehude (1637-1707) is best known today for his toccatas, preludes, and chorale settings. These works are staples

of the organ repertoire, and frequently performed in both sacred church settings and concert recitals.

Toccata in D minor is an example of the North German "stylus phantasticus." Seventeenth-century theorist

Athanasius Kircher describes this style as "the most free and unrestrained method of composing; it is bound to

nothing, neither to words nor to a melodic subject." Toccatas composed in this tradition typically alternate between

fantasy-like free sections, where the performer is expected to take many liberties in tempo and ornamentation, and

stricter fugues and contrapuntal sections. Like its namesake, Stylus Phantasticus alternates between free and strict

forms, allowing for players' individual expression while also incorporating principles of Baroque counterpoint.

Buxtehude's Toccata in D minor can be heard throughout, prominently displayed in direct quotations, lurking in the

shadows, disguised in florid ornamentation -- but always present in spirit.

Stylus Phantasticus was commissioned by the Western Michigan University Symphonic Band, Robert Spradling,

conductor, in celebration of the School of Music Centennial.

Performance Notes:

Accidentals remain in effect for the duration of the measure, at the octave in which they occur. They are sometimes

rewritten within a measure for clarity.

Dotted slurs indicate phrasing.

Performance time: c. 7'30"

To the Conductor:

Stylus Phantasticus is intended to be performed one-on-a-part. Additional woodwind doublings are at the conductor’s

discretion.

The conductor leads the stage ensemble, which performs throughout at either = 120 or = 60.

Regarding the antiphonal players/ensemble:

� A predetermined cue (imperceptible to the audience) should be used to begin the piece.

� Thereafter, the antiphonal players/ensemble are not cued by the conductor. There are extensive cues in the

individual player's parts.

� Trumpet 1 serves as the leader of the rear antiphonal brass ensemble; this brass nonet, or any subdivision

thereof, performs together as a chamber music ensemble.

� In sections with multiple tempi, the vertical alignment in the conductor's score is approximate.

Instrumentation

Stage Ensemble (conducted):

Piccolo

Flute 1 & 2

Oboe 1 & 2

English Horn

Eb Soprano Clarinet

Bb Clarinet 1, 2 & 3

Bb Bass Clarinet

Bassoon 1 & 2

Contrabassoon

Bb Soprano Saxophone

Eb Alto Saxophone

Bb Tenor Saxophone

Eb Baritone Saxophone

Bb Trumpet 1, 2 & 3

Horn in F 1, 2, 3 & 4

Trombone 1 & 2

Bass Trombone

Euphonium

Tuba

String Bass

Timpani

Percussion 1: Marimba (5 octave, shared with Perc. 2), Woodblocks (5), Bass Drum

Percussion 2: Marimba (5 octave, shared with Perc. 1), Large Tam-tam, Med. Temple Block

^Antiphonal Trumpet in Bb (Left)

^Antiphonal Trumpet in Bb (Right)

^^Antiphonal Brass Ensemble (Rear Balcony):

^^Bb Trumpet 1, 2 & 3

^^Horn in F 1 & 2

^^Trombone 1 & 2

^^Bass Trombone

^^Tuba

N.b. ^ or ^^ preceding an instrument name or abbreviation in the score denotes an antiphonal player.

Seating Diagram

Audience

Stage Ensemble

Antiphonal Brass Ensemble

(Rear Balcony)

Antiphonal

Tpt. (L)

(Balcony)

Antiphonal

Tpt. (R)

(Balcony)

Copyright © 2012 Kon Brio Music (ASCAP) International Copyright secured. All Rights Reserved.

Copying or reproducing this publication in whole or in part violates the Federal Copyright Law

^^Trumpet in Bb 1

q = 1204

f

f

f più f

q = ca. 72

f

fq = 1204

Piccolo Flute 1

pp

Flute 2 Oboe 1 Oboe 2

English Horn

Clarinet in Eb pp

Clarinet in Bb 1 pp

Clarinet in Bb 2 pp

Clarinet in Bb 3 pp

Bs. Clarinet in Bb p

Bassoon 1

Bassoon 2

p

Contrabassoon p

Soprano Sax Alto Sax

Tenor Sax Baritone Sax

Trumpet in Bb 1 Trumpet in Bb 2 Trumpet in Bb 3

Horn in F 1 Horn in F 2 Horn in F 3 Horn in F 4 Trombone 1 Trombone 2

Bass Trombone Euphonium

Tuba

Double Bass p

^Trumpet in Bb (Left)

