String quartet no2
22
Donald Man-Ching Yu STRING QUARTET NO 2 “HEAD ON VORTEX” for 2 violins, viola and cello
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Transcript of String quartet no2
Donald Man-Ching Yu
STRING QUARTET NO 2
“HEAD ON VORTEX”
for 2 violins, viola and cello
: The bow of the violin gradually increases its pressure on string so as to produce a sort of scratchy
sound effect, and then gradually release the pressure back to normal.
: Vibrato should be played as apparent as possible, reflecting the fluctuation of pitches apparently. Sul pont: Playing near the bridge
Tremolo and glissando should be played at the same time.
Pizzcato bending the pitches downward (semitonally) or upward (semitonally)
Programme Notes: The music is inspired by the modern Chinese Arts “Head on Vortex”. The music begins with several pitch centers while gradually blending with dissonant sound effects expressively. Soon, the music builds up to a climax where saturation of chromatic materials emerge. After that, a contrasting section occur which provides some mysterious sound effects to some extent. The central section is characterized by micropolyphonic materials and tend to be rather indeterministic rhythmically. Following that is another contrasting section which recapitulate the materials of the previous contrasting section. Upon reaching another climax, the music brings back the preliminary materials while fading out quietly.
Source: http://dailyserving.com/2010/08/cai-guo-qiang/02-cai-guo-qiang-head-on-vortex/
Duration: 11 minutes
Violin 1
Violin 2
Viola
Cello
q = 80
:
:overpressure norm.
overpressure
overpressure norm. overpressure
overpressure
Vln. 1
Vln. 2
Vla.
Vlc.
9 norm.
norm.
overpressure norm.
wide vibrato
wide vibrato
overpressure
overpressure norm.
norm. overpressure
overpressure norm.
œN
œ
norm.
String Quartet No. 2 "Head on Vortex"
Expressively and Dramatically
Man-Ching Donald Yu
Vln. 1
Vln. 2
Vla.
Vlc.
16
œ
norm.
œ
overpressure
overpressure
œi œI
norm.
norm.
œi œ
overpressure
overpressurenorm.
œN
norm.
Vln. 1
Vln. 2
Vla.
Vlc.
22
3 3
œ
norm.
norm.3
œi
overpressure
œI
overpressure norm.
sul pont
œ œN
ord.
sul pont
œN
ord.
6
pizz.
pizz.arco
2
Vln. 1
Vln. 2
Vla.
Vlc.
28
5
pizz.
arcopizz.
6
5
arco
pizz.
pizz.
sul pontord.
arco
6
pizz.
arco
pizz. arco
3
6
5
arco
pizz. arco
pizz. arco
Vln. 1
Vln. 2
Vla.
Vlc.
32
66
pizz.
pizz.arco
arcosul pont
6
rœb r
œ
pizz.
pizz.
pizz. arco
ord.
5
rœb r
œbpizz.
pizz.
5
3 arco
sul pont
3
Vln. 1
Vln. 2
Vla.
Vlc.
37
6 6
6
6
arco
sul pont
wide vibrato 5 5
open
sul pont
6 6
sul pont
Vln. 1
Vln. 2
Vla.
Vlc.
40
5 5
5 5
ord.
6 6
5 5 5 5
5 5 5 5
ord.
5 5
4
Vln. 1
Vln. 2
Vla.
Vlc.
43
6 6 6 6
5 5 5 5
sul pont
sul pont
6 6 6 6
5 5 5 5
5 5 5 5
pizz.
sul pont
Vln. 1
Vln. 2
Vla.
Vlc.
45
6 6 7 7
5 5 6 6
5 5 5 5
5 5 5
sul pont
sul pont
sul pontarco 6 6 6 6
5
Vln. 1
Vln. 2
Vla.
Vlc.
47
6 6 6 6
5 5 5 5
b
n
n
b
b
#
n
ord.
ord.
ord.
ord.
accel.....................................................................................................................................................................................................
accel.....................................................................................................................................................................................................
6 6 6 6
5 5 5 5
&
accel.....................................................................................................................................................................................................
accel.....................................................................................................................................................................................................
