Storytelling: Tales of Tactical Magic
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Transcript of Storytelling: Tales of Tactical Magic
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The following Information is incomplete, out of context and for the most part illegally obtained.
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VIEWER DISCRETION IS ADVISEDThe following Information is incomplete, out of context and for the most part illegally obtained.
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ULEC 2920 1.1
STORYTELLINGTALES OF TACTICAL MAGIC
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ULEC 2920 1.1
STORYTELLINGTALES OF TACTICAL MAGIC
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STRATEGIESTechniques of the empowered
or
Space takes the appearance of an immutable truth through strategies,
or the establishing it, shoring it up, naming it, identifying its borders, and maintaing it. Jamer Hunt
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TACTICSWays of constructing alternatives
or
Stolen moments of creativity & freedom, clipped from the cycles of routine Jamer Hunt
Those who discover an explanation are often those who construct its representation. Edward Tufte
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MAGICIANS...contriving illusions about cause and effect and then in turn
explaining techniques of illusion production.
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STORYTELLINGtactics to interpret + construct knowledge
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LAND
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MEMORYNegotiations born into and out of society:
time . place
past . present
agency . structure
speaker . listener
spoken . unspoken
fact . fiction.
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FACT vs. FICTION“...(the novel) examines not reality but existence. Existence is not what has occurred...(rather) the realm of human possibilities, everything that man can become, everything he’s capable of. Novelists draw up the map of existence by discovering this or that possibility...A novel that does not discover a hitherto unknown segment of existence is immoral. Knowledge is the novelist’s only morality.” Milan Kundera, The Art of the Novel
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FACT + FICTION“The idea that [science fiction] does not merely anticipate but actively shapes technological futures through its effect on the collective imagination”
“Science fiction visions appear as prototypes for future technological environments”
Dourish, P. and Bell, G. To appear. “Resistance is Futile”: Reading Science Fiction Alongside Ubiquitous
Computing. Personal and Ubiquitous Computing.
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TH E A MOUNT OF INFORMATION CONTAINED IN A MESSAGE DEPENDS
DON’TBELIEVEA WORDON WHERE IT OR IG INATES AND ON ITS PROBABIL ITY.
Crow, David. Visible Signs: An Introduction to Semiotics in the Visual Arts. Lausanne: AVA Academia, 2010. p. 167.