Solo

^Trumpet in Bb (Right)

Solo

Solo

Transposed ScoreCommissioned by the Western Michigan University Symphonic Band, Robert Spradling, conductor,

in celebration of the School of Music Centennial

Kathryn Salfelder (2012)

Stylus Phantasticus

^^Trumpet in Bb 2 Solo

mp più f

^^Trumpet in Bb 3Solo

più f

Timpani

pp

dampen

Perc. 1 (Marimba,5 Wdblks, B.D.)

Marimba pp

soft/med. yarns

Perc. 2 (Marimba,Tam-tam, T. Blk)

Marimba

p

very soft yarns

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

^Tpt. (L)

^Tpt. (R)

^^Tpt. 1

^^Tpt. 2

^^Tpt. 3

Timp.

Mar.

Mar.

7

mp p mf p p

mf p p

pp mp

pp mp

pp mp

p ppmp p mf

p p

p ppmp p mf

p p

p ppmp p mf

p p

p ppmp p mf p

p

pp mp

pp mp

f

f

f

mf

mp

p pp mp p mf p p

freely, molto rubato

poco marc.3

freely, molto rubatopoco marc.

3 3

3

freely, molto rubato

poco marc.

3 3

(slowly turn 90 degrees to your left, to face stage)

(slowly turn 90 degrees to your right, to face stage)

dampen dampen

To Tam-tam

Stylus phantasticus

2

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

W.B.

T. Bl.

4039

mf

mpmf poco f

f

mf poco ff

mpmf poco f

f

mp mf poco f f

mp mf poco f f

40

solo

To Marimba

Stylus phantasticus

7

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

W.B.

T. Bl.

mf

Prismatic4645

mf

mf

p

p

p p

p p mp

mf p

p mp mf

p mp mf

p

p

mp

mp

pp mp

ppmp

p mp mf

mf

mf

Prismatic46

pp mp

pizz.

^Tpt. (L)

poco marc.

^Tpt. (R)

poco marc.

Marimbamed. yarns(R)

To Marimba

Stylus phantasticus

8

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

^Tpt. (L)

^Tpt. (R)

Timp.

Mar.

Mar.

mf f

Aggressively5351

f

p

p

mf f

mf f

mf f f

f

f

f

f

f

f

f

f

mf f

mf f

mf f

mf f

f

mp p

mp

Aggressively53

f

Stylus phantasticus

9

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

Mar.

58

p sub

f

f

f

fp sub

fp sub

f f

f f

f

f

straight mute

straight mute

metal mute

metal mute

Stylus phantasticus

10

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

Mar.

6764

mp sub poco a poco cresc.

f mf

p f

mf

f mp sub poco a poco cresc.

f mp subpoco a poco cresc.

fp sub f mp sub poco a poco cresc.

fp sub f mp sub poco a poco cresc.

f

f

f

f

ff

ff

67

3

3

3

open, leggiero

open, leggiero

leggiero

straight mute

leggiero

straight mute

Stylus phantasticus

11

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

Mar.

ff

70

f

cresc. f

ff

ff

ff

f ff

mf cresc. f

f

f ff

f

f

f

p mp

p

p

p

f

fmp

mp

3 3

3

3 3 3

3 3

3

3

3 33

3 3

3

3

3 3 3 3 3

3

3 3 3

open

open

open

Stylus phantasticus

12

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

B. Tbn.

Euph.

f f

q = ca. 56- 60

75

f f

f f

f f

f f

f f

f f

f f

f f

f f

f f

f ff

ff

f

f sempre

On Cue, Intensely (q = 120)76

f sempre

f sempre

f sempre

f sempre

f sempre

f

mf

mf

3 33

3 3

3 3

3 3

3 3 3

3 3 3

3 3 3

3

3

3 3

3

3 3

3

3

3

3 3

3

3 3

3

Euphonium

^^Tpt. 1 sempre marc.

sempre marc.

^^Tpt. 2

^^Tpt. 3 sempre marc.

^^Hn. 1 sempre marc.

^^Hn. 2 sempre marc.

sempre marc.

^^Tbn. 1

marc.