&
A Tempo
A Tempo
Vln. 1
Vln. 2
Vla.
Vlc.
52
Mysteriously
Mysteriously
q = 60:
?pizz.
#
b
n
n
b
b
arco
#
b
n
n
b
b
arco
6
Vln. 1
Vln. 2
Vla.
Vlc.
60
B
rœpizz.
3
rœb
pizz.
wide vibrato
wide vibrato
& B
pizz.
G# vibrato
Vln. 1
Vln. 2
Vla.
Vlc.
67
b n
#
arcoarco
œ}
œI
3
#
#
#
œI
œ
3
pizz.
œ
I œ
G# vibrato
œI
œ
arco
arco
7
Vln. 1
Vln. 2
Vla.
Vlc.
74
7
pizz.
sul pont
7
arcosul pont
ord.
ord.
7
sul pont
Vln. 1
Vln. 2
Vla.
Vlc.
79
7
sul pont
7
7
7
ord.
8
Vln. 1
Vln. 2
Vla.
Vlc.
85
ord.
overpressure
7
norm.
6
6
7
Vln. 1
Vln. 2
Vla.
Vlc.
89
6 6
6
6 7
7
9
Vln. 1
Vln. 2
Vla.
Vlc.
92
6 6 6 6
7
6
7
6 6 6
6
7
Vln. 1
Vln. 2
Vla.
Vlc.
94
6 6 6 6
6
6
6
6
6
6 6 6 6
66 6 6
10
Vln. 1
Vln. 2
Vla.
Vlc.
96
6 6 6 6
6 6 6 6
6 6 6 6
66 6 6
Vln. 1
Vln. 2
Vla.
Vlc.
98
6 6 6 6
6 6 6 6
6 6 6 6
66 6 6
11
From mm.96-107, a bit asychronously, however, it would be
necessary that Vln and Vla part start playing glissando together, so as the Vln and Vlc part, and thus the dotted bar-line serve as some sort of orientation in this regard.
In m. 102, all parts need to start together for preparing the ongoing passage.
Vln. 1
Vln. 2
Vla.
Vlc.
100
6 6 6 6
pizz.
niente
niente
pizz.
6 6 6 6
6 6 6 6arco
arco
Vln. 1
Vln. 2
Vla.
Vlc.
103 œI
œ
œN œN&
7
œN œI
œ
œI œ
3
6
6
Iœ œ
3
6 6 6 6arco
12
Vln. 1
Vln. 2
Vla.
Vlc.
106
3
6
6
6 6
&
Start getting all parts together and synchronusly in m.107
œ} œi}
3
œI
3 3
Vln. 1
Vln. 2
Vla.
Vlc.
112
œ}
œi
œi
overpressure
5
B
?
pizz.
pizz.
norm.
13
Vln. 1
Vln. 2
Vla.
Vlc.
1183
arco
arco
Vln. 1
Vln. 2
Vla.
Vlc.
125
3
#b
#b
7 6 5
q = 80 Back to the first tempo
3
7 6 5
14
Vln. 1
Vln. 2
Vla.
Vlc.
129
3 3
wide vibrato
3
3
3 3
Vln. 1
Vln. 2
Vla.
Vlc.
132
3 3
5 6 6
5 6 6
5 5 5 5
5 5 5 5
5 5 5 5
15
Vln. 1
Vln. 2
Vla.
Vlc.
135
55 5 5
5 5 6 6
55 6 6
6 6 6 6
6
6 6 6
66 6 6
Vln. 1
Vln. 2
Vla.
Vlc.
138
6 6 6 6
6 6 6 6
6 6 6 6
6 6 6 6
6 6 6 6
7 7 7 7
16
Vln. 1
Vln. 2
Vla.
Vlc.
141
7 7 7 7
&
&œi
Vln. 1
Vln. 2
Vla.
Vlc.
146
œi
œ
œ
œI
sul pont
sul pont
BœI
œI
?œI
17
Vln. 1
Vln. 2
Vla.
Vlc.
154
&
ord.
niente
Vln. 1
Vln. 2
Vla.
Vlc.
167
?
sul pont
sul pont
sul pont
n. n. n.n. n.
n.
n.
18