^^Tbn. 2

marc.

^^B. Tbn.

marc.^^Tba.

Stylus phantasticus

13

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Bsn. 1

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Db.

^Tpt. 1

^Tpt. 2

^Tpt. 3

^Hn. 1

^Hn. 2

^Tbn. 1

^Tbn. 2

^B. Tbn.

^Tba.

Timp.

Mar.

Mar.

f

(q = 120)

8380

f

f

f

f

f

f pp

f pp

pp

pp

f

f pp sempre

f pp sempre

f pp sempre

f

(q = 120)

83

3

3

3

3

3

3

3

3

Cl. 2

Cl. 3

3

sotto voce, leggiero

3

sotto voce, leggiero

3

sotto voce, leggiero

3

3

marc.

Stylus phantasticus

14

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

Mar.

pp mp pp

8786

pp mp pp

pp mp pp

pp mp pp

pp mp pp pp

pp mp pp pp

pp mp pp pp

pp mp pp pp

p

p

pp sempre

pp sempre

pp sempre

pp sempre

pp sempre

p

p

87

sotto voce, leggiero

straight mute

straight mute

straight mute

metal mute

pizz.

Stylus phantasticus

15

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

Mar.

pp mp pp pp mf

9792

pp mp pp pp mf

pp mp pp pp mf

pp mp pp pp mf

mp pp

ppp mp pp

mp pp ppp mp pp

mp pp ppp mp pp

mp pp ppp mp pp

mp

mp

p

97

solo

solo open

open

solo

Stylus phantasticus

16

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

Mar.

mf p pp

99

mf p pp

mf p pp

mf p pp

mf p pp

mf p pp

mf p

mf p

mf pp

mf

mf mp

mf mp

mf mp

p f p

pf

p

p fp

pp mf

mf mf

mf

(straight mute)

open

(muted)

solo, espr.

Stylus phantasticus

17

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

Mar.

pp mp p pp mp

pp mp p pp mp

pp mp p pp mp

pp mp p pp mp

pp mp p

pp pp

pp pp

mp

mp

mp

mp

p mp

mp p mp

p p

105

5 5

cantabile

cantabile

cantabile

cantabile

solo, espr.

solo, espr.

arco 5 5

105

Stylus phantasticus

18

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

Mar.

113

pp

pp

pp

pp

mp f

f

f

mf f mff

mf f mf f

mf f mf f

f mf f

mf

mf

mf

cantabile

open

arco

Stylus phantasticus

19

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

Mar.

Mysteriously120

p

mp p

mp

mp p

mp

mp

p

p

mp p

p

Mysteriously120

p pp

p

solo

solo

solo

pp

soft/med. yarns

p

leggiero

Marimbavery soft yarns to Temple Block

Stylus phantasticus

20

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

T. Bl.

127126

p

p

p

mp p

p

127

mp p pp

solo

To B. D.

Stylus phantasticus

21

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

T. Bl.

133132

mp

p

p

p

mp

p p

p

133

Stylus phantasticus

22

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

T. Bl.

mf

Joyous!140138

mf

mf

mf

mf

mf

mf

mf

mf

mf

mf

mf

mf

mf

mf

mp

Joyous!140

leggiero

leggiero

leggiero

leggiero

leggiero

leggiero

leggiero

leggiero

leggiero

leggiero

^Tpt. (L) Follow stage conductor

leggiero

^Tpt. (R) Follow stage conductor

leggiero

^^Tpt. 1 Follow stage conductor

straight mute

^^Tpt. 2 Follow stage conductor

^^Tpt. 3 Follow stage conductor

Stylus phantasticus

23

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

^Tpt. (L)

^Tpt. (R)

^^Tpt. 1

^^Tpt. 2

^^Tpt. 3

Timp.

Mar.

T. Bl.

148144

f

f

f

f

f

f

f

f

f

f

f

f

f f

f

f

f

f mf

f mf

f

f

f

f f

mp n mp

mp

148

leggiero

leggiero

leggiero

leggiero

leggiero

leggiero

sostenuto leggiero

sostenuto

sostenuto

sostenuto

sostenuto

sostenuto

sostenuto

open, sostenuto

solo

sostenuto leggiero

3

3

3

3 3

straight mute

straight mute

Stylus phantasticus

24

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

^^Tpt. 1

^^Tpt. 2

^^Tpt. 3

^^Hn. 1

^^Hn. 2

^^Tbn. 1

^^Tbn. 2

^^B. Tbn.

^^Tba.

Timp.

Mar.

T. Bl.

q = 60molto rit. 153

151

f

f

f

f

f

f

f

f

f

f

f

ff mf f

f

p f

mp p f

f

f

f f

f

f

f

q = 60molto rit. 153

= 60

3

open

f

bell tones

open articulate bell tones

open

Follow stage conductor

Follow stage conductor

Follow stage conductorarticulate

Follow stage conductorbell tones

Follow stage conductor

Follow stage conductor

Stylus phantasticus

25

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

^^Tpt. 1

^^Tpt. 2

^^Tpt. 3

^^Hn. 1

^^Hn. 2

^^Tbn. 1

^^Tbn. 2

^^B. Tbn.

^^Tba.

T. Bl.

q = 120161

157

f

f

f

ff f

ff f

f

f

f

f f f f f

f f f

f f f

f f

f f

q = 120161

Trumpet in Bb (L) = ca. 90poco marc.

= ca. 112

Trumpet in Bb (R)

poco marc.

= ca. 90

articulate

( = 60)

(resume independence)

= ca. 120poco marc.

bell tones

(resume independence)poco marc.

= ca. 120

articulate

( = 60)

( = 60)

Stylus phantasticus

26

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

^Tpt. (R)

^^Tpt. 2

^^Tpt. 3

^^B. Tbn.

^^Tba.

T. Bl.

f mf

166162

mf f

mff

f mf f

f

f mf f

f

f f

f mf mf f

mf mp mf

f

f

f

f

mf

mp

mp

mp

mp

f

mf

166

3 3 3

3

3

3

3

3

3

3

= ca. 120

Temple Block

Stylus phantasticus

27

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

T. Bl.

mf f

167

f mf f

f mf f

f mf f

f mf f

p f

f f mfmf f

ff p f

p f

f p f

mf

fp mp mf f

p mp mf f ff

p mp

f p mf f

f mp mf

mp mf

p mp

mp p

mp p

mp p

pp

3

3

3

3 3

3

3

3

Stylus phantasticus

28

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

Mar.

T.-t.

ff ff

q = 60

172 175

f ffff ff

f ff

f ff

f ff

f

f ff

f ff

fff

f ff

ff

f

ff

ff

f

f

f ff

ff

f ff

f ff

f ff

mf ff

mf ff

mf ff

mfff

f ff

f ff

fff

f ff

ff

ff

mp f

q = 60

172175

p f

sf p f

6 6 6 6 6

legato

6 6 6 6 6

legato

legato

legato

legato

legato

legato

legato

legato

legato

legato

legato

legato

Bass Drum

Large Tam-tam

Stylus phantasticus

29

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

Timp.

B. D.

T.-t.

176

mp pp

n

ff

p mf p

p mf p

p mf p

ff mp

ff

p sub

p sub

p mf p

mf p

mfp

mp

mp

mp

p mf f p mf p

p f

p fp mf p

solo, cantabile

(one player)

6

6

6

solo, cantabile

6

rubato, espr.

= ca. 72

^Tpt. (L)

rubato, espr. = ca. 72

^^Tpt. 1

= ca. 60straight mutepoco marc.

^^Tpt. 2straight mutepoco marc.

^^Tpt. 3straight mutepoco marc.

Marimba very soft yarns

^Tpt. (R)

Stylus phantasticus

30

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.

Sop. Sax.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Db.

^^Tpt. 1

^^Tpt. 2

^^Tpt. 3

Timp.

B. D.

Mar.

ff

182180

mp ff

ff

p fff

p fff

p fff

ff p fff

mp ff p fff

ff p fff

ff p fff

p mf pmp f pp fff

p mf p mp fpp fff

p mf p mp f pp fff

mp f pp fff

p fff

p fff

p fff

pp fff

f

f

f

p fff

f

p fff

f

mp f p fff

mp f p fff

mp f pp fff

mp f p fff

mp f pp fff

p mf pmp f pp fff

n

p mf p mp f pp fff

182

pp fff

p mf p

solo

rubato, espr.(spatial notation - freely)

rit. and fade out

sostenuto 3

Stylus phantasticus

31